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Viewing: Blog Posts Tagged with: Strange Horizons, Most Recent at Top [Help]
Results 1 - 25 of 84
1. Short Fiction Snapshot #2

The second installment of Short Fiction Snapshot (see here) is live at Strange Horizons.  This time my topic was Tori Truslow's "Boat in Shadows, Crossing" from Beneath Ceaseless Skies.  As before, you're invited to read the story and join in a discussion in the comments.

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2. At Strange Horizons: Introducing Short Fiction Snapshot

This week on Strange Horizons, we're launching a new reviews department feature: Short Fiction Snapshot, where every other month we'll be dedicating a full-length review to a piece of short fiction.  Here is my editorial explaining my goals and hopes for this project, and here is the first installment, discussing Charlie Jane Anders's "Intestate," from Tor.com.  One of my hopes for this project

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3. Strange Horizons 2012 in Review

New Year's Eve fireworks, 2012; photo by Matthew Cheney

I have a small contribution in the grand collage that is the Strange Horizons reviewers' "2012 in Review". Well worth taking a look at for the huge, wonderful variety of writers' interests and enthusiasms.

Happy new year!

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4. Stuffs

Google has done gone and broke Google Reader, removing the sharing function to encourage people to use Google Plus instead. This means the "Fresh Links" section over on the sidebar is no longer able to be refreshed, and I'll probably go back to occasionally doing linkdump posts. Here, for instance, are some links:

1 Comments on Stuffs, last added: 11/3/2011
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5. Strange Horizons Reviews, October 31-November 4

Strange Horizons's Halloween review is Farah Mendlesohn's long, detailed look at the essay collection 21st Century Gothic, edited by Danel Olson.  Farah finds the collection extremely variable, containing excellent pieces alongside terrible ones, but her review also acts as an introduction to several titles that one wouldn't necessarily associate with the Gothic descriptor, some of which sound

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6. Strange Horizons Reviews, November 14-18

This week's first review is by T.S. Miller, who takes a look at Future Media, a collection of stories and essays by Rick Wilber examining the ways that media has and is changing.  Tim finds much to enjoy but wonders if Wilber and his contributors might have more to say about the past than the future and the shape that future media might take.  Sarah Frost reviews Infidel, the sequel to God's War

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7. Strange Horizons Reviews, November 21-25

The week's first review is by Matt Hilliard, who looks at Rob Ziegler's debut novel Seed, a post environmental collapse novel.  Though he questions Ziegler's environmental model, Matt finds much to admire about Seed's depiction of a slowly collapsing world.  Lila Garrott is disappointed with Lisa Goldstein's The Uncertain Places, arguing that it does little that is new or original with its fairy

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8. Strange Horizons Reviews, November 28-December 2

William Mingin kicks off this week's reviews with a look at two collections of Robert E. Howard's non-Conan stories, Conan's Brethren and Sword Woman and Other Historical Adventures, concluding that they illustrate the breadth of Howard's interests and his still-potent appeal.  Marina Berlin reviews the art-house SF film Another Earth, and though she finds much to praise she is also disappointed

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9. Fact, Fiction, Life

My latest Strange Horizons column is about John D'Agata and Jim Fingal's book The Lifespan of a Fact, which has been provoking a lot of discussion.

My favorite of the responses to the book is Ander Monson's "The Skeptical Gaze", because not only has Monson read Lifespan with some care (which cannot be said for many of the people punditing about it), but he's also done some wonderful work himself to explore the possibilities and boundaries of fact and fiction (I wrote about his excellent book Vanishing Point a couple years ago for Strange Horizons). (Pardon another parenthetical, but I also want to add that comparisons between Mike Daisy and John D'Agata are superficial and fundamentally wrongheaded, as Josh Voorhees pointed out at Slate. Daisy hid his lying and worked hard to do so, D'Agata has put his fictionalizing front and center and let the world respond. I wrote the column before the Daisy scandal broke, however.)

Anyway, my own take on The Lifespan of a Fact was written about a month ago, but for scheduling reasons couldn't be published till now, so it feels a little bit superfluous to the conversation. I'm glad it's out there nonetheless, because I don't think mine is quite the same perspective as many of the others.

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10. Strange Horizons Reviews, August 15-19

Sofia Samatar makes her Strange Horizons debut this week with a fascinating review of Georges-Olivier Châteaureynaud's collection A Life on Paper, a volume that seeks to introduce this much-lauded French author to the English-reading public.  Niall Harrison looks at another literary zombie novel, Warm Bodies by Isaac Marion, which he argues is unique for combining the horror of post-apocalyptic

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11. Strange Horizons Reviews, August 22-26

Chris Kammerud kicks off this week's reviews with a look at Kristin Livdahl's A Brood of Foxes, the story of a young woman stolen by fairies, whose charms Chris admires while wondering whether its conception of fairy tales is too moralistic for his taste.  Phoebe North has the opposite reaction when she reviews A Monster Calls, Patrick Ness's follow-up to the Chaos Walking trilogy, from an idea

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12. Elsewhere

I've got a couple of pieces of writing floating around out in the internets this week—

A new Sandman Meditations piece has been posted at Gestalt Mash. This week, the penultimate chapter of Brief Lives. If my counting is correct, this is the 50th Sandman Meditation. (The 50th issue of Sandman was "Ramadan", but because I'm reading the stories in the order of the trade collections rather than the original publication, I wrote about that issue back in June when I read it in Fables and Reflections.)

Over at Strange Horizons, it's Pat Cadigan week, and I've contributed an essay about some of the 1980s short stories that helped make Cadigan famous. It's a somewhat odd essay. I expect the nice young men in their clean white coats to show up at my door any moment...

Also, it's Strange Horizons Fund Drive time! The site exists through contributions. The staff are not paid, but the writers are (the reverse of many publisher's policies). Except for a brief hiatus during the end-of-the-year holidays, SH brings you new fiction, nonfiction, and poetry every week at no cost to the, uh, consumer. Donating is easy. Try it, kids, it's fun!

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13. World on a Wire

My latest column is up at Strange Horizons, and this time it's about Rainer Werner Fassbinder's epic science fiction film World on a Wire (Welt am Draht).

If you want to see World on a Wire (and you should!), it's available on home video in the U.K. and Europe, and in the U.S. can be seen via Hulu if you subscribe to Hulu Plus (you can get a free trial subscription for a week, or if you have .edu email address, for a month). Rumor has it that Criterion will be releasing the film on DVD and Blu-ray in the U.S. at the end of this year or the beginning of next. It's also still touring various U.S. cities -- at the end of this week, it will be at the Harvard Film Archive in Cambridge, MA.

I'm a Fassbinder nut, so will passionately defend even his films that only lunatics defend, but you don't have to be as obsessed with Fassbinder as I to see get pleasure from World on a Wire. (Although if "efficient" plotting, suspenseful storytelling, and "round" characterizations are your primary requirements for pleasure, you should probably stay away.) While World on a Wire isn't of the power and depth of, say, Berlin Alexanderplatz or a handful of Fassbinder's other absolute masterpieces, it's still a powerful, unsettling, beautiful movie, and the restoration that the Fassbinder Foundation did is remarkable -- to take an old 16mm master made for TV and turn it into something that can be admired on a giant cinema screen is no easy feat.

I could go on and on. I won't. Instead, if you want a taste of the film, check out the trailer, which I'll embed after the jump here:

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14. Strange Horizons Reviews, September 5-9

Niall Harrison and Nic Clarke kick off this week's reviews with two views on the recently-concluded first season of Game of Thrones, Niall from the perspective of someone who hasn't read the books, and Nic as a fan of the series.  Both end up with a mixture of praise and reservations.  This is followed by two reviewer debuts: Nandini Ramachandran looks at M.D. Lachlan's Fenrir, the sequel to

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15. Strange Horizons Reviews, September 12-16

Hannah Strom-Martin reviews Welcome to Bordertown: New Stories and Poems of the Borderlands, the latest installment in the shared-world anthology series, this time edited by Holly Black and Ellen Kushner.  She's pleased by what she finds, but wonders if the anthology's tone is less edgy and confrontational than the Bordertown setting pretends to be.  Michael Levy is impressed with Lavie Tidhar's

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16. Strange Horizons Reviews, September 19-23

As well as my own review of Torchwood: Miracle Day, this week sees the publication of Duncan Lawie's review of Dancing With Bears: The Postutopian Adventures of Darger and Surplus by Michael Swanwick.  Duncan's project is to discover whether the novel, in which Swanwick expands on his short stories featuring the titular pair of con-men and rogues, has more to it than the sense of whimsy that

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17. Strange Horizons Reviews, September 26-30

The reviews department rounds out the month with three reviews of odd, slipstream-y books.  First out the gate is Niall Alexander who reviews Christopher Priest's The Islanders, his first novel in nearly a decade and, an almost indescribable work that is, at its most basic level, a travel guide to an archipelago that doesn't exist.  Sofia Samatar follows up with a review of Yellowcake, Margo

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18. Strange Horizons Fund Drive

It's the final week of the Strange Horizons Fund Drive, and there are lots of fun prizes that have been donated by the various folks who support SH. But you shouldn't donate just to get a prize. You should donate because that's what keeps SH going, and has kept it going for 10 years now, long enough to make it venerable. Their staff is all volunteer, but they pay their writers good rates (think of it as the opposite of the Huffington Post that way).

Here's some useful info:

Where does my money go?

Strange Horizons is staffed entirely by volunteers, so everything you donate goes towards the running of the magazine. At the moment, our costs break down something like this:
  • Your $5 donation will cover our administrative overhead costs for one week
  • Your $20 donation pays for one poem or one review
  • Your $50 donation pays for one article
  • Your $100 donation allows us to sponsor a convention event
  • Your $250 donation is the average amount we pay for a new story
  • Your $400 donation pays for an entire week's worth of material at Strange Horizons

And now, so I can follow the progress you help SH make, here's their progress rocket:

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19. Strange Horizons Reviews, October 3-7

Victoria Hoyle kicks off this week's reviews with a review of recent World Fantasy Award winner Redemption in Indigo by Karen Lord.  Though charmed by novel, Victoria is also a little hesitant about it, wondering if it isn't a little too charming, and its resolution a little too neat.  Paul Kincaid follows with a similarly ambivalent review of Chris Adrian's The Great Night, a retelling of A

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20. Strange Horizons Reviews, October 17-21

In the first of this week's reviews, Indrapramit Das dives into Neal Stephenson's latest doorstop, Reamde, and finds novel with definite airport thriller qualities that nevertheless is not only entertaining, but suggests that the present setting of these sorts of novels has become SFnal.  Katherine Farmar reviews the putative next big thing in the YA fantasy circle, Rae Carson's Fire and Thorns (

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21. Strange Horizons Reviews, October 24-28

The first of this week's reviews is Richard Larson's take on Jesse Bullington's The Enterprise of Death.  Richard is impressed with Enterprise, both as a fantasy and as a piece of historical fiction.  Liz Bourke is similarly impressed with Erin Hoffman's debut fantasy Sword of Fire and Sea, though she notes some problems with the book's characters and plot.  Sofia Samatar is intrigued by Nina

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22. Old, Weird: Bonus Tracks

My latest column has been posted at Strange Horizons: "Old, Weird". I probably should have included links to some songs and materials discussed in it, so here are a few to get you started...

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23. Strange Horizons Reviews, July 18-22

We have two new reviewers this week.  First, Lila Garrott looks at Betrayer, the latest installment in C.J. Cherryh's long-running series, and concludes that though it might lay the seeds for interesting stories later on, as a work in its own right it is a disappointment.  In today's review, Guria King is more pleased by Kate Griffin's The Neon Court, the third Matthew Swift novel, which, though

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24. Strange Horizons Reviews, July 25-29

Rounding out July's reviews are: Erin Horáková, who finds Catherynne M. Valente's Deathless delightful on the micro level, but somewhat shapeless in the macro; Nathaniel Katz and Marie Velazquez, who take two looks at the first volume in Daniel Abraham's new epic fantasy series, The Dragon's Path, Nathaniel wondering when the payoff to the book's buildup will come, and Maria whether Abraham plans

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25. Strange Horizons Reviews, August 8-12

This week on Strange Horizons: Matthew Cheney takes a look at Tor's reprint of Melissa Scott's cyberpunk novel Trouble and Her Friends and is underwhelemed, particularly by the way the novel's future has been overtaken.  Marina Berlin has mixed feelings about Paul Kearney's Corvus, which impresses her with its alternate history Roman military setting and battle scenes but disappoints in its

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