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1. Ashley’s Island

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I checked two major items off of my bucket list last week – driving to Maine, and visiting Ashley Bryan on Little Cranberry Island. When Deb Taylor asked if I wanted to drive up with her, it was a no brainer. Prior to our departure, a large hurricane had barreled up the east coast causing minor damage to the island but briefly leaving people without power and water. The day that we drove up was perfectly sunny and calm.

The farthest north I had ever driven was to Boston back in 1999 when my mother took me on a college tour. BU was one of my choices. I had never given New England much thought outside of that. Looking back now, I don’t have any real explanation for my disregard of the great north, other than the fact that I didn’t personally know anyone from the region. In my mind, New York City was the edge of the world.

The first thing I noticed when we reached Maine was a purplish tinge that hung on the bare bark of trees lining the highway. I thought I was hallucinating from having been on the road too long with too little sleep, but when I asked Deb to confirm what I was seeing, she agreed. The trees were purple!

MaineHouseWe spent the night in Ellsworth and then headed out about half an hour east to catch the ferry in Bar Harbor the next morning. Bar Harbor was the picture of Maine I carried in my head from Time of Wonder. Our little ferry (a.k.a. the mail boat) carried us across to Islesford (a.k.a. Little Cranberry Island) in about fifteen minutes.

Robin and Dean waited for us at the dock with a small wheelbarrow-like carrier for our luggage. Our tour of the island began at “the mall” a restaurant, art gallery, tourist shop and rest stop all in one. There at the dock restaurant, I ate my very first Maine lobster roll. Heaven. I also caught a glimpse of Ashley! Deb and I went over to make our presence known and Ashley immediately invited us to come over to his house after lunch.

The house we stayed in was a larger late 19th century rusticator. It was a five bedroom country house that sat near the water and slept ten people. There were eight of us in the house for the week – two librarians, three teachers, a teenager, an artist, and a family friend with a wicked sense of deadpan humor. The wood was exposed, very much like Jonathan’s family treasure from Building Our House, and the house was decorated with lovely island accents and old family photographs.

I could barely wait to get to Ashley.

His charming island house was about a ten minute walk from where we all stayed. As with most houses on the island, it remained unlocked with a “come-on-in” policy. Deb and I headed over on our first day and were given a preview of his latest book, a collection of Langston Hughes poems (I won’t be more specific in the interest of publication privacy). Seeing the cut paper illustrations up close was a gift. The week we arrived was the week of his opening. Due to the hurricane damage, the big event had to be postponed. A tree fell near the museum that housed the work, but did not do any damage to the building, thank goodness.

DebAbbyThe rest of my days were spent reading and drawing. I woke each day around 8AM to a breezy 74 degrees or so. We would have coffee near the window while Abby worked on her 1000 piece puzzle. Robin would knit, and the rest of the house would quietly read. In the evenings we played trivia and card games. After breakfast, I would head out with my sketchbook to explore and spend time with Ashley.

paontingashleyOn my first day alone with Ashley, we compared sketchbooks. I shared my drawings from Africa and he shared his drawer full of sketchbooks from Germany and France. He shared his cut paper collages and I showed him my digital ones. His entire house was a museum. The walls were lined with books, toys, weavings, prints, and paintings. Airplanes hung from his ceilings. When I arrived, he was preparing a canvas to paint in the garden. We collected his morning materials and headed out. I drew. He painted.

A few hours later, we came in for lunch and I was able to meet Ashley’s nieces and nephews. Ashley graciously prepared bread, cold cuts, and cheese for us to lunch on. The big treat of the day, cranberry soda mixed with orange juice! We discussed the Kara Walker sculpture and the insensitivity to things misunderstood along with education and family. It was a lovely afternoon.

My observation of the day was that all of Ashley’s relatives had the “ey” sound at the end of their names. No doubt stemming from his famoly’s love of music. Once the table was cleared Ashley brought down the work from his latest book to which he exclaimed “Gather ‘round children!”. It was time to hear some poetry. And all of us “children” obliged and sat to listen and admire the vivid cut paper collages.

RopesBouysWe got a call after lunch saying that the museum was open briefly and we could head down to see the exhibition. I gathered Robin and the crew and we all bounded over to have a personal tour of the exhibit from Ashley. What a treat. The walls sung with color and art. There was a timeline of Ashley’s art and his 92 years of life, many selections from his hundreds of sketchbooks, a fantastic display of his handmade puppets, his amazing sea glass windows, and of course, original art from many of his popular books, including “Beautiful Blackbird”, “Let it Shine”, and “The Dancing Granny”.
The next day, after breakfast and reading (I made it through half of Octavian Nothing), I said goodbye to my friends and struck out to draw on the island. The docks were full of activity, so I plopped myself down and began a drawing of the Cranberry Isle Fisherman’s Co-op. It was the end of the work morning, so most were packing up and heading home. While drawing I met Stephanie Alley. After a bit of conversation I realized she was a famous Captain on the island and gave lobster tours on her boat. The next morning, I grabbed Abby and headed on down for a lobster boat adventure. Robin had mentioned Stephanie’s tours the night before and serendipity brought us together.

After our morning adventure, I found myself back at Ashley’s house. I hadn’t planned to bother him that day, so I sat outside on the curb to draw his home. No more than fifteen minutes had gone by when he and his dear friend, Suze popped out of the house to head over to the museum and greet fans. I was still drawing when he returned home an hour later. Being extremely hospitable, Ashley didn’t just disappear inside his home. He came out to make a few notes from the painting he began the day before, which ended up being my cue to come on in for a spell. Knowing that he had already had a long day, I excused myself shortly after he settled inside.

My last day on the island, I was itching to make a strong portrait of Ashley. I struck out to his house mid day and let myself in to an empty house. Though his door was open to me, I still felt strange hanging out in his empty home. I went outside and finished an earlier drawing and by the time I was done, Ashley appeared. It had been another long day for Ashley and he was expecting more guests, so I didn’t force myself. We had dinner plans at the house that evening, so I headed back to read more of Octavian, which turned into a delicious nap in the sun next to the picture window.

Dinnertime came and we all rallied around Ashley. Dean prepared a wonderful brisket that he had brought over by the mail boat. We had been all abuzz over it throughout the week. Ashley sat and announced, “okay, draw me!”. No pressure there. I made three miserable attempts at a portrait and gave up. During dinner, when the plates were cleared and dessert was brought out (Robin prepared a delicious lemon ice box pie), I grabbed my drawing book and began again, finally capturing Ashley’s spirit.

AshleyhandDeb and I said our goodbyes the next morning and headed back to Bar Harbor, passing along the boat ticket to Robin and Dean’s daughter, Julie. What a treat. “A Visit with Ashley Bryan” will be on display until September 20th on Little Cranberry Island. If you can head over, I highly recommend it.

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2. Stepping Outside

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I just put a second coat of stain on half of my deck. It’s been three years since I moved into this place, and until this summer, my backyard remained unfurnished and unused, which is a shame because it was one of my favorite features of my townhouse. This summer I committed and purchased patio furniture from IKEA, but once I laid everything out, I realized that the deck floor was coated with years of mucky grime and algae. After giving it a much needed scrubbing; once the wood dried, the deck also needed staining and sealing. My virgo sun couldn’t let the work go unfinished.

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Oddly enough, I always tend to begin big manual projects at the end of a book. Right now I am putting the finishing touches on my next project with Lee and Low, and like my deck, now that the spreads are completed, I am noticing little things that need adjusting (this is of course before I turn it in and have my editor and art director notice other little things that need tweaking). Fortunately, this book is 80% digital, so unlike my other books, making changes won’t mean completely redoing spreads. On the opposite side of that coin, I can tweak until the cows come home if I let myself.

Working on books is not always fun for me. It’s work, and like all jobs, you have great days and really sucky days (when you wish you had become an accountant). I find that exercise and manual labor give me more good days than bad. When I was finishing work on Bird, I compulsively decided to paint my half of my Brooklyn apartment. Now, with this new project, I am creating a backyard oasis. There’s something to be said about getting outside of my head (which is often messy and filled with cobwebs and dark spooky shadows) and completing a small to medium-sized project to help propel me through the end of a book. I wish I could channel that energy into cleaning my house, but that is never a small project.

The virgo in me loves to work, loves to complete things, loves to help people, and loves to be good at stuff. I was born under a productive and communicative sign –  along with Michael Jackson (MJ FOREVER!!!), Beyonce, soccer champion Ronaldo, and Mother Teresa. When I am not allowing myself time to go outside and play, I become paranoid, stressed, and a bit depressed. I also indulge heavily in sugar (honeybuns give me life!) which leads to weight gain, which leads to lethargy, which kills productivity, which then makes me a crazy person. Summer is a time for renewal. I run and do yoga 5-6 times a week, put down the carbs (okay, most of the carbs) and celebrate the outdoors. It’s also the time when I can fully focus on my art and finish projects. This cycle of growth, productivity, and then self-destruction is one that I am vehement about changing for myself.

As I get older, I aim to be active throughout the year. Many of us artists, though wonderful and creative, can fall into cycles of sadness, self-doubt, and inactivity easily. We work in isolation sometimes also live in isolation. Stepping outside of our heads and selves is key to staying positive and creative. Taking care of our physical bodies is crucial to keeping things in balance. Namaste homies!

Welcome to my blog SCBWI members! I hope you find some of these posts to be of use~

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3. Summer Reading…and a little fun.

School finally ended. I took a week off to empty my brain of all things MICA and am now ready to wrap up this book. My plan was to finish et the end of the semester, but like a few of my students, I fell shy of my original goal by about three pieces. Those that follow me on facebook know how excited I get about my students and their work. My Advanced Book Illustration class ended with a bang with their end of semester reading to students at the Enoch Pratt Library. What a treat! You can see a few pics from that day on the MICA blog.

Since school ended, I read Matthew David Olshan’s “Marshlands“, an allegory of the excesses of empire. I liked the story and felt that Matthew did a wonderful job of painting the portrait of life in the desert marshes. I did feel that there was an emotional distance from some of the horrible punishments inflicted upon the inhabitants of the land. Some of the described tortures hit hard, but there was still a calmness in the reporting. I wondered after I read it, if that was the reason I was able to read it so quickly. I never needed any distance from the story, and with the backward story structure, my interest was held throughout. 

The structure was a little disorienting at first. While reading it, I was lost and knew that the experience of reading it would be akin to assembling a jigsaw puzzle…which bothered me a little at first, but again, the visuals of the story wer
e so rich that it stayed with me. I do enjoy stories that make you wait for answers later. I don’t enjoy being spoon fed details from beginning to end.

I am now finishing “The Brief and Wondrous Life of Oscar Wao” by Junot Diaz. It is mesmerizing, but pretty taxing. In contrast to Olshan’s calm and matter-of-fact telling of Marshlands, Diaz’s storytelling is full of colorful language, historical footnotes (still told in a conversational tone) and current cultural references that crack me up, but also wear me out. It’s a sad sad story of one Dominican family and how they came to continue their lineage in the US showing us what it meant to live in the time of Trujillo and how long-lasting and far-reaching his dictatorship was. Diaz intersperses the story with Spanish phrases (that make me wish I paid more attention in Spanish during high school). Fortunately, my Spanish is decent enough that I can keep up without having to translate too much, and most of the phrases are easily understood in the context.

Next up, I will read “This One Summer” by Mariko Tamaki and Jillian Tamaki. I plan to digest some NK Jemisin and Danzy Senna on the recommendation of Deb Taylor. I also want to reread “The Summer Prince”, another story that had me disoriented at the beginning, but which I fell in love with completely by the end.

As for my own books, well, I am finishing one project and then beginning another, both written by other authors. After that I will begin work on my first story where I am author and illustrator. This summer, alongside my making and reading, I will write as well. No ideas are bursting forth at the moment, but my mind is too focused on current projects to allow any other story ideas to bubble up. I am sure that once I finish this book, my mind will relax a bit.

Oh! I do plan to get out and about in July. I will head to Maine with my mom and Deb Taylor to visit Ashley Bryan and The Ashley Bryan Center in the first week of July and after that, I will head to Seoul to visit with Taeeun and work on sketches for the next book. So, big plans ahead.

What are you reading this summer?

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4. Tae and Sha

Tae and Sha under the cherry blossoms, thirty years ago. By Taeeun Yoo~

I have read about women artists who’ve lived together in a hazy creative dream—even for a short spell. Trina Schart Hyman, Tove Jansson, The Red Rose Girls…It’s always made me envious and a bit sad that I didn’t have it for myself. As much as I have tried to live an interesting and free life, when it comes

down to brass tacks, it’s been pretty conventional so far. Or maybe, I’m just too close…too entrenched to see the real charm of my youth that I will appreciate in later years.

My dearest Taeeun is living with me for a couple of months. Her being here has opened a window for me. It is our art dream to work alongside oneanother in a shared studio. We wake up together, exercise together, work together, share books, take walks, and inspire one another each day. It is perfect, for a spell. In a couple of months she will go back to her home in Seoul with her husband. I will travel with her to finally meet Seoul, but after a few weeks will come back to my home and adjust to being quiet again.

 

For now, we will work and document our time, and be thankful that our lives have led us to this.

*dreamy sigh*

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5. Reading under the Stars

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Yesterday I read PLEASE, LOUISE aloud with students of The Wilkes School at Grace & Saint Peters and Midtown Academy. It was an enchanting afternoon sitting under the stars of Enoch Pratt’s Night Room chanting aloud the text from PLEASE, LOUISE. After we read together, I shared a bit of my journey as a young reader and artist along with a conversation about where ideas come from and how long it takes to make a book. And of course, there were plenty of questions that followed. At the end, I did a live draw of Patrick, a second grader I believe. Unfortunately, though, most of the students didn’t think that I nailed his likeness. Tough crowd ;-). Afterward, I signed about 60 books and gave away posters and bookmarks to all of the students who attended. What a great celebration of PLEASE, LOUISE and the power of reading!

A SUPER THANK YOU goes to the amazing Deborah Taylor, Coordinator of School and Student Services, who graciously offered her support of this launch and a second super THANK YOU to Dr. Carla Hayden, who provided each child with their very own  copy of Please, Louise. Dr. Hayden believes that children should not only have books available at their neighborhood library, but that they should also have books in the home. I concur! Thanks also to Selma Levi, for all of her support and for sharing the space with us!

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Exchange of the day:
After passing out books to everyone at the beginning of the presentation, one young man just couldn’t believe his luck.
Him: “I can keep this?”
Me: “Yes, it’s yours.”
Him: “FOREVER?”
Me: “Yes, forever.”
Him: “Whoa.”

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Special shouts out to the two big kids against the wall, literary homies, Mathew Olshan, and Jonathan Bean who came to show their support!

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6. My brain on art

Tomorrow I will be working with researcher Charles Limb in his research on creative improvisation. Me and a few of my MICA illustration colleagues were invited last week to come to Johns Hopkins and draw while having our brains scanned. Ummmm, yes, please! It’s my Sheldon Cooper dream come true.

Mr. Limb gave a TedTalk last year on his research with jazz musicians and rappers. The premise is the same…perform with a controlled piece and then perform while improvising a piece while in an FMRI scanner. The illustrators that are participating will draw photographs exactly as they see it and then draw caricatures of that photograph. Controlled action versus improvisation.

Here is a video of Mr. Limb’s TedTalk, “Your Brain on Improv”. I will post thoughts on my experience tomorrow~

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