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What better day for book trailers than a Saturday?
Gaby Triana’s Summer of Yesterday was released in June.
Back to the Future meets Fast Times at Ridgemont High when Haley’s summer vacation takes a turn for the retro in this totally rad romantic fantasy.
Summer officially sucks. Thanks to a stupid seizure she had a few months earlier, Haley’s stuck going on vacation with her dad and his new family to Disney’s Fort Wilderness instead of enjoying the last session of summer camp back home with her friends. Fort Wilderness holds lots of childhood memories for her father, but surely nothing for Haley. But then a new seizure triggers something she’s never before experienced—time travel—and she ends up in River Country, the campground’s long-abandoned water park, during its heyday.
The year? 1982.
And there—with its amusing fashion, “oldies” music, and primitive technology—she runs into familiar faces: teenage Dad and Mom before they’d even met. Somehow, Haley must find her way back to the twenty-first century before her present-day parents anguish over her disappearance, a difficult feat now that she’s met Jason, one of the park’s summer residents and employees, who takes the strangely dressed stowaway under his wing.
Seizures aside, Haley’s used to controlling her life, and she has no idea how to deal with this dilemma. How can she be falling for a boy whose future she can’t share? (Amazon)
published June 2014 by Henry Holt and Company, an imprint of Macmillan.
Friends, I’m so excited to have Arree Chung in this corner of the internet today. I met Arree last summer at SCBWI in Los Angeles, and am humbled every time I think about how we share an agent and a friendship. He’s an expert storyteller with a bright, animated style and a fresh perspective. Ninja! is his debut picture book, and it will be far from his last.
First, you should watch this short film. And here’s my confession. Arree sent this to me a number of weeks ago with the caveat that it was unreleased and not to share. Except: it was too awesome not to. So I showed it to my students, because single-digit-aged kids are pretty good at secrets and don’t have Twitter accounts anyway.
They loved it. And I mean L O V E D I T. Each class, without fail, asked to watch it many, many times in a row. So we did.
Meet Maxwell, and then meet Arree.
What has been the most surprising thing about this whole debut picture book thing?
The most surprising thing about the publishing process is how long it takes to actually bring a book to market (1.5 – 2 years). My background is in games, where companies can publish with the click of a button and make updates via the internet. The process gives me appreciation for the care that goes into the publishing process. It also helps to have a great team of people to work with. Everyone from your agent, publisher, editor and art director in making the book and then there’s publicity, marketing and sales folks that help in getting the book out.An early cover design.revision notes.
I’m fortunate to have a supportive publisher in Macmillan. They have a great team of experts. Each one helps you with a specific aspect of the publishing process. I’ve learned so much. I’m so grateful I’ve been in good hands. I’ve worked hard to hold up my end of the deal and make something special. With Ninja it was easy, because I loved it so much.
Who are your creative and/or literary heroes?
Oh, so many!
Guillermo Del Toro
Nick Park (Wallace & Gromit)
Can you talk about the similarities and differences in animation and the picture book form?
I love both mediums for different reasons. Both mediums can transport the reader into new worlds. I love it when a book or movie captures my imagination and I am completely immersed in a world that has been built. The world is invented but it feels familiar and the story resonates with honesty. I hate it when a story is force feeding me a message and it feels like an infomercial or when a story rambles without a focus. Storytelling is magical when it has both the imagination and heart and speaks to you directly and honestly. A great story is so exhilarating. There’s nothing in the world that feels like it. I love both animation and picture books because they have the ability to create magic.
How they are different? Well, I think the main difference is that film tends to be a passive experience. The viewer is in a dream like state that watches the story unfold. It’s like being suspended in a time capsule and you watch everything that happens. You take the story in a more subliminal kind of way.Books on the other hand I think are active experiences. You as the reader actively interact with the words and pictures. It’s like your brain is the film projector and is working to play the story. Because of this, I think books are much more intimate experiences. You go at your own pace. You stop, question and wonder. Sometimes you’re so engaged, you speed all the way through and sometimes you like to read slowly just because. Readers engage books with their imaginations and a lot of the story is told in-between the words, the page turns and the illustrations whereas films are full experiences that use all the arts of composition, acting, music and visuals to put you in a state of suspension.
Both are magical and I love doing both so much.
Can you give us any behind-the-scenes information on how you created the short film? Did you get to know Maxwell differently in that format?
Yeah! It was so thrilling to bring Maxwell to life. I had a pretty good idea of who he is as a character after creating the book but actually seeing him move and casting Taylor Wong as Maxwell brought another whole dimension.
As for production, here’s a quick behind the scenes look of what it took to make the short film. I plan on doing a much more in-depth look in a separate blog post.
We used 4 software tools: Photoshop, Flash, After Effects and Final Cut Pro. The process was a highly collaborative effort between folks at MacMillan, myself and David Shovlin, the animator. It was a ton of work to do but a ton of fun as well.
In all, it took about 5 weeks of work. David and I worked really hard on it and I’m really proud of what we created in a relatively short period of time.Where did Ninja! come from?
It’s been my dream to make my own picture books for a long time. The first conception of Ninja came when I was in art school. I jotted down “A boy goes creeping around the house dressed as a Ninja and causes trouble.” That was probably in 2007 or so.
Early Ninja! thumbnails and character sketches.
In 2012, I decided to do the Illustrator Intensive at the SCBWI Summer Conference. We were given an assignment to submit a story along with a manuscript, thumbnails, character sketches, and a finished illustration. Up to that point, I had been writing stories for years but was stuck on many of them. For the workshop we had to write down answers to the following questions:
WHO WHAT is the dilemma? WHERE does it take place? HOW is the problem solved?
This really helped me a lot. Previous to this, many of my stories didn’t have focus and wandered a lot. Ninja was a big break through for me as a storyteller and I had lots of people who helped guide me through it. I’m so thankful for Rubin, my agent, and Kate, my editor. The more I worked on it, the more the world and character took shape and gained depth. It was so much fun to make.
Do you remember any art you made as a kid? What was it?!
Yeah, I made a lot of ninja stars and origami. I was also obsessed with Legos. I loved to build cruiser space ships and large fortresses armed to the teeth. Whenever my uncle bought us Legos, we would make the thing we were supposed to make and then tear it apart and then make what we wanted to make. Making your own thing was much more fun.
I was a huge comic book reader and collector as well. I bought all of the X-men, Spiderman, Spider-ham, Batman and Spawn comics. I still buy comics.
I also really love the Teenage Mutant Ninja Turtles. I used to record all of the episodes. In fact, I used to press pause on the VCR and trace drawings of the Ninja Turtles by overlaying paper onto the TV. At school, everyone thought I was the best drawer, but I never told anyone my technique til now! Eventually I copied so many drawings I could draw it out of memory. I tried to do the same technique with Transformers but that wasn’t nearly as successful because I didn’t understand perspective as at 12 year old.
And now what’s next for you?I’ve got a lot of things I’m working on. I have lots of Ninja stories to tell with Maxwell. (I’m so excited about all of them!) One of them involves an old Chinese folktale involving ghosts!
I’m also illustrating two Potty Training books for kids that are hilarious.illustrations from How to Pee
I have lots of picture book stories I’m developing and I’m also writing a middle grade novel titled Ming Lee, All American. Ming Lee chronicles my experiences growing up as an ABC (American Born Chinese). It’s deeply personal and is funny in that Louis CK, embarrassing but honest kind of way. I would describe it as Judy Blume meets Diary of a Wimpy Kid. Of course, it is its own thing that I am figuring out. I have a sense of what I want it to be but you never know what it will be until you get there.
A huge thanks to Arree for this peek into the mind of a master craftsman. Be sure to get your hands on Ninja! this week!
published 2014 by Nancy Paulsen Books, at Penguin KidsAbout a year ago, I heard Sophie Blackall give a keynote at SCBWI Western Washington. She wears great tights and shoes and is a total riot. She had this effervescent spirit that had the whole room in stitches. It felt like watching one of her illustrations bounce right off the page and into the room.
Her work has sprinkles of fairy dust or something in it – something enchanting and mysterious and compelling and darn beautiful.
And this, her latest offering, is both calming and humorous, sweet and sassy. It’s a bound and beautiful answer to the dreaded where do babies come from?
She’s so in tune with the vast (and sometimes creepy!) imagination of a youngster, and look at how that plays out in this art. Real life is a spot illustration, surrounded by white space and unknowns. But the what if bleeds to the edge of the page, filling every millimeter with color and wonder and possibility. Not only is it stunning to see, it’s intentional storytelling.Hat tip, always, to Jules at Seven Impossible Things Before Breakfast for the interview that revealed that delicious tidbit. Check out her interview (and more art!) with Sophie here.
Sophie works in Brooklyn with other illustrators Brian Floca, Ed Hemingway, John Bemelmans Marciano, and Sergio Ruzzier. Can you even imagine spending an hour in that studio, soaking it all up and trying not to faint and fall in it? Dream field trip, for sure. Their kinship and support of one another has always been so apparent. Look here, and here, and here to see what I mean.
But also, look inside The Baby Tree for a glimpse at their love and support of one another. What’s our pajama-clad wonderer reading with Mom and Dad, all cozied up in bed? I won’t spoil it for you, cause it was a gasp-moment for me. If you’ll bust without knowing, check out Danielle’s post over at This Picture Book Life about allusions in picture books. (And stay there a while even once you see what I’m talking about, cause how brilliant is that?!)
You’d like a copy, right? Penguin has two to give away to you! (And you!) Just leave a comment on this post by Monday at noon PST, June 2nd. I’ll pick two, and have the stork deliver The Baby Tree right to your doorstep. Good luck!
Review copy provided by the publisher, all thoughts and love my own.
I’m afraid I haven’t been a stellar member of the Faerie Court, and have been lacking in my royal duties. To make up, I have some information about the Unseelie Court and wizards, as well as the trailer for The Girl Who Never Was.
Background on the Unseelie Court:
In Scottish folklore, the Unseelie Court was the “evil” court set up in opposition to the Seelie Court. I really liked the idea of there being no such clear dichotomy any longer: Both courts had become corrupted and dangerous to the Otherworld.
Because the Seelie Court was traditionally considered the court of light, I placed it in bright sunlight. By contrast, the Unseelie Court was traditionally considered the court of darkness, so I placed it underground, accessible to our world by going below. This is not to imply that the Seelie Court is accessible by going above, but I wanted to keep the dichotomy between the two. In my head, they almost exist on the same sheet of paper, but one is on top and one is on the bottom.
The Seelie Court rules the Otherworld and its tendrils are everywhere. I wanted the Unseelie Court to be its own little fiefdom within that kingdom, tolerated by the Seelie Court only because the Unseelies had assembled enough power of their own to resist them. The Unseelies do not mind being creatures of the darkness, and they are happy to stay in their self-contained world. Their border control measures are intense, and they seldom interact with the rest of the Otherworld. The Seelie Court would tell you this is because they do not wish the Unseelies to have access to the Otherworld, but the Unseelie Court has no desire to branch out into the rest of the Otherworld. They have no interest in political power, they only seek to be left alone to their dark magic.
The Unseelies will grant asylum on occasion to those who need it. Because it is the only independent place in the Otherworld, it is the only place to hide from Seelies. Also, because it is so inaccessible, all sorts of amazing legends have grown up about it in the Otherworld. Otherworld creatures are taught that everyone and everything could be living in the Unseelie Court, every terrifying creature that could be imagined, because none of the Otherworld creatures really know what happens there.
In the days when the borders between the Thisworld and the Otherworld were open, wizards (the female counterparts were known as witches) were quite common and it was considered a well-respected calling. It was favored, in the beginning, by families that already had great wealth, because there was little money to be made off of it. Magic, however, was a dangerous thing to practice, exhausting and potentially deadly if abused, so it was mostly favored for second sons as an alternative to the clergy.
Witches and wizards attended universities of magic in order to learn their craft. Each developed talents for a particular type of magic that acted as their specialty. They tended to be naturally self-confident and arrogant, as belief and intent were two necessary ingredients to magic, which resulted in many clashes and feuds. Every witch and wizard consider themselves to be the best, and every other witch and wizard to be a pretender to their throne. Magical alliances were frequently fraught with tensions between overbearing personalities, and, as such, wizards and witches tended to be loners when it came to each other, even if some did develop friendships outside of the field. (William Blaxton had a reputation for being an especially gregarious wizard when it came to interspecies relationships, which was how he ended up forging the New World path.)
When magic began to fall out of favor in the onslaught of science, it began to be seen as a haven for eccentrics. Most of the last of the wizards and witches were adventurous souls, drawn to the unpredictability of the practice of magic, and many of them ended up in the New World, which they thought at the time might be more accepting of the idea of the continued existence of everyday magic. Will Blaxton settled Boston. His fellow wizard Roger Williams settled Rhode Island, slightly farther south, together with help from their fellow witch Anne Hutchinson. Meanwhile, another wizard, self-styled Lord Timothy Dexter, settled north of Boston in Newburyport.
In the early days, the witches and wizards thrived and were well-respected members of the community, but eventually they began to clash more and more with the humans who arrived and who were not interested in continuing on the practice of magic. Most of the witches and wizards went underground and rewrote the history books to take the power of their magic out of the words. The Salem Witch Trials were an effort to ferret out all of the remaining magic in the New World, but it was sadly entirely ineffective and managed merely to kill a great many innocent people, as the witches and wizards had already gone into hiding by that time.
In Selkie’s family, you don’t celebrate birthdays. You don’t talk about birthdays. And you never, ever reveal your birth date.
On her seventeenth birthday, Selkie finally understands why. All she wanted was a simple “Happy Birthday” from her secret crush, Ben. But the instant she blurts out the truth to him in the middle of Boston Common, her whole world shatters. Because the Boston that Selkie knows is only an elaborate enchantment constructed to conceal the truth: Selkie is a half-faerie princess. And her mother wants her dead. The faerie court believes Selkie is a child of prophecy-fated to destroy the court’s powerful grip on the supernatural world. And the only way for Selkie to survive…is to prove them right.
published 2014 by Groundwood BooksDon’t you hate throwing your ball out the window and being too short to see where it bounces? The worst.But the worst gets better, because in its place a spectacular parade clash-crashes by. Except when you’re a frantic, too-short creature, it’s really hard to see over the windowsill. Good thing you’re a clever whippersnapper, and push that chair up to take a peek.And just when you can finally see outside, the book tells you to turn around.
You’ll stumble smack dab into the spectacle.
Juggling shrimp on a unicycle! A bat on a hanging, clangy contraption! Pink swans pulling a turtle on a wagon!Thanks to this parade, you might just get your ball back. It’s one fantastic game of catch.
And check out this trailer to see the book in its glorious action. Mesmerizing.
P.S. – Remember the Twitter chat with Groundwood Books and Cybèle Young? The transcript is here, if you want to add to your art-to-study and books-to-love pile. It was such fun!
What a treat to give the new Twirl books a whirl! (They are doing something right when a thirtysomething-ed lady squeals over a box of board books, right?)
This one is perfect for grabby hands and curious minds. Check it out in action.
This is a board book that’s been on a steady regimen of spinach and milk. It’s big and beefy. That’s a great thing, because there’s a lot to experience on these pages.
Here’s how it works. The left page shows two seemingly unrelated nouns, loosely connected by a narrative. Sometimes it’s lilting and sometimes a bit labored, but since it’s a translation, all text-clunk is forgiven. Besides, the real treat is in the visual and tactile experience.Swinging a shape or two or three around transforms one picture to another. It’s simultaneously simple and sophisticated. And just plain fun to see and do.Some standard fare lives here: Rabbit, Teapot, Owl. And then there’s Bowl of Salad. Bowl of Salad! Thank goodness for the French. What a delight!I’m teaching an introductory Photoshop and graphic design class this summer. To 3rd – 6th graders. My brain exploded with ideas for projects when I saw this book. You better believe we will be creating our own Presto Change-os!
Hello! It's Trailer Tuesday here at RNSL (I totally just made that up). But I do have some trailers for you. 20th Century Fox just released the official film trailer for The Maze Runner movie last night. I have not read the book yet but the trailer looks pretty good. I like that the actors seem like relative unknowns and it looks like a harrowing story. I really need to read this one before the movie comes out.
While I was strolling through Trailer Land, I found a few new book trailers that looked interesting as well.
In the trailer for Monument 14: Savage Drift, things are looking pretty bleak. This is another book series that has been on my shelf for a while but hasn't been read. I like the tone and cinematic styling of this one.
Free to Fall by Lauren Miller feels like an ad for online dating or a prescription drug. That actually might be the intention of it and it comes off as pretty creepy.
Tremor by Patrick Carman looks a bit cheesy to me. I think it's because the floating cars look fake. Good effort but not my favorite book trailer.
Untamed City: Carnival of Souls by Melissa Marr is a very epic trailer. The music and content of the trailer make it seem like a gladiator movie. I wish the fighting was a little more badass but overall, not too shabby.
And last but not least we have a little featurette from the Divergent movie (coming out this week!) that showcases Four.
I am a still on the fence about this movie. I wasn't the biggest fan of the books (though I liked the first one enough) but I will be seeing this.
Well that's it for the just coined Trailer Tuesday. Do any of these books or trailers seem interesting to you? Are you in line for Divergent already? :) Have a happy Tuesday!
Books are always better than their movie adaptations. Always. Sometimes I've been devastated by the director's interpretation of a favorite book *cough* Percy Jackson *cough*. Other times though, the movie offers a different interpretation of the story that doesn't detract from the image I formed in my mind, but add another view I hadn't considered before (The Book Thief!).
2014 is a great year for movie adaptations.
The Maze Runner, by our own James Dashner, a Utah native, comes out in September.
Divergent, by Veronica Roth is out in theaters right now. Here's the trailer as well:
And finally, The Giver, by Lois Lowry, is also coming out.
What do you think? Are you planning on watching the movies? Have you read the books? What book would you like to see on screen?
I've read all three of these books and I'm REALLY excited about the movies. I would also love to see The Shadow of the Wind and The Angel's Game, both by Carlos Ruiz Zafon.
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I'm back with another trailer! It's been a big week for YA book to film adaptations. The trailer for The Maze Runner was released and Divergent hits the big screen today. And the official trailer for Lois Lowry's The Giver was also released. I have not read The Giver yet so I can't really comment on how accurate it is based on the books. From what I've seen on the internet, there are some mixed feelings about this one. I just borrowed the book from the library though and hope to read it soon.
Have you read the book? Does this look like a faithful adaptation? I am interested to hear what people think of this one. Happy Friday, all!
Hello! I am back once again with some trailers to show you. Not much has come out since last week but I found a few goodies for you. Let's check them out.
Broken Hearts, Fences and Other Things to Mend by Katie Finn. At first I thought this book might have some kind of paranormal twist with the whole mistaken identity thing but, after reading the synopsis online, I don't think that's the case. Still, it looks like it could be a fun contemp read.
Fox just released an extended trailer for The Fault in Our Stars movie. It's still looking good and I plan on seeing this when it comes out.
Let us know what you guys think of these trailers in the comments!
I’m honored and thrilled to have Greg Pizzoli back to the blog this week. About a year ago we talked about Kroc and The Watermelon Seed, and in the many weeks since, that thing (and Greg!) won the Geisel Award! My kindergarteners call him ‘the BURRRRPPP man’ which I’m pretty sure is the highest praise any mere mortal can achieve.
But today! Today is the birthday of Greg’s latest and greatest, Number One Sam. This is my favorite tweet about it:(And side note, you should follow Matt Roeser at Candlewick cause he has impeccable taste and eyeballs.)
And this (!) is the trailer:
Greg chatted with me about process and art and picture books, and I’ve read these answers about a billion times and am still learning. Enjoy!
Your spot color. Wow! Can you talk about why such a stripped-down design with a limited color palette is such a powerful visual device?
To be honest, I’m not sure. But, I think it comes down
to working from an intention, and just having a plan, or restrictions
set in place from the beginning. You can’t just grab another color
from somewhere – when it comes time to make final art, we’ve done
rounds of pantone tests and paper tests, and the limitations and
possibilities are in place, so nothing is casual. Maybe it makes you
consider things in a way that is unique to working in that way?
I know for me, if I’m doing a book that is printed in a limited color
palette, it can feel restrictive in one sense, but there is a real
freedom within the limitations, if you know what I mean. There’s not
endless guessing the way there might be with a CMYK book. Obviously we
do lots of tests and make sure we get the base colors right for the
book, but once that is done, I can start carving out the drawings and
not worry too much about the colors, because we’ve done so much work
on the front end. It’s a challenge I enjoy.
Here’s a photo of a spot color test proof.
Why do you think your stories are best suited to the form of the picture book. What can you do in this form that you might not be able to in another?
This is a tough one, Carter. Boy, I come to your blog looking to have
a good time, maybe show a video or something, and you slam me with
this “why picture books” stuff. Sheesh. “Gotcha blogging” right here.
But that’s fine, I’ll play along.
I’m kidding, of course. But, it is a tough one. I guess it’s not all
that complicated for me. I’ve always loved picture books and I think
it’s because there are so many possible ways to solve the problem of
telling a story with text and images. It’s a cliche I think, but you
really can do anything in a picture book. But here again, I like the
restrictions. As much as I might complain to my editor that I “just
need one more spread” to tell the story, it’s actually nice to have a
structure where you have to fit a complete world, with a character, a
problem, and (maybe?) a solution to that problem in only 40 (or so)
There’s something about how deliberate every decision has to be
that is super appealing to me. I’ve been working on writing a longer
thing recently, a series, and it’s not as though I’m not deliberate
when working on it, but I’ll admit that it feels as though not as much
is hinging on each line or picture in the same way. With picture
books, you don’t have room for anything to feel arbitrary. I like
Also, I thought you might want to see these. Sam started out as a
print of a weird dog (top) and then I made a print of another
(cuter) dog, and he kept coming up in my sketchbooks until he became
Number One Sam (bottom).
What do you think are the most important considerations when creating a book trailer? How do you think through compressing an already spare narrative into a short animation? Are there aspects to animation you wish you had access to in picture book art or vice versa? (I guess mostly I’m curious about how book trailers share storytelling space with picture books and what they can do differently. Does that make sense?!)
Ya know, it’s a complicated thing this book trailer business. I am
really happy with the two we’ve done so far, but I definitely can’t
take all the credit. Jimmy Simpson, directed and animated both the
trailer for The Watermelon Seed and for Number One Sam, and he is
pretty incredible to work with. Both times we started working, I had
already finished the book, and I had a very basic sense of what I
wanted the trailer to be, but he figures out all of the transitions
and added all of the touches that make them work as well as I think
they do. For example, the “wink” shot from the Number One Sam trailer –
that’s all Jimmy. And of course, he does all of the animation.
I draw the stuff, which is somewhat complicated because you have to
keep everything separated, meaning draw the arm on a different layer
from the body, and the hand on a different layer than the arm, and the
ear on it’s own layer, etc. Basically everything needs to move
independently of everything else, but my characters are pretty simple,
so it’s not too big a deal.
And the music is key. My buddy Christopher Sean Powell composed the
music special for both trailers. What a talent, right? He plays in the
band Man Man, and has his solo music project called Spaceship Aloha,
and was a part of a pretty seminal band from these parts called Need
New Body. I’m thrilled we get to work together on this stuff.
But, to your actual question, I see the trailer and the book as
completely separate things. They have their own pacing, and their own
objectives. With the book, you want everything to feel complete, and
have an emotional pay off of some kind. And you have the narrative arc
to keep things together. With the trailer, it’s more of a tease. You
don’t want to give it all away. And I guess our objective is to just
make them fun and unique.
Book trailers have become more popular, and there is a sort of
template for how they are done that we have tried to stay away from.
We just want them to feel different enough to maybe stand out. It’s a
super small community in some ways, and my book trailers certainly
aren’t racking up millions of views or anything, but we enjoy making
them for their own sake, partly I think because we all just like
working together. If other people dig them, and check out the book on
top of that, that’s icing.
What types of trophies do you have lining your shelves? What kind do you wish you had? Side note: What would a book called Number One Greg be about?
Beyond my published books, which I kind of think of as trophies in a
way, there are a couple. Last year when I finished the art for Number One Sam, my editor Rotem sent me a trophy that I keep on my bookcase.
And recently I was looking through some old family photos and found a
first place ribbon that I had won for a school wide art contest in
the 1st grade. My family moved around a ton when I was little, so the
actual winning piece was lost. I remember it though! It was a big
piece of yellow poster board with a marker drawing of outer space.
Maybe it’s time to do a space book?And now for some art from Number One Sam. Thank you, Greg! (Click to make any of them larger.)
(A shirt and 2 of the 3 items shown which include the makeup set, the book,
and Emmy Rossum's new CD)
Another lucky but not-as-lucky winner gets what's left
plus $15 in Fandango bucks to go see Beautiful Creatures the movie. Yes!
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Comment question: Do you have a favorite character from Beautiful Creatures? Who is it and why? (No spoilers!)
What better day for book trailers than a Saturday?
Rachel Renee Russell is no doubt one of the most successful African American MG authors today. She currently has 6 books in her popular Dork Diaries Series published by Simon and Schuster with a 7th book scheduled for release later this year. I’m not always good about reading MG books, but every time I announce another Dork Diary I want to get my hands a copy and go sit in a McDonalds and read straight through.
I have two videos for you this morning.You won’t be able to sit still while you watch the first video, a lively Dork Diaries trailer. The second is a brief introduction to the talented Rachel Renee Russell who was also interviewed here on the Graphic Novel Reporter.
Kira’s the only female in the king’s army, and the prince’s bodyguard. She’s a demon slayer and an outcast, hated by nearly everyone in her home city of Hansong. And, she’s their only hope…
Murdered kings and discovered traitors point to a demon invasion, sending Kira on the run with the young prince. He may be the savior predicted in the Dragon King Prophecy, but the missing treasure of myth may be the true key. With only the guidance of the cryptic prophecy, Kira must battle demon soldiers, evil shaman, and the Demon Lord himself to find what was once lost and raise a prince into a king.
Intrigue and mystery, ancient lore and action-packed fantasy come together in this heart-stopping first book in a trilogy.
What better day for book trailers than a Saturday?
In a fairly recent blog post, Meg Medina describes what inspired her latest book, Yaqui Delgado wants to kick your ass. Medina is the author of Aunt Tisa wants a car; The girl who could silence the wind; and Milagros, and Girl from away. A common theme in her books is women finding their strength.
Yacqui Delgado wants to kick your ass (Candlewick) releases on 26 March.
I love this trailer for The Dark by Lemony Snicket, illustrated by Jon Klassen. The first time I watched it I was very impressed by the voice talent and then learned at the end that it was Neil Gaiman reading, so that explains that.
Everything works together on this trailer - the reading, the use of children to show the demographic, the fact that it's clearly a beautiful book in terms of both text and illustration, the music, and the brevity.
I've got a board on Pinterest called Trailer Park where I am collecting some of my favourite children's book trailers. Suggestions more than welcome!
Hi, everyone. It's time for a new batch of book trailers. Most of these are pretty recent though some may be a little older since I don't keep super up to date with book trailers. I have some mixed feelings about them (most are kind of cheesy) though I do like the idea of having a promo for a book. Anyway, here are a few book trailers and a couple of film trailers thrown in for good measure at the end. Let us know what you think in the comments below.
Ugh, I a so excited for Siege & Storm! Can someone please lend me their ARC?
Still have not read this series yet though it looks good and I kind of love that each book has a color theme. And emerald is one of my favorite colors.
I really like this whole campaign. The trailers look high quality and they're intriguing. Has anyone read The 5th Wave yet?
I don't have much to say about this one since I haven't read any of the books yet. I don't really love the voice over, but that's just me.
I had no idea they were going through with making another Percy Jackson movie. The first one was so bad. At least Annabeth is blonde in this one. I will probably wait to see this one on video.
Well Katniss doesn't seem too whiny in this trailer. Catching Fire was my least favorite book of the series (sorry - don't hate me!). I totally thought it was a filler book. This trailer makes it seem like it's going to have a lot more going on though so I am optimistic. And Effie promises to have some fantastic outfits.
What did you guys think? Are you looking forward to any of these releases?
What better day for book trailers than a Saturday?
About the book:
Angie is broken — by her can’t-be-bothered mother, by her high-school tormenters, and by being the only one who thinks her varsity-athlete-turned-war-hero sister is still alive. Hiding under a mountain of junk food hasn’t kept the pain (or the shouts of “crazy mad cow!”) away. Having failed to kill herself — in front of a gym full of kids — she’s back at high school just trying to make it through each day. That is, until the arrival of KC Romance, the kind of girl who doesn’t exist in Dryfalls, Ohio. A girl who is one hundred and ninety-nine percent wow! A girl who never sees her as Fat Angie, and who knows too well that the package doesn’t always match what’s inside. With an offbeat sensibility, mean girls to rival a horror classic, and characters both outrageous and touching, this darkly comic anti-romantic romance will appeal to anyone who likes entertaining and meaningful fiction. (from the publisher)
e.E Charlton-Trujillo’s previous works include Prizefighter en mi casa and Feels like home.
I’ve been looking forward to this book for a long time, mostly because that cover is SPECTAZZLING. But also cause I follow Greg Pizzoli on Twitter, where he is clever and quippy and shares things like THE ENDPAPERS. And then this is what the publisher teased us with, so I was pretty much in love with this book right away:
With perfect comic pacing, Greg Pizzoli introduces us to one funny crocodile who has one big fear: swallowing a watermelon seed. What will he do when his greatest fear is realized? Will vines sprout out his ears? Will his skin turn pink? This crocodile has a wild imagination that kids will love.
Yeah. SO INTO THAT. The Watermelon Seed hits stores TOMORROW, May 14th, so you might want to go ahead and get in line. After you meet Greg, of course.
So I’ve also been looking forward to this post for almost as long. I’m thrilled to have Greg Pizzoli in for a visit. Welcome, Greg!
I call him “Kroc”. Sometimes my editor calls him “K-Roc” or “The Krocster”. Boy, does he hate that.My background is in printmaking, and I built a silkscreen shop in my studio, which is how I generate a lot of my work. I think my preference towards limited and deliberate colors comes from the printmaking. It could be laziness, but I’m going to say printmaking.
Even the first sketches of this book were in just a few colors. It just made sense to make the whole book feel like a watermelon. Plus, he’s a crocodile, so the green is already there.
Everyone at Disney*Hyperion was very supportive of my trying out different inks and paper choices to get the feel just right. We did CMYK v. Spot color tests and there was just no comparison. I think it would be tough to get that pink, and that green with CMYK. At least for me. We tried a few different paper stocks, too. I’m super picky.
Basically you make a drawing in black and use that to make a stencil on a screen. Doesn’t matter how you make that drawing – by hand on tracing paper, with construction paper, in Photoshop – whatever you can use to get a drawing in black. Your screen, which is a frame of aluminum with a fine mesh stretched across it, is covered in photographic emulsion, and you expose the screen to light. Wherever the light hits the emulsion, it hardens and becomes water resistant.
BUT if you put your black drawing between the screen and the light source, the emulsion that is blocked by your drawing (which remember, is black, thus very light blocking-y), that emulsion stays soft. And you can wash it out with water. So everything that wasn’t blocked by your drawing is water resistant, and your drawing washes out of the screen, making a water resistant stencil in the shape of your drawing. You make one of those for each layer, or usually, color. WATERMELON was offset printed obviously, but I did a lot of screenprinting textures, etc to make it feel very printy. The spot colors definitely help there, too.
I’ve been teaching screenprinting for about 4 years at The University of the Arts in Philly. It’s where I met Brian Biggs. He took a continuing ed class I was teaching in 2009. He introduced me to my agent. I dedicated a book to him, but it hasn’t come out yet. I still owe him big time. I still teach! I love it.
Humor usually keeps me interested in whatever I’m doing.
I like to work with texture for sure, too. And shapes. Shapes, yeah, shapes are good. I know this is great interview material here. Breaking news, Greg Pizzoli “like shapes”. Today on Buzzfeed, 23 shapes Greg Pizzoli likes most.
Anyway . . . I was really into shapes and texture with THE WATERMELON SEED, and the next book I’m doing with Hyperion (NUMBER ONE SAM, Summer 2014) comes from a similar place. We’re doing spot colors for that one, too. But four this time, which opens up a lot of possibilities in terms of overlapping layers and colors.
Like most people, I like lots of stuff. I never get tired of looking at Eduardo Munoz Bachs posters. He obviously had a lot of fun making his work. A lot of people you’d suspect probably, Sendak, Ed Emberly, Tove Jansson, Charles Schultz, etc.
I’m really lucky to have so many talented buddies in the Philly area, too. I host occasional drink ‘n’ draws at my studio and Zach Ohora, Matt Phelan, Bob Shea, Tim Gough, Amy Ignatow, Brian Biggs, Lee Harper, Gene Baretta, Eric Wight, and several others have come by. It’s a good time. Sometimes we do this thing where we each draw for five minutes and then pass the paper to the right and draw on top of that drawing for five minutes, until we get all the way around the circle or run out of beer. You can imagine just how bad these things look. Joe Strummer, Iggy Pop, David Bowie. They’re my heroes.
No way! I love coffee. I think I quit for a while last year and it just floated around my online profile for a bit. I did stop drinking as much. I am down to like 2-3 cups a day which feels great for me. I was drinking like 8-10. Oh yeah. I’m nicer now.
Greg Pizzoli, people. Is he awesome or what?
So yeah. That’s pretty much my favorite thing on the internet right now. Did you catch the part where the period at the end of the sentence becomes a spotlight for good old K-Roc?! I love that detail.
The Watermelon Seed! Greg Pizzoli! Thanks for hanging out here! We love your book. And you are top notch, too.
This summer I got to work with the fantastic folks at NorthSouth Books to create a trailer for an upcoming release by Claudia Boldt, You’re a Rude Pig, Bertie!
Bertie is definitely a rude pig, but he’s also irresistible and will endear himself to you the second he reveals his true heart. And I adore Claudia Boldt’s work – a muted and restrained palette, unexpected shapes and proportions, and a charming cast of characters.
(I wrote a teensy bit about her previous book, Odd Dog, over at Design Mom, so what a thrill to create something for a creator you admire!)
Anyway. I love the result, and hope you love it, too!
What do you think? Adorable, right? And super catchy. I guarantee that song will tag along with you the rest of the day – and you’re welcome!
P.S. – I haven’t heard from the winners of the Sassy board books. Are you out there, Olivia De Hamilton and Sara Floyd? I’ll pick new winners on Friday if I don’t hear anything. Stay tuned!
Waterloo & Trafalgar is at once spare and very much not. It’s a book about unnecessary fighting and the two stubborn sides who forget why they are even at odds. They are suspicious, bored, but always staid. Until. A snail, a bird, a different perspective. Different looks a little bit the same after all.Tallec’s goofy little men end up as a charming shout for peace. They are absurd. They are us.
Waterloo. Blue. Trafalgar. Orange. Opposites. Enemies.There they are, as far from one another on the color wheel as possible. Direct opposites. Complementary colors.
Orange and blue are a combination of dominance, because each is competing for the attention of your eye. One cool, one warm, constant attention-grabbers. Because of their stark contrast, each truly shouts.That’s why it’s a duo you see in a lot of advertising for banks, credit cards, and other Important Things. Would that Northwestern Mutual commercial be as strong if it were in a different color palette? Probably not. They want to imply strength, power, and – well, life.
And, ahem. I’m a fan of these two colors. Note my blog header and the rest of this thing’s design. Those design decisions were intentional, and since you are reading this and hanging out here with me, it might just be working.Perfect choices for Waterloo and Trafalgar, right? It wouldn’t make sense for those two ridiculous little men to be represented by closer together hues. Their orange and blues are a tenuous balance.
Besides a color scheme that works, that sings, and that smacks you in the gut, this is just a darn beautiful book. The paper is thick and rich to the touch, and some split pages inside extend the stories and heighten the division at hand.I love the die cuts on the cover – those clever windows reveal these two nuts and their telescopes at the ready. And the endpapers’ narrative is subtle as it holds the story in place. The carved out holes close up by the end, and the stream of blue and orange smash right up against each other.Still different, still far apart on that wheel. Transformed into something lovely together.
Ok, ok. One more orange and blue moment I love is the opening title sequence to the James Bond flick, Quantum of Solace.
(These titles are created by a studio whose motion design work is just spectacular, MK12. They are the creative minds behind the visuals in Stranger Than Fiction and the gorgeous end titles of The Kite Runner. By the way, notice the colors in the first minute of that one!)
And! A whole slew of orange and blueon movie posters. You won’t un-see this color palette once you start noticing it. That’s a promise prefaced with a slight apology! Here’s just one:
I was smitten by the looks of this book at first glance. Perhaps it was a bit of that orange and blue thing, and a bit of it just being so spectacular. But first, I had to introduce myself to Monsieur Hulot, the comical character from French cinema, and the spirit and subject of this book.
His trademarks are his raincoat, umbrella, pipe, and sheer ineptitude.
So now that you are entirely delighted and heartwarmed, isn’t it the greatest news ever that a nearly wordless picture book contains this nutty dude? Yes. I know.These endpapers are reminiscent of the title graphics in the trailer as well as the movie poster, so, of course we love that.The shapes of his raincoat-suited-self-H and an umbrella-O set you up for the hysterical stories inside. This title pages sets you up for humor, heart, and charm, and the following pages do not disappoint.
Here’s what I mean.It’s a series of stories told through pictures. Two pages contain witty puzzles and a complete visual narrative. This one, French Riviera, is one of my favorites. You think Monsieur Hulot is floating underneath the waves and gallivanting with sea creatures.
But no. He’s just biking next to a fish truck.
Brilliant might be an understatement.The Crossing also had me in stitches, and reminded me a teensy bit of The Other Side. What seems to be true might not be at all!
What a treat to be surprised and delighted by this goofy guy!You’ll never guess what preceded this page.And you’ll be shocked by the conclusion of this one.
If you are a picture book writer, be sure to grab this one. It is a master class in the suspense and payoff of the page turn.
I’ve been thinking a lot about visual storytelling lately. Well, I pretty much am always thinking about visual storytelling. And that’s why I was so tickled and touched by this book. Thanks to Rebecca at Sturdy for Common Things for introducing me to this lovely find!
I bought it because of that cover. I didn’t know I’d open page after page of wow.Instantly, I was drawn to the simplicity of each layout. A spare white page on the left, graced only with one line of text. And on the right, a richly colored illustration to match the text. On this very first spread, you get a clear sense of Delphine Chedru’s suggested shapes and mastery of negative space. It’s graphic and bold and beautiful.
So what does the text say?
What happens when my balloon floats up, out of the zoo . . . ?
And then, this:Rather than turning the page, you unfold it. The text is still there to remind you of the story that gurgled up out of that wonder. Do you see your red balloon?The pages that follow are just as curious, and just as surprising. It’s impossible to not create a scenario for each posed question, and then be awed by the illustrator’s solution.And to my bucket when I leave it behind on the beach . . . ?What you might not be able to see in that picture is a WANTED sign for the shark, and a tiny red fish with a sheriff’s hat leading his capture, all with that bucket that you left on the beach. Adore.
And wouldn’t it be fun to create your own pages like this? Or respond to these pictures in writing? Isn’t all creativity answering ‘What if?’What happens when my left sock slips behind the radiator . . . ?
Well?What happens to Teddy when I leave him behind . . . ?
That bird on the boing-boing horse is just too much. Makes me laugh every time.
And then, a big, huge, monster question:What happens to stories once a book is closed . . . ? This last page doesn’t unfold. This answer is up to you.
I am so under the spell of this weighty book with the lighthearted illustrations. I’m not sure how to answer that last question, and sitting with the ‘What if?’ is both challenging and satisfying, isn’t it?Want more Delphine Chedru? Me too. I found this book trailer, and although I can’t understand the words, I can read the pictures. So charmed.