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Viewing: Blog Posts Tagged with: Stacey, Most Recent at Top [Help]
Results 1 - 25 of 48
1. Best cookbooks of the year

by Stacey

I wanted to share this piece in today's New York Times about the year's best cookbooks where I was so glad to see two of my books (Flour by Joanne Chang and Christie Matheson and Gluten-Free Girl and the Chef by Shauna James Ahern and Daniel Ahern) included, as well as one of Jane's (Chewy Gooey Crispy Crunchy by Alice Medrich). It's a really eclectic and diverse list, and I think Julia Moskin does a good job explaining why each of these books works and what they have to offer for different types of cooks or food enthusiasts. For me, it's a peek into the cookbook marketplace, and how for all the talk of it being a dying breed, there is so much unique, innovative and interesting content being published each year. There was a time here when I thought I'd stop working on cookbooks because the market was shrinking, there were fewer publishers (and editors) producing cookbooks, and it seemed the only ones that were working well were the books written by Food Network stars. But I keep on selling them, and I think we've seen something of a resurgence the last couple of years, with a shift away from the glitz and back to the basics. This article highlights that trend. And there's not one Food Network star to be found!

There's another area to me that's worth noting. A lot of food bloggers have been getting books deals recently, some on a very large sale, and a few represented by us, including Gluten-Free Girl and the Chef from this list. The Internet in general has become a place to share stories, recipes, and ideas and people are definitely responding to the good ones, especially those who are also savvy marketers. But one of the things that's interesting to me about Julia Moskin's list in this article is that there are very few bloggers on it. Many of the books she highlights are written by familiar names in the food world who have previously published books. Authors like Alice Waters, Alice Medrich, and Madhur Jaffrey are all considered authorities in their field, and new books from them are always paid attention to, for good reason. Next year will bring a lot of blogger books to the market, so I'll be curious to see how many of them make next year's list.

It's also interesting, and I think a testament to the changing industry, that she discusses a self-published book: Matt Moore's Have Her Over for Dinner. That's not something that happens very often in this type of treatment, so good for the author for writing a book that got the attention of a critic's eye at the Times.

Personally, I'm glad to see so many new cookbooks being well-published and well-received in the marketplace. I will continue to work on them, and have fun reading and eating my way through them! Do you have any cookbook favorites from this year not included on this list? I'd love to hear about them.

4 Comments on Best cookbooks of the year, last added: 12/9/2010
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2. YA character advice

by Stacey

I am a big fan of the PNWA (Pacific Northwest Writer's Association) and their annual conference, which I attended a few years back. Their website, newsletter, and blog are full of really informative advice for unpublished writers, as well as often inspirational stories of authors getting published. This recent piece from their website by book doctor Jason Black talks about a very important distinction in paranormal YA fiction between a character's success in the story coming from ordinary human qualities versus some type of paranormal ability. Black claims Harry Potter worked so well on an emotional level that resonated so deeply with readers because many of his most important moments came from noble human qualities, like self-sacrifice, rather than his other wordly abilities. He poses the question if you are writing a YA novel, does your protagonist need to possess these paranormal qualities, or could he/she succeed without them? Black argues that having a character's success come from a supernatural ability can send a discouraging message to readers because it makes it less inspiring for ordinary kids. An example he uses is James Patterson's Maximum Ride series, where the characters would fail without their powers. This series has not had the kind of impact or success that Harry Potter has. He concludes, and I agree, that without his powers, Harry Potter would still be a hero. This is an important distinction to consider when drafting your character sketches and plot points.

It's worth thinking about what he has to say, even if you choose not to follow his advice. Seeing your work from a different or new perspective is always a good way of gauging its success. For those of you writing paranormal YA or thinking about it, take a read and let us know what you think.

4 Comments on YA character advice, last added: 12/1/2010
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3. Even the zombies are on Twitter!

by Stacey

I know we're all getting ready to eat lots of turkey, and that means we are also ready for a few days off. While this link to a clever marketing campaign created by Quirk Books has nothing to do with the holidays, I thought it was a good example of what publishers (and authors) are trying to do to come up with new ways to market their books. To me, it's a bit of a stretch to have fictional characters talking about whatever, but these books are already popular, so Quirk is likely thinking this will be a way to keep them selling through the holidays. According to Bookscan, Pride and Prejudice and Zombies has sold well over half a million copies already, so the audience is definitely out there to be marketed to. Enjoy, and have a great Thanksgiving. We'll try to come up with some helpful and thoughtful content for you to sink your teeth into after the break (and before the next one)!!

4 Comments on Even the zombies are on Twitter!, last added: 11/28/2010
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4. Social networking means business

by Stacey

Everyone talks about how important social networking is for marketing and promoting your book, both before you're published (especially for nonfiction, where without a sizable platform you're dead in the water before you even begin) and after. That it's important is not new news, but I found this piece in Publisher's Weekly about a recent webcast about digital marketing interesting because it goes into detail on just how social networking influences consumer buying habits. This offers a small way to quantify its impact on selling books. And the numbers are pretty powerful -- "consumers are 67% more likely to buy from the brands they follow on Twitter, 51% more likely to buy from a brand they fan on Facebook, and 79% more likely to recommend brands and products they follow on social media." I also like the suggestion "Don't spray and pray. Listen, reply and engage."

To me this piece serves as yet another reminder that whatever your goals as a writer might be, it's important to find those important connections to others both inside and outside the community. It all starts with talent, and sending out a message or a piece of writing that your audience can connect with in a meaningful way. The broader your reach, the easier time you will have finding agents and publishers to pay attention to you and the work you're doing. The numbers prove it!

5 Comments on Social networking means business, last added: 11/5/2010
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5. Freckleface Strawberry Live!

by Stacey

Following up on my piece last week about book to theater adaptations, I was happy to learn that this type of thing is also taking place on the kid's side. The actress Julianne Moore's first children's book, Freckleface Strawberry, has now been adapted as a stage play, with music! You can learn more about it at the website or read the review in today's Huffington Post or New York Times. One thing I really love about this show is that they offer a Study Guide on the show's website which talks not only about the book and its positive messages for children of all ages, but offers ways in which all of us can help kids develop their own self-esteem, and teach kids to appreciate each individual's uniqueness. As the study guide says, "After all, differences are what make us individual and special."

To me, this book to show adaptation illustrates another great way in a tight market to broaden a book's audience, keep it relevant, and generate additional publicity for the book years after its release in bookstores. I'll be ordering the book myself, and will definitely try to take my kids to see the show. If any of you have the book or have seen the show, let us know what you think and if it's really as cute as it looks!

4 Comments on Freckleface Strawberry Live!, last added: 10/21/2010
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6. Gatsby personified

by Stacey

Before I had kids, I had time and money to go to the theater. I went a lot and really enjoyed it. I also read (and still read) a lot, both for work and in my personal time. I was pretty fascinated by two recent pieces in the New York Times about the new show, Gatz by Elevator Repair Service at The Public Theater, one by Charles McGrath and the other by Ben Brantley. Although McGrath has some criticism about the play's approach, both pieces describe the show as such an interesting and experimental way to adapt a book, and I love the way Ben Brantley explains the connections between reading and watching a show. It sounds like this clever and contemporary retelling of a classic book brings on stage brings it to life in such a unique and exhilarating way. I like how Brantley explains it: "Books and theater are different arts, and they frame reality in different ways. This is the first time I have ever felt those frames become one."

Our business is changing all the time, and with books seeing so many transformations in the digital arena, this feels more in my comfort zone, like a big bowl of mac and cheese. An interpretation of a classic and well-known book that's played out live and in person, on a stage with actors and a simple set, using familiar words in an unfamiliar way. If any of you lucky readers have a chance to see the show, let us know what you think since I don't think I'm getting there this time around.

3 Comments on Gatsby personified, last added: 10/14/2010
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7. Cookbook heaven

by Stacey

I love cookbooks. Mostly because I love food. Having worked on many amazing cookbooks over the years, I enjoyed seeing this eclectic list that Epicurious.com compiled for their 15th anniversary of their favorite cookbooks since 1995. It's nice to see our own Alice Medrich's Chocolate and the Art of Low-Fat Desserts, which Jane represents, as their #1 pick! There are some classics, and some familiar faces (no Rachael Ray?!), and of course it's such a small sampling of the many wonderful books available. Enjoy looking at these, and I hope they inspire you to cook something fun and different, or at least to read some of the books listed, even if you don't actually have time to cook -- one of my favorite pastimes, especially with four little ones at home!

1 Comments on Cookbook heaven, last added: 10/8/2010
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8. The parenting shelf

by Stacey

I get a newsletter from The Skinny Scoop about all kinds of parenting topics, and this post made me think about parenting books and how many we buy and either don't read, or read a chapter of and file it away. In our new house which is sorely lacking bookshelf space (see Lauren's photo of my book closet), I took a precious shelf and dedicated it to parenting books I've bought or received over the years. It runs the gamut from fertility books to pregnancy books to baby naming books to taking care of baby books, and finally (lucky us!) to books about having and raising twins. Many didn't make a lasting impression, and some turned me off completely with their alarmist and ultra conservative advice, but there are definitely a few I've passed on (mostly about sleep training) like The Baby Sleep Solution, which helped us get our twins sleeping through the night in a flexible way, and Twinspiration, a smart, realistic guide for parents of twins which should get a prize for most clever title.

What are your favorite parenting books, and which ones did you hate?

3 Comments on The parenting shelf, last added: 9/24/2010
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9. Small-scale publishing

by Stacey

This piece about the successful online magazine Rumpus becoming a publisher is pretty interesting. Because they have a built-in readership, and members through their book club, it seems to make sense to go this route for them. But my question is with such limited resources (a staff of two), wouldn't it be more efficient to go with a traditional publisher for better marketing, sales, and distribution channels? I'm not sure if they tried this and for some reason it didn't work out, or maybe they want to fully be in control of the product they are releasing, but this seems like the kind of thing that if it works for them to publish successfully on their own, traditional publishers will be knocking on their door to try to get in on their built-in audience and make the stakes even higher and the numbers even bigger.

I think as an idea, this small-scale publishing has merit, but in actuality will be difficult to manage successfully, and to build on and grow at a sustainable level. And I know that at least one of the Rumpus writers is working on her own book project, and my guess is that she, and others affiliated with the mag, will be going the more traditional publishing route. I'll be curious to see how it all plays out.

1 Comments on Small-scale publishing, last added: 9/8/2010
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10. Blogs to books to film

by Stacey

One of my clients is mentioned in this recent LA Times article that I thought was worth sharing. It's interesting to see how the Internet continues to find new talent and how some of that talent translates to books, and other types of media, like film and television. The article notes that most bloggers become book authors before Hollywood takes interest. There are always going to be hits and misses: even bloggers with a big following don't always translate on the book side to big sales. Heather Armstrong of Dooce has lots of traffic, but her first book didn't make as big a splash as I'm guessing her publisher hoped. And Ree Drummond, aka The Pioneer Woman, had a huge hit with her first book, which her publisher didn't pay a huge advance for.

Enjoy the piece, and if there are any blogs you're reading that you love and haven't yet found a home as a book or film or tv show, let us know!

7 Comments on Blogs to books to film, last added: 8/19/2010
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11. Writing and food inspiration

by Stacey

As someone who represents a good number of cookbooks and loves food, I found this piece by Melissa Clark about food and writing to be sweet and enjoyable. She is passionate about food, and it shows in her prolific writing and recipes. Although I don't know her personally, we have friends in common and I hear she's a nice person. I hope someday I'll have the opportunity to visit her home and have her cook for me. It sounds like a warm, inviting place to be.

1 Comments on Writing and food inspiration, last added: 8/11/2010
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12. Writing and drinking: Same rules apply

by Stacey

I found this piece from Sunday's NYT book review enlightening and entertaining. The combination of booze and the written word goes way back and for good reason. Both offer pleasure, escapism, and the ability to keep one up late into the night. I'm especially fond of Keith Waterhouse's advice that you should never drink while you're writing, but it's ok to write while you're drinking. The similarities Nicholson hits on between drinking and writing are clever, and funny.

For anyone who likes to drink, read, write, or any combination of the three, you'll enjoy this essay. Feel free to share your own stories of boozing and writing, or your favorites from history.

4 Comments on Writing and drinking: Same rules apply, last added: 8/6/2010
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13. Best of the year list, in June!

by Stacey

We're always eyeing lists around town around the holidays to see various picks for the best books of the year. Now Amazon has come up with a way to trump the competition by coming up with a best-of list just halfway through the year. It's kind of nice for readers to have a credible resource to go to without having to wait until the holidays. It's an eclectic list that covers a lot of ground. There's definitely something here for a varied set of interests. The nonfiction book I've been wanting to read for a few months now is the Rebecca Skloot, which has been a big critical and commercial success. Do any of our readers have other ideas for great books from 2010 that aren't on this list? We'd love to hear about them.

0 Comments on Best of the year list, in June! as of 1/1/1900
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14. Rise of the Lightning Thief

by Stacey

Rick Riordan is likely a household name to anyone with young readers at home. His Percy Jackson series of middle grade fantasy novels have sold millions of copies around the world. This article goes into some detail about his publishing history. What's interesting to me about this piece is that they talk about how just a few years ago he was clearly a mid-list author, with a series of adult detective novels that had sales that were modest at best. He moved into children's publishing after some inventive storytelling shared with his son, who recommended Riordan turn the tale into a book. Then The Lightning Thief hit in 2005 and became an incredibly successful franchise. It's a wonderfully inspiring and uplifting story to me because not only is this guy super talented, but he had a sales track to overcome before taking his career to this next level. Granted, it's easier to move from adult to children's to make this happen, but it's still an incredibly positive success story (you know how much I love to share those). I think this article is stretching the boundaries of comparison by suggesting that the books are a publishing phenomenon, but not a cultural one. By any measure, these books are a whopping success, and even though the movie didn't do as well as one might hope, there are more books to come and many more opportunities for new fans to come to the table. Speaking as a publishing professional, that seems like a pretty good place to be for the author, his publisher, and his agent too.

3 Comments on Rise of the Lightning Thief, last added: 7/7/2010
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15. Paranormal lives on

by Stacey
I'm going to finally meet a client of mine whose YA paranormal trilogy I recently sold to Harper. This recent piece about the ongoing and continued appeal of paranormal is worth reading  if you have an interest in this category, and even if you don't. Many prominent editors and publishers are quoted and share their insight on why so many of these books are thriving, how broad the parameters are for what will work, and it goes on to discuss how these authors and their editors are making an impact online by connecting with their fans. I am confident and hopeful that the interest in paranormal will continue so that more readers will enjoy these escapist, entertaining, and often well executed stories, many of which come from our own DGLM! If you have favorites that you think we'd enjoy, please share and we will check them out.

4 Comments on Paranormal lives on, last added: 6/16/2010
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16. Publishing myths uncovered

by Stacey

I came across this recent piece by former editor Erin Brown about the top 10 publishing myths that I wanted to share. She talks about a number of very interesting topics that are worth thinking about at any number of points in your publishing career. There's advice that's applicable to published authors about the market and what kind of support they are likely to get (or not get) from their publisher. And there is a lot of good advice for unpublished authors about the process, and especially from a personal perspective, about agents (yes, you need an agent and bigger is not necessarily better! See cute illustration).

I feel like most of them are just discussion starters, like #4, Publishers take care of all your marketing and publicity. I tell all of my clients that the reality is that if we are able to find a publisher for their work, that publisher will do very little to market and promote their book. It has less to do with lack of interest or enthusiasm, but rather that they have limited resources, including staffs that have been cut but are still responsible for the same number of books to market and promote. Plus more and more the books that work (certainly on the nonfiction side) have author platforms that enable books to practically sell themselves.

I also tell clients that if they are able to hire an outside, freelance publicist from their advance or other savings (this can be expensive, but can also be well worth the investment) that they should consider it seriously and discuss it with their editor and agent to see if it makes sense for that particular book. If you do hire a publicist to help launch a book, they work for you and have your interests in mind, and can work with the publisher's publicity department to coordinate efforts and avoid duplication (important!). I can't tell you how many authors I've had who have had bad experiences with their well-meaning but overworked in-house publicists.

Take a look and let us know if you agree or disagree with her ideas, and either way, I think they bring up some interesting food for thought.

5 Comments on Publishing myths uncovered, last added: 6/10/2010
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17. Summer reading for kids

by Stacey
Now that unofficial summer has begun, I find myself thinking about all the things I want to do that I don't have time for this summer, including lots of summer reading for the whole family. Because my oldest daughter is starting kindergarten in September, I thought it would be fun to check out this summary from about.com for a varied assortment of summer reading lists for kids.  It's a very eclectic collection of lists, and titles, and I'm hoping to be able to track down at least a few new books for us all to enjoy this summer, before it's too late and we're talking about back to school!

5 Comments on Summer reading for kids, last added: 6/3/2010
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18. Creative marketing

by Stacey

I found this little piece in the Metropolitan section of the Sunday NY Times and thought it was worth sharing. I've noted before when I've found authors employing unique marketing tactics because I think it's really interesting to see what people come up with in such a competitive marketplace. This one definitely falls into that category. The author Jennifer Belle hired several dozen actresses to read from her new book, THE SEVEN YEAR BITCH, at various points around the city. 600 actresses responded to the casting call! Now we'll have to see if the clever idea translates to book sales. Since she's a previous bestseller, there's a good chance she'll hit the list again, and while it's pretty difficult to determine cause and effect between publicity and sales (minus an Oprah appearance), the fact that the Times picked it up suggests it's having its desired effect. I'd love to hear about any other unusual, high concept, creative author marketing ideas you've come across in your travels. I will personally be attending the Junie B. Jones Stupid Smelly Bus event complete with an actual bus at a very cool local bookstore, Books & Greetings, this weekend with my older girls. We're looking forward to seeing some creative marketing in action!

4 Comments on Creative marketing, last added: 5/26/2010
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19. Diamond in the rough

by Stacey

I know we've all talked a lot about self-publishing and what it means for the more traditional, old fashioned book business, and I'm not really interested in getting into the pros and cons of self-publishing, but I thought it was worth exploring this topic a little bit further and see if there are ways to address how the two worlds can come together.

What prompted by interest in the subject was a few things that came up around the same time. First, I read this piece about the rise of self-publishing and how the digital age is somehow making self-publishing more respectable. I'm not sure if I agree entirely , but she makes some interesting points about how far self-publishing has come. Then, I saw this in Publisher's Weekly about an entire trade show for self publishers and authors who have either published this way, or plan to, or for anyone curious about what it's all about. Finally, and perhaps the most interesting piece of all, I had lunch with a prominent editor recently at a major commercial house who told me that they had recently done a deal with an author who had previously self-published her book. We talked a little bit about it, and when I asked her if the book had done very well in its self-published life for them to consider reissuing it, she told me that it hadn't sold particularly well, and the numbers weren't all that great. So I asked her why in this ridiculously difficult market did they agree to publish it? Because it's really good, she told me. Oh, how simple. And how refreshing!

I continue to believe that there are untapped talented authors lurking out there publishing books on their own, in some cases quite successfully. I've signed up several self-published books over the years, and it's been a bit of a mixed bag. One author was self-publishing her novels successfully long before it became fashionable, or as easy as it is today. When she chose to reach out to traditional publishers, we got her a very nice six-figure deal for two books with a commercial publisher, and after a few years of feeling increasingly frustrated by the lack of control over the publishing process, she decided to go back to self-publishing. Another was a cookbook that I resold successfully to a division of Random House, and the book has sold fairly well and looks like it will backlist nicely. A third was a nonfiction self-help book that had some great elements and an author who promised to support the book financially, but I wasn't able to make it work. I am fascinated and intrigued when I hear stories of self-published books selling to traditional publishers, in some cases for a lot of money or with a big promotional plan in place. And I've thought over the years about trying to find self-published books that have done well in an effort to find new clients and new projects. If an author has gone through the time and work required to publish on their own, they have already shown a commitment to their work, and if the stars are aligned in just the right way, maybe we can help them in their efforts by matching them with a traditional publisher who can offer much greater sales, marketing and distribution support. In the perfect storm effect, this can be a major win-win for all parties. Look at The Shack as an example.

There are so many books self-published every year (the stat of 764,448 titles last year is staggering) that there still needs to be some sort of filter to find the quality over quantity. Other than the books I've worked on, I haven't read many self-published titles, and I'd love to learn more about what’s out there. Do any of y

10 Comments on Diamond in the rough, last added: 5/19/2010
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20. What do men want? A poll--and a prize!

by Stacey

Following up on my blog post from last week and based on some of the comments we received, I thought it would be an interesting exercise to ask our blog readers, men in particular, or the women who love them, what it is they'd like to see more of, and/or less of in the marketplace. Reader David Jarrett brings up a good point that a lot of what's published today is derivative of other, successful books or authors, and often not even written by those original authors. But because they've become a household name, it's easier to sell the "branded" version of an author's work than an original work by an unknown writer. I read one of these for our work book club once, and I found it almost unreadable, lacking any depth or originality, a complete by the numbers exercise. It's a frustrating thing that we are all forced to deal with, but it's a reality of the current business model.

So I'd like to know what our male readers really want to read (which categories specifically on the fiction and nonfiction side), what they see lacking in the market, what they see too much of in the market, and what they would feel excited to spend their money on. I'd also like to see positive and negative examples of books they either loved or hated, and why.

Then if I (or any other agents here) sign a new project up that falls into these categories, I will gladly reference this blog post and let editors know there are lots of men out there who are excited to buy and read interesting, original, thought-provoking books in any number of categories, and we need to work harder to find them! As an incentive, I will choose one person who responds at random and send along a copy of a recent DGLM title. Thanks for taking part in our discussion, and in our ongoing effort to make the book biz a better place.

27 Comments on What do men want? A poll--and a prize!, last added: 5/14/2010
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21. Men don't buy books?

by Stacey

I found this recent blog post by thriller writer and former book editor Jason Pinter thought provoking. He brings up a lot of points we hear often in the book biz about men not reading books, and not being the target market publishers are looking to reach. And it is in many ways out of date and completely short sighted, not to mention the fact that it's just not true. Look at the bestseller lists for fiction and nonfiction, and there will always be a fine collection of books squarely aimed at male (and female) readers. Books about politics or history or science or technology on the nonfiction side, or what about big runaway bestsellers like Freakonomics? I don't think the target audience there was women. On the fiction side there are the big thriller writers like Michael Connelly and David Baldacci, currently number 1 on the New York Times list, and what about Stephen King? These are just a few examples of big time authors whose audience is made up of a large percentage of men. The story Pinter uses to illustrate his pitch for the Chris Jericho book is pretty funny, but also a little ridiculous. It's the kind of thing that can drive forward-thinking agents and editors a little crazy when there's a good idea or project outside the box--it takes a serious load of convincing and ultimately a leap of faith to get it through. And then when one of these "risky" projects does work, a whole slew follow until the market is saturated and you're back at square one. I don't think there's an obvious answer here, but it does beg a further discussion and perhaps a shift in our collective perception about readers and how we find them.

I understand publishers have limited resources, but the goal, especially in this day and age when there are so many opportunities to draw in new readers, needs to be to stop using old excuses and start implementing new tactics to find the audience, whichever gender they might be.

10 Comments on Men don't buy books?, last added: 5/6/2010
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22. Notes to your younger self

by Stacey

I loved this clever marketing idea from YA author Sarah Mlynowski, whose new novel is about to come out. In anticipation, she asked fellow YA authors what they would tell their high school selves if given the chance. Not surprisingly, she's had a great response and people are loving the conversation. My personal favorite is from DGLM client, Sara Zarr: "@sarazarr: You are NOT FAT. You will be, but you're not now, so enjoy it."

If you were able to communicate with your high school self, what would you say? I wouldn't even know where to begin, but I better start thinking about it with four little girls of my own who will be teenagers before long!

21 Comments on Notes to your younger self, last added: 4/30/2010
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23. Author websites

by Stacey

An author recently asked me to take a look at her revamped, updated, and exciting new website. It got me thinking about what a good website entails, which author sites are worth seeking out, and what readers are looking for when they visit an author website. My research took me to this old but interesting piece written by the head of Thomas Nelson which offers some ideas about tools to rank your website's success, and some, as he calls them, surprising conclusions about traffic to author websites.

All of this author website talk now turns to you, our blog readers, to find out what you want to see when you visit an author's website? Is it personal information about the author, videos of interviews, excerpts from their book(s), contests? I'd love some feedback from you on what's of personal interest to get some perspective and perhaps allow us to better inform our authors of things they can do to make their websites more appealing to readers and fans. It would also be helpful to know some of your favorite websites, ones you keep going back to over and over. Thanks!!

14 Comments on Author websites, last added: 4/26/2010
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24. A puzzle with a message

by Stacey

Following up on my post last week about not taking anything for granted in this business, I had a meeting with an editor this week from Atria Books, and she shared a story I loved and wanted to pass on. She told me about a book on her list, a first novel, that has been doing very well since its release last month, and has become a bit of a sleeper hit over there. She also told me that part of the reason for the book's success is because a major bestselling author (who happens to be edited by this editor) read the book and endorsed it. Most of the time, that's where it ends, a great blurb and everyone is ecstatic! In this case, the bestselling author loved the book so much that she offered to host a contest of sorts where anyone who produced a receipt confirming purchase of the first novel indicating a particular date of sale would receive a signed copy free of charge of one of her books. I'm told that not only did she keep her promise, but she wound up sending out hundreds of signed copies on her own time and at her own expense. This goes above and beyond the call of duty, but it illustrates to me a wonderful camaraderie that exists in books. Authors willing to help other authors, and really remembering to give back when they've already made it. It's such a simple lesson, really, but one that bears repeating and often. This story has stuck with me and made me feel great about publishing and the decent, kind, generous people who inhabit our world. Can any of you figure out what first novel and which bestselling author I'm talking about? The clues should lead you there if you are so inclined. I will send the first person who solves the puzzle a copy of one of my books. Hint: I (unfortunately) do not represent either author. Good luck!

13 Comments on A puzzle with a message, last added: 4/15/2010
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25. Humble reminders

by Stacey

This article from last week's PW serves as a good reminder to published and aspiring authors alike to remember to take nothing and no one for granted in this very fickle and cyclical, not to mention small, business. Sometimes we all get complacent, caught up in our busy, fast paced lives, but this kind of article for me is a reminder to take a step back, breathe, and forge on, doing the little things that can make a difference in your career, or in your life. I always try to remind my authors that there is a benefit to daily upkeep of your role as author, and there are cumulative and ongoing effects of networking, staying involved, going to conferences, meeting other authors, and most importantly, connecting with your fans. I recently sold a book by an adult author who was writing for the children's market for the first time. Last summer, he had met a big, bestselling children's author at a writer's conference (and an adult writer's conference at that) and decided to ask that author to read his book before we sent it to publishers. We wound up with a great quote, and all because of a networking event at a writer's conference. Small things do matter, and each book sale does make a difference. If you believe that, and you stay focused each and every day, you will get to where you want to be, and stay there.

1 Comments on Humble reminders, last added: 4/8/2010
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