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1. New May Releases from LEE & LOW and TU BOOKS

We can hardly believe how fast the year is flying by! Memorial Day weekend is just around the corner, which means summer is officially here. We’re looking forward to nice weather, beaches, and of course, our new titles out this month!

We’re very excited to introduce our new May releases – there’s sure to be something for everyone!

A Morning with Grandpa

a morning with grandpa cover

By Sylvia Liu, illus. by Christina Forshay
$17.95, 978-1-62014-192-2
Hardcover, 32 pages
Ages 5 to 8

A curious and active Chinese American girl spends the day learning tai chi from her grandfather, and in turn tries to teach him how to do yoga. Winner of our New Voices Award.

“Debut author Liu scores with a sweet story about the joys of intergenerational relationships. The love between the two shines through in both text and illustrations. A fine example of contemporary multicultural literature.” —Kirkus Reviews

Buy the book here.


Tiny Stitches: The Life of Medical Pioneer Vivien Thomas

tiny stitches cover

By Gwendolyn Hooks, illus. by Colin Bootman
$17.95, 978-1-62014-156-4
Hardcover, 32 pages
Ages 7 to 12

The life story of Vivien Thomas, an African American surgical technician who developed the first procedure used to perform open-heart surgery on children.

“Beyond the crucial message of perseverance and spotlight on prejudiced attitudes that still resonate today, this middle-grade picture book illuminates the life of little-known man whose innovations continue to be essential to modern medicine.”                       —Booklist, starred review

Out next week! More information here.


Perfect Liars

perfect liars cover

By Kimberly Reid
$19.95, 978-1-62014-273-8
Hardcover, 384 pages
Ages 12 and up

Andrea Faraday, a society girl with a sketchy past, leads a crew of juvie kids in using their criminal skills for good.

“Crime, intrigue, and deceit abound in this novel about a biracial teen embracing her criminal instincts in order to thwart a treacherous plot. Gripping, suspenseful, and refreshingly diverse.”     —Kirkus Reviews, starred review

Buy the book here.

What are you looking forward to reading in the coming month?

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2. Announcing the Winner of Our New Visions Writing Contest

New Visions Award sealTu Books, the middle grade and young adult imprint of respected multicultural children’s publisher LEE & LOW BOOKS, is thrilled to announce that author Supriya Kelkar has won its third annual New Visions Award for her middle grade historical fiction novel, Ahimsa.

The award honors a middle grade or young adult novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.

Supriya Kelkar
Supriya Kelkar

Ahimsa takes place in 1940s India, an era of great change as Indian citizens fight for independence from British colonial rule. When ten-year-old Anjali’s mother announces that she has quit her job to become a Freedom Fighter following Mahatma Gandhi, Anjali must find her place in a rapidly changing world.

The story was inspired by Kelkar’s own great-grandmother, who joined the freedom movement against the British. “She worked alongside Gandhi and spent time in jail, too, for her part in the nonviolent movement,” Kelkar says. “I hope that readers can be inspired by the fact that people were able to make such a huge impact on their world not through war, but through non-violence.” Kelkar will receive a cash prize of $1,000 and a publication contract with Tu Books.

One manuscript received the New Visions Award Honor: Alexandra Aceves’ young adult horror story Children of the River Ghost. Set in contemporary Albuquerque, Children of the River Ghost is a unique reimagining of the la llorona myth told through the eyes of La Llorona herself. “I wanted to give her a voice, to give her the opportunity to tell her side of the story,” Aceves says. Aceves will receive a cash prize of $500.

There were three New Visions Award finalists: Alex Brown (Hate Crime), Hilda Burgos (The Castle of Kings), and Elizabeth Stephens (The Rougarou).

Last year, books by authors of color comprised less than eleven percent of the total number of books published for young readers, according to the Cooperative Children’s Book Center at the University of Wisconsin-Madison. The annual New Visions Award is a step toward the day when all young readers can see themselves in books.

Congratulations to all of the New Visions Award winners and finalists — we look forward to seeing your future books!

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3. Interview: Kimberly Reid, author of PERFECT LIARS

kimberly reidSometimes to save the day, a good girl’s gotta be bad.

White Collar meets Oceans 11 in our new YA novel, Perfect Liars. We interviewed author Kimberly Reid on how to craft the perfect heist novel, her writing tips, and breaking stereotypes.

Why was it important to you to depict an interracial relationship in your story?

In the real world, interracial relationships exist. I’ve been in one with my Korean husband since college. Teen readers may not think this is a big deal, but when we met in the late 1980s, long before K-pop, K-dramas, and Korean fusion food trucks made the culture more accessible to Americans, it was kind of a big deal. Back then, as Koreans immigrated and settled into traditionally black neighborhoods of large cities, relations between our communities were tense. I wasn’t quite as young as the characters in Perfect Liars, but I remember what it was like to be young and in a relationship for which I had no model, one that was seen as “exotic” at best and flat-out wrong at worst. The world has shifted a lot in thirty years, and kids have more models now but it’s still important to me that my books reflect the real world. And unfortunately, we’re often reminded how little shift there has been. Just last week, people lost their minds over an interracial Old Navy ad.

What research did you do to create a convincing heist novel?

That aspect of the book probably took the least research since the heist isn’t a huge player in the story, though I had to do a lot of Googling on the high-end antiques business. I didn’t want the target of the thieves to be the usual things—money, jewelry, art—though that’s in there, too. So I decided to go with fine antiques. The legal aspects took up most of my research time. Luckily, I come from a law enforcement family so it was fairly easy to ask any question that popped into my head. When I was writing the book, my much younger sister had recently passed the bar exam and she’d also been an English major in undergrad, so she was the perfect person to help. The law was really fresh for her, and she didn’t get bored with all my writerly talk of plot and motivation.

Who are your favorite heist writers? What are some of your favorite heist movies or shows? pull quote 1

I don’t really have a favorite heist writer, but I have watched many heist movies, like The Italian Job and Ocean’s Eleven (the original and the newer versions), Rififi, The Score, and Inside Man. But it was actually a TV show called Leverage that gave me part of the inspiration for Perfect Liars. The main premise came from an alternative school in my town that is run by a juvie court judge and was once housed in our city’s justice center, along with courtrooms and the sheriff’s office. But I needed to turn that into a story and decided to have former juvie kids use their criminal skills for good. In Leverage, a band of criminals, led by a former investigator, use their various talents to help people in need.

How is writing fiction different than writing a memoir (No Place Safe)?

The biggest difference is telling the truth versus making stuff up. With fiction, you can make the story go the way you want. Writing memoir is all about the truth and sometimes the truth hurts. No Place Safe is the story of growing up during the two-year-long Atlanta Missing and Murdered Children investigation, on which my mother was a lead investigator. I was thirteen when the murders began, and I wrote the story from my thirteen-year-old’s perspective, but with the insight of an adult looking back on that time. It was my first published book, and writing it helped me figure out what I wanted to do from that point on. I like writing from a teen point of view (but I find it more difficult than writing for adults!). Though I write crime fiction, I prefer using humor in my stories rather than a darker voice. Most importantly, I’d much rather invent stories than tell the truth.

What advice would you give to writers that want to write heist novels?

In a heist novel, the entire book is about the planning and execution of a heist, and then how the characters deal with the fallout. There is some of that in Perfect Liars, but it isn’t really a heist novel. Publishers Weekly calls it “a socially conscious crime thriller” and I like that description. The heist more or less sets up the story; it isn’t the story. If I had to give it a subgenre, it’s probably more con artist than heist. But I’d give the same advice I’d give a writer of any genre: do your research. I do lots of research and still miss something every time. And your readers will call you on it every time. I can be a little Type A and used to think, “Oh, no! How did I miss that?” Now, I realize I can’t change the book once it is out in the world, so I view it as, “I have some really smart and observant readers. They’ll keep me on my toes as I research the next book.”

A few months ago, LEE & LOW released the Diversity Baseline Survey, which revealed that a significant percentage of publishing staff is comprised of white women. Were you shocked by these numbers? What is a way publishing might be able to improve these numbers?

pull quote 2I’ve been black all my life, and a traditionally published writer for nearly a decade, so no, I wasn’t surprised. More surprising—and heartening—was the response to the survey from the participants. I was glad to see Big Five publishers participate. As sad as the numbers are, I think being truthful about them and willing to contribute honest data is a good start. As far as improving the numbers, I think decision-makers need to make an aggressive effort to recruit diverse employees. I don’t mean run job ads on sites focused on minorities or maybe participate in diversity job fairs for new college grads. I mean start early, show marginalized high school students the possibility of publishing as a career through education and internships. The science disciplines are doing this through STEM program education and recruitment as early as middle school. Another suggestion is to let go of the idea that everyone must work in Manhattan, which puts a publishing career out of economic reach for most. The film industry has figured that out. While Hollywood may always be the headquarters, lots of movies are being made in studios in lower cost cities like Atlanta and Vancouver, and using local production talent. Maybe have self-contained imprints, from acquisitions to sales reps, as field offices. I think this would also help publishing become less New York-centric and keep publishers in closer touch with what’s going on in the rest of the country in terms of demographics, cultural trends, and social movements. And to loop back to my first suggestion, publishing needs more decision-makers from marginalized backgrounds. It’s hard to acknowledge there’s a problem when you’ve never experienced the problem, and you can’t fix what you don’t perceive as broken, or at least, fully understand how broken the thing is.

Many of the juvenile delinquents that Drea works with challenge her assumptions about what they are truly like. Why is it important to challenge Drea’s (and the reader’s) assumptions about these characters?

I won’t lie—I can be judgey. A big part of being a writer is watching the world and trying to understand people, and hopefully, attempting to empathize with some of what we see. It’s hard to do that if you aren’t willing to see there’s more than one perspective. So I brought a lot of that to Drea’s character. I also wanted to show that we are not monolithic. Of the relatively few books that are published with brown or black leads, the odds favor us being depicted as broke, oppressed, undereducated, and in need of salvation. Drea is the opposite of these things despite being a racial minority. And also despite that, she views the world from a place of privilege. Part of her evolution is seeing that she has obtained her privilege in a questionable way, and also that, when it comes down to it, some people will always see her the way they want, no matter her money, class, or education. She learns this by seeing how others like her are treated and eventually realizes she has the means to help correct some of that.

The push for more diverse books has increased in the past two years. What do you hope to see from forthcoming books?

I’d like to see more fun books with racially marginalized characters. While these things are huge aspects of our past and, unfortunately, what still lies ahead, we aren’t always trying to throw off the yoke of oppression, dealing with the legacy of slavery or the marginalization that comes with being immigrants. Books from white writers with white leads don’t carry this burden. They can be fun for entertainment’s sake, and that’s just fine. Historically, publishing hasn’t given the same freedom to writers of color. We have had to come with the deep and profound, or not come at all. Kids of color should have a variety to choose from, should be able to walk into a library or store and pick the thing they’re dying to read, not the thing an adult (publishers, teachers, librarians, parents) has deemed they should read because of what they look like or where they came from. That choice can include a history of their people, but let them also have a fun mystery, an interracial romance, a fantasy in which a kid who looks like them is the slayer of dragons. Every young reader deserves that.

What’s one of your favorite sentences, either from your own writing or from someone else’s?

Can I give a few? I love this description of a season’s change from Toni Morrison’s Sula:

“Then summer came. A summer limp with the weight of blossomed things. Heavy sunflowers weeping over fences; iris curling and browning at the edges far away from their purple hearts; ears of corn letting their auburn hair wind down to their stalks. And the boys. The beautiful, beautiful boys who dotted the landscape like jewels, split the air with their shouts in the field, and thickened the river with their shining wet backs. Even their footsteps left a smell of smoke behind.”

I bow to Ms. Morrison.

If you were putting together your own team to pull off a heist, who would be on it and why?

I’d need a computer genius. I once worked in the tech world—which is increasingly becoming the world—and computer geeks make it go round. I’d want a great con artists or two because I wouldn’t want to use brute force. If I’m going to be a criminal, I’d rather manipulate people into giving me what I want rather than physically hurting them into doing it. They’re both bad, but for some reason, the con seems less bad than the violence. Certainly I’d want someone who could break into anything, probably two thieves—one high tech, one old school because you never know if you’re going to run into an antique safe or something. Those would be the minimal requirements. Nice-to-have additions would be a chemist, physicist, and an engineer. They are like the MacGyvers of the world. Between them, when all else fails, they could probably figure a way out of any jam.

Perfect Liars releases next week!

perfect liars cover

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4. Cover Reveal: SHAME THE STARS

Shame the Stars by Pura Belpré Award-winning author Guadalupe Garcia McCall (Summer of the Mariposas, Under the Mesquite) is a reimagining of Romeo and Juliet set against the Mexican Revolution in 1915 Texas.

Shame the Stars is set to be released Fall 2016! We’re excited to share a first look at the cover with you today.

Eighteen-year-old Joaquín del Toro’s future looks bright. With his older brother in the priesthood, he’s set to inherit his family’s Texas ranch. He’s in love with Dulceña—and she’s in love with him. But it’s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.

As tensions grow, Joaquín is torn away from Dulceña, whose father’s critical reporting on the Rangers in the local newspaper has driven a wedge between their families. Joaquín’s own father insists that the Rangers are their friends, and refuses to take sides in the conflict. But when their family ranch becomes a target, Joaquín must decide how he will stand up for what’s right.

Shame the Stars is a rich reimagining of Romeo and Juliet set in Texas during the explosive years of Mexico’s revolution. Filled with period detail, captivating romance, and political intrigue, it brings Shakespeare’s classic to life in an entirely new way.

shame the stars cover small

Thanks to YA Interrobang for hosting the cover reveal! We can’t wait to hear what you think of the cover.

 

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5. #DVpit: A Twitter Pitching Event for Marginalized Authors

While the number of diverse books is increasing, the number of new diverse authors entering the field remains low. Significant barriers remain for authors of color, Native authors, disabled authors, and other marginalized voices. With that in mind, we are excited to share information on this special Twitter event, #DVpit, created to showcase pitches by marginalized voices and help connect them to agents and editors. The information below is cross-posted with permission from literary agent Beth Phelan’s website.   

#DVpit

A Twitter Pitching Event, Hosted + Moderated by Beth Phelan

April 19, 2016
8:00AM EST – 8:00PM EST

#DVpit

What is #DVpit?


#DVpit is a Twitter event created to showcase pitches about and especially by marginalized voices. This includes (but is not limited to): Native peoples and people of color; people living and/or born/raised in underrepresented cultures and countries; disabled persons; people with illness; people on marginalized ends of the socioeconomic, cultural and/or religious spectrum; people identifying as LGBTQIA+; and more.


What kind of work can you submit?


The participating agents and editors are looking for a variety of work, including all categories of fiction for adults, teens, and children, as well as nonfiction—as long as they qualify per the paragraph above.

Please only pitch your completed, unpublished manuscripts.


How do you submit?


Your pitch must fit the 140-character max, and must also include the hashtag #DVpit.

Please try to include category and/or genre hashtags in your pitch.

We will trust that your pitch is for a diverse book, but if you want a quick way to make the diversity in your work more apparent in your short pitch (and you can fit a few more characters), I also encourage you to include an abbreviation as an easier way to get that information across. Examples: OWN (to suggest #ownvoices), POC, LGBT, DIS (disability), IMM (immigration), etc.

These codes are up to you—I’m in no place to judge or police how, or even if, you box your experience. If you’ve already perfected your pitch and/or simply don’t see the value in including these codes, please remember they are optional. You will *not* be at a disadvantage if you don’t include them! If you do want to add, please make the abbreviation as clear and straightforward as possible for our agents/editors.

Please pitch no more than once per hour, per manuscript. You may use the same pitch, or shake things up by using different pitches for the same project. You may pitch more than one project at a time, as long as they are completed and unpublished.

Please do not tweet the agents/editors directly!

The event will run from 8:00AM EST until 8:00PM EST, so please only tweet your pitches during that block of time.


What happens next?


Agents/editors will your “like” your pitch tweet if they’d like to see material from you, so please don’t “like” other authors’ pitches. Please also do not retweet. To show support, you can always reply with compliments.

Each agent/editor will have their own preferences for receiving submissions, so if you get a “like” from someone, please refer to their Twitter feed to see what they ask for, and how you can contact them.

All of these agents/editors are invested in finding more marginalized voices, so if you’re comfortable with it (and ONLY if you are comfortable with it), you are encouraged you to self-identify in your query, or just simply let us know that the story and/or character(s) reflect your own experience (or even in your pitch if you have the space and the inclination).

If you see that multiple agents/editors from the same group have “liked” your pitch, please contact them directly for their policy, or reach out to Beth Phelan who can help you find out.

Keep in mind that many agents/editors will get sidetracked with their usual work or unexpected crises and may have to revisit the feed after the event is over. So don’t be surprised if you receive “likes” after the period closes!


Who is participating?


Over 50 agents and editors will be participating, and since this is a public event, more are likely to join in on the day! Our own Stacy Whitman, publisher of our Tu Books imprint, will be participating. See the full list here.

Please be sure to research any agent or publisher that “likes” your pitch. There is no obligation to submit your work to anyone you don’t want to.


For more details and a list of resources to help with your pitch, visit Beth Phelan’s post. Best of luck and happy pitching!

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6. Four Depictions of Post-Traumatic Stress Disorder in YA

According to the National Institute of Mental Health, Post-Traumatic Stress Disorder (PTSD) is a disorder that develops in some people after they’ve witnessed a shocking or traumatic event. People experience shock after traumatic events, but those who don’t recover from the initial shock are more likely to develop PTSD. After a distressing or upsetting event, it’s important to seek support.

While literature cannot take the place of a support group or therapy, it can help us process grief and trauma. Teens are not immune to PTSD, and several YA novels explore this disorder in different ways: through fantasy, dystopia, or realistic fiction. Some are from the perspective of the person suffering, while others explore what it’s like to be a family member or friend.

Here is a list of four young adult books that deal with PTSD:

Four Depictions of Post Traumatic Stress Disorder


 

Trail of the Dead by Joseph Bruchac – In the follow-up to Killer of Enemies, Apache teenager Lozen protects her family and friends as they travel in search of refuge in a post-apocalyptic world. Though Lozen has only taken the lives of others to protect herself and her family, the killings take a toll on her spirit and Lozen finds herself with what her people call “enemy sickness,” another name for PTSD. With the support of her friends and family, she is healed in a ceremony that reflects the traditional healing of her Apache ancestors.

Purchase the series here.


The Impossible Knife of Memory The Impossible Knife of Memory by Laurie Halse Anderson – Hayley Kincaid and her father have moved around a lot in the past five years due to his job working on the road. They return to his hometown so that Hayley can have a shot at a normal life. However, after her father’s tours in Iraq, he developed PTSD. Hayley isn’t sure if being in her father’s hometown will help with his PTSD, or push him over the edge.


Melting StonesMelting Stones by Tamora Pierce – Evvy and
Rosethorn are sent to the island of Starns to help residents with a dormant volcano. While there, Evvy has flashes of a war from which she recently escaped.


Fallen Angels by Walter Dean Myers – After his dreams of attending college fall through, Perry, a teenager from Harlem, decides to volunteer for the service and joins the Vietnam War. Perry and his platoon are sent to the front lines and come face-to-face with the horrors of war. Perry begins to questions why black troops are given the most dangerous assignments and why the U.S. is in Vietnam at all.


Resources:

National Institute of Mental Health: Post Traumatic Stress Disorder

National Institute of Mental Health: Helping Children and Adolescents Cope with Violence and Disasters: What Community Members Can Do

PTSD Alliance

PTSD: National Center for PTSD

American Academy of Pediatrics: Promoting Adjustment and Helping Children Cope After Disaster and Crisis


Read More:

Why I Love to Read Sad and Dark Books to Children (and You Should Too)

Talking to Kids About Current Events and Conflicts

Turning to Story After the Sandy Hook Shooting

Connecting Teens with the Authors They Love

What are some other YA novels that deal with PTSD? Please share in the comments.

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7. Salt Lake Comic Con 2016: M.K. Hutchins and Valynne E. Maetani Schedules

This weekend is Salt Lake Comic Con (March 24-March 26). Tu Books authors M.K. Hutchins (DRIFT) and Valynne E. Maetani (INK AND ASHES) will be in attendance. Check out their schedules below:

M.K. Hutchins

Friday, March 25

12:00 PM – 1:00 PM

History, Myth, and Archeology: Enriching Your Fantasy with Research from the Real World, Room 150G

Saturday, March 26

11:00 AM – 12:00 PM

Writing a Great Opening, Engaging Middle, And Perfect Ending, Room 255C


Valynne E. Maetani

Friday, March 25

1:00 PM – 2:00 PM

Book Signing, Shadow Mountain Booth 1341

Saturday, March 26

11:00 AM – 12:00 PM

Avatar the Last Airbender: Why This Modern Myth Means So Much to Us, Room 255F

1:00 PM to 2:00 PM

The Increasing Diversity of Star Wars, Room 151A

 2:00 PM – 3:00 PM

Beyond Creation: Diversity in Writing, Room 150G

5:00 PM – 6:00 PM

Attack on Titan Obsession, Room 150G

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8. Writing conferences: A Place to Learn the Craft

Looking online for resources as a new writer can be confusing. If you google “how to get a book published,” many of the first results you see are ads for resources that are sketchy at best—pay-to-play publishing, self publishing, vanity publishing. (While self publishing is a valid route, it’s important to know all your options before deciding self publishing is the right way for you.)

Change the query to “how to get a children’s book published” and the results aren’t much better. Eventually you may stumble on the helpful Frequently Asked Questions page for the Society of Children’s Book Writers and Illustrators (SCBWI), an excellent resource for new writers looking to improve their craft and figure out the publication process. But navigating all the resources out there, good and bad, can be tricky.

Sometimes, you need to cut through the layers of information overload and just learn from publishing professionals directly. This is where writing conferences come in—which offer this and much more.

There are many good writing conferences across the United States (and the world). The SCBWI has local chapters that host monthly events, and the regional chapters tend to host at least one writing conference a year to which they bring editors and agents from New York City and elsewhere to teach, network with attendees, and critique their work. Many writers come away from conferences having met multiple like-minded writers with whom they can start a critique group. Other organizations also host more intensive workshops, such as Writing and Illustrating for Young Readers, a conference that has gained national acclaim.

Color of Children's Literature Flyer - VERSION V (March 20, 2016; 9h51)While these conferences are excellent general resources—and many of them are working hard to become more welcoming spaces for writers of color—we also recognize that without meaning to, sometimes general spaces don’t give writers of color the support they need in an industry dominated by white editors, agents, and authors. There is something to be said for a conference that begins with a mission to connect writers of color with information about publishing—from publishing 101, to improving craft, to networking with publishing professionals.

One such conference is Kweli Journal’s children’s book writing conference, which is holding its second annual writing conference on April 9 at Scandinavia House in New York City. The conference is only $100 for a full day’s programming (this is a really good price for a conference like this) and more than 25 authors, editors, and agents will be on panels and teaching workshops throughout the day.

The keynote speaker will be Edwidge Danticat, author of the Oprah’s Book Club pick Breath, Eyes, Memory and the YA novel Untwine, among many other acclaimed titles. Our own Joseph Bruchac, author of Quick Picks Top Ten title Killer of Enemies and more than 120 other books, will be there, as will Stacy Whitman, the publisher of our Tu Books imprint. Jessica Echeverria will be at the conference representing our picture book editorial team.

In the morning after the keynote, authors will learn from publishing professionals about how the publishing process works, and what their options are (self publishing, small presses, large publishers, whether you need an agent), and then the afternoon will break out into roundtables and critiques.

For a full list of publishing professionals who will be at the conference, check out the Kweli Journal website. We hope to meet you at the conference!

When: Saturday, April 9, 2016, 8 am — 8 pm

Where: Scandinavia House, 58 Park Avenue, New York, NY 10016

Price: $100

Click here to register.

If you are not in the New York City area, fear not. Here’s a list of other writing conferences around the United States that have been recommended by writers we know:

British Columbia, Canada

Surrey International Writers’ Conference

California

SCBWI Summer Conference

Florida

Sun Coast Writer’s Workshop

Massachusetts

New England SCBWI Regional Conference

Oregon

Oregon Coast Children’s Book Writing Workshop

Willamette Writers Conference

Pennsylvania

The Highlights Foundation hosts workshops throughout the year

Western Pennsylvania’s SCBWI conference

Utah

Writing for Charity

Specifically for teens: Teen Author Boot Camp

Specifically for writers of speculative fiction: Life, the Universe, and Everything

Virginia

SCBWI Mid-Atlantic Annual Conference

These are only a small sampling of the excellent writing conferences out there. If you’re going to Kweli, let us know so we can look for you! If you can’t make it, feel free to recommend your favorite writing conference to learn about writing for children and teens.

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9. Cover Design 101: A sense of mystery

Now that we’ve revealed the cover for the amazing Perfect Liars by Kimberly Reid (coming in May!), let’s talk about the cover design process. As with Ink and Ashes last year by Valynne Maetani, Perfect Liars is a YA mystery title. How do you give a book that mysterious air you need? How do you tell readers, “This book is for YOU!”?

The challenge in all YA book design is to create a cover that looks like it belongs in the YA section, but doesn’t look too much like the rest of the YA section. And to do that, you need a good designer. We found that designer in Liz Casal, who’s also designed covers for Little, Brown and Soho Press. Looking at her portfolio, we knew she was just the designer for the job.

Perfect Liars_small_hires

We always start with some comp designs, to figure out what direction we’ll want to go in. Liz gave us some really amazing options. Here are a few of my favorites (these aren’t all of them).

Round 1 thumbnailsWhat I loved most about Liz’s designs is the care she put into finding photos of models who would look like the main character, Andrea Faraday, who is biracial (black and white). On top of that, her sense of contemporary design is just spot on. It was hard to choose which one we loved most!

We each loved multiple choices, so how could we narrow it down? I showed the potential covers to coworkers here at Lee & Low, to the author, and to her agent, soliciting opinions. We all had reasons for why we liked what we liked. But which direction was the best direction for this book?

There were some easy ones to rule out—the last one (with the girls in the hat) was a great picture, but didn’t convey the feeling we wanted to convey with this book cover. It was too convivial, not Perfect Liars design processmysterious enough. As Kim put it, “I imagine totally loving this for some other book I’d write.” A couple others felt too much like other books, and we weren’t sure we liked the cropping of some others (we didn’t want to lose the character’s full face, even though that cropping created a great sense of mystery).

We all loved the red cover (upper left of the original design), but we felt very strongly that a silhouette wouldn’t be the right choice for a book starring a person of color—we didn’t want to obscure our character’s ethnicity, we wanted to celebrate it! However, that book had a very commercial feel to it. Could we tweak it so that it would clearly show that she’s a character of color?

We looked at a number of options for that cover direction, and in the meanwhile also explored a few other options. We narrowed our options down further, looking at filters and cropping, fonts and angles. And then we decided to go to the experts: teens.

2015-09-30 15.19.19We chose our three favorite covers (we were on about round 3 by now), and during a visit to our office by students from the Grace Church School (who were there to talk to Joseph Bruchac, author of Killer of Enemies and Trail of the Dead), we asked students to tell us which book they most wanted to read.

Every teen in the room pointed to the cover on the right, the one with the characters wearing sunglasses. We were a little surprised—we thought that opinions might at least be split, or possibly favor the cover we’d been continuing to try to tweak so it wasn’t strictly a silhouette.

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Why, we asked, were they most interested in that book?

“Because she looks like she’s hiding something,” said one teen.

For them, those sunglasses meant a sense of mystery.

What do you think? Were our teen experts on to something? We think so!

Check out the final cover at Diversity in YA!

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10. Book Title Mashup: Lee & Low Edition

Book title mashups are when you take two book titles, put them together and create a synopsis based on the title. We took some of our favorite Lee & Low and Tu Books titles to come up with some new and fun stories!

Etched in Ink and Ashes( Etched in Clay + Ink and Ashes): Claire Takata never  WRITING 101knew her father. When she stumbles upon a basement full of clay pots inscribed with poems that he wrote detailing his daily life and his dedication to the abolishment of slavery worldwide, she discovers that there may be more to the Takata family than she realized.

Elephant Shopping (Elephant Quest + Sunday Shopping): What kind of elephant are you in the market for?

Finding the Hula-Hoopin’ Queen (Finding the Music +The Hula-Hoopin’ Queen): Reyna and her best friend Kameeka love to go hoopin’ around their block. One day they receive a mysterious invitation to a hula-hoopin’ contest from none other than the Hula-Hoopin’ Queen. She leaves hints around the neighborhood so they can find her whereabouts.

The Monster in the Attic (The Monster in the Mudball + Poems in the Attic): When Charles is assigned the attic during his family’s spring cleaning, he discovers a very special surprise!

Sixteen Years at the Flea (Sixteen Years in Sixteen Seconds + Grandma and Me at the Flea): Luisa’s hunt for the perfect pair of socks at the flea market becomes much more than she bargained for.

Trail of Witches (Trail of the Dead + Hammer of Witches): Lozen flees with her family from a deadly hunter. She must pick her way across a hidden trail created by witches.

Parrots Over the Mudball (Parrots Over Puerto Rico + The Monster in the Mudball): Jin and Frankie are parrots living in the Puerto Rican rainforest. Their habitat is being destroyed by a mud ball monster and they don’t know what to do! Then the mysterious Mizz Z appears and tells them she can help, but on one condition: they have to join her team, the PRPRP, and dedicate their life to conservancy and recovery efforts of the rainforest!

Summer of Galaxy Games (Summer of the Mariposas + The Galaxy Games: Odilia and her sisters are swimming in the Rio Grande one afternoon when they chance upon a dead body. When they examine it closer, it turns out it’s a robot from another galaxy inviting them to go on a scavenger hunt across the universe.

Twelve Miles in Uncle Nacho’s Hat (Love Twelve Miles Long + Uncle Nacho’s Hat): Will Mina’s hair ever survive?

Call Me Cat Girl (Call Me Tree + Cat Girl’s Day Off): Natalie Ng is your typical high schooler: she plays sports, has a close-knit group of friends, and loves pizza. One day, she decides to take a yoga class, only to discover that it’s in the middle of a forest. Full of cats. Natalie is weirded out and vows to never return, but she soon discovers that she’s drawn to the class, as well as the cute yoga instructor who seems to have an uncanny ability to communicate with the cats…

My Very Own Bagel (My Very Own Room + Where on Earth is My Bagel)Sharing isn’t always caring.

Monster in the Ashes ( The Monster in the Mudball + Ink and Ashes): On the anniversary of her father’s death Claire Takata discovers an urn with his ashes. A monster summoned by her father’s enemies, the Japanese mafia known as the yakuza, starts hunting her and her family. Claire has to figure out how to stop it before it’s too late. . .

How would you mash up your favorite book titles? Let us know in the comments!

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11. Thirteen Scary YA Books: Diverse Edition

 

 

Thirteen Scary YA Books (diverse edition) This post was originally posted October 14, 2014.

Halloween is right around the corner. There’s no better way to celebrate than by reading books that will scare you to pieces! Here’s a lucky thirteen list of our favorites (all featuring diverse characters or by diverse authors):

  1. Half WorldHalf World by Hiromi Goto – Melanie Tamaki lives with her mother in abject poverty. Then, her mother disappears. Melanie must journey to the mysterious Half World to save her.
  2. Vodnik by Bryce Moore – Sixteen-year-old Tomas moves back to Slovakia with his family and discovers the folktales of his childhood were more than just stories.
  3. The Immortal Rules by Julie Kagawa – Allie Sekemoto survives by scavenging for food by day. She hates the vampires who keep humans like cattle for their food. Until the day she dies and wakes up as a vampire.
  4. Liar by Justine Larbalestier – Micah is a liar; it’s the only thing she’ll tell you the truth about. But when her boyfriend Zach is murdered, the whole truth has to come out.
  5. Battle Royale by Koushan Takami – A group of junior high school students are sent to an island and forced to fight to the death until only one of them survives.
  6. Summer of the Mariposas by Guadalupe Garcia McCall – Odilia and her sisters discover a Wolf Mark coverdead man’s body while swimming in the Rio Grande. They journey across Mexico to return his body in this Odyssey-inspired tale.
  7. Devil’s Kiss by Sarwat Chadda – Zombies, ghouls, and vampires all make appearances in the story of Bilquis SanGreal, the youngest and only female member of the Knights Templar.
  8. Panic by Sharon Draper – Diamond knows better than to get into a car with a stranger. But when the stranger offers her the chance to dance in a movie, Diamond makes a very wrong decision.
  9. Ten by Gretchen McNeil – Ten teens head to a secluded island for an exclusive party…until people start to die. A modern YA retelling of Agatha Christie’s And Then There Were None.
  10. Wolf Mark by Joseph Bruchac – Inspired by the Abenaki skinwalker legend, this YA thriller is Burn Notice with werewolves.
  11. The Girl From The WellThe Girl from the Well by Rin Chupeco – A dead girl roams the streets, hunting murders. A strange tattooed boy moves to the neighborhood with a deadly secret.
  12. 172 Hours on the Moon by Johan Harstad –  Three teenagers win the vacation of a lifetime: a week-long trip to the moon. But something sinister is waiting for them in the black vacuum of space.
  13. Anna Dressed in Blood by Kendare Blake – Cas Lowood is a ghost hunter, called to Thunder Bay, Ontario to get rid of a ghost the locals call Anna Dressed in Blood, who has killed every person who has stepped foot in the house she haunts.

What else would you add to the list?

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12. Recap: Diversity at New York Comic Con

This past weekend, we noticed an unusual number of superheroes, cosplayers, and characters from our favorite TV shows flooding thesubways, buses, and streets of New York City. Did we unknowingly fall into an alternate universe?

Turns out that it was just New York Comic Con, the annual pop culture phenomenon dedicated to comics, graphic novels, anime, video games, movies, and television. The first convention was held in 2006 and it has continued to grow steadily over the past several years, bringing an ever-growing number of comics and pop-culture fans to New York City. And not only has Comic Con continued to grow, but so has programming dedicated to issues of diversity and diverse creators. We were lucky enough to get a pass for LEE & LOW staff. Below, three staff members share their highlights from the show:

new york comic con 2015

Keilin, Marketing and Publicity Associate

Oh Comic Con. What a crazy event to go to, but definitely worth every minute!

I went to a Geeks of Color Meetup, hosted by Diana Pho (editor, Tor Books), and featuring Shelley Diaz (editor, School Library Journal), and author Melissa Grey (The Girl At Midnight). It was great to mingle with other “geeks” and to get to know Diana and Shelley.

Sailor Moon at the Geeks of Color Meetup

The greatest thing about the Meetup was seeing the diversity in the room. There was one group of people that I joined that was talking about the new Star Wars movie coming out, and it didn’t matter that we were all from different backgrounds because we all could geek out about something we were all collectively excited for. Diana often hosts these types of meetups for people of color, and if anyone is interested, you can contact her on her website, Beyond Victoriana.

After the Geeks of Color Meetup, I booked it over to the Asian American Comics and Creators panel, which unfortunately was full. On the positive side, that just meant that there was a full house to participate in a discussion on Asian Americans in the comic book industry. While the depictions of Asian Americans in comic books has improved, there is more that can still be done.

The thing I like most about conventions like these is that it shows you the wide spectrum of people within fandoms, whether it’s seeing a black Wonder Woman or an Asian Peggy Carter. Nerding out is for everyone!

Rebecca, Marketing and Publicity Assistant

Thanks to things like the We Need Diverse Books campaign, diversity has been on people’s minds more than ever before. Last year, we saw one of the most diverse television seasons we’ve gotten in a while. It’s no surprise that diversity in comics and geek culture was on a lot of people’s minds at New York Comic Con! I attended 4 panels focused on various aspects of diversity at the show this year.

The “Chicks Kick Ass” panel

At the Pushing Boundaries panel, there was a discussion about representation. Author Marjorie Liu spoke about the burden that authors of color often face when they are the only ones representing entire cultures. They have to make sure that their characters are “perfect” and not stereotypical; however, trying to tell a “perfect” story gets in the way of an authentic narrative. This is the danger of a single story: one person from a marginalized or underrepresented group can’t represent everyone from that group.

Some of the other panelists, like Jeremy Whitley, the creator of Princeless, spoke about using their work to fill a need. Jeremy Whitley’s daughter is a person of color, so he wanted to write a comic where a young black girl would see herself as a princess that went on adventures. Geek Out was started as a space for LGBT+ fans of comics. At one point in the discussion, the panelists spoke about bad representation. Is bad representation better than no representation? There was no clear answer, as one panelist said he preferred bad representation to none at all. But author Marjorie Liu said, “As a woman of color, I’m allergic to bad representation.”As a woman of color ComicCon II

The pervading feeling at the “Geeks of Color: Harder, Better, Faster, Stronger” panel was that while people are paying more attention to diversity and things with diverse content, we still have a long way to go. Industries need to diversify from within as well as to seek out diverse creators. Diversity naturally happens when there are a variety of people creating things.

Authors Melissa Gray, Daniel Jose Older, Sara Raasch, and Kim Harrison discussed what made the protagonists of their novels “kick ass.” Melissa Grey (The Girl at Midnight) discussed how female characters are never allowed to be unlikable, like male characters often are. They’re usually expected to be “nice.” Daniel José Older wants his books to show the diversity in Brooklyn, because a book should be like a friend and tell you the truth.

At the Women in Geek Media panel, the panelists encouraged the room full of people to create their own works. Everyone, they told us, has a unique story to tell. Many of the women talked about having to create their own spaces and writing with a unique voice, which is what made them stand out. They also encouraged everyone there who was fed up with the lack of representation of women, people of color, and other marginalized groups in media to channel their anger thoughtfully and to hold content creators accountable.

All the panels I attended were full almost to capacity. It was great to see how much people are clamoring for more diverse representation. But the real highlight of Comic Con was meeting Amandla Stenberg!

Amandla Stenberg and artist Ashley A. Woods (“Niobe: She Is Life”) with Marketing & Publicity Assistant Rebecca Garcia!

Stacy, Publisher of TU BOOKS

On Thursday night of Comic Con, I went to the #BlackComicsMonth panel moderated by Dean MizCaramelVixen. It was an all-star lineup, including Chad L. Coleman (who played Tyreese on The Walking Dead), who is producing a new comic that stars his likeness, and comics artists and writers Scott Snyder, David Walker, Mikki Kendall, Shawn Pryor, Steve Orlando, Christine Dinh, Mildred Louis, Jeremy Whitley, and Afua Richardson. If you want to see the whole panel, you can view it on YouTube.

The panel started out by talking to a standing-room-only crowd of at least 300 people about what “diversity” meant to them. Christine Dinh spoke about how there are more young women reading comics—that kids are more diverse than ever. Another panelist talked about how what it means to be black could mean so many different things, and that all those representations were important—that there is no one way to be black.

Everyone on the panel emphasized how important the voices of people of color are in comic books. Kendall said, “If you don’t see yourself out there, put your stuff out there.”

“Fangirls Lead the Way” panel

Later that night was a fangirl panel (“She Made Me Do It: FanGirls Lead the Way”) discussing how important women are not only in the creation of art but also in the appreciation of it. On the panel were Jamie Broadnax, who created Black Girl Nerds; Rose Del Vecchio and Jenny Cheng from myfanmail.com, a site that sends fandom products to subscribers; and Sam Maggs, author of The Fangirl’s Guide to the Galaxy and writer for The Mary Sue.

One of the main topics of the panel was discussing how women and girls get challenged to show their “credentials” as geeks. “I’m so over the cred thing. You don’t have to prove anything to show your passion for fandom,” Broadnax said. Maggs agreed and went on to discuss how those fans should also be reflected in the stories they consume, saying, “A range, diversity of stories can only mean better content for everyone. Why can’t white dudes look up to a black girl protagonist and have her be their role model?”Why can't white dudes ComicCon

On Sunday, the We Need Diverse Books panel focused on the hashtag #IAmNotYourSidekick, discussing the importance of narratives that center the experiences of characters of color. On a personal note, the panelists discussed the first time they’d ever seen a “mirror” of themselves in a book. Some never did, at least until adulthood. Dhonielle Clayton, a Harlem Academy librarian and WNDB VP of librarian services, mentioned that she had mirrors, but only about slavery and civil rights, not fun books. Variety in representations of marginalized people is so important, she said.

The panel also discussed the importance of opening doors for writers of color, talking about the quotas of some houses (“we already have our ‘black book,’” even if the topics are completely different), and how writing cross-culturally is possible to do well, but how it must be done responsibly. Daniel José Older pointed out that too often white writers want to jump on the bandwagon of “diversity” as if it were a trend, but, he asked, “We talk about writing the other, but can you write about yourself? Can we write about whiteness?” (Older wrote an excellent article on this topic last year at BuzzFeed.)

Everyone on the panel agreed that the way to fix the problem was to talk up diverse books. “Buy diverse books!” YA author Robin Talley said. “The more you do, the more there will be.” Older also noted not to assume that a traditionally published book that stars a diverse character will have a million-dollar marketing campaign. “It likely won’t!” he said. Panelists agreed that word of mouth is one of the most important marketing tools for diverse books—sharing them with friends, talking about them on social media, and requesting them from libraries and bookstores were all mentioned as important methods of helping diverse books grow in the market.

From the #IAmNotYourSidekick panel

To see pictures from Comic Con, check out the TU BOOKS Facebook page and the LEE & LOW Facebook page.

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13. Connecting Teens With the Authors They Love

“My advice on writing?” asked Joseph Bruchac, author of KILLER OF ENEMIES and sequel TRAIL OF THE DEAD, recently to a group of high school students gathered in our Lee & Low office.

Student Voices- Exploring the World of“Read. Read a lot and read widely. Don’t just read on the Internet; read books. If you have a favorite writer, take a look at what she does and how she does it across her books. Also, write. Write a lot and write every day. My third piece of advice is revise—make writing worth reading.”

For our virtual author event, Joseph Bruchac called in to join the students from Grace Church School who were visiting our Lee & Low office in Manhattan. The students had read both books in Bruchac’s KILLER OF ENEMIES series and were interested in learning more about the main character Lozen, the world she lives in, and the inspiration behind the books.

During our conference call with Joseph Bruchac, students came prepared with their own questions, which included:

  1. What was society and the world like before the coming of the Cloud? What was your vision of the world?
  2. Luther’s chapters have a very different narration from Lozen’s chapters. What was the thinking behind this choice?
  3. Whose side is the Dreamer on?
  4. Did the Cloud make every One insane or are there some Ones who are still good?
  5. Coyote has a particular place in much Native American folklore but TRAIL OF THE DEAD has a lot of sci fi/fantasy monsters and mythical creatures. Where does Coyote fit in?
  6. Is Lozen’s journey similar to your own?
  7. How long did it take you to write the book? What advice do you have about writing?
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Great discussion with author Joseph Bruchac!
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Grace Church School students William, Sabina, Ufon, and Eleanor with librarian Sarah Couri

 

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Looking to lead your own book discussion with teens?

Check out our Discussion Questions for KILLER OF ENEMIES series with a focus on the latest release, TRAIL OF THE DEAD:

  1. Before the Silver Cloud, humans with computer-generated enhancements, called the Ones, controlled the world. Do you think author Joseph Bruchac’s vision of the future is convincing? Why or why not? What similarities do you see between the pre-Cloud world that the Dreamer described and our own world today?
  2. What role does community play in TRAIL OF THE DEAD? How is Lozen’s community critical to her healing?
  3. The Dreamer decides which books to save. Which book would you save?
  4. Do you have theories on who Hally is? What do you think motivates Hally and what do you think Hally wants?
  5. Author Joseph Bruchac alternates between first-person narration of Lozen to third person omniscient narration with Luther—why would the author do this? How does this build suspense? With whom does Joseph Bruchac want us to empathize? Does this affect our perception of Lozen as a trustworthy narrator?
  6. Joseph Bruchac, as an adult, created Lozen (her background, voice, and perspective) and chose to write her as a teenager. She can be very opinionated, sardonic, and mocking. Do you think Lozen is a representative teenager? Why or why not?
  7. Main character, Lozen, uses humor and sarcasm throughout the series. Why do you think author Joseph Bruchac uses humor in the telling of a post-apocalyptic tale? How is this story unique from other texts set in extreme and violent environments? How does humor and sarcasm help Lozen and the other characters cope or heal with their environment and experiences? In what circumstances in our world today do we see people using humor in difficult and stressful situations?
  8. The ending of TRAIL OF THE DEAD is left open for a follow-up (or perhaps a conclusion). What do you hope to see as Lozen’s (and the other characters’) story continues?

Resources and activities for engaging students on the KILLER OF ENEMIES book series:

1. Author Joseph Bruchac reads from TRAIL OF THE DEAD, the sequel to his post-apocalyptic Apache steampunk, KILLER OF ENEMIES.

2. Author Joseph Bruchac writes about KILLER OF ENEMIES in this exclusive Tu Books interview.

3. Have students write their own story after reading Tu Books publisher Stacy Whitman share how writers go about worldbuilding with the focus on post-apocalyptic settings.

4. Author Study- Joseph BruchacStart an author study of Joseph Bruchac with his website and then explore his range of works, topics, and themes:

AMAZING FACES (poem contributor)

AMAZING PLACES (poem contributor)

BOWMAN’S STORE

BUFFALO SONG

CRAZY HORSE’S VISION

JIM THORPE’S BRIGHT PATH

KILLER OF ENEMIES

ROSE EAGLE

TRAIL OF THE DEAD

WOLF MARK

5. Have students blog about and map through Google Maps the journey and world of Lozen in KILLER OF ENEMIES and TRAIL OF THE DEAD. This project was designed by Dr. Lisa Hager, Associate Professor of English and Gender, Sexuality, and Women’s Studies at University of Wisconsin-Waukesha.

6. Have students write their own book reviews to submit to the school newspaper or present to the class. Students can read the reviews of KILLER OF ENEMIES and TRAIL OF THE DEAD at the bottom of the book pages for ideas.

Diversity Gap in Children's Books Infographic 2015
Diversity Gap in Children’s Books Infographic 2015 – click for larger image
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Tu Books Publisher Stacy Whitman

Tu Books publisher Stacy Whitman broadened the discussion with looking at the challenges in children’s publishing today. As a group, we analyzed The Diversity Gap in Children’s Books infographic.

Possible questions for students:

  • What trends do you see?
  • What is the central idea?
  • What is the context of this infographic? What are student and general U.S. population demographics today?
  •  What might some causes be for the lack of diversity in children’s books?
  • What might the impact of a lack of diversity among authors and characters be on students reading books that were either assigned or self-selected? What might it mean for a young child growing up and reading? What will she see? What will she not see?

20150930_145425 (1)How to bring a LEE & LOW author or illustrator into your classroom live or virtually:

Jill Eisenberg, our Senior Literacy Specialist, began her career teaching English as a Foreign Language for second through sixth grade in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in the Bay Area, CA as a Teach for America corps member where she became passionate about best practices for supporting English Language Learners and parent engagement. In her column for Lee & Low’s The Open Book blog, she offers teaching and literacy tips for educators.

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14. Salt Lake Comic Con 2015: M.K. Hutchins & Valynne E. Maetani’s schedules

This weekend is the Salt Lake Comic Con (September 24-September 26). Tu Books authors M.K. Hutchins (DRIFT) and Valynne E. Maetani (INK AND ASHES) will be in attendance.

See their schedules below.

M.K. Hutchins

Friday, September 25

2:00pm – 2:50 pm Pacing and Plotting in YA Fiction Room 235A

Saturday, September 26

1:00 – 1:50 pm Live Plotting: Build a Story Room 255F.

See her schedule here.

Valynne E. Maetani

Thursday September 24, 2015

3:00 – 3:50 pm The Legacy of Avatar: The Last Airbender and The Legend of Korra Room 250A

4:00 – 4:50 pm Why We Love Nintendo Room 255C

Friday September 25, 2015

11:00 – 12:00 pm Valynne Maetani Book Signing Shadow Mountain – Booth 1401

1:00 – 1:50 pm The Universality of Hayao Miyazaki’s Storytelling Room 255E

7:00 – 7:50 pm The Truth is Still Out There: The Return of the X- Files Room 255C

Saturday September 26, 2015

4:00 – 4:50 pm The Muppets: Why They Still Matter to Lovers, Dreamers, and Us Room 255E

See a copy of her schedule here.

 

 

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15. New Spring and Fall Releases from LEE & LOW BOOKS and Tu Books!

Summer is here in full force. It’s the perfect time to curl up pool- or beachside with a good book! Look no further than our new spring and fall releases!

Finding the Music/En pos de la música

When Reyna accidentally breaks her abuelito’s old vihuela, she travels around her neighborhood trying to figure out how to repair it. In the process, she discovers her grandfather’s legacy. Written by Jennifer Torres and illustrated by Renato Alarcão.

Sunday Shopping

Evie and her grandma go shopping every Sunday. They put on their nightgowns, open up the newspapers,  and turn on their imaginations. Written by Sally Derby and illustrated by Shadra Strickland.

Poems In The Attic Text here

A young girl finds her mother’s poems written when her mother traveled around in a military family. The young girl writes her own related poems. Written by Nikki Grimes and illustrated by Elizabeth Zunon.

Ira’s Shakespeare Dream

Ira Aldridge dreamed of acting in Shakespeare’s plays. Because of a lack of opportunity in the United States, Ira journeys to England to pursue his dream of becoming an actor. Written by Glenda Armand and illustrated by Floyd Cooper.

Maya’s Blanket

Maya has a blanket stitched by her Grandma. The blanket later becomes a dress, a skirt, a shawl, a skirt and a headband. This story is inspired by the Yiddish folk song “Hob Ikh Mir a Mantl” (“I Had a Little Coat”). Written by Monica Brown and illustrated by David Diaz.

New from the Tu Books imprint:

Ink and Ashes

Claire Takata discovers her deceased father’s connection to the yakuza, the Japanese mafia, and puts her and her family’s lives in danger. Written by Valynne E. Maetani.

Trail of the Dead

In this sequel to the award-winning Killer of Enemies, Lozen and her family, on the run from the tyrants who once held them hostage, embark on a journey along a perilous trail once followed by her ancestors, where they meet friends and foes alike. Written by Joseph Bruchac.

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16. INK AND ASHES Blog Tour Round Up

To celebrate the release of her debut novel, Ink and Ashesearlier this month, author Valynne E. Maetani has been stopping by blogs to talk about her writing process, winning the first ever New Visions Award, and much more.

More about Ink and Ashes:

Claire Takata has never known much about her father, who passed away ten years ago. But on the anniversary of his death, she finds a letter from her deceased father to her stepfather. Before now, Claire never had a reason to believe they even knew each other.

Struggling to understand why her parents kept this surprising history hidden, Claire combs through anything that might give her information about her father . . . until she discovers that he was a member of the yakuza, a Japanese organized crime syndicate. The discovery opens a door that should have been left closed.

The race to outrun her father’s legacy reveals secrets of his past that cast ominous shadows, threatening Claire, her friends and family, her newfound love, and ultimately her life. Winner of Tu Books’ New Visions Award, Ink and Ashes is a fascinating debut novel packed with romance, intrigue, and heart-stopping action.

Here is a round up of the tour.

YA Books Central – Valynne E. Maetani shares 5 facts you should know about the Japanese mafia, known as the Yakuza, here.

Dear Teen Me – Read Valynne E. Maetani’s letter to her teen self here.

We Are Word Nerds –  Valynne E. Maetani on the inspiration behind Ink and Ashes and her journey to publication here.

The Book Smugglers – Valynne E. Maetani on winning the New Visions Award here.

Teen Lit Rocks! shares why they enjoyed reading Ink and Ashes here.

To find out more about Valynne E. Maetani and Ink and Ashes, follow her on Twitter and Tumblr.

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17. Authors of Color: Submit Your Manuscript to the New Visions Award!

new visions award winnerSummer is already here! That means that the third annual NEW VISIONS AWARD is now open for submissions! Established by Tu Books, an imprint of LEE & LOW BOOKS that publishes middle grade and young adult books, the award is a fantastic chance for new authors of color to break into the world of publishing for young readers.

The New Visions Award writing contest is awarded for a middle grade or young adult manuscript, and is open to writers of color who are residents of the United States and who have not previously had a middle grade or young adult novel published. The winner will receive a $1,000 cash prize and a publication contract with LEE & LOW BOOKS.

Ink and Ashes by Valynne Maetani, the first New Visions Award winner, was named a Junior Library Guild Selection and received a starred review from Kirkus Reviews.

The New Visions Award is modeled after LEE & LOW BOOKS’ successful New Voices Award for picture book manuscripts. New Voices submissions we have published include Sixteen Years in Sixteen Seconds: The Sammy Lee StoryIt Jes’ Happened: When Bill Traylor Started to Draw, and Bird.

The deadline for this award is October 31, 2015.

For more eligibility and submissions details, visit the New Visions Award page. Spread the word to any authors you know who may be interested. Happy writing to you all and best of luck!

 

 

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18. Out today: Ink and Ashes

It’s finally June! We’re excited to announce the release of Ink and Ashes, the heart-stopping debut mystery by Valynne E. Maetani! Ink and Ashes is Tu Books’ first New Visions Award winner.

How far would you go to discover the truth?

Every family has its secrets, but Claire Takata’s family secrets can kill her…

In Ink and Ashes, personal vendettas and organized crime collide, sending Claire Tanaka on a race to outrun her father’s legacy. When a letter from her dead father reveals a family secret, Claire searches for information about her father’s past and discovers a dangerous family connection to the yakuza, the Japanese mafia.

INK AND ASHES cover smallHere’s what early readers have said about Ink and Ashes:

“This fantastic debut packs a highly suspenseful blend of action, intrigue, and teen romance.” —starred review, Kirkus Reviews 

“Full of character, culture, and suspense, Ink and Ashes is a fascinating read with surprising new elements and a true heroine in Claire Takata.”

Ally Condie, author of the #1 New York Times bestselling Matched Trilogy

Happy book birthday to Ink and Ashes!

Be sure to buy your copy from our website, Amazon, Barnes & Noble, or your local indie.

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19. Writing for a Diverse Audience: SCBWI NY 2015 breakout recap

Over the weekend (Feb. 7), I taught a breakout session at the Annual Winter Conference of the Society of Children’s Book Writers and Illustrators here in New York, NY. We were discussing how to write for a diverse audience. My main focus was on helping the audience to remember that no matter what you’re writing, your audience will always be diverse. Too often, writers think that there’s a dichotomy–that there are “multicultural books” that are read by kids of color, and that “everyone else” (meaning, white kids) read “mainstream” (meaning, white) books.

This just isn’t the case. Readers tend to read widely, and kids of color are just like their white peers, reading the most popular books, the books assigned to them in schools, and whatever else they happen to come across that sounds interesting to them.

Writing for a Diverse AudienceBelow are the links and a few notes from the handout I gave to writers at the conference, with a few annotations to clarify what we were talking about. I hope it is a useful resource when you’re thinking of writing for a diverse audience (i.e., when you’re thinking of writing–period!). If you have any further ideas–or links where writers can go further in depth–please add them in the comments.

Other coverage: SCBWI Conference Blog

Other sessions on the same topic: Newbery Medalist Kwame Alexander’s breakout session on writing diverse books


Seven Essentials You Need to Know about Writing for a Diverse Audience

  1. Don’t feel “forced” to write diversity, but remember your readers are diverse
    • If your real-life world isn’t diverse, if you don’t know any people of color, if you don’t know how to write diverse characters without relying on stereotypes, you don’t have to feel pressured to do so.
    • And don’t feel like you need to come in and “save” anyone—come in from a position of equality and seeking equity.
    • However, your world is likely more diverse than you think.
    • Often, people of color and Native Americans are most hurt by passing comments in books that aren’t “about” POC at all. (Debbie Reese’s blog has many examples of this.)
    • Don’t be afraid to discuss race. If you’re new at this, do a lot of listening.
  1. You need to know about power dynamics
  1. Expand your definition of “diversity.”
  • Diversity is not just about race, religion, class, etc. It is often about how many different identity markers come together to create a specific experience. Here’s a basic definition of  intersectionality. Think about how it affects your characters.
  • Intersections happen across 11 lenses, according to Teaching Tolerance:
  1. race
  2. ethnicity
  3. language
  4. immigration  
  5. religion
  6. gender identification
  7. sexual orientation
  8. class 
  9. ability
  10. age
  11. place
  1. Social media doesn’t have to be a distraction.
  1. In your writing, seek both the universal & the specific.
  • Universal stories appeal to a broad swath of readers: characters dealing with parents, love stories, stories of loss—these are all stories of the human condition.
  • Specific details make your story richer.
  • If you are writing cross-culturally, do your research. Debbie Reese has an excellent guide on seeking a cultural expert in Native American issues. Look for similar information on the culture you’re writing about.
  • And write a good book:
    • the most important thing about a diverse book is the same thing as for all books. What matters most:
      • Characterization
      • Plot
      • World-building
      • Pacing
      • Age-appropriate content (though not shying away from edgy topics)
      • Concept
  1. Contextual clues are better than exposition of culture.
  • Show, don’t tell!
  • Remember that your audience includes cultural insiders and outsiders. Balance enough information for outsiders with the possibility of boring insiders with too much basic everyday information.
  1. School visits are a great way to reach diverse students.
  • At the beginning of your career, be willing to do school visits or Skype visits for a low honorarium, until you can build up your resume and network with more teachers.
  • Keep in mind that schools with a high percentage of diverse students are often the most underfunded. They may not have a budget for an honorarium, but may be able to purchase books for students to compensate.

Stacy Whitman is Editorial Director and Publisher of Tu Books, an imprint of LEE & LOW BOOKS that publishes diverse science fiction and fantasy for middle grade and young adult readers.

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20. Awards and Grants for Authors of Color

Getting your book published is difficult, and unfortunately it tends to be much harder when you’re a Person of Color. While there are more diverse books being published, there’s still a lot of work to do!

Fortunately there are awards and grants out there help writers of color achieve their publication dreams.

We’ve created a list of awards and grants to help you get started!

New Voices Award – Established in 2000, is for the unpublished author of color for a picture book manuscript.

Awards and Grants for Writers of ColorNew Visions Award – Modeled after LEE & LOW’s New Voices Award, this award is for Science Fiction, Fantasy, or Mystery middle grade or YA novels.

SCBWI Emerging Voices Grant – This award is given to two unpublished writers or illustrators from ethnic and/or cultural backgrounds that are traditionally under-represented in children’s literature in America and who have a ready-to-submit completed work for children.

The Angela Johnson Scholarship from Vermont College of Fine Arts – This scholarship is for new students of color of an ethnic minority for VCFA’s MFA program.

Vaunda Micheaux Nelson Scholarship from Hamline College – “Annual award given to a new or current student in the program who shows exceptional promise as a writer of color.”

We Need Diverse Books Short Story Contest - This short story contest was inspired by Walter Dean Myers’ quote, “Once I began to read, I began to exist.”

The Scholastic Asian Book Award – This award is for Asian writers writing books set in Asia aimed at children 6-18 years of age.

Octavia E. Butler Memorial Scholarship Fund – This fund enables writers of color to attend the Clarion writing workshops where writer Octavia Butler got her start.

SLF Diverse Writers and Diverse Worlds Grants – These grants are new works and works in progress. The Diverse Writers Grant focuses on writers from underrepresented and underprivileged backgrounds, and the Diverse Worlds Grant is for stories that best present a diverse world, regardless of the author’s background.

Eleanor Taylor Bland Crime Fiction Writers of Color Award – This one time grant is awarded to an emerging writer of color of crime fiction.

NYFA Artists’ Fellowships – These fellowships are for residents of New York State and/or Indian Nations located in New York State.

Golden Baobab Prizes for Literature – These annual awards recognize emerging African writers and illustrators.

The Sillerman First Prize for African Poets – This prize is for unpublished African poets.

What other awards and grants do you recommend for authors of color?

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21. Women’s History Month: A Book List

March is Women’s History Month! It’s never a bad time to learn about the contributions that women have made and continue to make. In honor of Women’s History Month, we’ve put together a list that features some of our favorite historical ladies and great fiction for children and older readers!

History:

  1. Women'sLittle Melba and Her Big Trombone – this award-winning book follows the life of Melba Liston, a trailblazing trombonist, composer and arranger and one of the unsung heroes of the Jazz age.
  2. Shining Star: The Anna May Wong Story – Anna May Wong was the first Asian American film star.
  3. Seeds of Change – Wangari Maathai was the first African to win a Nobel prize for her
    environmental work in Kenya.
  4. The Storyteller’s Candle – Pura Belpre, was the New York Public Library’s first Latina librarian.
  5. Catching the Moon – Marcenia Lyle, was always interested in baseball. She grew up to play professional baseball for the Negro Leagues.
  6. In Her Hands – Augusta Savage was a renown sculptor of the Harlem Renaissance.
  7. Zora Hurston and the Chinaberry Tree – A story of the childhood of Zora Neale Hurston inspired by her autobiographical writings.
  8. Irena’s Jars of Secrets – Irena Sandler, a Polish social worker helps to smuggle children out of the Warsaw ghetto during WWII.
  9. Hiromi’s Hands – Young Hiromi Suzuki is determined to become a chef in the male-dominated sushi world
  10. Dear Mrs. Parks – Rosa Parks, the “Mother of the Modern Day Civil Rights Movement,” answers letters from students.

Fiction

Younger Readers

  1. The Hula-Hoopin’ Queen – Kameeka wants to beat her rival Jamara in a hula-hoopin’ contest, but she has to help her mother prepare for their neighbor, Miz Adeline’s birthday.
  2. Juna’s Jar – When Juna’s best friend Hector moves away without saying good bye, Juna uses her special kimchi jar to search for him until she finally is able to say bye.
  3. Shanghai Messenger – Xiao Mei visits china to meet her extended family. Her grandmother Nai Nai wants her to remember everything she sees.
  4. Abuela’s Weave – Esperanza goes with her abuela to the market to help Abuela sell her traditional Mayan tapestries.
  5. Drum, Chavi, Drum! – Chavi was born to drum. Even though everyone tells her drumming is for boys, she is determined to play her favorite drums, the tumbadoras, at the festival.
  6. Kiki’s Journey – Kiki returns to the Taos Pueblo reservation she left when she was a baby.
  7. Juneteenth Jamboree – Cassie who has just moved to Texas, learns about the importance of June 19th, or Juneteenth, through a family celebration.
  8. Tashi and the Tibetan Flower Cure – Tashi’s grandfather, Popola, is sick, so she gathers family and friends to try a traditional flower cure from his village.
  9. The Legend of Freedom Hill – Rosabel, who is African American, and Sophie, who is Jewish, become friends. When Rosabel’s mother, a runaway slave gets captured by a slave catcher, Rosabel and Sophie put their heads together to free her.
  10. My Diary From Here to There – Amada moves with her family in Mexico to Los Angeles, California.

Older Readers

  1. Under the Mesquite – Lupita, the oldest of 8 siblings, struggles to keep her family together in the wake of her mother’s cancer.
  2. INK AND ASHES cover smallSummer of the Mariposas – A retelling of The Odyssey set in Mexico.
  3. The Tankborn Trilogy – A trilogy about genetic engineering and forbidden love.
  4. Cat Girl’s Day Off – Natalie must use her Talent talking to cats to stop a high profile celebrity kidnapping.
  5. Rattlesnake Mesa – After EdNah’s beloved grandmother dies, she is sent to live with her father on a Navajo reservation, and then to an Indian boarding school.
  6. Ink and Ashes – Claire opens the door to her deceased father’s path and finds a family secret that could kill her.
  7. Killer of Enemies – In a future where technology has failed, Lozen has been gifted with a unique set of abilities, magic and survival skills that she uses to hunt monsters for the people who kidnapped her family.
  8. Rose Eagle – In this prequel to Killer of Enemies, we join Rose Eagle as she goes on a quest to find healing for her people.
  9. Tofu Quilt – Yeung Ying, a young girl who grows up in 1960s Hong Kong, aspires to become a writer, against the conventions of society and family members.

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22. Meet Our New Visions Award Finalists: Part II

Last month we announced the six finalists for our 2015 New Visions Award. The Award recognizes a middle grade or young adult novel in the sci-fi, fantasy, or mystery genres by an unpublished author of color (our first New Visions Award winner, Ink and Ashes, will be released this June!).

As our award committee gets to know the finalists through their novels, we wanted to give our blog readers a chance to get to know these talented writers as well. We asked each finalist some questions. Here are answers from our first two finalists, Grace Rowe and Andrea Wang.

Below, authors Shipla Kamat and Rishonda Anthony answer:

Shilpa Kamat thumbnailShilpa Kamat, “Fallen Branches”

Tell us a little about the main character in your novel.

My novel is narrated by a teen named Shloka. Her voice jumped out at me one day when I was free writing during a spare moment in a parked car, and I knew she would have to keep talking until her story was told.

Shloka’s name means “song,” but she’s shy about singing. One of her mothers is of South Asian descent and the other traces her history to early immigrants who came to the town in Northern California where her family lives. When someone is killed in their seemingly peaceful neighborhood, Shloka finds herself working in secret with her friend Dilly to solve the mystery of what happened–something she’s sure is not quite what everyone else believes…

What advice would you give your younger self about writing?

Trust yourself and finish your projects. They don’t have to perfectly match your vision. In fact, they probably won’t. You don’t have to limit yourself to just one project at a time, but follow through. Take risks.

You’re already your harshest critic; learn to be an ally to your art as well. Choose to bring your writing to life rather than stifling it under the weight of your fears and expectations.

No matter how fantastical, ground your writing in real emotions and the interpersonal dynamics you witness or experience. Represent a broad range of people and centralize the communities and experiences you understand best. Be vulnerable. Let your characters have faults and forgive them, whether the other characters forgive them or not.

Rather than limiting yourself to the consciousness of current times, write with a sense of possibility. Take for granted that the seeds of positive social change will take root and come to fruition and write beyond that.

What is your writing process? What techniques do you use to get past writer’s block?

Although some aspects of my creative writing process are pre-meditated, I don’t always know what turn a story will take or what its characters will say.

This, to me, is what differentiates creative from analytical writing. Analytical writing is relentlessly driven by a point; creative writing is inspired and emergent. While a poem or a novel may be tempered by the frontal lobes, its source lies elsewhere. It may wind up dancing aside from an initial course and taking another. I see it as my job to respect this process and allow space for it while occasionally pruning or uprooting and replanting paragraphs.

To keep myself motivated while working on one major projects, I kept a daily log of my word count and tracked the amount written. With another project, I abandoned this method entirely, occasionally checking progress on the number of pages but no longer needing a sense of production to drive me. I have no tolerance for outlines, but I am comfortable artistically representing goals or documenting completed projects–drawing the petals of a flower to write in, for instance. To successfully keep myself organized, there need to be wild elements and vibrant colors.

As for writers’ block, in my experience, it manifests as either anxiety or forcing. Whether caused by an impending deadline or a desire to plow through a portion of writing so that I can build a bridge to another, forcing kills the dynamism necessary for artistic expression. If I recognize that I am forcing, I step outside or hum or dance or stand on my head–whatever it takes to make myself relaxed and present.

Similar approaches can help to alleviate anxiety, but when I am anxious, I may distract myself endlessly or find other chores to busy myself with. On my most difficult days, I can’t manage to write until I am so tired I’m ready to sleep. Then I relax enough to channel another chapter or two.

Writing demands the cracking of idealized image, and that can be as disquieting as it is enlivening. It requires a deep intimacy with oneself, a revelation of one’s mind to others, that may be deeply uncomfortable. The cure for my writers’ block is to sit with this discomfort and work my way into it, whether in a direct or roundabout way, until the truth emerges.

Recently, there’s been quite a lot of debate over the idea of readers who choose to take a break from books written by a certain group, such as white male authors. What’s your take on this?

When I was in middle school, my Social Studies teacher announced that we were predominantly studying white men because they were the ones who shaped the course of history. My Language Arts teacher vehemently declared that “man” can be used not merely to describe a man but all of humankind.

The teachers were preempting challenges to those conventions, but no one can out-shout the truth: people are hungry for narratives that have been repressed throughout history. During the past two decades, the social histories of slaves, women, low-income people, indigenous communities, immigrants, and others who were not part of the elite have been increasingly sought after and have even entered courses of study in some mainstream schools.

In college, I recognized that unless I was told otherwise, if I had to imagine a character in a book, I would imagine a white person. This flattening of imagination is detrimental to everyone; when mythical imagination is constrained to the worldviews of only a fragment of humanity, literature fails to realize its potential for developing empathy for a broad range of others and an awareness of human experience.

If there are people who choose to focus on works by a specific group of authors for a period of time, I imagine that they are struggling to broaden their imaginations to include, centralize, and normalize the experiences of those who are rarely represented. For instance, if people decide to read only foreign novels for a year, they may broaden an insular lens into a more global one. As long as no group is being permanently written off, no author permanently clumped into a single category, I see no harm.

What are your favorite books or writers in the same genre as your manuscript, and why?

When I was a young adult myself, I enjoyed Cynthia Voigt’s work; A Solitary Blue, for instance, explored painful family relationships while rooting the characters in the natural world. I also enjoyed a number of other novels, primarily in the science fiction and fantasy genre, but I have not revisited most of them as an adult.

As for the mystery genre, a novel I remember liking as a child was The Westing Game, and a novel I enjoyed as an adult was The Wind-Up Bird Chronicle. The latter left me with a lovely image of someone’s sitting at the bottom of a dry well to think.

Rishonda Anthony thumbnailRishonda Anthony, “Seraphim”

Tell us a little about the main character in your novel.

Cassandra Rose is a former child prodigy who won dozens of trivia contests, spelling bees, and brain bowls as a girl. After having a psychotic breakdown at the age of 12, she spent the next 5 years being home schooled in solitude. Now at 17, Cassandra is socially starved and desperate to fit in. But when she enrolls in a small private college, her past comes back to haunt her.

There are some autobiographical aspects in Cassandra’s character, which I believe is probably true for every author’s first book. In the case of Cassandra, I took them to the extreme. I was not a child prodigy who had a nervous breakdown, merely a gifted kid with anxiety issues. When I enrolled in a school rather similar to Cassandra’s college (in terms of size and atmosphere), I spent my entire first semester either alone in my room or going home on the weekend. This is where I formed the idea of a girl who is not an outcast due to social awkwardness, but because of a dark secret.

What advice would you give your younger self about writing?

First, don’t major in English. I’ve always loved books and have wanted to be a writer ever since I was a little girl (cliché, I know). But then I spent two college semesters analyzing deeper meanings and themes in genius level books. It gave me a complex, because I thought that if I couldn’t write anything as good as To Kill a Mockingbird or The Grapes of Wrath then there was no point in writing at all. Reading stopped being fun, and then writing became a chore rather than an escape. Even after I switched majors, it took a couple of years for me rediscover my love of writing.

Secondly, find a writing group! I’m the kind of writer who works well with a deadline, and when I’m writing a draft, my critique partners expect 10 pages a week, every week, from me. If I was writing for myself, I would procrastinate for years (see the third piece of advice). In addition, as part of the millennial generation, I crave instant gratification. Having someone review my work and give me feedback goes a long way towards motivating me to finish a project. All budding writers should check their local meetup.com and see if there is a writer’s group in their area. If not, consider creating one.

Third, keep at it! I started writing Seraphim when I was roughly Cassandra’s age. The story hasn’t changed much, but years of losing both faith and motivation quickly turned into more than a decade with nothing but a few vague chapters to show for it. I didn’t start seriously writing the story until I was in my late twenties, and only then when I found a writing group to support me.

What is your writing process? What techniques do you use to get past writer’s block?

I’m a huge fan of NaNoWriMo (National Novel Writing Month). Both Seraphim and my latest novel started out as NaNoWriMo “Brain dumps” that got poured into a word document at a rate of about 2000 words a day. The 50,000 word result is always a mess, but at least it’s on paper. After that, I spend the next six months editing that work into a proper draft.

The best technique to get past writers block is to stop reading. I’m a big reader (I know the location of every library in my city and have subscriptions with Audible, Amazon Prime, and Forgotten Books) and I believe that no one can be a serious writer unless they are also a serious reader. But when I can’t write, usually it’s because the books (yes, plural) I’m reading are hurting the process. For example, the author’s style might rub off on me, and I’ll unknowingly change a character or my voice. Then I’ll start to struggle, because the book doesn’t sound quite right, and I’m not sure why. Or I might come across an idea that I really like, and then decide to put something similar in my book. Suddenly I’m trying to add an alien into a book about witchcraft, or trying to create an entire fantasy realm for a story that really doesn’t need it. That’s a recipe for instant writer’s block. Forcing myself to step away from other people’s work and focus on my own (usually for no more than a week or two) gets me out of most ruts.

Recently, there’s been quite a lot of debate over the idea of readers who choose to take a break from books written by a certain group, such as white male authors. What’s your take on this?

In doing research to answer this question, actually had to face the uncomfortable fact that that there are very few authors of color sitting on my bookshelf (as you will see in the next question). This was not intentional, as I certainly want to read more diverse authors, but considering that publishing is still a very white business (white authors are more likely to get published and more likely to get coverage for their books), these stories don’t just fall into my lap.

However, I do believe in the power of the free market, and I think that if more people buy books by diverse authors, publishers will start putting out more books by diverse authors. For me, it involves deliberately seeking out books written by authors of color and including those books in my usual reading rotation. Despite this, I don’t think I would go so far as to cut out all white male authors. Ninety percent of the books are read are adult Urban Fantasy, Epic Fantasy, and Horror and there aren’t many authors of color who write in those genres. But one day, I’d like to count my name among those authors.

What are your favorite books or writers in the same genre as your manuscript, and why?  

In Young Adult, I’m a fan of Susan’s Ee’s Penryn & the End of Days series and The Mortal Instruments by Cassandra Clare. As for fantasy, I love Jim Butcher’s The Dresden Files and George R.R. Martin’s Game of Thrones. When it comes to the pinch of horror I like to put in every story, I have to recognize Joe Hill, and his father Stephen King, who I grew up reading and who wrote the first 1000 plus page book I ever read (It, age 15).

 Meet Our New Visions Finalists: Part I

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23. Meet Our New Visions Award Finalists: Part III

Last month we announced the six finalists for our 2015 New Visions Award. The Award recognizes a middle grade or young adult novel in the sci-fi, fantasy, or mystery genres by an unpublished author of color (our first New Visions Award winner, Ink and Ashes, will be released this June!).

As our award committee gets to know the finalists through their novels, we wanted to give our blog readers a chance to get to know these talented writers as well. We asked each finalist some questions. In previous posts, we interviewed finalists Grace Rowe and Andrea Wang, and finalists Shilpa Kamat and Rishonda Anthony.

Below authors Yamile Saied Méndez and Axie Oh answser:

Yamile Mendez thumbnailYamile Saied Méndez, “On These Magic Shores”

Tell us a little about the main character in your novel.

 My main character is twelve-year old Minerva Soledad Madrid and she can’t wait to grow up. The oldest of three girls, she’s a Latina who speaks Spanish and who’s proud of her cultural heritage. Her parents are of Argentine descent, and her mom (who’s raising the girls by herself) teaches the girls the Argentine traditions she grew up with. She sings the lullabies of her childhood, and most importantly, she passes on her belief in the Peques (short for Pequeñitos, the Little Ones), the Argentine fairies, who follow their families as they move around the world. Because the family doesn’t have a support system, Minerva had to step up and be a second mother for her sisters while their mother works two jobs to make ends meet. Minerva wants to be the first Latina president of the United States. She’s determined and focused. She doesn’t believe in magic, but she wants to, oh how she wants to believe the fairies take care of her and her sisters while their mom is away! In the story, Minerva learns how to be a child again (kind of like a reverse Peter Pan) because magic is really all around us!

What advice would you give your younger self about writing?   Don’t pay attention to the inner editor!

If I could send my younger self a message, it would be: follow you heart, write what you want to write, and trust your voice. I wrote my first story in the first grade, and looking for validation, I showed it to my uncle. Instead of the praise I expected, he told me a few things that didn’t work in his expert opinion. After that, I started writing with my inner editor reading over my shoulder, until I got to a point in which I wasn’t sure anyone would ever be interested in what I wanted to say. Don’t pay attention to the inner editor! Get the story out of your heart! There’s a lot of time to fix things during revision. Revision is your friend.

I also would say a big THANK YOU. My younger self was a little like Minerva: determined and persistent. I taught myself English at a young age, and I’m forever grateful to little Yamile for all the hard work. It’s paying off!

What is your writing process? What techniques do you use to get past writer’s block?

I wrote my first full novel during NaNoWriMo back in 2008. My goal was to win NaNo by writing 50,000 words in 24 days (I found out about National Novel Writing Month on November 6th, but I still reached my goal). Since then, I’ve learned to pour out my first draft on the page and then go back and revise. This has resulted in a lot of drafts that will never see the light of day, but it has also produced some powerful writing that came straight from my heart (like the NaNo in 2013, a few days after my mother passed away). I write every day, or at least, most days. Sometimes my ideas are born of a single word, or a person I see who makes me wonder about their lives. Sometimes the ideas simmer in my head and my heart for years, until I feel I ready to tell them. Right now I’m working on a story that was born about twelve years ago when I lived in Puerto Rico. I’ve learned that even if something I write isn’t ready for me to share with my critique group, it’s still an important piece of writing because it taught me what doesn’t work or what needs more depth. I love to do writing exercises from craft books like Writing Fiction by Janet Burroway et al, Steering the Craft, by Ursula Le Guin, and The Plot Whisperer, by Martha Alderson. Even if not all of these exercises end up in my manuscript, I often find wonderful information about my characters (or myself) that helps me tell the story better.

Recently, there’s been quite a lot of debate over the idea of readers who choose to take a break from books written by a certain group, such as white male authors. What’s your take on this?

First of all, I feel that people should read whatever they want to read without fear of mocking or teasing of any kind. I naturally gravitate toward books by authors of color because they tell stories that mirror my experience as a person of color too. As a child, I never remembered who wrote what. I loved Little Women and Heidi because I identified with Jo March and Heidi who lived with her grandpa. But as an adult and a writer, I want to learn from the masters how to tell the stories that inhabit my mind and my heart, and there’s no better way than to read their stories to know how to tell mine.

What are your favorite books or writers in the same genre as your manuscript? 

I have hundreds of favorite books, but in middle grade I love everything by Katherine Paterson (Bridge to Terabithia is my favorite), Gary D. Schmidt (Okay for Now), Shannon Hale (Princess Academy), Kelly Barnhill (The Witch’s Boy. Wow!), and Erin Bow (Pain Kate). I also love everything by Meg Medina (especially The Girl Who Could Silence the Wind) and Julia Alvarez (the Tia Lola books are the best!), and of course Pam Muñoz Ryan (Esperanza Rising). But my favorite stories ever are fairy tales, from all over the world, and of course Peter Pan has a special place in my heart.

Axie Oh thumbnailAxie Oh, “The Amaterasu Project”

Tell us a little about the main character in your novel.

His name is Lee Jaewon (Koreans put their surnames before their given names). He’s 18-years-old. He’s a quiet, keep under the radar type of person, with a strong sense of loyalty and a distrust of hope. At the start of the book, he lives alone in a dingy apartment in Old Seoul (my future Korea is split between Old and Neo Seoul). He hasn’t spoken to his best friend in three years. He’s rejecting these mysterious envelopes full of cash, sent from his mother who he hasn’t seen since he was eight. I see him as a character with a very tired soul who longs to forgive everyone who’s hurt him in his life, yet doesn’t know how to begin, or even if it matters.

 Physically, he looks like Lee Jong Suk. If you don’t know who that is, well, you’re in for a treat: Google him! (He’s a South Korean actor).

What advice would you give your younger self about writing?

You are fabulous! Keep on doing what you’re doing! Okay, maybe that’s not advice. More like ego-boosting. But every teenager needs a good ego-boost now and then, especially when writing, which is literally pouring your soul onto a page.

What is your writing process? What techniques do you use to get past writer’s block?

My writing process is pretty linear. I outline heavily, with scene-setting and dialogue for some significant scenes that will appear in the novel. I do character and worldbuilding charts. I compile pictures/illustrations of places and people who inhabit the spirit of my characters. Then I go through the whole book, from the first chapter to the last, with heavy editing in between. Then of course more revisions. The last two steps are printing the whole book out and attacking it with a bunch of colorful pens. The more colors the better! And then reading the whole book out loud while recording it. THEN I send it to my beta readers and critique partners – this is the point where I can’t make it any better by myself. As for writer’s block, when I come up

As for writer’s block, when I come up against that particular wall, I always start with the spark that made me want to write the book in the first place. The characters. I go back to the sketches I wrote of the characters and add onto them, delving deeper into their backgrounds and psyches. And/or I’ll re-read scenes I’ve already written that contain the “voice” of the characters, which makes me fall in love with the characters all over again. It’s all about making myself believe in the characters so that I want to finish their story.

Recently, there’s been quite a lot of debate over the idea of readers who choose to take a break from books written by a certain group, such as white male authors. What’s your take on this?

The idea behind this, I believe – at least for avoiding white, male authors specifically – is that by avoiding this group, you will therefore seek out stories written by women, people of color or LGBT writers, enriching your perspective of the world, which is always a viable and recommended thing to do.

As a reader, I seek out stories with strong coming-of-age themes and themes of love, in all its shapes and forms. When I read, it’s about seeking these types of books in an inclusive setting.

What are your favorite books or writers in the same genre as your manuscript, and why?

Tough one because I haven’t read enough YA Sci-Fi to have particular favorites. I watch a lot of Sci-Fi dramas and anime (which heavily influenced my novel), but I don’t particularly have favorite books that are in the YA Sci-Fi genre. For example, one of my favorite anime/manga franchises is the Gundam franchise, which deals with futuristic societies, technological advancements and very human themes of love, hate, honor and betrayal.

Recently, I read the first two books in Brandon Sanderson’s Reckoners series, which were pretty awesome – jam-packed with action and strong themes of what it means to be a hero.

On the opposite end of Sci-Fi, focusing more on character, I really love the quiet strength of Diana Peterfreund’s For Darkness Shows the Stars, a dystopic re-telling of Jane Austen’s Persuasion, taking place on a futuristic Pacific Islands.

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24. Tu Books Announces Winner of New Visions Award Contest for Writers of Color

new visions award winnerNew York, NY— May 7, 2015— Tu Books, the middle grade and young adult imprint of respected multicultural children’s publisher LEE & LOW BOOKS, is thrilled to announce that author Axie Oh has won its second annual New Visions Award for her young adult science fiction novel, The Amaterasu Project.

The award honors a fantasy, science fiction, or mystery novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.

The Amaterasu Project takes place in a futuristic Korea wracked by war and a run by a militarized government, where the greatest weapon—and perhaps the greatest hope—is a genetically modified girl. “The futuristic sci-fi setting is inspired by a combination of Japanese concept art and animated television series,” says Oh. “I hope my new book gives to readers what books have always given to me—a new world to explore and new characters to fall in love with.” Oh will receive a cash prize of $1,000 and a publication contract with Tu Books.

Last year, books by authors of color comprised less than six percent of the total number of books published for young readers, according to the Cooperative Children’s Book Center at the University of Wisconsin-Madison. The annual New Visions Award is a step toward the day when all young readers can see themselves in books.

Two books were chosen as New Visions Award Honors: Yamile Saied Mendez’s On These Magic Shores and Andrea Wang’s Eco-Agent Owen Chang. On These Magic Shores is a contemporary middle grade novel with a touch of magical realism about 12-year-old Minerva, who must step up to take care of her younger sisters when her mother, who is undocumented, goes missing. Eco-Agent Owen Chang is a humorous middle grade mystery about Owen Chang, a middle schooler who moonlights as a secret agent for an undercover environmental organization. Mendez and Wang will each receive a cash prize of $500.

While writing their manuscripts, both Wang and Méndez stressed the importance of seeking out books by and about people of color. “I naturally gravitate toward books by authors of color because they tell stories that mirror my experience as a person of color too,” says Méndez. Similarly, Wang says, “I’m all for reading books that are outside your comfort zone or told from an unfamiliar perspective. Personally, I would rather expand my reading horizons than restrict it.”

ABOUT: Tu Books, an imprint of LEE & LOW BOOKS, publishes diverse speculative fiction for young readers. It is the company’s mission to publish books that all young readers can identify with and enjoy. For more information, visit leeandlow.com/imprints/3.

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25. Case Cracked: The Process of Editing Mystery Novels

trixie belden book cover
Trixie Belden

I’ve long been a fan of mysteries. Trixie Belden was my BFF as a third and fourth grader. Nancy Drew was another favorite. Veronica Mars updated the teen sleuth idea, bringing the storytelling form to a new generation.

When I got the chance to work on Valynne Maetani’s Ink and Ashes, our new YA mystery which comes out in June, all of those mysteries and more were going through my mind. Claire, the main character, has the spunk and curiosity of Veronica Mars and all of her predecessors, but she’s also a little different. And to honor those differences in the editing process, I needed to refresh myself on what’s out there right now in the teen mystery/suspense genre, and the mystery genre in general.

As I was editing Ink and Ashes over the course of about a year and a half (which spans two developmental edits and a line edit), between edits I was reading mystery after mystery. I stocked up on Agatha Christie, I rewatched Miss Fisher’s Murder Mysteries and read the first book of the series it’s based on (Cocaine Blues by Kerry Greenwood), I read multiple YA suspense, spy, and murder mysteries.

Miss Fisher ABC
Miss Fisher from the TV show “Miss Fisher’s Murder Mysteries”

That reading reminded me that a great mystery read requires the same elements as any good read: well-paced plotting, characters the reader cares about enough to want to know what happens next; even world-building, though that’s a term we generally associate with speculative fiction, is tremendously important in setting the stage in a mystery. But my rereading of classic and contemporary mysteries also showed me that more than in any other genre, a sense of suspense and danger must permeate the mystery book, must drive the reader to breathlessly wonder what will happen next.

Ask probing questions

One of the biggest challenges in this edit—with any edit, really, especially with an author you’ve never worked with before—was discovering how to bring the author’s vision of the characters fully to life. An editor’s job is often to just ask questions: Why is this happening right now? Why would that character decide to do this? What is the goal here?

In that way, figuring out the goal allows the editor to ask further probing questions on what the solution might be—figuring out how current plot points and character decisions hamper the desired effect.

“The plot thickens” turns out to be trueink and ashes cover

The biggest thing I learned while editing Ink and Ashes and reading all these mysteries is the importance of plot escalation. In the original draft, clues did of course build up into a frenzied final few pages of conflict that were very enjoyable—that’s one of the reasons the book won our New Visions Award. But comparing the early manuscript to mysteries I enjoyed the most, I realized that there were so many ways that the narrative could be complicated. (Valynne was on the same page. As she waited for the results of the contest, she was also already thinking of ways to improve the manuscript. That kind of editor-writer synergy makes a huge difference in any book project like this.)

We looked at the end goal, and discussed the plot points that got Claire and her friends to that point. In particular, we discussed how the inciting incident—the moment that gets Claire to veer her course to investigating whether her father and her stepdad ever knew each other—might be complicated and how those complications would have a ripple effect that would improve multiple other plot points, and increase the pacing.

In other words, escalation. If the reader didn’t feel the suspense at every page turn, we had work to do.

Valynne worked very hard on making that happen, and I’m very happy with the results! In answer to all my probing questions, Valynne improved on an already-well written manuscript to bring what was an interesting read to the level of an exciting page-turner that’s getting readers hooked. That’s the end goal for any editor and author: Creating a final book that readers can’t put down. I’m happy to say, we succeeded with Ink and Ashes.

stacy whitmanStacy Whitman is Editorial Director and Publisher of Tu Books, an imprint of LEE & LOW BOOKS that publishes diverse science fiction and fantasy for middle grade and young adult readers.

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