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News! Later this month, on June 28, I'll be appearing in a great little mini-conference in my hometown of Belton, Mo. (about half an hour south of Kansas City). I'll give a talk on the five things editors want to see in every manuscript. Then the picture book author (and my best friend) Katy Beebe and I will discuss query letters, particularly the one that led to the publication of her lovely book Brother Hugo and the Bear. And finally, we'll do a first-pages session to round out the morning. Registration is $60, to benefit the Cass County Library Foundation (one of several library systems that made Katy and me the writers and readers we are today). For more information and to register, please click here.
In sad news, last month marked the first month in the nine-year history of this blog where I did not write a single post! Not a one! Part of it can be attributed to this fine fellow:
Mr. Bob Jacob Marley Monohan, who has come to dwell in our apartment and demand my time and attention, cat treats, things to gnaw on (currently a pair of James's cargo shorts that he unwisely left on the couch), etc. Part of it is that I have Twitter to accept all of my random thoughts. Much of it was simply work and life. But I miss writing here. I'm going to try to do a post a week for the rest of the summer, and I hope it will result in good energy all around.
- The Great Greene Challenge is still on! Have you gotten your copy yet? It's a great opportunity to support diverse books, an independent bookstore, and fantastic middle-grade in one fell swoop.
- As this blog has often served as my running results archive: My sister and I ran the Brooklyn Half-Marathon a couple weeks ago in 2:10. It was my slowest time for a half ever, but I didn't care, because I super-enjoyed running and chatting with her.
- We have a great new episode of the Narrative Breakdown up here, with Matt Bird and James and I talking character goals and philosophies. Our podcasting has fallen off a bit of late because we lost our sponsor.... If you'd be interested in donating to the cause or sponsoring an episode yourself (a great way to reach a wide audience of writers and other lovers of narrative), please contact us at narrativebreakdown at gmail dot com.
- And if you'd like to buy my book SECOND SIGHT, but not through Amazon, please e-mail me at chavela_que at yahoo dot com. I'd be happy to work out alternate means of payment and delivery with you.
- Happy summer!
This happened to me last week or so. They haven't been back.
There is all kinds of great and exciting stuff happening with diverse children's literature these days! By the time you're reading this, the #weneeddiversebooks campaign should be live on social media, May 1-3 -- follow it on Twitter and Tumblr and please share your own thoughts there. Kudos to the awesome team who put that together!
Closer to home, The Great Greene Heist
by Varian Johnson
-- a modern, middle-school, multicultural Ocean's 11
; a book I edited and am immensely proud of -- is getting a ton of awesome attention from indie booksellers and Varian's fellow authors, who are asking everyone to take the #greatgreenechallenge and help us get a diverse book on the bestseller lists. Kate Messner threw down the initial challenge
; Shannon Hale raised the bar
; and some guy named John Green sweetened the pot further
for bookstores. You can check out all the action at Varian's blog post here
. The book has received wide praise from many authors and a starred review from Kirkus,
and it was named a Publishers Weekly
Best Summer Book of 2014! If you still need more convincing, you can check out this wonderful little prequel
as a taster, or just join the challenge and preorder it now
. (I advise the latter.) Out officially on May 27, 2014.
Equally exciting: Sarwat Chadda
is going to be in New York for the PEN World Voices panel this coming weekend, and appearing at Books of Wonder
and a conversation on writing superheroes
on May 3, and a great panel on sex and violence in children's literature
on May 4. Good stuff!
Finally, I'm going to post this list here for anyone who might still need diverse book recommendations -- a list of books I've edited featuring diverse protagonists. Diversity has been a priority at Arthur A. Levine Books since the imprint was founded, and it's been a particular passion of mine for years, so I'm very proud of both this list and the many great books on our publishing lists to come.Books I've Edited Featuring Diverse Protagonists
- Millicent Min, Girl Genius and Stanford Wong Flunks Big Time by Lisa Yee (MG; Asian-American)
- Bobby vs. Girls (Accidentally) and Bobby the Brave (Sometimes) by Lisa Yee (chapter book; biracial, Asian-American)
- Eighth-Grade Superzero by Olugbemisola Rhuday-Perkovich (MG: American of Black Jamaican descent)
- If I Ever Get Out of Here by Eric Gansworth (YA; Tuscarora Native American)
- The Path of Names by Ari Goelman (MG fantasy; Jewish)
- Marcelo in the Real World, The Last Summer of the Death Warriors, and Irises by Francisco X. Stork (YA; Latin@)
- The Nazi Hunters: How a Team of Spies and Survivors Captured the World's Most Notorious Nazi by Neal Bascomb (YA nonfiction; Jewish)
- The Fire Horse Girl by Kay Honeyman (YA; Chinese)
- Openly Straight by Bill Konigsberg (YA; Gay)
- Gold Medal Winter by Donna Freitas (MG; Latina)
- The Savage Fortress and The City of Death by Sarwat Chadda (MG fantasy; British of Indian descent, Hindu(ish))
- Words in the Dust by Trent Reedy (MG; Afghan, Muslim)
- The Encyclopedia of Me by Karen Rivers (MG; biracial, of British-Caribbean descent)
- Moribito: Guardian of the Spirit and Moribito II: Guardian of the Darkness by Nahoko Uehashi, translated by Cathy Hirano (YA fantasy; Asian-inspired)
- Above by Leah Bobet (YA fantasy; differently abled cast -- which is putting it mildly -- and biracial protagonist of French and Indian descent)
Yay diverse books!
People get very irate about anti-anxiety medication. Some say everyone should just get over it with exercise and positive thinking and diet. They can't have experienced the sort of panic bout that leaves you unable to eat, walk or think for most of the day.
There are risks, it can't be done without proper medical supervision, there may be very bad side effects, it might not work, and even if it does it's only a way to enable a person to take care of themselves - it's a raft, not a motorboat.
I've found medication really useful at times of great stress - for example while house-hunting in London. It keeps the panic attacks under control and gives me time to sort things out and re-settle.
Going back off it is great, but no fun at all. It's important to remember that the withdrawal is temporary, and that although it takes time to phase it out gradually it's a very bad idea to just stop cold.
Note: As always, this is about my personal experience, not an advert for medication - it really is prescribed for the wrong reasons at times, I agree. It's part of my anxiety narrative. Your mileage may vary.
An actual person I met on an actual train, not my mother who was never like this.
Here's an in-progress shot where you can see how rough my pencils are. They are pretty rough.
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By Jad Adams
Tony Benn has left as an enduring monument: one of the great diaries of the twentieth century, lasting from 1940, when he was fifteen, to 2009 when illness forced him to stop.
They are published as nine volumes but these are perhaps ten percent of the 15 million words in the original dairy. I am one of the few people to have had access to the manuscript diary, in the course of writing my biography of Benn. For this I received every assistance from him and his staff in the jumbled, chaotic office in the basement of his Holland Park Avenue home.
The diaries of course are of historic interest because they reveal the work of a cabinet minister and member of parliament for more than fifty years. Over time the Benn charts post-war hope, the rise of the Labour militants, the battle of Orgreave, and the decline of the Left. The books also have descriptions of constituents’ experiences in his weekly surgery, an opportunity to meet the people and sample their woes, which is hated by some MPs but was embraced by Benn.
They also show the development of Benn’s family of four children, twelve grandchildren, and the suffering of the death of parents and partner. One would be hard put to it to find anywhere in literature a more poignant description of death and continuing loss than Benn’s of Caroline, his partner of more than fifty years whose illness and death was described in remorseless detail in manuscript, some of which was published in More Time for Politics (2007).
Benn had always felt he ought to be writing a diary, as a part of the non-conformist urge to account for every moment of life as a gift from God. He explained at one of our last formal conversations: ‘It’s very self obsessed. I must admit it worries me that I should spend so much time on myself, I saw it as an account, accountability to the Almighty, when I die give him 15 million words and say: there, you decide. I think there is a moral element in it, of righteousness.’
This need to see time as a precious resource to be accounted for went back to his father, William Wedgwood Benn (Later Lord Stansgate) who expected the boy Benn to fill in a time chart showing how he had made use of his days. Benn senior had read an early self-help book by Arnold Bennett called How to Live 24 Hours a Day on making the best use of time. ‘Father became obsessed with it,’ Benn said.
Tony Benn had been keeping a diary sporadically since childhood. It had always been his ambition to keep one, and early fragments of diary exist, including one during his time in the services, where diary-keeping was forbidden for security reasons so he put key words relating to places or equipment in code. In the 1950s he began keeping a political diary and wrote at least some parts of a diary for every year from 1953. The emotional shock of his father’s death in 1960 and subsequent political upsets stopped his diary writing in 1961 and 1962 but, with a return to the House of Commons in sight, he resumed it in 1963.
He started dictating the diary to a tape recorder in 1966 when he joined the cabinet because he could not dictate accounts of cabinet meetings to a secretary who was not covered by the Official Secrets Act. Benn would store the tapes, not knowing when he would transcribe them, or indeed if they would be transcribed in his lifetime. His daughter, Melissa spoke of arriving at their home late at night when she was a teenager, and hearing her father’s voice dictating the diary, followed by snoring as he fell asleep at the microphone.
Benn stopped writing the diary after he fell ill in 2009 in what was probably the first stroke he was to suffer. He explained to me:
‘You can’t not be a diarist some of the time. One day is much the same as the other and it is a lot of effort. You really do have to be very conscientious and keep it up in detail and keep up the recordings and so on and it took over my life, also I’m not sure now that I’m not in a position on the inside on anything where my reflections would be interesting. I think my reflections might be as interesting as anybody else’s but whether it constitutes a diary when I’m not at the heart of anything…
‘I never thought of it as an achievement, just something I did, it’s been a bit of a burden to have to write it all down every night. It began as a journal where I put down things that interested me during the war, I drew a little bit on that for Years of Hope (1994). You can say you’ve achieved a reasonably accurate daily account of what has happened to you and since people are always shaped by what has happened to them so if you have a diary you get three bites at your own experience: when it happens, when you write it down and when you read it later and realise you were wrong.’
Benn did not think he would publish it in his lifetime, but in about 1983 he decided to type up six months and have a look at it. He invited Ruth Winstone to help with the diary in 1985 and found they worked so well together that she stayed and edited all the diaries.
His final thought on the long labour of the Benn Diaries was: ‘I couldn’t recommend anyone to keep a diary without warning them that it does take over your life.’
Jad Adams’ Tony Benn: A Biography is published by Biteback. His next book is Women and the Vote: A World History to be published by OUP in the autumn.
Image credit: Portrait of Tony Benn. By I, Isujosh. CC-BY-SA-3.0 via Wikimedia Commons
The post In memoriam: Tony Benn appeared first on OUPblog.
There are rules and guidelines. I know drinking alcohol to suppress anxiety is a very bad idea.
Sugar can trigger anxiety. Caffeine can, too.
But one cup of coffee is definitely very good for me in the morning.
Two cups and I feel like I can see through time and can't stop talking; three cups and I have an anxiety attack.
Everyone is different.
One thing that always helps is respect. I am grateful that my therapist had it.
It's quite simple sometimes.
It is time for one of my favorite events of every year -- the awesome BOOK SALE at my church, Park Slope United Methodist. There are two essential things every book-loving New Yorker can do with the sale:
1. DONATE YOUR OLD BOOKS
Now is the perfect time to clear space on your book shelves for all the treasures you're going to find at the sale. And aren't you ready to get rid of all those CDs you don't listen to anymore? We'll take 'em!
We welcome donations of books, CDs, DVDs, records & children's books. All items must be in good condition. We do not accept videos or tape cassettes, magazines, outdated textbooks or computer manuals, or any book that is moldy or falling apart. All donations are tax-deductible.
The church is located at 410 6th Avenue (at 8th Street) in Brooklyn, one block down and over from the 7th Avenue F stop. Donations will be accepted at the church on
- Monday, February 18, 10 a.m. to 5 p.m.
- Thursday, February 21, 6 p.m. to 9 p.m.
- Friday, February 22, noon to 3 p.m.
To arrange a car pickup (Park Slope & vicinity), call 347.538.7604 ASAP, before all the slots fill up. All items must be boxed or bagged and ready to go.2. COME BUY MORE BOOKS!
The Book Sale is open:
- Friday, Feb. 22, 7 p.m. - 9:30 p.m. Evening Preview Sale! $20 Admission
- Saturday, Feb. 23, 10 a.m. to 5 p.m. (free)
- Sunday, Feb. 24, 12:30 - 5 p.m. (free)
I won't be around the sale this year, but about six boxes of books from my apartment will be, so please buy 'em up and enjoy!
Earlier this fall, I asked my Seattle-area blog readers to go out to a signing for Stephanie Trimberger's The Ruby Heart -- a book Arthur and I worked on with her as part of the Make-a-Wish program, as chronicled in this video. I'm sorry to have to report that Stephanie passed away in November. But her memory lives on with her novel, and Make-a-Wish has now made The Ruby Heart available as a free PDF download for anyone who'd like to read it. You can check it out here.
(Thank you to reader Pamela for the heads-up.)
When I was 9 and my sister was 16, I read her diary. I found out all about her life, what she thought and how she felt about a variety to things. I didn't get caught, so I didn't get punished, but I did suffer an overwhelming guilty conscience for a long time. Consequently, I have never committed an indiscretion like that again. Even so, I have to admit that the bare honestly that can be found in a diary still holds a certain fascination for me. Maybe that is why I like reading published diaries so much. At least you don't have to worry about dealing with a guilty conscience.
Naturally I was very excited when I first heard about Home Front Girl: a Diary of Love, Literature and Growing Up in Wartime America.
It is a real diary, begun by Joan Whelan in 1937 at age 14 and runs through to 1943 when she was 20 years old. Joan was the daughter of Swedish immigrants living in Chicago who grew up to become a journalist and adjunct professor of history at the New School for Social Research, so it is not too surprising that she would have kept a diary as a teen. After Joan passed away in 2010, her daughter found her diary among her papers and decided to share it with the rest of the world.
And I am so glad she did because Home Front Girl
did not disappoint me. Throughout her diary, Joan chronicles her thoughts on the ordinary everyday events in her life. Here, then, is a sampling:
School: Tuesday, April 13, 1937 "Hello! Tests next week! Oh, boy! Have pity on me and sympathize."
boys and boys in the R.O.T.C.: Tuesday, April 20, 1937 "...there isn't any R.O.T.C. unit in Greeley [Elementary School] (they do look so handsome in uniforms!)" (pg 3)
first dates: Thursday, January 20, 1938 "Yesterday a boy asked me if I'd go to the dance on Saturday with him. I told him I'd see - I guess I'll go. His name is Jack Latimer. Imagine - my first date." (pg 29)
She also writes about first kisses, singing in the church choir, going to the movies with friends, and the opera with her mom, studying for exams in school and writing a column in the school paper. In short, Joan lives the the busy life of an intelligent, energetic teenage girl in the 1930s.
But Joan also has a very serious side that is evident when she is writing about life and current events. It is then that we really get to see how well rounded this vibrant, thoughtful girl is, and we get a glimpse of the woman she became.
To begin with, even as early as 1937, the idea of war scares her: Friday, December 31, 1937 "..I dreamt a war was begun...I was a boy and I knew I would have to be a soldier. I was afraid to go to war. I kept seeing trenches, and mud, and horror and pain and things - and killing people - and I was terribly scared inside." (pg 23)
her fears about TB: "P.S. I got tested for T.B. at school today...Saturday, June 4, 1938 "I'm susceptible! Tat is , to T.B. If I meet anyone who has it, I might catch it..." (pg 50)
Current events: Tuesday, May 2, 1939 We are on daylight savings now. Germany is giving Poland two weeks to give her the Polish corridor. Otherwise war. However, England and France on side of Poland. So Russia too, maybe...`
But perhaps the most poignant entry of all is the one for Thursday, October 10, 1940, when Joan writes about life for her generation and the impact World War I, the prosperity of the early 1920s and then the depression had on their character development, and on their bodies: "Oh, you, my generation! - we were a lovely lot! Sharp minds - arguing all the time and brittle bodies and even more brittle laughter - and all the time knowing that we were growing up to die." (pg 143)
Joan Whelen's diary is by turns funny, serious, playful, patriotic, optimistic, pessimistic and moving. It is supplemented with lots of her own drawings that are part of the diary, as well as photos and newspaper clippings she saved. It turns out that Home Front Girl
is more than just a diary, it is a document of its time and a very interesting window through which to view this eventful period of era.
In truth, Home Front Girl: a Diary of Love, Literature and Growing Up in Wartime America
was so much better than my sister's diary.
|"Sunday, December 18, 1938, 3:00 It's so wonderful to be the|
Virgin Mary and almost 16 and so awfully happy on a cold
bright winter day." (pg 87)
Be sure to visit the homepage of Home Front Girl
for more information and resources a about Joan and World War II.
This book is recommended for readers age 12+
This book was sent to my by the publisher
Two terrific books pubbed officially yesterday: The Savage Fortress, by Sarwat Chadda, and Stealing Air, by Trent Reedy. I wrote about The Savage Fortress for the CBC Diversity blog here, cheerfully (and with Sarwat's full approval) calling it a book of "no socially redeeming value" -- which is one of the many things that actually makes it awesome. But you should also read Sarwat's own wonderful blog post on the reasons why he wanted to write this book, to satisfy his ten-year-old self "who always wanted another hero like him." And when you're done with that, please hop on over to the Scholastic Savage Fortress site and play the "Master the Monsters" game. I am terrible -- TERRIBLE -- at video games, so my high score on this game is 600; my compliments to anyone who can do better than I did (e.g. the average five-year-old). There's good stuff to come on Stealing Air as well.
Speaking of diversity: In this week's Narrative Breakdown, James and I and our return guest Matt Bird discuss creating ensemble casts, including Matt's excellent theory on Heads, Hearts, and Guts, and why there are so few characters of color in ensembles like Girls or Sex and the City. Subscribe on iTunes, and do please comment, review, or tell us what you'd like to see more of!
Speaking of developing your writing muscles: If you'd like to see me give my Plot Master Class in person, registration for the November 17 edition in Salt Lake City is now open! To get a sense of the topics covered, check out the description for the online edition of the class (which is sold out, I'm sorry to say. If I'm able to balance work and my responsibilities in teaching it, we'll run it again sometime next year). I believe there are also still spaces available at both the Master Class and the SCBWI general conference in Hawaii on February 22 & 23, 2013 -- e-mail Lynne Wikoff at lwikoff at lava dot net if you're interested.
Speaking of appearances in connection with educational opportunities, did you know J. K. Rowling is doing a virtual author visit with schools, in support of the new Harry Potter Reading Clubs? You can register a class for the webcast here.
And there the chain comes to an end. Or wait -- a little delight to send you on your way:
(The fourth in what should be a monthly series of blog posts in which I write for an hour about whatever comes to mind.)
Happy summer! I spent the weekend in Shenandoah National Park in Virginia, at the Mid-Atlantic SCBWI Novel Revision Retreat. It was a beautiful venue—a 1930s woods lodge, with gorgeous views of the Shenandoah mountains out every window, including the room in which I taught my sessions. The talks were more or less the “Quartet” talks from Second Sight. . . . These are my usual retreat talks, because they cover all three major elements of fiction (Character, Plot, and Voice), but every time I give them I find something new to say in addition to all the material that’s already there, so I’m going to have to ask the organizers to grant me two hours for every session the next time I do them. (Or I should learn to edit myself and say less; but then I do like being thorough, to transfer as much of my brain to attendees’ brains as possible. Someday technology will evolve enough that we can just do a mass Frankenstein hookup and be done with it, and then we can all spend the weekend writing instead.)
Some neat things in the last month:
- Before I went to the revision retreat, I took a delightful road trip with my equally delightful author Sara Lewis Holmes, who wrote Operation Yes. When Sara heard that I was coming to central Virginia for the retreat, she insisted that I should visit the American Shakespeare Center in Staunton; and I ended up asking her if she'd be willing to come with me, which she very kindly was. And it was one of the neatest productions of "As You Like It" that I've ever seen, performed in the style (though not the costumes) of the Bard's time, with full light for the whole play, which in turn facilitated some very neat audience-actor interaction. The actors were great, the music was fun, I loved their interpretation of the play, Staunton as a town is terrific, and it is well worth the road trip for you too, should you be anywhere in Virginia.
- On a trip to visit some wedding venues, I lost my beloved little Samsung Rogue phone; so I now have a HTC Incredible 2 (an Android phone), which is fast becoming even more beloved than my Rogue was.
- I read Holly Black’s White Cat and Red Glove recently, and they were just delicious—tightly written, darkly sexy, fully backstoried fantasy full of con men and women and clever, clever twists. They’d be great beach reads this summer.
- A recent realization/articulation that came out of reworking my plot talks: Stakes not only can change in the course of a novel, but they very probably should, as the character comes to know and understand more of the world and their values change likewise. So in StarCrossed by Elizabeth C. Bunce, the stakes begin as Digger’s survival; but as her world and affections widen to include all the people in her eventual destination, the stakes change to the survival of those people, and the cause they’re all fighting for. So as you’re looking at your novel, think about the stakes at the beginning vs. the stakes at the end, and how the character gets from one to the other.
- My next SCBWI appearances will be in October, in Wisconsin, on plot; and November, in New Jersey, hopefully on voice, if they'll let me talk for two hours.
- Some recent films I enjoyed: Fast Five; Win Win; Beginners; Bridesmaids.
- To expand a little more on the reasons I enjoyed Bridesmaids: One, it had one of the most likeable and flawed female protagonists I’d seen in a long time, a fully rounded woman who had a career that mattered to her, friends, and a family, as well as romantic confusion. . . . It is a little depressing how rare that is, that we'd see a female protagonist in all of those dimensions, and yet, t
On Tuesday I'm going down to Florida for LeakyCon 2011, and I am PSYCHED . . . to speak at Lit Day, to see the Wizarding World theme park for the first time, to party with Harry Potter fans, and because my hotel has a croquet court! (For the reason I'm obsessed with croquet, hit the "Frog" label on the right.) This obviously requires a game of Quidditch Croquet, which in turn requires the establishment of rules for Quidditch Croquet; and I propose the following for discussion/comment:
- Play shall generally proceed as in a standard croquet game, with the wickets in a figure-eight configuration, and in order of the colors on the post; but with the following exceptions:
- The black ball shall be the Bludger, and the yellow ball shall be the Snitch.
- Neither the Bludger nor the Snitch can play until all other balls have passed through the opening two wickets.
- -- The Snitch shall go first, and the Bludger second.
- -- They should both start at the opposite post from the rest of the players.
- The Bludger does not have to follow the standard course and try to go through wickets, but rather should spend its time trying to knock all the other balls (besides the Snitch) as far off course as possible.
- -- If the Bludger touches another ball (a roquet), it gets only one additional hit, instead of the standard two.
- ---- If necessary, an additional limitation can be imposed on the Bludger, that the player controlling it must play one-handed and/or with his/her less dominant hand.)
- -- If another ball (besides the Snitch) touches the Bludger, it gets three additional hits, instead of the standard two.
- The Snitch also does not have to follow the standard course and try to go through wickets, but rather should travel consistently up and down the midline of the course, from post to post through the center wicket.
- The Snitch does not want to strike or be struck by the other balls.
- -- If another ball (besides the Bludger) touches the Snitch, it gets four additional hits, instead of the standard two.
- -- The Bludger is not allowed to hit the Snitch, and if it does, its turn is over and it misses its next turn.
- The game concludes when a player successfully completes the course, passing through all nine wickets and touching both posts (the opening post twice, at the beginning and end);
- -- OR when the Bludger has knocked into all the active balls (besides the Snitch) twice (a scorecard may be useful here) and reached the closing post before anyone else;
- -- OR when the Snitch has successfully completed thirteen post-to-post-through-the-center-wicket crossings of the court, including at least three where it was not struck by any other ball (ditto on the scorecard), and reached the closing post before anyone else.
This allows the Bludger and Snitch to behave as they do in Quidditch, but gives all players an incentive to win. (I chose thirteen post-to-post perambulations for the Snitch because it would take a long time to reach, I hope, and thirteen is a good wizarding number.)
Thoughts? Suggestions? And if you're going to LeakyCon -- who's in?
Before I plunge into my book review, just a reminder of the contest for a free copy of The Fourth Wish, in Kindle or paperback (winner's choice). To read the rules for the contest -- which ends Friday, September 9th -- go here. (Please comment for the contest on that post so I can keep your points straight.)
Many of you know I like to read mysteries and historical novels when I'm not reading children's books. And I indulged in quite a few adult reads (and reviewed them) while I was recuperating from my foot surgery. So this is one last review of a book that combines both mystery and a historical setting: Victorian London, when streets were foggy, and you could hear the clop-clop-clop of horse hooves against cobblestones as doomed victims set off in carriages, and cases were solved without a swat team kicking in a door and waving guns. The book is The Diary of a Murder, by Lee Jackson. I bought the print version, but I see it is also out in Kindle now (in the UK).
A bit of background for this discovery: While gathering information for my middle grade mystery set in Victorian London (which is a tamer tale indeed), I came across Lee Jackson's wonderful website, called (appropriately) Victorian London. In it you will find a treasure trove of Victoriana. He provides a dictionary listing various topics, from maps, to transportation, whatever; and a click on any one topic will take you to a wealth of original sources (including Mrs. Beeton's Book of Household Management, under Diet, where you can see what meals to plan for each month of the year in 1861. Mr. Jackson also provides some of the original "penny dreadfuls" for your reading pleasure. And he has a wonderful blog called The Cat's Meatshop, well worth following. The Diary of a Murder is his seventh mystery novel, and he has also published two nonfiction books: Victorian London and A Dictionary of Victorian London, An A-Z of the Great Metropolis. And renowned mystery writer, Andrew Taylor, has said, "No one knows Vicorian London as Lee Jackson does -- historical fictin doesn't come more authentic than this."
On to the the review:
The Willises are concerned because their married daughter, Dora Jones, has disappeared after planning to visit them in Chelsea. When Sergeant Preston and a constable go to the Jones's home to investigate, they find the daughter brutally murdered and the pages of a diary scattered about. The diary is by Dora's husband, Jacob Jones, a clerk at the Crystal Palace. But Jacob appears to have fled the scene. Detective Inspector Delby is called in, and the story unfolds in chapters that alternate between Jacob Jones's diary, and the investigation by the inspector and the sergeant.
The story that follows reveals a doting husband, a humble clerk, who married above his station (Dora's father is a draper, and rich, and does not like young Jacob). Jacob gushes about his sweet wife, confesses his yearnings to be a writer, admits his frustrations with his in-laws, who seem
When I started working as Arthur's editorial assistant back in 2000, I quickly discovered that I had a lot to keep track of: his appointments and any materials he might need to prep for them, my personal to-do list, people who called, what Production needed from us each day, what manuscripts most urgently required a response . . . a long, long list of priorities to juggle and information to track. There was only one possible solution to contain all this: a notebook! And as soon as I got one, my work life got a hundred times more organized.
Here are my collected notebooks from 2001 through today:
I keep them because I never know when I might need to make contact with someone I spoke to on the phone about a project in April 2006 -- and I really have used these for information like that! I have also become very particular about the qualities of my notebooks through the years. A good working notebook has to open flat. Either a wire binding or a standard glued binding can work, but glued is slightly preferable, as then the wire doesn't dig into my hand when I write on the left-hand page. The notebook indeed has to be wide enough to hold my whole hand as I write, and/or have few enough pages that my wrist is still supported on the desk. And I like lined paper, but with the lines a decent distance apart, so my handwriting doesn't have to be any more crabbed than it already is when I write quickly. I don't know if many other editors use them -- any editorial readers: Do you? -- but I do give notebooks like this to new editorial assistants, to provide a home for all the many notes they have to take on procedures, and to welcome them into the tribe.
Every day, my notebook sits open on my desk to anchor me with its calm, practical list of tasks to complete (and cross off, oh frabjous joy), to accept notes on phone calls and voicemails and manuscript thinking sessions, to doodle in during meetings, to draft letters or note random phrases for flap copy. When I talk to writers, I usually take notes on our conversation for later, so my notebooks contain sloppily scribbled transcripts of my first conversations with Francisco X. Stork
and Karen Rivers
and Trent Reedy
. Here I have notes from a brainstorming session on what concepts should be included in Food for Thought: The Complete Book of Concepts for Growing Minds.
And every night, the last thing I do before I leave work is make my to-do list for the next day.
For this day in November 2007, for instance, I wrote "Notes for Francisco" (on an early draft of Marcelo in the Real World
), "Email Yurika" (the foreign rights agent for Moribito: Guardian of the Spirit
), "Fact sheet copy," and "Clean desk a bit?" (The question mark is telling.) I also brainstormed titles for the book that eventually became Crossing to Paradise
, by Kevin Crossley-Holland, and apparently received voicemails from a couple of agents. Thus, as you can see, the notebooks are fun historical documents as well as useful ones . . . the diaries of my working life.
So in the last few months, I have become a standing-desk devotee. My interest in the subject started with articles like this one
, which pretty much say that anyone with a computer is doomed to die early from sitting in front of it, and then increased with the apostolism of authors I admire
. My excellent (and extremely health-conscious) fiance began talking about it, and I then followed his lead in putting my laptop on various high surfaces in our apartment when I was working--the kitchen counter, a tall dresser. After I got used to the sensation of standing for so long, I came to like it . . . for an hour or two, anyway, at which point I'd sit down for an hour or two in turn. But the variety was fun.
And now I have two standing desks, at work and at home! Here's the work version:
Yes, indeed, that is the extremely advanced standing-desk technology of two cardboard boxes attached to each other, with a mousepad on one and my keyboard on the other. The keyboard is now right at the angle of my elbows, so typing is very comfortable, and my computer screen conveniently tilts up so I can see it easily. I made a side handle out of packing tape so it's easy to whisk it out of the way. I try to follow the policy that if I'm doing e-mail, I have to stand up, while if I'm doing editorial work, it's OK to be sitting down. Other times I just follow an hour-up, hour-down policy. It's gotten to the point that if I do sit for more than an hour or so, I start to feel antsy, and back on my feet I go. (I've also come to mind standing on the subway much less than before.)
At home James and I really did get actual technology involved, as well as some homemade gimcrackery::
We found the treadmill on Craigslist for $80 (it almost cost more to rent a moving van to get it home), and then, as the handles were inconveniently low, we rigged up the temporary solution you see here until we can figure out how to build a permanent frame. The result is more at James's height than it is mine, but it's still effective for us both. James can walk and work for three hours at a time at low speeds; I remain more task- and hour-oriented. Either way, we both enjoy having a little more of a head start on outwalking Death.
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Over a year ago, Arthur and I were contacted by the Make-A-Wish Foundation regarding a young Seattle-area writer named Stephanie Trimberger (who was 13 at the time; she’s 15 now). Stephanie has brain cancer, and her dream was to have her novel edited by “the Harry Potter editors.” Arthur and I read it and wrote her an editorial letter, and she began working on revisions. A year went by, and we didn’t hear anything more. Then last week, we heard that she had finished her book and wanted us to take one last look.
Thanks to the terrific coordination of a lot of people at Scholastic, we not only managed to edit it quickly, but our designers typeset the manuscript and created a gorgeous cover for it. And with the help of an extraordinarily generous donation from the printer, Command Web, three hundred copies of Stephanie’s THE RUBY HEART have now been printed.
Your Mission, Seattle Area People!: Next Tuesday, September 25, at 6 p.m., Stephanie will be doing a reading and signing of her book at the Pacific Place Barnes & Noble. Will you please, please attend? It would be so very awesome to have a big audience there to applaud her accomplishment and make it a great day for her. Stephanie is a huge reader of YA and fantasy fiction; she lost her mom to brain cancer nine years ago, and it sounds like she’s been writing about that long. I’m sure ALL writers can sympathize with her dream of publishing a book, and it should be an amazing evening in seeing that dream fulfilled.
The details in full:
Tuesday, September 25
6 p.m. (it was scheduled for 5:30 earlier; the time has been moved back)
Barnes & Noble Pacific Place
600 Pine Street, Suite 107
Seattle, WA 98101
You can RSVP or leave a message for Stephanie at the Facebook page for the event
. Thank you!