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Viewing: Blog Posts Tagged with: Dress, Most Recent at Top [Help]
Results 1 - 25 of 25
1. Oxford Shirtdress

Lisette Traveler Dress

Here’s one of my best sewing creations yet, from this Lisette pattern (the Traveler dress). Yet another pink-ish dress!

Lisette Traveler Pattern

It took me a long time, but I did it! The buttonholes were the scariest part, but turns out my sewing machine salesman was right: if you practice twelve times (on the appropriate fabric) you can make them beautifully.

I made no alterations to the pattern other than to leave off the bottom pockets and to use two different sizes for the top and bottom (aha! That’s why I have trouble fitting in store-bought dresses).

Didn’t my kids do a good job with the photos?

Lisette Shirt Dress

Pattern: Simplicity 2246 by Liesl Gibson

Fabric: pinklish oxford cloth from an open-air market in Germany

Earrings: Ron Cravens

Belt: Target

Boots: Bruno Premi (no, you can’t have them!)


14 Comments on Oxford Shirtdress, last added: 11/5/2013
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2. Linen Lisette Passport Dress

Lisette Portfolio Dress

This dress is fairly Eastery for September, but that didn’t stop me from wearing it when I finished it last weekend.

It’s a whole lotta pink! A little girlier than I’d intended. I just can’t seem to stop picking up pink fabric.

Linen sundress

The pattern is the Lisette Passport Dress (Simplicity 2209) by Liesl Gibson. While it’s not a particularly intricate pattern, it’s the most ambitious one I’ve sewn so far, and I’m really happy with how it turned out. It’s not perfect, but I’m proud of the finishing work and the fitting I did. Special thanks to my friend Amy G., seamster extraordinaire, who helped me figure out how to shorten the straps after I’d already completely finished them. That was the trickiest bit.

I had read that inserting the zipper as instructed was frustrating, so I ended up using an invisible zipper and this tutorial instead.

Besides the zipper part, the directions are very good, better than most commercial patterns I’ve used recently.

Pink Linen Sundress

The linen fabric came from the fabric market in Hannover, Germany from when we lived there. Silver necklace from silversmith Gaines Kiker in Blowing Rock, NC. Silver earrings from a shop in Brookline, MA—-they’re over 10 years old so I don’t remember the name, sorry. Belt from Marshalls.

I’m already cutting out another version of the dress—if I can just figure out how to line it.  For more of my sewing, click here.

In other news, I’ve really been getting into my nonfiction book project. So good to feel it finally starting to gel. A hint: it has to do with fashion.

Coming up on the blog: green beans! Craft books! All kinds of thrills.

Linen Lisette Passport Dress


2 Comments on Linen Lisette Passport Dress, last added: 10/13/2013
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3. Self-Dyed Silk Anda Dress

Dyed Silk Anda Dress

Tada! I finally worked up the nerve to finish this dress, after lots of fear over working with silk. It’s got plenty of flaws (ahem, wonky tonky hem), but I’ve gone ahead and declared it wearable because…I like it anyway. After all that work, I’m not resigning it to the closet.

The silk (crepe?) was gifted to me by a friend who was moving. The original color, blue-grey, was a bit too pale for me, so I overdyed it (click here for before and after). That was over a year ago!

I cut the pattern out way too big, I think overcompensating for fit issues in my first Anda, which was a wee bit snug in the booty. So then I had to cut the silk version down, but  when I finished, the sleeves stuck out in the oddest, ugliest way. I’ve since learned how to use bias tape better—-that might’ve been the problem. Great bias tape tutorial here at Collette Patterns.

I cut off the sleeves and used the bias tape as a facing, which worked much better.

Silk Anda Dress

I’ve worked on the hem some since these pictures were taken, and I will keep tweaking, but I don’t know if it’s ever going to be just so. I’m okay with that. I found another tutorial at Collette Patterns about rolled hems, but it’s too late to re-do this one completely.

I have to say, working with silk really is tricky, but I think I learned a few things, and I’d try it again. If you’re sewing with silk, another helpful resource is Sunni of A Fashionable Stitch. She offers helpful silk sewing tips here. Now I need a tutorial on ironing silk. I swear, I did iron it before these photos were taken.

Pattern: Burda Anda, with modifications

Sandals: gift from my friend (via Vietnam via Texas via Germany)

Necklace: a gift from my in-laws.

Photographers: my kids (5 and 9) Didn’t they do a great job? My primary photographer was, um, watching golf and could not be disturbed.

For more of my sewing, check out this link. This was my third Anda, the second being a linen colorblock one. I’m sure I’ll make more Andas, but I think it’s about time for me to move on to something else.

Have a great weekend! And oh, if you’re into Instagram, I’m finally actually using it, so you can find me there at emilysmithpearce. I’d love to see you there.


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4. Linen Colorblock Sundress

Linen Colorblock Dress

Here’s one of many projects that has been mostly finished for a long time. It’s finally wearable! It’s based loosely on the Burda Anda pattern, like the one I made here.

As with my previous version, I petitified it using existing clothing as a guide. This version is color-blocked, obviously, with no sleeves. I used a top from my closet to guide armhole sizing. I lowered the waist a bit and used elastic on the inside, rather than an outer drawstring casing like the pattern calls for.

I also used the bias tape as a facing rather than as an exposed detail. The tutorial for doing this with the Sorbetto top was very, very helpful and applicable to any number of projects. It’s not as tricky as it might sound, if you’ve used bias tape before. I’m beginning to get the hang of the bias tape thing. It’s really handy once you get used to it.

Lastly, I made a self belt, a little wider and shorter this time than last.

The reddish linen came from the bargain booth at the Hannover, Germany Stoffmarkt last June. The cream-colored linen was a remnant given to me by a friend. Earrings by Claire’s, circa the dark ages, and the wooden beaded necklace was a gift from my Granny a bajillion years ago. I want to say she picked it up on a trip to Israel.

I have to say I’m pretty happy with the dress. Think I’ll wear this one a lot. I’ve almost finished another Anda-inspired dress, if I can find my sewing scissors, so hopefully I can share that soon.

If you want to see some of my other sewing projects, click here.

Linen Sundress


2 Comments on Linen Colorblock Sundress, last added: 5/22/2013
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5. The Flying Dress

Anyone remember Sally Field in The Flying Nun? It’s a ridciculous show from the late 1960s. Ms. Field plays a nun with an enormous cornette (headpiece for her habit) that, yes, helps her fly. Hard to believe it was ever made into a show.

When I first finished it, this dress looked like it was going to launch me into the friendly skies. I had sized the pattern down a bit, but I guess I didn’t size down the cap sleeves. That, and stiffness of the double layered fabric gave me wings.

So, I hacked them down. I’ve worn it several times (when it was warmer), but I didn’t get the sizing quite right and it kind of pops open when I sit down. So attractive. And I made loads of mistakes on the dress. I may retire it now, but all in all, I’m pretty proud of it. I’d never made anything with so many buttons. Or persevered through so many mistakes and such a horrible pattern. And the sizing, while off, was still a good exercise—it almost worked.

Please, I beg you, don’t ever use this free pattern from Bernina. I was going to link to it, but really, I don’t even want you to know where it exists. It costs you more time than the free-ness is worth.

I found it through Kathleen Frances’s excellent sewing blog, grosgrain. I love her Frock by Friday sewalongs, but this one, as Kathleen herself says, is just a bad pattern.

That said, I love a shirtdress, and they’re hard to find in different colors, so I may try again with this pattern. If I’m feeling brave.

Speaking of failed sewing projects, here’s one from a favorite blogger. It’s great to know other people fail. And to remember you’ll never get good at most anything if you’re not willing to fall on your face a lot.

In other news, I had some amazing baked oatmeal the other weekend at our cousins’ house. Must try. Related to that, I finally got from the library the book Vintage Cakes because of this blog post about the oatmeal cake with coconut. It looks like so my thing.

Have a great weekend!


6 Comments on The Flying Dress, last added: 11/28/2012
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6. Dinos Do Dress-up (and groceries)


Well, it just so happens I have illustrated a Dinosaur Book for Red Robin Books, Don't Invite Dinosaurs to Dinner, written by Neil Griffiths. It came out in Jan 2012.

2 Comments on Dinos Do Dress-up (and groceries), last added: 11/7/2012
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7. Can You Spot the Differences?

I'm getting to the point in this panel where changes are smaller, so they may not be so obvious - little things here and there.


The most obvious addition was to start mapping out the wine bottle on the table.  I plan to add something else on the table, but I haven't decided what exactly that's going to be (decisions, decisions).  Also, you might notice that I've finally filled in the red dress, bringing that closer to completion. 

Less obvious is the repaint touch-up of the purple grapes that was needed after previous adjusting of the figures.  Also, I detailed the male figure's hand that's resting on the table - it had no definition and just blended in with the tabletop.


Last, but not least, I mixed up a darker dark for the grape leaves to add some deeper shadows and more contrast.  Happier with the look of it now, but I may add another dark before the job is done.

One revelation that I had tonight was how much focused thought goes into painting (for me anyway).  I know this because it seems that whenever I go out to paint, I am followed by a couple of kids - one that feels the need to be talking about everything that passes through her head (and this from the one we wondered if she would every talk)!  I love having my kids by my side, but it's very hard to think about what I'm doing AND respond to her.  I don't think I ever realized just how focused I am when working.  I am now thinking that when my art class students are busy working, I should probably just shut up because they're probably not listening to anything I'm saying.


My other painting partner likes to buzz around on her own.  But, tonight she thought it would be fun to "help" with the mural.  She has her own paint brush, used to Disney Dumbo book as a "palette," climbed up on the step ladder, and got to work.

Future muralists of America - UNITE!

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8. Pajama Top Hats and a Nightgown Dress

Here are a few items I finished up for Kid’s Clothing Week over at elsie marley. I made them the same way I did this hat except this time I cut out the picture I wanted and appliqued it on the hats. These are all made from outgrown pajama tops, though the little dog applique came from a normal, completely wrecked, but favorite T-shirt.

Here in Germany it has just now gotten really warm, but before that, the kids needed spring hats while biking. These thin ones are perfect for tucking under a helmet.

Next up is a dress for my 8-year-old, or is it a nightgown, or is it a shirt for me? We haven’t decided. It started out life cut out to be a Go-To Dress from The Train to Crazy, like this one. But the fabric is really too stretchy and thin to work very well for that pattern, so I thought I’d make it into a nightgown by adding knit bindings. By the way, very good knit binding instructions here.

The knit bindings were kind of wide so they ended up looking more like a funnel neck and sleeves, which is fine. And bonus!–the whole thing fits over my head and works as a top. Maybe I’ll steal it.

I’m pretty happy with how it turned out, seeing as how it sat so long just cut out and being nothing and seemed to have no future.

A few more sewing items to come as well as pics from the Waldorf basar. We’ve been doing some exploring nearby within Germany, so hope to share more about that soon. It’s only about 6 weeks now until we move back to the U.S. I can’t believe it.


4 Comments on Pajama Top Hats and a Nightgown Dress, last added: 5/24/2012
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9. 30 Days of Innovation #2: Get a New Wardrobe

Because of my job I get to travel around to conferences and meetings and talk with librarians all over the place. Wherever I am I spend a lot of time discussing advocacy and the importance of helping members of a community understand the value of teen services. We frequently talk about the image that people have of librarians and how that image is often not based in reality. We also discuss how hard it is to change how people see librarians and libraries.

During these trips and in these conversations, it often feels a bit strange because I’ll be talking to someone about library and librarian image and that person will be wearing a book t-shirt with a cute saying, or book earrings or necklace (or both), or a book themed-watch, or….. you get the idea. I don’t believe I can say during these conversations, “Have you ever thought about the image you portray by wearing book related clothing and accessories?” Even though I really really really want to.

I know it’s fun to have these pieces of clothing and accessories. Sure, it’s entertaining to see them at conferences. But in the outside world when we are working with community members and need to be seen as professionals who are knowledgable about teens, the world they live in, and the way to help connect them to an array of “stuff” (from people to materials to each other to librarians), the book-themed clothing and accessories just has to go. I’d say when at work, whether hanging out with teens or at a meeting with the town council, even wearing just one piece of jewelry that has a book theme is not going to help you gain the respect you deserve.

Think about it: if we want people of all ages in the community to stop thinking of libraries as a place just for physical materials, then we have to stop promoting the library that way. If we want community members to see librarians as well-educated in all things teen and as people who have a strong understanding of education, youth development, and so on, then we have to stop dressing up in book-wear. Cute, book-related attire is not the way to get the message across, to anyone and everyone, that the library is a place that supports teens in their acquisition of skills of all kinds and is a strong and important educational link in the community

For those who know me and are asking, “Would she say the same thing about cute technology-based clothing and jewelry?” the answer is “Yes, I would.” Anything that focuses on one aspect of what a library staff member is passionate about, whether it be a social media t-shirt or a book necklace is a bad idea. Just think about who that clothing or accessory connects to in the community. It likely only connects to one portion of who you serve – teens or adults. If wearing book-themed attire is common in your library, what does that say to teens who are not book focused?

Making sure that community members take libraries and librarians seriously is a key aspect of the job of all library staff members. It requires being able to talk about what teens get out of what we do for and with them. It requires an understanding of youth development, education, literacy, and more. It requires holding back on tendencies to show your passion through clothing and accessories. It requires knowing what not to wear.

Innovation in the clothing of those working with teens doesn’t mean dressing like a teen and it doesn’t mean wearing cute theme-based pieces. Instead, it means getting outside of the library and book box in your dress and thinking about how you present the value of teen services to community members through your wardrobe. It may seem crazy to call this innovative, but if you’ve seen as many library-themed outfits as I have you know that it certainly is. Take the plunge and be professionally innovative in your wardrobe. It will be good for you, and for the teens that you serve.

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10. {Dress Parade} Holiday Pink, 1920s Style

I made this dress several weeks ago, strictly on a whim, inspired by a wee baby’s dress I found at a yard sale and a blouse spied on Pinterest (via Casey).  In my excitement and haste, I went about things rather haphazardly, throwing all caution to the wind.  It’s made in a typical 1920s fashion, the skirt is created from a series of squares and rectangles sewn in various ways, not wasting too much fabric.  2 rectangles for the front and back, 2 slits cut into each, and a triangle (half a square) set into each slit is all the skirt is, easy to do but looks extra nice.

While I love wearing silk georgette, I simply do not like sewing with it (see my dress using this fabric).  The nude fabric inset’s seams are a bit wonky.  I think if I had planned better and not rushed, stabilized the fabric (or something) it would have turned nicer.  All I can say is the next time I do a fabric inset like this, it won’t be with georgette!  The bodice and hem are finished with a zigzag stitch and the back closes with a single vintage button (that I forgot to photography).   I like to think it looks like an actual vintage garment and not something newly created.

But, despite the issues, I adore this dress.  Unlike many projects I have sewn, I wore this out and about–to the pet store of all places…ha!  Why wait for a fancy occasion to wear a fancy dress?  And the color is gorgeous.  I’m not sure how it looks on your monitor but I would describe it as salmon pink.

I have other sewing projects in the queue (as usual) that I hope to continue working on this weekend but I’m also going to start a knitting project, something I haven’t done in quite a while.  (And it’s all I can think about even though it was 98 degrees yesterday!)  I bought a skein of the prettiest mermaid green yarn that I’ll use to make this little scarflette.  I’m just going to ease into knitting slowly before I jump into anything more complicated!

Have a splendid weekend.

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11. So Much Potential in This Little Packet of Dusty, Yellowed Paper

I have been checking my mailbox at least twice a day for the past 4 days, waiting for this to arrive.  (OK, not yesterday as it was Sunday–and Easter!–though I was thinking how I looked forward to Monday, of all days, to check the mailbox again.)  I don’t know, I just get that way about things sometimes.

PICTORIAL PRINTED PATTERNS (#5802).  Yes, it is quite small in size, even for me.  But I think I’ll just need to widen it in the bodice to make it work.  And yes, I can see it is a girls’ pattern, but I am young at heart, right?  This can totally translate into a pretty grown-up dress, even for a grown-up who has just discovered–just this morning, actually–even more grey hairs whilst tying up said hair in a ponytail?  (Yes, I have hair enough to do that now; with my bangs cut short it looks a little bit like the one sported by Audrey Hepburn in Funny Face–if you don’t mind me making such a comparison!)  Anyway, made up in some voile this dress would be so perfect for spring/summer.  And since it’s a ’20s-style dress (1925 to be exact), the construction should be relatively easy with no closures and such.  (Listed under notions: Thread–that’s it!  No zippers or snaps or buttons to mess with.  Yay!)

Oh, I have to share with you some of the text, one of my favorite things about vintage patterns.  The description reads as follows…

GIRLS’ AND JUNIORS’ FROCK.  A bouffant skirt, made in three horizontal, gathered sections, lends a party-like air to this frock.  [Goodie!  I like parties.]  It may be made sleeveless with the cape collar [!] or with puffed sleeves which carryout the quaint feeling.  [Hee hee.]  Ribbon is suggested for the neck bow and tie-belt.  [Okie-dokie, got it.]

Oh also, suggested materials is always a fun read…

MATERIALS SUITABLE

1.  Taffeta, Organdy, Batiste

2. Organdy, Taffeta, Dimity

3. Georgette, Cottons

Celanese, rayon, Bemberg or A.B.C. Fabrics in some of the above materials.

(I do believe the numbers are referencing the views, or versions, this pattern comes in.  I’m not entirely sure what the last line is referencing but I’ve included it nonetheless.)

You will not be surprised to learn this pattern has moved up in my queue of new frock to-dos!  I really hope this is a simple as it seems in my sewing fantasy.  Wouldn’t it be lovely in Georgette as well, perhaps with the bodice and first tier in one (light) color, then the second tier in a dark shade and the last tier even darker than that?  Sort of like faux-ombre, or perhaps like the gradual change in color that happens in the petals in a rose?

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12. 5 dresses for Kate

By Justyna Zajac and Michelle Rafferty


The Royal Wedding is days away and every detail – from the regal breakfast to the honeymoon – is under scrutiny. But we think there’s only one thing that really matters: the dress. So, we’ve taken it upon ourselves to select a few options for Miss Kate. In the off-chance she turns us down, we’ve paired up other celebrity brides-to-be with these charming gowns. Pictures and historical facts courtesy of The Berg Fashion Library.

Artist/Maker: Emenson, ca. 1970
We hope that “Kate the Great” soars in her new role as princess, and she literally can, with
these wing-like sleeves and a 188 cm long cape, eh train, 188 cm long train.
Back-up celebrity: If Kate vetos, we recommend this one for Natalie
Portman (she was after all, a much better white swan).

Artist/Maker: Created for the Corvin Department Store in 1943 (Hungary)
We think the white georgette embroidered apron is a nice way for Kate to let the
people of England know she will never forget her “humble” roots.
Back-up celebrity: Jessica Simpson (we hear she’s on the lookout for a
low-cut dress
, which for the 40s this was).

Artist/Maker: Victor Edelstein, 1987 (Great Britain)
Newsweek recently stated: “In a world gone to hell – thank God, a wedding.”
We couldn’t agree more. This a gift to the world, so lets put a bow on it (see: enormous bow above).
Back-up celebrity: Amy Adams (lest we forget her princess flair).

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13. Go-To Dress

 

I started this dress for my daughter way back in September, during kids clothes week challenge hosted over at elsiemarley, one of my favorite blogs. The idea of the challenge is that for one week you’re supposed to spend an hour a day doing some kind of work on your sewing projects for kids. I did work on the dress every day for a week, but I didn’t get so far, and since then have been pecking away at it for a few minutes at a time. Finally my daughter said, “Why don’t you just give it to me for Christmas?” Ummm….okay. She’s six.

This was my first time sewing anything much with knits. The free pattern is from the blog The Train to Crazy, which has lots of other great stuff as well. It’s a really cute pattern—–the trickiest part is getting the waist elastic done properly, which requires zigzag topstitching, gathering, and elastic placement, all at the same spot. Mine is definitely not perfect in that area, but you know, it’s knit, it’s a playdress, and who cares. I’m sure you can find other mistakes if you’re looking, but please, don’t look that closely. I don’t think my daughter will. Sorry I can’t show a picture of her in it since she hasn’t seen the finished product yet.

I got the fabric from the local stoffemarkt (fabric market) in Hannover, which comes through a few times a year. It was a good deal, and I have the mirror image of the dress already cut out and ready to go, if I can get motivated. I didn’t end up being in love with the color combo. I think I might like the mirror image more.

I read up on knits before starting: good tutorials here and here. It boils down to using the right stitch (according to your machine), a special knit needle, and a fabric stabilizer. I couldn’t find any fabric stabilizer in Hannover, so I used a lot of regular old starch, which worked fine. It definitely made a difference in the ease of sewing. I have a very basic Necchi sewing machine, which has a few stitch options which are great for knits. Love that machine. If you live in Charlotte, NC, you can buy one at Himebaugh’s. They are so nice there.


2 Comments on Go-To Dress, last added: 12/8/2010
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14. Dress Parade {Holiday Part 2}

I meant to post this sooner but last week just flew by and then this weekend – eek!  Worked late Friday night, cleaned all day Saturday and Sunday was spent doing shop stuff which is fun but a lot of work all the same.  Which reminds me – I’ve sold out of Silhouette Holiday cards for this year!  Thank you, thank you, thank you so much.  Now I wish I had ordered more, I hate to turn away lovely customers.  I’ll plan to issue more holiday cards for next season.

Anyway, on to the fun stuff: this dress!  Don’t you LOVE the color?  The picture doesn’t do it justice, the color is so vibrant and rich.  Overall I’m really happy with it.  After years of sewing for myself I now seem to be getting the hang of choosing the right fabric and pattern combinations to make something I’d actually wear in public.

Before I forget, some outfit notes in case you’re wondering:

  • Merino ribbed cardi: Banana Republic (probably from 10 years ago!)
  • Butterfly brooch: Mama’s Little Babies
  • Handbag: vintage (my favorite cozy weather bag)
  • Tights: Hansel from Basel (Finally, I was able to afford these because they were on sale.  I spied them on the lovely Lost in the Forest blog (April’s outfits are hugely inspiring and full of personality and fable).
  • Shoes: Operetta by Fluevog (They’ve had this style for years and years.  These were my “I’ll eat rice for a month so I can buy them” basic black heels.)

I actually wore this outfit the other night when husband and I went out for dinner.  The cardigan is a little snug for this loose 1920s style but I think it works for the most part.  I like the black with the green regardless.

This photo (above) probably best represents the color.  The silk georgette was pretty easy to sew, surprisingly, but not very fun to cut.  So very slippery. I’m sure if you were to lay the pattern pieces on what I cut out, they’d be way off.  Oh well.  Here is the pattern, Butterick #1223:

It’s a junior’s or girls’ dress.  These styles don’t have much shaping anyway so the fit was mostly good.  I followed the pattern except for the capelet.  I like the idea of a capelet but I wanted something less dramatic and created the ruffle from the same pattern piece.  At first I thought it might look clownish but it really works with the cardigan.  I also didn’t follow the directions exactly where it came to putting the front and back together; I couldn’t understand the instructions and winged it.

Oh and I did tweak the keyhole a bit too.  Initially it was just a slit that was to be covered up by the capelet but I rounded it out and extended it, to make it more like a regular keyhole.  I don’t know if it was this change or the

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15. Dress Parade {Holiday Part 1}

I know, the last time I was going on and on about dresses it was about little smocks and such.  But you’ll be proud of me because one of these dresses (the above one, actually) is one that I started a year ago, so at least I’m making myself finish what I start!

My intention was to wear this number last Thanksgiving in Texas during our grand “series of fortunate events.”  And while my husband’s family was planning most of the reception activity I was far too frazzled to focus on sewing this dress, especially when the sleeves stopped cooperating.  I finally decided, a year later, to finish it or give it up which was enough motivation to figure out the sleeve issue (ones I drafted myself) and apply the finishing touches.

This is Du Barry 2506B.  Hands down, one of my favorite patterns.  The sleeves in real life were too puffy for me so that’s why I had to change them.  The bow at the neckline was not quite as sweet as the one shown so I used this corally-colored satin ribbon instead.  At first I thought, perhaps, it looked too much like a Girl Scout or pilgrim dress but in these photos I quite like it.  The dark brown dotted swiss is really soft and so comfortable.  I omitted the belt because it looks fine with out it but I can always make one later on.

The next dress is quite different:

I had to blow out the photos because the fabric is so dark; it’s a midnight blue rose-pattern lace.  It’s the kind of lace that has a nice weight and drape and may be a cotton blend (similar to my wedding dress).   I ended up using a slightly darker Petersham (grosgrain) ribbon and kept the look monochromatic.

This style is a departure from my normal look, at least in terms of the sleeves.  I’ve seen them called “wingsleeves” before although I’m not sure if that’s the official term.  Very popular in the 1940s and ’50s they always struck me as being a little bit masculine or angular and therefore was never that appealing.  Over the last few years, however, quite a few vintage patterns with such sleeves have found their way into my stash and I might as well give them a try!

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16. Dress Parade (Yellow, Part 2)

yel-floral_twin

I’ve had this dress for almost a year, picked it up for $15 at the antique market.   It is almost a relief to have finally done my fixes on this dress; clothes are really moving from the to do rack to the closet!  I really love this dress, I feel really at home in it.

Here’s a look at the before:

yel-floral-before

A 1970s version of a 1930s dress.  You can’t see it in the photos but the little flowers are flocked which I love (not much flocking left but still counts for something).  There’s absolutely nothing wrong with the style, only it needed some repairs here and there.  But for the most part I don’t like high necklines; I feel too closed up.  And the sleeves were shortened in a slapdash fashion by its previous tenant (Hmm, I sense a trend) so I had to do something about that.

yel-floral_close

This is what I did:

  • Cut out and lowered the neckline; removed neck facing that was clearly visible under the sheer fabric.
  • Added a pleated Petersham collar that I tacked down by hand. (The stitches seem very obvious to me even though I tried my best to not sew too tightly; I might redo it but it’s fine for now.)
  • Cut the sleeves down, leaving a little bit of the previously gathered fabric which I hemmed creating little ruffles.
  • Fixed some general wonkiness around the bust seam.
  • Cut off the lace and ruffle at the hem and shortened the skirt.  I considered fixing and re-attaching the ruffle but decided I liked the simplicity of the plain hem.
  • The ties were very much uneven so I shortened one. (I did not match the lengths exactly as I don’t see a problem with them being off just a little.)
  • Fastened a little brooch to the neckline (from Seventh Muse).  I’ve fashioned other things like a yellow velvet bow and such which I can switch out at will!

yel-floral_collar

I have to say I quite enjoy detailing all the repairs and alterations I do to my vintage finds and I hope you do too!  I think so, and I find your comments very kind and encouraging.  Thank you.

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17. Dressing up

This is my latest dress I've sewn. I made a few before this one but this is the first one I'm really happy with. When I started making my own dresses I made up my own patterns. I cut apart a simple dress I liked and used that as a starting point. I made changes to the shaping, added a waistband and neck band, moved the zipper and made the skirt more flared. I liked this new basic shape so much I made a few dresses with that design but it wasn't perfect so I wanted to try using a pattern.
I've found that vintage patterns have lots of good details that have helped me learn a lot about dress construction. I particularly love 1950s and early 1960s dresses with their pretty shaping, charming details and swishy skirts. Fortunately thanks to the glorious Mad Men, so does everyone else and there are lots of great vintage patterns on offer.

So I picked a basic vintage pattern (Simplicity 5022) to start creating my new dress pattern. I found it in an etsy shop called Sew This Patterns, here.
It had a basic fitted bodice which I adjusted for size. Vintage patterns don't need to be exactly the right size, if you're patient you can tweak the pattern to fit you perfectly. My vintage sewing books recommended making a muslin sample of the bodice using your pattern and then make adjustments until it fits perfectly. I actually did that. It's extra work to start with but it's worth it in the end. Once you've perfected the shaping on the sample you can go ahead and cut fearlessly into your fine fabrics!

So this dress has the bodice made from the pattern, combined with a 6-gore skirt pattern I created myself using instructions I found online. (Gores are just the separate panels that make up a skirt). Creating your own pattern means that you're using your own measurements and you can customize the skirt to fit you perfectly. I made my gore pattern flare a bit more so that the skirt would be wider. I do love a swishy skirt.

Then to complete the pattern I added some cap sleeves. I used the original dress I had taken apart as a starting point then made the sleeves a bit shorter.

The outer fabric for this dress is a white dotted swiss with blue floral clusters which is quite sheer. So I gave the dress a full white cotton lining. To do this, you basically sew up the dress twice, once in the outer fabric, then again in the lining fabric.

Sewing the lining to the outer fabric was not as easy as I expected. I sewed the lining to the neckline, turned it right side out and everything was fine. But when I sewed around the armholes I couldn't turn the dress right side out again. As Bradley explained, it was a topological problem and we couldn't figure out a solution. I ended up sewing around the

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18. Dress Parade (Blue)

30s-dress

I have this habit of buying vintage for a bargain (because pieces are damaged, ill-fitting, etc.) and taking forever to getting around to making repairs and thus wearing said items.  But I’ve made the commitment to change this bad habit into a good one and I’m working my way through my to do pile. This is the first post of my vintage dress parade and I’ll detail the fixes and tweaks I’ve made for each one.  I’ll try to remember to include “before” shots next time, hee hee.

The above late 1930s or early ’40s dress was quite the steal as it was falling apart in various places, had a motley crew of ugly buttons and was an unflattering mid-calf length.  My fixes:

  • Changed the buttons to clear glass ones with faceted edges; I figured this would work well both in the light-colored printed (and flocked!) fabric as well as the navy blue organza.  (My camera died before I could get any close up shots.)
  • Added bust darts for a better fit.
  • Trimmed the flutter sleeves for a little bit more modern look.  (I felt like I would fly away before I narrowed them down!)
  • Hemmed the skirt by a few inches.  Each tier in the skirt was a little bit wider (taller?) than the proceeding one, from waist to hem.  Instead of hemming just the bottom tier (and messing up the sequence) or hemming each tier (too much work!), I hemmed the second navy blue tier to match the width of the first one.  This way there is still some order/design to the width of the tiers.
  • Used the piece I trimmed off the skirt and turned it into a sash (original belt was missing).  I can see here that the sash could stand to be shortened (that’s the beauty of taking photos of your projects - you see things you might miss in the mirror!).
  • Made other minor repairs like loose seams, wonky tiers, etc.

Next: I love wearing this ’50s dress.  I found it soon after seeing (500) Days of Summer and thought it looked like something Zooey’s character might wear.  I bought a pale grey-blue crinoline just for this dress.  I’m also wearing the same pale blue slip I’m wearing under the dress above.  I considered going dark but then you wouldn’t be able to see the print on the sheer fabric very well.  Anyway, here’s what I did:

50s-dress

  • Removed the sleeves: this dress had half sleeves with quick and dirty hems that were not so great.  Since I don’t like fixing/sewing sleeves I just took them off and finished the openings by simply folding under the edges (which doesn’t always work due to the curves but luckily it did in this case).
  • Let the waist out: the wearer before me had a tiny waist and had taken it in in several spots around the ruched waist panel.
  • Hemmed the skirt. (I will almost always do this!)
  • Repaired little holes and opened seams.
  • (I thought about pinning on that dark blue rose that I’m holding at the waist along with a ribbon sash but the flower is a bit dark and I think the dress looks nice unadorned.)

50s-dress_detail

Hope you enjoyed this little dress tour!

(By the way, thanks for the Lucy love from the last post - it made her blush!)

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19. Liberty Finds {Decisions}

liberty-dress1

I knew I was going to check out the Liberty of London stuff at Target this past Sunday.  I also knew I was not going to wake up at 6am (ON A SUNDAY) to get there before the store opened, especially with the time change (side note: Yahoooo!!!).  I wanted to avoid the mad rush and figured if there was nothing left for me when I got there at 11, then it wasn’t meant to be.

When I arrived, I first headed to the women’s section.  Not unexpectedly it was a bit of a mess and I could tell my size was virtually sold out.  There was one dress left and while it fit, I put it back because it was polyester.  I’m not a fabric snob but I was hoping for cotton.

Then I went to the girls’ section: score!  Cute and cotton dresses aplenty and this was one of those times that I was glad to be petite.  The smock dress above is my favorite.  The color is not something I would normally pick out for myself but it goes well with my skin tone and the length is just right.

I also snagged these darling gardening gloves (the ones on the right).  I actually needed a pair:

liberty-gloves

OK, here’s where the decision-making comes in.  I don’t know if I should keep the following:

liberty-top

I love the sweet pea print of this top, but is it too juvenile for me?

liberty-dress2

Same question goes for this sundress (called a cover up on the tag; I guess it supposed to go with the swimsuits).  I love the almost psychedelic print.  I don’t normally wear such loose styles and do I really need these?  But wouldn’t these be great for late summer when the weather is really warm?  Could these transition into mommy-to-be wear?  (I’m not a mommy-to-be, by the way!)

I don’t know, any thoughts?  Did you pick up anything Liberty at Target?

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20. Devil with a Blue Dress

blue-outfitWoo hoo… it finally came! I was looking for a vintage dress to wear to an upcoming event and I found this cute little number….. in Paris. Not Paris Texas mind you, but Paris France. I got it from Rock Zombie Oldies, a shop that specializes in vintage clothing. With the exception of the shoes. I had everything else.

So If you see me there, feel free to stop by and chat. I’ll be the chick in the blue dress!

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21. Paris Hilton immortalized in Oxford Dictionary of Quotations. That’s hot.

Lauren, Publicity Assistant

For years, the public has not been able to get enough of Paris Hilton. She’s famous as a socialite, heiress, model, and now for joining the likes of Socrates and Mark Twain on the pages of the Oxford Dictionary of Quotations. No, she’s not quoted for saying, “That’s hot.” Ms. Hilton is instead immortalized for her advice, “Dress cute wherever you go. Life is too short to blend in.”

But Paris’s entry is only one of more than 20,000 new quotations added to 7th edition. Other notable inclusions come from Sarah Palin, Stephen Hawking, Aung San Suu Kyi, and Philip Pullman. Here, Oxford Dictionary of Quotations editor Elizabeth Knowles reflects on the history of the almost 70-year-old treasury, and how new entries are chosen.  To learn more check out the companion site here.

A classic reference book like this has to be regularly remade, without compromising its essential identity. Can we in fact have the modern and frivolous without damaging our book? I would say most definitely yes, where usage so dictates, and adduce in support two luminaries of the Oxford University Press of over sixty years ago. In 1931, planning the book, Kenneth Sisam, who identified an “intelligent elasticity” as an essential editorial quality, wrote to a colleague, “We shall have to guard against things quotable, as apart from things commonly quoted.” And in 1949, when the second edition was being planned, Humphrey Milford (formerly Publisher to OUP) commented, “I think the levity—comparative—of ODQ is partly the reason for its success.” In other words, the diversity of the book, and its mixture of the deeply serious and the frivolous, based on what people are quoting, is part of its essential nature.

Quotations are part of the fabric of the language: we use, and meet them, every day. We quote when we find that the words of another person, in another time and place, express exactly what we want to say. Or, events bring certain quotations to prominence, as the last year has given new relevance to Thomas Jefferson’s comment that, “Banking establishments are more dangerous than standing armies.”

A dictionary of quotations is not a roll-call of the great and the good, nor a listing of an editor’s favorite passages. Although having said that, of course we all do have items in which we take a particular pleasure. I was especially pleased that the formulation, “We must guard even our enemies against injustice” (attributed to the radical Tom Paine) was revealed as the writer Graham Greene’s paraphrase of Paine’s more formal eighteenth-century diction. The history of this misquotation—linking two significant figures across the centuries, and coming to light through its resonance today—was very satisfying to explore.

At Oxford, we track language to ensure that we have the quotations people are most likely to look up, so that the next time a half-remembered quotation is on the tip of your tongue, the Oxford Dictionary of Quotations is ready with the answer. Inclusion is based on usage: evidence that a spoken comment or written passage is being quoted by others. And while there is a common quotations stock (Shakespeare, the Bible), we all have our own quotations vocabulary, that which we remember and quote because we encountered them at a time when they were particularly significant. The antique and serious often rubs shoulders with popular culture. The same newspaper column, for example, may quote from both the Book of Common Prayer and the Rolling Stones. The result is marvelously diverse, and properly so.

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22. dress

The challenge word on another illustration blog is "dress".
I've been in more laps than a napkin.
"Say what you want about long dresses, but they cover a multitude of sins."
Mae West

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23. Garden Stroll: Illustration Friday

A soft breeze fills Claires skirt with thick puffs of pink
The smell of lavendar tickles her nose
Butterflies pause as Frogs dance on the rich earth
Green leaves and stone tiles absorb the warm of the sun.
The sweet taste of vanilla couldn't be better appreciated
than on a summer garden stroll.



*made just for illustration friday!

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24. Chinese New Year housecleaning, part C: Six Weird Things About Me

Housecleaning on this blog continues, with only a few more hours left until Chinese New Year. I've got two more posts to finish, and they are both memes!


Six Weird Things About Me

Each person who gets tagged needs to write a blog post of their own 6 weird things as well as clearly state this rule. After you state your 6 weird things, you need to choose 6 people to be tagged and list their names.

Alvina tagged me for this meme last March! Basically, I've got to list six weird things about myself. You'd think this would be easy, since friends are forever making fun of me for stuff—like that I like instant mashed potatoes, for instance. But “weird” is in the eye of the beholder, and none of those things are weird to me. (Instant mashed potatoes are good!) So I’ve had to think and think.

(I do love real mashed potatoes, by the way. I love all potatoes; I just don’t draw the line at instant. I'm very loyal to my brand, however [Betty Crocker Potato Buds]. They do something bad to those others.)

Here are six things I've finally come up with that I agree are “weird.”


1. I’ve listened to Mariah Carey’s debut album at least 10,000 times in my life (and counting)

This is an actual calculation Damon did after interrogating me on my Mariah Carey-listening patterns one day.

This would not be weird if I were a big Mariah fan (which would be a different issue), but, in fact, I have a very tortured, almost angry attitude toward her. It would never occur to me to list this album in my top ten, nor Mariah as one of my favorite artists, yet I’ve listened to this album far more times than I’ve listened to any Tori Amos album, for example, whom I obsessed over for years. I just like to sing when I drive, and I spend a lot of time in the car, and this is my biggest fallback CD—probably since my driving life began. It cycles on repeat forever.

A close second would be Mariah’s MTV Unplugged album from 1992. I listen to it just as much but only bought it five years ago, so it can never catch up. Her Daydream album ranks high on the driving/singing list as well.

I don’t even like to sing these songs at karaoke! (It's not like I sound good on them.)

Part of what makes this weird is my own lack of self-awareness of it. Every time Damon points out the Mariah phenomenon, I’m surprised, myself, all over again.


2. I make coffee almost every day but don’t drink it. I pour it out.

“Everyone’s” addicted to coffee, but I was one of those people known for it. So, for some, the fact I stopped drinking it is probably weirder than the fact I’m still making it. It’s been almost three years since I quit (2/21/05), yet, whenever I mention it, my friends have nearly always forgotten and freak out again.

(Back when I was a caffiend, people would ask from time to time how much coffee I really drank, and I’d be all, “Only a cup a day; sometimes I don’t even finish it.” And they’d go, “Wow, that’s nothing!” Then one day some friends came over and saw my “cup.” They really made fun of that. It was basically a stein. I hadn’t thought about that.)

When I first quit coffee, I also quit making it. My body quit very suddenly—not my mind—so it wasn’t a matter of self-control. I was just surprised, day after day, to realize coffee now made me jittery. But after a while I wanted it, anyway. But it still made me jittery. So now I make it and don’t drink it.

Sometimes I carry two full mugs—one of coffee and one of green tea—into my office before sitting down to work: the coffee for comfort, the green tea to drink. Sometimes I make decaf instead, hoping then I won't waste. Even with decaf, I drink about a fifth.


3. I throw birthday parties for Keanu Reeves, even though I don't know how to invite him

I’ve only thrown three, and the latter two were jointly instigated by my partner in crime Julie. The first party I threw in high school, when Keanu turned 26 and I’d just discovered how happy his existence made me.

More than one friend—and Damon, too—has reported back to me this recurring conversation they’ve had with coworkers and friends. “So what are you doing this weekend?” someone will ask. –“Oh. I’m going to Keanu’s birthday party.” –“Oh my GOD!! How did you get invited!?!” –“No, you see, Keanu won’t be there . . .”

I actually had the opportunity to tell Keanu about this once, but I went mute, which friends tell me is a good thing. I’ve also had the opportunity to possess his cell phone number twice, so, in theory, one could invite him. But I have refrained. (These are stories for another time.)

I have two stories about the role Point Break (a Keanu movie) has played in my life, that I promised to blog two posts ago. The first is from when I sold Cutco knives. (Selling Cutco is not weird! Lots of college kids do that!) So, you know, the Vector Marketing people would tell you, anytime you had a sales presentation, that you should watch your favorite scene from a movie or listen to a favorite song first, to get you pumped up. So I would watch the big skydiving scene from Point Break. Afterward, I’d be all, “YAHH!! LET’S GO SELL SOME KNIVES!!!”

My second Point Break story actually makes my next item.


4. Before I saw Point Break for the first time, I had only cussed six times in my life

Afterward, that very same day, the number shot up to thirteen. I was fifteen. We were in a mall. I stayed mute for the first forty minutes after we came out—overwhelmed by the universe that had just been revealed to me (and by the miracle of Keanu's existence). What came out when I finally opened my mouth was seven explosive f-words in a row. Followed by another twelve minutes of silence before I could start interacting normally.

I am not one to get attached casually. But I’m very loyal. Keanu is my man to this day.

I know, to a lot of people, the point of interest here is that I kept count of how many times I cussed. Until early freshman year of college, I could tell you exactly when and for what reason each instance occurred (there'd been 17 by then)—and exactly which words were used. Most of the first six were experimental—just to hear what they sounded like in my voice. (Ditto, the only time I've ever used my middle finger, it was to see if my hand made the shape.)

After college began, life got a lot more stressful. I lost track around 21 or 22 (which was during the third week). Then there was no more counting.

(I don’t really cuss today.)


5. I think I can’t see

I get my eyes tested regularly and supposedly can see just fine (with contacts). Damon, however, has better than 20/20 (uncorrected), so he can read road signs from much farther away. His whole family is used to this, but it bothers me.

I recently realized, I think I can’t see to the point where I don’t even try to see. Like with my camera. I trust my camera to see, so I point the camera and tell it where to focus. Then Damon looks and says, “Hey! This is blurry!” and we discover the diopter (which corrects people’s vision in the viewfinder if they want to not wear glasses) has gotten spun around. This happens often, but I never notice, because I don’t try to see. (The camera takes the same pictures, anyway; it’s only the viewfinder that changes.)

There is a bit in the book Tangerine where the kid can see fine (through his thick glasses), but his mom thinks he can’t, so she keeps filling out disabilities forms for him when he transfers schools. It almost keeps him off the soccer team. That’s like me, except I’ve internalized the mom.

Last year I told Damon he can make fun of my vision from now on only if he uses positive language. So he has to say, “Because you can see,” instead of “Because you can’t.” It’s subtle, but it works.

I can see!!


6. Even though I know nothing about sports, I am good at choosing winning teams

Woo hoo!! I am awesome at this! I have two methods, and they make my sports-savvy friends nuts. The first is if I know nothing about the teams except their names. I go unfocused and listen to the background chatter in my brain—that ceaseless sports commentating I usually try to tune out. Then I pick the team name that sounds more like what a sports announcer would say. “So-and-so beat the So-and-so’s today in a something-something upset.” Or, “So-and-so trounced the So-and-so’s in a stunning yibba-yabba victory!”

This method is not great (I wouldn’t bet money on it), but it works a heckuva lot better than whatever the guys are doing when they pick their March Madness seeds (or whatever that chart is called that Damon puts in front of me). Heh. And they do bet money.

(Mike once told me they've done experiments where trained monkeys also do better at choosing those winners. Nice.)

My second method is more accurate. I believe in the Power of Story. That is to say, I believe sports games operate according to the same laws of the universe that govern the rest of our lives, and that all these highs and lows, triumphs and defeats, setbacks and buildups are mysteriously calculated to add up to great stories. To keep you hooked. So if you tell me a little of the two teams’ backstories, or even how the game's been going so far, I will tell you the outcome based on what would make the best story.

I have won bets with this. I took a bet with Damon’s stepfather once, second-to-last inning, that the Angels would . . . um, still win in spite of the fact they were currently losing by six runs. How Damon’s family jeered! That was one sweet dollar D’s stepdad gave me. (The backstory there was that the Angels were winning miraculous games-from-behind all season and were headed for the championships; it seemed too early for the pattern to stop.)

(Damon told me immediately, however, based on the backstory of his own family, that it would not be a good idea to gloat.)

This past Sunday, Damon asked me, “So who do you think will win the Super Bowl today?”

“Who’s playing?”

“The New York Giants and the New England Patriots.”

Hm. Both sounded like winning announcer-voice names. “The Patriots have won a lot lately, right?”

“Yes. How'd you know that?”

“One of my writer friends keeps sending me incomprehensible Patriots references—like, for the last couple years. I think the Giants will win. I think everyone’s tired of hearing about the Patriots.”

Damon got some kind of cat-that-just-ate-the-mouse look on his face. “Does it change your answer to know that the Patriots are on the verge of making history with this game? They’ve been undefeated all season, so if they win the Super Bowl, . . .” (I don’t remember the rest of his explanation. It went mushy in my ears.)

“No one’s ever done that before?”

“One team has. The Dolphins.”

“How long ago was that?”

“In [the 60s or 70s].” (Again, I don't remember what he said. But it didn't sound that long ago.)

“Has anyone else been in the running since? Like had a perfect season and gotten to the Super Bowl?”

“Nope. It’s really hard to go undefeated all season.”

“Then the Giants will win. It’ll be more heartbreaking for the Patriots to lose, and it will make it that much bigger a deal when the next team wins. I predict the next team to have an undefeated season will win the Super Bowl.”

“But that might not happen again in our lifetimes!”

What does that have to do with the Power of Story??

“Let’s bet,” I said, now that I had gone to the trouble of picking a winner. “What are the odds, like that bookies are giving?”

“[Friend’s name redacted] [Benji] says the Patriots are favored to win, four-to-one.”

“So whatever I win has to be four times as good as whatever you’d win?”

“Yes.”

(Note: I have since thought about this, and this is not right at all. If I bet $1,000, I would win $4,000. But if Damon bet $1,000, he would only win $250. So whatever I won should have been 16 times better than what Damon would win!)

(Wait. Is that right? We don’t have a bank or outside party to pay us. That seems too indirect.)

“What should we bet?” Damon asked.

This question kept resurfacing over the next couple hours. Even by halftime (none of which I watched), we still had not decided. “Favors,” Damon finally concluded, “to be named and claimed whenever.”

Wow. “And if I win, you have to do four favors for me, and if you win, I only have to do one?”

“Yup.”

I liked that.

“Well, you were right!” Damon’s voice came booming up the hall later, which meant the game had ended. “The Giants won!”

“Did you doubt me?”

Damon chortled, even though I was being serious. “No,” he denied. “I didn’t know.” (Which means he doubted me.)

Now I get four favors!

What should they be??


(Okay!! I totally figured this out! If I had bet one favor and lost, then I’d have had to do one favor. But if I had bet one favor and won [which I did], Damon—as the favor bank—would have to pay out four. But if Damon had bet one favor and won, he’d only get one-fourth of a favor! So it wasn’t like we each put up a favor, because then he’d owe me five favors; or I’d owe one-and-a-fourth. It was like I placed my one bet against Damon, who was the favor-gambling bank.)

(Whew! Sports betting is hard work!)


I'm done with this post! Now, to tag six people!!

Brian (aka "Money")
Bus
Lee
Jennifer
Stella
Annie
and, for bonus, even though she doesn't have a blog, I'd like to hear six weird things about "e!"

If you don't want to do this in your own blog because your content is too focused, you can just post the answers here, in these comments! I don't mind. ;)

Love,
rita

One more post left. Go! Go! Go . . .


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25. "I Think I Was In Hea-Ven . . . "

You know, I don't want to taunt you. And I don't want to give the good parts away.

But I don't want to downplay the awesomeness of what's just happened, either.

I'll let the pictures speak for themselves.


   flyer scan Sara and Tony The Majestic Crest Theatre, July 27, 2007, 10:30 pm
Buffy goodie bag!
   
It made my heart ache to see clips like this! Little Willow!!
        My Stepmother Is An Alien Oh my God, Oh my God!
Nescafe
The guy in the seat next to me
      "Alive!!"
"Bunnies!! Bunnies! It must be bunnies!!!"
      Or maybe midgets

     

     
Lighter-and-cell-phone city during Giles`s power ballad Lighter-and-cell-phone city during Giles`s power ballad
   

   And you can sing along
"[Hea-ven].../ I think I was in [Hea-ven]..."
   
"GRR! ARRGH!!"
    Marti Noxon!!!!
A complete surprise "But I shouldn't be telling you this . . . "
Merciful Zeus!!! JOSS WHEDON!!!!
His first time ever attending a Sing-a-long!


Love and the Universe,
rita

R.I.P.


Ka-BLOOM!!!!


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