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Results 1 - 25 of 43
1. This weird thing about time racing past

Chatting with a friend just now made me think: I am older than I expected to get. 
When I was a teen looking forward to the millennium change in 1999 I was disappointed that I'd be an old lady, barely able to enjoy it. The millennium change was 17 years ago. I enjoyed it JUST FINE. Ahem. 

What would my teen self think of me now? 
She wouldn't approve of my short hair or my body, but she'd like my studio and work. 
She'd want to be friends with my kids. 
She would think today's Charlie is a nice old guy, and the Charlie I fell in love with in 1980 was romantic. 
She'd like my dogs. 
She'd think it's weird that I eat vegetables for breakfast. 

She'd think it's cool but not groovy that I became friends with my siblings, 

that I have so many good friends in my life today, 
and that I'm this happy. 
All of this makes me plan what I'll be like in 2046. 
I'd better not disappoint me.

Have you entertained your 17 year old self lately? 

Or your 87 year old self?

This is a page from my sketch-journal when I was 17.

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2. Drawing 100 lions (or maybe more)

When I ran a little advertising/design shop on campus a few decades ago I drew up a poster that said,
Before you decide on one, draw 50.
Under that headline was some line art: 50 thumbnail illustrations (and they were actually decorated thumbnails). The poster was to remind me not to settle on an idea too early in the brainstorming or drawing process. My best work doesn't usually come on the third try.

I'm illustrating a book about a lion.
The first task is to get to know that character inside and out: what's he like?
For a method actor the question would be, what's his motivation?
My best way to figure it out is to draw, draw, draw.
I don't just aim for 50, anymore.
Usually I aim for 100.


Eventually I figured out the lion. (After drawing 137.)

Now, on to the rest of the characters...

(And if I need to draw dozens more lions because I ultimately don't like the one I chose -- or the art director doesn't -- I won't be surprised. Whatever it takes to get my best work.)


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3. Eight Things I Learned from My Cats about Writing Haiku (and a Giveaway): Lee Wardlaw

1.  There is no yesterday; there is no tomorrow. There is only you, scratching me under my chin right now.

The best haiku emerge from a right-this-instant experience – or from a memory of that experience.  Always use present tense to heighten immediacy and authenticity in your poems.

2.  When poised at a hole, remain still – and use your ears, eyes, nose, whiskers and mouth to detect a lurking gopher.

Observation is crucial to haiku. One must quiet the mind and use all five (or more!) senses to absorb, appreciate, and anchor the moment.

3.  Be patient. Then, when least expected – pounce!


Haiku captures a moment in time, revealing a surprise or evoking a response of a-ha! or ahhh. This pounce helps the reader awaken and experience the ordinary in an extraordinary way.
4.  Most cats have18 toes – unless we’re polydactyl; then we might have 20, 22, even 28 toes!

Japanese haiku feature a total of seventeen beats or sound units: five in the first line, seven in the second, five again in the third. This 5-7-5 form doesn’t apply to American haiku, however, because of differences in English phonics, vocabulary, grammar and syntax. Forcing an unnecessary adjective or adverb into a haiku simply to meet the 17-beats rule can ruin the flow, brevity and meaning of your poem. So feel free to experiment with any pattern you prefer (ie; 2-3-2, 5-6-4, 4-7-3) – provided the structure remains two short lines separated by a longer one. Remember: what’s most important here is not syllables but the essence of a chosen moment.

5.  When I’m out, I want in; when I’m in, I want out. Mostly, I want out. That’s where the rats, gophers, lizards, snakes, bugs and birds are.

Traditional haiku focus on themes of nature, and always include a kigo or ‘season’ word. This doesn’t mean you must be explicit about the weather or time of year. A sensorial hint (ie; a green leaf versus one that is russet-colored) is all that’s needed.

6.  What part of meow don’t you understand?

Tease a cat and it won’t bother to holler – it will bite and scratch. It shows its annoyance rather than tells.  Good haiku follows suit. Instead of explaining, haiku illustrates a meaning or emotion through vivid imagery. Your poems should create a mental picture that captures the resulting feeling it evokes.

7.  If you refuse to play with me, I will snooze on your keyboard, flick pens off your desk, and gleefully shed into your printer.

Yes, haiku has ‘rules’, but remember to play! Use words as toys, and frolic with them in new ways to portray images, emotions, themes, conflicts and character.

8.  When in doubt, nap.
Good writing comes from revising. Set aside your poems and allow them to ‘nap’ for a few days. Then revise them with rested eyes, alert ears and a fresh mind.  And if too much rewriting causes the weary, bleary blues, well, there’s always that comfy looking couch…

Lee Wardlaw is generously offering a signed copy of her picture book WON TON -- A CAT TALE TOLD IN HAIKU  (winner of the 2012 Lee Bennett Hopkins Children's Poetry Award and the 2012 Myra Cohn Livingston Poetry Award) for one reader. Leave a comment below to enter. The contest closes Monday, 8 April. US residents only, please.

Lee Wardlaw claims that her first spoken word was ‘kitty’. Since then, she’s shared her life with 30 cats (not all at the same time!), and published close to 30 award-winning books for young readers.  Her picture book WON TON – A CAT TALE TOLD IN HAIKU won the 2012 Lee Bennett Hopkins Children’s Poetry Award and the 2012 Myra Cohn Livingston Poetry Award. A companion title, WON TON AND CHOPSTICK, will be published by Holt in 2015.

Click through to sign up for the National Poetry Month giveaway!

14 Comments on Eight Things I Learned from My Cats about Writing Haiku (and a Giveaway): Lee Wardlaw, last added: 4/7/2013
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4. Opening the Heart of Character Through Poetry: Jennifer Gennari

Meditate, Louise Hawes said. What? 


Some writers take acting classes to find a character’s voice, said my then teacher at Vermont College of Fine Arts, but her favorite method was meditation. When you close your eyes and breathe, she promised, you will become your character.

Not me. I was too fidgety; I felt ridiculous sitting on the sofa. 

But my writing was flat in my work in progress. I was describing events more than living them through the eyes of Dillon, my protagonist. I was decades away from adolescence, and I needed to get in touch with my inner 13-year-old boy.

The cure? Poetry.

Poetry works as a path to the heart of a character because it requires you to focus on specifics. The red wheelbarrow. A Bird on the Walk. Writing down what you observe in a finite group of words is the beginning of a poem. As Ted Kooser noted in The Poetry Home Repair Manual, “Meaning arrives almost unbidden from an accumulation of specific details.”

Good poetry cannot have generalities. Something stops your mind—a broken laundry basket on the highway median, a hand gripping a child’s lunchbox—and it evokes something in you. Mary Oliver observed, “the poet used the actual, known event or experience to elucidate the inner, invisible experience.” 

We know our own internal landscape. The trick, then, is to uncover the invisible landscape of your character. What telling detail will trigger an emotional response in your character? 

This exercise has worked for me over and over. I don’t always love the poem I’ve written at the end, but I always feel a new connection to what my character wants. And not coincidentally, the poem usually gives me a scene idea. The specificity of the images gives my character something to do. It’s through doing that character is revealed. 

Here’s what happened when I wrote in the voice of Dillon:
Clean Shaven

Mom told me
he shaved off his moustache
right before he left
for Desert Storm

I hold his photo
next to my face
Our eyes match
My nose is hooked 
like his

I jut my chin out
checking for a shadow
I run my hand down
my cheek 
It’s smooth
like his
in the soldier picture

Ten years gone but
everyone will see
we are father and son

Immediately I knew the core of my novel. The story, which had many other plot twists, was fundamentally about the rebuilding of the relationship between Dillon and his father. Dillon’s every action must stem from a desire to please his father.

So if you are stuck, write a poem. Take a close-up of your character. The short form requires words with impact. Verbs and nouns can’t be weak; the sound and rhythm of the phrases must sing. Words are what matter, after all. Slowly, word by word, sentence by sentence, you will write a novel with characters made real by specific details. 

And if it doesn’t work, try meditating.

Jennifer Gennari is the author of My Mixed-Up Berry Blue Summer (Houghton Mifflin Books for Children, 2012), an Association of Booksellers for Children Spring 2012 New Voices title and an American Library Association Rainbow List title. A graduate of Vermont College of Fine Arts and a former reporter, her poems have appeared in the Marin.

Click through to sign up for the National Poetry Month giveaway!


2 Comments on Opening the Heart of Character Through Poetry: Jennifer Gennari, last added: 4/3/2013
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5. Writing Links

Why Older Readers Should Read Picture Books :: Literacy, Families and Learning

8 Ways to Be a Happy Author :: Rachelle Gardner






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6. Picture Book Idea Month


This year I'm joining author Tara Lazar for PiBoIdMo, Picture Book Idea Month. It's an alternative to National Novel Writing Month that also takes place in November (something I tried once and failed at miserably). 

Tara started PiBoIdMo in 2008, after realizing there was nothing for kidlit authors and illustrators who don't write novels. Since then, she's had hundreds of others join her. Here's what she has to say:
***Registration is open NOW through November 4th. Click here.*** 
Tired of novelists having all the fun in November with NaNoWriMo, I created PiBoIdMo as a 30-day challenge for picture book writers. 
The concept is to create 30 picture book ideas in 30 days. You don’t have to write a manuscript (but you can if the mood strikes). You don’t need potential best-seller ideas. You might think of a clever title. Or a name for a character. Or just a silly thing like “purple polka-dot pony.” The object is to heighten your picture-book-idea-generating senses. Ideas may build upon other ideas and your list of potential stories will grow stronger as the days pass. 
Daily blog posts by picture book authors, illustrators, editors and other kidlit professionals will help inspire you. By the end of the month, you’ll have a fat file of ideas to spark new stories. 
PiBoIdMo was first held in 2008 by a party of one—me! Then I hosted it on my blog for the first time in 2009. Each year the number of participants has doubled. In 2011 we had over 600 writers following PiBoIdMo. And now 2012 promises to be bigger and better! 
Registration begins on October 24th and ends on November 4th. Then in early December you will be asked to take the PiBoIdMo Pledge stating you have completed the challenge with at least 30 ideas. 
Writers who register and pledge will be eligible for prizes:
  • Feedback from literary agents
  • Original sketches by picture book illustrators
  • Picture book critiques from published authors
  • Signed picture books
  • Jewelry
  • Other Cool Stuff
I'm the sort of writer who has to fight for new ideas, and while a month seeking them out will be a challenge, it will also be a wonderful opportunity to stretch and learn with the support of other writers doing the same. Please let me know below if you too are participating!

Thanks to Ward Jenkins for the fun PiBoIdMo banner.

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7. Digging into the archives

Our kid's cleaning the basement, and she found a notebook from my confusion days of 1999 when I was working with a career coach to try to figure out what I wanted to do with my life.
I'd quit my nice job at MSU to work at home 5 years earlier. Had a two-year-old who was a fearless painter (and hair-cutter). I was doing screen printing art and knew vaguely that it wasn't going to last. Design work was dwindling as desktop publishing became ubiquitous.
Hence the career coach.
It's funny to me how close my current life comes to what I was wishing for -- and couldn't put my finger on -- back then.
The following angsty words are from the 1999 notebook, and I'll put an x in front of those in the list that are true of my career today, 12 years later (that's most of them).
------------------
I want to do fast sketchy art and some writing. Travel. Sketch journal. Publish/create books that matter.
I will somehow, someday, build a studio that works.
I think I know what I want to do (comic strip) but it has taken a year of self-discovery to get here. I need a backup in case the comic fails. Storyboarding?? Research it.
I still have not put all my best abilities/wants/values/etc. together for one career. I want the comic -- but might there be something better out there?
Most potent areas of interest and passion:
x sketchy art
x that makes a difference in the world
   earn $70,000 within 5 years
x art I can do at home
x seen by many
x pen and ink, some color
x some freedom, able to choose own subjects
x editor help/bounce ideas off
x some writing/editing
x fun/funny
x some poetry
x Shel Silverstein-like
x occasional presentations to groups and kids
x travel
   well-known in my area (hmm. Tough to judge. I'm getting there...)
x intelligent art -- witty
x loving art
x peaceful art
x poke fun at people who have power but shouldn't
x creative, lively
x freedom in schedule
x art I can do on the road sometimes
x art I can do ahead and stockpile (to accommodate travel)
x clear deadlines
x No or only occasional freelance stuff
   licensing or merchandising
x learn more
x improve my art
   become a modern day master
x have anonymity when I need it
x able to do my art by myself
x compatible with all lifestyles
x compatible with kids of all ages
x pays well from the start
If I could do ANYTHING, what would it be?
Interests:
drawing/sketching, humor, writing, music, sewing, travel, history, costumes, kids, teaching, harmonica, humor, making presentations, debating, poetry, satire, tennis, skating, pets, family, publishing, book layout-design-typography, brainstorming, protecting kids, creativity, resourcefulness, organizing, library, parks, maps, event planning, being alone, being with people, don't help sell things that hurt, family parties, road trips, sketch journals, acting, chat host, html/websites, computer hardware/tech, embryology.
------------
That was 1999.
In 2002 I entered the Simon & Schuster Margaret K. McElderry Picturebook Contest. I didn't win, but loved it so much I suddenly had a new career in children's books. My first book sold in 2005, to Bloomsbury. That's Ellie McDoodle, and I don't think it's possible to be happier with where I am in 2011.

.

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8. Writing and Running

Most of my life, I’ve thought runners were like Chemistry majors -- skilled in a way I wasn’t and fans of pain and tedium. This all changed after my second son was born, when my walking partner of many months turned to me and said, “We’re running the next mile. Go!”
For weeks, we steadily built our distance. I insisted Rachel talk to me the entire time about books, teaching, raising boys, recipes -- anything to distract me from the hard work. Somehow, while pushing that double jogging stroller and learning about couscous salads, I got hooked.
My husband wasn’t surprised. He’s always said I have the perfect personality for a runner: outdoorsy, disciplined, someone who craves time alone. I’ve never been fast, and as I’ve gotten older, worked through injuries, taken time off, and battled the adjustment moving from sea level to a mile above, I’ve gotten slower still.
Lots of runners talk about the grand thoughts they have while they’re covering the miles. While I’m not one of those (my mind is usually in rest mode while my legs do the tough stuff), I have, at times, thought through the similarities between running and writing.
Here are a few I’ve come up with:
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9. Back from outer space (that's revisions)

After spending many months with the next Ellie McDoodle book I can proudly say that I am done living in a fantasy world and am back to real life for a while. (until my editor's revisions notes arrive... then it's back to not-really-here-ness again).

The next book's about soccer. I learned a LOT about soccer while writing it. (Ellie learns how to properly kick the ball, for one thing)
I learned a lot about life, too -- like, for instance, email still comes even when I am not at the computer to answer it. (1347 in the in-box, right now. I'm starting to think I might not answer them all)
Here's a page from my rough art/rough writing for the book:


This picture has nothing to do with soccer but everything to do with teamwork. And there's a reason for the crazy hairstyles.
I hope this art will make it into the book. You and I will have to wait til next Spring to know for sure. :)



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10. I'm off to write

If I don't answer your call, if I'm late getting back to you in email, if you don't see me at events around town, it's because I am writing.
I'm working on my fourth book, a novel about a girl who loves to read. I owe three chapters to my agent and editor as soon as I can get them done.
I traveled a lot in the past month and a half -- a week in Texas, a week in Chicago, a couple days in Grand Rapids and then Battle Creek -- and while I tried to work on the novel while on the road, it turned more into thinking and analyzing than actual writing.
I was afraid to start writing when I got home, but now I've started and it won't stop until it's done. That's the way it usually works.
I'll tend to the important things (MRA paperwork, Gango sketchbook uploads, Elliot and the Goblin War by Jen Nielsen, protecting Ebersole, school events in Bloomfield Hills and Farmington, a few other things), and will concentrate on getting this book into shape.
Here's one of the characters:


So if you see me in the bookstore, say hello but don't ask what I've been up to -- it's too long an answer! ;)

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11. Defining a "perfect" distraction

Perfection is one of the most, well, perfect writing distractions. It is well suited for the creative person shaping and molding. After all, don't we all want something we create to be perfect?
How many of us write a draft, only to find ourselves stuck over a word, a phrase or the perfect shade of ink. We're seeking, searching for something perfect.
One of the elements in improving our own writing is to move past some of the distractions that crop up. Wrestling with perfection seems to work against what we truly want to do.
But what is perfection, really? Who dictates what is perfect?
One of my graduate school professors discussed The Great Gatsby as the perfect novel.
I have some perfect novels in a desk drawer, but a few literary agents didn't think them so perfect.
The Great Gatsby, my professor explained, may be perfect, but it is a flawed perfection because no writing can be absolutely flawless.
That's what keeps me at my computer tapping away or taking hours to scratch out my ideas in my notebooks. The search for perfection, even with some marred facets. Do I think I'll attain perfection in my writing? I don't know.
I do know that I won't let it get in the way of my sitting down to write.
How about you? What are your biggest internal distractions when you look at the blank page in front of you?

Elizabeth King Humphrey is a writer and creativity coach. Besides contributing to AOL's ParentDish, she blogs at The Write Elizabeth, delving into creativity in everyday places.

1 Comments on Defining a "perfect" distraction, last added: 2/16/2010
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12. Happy Valentine's Day!

My husband found this for me today.
It's the rough draft of a Mother's Day poem written by my son, Joey, when he'd just turned 11.
I will leave the punctuation, spelling and capitalization as in its charming original.

--------------
marvolous is she

M - mom qualities that she has a lot of

O - other stuff she's good at

^ outstanding mom that she is

T - taught me how to live

teacher of me
H - ha ha is her laugh

happiness she brings to me

E - ever forgiving, she is

eternally grateful am I

R - Ruth is her name

reluctant she is not

M - moron, she is n
ot
mother of my lifetime

O - ouchies she makes better

our love will never end

M - merturnity clothes she wears

my great mother she is


I love you


--------------
Joe is a songwriter today.
I bet he's writing songs and sweet poems for his wife, now.


We don't know, sometimes, the seeds we sow, in the daily work we take on.

We can't tell if they're pretty weeds or heirloom roses until time has passed.


Sometimes our good ideas take root and blossom into beauty that changes others at the same time it helps us.

Sometimes our ideas are seeds that fall on rocky ground -- they can't take root without help from others.


Books are like that.

They spring from a germ of an idea, but they need nourishment to grow into a full book.

So many hands take part in bringing up a book, and it's not just the obvious, the author, the long-suffering partner/spouse of the author, the critique group, the editor, agent, designers, copy editors, publicist, salespeople, librarians, teachers, booksellers, various specialists, the reviewers, the discerning readers...


Books need communities in order to grow.


Authors need friends, connections with humanity that sprout ideas and inklings and what-if's.

Writing can be a lonesome career, but no writer writes alone.

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13. How to know if your editor is fabulous

I'll use the feminine for this, because my editor is a woman. But please substitute if yours is a guy. I know some great guy editors.

How do you know if your editor is fabulous? Answer these questions.

1. Is she supportive when things aren't going well?
My editor has always been unfailingly patient during my rough times. I have a big family; I have a lot of rough times (deaths, illnesses, weddings, angst).
She's also patient during my rough writing, first drafts, awkward prose and obvious mistakes.

2. Are her edits heavy handed? Or does she leave room for your own voice in your own writing?
When my first book copies arrived, back in 2007, I was astounded to see how many of the copy-edits that I had suggested were ultimately adopted. My editor acted surprised at my surprise; "of course we'd try to accommodate every request; you're the author!" whereas I'd been led to believe, by other writers, that your vision for your book is abandoned once you sign with a publisher.

I'm learning from her editing -- it's making me a better writer (thank goodness).

3. Does she respond to your emails? And is she warm in her notes to you?
My editor doesn't always write back as fast as I'd like her to. She's the publisher, besides being an editor. She works with very famous authors. I can't fault her for not coddling me and my author angst 24/7 (author angst is legendary; my insecurities are legion).
But she does always sign her notes affectionately and she does always respond quickly on important matters. I feel if we weren't working together, she'd be a fascinating friend who I'd love to get to know better.


4. Does she edit other work besides yours? Are those books critically acclaimed?
Every publisher has a different sort of feel. And not all books are good for all people. The list at one house might not appeal to a particular reader, even if the books are critically acclaimed and the reader is brilliant. We all have different tastes -- and thank goodness for that, because as an artist I can't imagine anything more drab than a world where everyone agreed on everything all the time.
I am not the biggest fan of each of my publisher's books, but I'm a big fan of a lot of them. Ellie McDoodle is not the top book in the catalog (though I hope it gets near). Like not
wanting to own the best house on the block, I don't think I want to create the best books in my publisher's catalog; I want something to aspire to, a reason to always try to do better.
My publisher puts out enough great works every season that I am proud to be part of their list.

5. Do you get paid on time? Royalty statements arrive unprompted?
I don't know. My agent takes care of this. I do know there have been a couple times when we asked my editor to intercede and she did. My family hit tough times last month, and my editor helped me get paid faster than normal. It was a kindness, something I will never forget.


6. Does she buy every book you write?
Mine doesn't -- and if she did she probably would not be a good editor. Ha!
I've pitched a couple books that were stinkers (you know, in a meeting when I should have bitten my tongue instead). My agent has pitched a few that I still believe in, that my edi

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14. A Rally of Writers

I see the date's been set for the Skaaldic Society of Lansing's A Rally of Writers:
April 10, 2010.
This is a day-long writer conference held at the beautiful and spacious Lansing Community College West Campus.


My writer-husband Charlie and I attended the Rally of Writers ages ago, long before we joined SCBWI. It was great every year, but one year Charlie said we shouldn't return to the Rally until we were published so we'd have something happy to report at it -- you know, that old "I'm not *really* a writer yet, so I shouldn't attend writer events" sort of thinking that those of us with low self confidence wallow in. Plus we had little kids at home; daily life was a challenge.

Getting published took years. We delved into comic strips, satire, self-published mini books. . . and then eventually I joined SCBWI in 2003. A Rally writer kept urging me to join SCBWI earlier but I was bullheaded, impoverished and easily-distracted.
It's disappointing to realize I could have been living my dream much earlier, but I guess every path has value, even the meandering one.
Last year the Rally of Writers folks asked me to present a session on kids' books.
I was happy to do it but didn't expect to find much of use for me, since I have a genre that works for me, and a career, and no desire to branch out.
Boy, was I surprised.
Several of the sessions were of immediate, applicable use. Lev Raphael's memoir talks were particularly fascinating and deeply moving, and I learned a lot about poetry from keynote speaker Gerry LaFemina. If my sketchbook were handy, if I weren't on[line, avoiding a] deadline right now, I'd upload sketches.
Charlie enjoyed it too, and I think it jumpstarted his new writing career.

I'd definitely go back, either to present or to sit in the audience: Two thumbs up for Lansing's Rally of Writers!

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15. How to get through loss

Of course, death comes to us all (even Kirkus, the venerable book review company). Until it does, we're charged with the task of living. I have learned that death gets easier to handle with each new loved person lost. I've learned a few other things too:

When a loved one dies and someone asks what they can do, give them a small task.

Feeling helpless in the face of a loved one's misery is one of the more awful human emotions.
My daughter-in-law asked what she could do, begged. My first inclination: "Nothing, honey, we're fine." But I remembered prior deaths, how important it was to me to feel useful. And so I gave her something to do: bring a pizza. She wanted a list. Less than an hour later she was at the front door with pizza, crazy bread, orange juice and milk, a sympathetic smile and a warm hug. (she's wonderful)

When someone dies, know that you will have visitors.

I'm glad I thought to clear the dining room table, always a mishmash of newspapers, crafts and homework. We had an impromptu party with most of my kids, reminiscing about their Grandma Katie. It felt good.

Surround yourself with loved ones and talk.

It will be unforgettable. In a week where a lot of things will happen that are also unforgettable, but unpleasant, this will shine as something good.

Do something strenuous.

Something safe that makes your heart pump and reminds you that you are still alive. At midnight, Katie, Emily and I walked a couple miles in the snow with our big, at-first-uncooperative puppies. It was ridiculously cold, one leash broke. We stayed out until my legs ached -- it was better than a Wii Fit run. And the peace of a neighborhood at midnight in winter, the silent Christmas lights in windows, felt like prayer.

Get the word out.

Deaths don't only affect close friends and family; no man is an island. Grief shared is greatly diminished. It's why we have funerals. I have been deeply touched reading memorials to people I never met, tributes I stumbled upon, on the web. Reading how beloved people chose to live always inspires me to do better, myself. If someone important to you dies, tell me. I want to know.

Don't make decisions if you don't have to.


Today I stopped at Walgreens for immunity boosters. I noticed they sell contact lens solution. I've gone through extra amounts in the last day. It became a difficult decision, the cheaper store brand or the name brand? Is there a difference beyond price? One's for sensitive eyes. Are my eyes sensitive? Will the name brand last longer? Because I don't use the stuff that much, normally. Single bottle or money-saving double? Give the second bottle away?
It was almost overwhelming, trying to decide. My eyes teared up.
Thank goodness something broke the loop in my brain and I grabbed a bottle (I won't tell which; I won't start second guessing the decision).
Conventional wisdom says, don't buy or sell a house, don't do anything drastic in the wake of an important death. I'd add: Don't make *any* decisions if you don't have to. Change what you must, otherwise stick to routine; there's a reason it works for you.

Be kind to yourself.

Walking around the store I saw things I wanted to buy for Mom Barshaw. She wasn't one to accept gifts, by the way, and went to great lengths to give them back. It was a challenge to give her something she liked and would keep (and I so love a challenge). I saw a magazine on angels, and another on faith, perfect for my mom and for her too, for Christmas. Then I remembered she is dead. Instant grief. I bought the second set, not for Mom

3 Comments on How to get through loss, last added: 12/16/2009
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16. Mom Barshaw

Hospice has been called in for my mother-in-law, Mom Barshaw (her name for herself; we called her "Mom").
So here I am, stuck 90 miles away, on deadline for this book, and trying to keep my head in the book, when my heart is in Detroit.
Mom's in good hands. Her kids are gathering. My husband Charlie is headed there now. He was there yesterday and all weekend; he was there when the decline got worse. He's been at her side often this past few months.

This started in August. The kids had a birthday party for her (she was turning 80) and she didn't want the day to herself so she made Eddie, her youngest, and me share it. He's 40, I'm 50.
It was the typical party at Rosemary's, wonderful, with great food because most of the Barshaws are excellent cooks -- we're talking chef quality.
Mom didn't look healthy at the party. It was alarming enough that the kids took her to the hospital on the way home. Since then she's had a couple surgeries and procedures, some wicked meds interactions -- deplorable care by some of her "doctors" but good care from nurses and therapists -- and her kids have given vigilant 24-hour care.

Mom Barshaw had 9 kids. One, Mike, died when Charlie was 18; they were best buddies starting to take opposite paths. There's a novel in that, I keep saying, but it isn't mine to write. Charlie's a writer and after a long dormant stage he's writing again; maybe he'll tackle that story.
Recently Charlie was given his dad's wallet. Inside is a clipping, a newspaper article about a writing competition Charlie won as a kid. His dad carried it for years -- you can imagine how touching that is.
Mom has been cleaning out boxes and living spaces for a couple years, giving us such things as old photos and books. We have the sweetly-inscribed book she gave to Dad about the time when they married.
And she gave us the story Charlie wrote at age 13. It's very, very good! I knew when I married him he was the best writer I'd read; this is proof he had early talent.

Mom and I butted heads on a few things. Sometimes I did funny things just to exasperate her, like cutting a piece out of my birthday cake before dinner -- and cutting it from the center of the cake. (I was 35, young and silly)
But we didn't leave love unsaid. She closed every phone call with "God love you, God bless you." I saw her in person a few times over the past couple months, while picking up or dropping off Charlie (we only have one car) and I said it aloud, "God love you, God bless you, Mom," and she looked pleased.

Mom has always had rock-solid faith. She believes in prayer's deep power and potential; we called each other when we needed prayers. I liked to think I was the devoted biblical Ruth.
I knew her death was coming. I've been warning Charlie and my kids so it wasn't an awful surprise. Funny how you can plan for something and it still surprises you. With every person I lost, I felt they left too soon.

I was close to Charlie's dad. Mom gets to join him now, and her son Mike, and her parents who died when Mom was very young (orphaned, Mom raised

2 Comments on Mom Barshaw, last added: 12/14/2009
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17. On the passing of Kirkus: A eulogy

Kirkus Reviews: 1933 - 2009

My goodbye:

Kirkus, I wanted to love you. I yearned for your attention, but you spurned me. You gave me no stars. You said a few good things about my first novel, but you didn't gush. In time I realized that was a good thing. If too many reviewers had gushed, I might not have pushed myself to produce better work the next time around.
I worked hard on the second book. Worked my poor fingers to cramps, and my back to aching. And did you give me a star that time? No. You withheld your affection, doling out a few little gift words like a tightwad who'd already overspent his budget in early December. No matter; I worked harder on the next book. I was determined to win your favor. Determined to get a star.
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18. Your (Christmas tree) fiction process

As many writers have pointed out, sticking to a routine and writing every day at a set time and letting yourself just write makes you more apt to come into contact with your inner self, your unconscious self.
In the spirit of the holidays, is your self--as it is set out on the page--a spare, seemingly unloved, basic Christmas tree with a few lights and fewer ornaments? Or are you one of those Christmas tree loaded with colorful blinking lights and enough ornaments to have sent Charlie Brown's petite Christmas tree into a state of shock? Or do you find yourself to be a cross-section of both, depending on the day or time of day?
For me, I find that I tend to edit as I write, ending up with a basic tree with a few ornaments. Fortunately, I think my inner editor replaces my inner critic. Generally, I spend time formulating in my head and then getting the idea on the page, but often I hesitate over the keys, contemplating the word before I press each letter. Thinking twice as I begin a sentence, visualizing where it will take me.
I had a professor who, if I remember correctly, characterized fiction writers in two groups based on drafts' needs: putter-inners and taker-outers. I'm a putter-inner. I write the bare bones and need to put-in more, decorating each bough with more ornaments or tinsel as I review each draft. Frequently, when I end up with a spare tree of a fiction piece, I sometimes envy the taker-outers. Although they need to take out, their tree is lushly decorated.
So, are you a putter-inner or a taker-outer?

Elizabeth King Humphrey is a writer and creativity coach. Besides contributing to AOL's ParentDish, she blogs at The Write Elizabeth, delving into creativity in everyday places. She is looking forward to sharing the Peanuts' Christmas special with her kids, as well as the Heat Miser song.

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19. What I've been up to lately... Book 3 cover!!

Here's a sneak peek at the rough art cover for Ellie McDoodle: Best Friends Fur-Ever:

I am thrilled -- what a cool cover! Not much pink on it, that's a good thing. ;) I have a lot of readers who are boys.
The parrot in the book is an African Grey, not a macaw, so the colors of the bird will change.
And the layout will change a little -- the bird won't be weighing down her shoulder anymore.
You'll see. :) It'll be in stores next summer. Amazon says August 3; they know more about that than I do!
Watch this blog for sketches to be uploaded in the coming weeks. I'm very excited about this book. Fans of the series will love it, I am sure.

1 Comments on What I've been up to lately... Book 3 cover!!, last added: 12/3/2009
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20. The SCBWI Conference in my region

This past weekend SCBWI-Michigan hosted Author/Poet Ellen Hopkins (link leads to my pal Kerry Madden's blog post, Ellen's recent poem about censorship) and Author-Illustrator Matt Faulkner and Editor Harold Underdown and Art Director Loraine Joyner of Peachtree and Literary Agent Jennie Dunham and Author Leslie Connor and Editor Tim Travaligni of Putnam. The whole weekend was outstanding. I advanced both my writing and my art, learned a lot and had a fabulous time.

Best take-away tip which was made clear right before the conference and then reinforced all weekend:
Do what you're best at. Pick what you want to do and pursue only that. Be persistent, never give up, but especially be yourself. Don't lose sight of that thing that you have that nobody else has -- because it's valuable.

Here's an interesting thing: The stuff my portfolio critiquers liked best was the wolf art from last month (pencil sketch here) -- and this picturebook art from 2 years ago --
and this piece I did wayyy back in 2002 -- for my very first picturebook. It didn't sell (didn't win the Margaret K. McElderry contest I entered it in) but it's nice to know the art still works. I always liked it. Maybe I'll revise the book and sell it someday. After reforming into a molehill that mountainous To-Do pile on the desk...

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21. How we lost 1 dog and ended up with 8...

Last Thursday I sat on the couch and stroked the fur of my beloved elderly miniature poodle, Willie, and told him it was okay to go if he felt it was his time. He died peacefully at 1pm. We didn't even get a chance to call the vet for euthanasia; they were closed for the day. I felt lucky that he died so beautifully, lucky I was with him and that he wasn't in terrible pain.
I did not feel lucky that he died.
We raised him from a tiny puppy, took him everywhere, taught him an assortment of silly tricks, gave him bad haircuts and incomplete trims. He was cute and very puppy-like in appearance, even as a little old man. And he was my shadow.
I knew I was going to miss him with an ache that wouldn't soon ease. I buried him with heart-shaped rocks.

Two days later by an odd combination of events, we found ourselves at the local animal control shelter, not to find a replacement, but just to observe life. We could have been anywhere else that day. We could have left the shelter early. We could have taken home the big old dogs we befriended there, convinced it was the right next path for our lives' journeys.
But we were there at closing, at the right time to see an old van pull up, and a sad young man bring out a big bin. I knew it was puppies or kittens in the bin. I thought, what kind of person brings a whole litter to a shelter? How irresponsible.
I actively avoided the drama, but it sucked me in: My 12 year old daughter was trapped inside the now-locked shelter, and the keys were with the animal control officers who were talking to the guy with the bin.
And since I saw prison inmates helping in the shelter, I wanted my Emily out of there as soon as possible.
The officers let Emily out of the building.
I let myself relax, then, enough to hear the man's story.
He's unemployed (so's my husband, and the guy across the street, and a few of our good friends, and a few relatives... Here in Michigan it's a common start to a story).
He lost his house. He and his family (wife, two teens with Down's Syndrome -- and that's another story in itself, but to me it said, here's a family with compassion and mercy) were moving to a relative's house for a while. They couldn't bring the dogs.

He found good homes for 3 puppies and the two parent dogs. Mom: full-blooded American pit bull terrier. Dad: half small Rottie, half big chihuahua.
In the bin: EIGHT puppies, age 7 weeks.

The Humane Society sent him away -- too many pups.
Animal Control was closed til Tuesday.
They asked me to foster the pups just til Tuesday. It didn't take long to say yes.
I promised the man we would find excellent (stable, appropriate) homes for the puppies. I turned down his offer of $25 for food until Tuesday.

Katie (age 20) and Emily were thrilled. My husband Charlie... not so excited.
But we did it.
It was an exhausting mix of sleeplessness, cooperation, and cramming our brains with Puppy 101 information from the Monks of New Skete (that's how I'd raised Willie), and Wikipedia, and an Animal Planet dvd.
Many times I felt like Octomom, torn in 8 directions.

I swear, puppies are liquid. Not that they pee a lot (they do) but that they disperse and spread like only a liquid can. This idea came to me at 3:30am as I tried to corral them enough to not lose them to the dark bushes and any hiding predators (we have hawks in the woods behind us), but not so much that they were inhibited about 'doing their business.'
Frantic that we might have 8 puppies forever, I put a note on my Facebook page. Friends came immediately, and some eventually adopted puppies from us. One of my fondest memories is of a bunch of neighbors and my kids and me (and Charlie) on the lawn with the puppies, giving them love and reporting on potty accomplishments and comparing each pup's personality and physical traits.
It was so sweet, and it took me right back to when our across-the-street neighbors had newborn puppies 6 years ago and they let then-6 Emily gently hold them that very day they were born.

As of yesterday, we've found homes for every wonderful pup:
Othello went home with Mary the first night.
Lady MacBeth became Bella, at Tyson, Beth's and Sydney's house. And we've seen her twice since. Yesterday she nearly licked my chin off. I'm convinced she remembered me.
Feisty Helena went home with Diane and Steven, dear friends who swore they were only coming over to help pet the puppies. I'll see her a lot. :) (She likely has a new name too, a comics-related one, because her big dog companion there is named Squee)
Henry became Zeus after going home yesterday with Michelle after a neighborhood picnic. He was perfectly behaved there and lots of people fell in love with him. I teared up kissing his forehead goodbye. If that adoption doesn't work out, I have another lady waiting to take him.
Tybalt will become Zeus also (!) next week on Friday, when he goes home with Heather. It's not yet a good time for them to take him.
Rosalind, Rozzie, is up north vacationing with my son and his wife. She will live here until they find an apartment that allows pets (or negotiate with the current landlord).
Boots Tewksbury is Katie's now, and he will live here until she moves out, maybe this fall. (She's taking a break from college)
Clarence is ours. He's the right combination of spirit and docile, intellect and playfulness, for Charlie, Emily and me.

Those are all Shakespearean names -- did you notice? It all started with a hamster named Hamlet.
I'll probably still tell my funny Willie story in my author events at libraries -- kids always laugh on cue. I won't tell them Willie is gone now. I don't want to cry at author events.
But, maybe soon I will have funny puppy stories to tell, too.

The vet gave us tips on avoiding aggression, and he answered a million questions, and he gave them their first shots.
The neighbor kids come to play a few times a day.
We still have to get up in the middle of the night. Charlie's become an active participant in their care -- he handles the morning shift. I am grateful to have Emily and Katie around -- they're experts in the puppies' care too.
Katie's teaching them to sit. I think they've caught on. I also think they've gone backwards, a little, on potty training. (argh)
We aren't looking for new puppy homes anymore -- we're all set.

I looked in the mirror a couple days ago and noticed I was smiling.
The sadness of losing Willie won't evaporate, but I feel very lucky to have had, for one day, the distraction of eight new puppies to love. (the next day it was 7, two days later it was 5, today 4...) But, really, as losing Willie taught me, I'll always have those puppies to love, even if they're in new, far-away homes.

And now, I have to get back to revisions for Ellie McDoodle: Best Friends Fur-Ever, due in stores in 2010. If you see Shakespearean names in the finished book, you'll know why.

(No photos of the pups - my digital camera broke last year. No drawings uploaded yet - I've been in survival mode. At some point I'll upload some)

2 Comments on How we lost 1 dog and ended up with 8..., last added: 7/18/2009
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22. FAQs: Has your life changed since becoming an author?


Today another writer asked me, "Has your life changed since becoming a published author?"

My answer: Oh, yes.

I go to bookstores and libraries about as often as I used to (once a week or so), but now I usually look for my book on the shelf.
If they have it I offer to sign it.
If they don't, I show them my copy and give them the elevator pitch: explain how it's often compared to Diary of a Wimpy Kid (a book almost everyone knows), and how it appeals to both reluctant and avid readers, boys and girls alike. Usually they say they'll check it out online.

I travel more now -- visited 23 schools in March alone. I have stayed in very nice hotels I couldn't have otherwise managed. Hunted for Petoskey stones, learned more about the Underground Railroad, flew my family to Manhattan. I love mixing travel, art, books and kids. There's nothing better.

I used to wonder if I'd ever find where I fit into the big publishing world.
Now I have a better idea of my strengths and weaknesses.

I used to wonder when I will be financially solvent, when I will pay my bills without worry, when I will be able to buy whatever I want, within reason.
Now I know... it'll be a while.

I used to wonder what it would be like to do author presentations in big, fancy libraries with famous names on them, to compare books with famous authors and illustrators, to walk into a bookstore unnoticed and spy on a person buying my book off the shelf.
Now I know. It's fabulous. It's amazingly wonderful. It's better than I thought it would be.

I used to marvel at how Real Authors put together word after word, sentence after sentence, metaphor after brainstorm, on and on, to a completed book and a sequel and a series. I thought they were brilliant -- that they had a magic muse that spoke into their pens and typewriters.
Now I know:
It's with thoughtfulness, hard work, B.I.C. (body in chair, I tell kids at my school events), writing when your brain won't produce anything great, pushing yourself through rejection, through fallow times, through melancholy and depression, through anxiety and panic, through uncreative lulls.
It's with faith that when it's finished, the book will be worth reading, even though there are many times before then that it seems impossible.

I used to think that when I got published my insecurities would end.
Now I know they merely shifted. I still worry about whether the next book will sell. I still write down every idea for a new book, scrabbling to get it down before it escapes me, and I wonder if it'll ever see real, typeset words on real paper between real paper-over-board covers.

Once in exasperation my agent said, in a crowd, "Yes, Ruth, you're my favorite." I felt mortified -- flashback to my childhood: were the others going to beat me up for garnering probably-temporary favor? -- and I felt embarrassed -- of course she was being facetious, wasn't I perceptive enough to pick up on that? -- and I felt exhilarated -- maybe she really meant it, just a little!
I guess I haven't grown much since I pushed my brothers and sisters out of the way so I could have alone time (alone nanoseconds) with Mom.

I used to think learning was a curve, starting low, climbing, then falling, with a finite end. Now I see that it never ends -- and in fact the amount of stuff to learn is an ever-growing mountain.
The more I know about writing and illustration and books, the more I want to know about writing and illustration and books -- and the more I realize I don't know.

My editor said a few years ago that we want Ellie McDoodle to steadily climb the charts, not to shoot to the top right away.
I didn't understand why, then.
Now I do.
Each stage of this publishing life has meant an adjustment for me. I don't know how I would have handled it if it had happened big and quick.
I'd sure like to find out how I will handle it, when Ellie gets to the top. :)
(meaning, I hope it gets there!)
I love where it's at right now, too.

Are you a writer? Keep at it. B.I.C. It's worth the effort and the pain.

3 Comments on FAQs: Has your life changed since becoming an author?, last added: 6/19/2009
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23. Doodling proves useful -- big surprise?


This article gives the details on a February 28 report in Ap­plied Cog­ni­tive Psy­chol­o­gy about a study on the value of doodling: Test subjects giv­en a doo­dling task while lis­ten­ing to a dull phone mes­sage had im­proved re­call over non-doo­dling subjects -- and we're talking about a 29% improvement.
Doodle! It makes you retain information better! (I knew it all along)
I loved the teachers in my high school who understood that doodling helped my retention of information. They let me doodle during class and I was grateful -- it was a big motivator for me, to get even more work done.
I let kids doodle during my author presentations. After almost every session, there are a few kids who run up to show me how they've covered nearly every inch of the paper. Invariably, they're expanding on something I said -- and it doesn't appear at all to me that they're drawing instead of listening.
They're drawing while listening.
Like I do.
Kids are so smart -- they're learning early what it took me years to figure out (and what it took science decades more to prove).

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24. March is Reading Month 2009

This month I signed (and added a sketch or two to) more than 1000 books. Final count is about 1345. In one month. Wow!

By tomorrow, my last school event in March,
I will have visited 23 schools: St. Clare of Montefalco in Grosse Pointe Park; Cedar Street Elementary, Steele St. Elementary, and North Aurelius Elementary in Mason; Flanders, Beechview, William Grace, Lanigan, Highmeadow, Forest, Kenbrook, Wood Creek, Gill, Hillside, Wooddale, Longacre and Eagle in Farmington; Bath Elementary in Bath; Madison Elementary in Dearborn Heights; Wexford, Forest View and Willow in Lansing; and, tomorrow, Cherry Creek Elementary in Lowell.
Plus 1 conference (MRA in Grand Rapids), 1 library (Farmington Public Library), and 1 bookstore (Barnes & Noble in East Lansing).
I made connections with many wonderful librarians and teachers and a few booksellers.

I am especially grateful to Sue Kalisky of Highmeadow and Lisa Salowich of Wooddale for sharing their room at the Amway Grand Plaza with me. We met in Farmington and they offered to hang out at the MRA. We enjoyed a delightful dinner at a Tapas Restaurant (my first -- can't wait to return!) and an enlightening visit to the new Grand Rapids Art Museum. It would have been difficult to present at the MRA without staying overnight. How kind of them to invite me in.

Nancy Morris of William Grace also extended a kind invitation to tour a little in Portland, Oregon, when I am there for a writer retreat in July-August. I can't wait.

Many thanks to the schools who hosted me. What a fabulous month this has been. Thank you to the students and staff who were so kind to me in my visits, and to the tireless organizers of all the events. I know it's tough bringing in an author for a visit; there's a lot to manage.

I am still smiling about all the fantastic student work in the various schools, the art on the walls, the writing exercises, the creativity shown by both teachers and students. I'm astounded at the brilliance I saw in so many schools.

Special thanks to Denise Gundle-White at Wood Creek for organizing all of my Farmington events as part of their Book Parade.

(Want to host me at your school or library? Details here on my website: http://ruthexpress.com/art/ellie/schoolvisits.html )

On a more personal front, this month I also juggled 2 bridal showers for my beautiful and fun future daughter-in-law, 1 dress fitting for our junior bridesmaid, thankfully no funerals in March (3 in Jan-Feb), helped paint the dining room, hallway and living room, helped my husband through the loss of his job and hopefully gaining of a new one (crossing fingers) and also through the loss of our car, rental of a new one, and -- maybe today -- purchase of a replacement, read my writing buddy Amy Huntley's fantastic new book, The Everafter (I laughed, I cried; I was greatly impressed with the emotion, the voice and the structure), and I wrote and drew a few "Extras" for the Ellie McDoodle: New Kid in School paperback edition which comes out this summer. (And, if you saw any of my presentations this month, you know I also had to do revisions for those "Extras")

Soon to come, more revisions! Yippee! This time for the third Ellie book, Ellie McDoodle: Best Friends Fur-Ever, the first draft of which I finished in record time, right before March began.

My editor's sending me the revisions letter (and if you saw any of my presentations you know that's a thick dark line listing more than 100 items to change) sometime in the next few days.
And if you saw my presentation you know there will be another revisions letter, too, hopefully smaller, arriving in the coming weeks, after I make all the requested changes and redraw every single page for this set of revisions.
And if I am lucky, then the book will be done and it will go to prepress sometime this summer for publication next summer.
It takes a long time and a lot of hard work to create a book.
And to live life which, no matter how tightly I plan it, is always bringing something unforeseen.

Whew.

So why do I do this?
Because I am in love with my job. And with my life.


(from my 2006 NYC sketchbook just after meeting my editor and many of the brilliant people associated with creating the Ellie McDoodle books)

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25. Charity begins ad hoc

(I'd say charity begins ad hom, and I'd argue it's accurate, but since ad hominem is commonly used for negative, it's better to avoid it here)

My friend Peter Davis wrote this brilliant poem about Neanderthal charity.

My friend Shutta Crum started a wave of charitable contributions by writers for writers, when she offered, in the spirit of Martin Luther King, Jr., Day, to critique three manuscripts for free, and challenged other writers to make a similar contribution to the greater good of our readers.
Quite a few did!
Michigan's SCBWI email group was awash in offers of all kinds -- rhyming picturebook help from Debbie Diesen, magazine/internet help from Patti Richards, non-fiction help from Buffy Silverman, picturebook help from Boni Ashburn, school visit or independent publishing advice from Kevin Kammeraad, novel chapters and query letters crits from Kristin Nitz ... it's heartwarming.
Congratulations to those lucky writers who won the crits, and thank you to the generous writers who offered them.
I hope Shutta's idea spreads beyond Michigan.


Our daughter gave us some Italian cauliflower yesterday. It's the weirdest plant I've seen in ages. This link takes you to the Park Seeds catalog image. It tastes like soft broccoli. I hope Park Seeds will be charitable about letting me post the pic here.
I'd draw it but I'm supposed to be writing a book right now, and that's a pretty complex floret...

Back to work. <3

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