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I want to live to be 100 years old. Yes, that is a bold statement, and I'll admit this goal may be a bit unrealistic and potentially impossible, but my curiosity pushes me to beat the laws of nature. As a 22-year-old avid reader working for a publishing company, I can’t help but wonder: what will be the future of the printed book? Since the creation of the world wide web by Tim Burners-Lee in 1989 and it's continual expansion since then, this question has haunted the publishing industry, raising profound questions about the state of the industry and the printed book.

The post The library – 100 years from now appeared first on OUPblog.

Barnes & Noble saw sales increase 1.6 percent during the nine-week holiday period ending Jan. 2, 2016, as compared to the same time period last year.

The company’s retail sales, which includes revenues from in-stores and BN.com, were $1.1 billion, down 0.8 percent during the time frame, which the company attributed to lower online sales and store closures. The results exclude Nook products. Nook sales were $41.2 million, representing a 25.8 percent decrease year-over-year. Here is more from the press release:

Based on the holiday sales results, the Company continues to expect fiscal 2016 core comparable store sales to increase approximately 1%, and comparable store sales to be approximately flat. The Company also continues to expect full fiscal year EBITDA losses in the NOOK segment to decline versus the prior year.

NOOK has unveiled a new Reading App for Android users, specifically designed with the Samsung Galaxy Tab 4 NOOK in mind.

The 4.0 edition of the app features a new designed home screen along with updated navigation that mass it easier to browse books. An update algorithm makes it easier to search for titles and helps facilitate discovery based on a reader’s prior searches and purchase.

To promote downloads, NOOK is giving away a free $5 credit to new customers that download the app and set up an account.

If you loved SCARS, I think you’ll enjoy STAINED–and you may want to get it while it’s deeply discounted. Right now STAINED is on sale for both Kindle and Nook for $1.99–until Oct 31st. I hope you grab yourself a copy.

In STAINED, Sarah think she knows what fear is–until she’s abducted. Then she must find a way to save herself.

Like I did with SCARS, I drew on my own trauma and healing experience to write STAINED.

I hope you enjoy it! And if you enjoy it, or like this deal, I hope you’ll let others know about it, too.

I’m so excited about presenting at this year’s KidLitCon!

1:30-3   Getting Beyond Diversity and Getting to the Story

Edith Campbell Crazy Quilt Edi
Hannah Gómez  sarah HANNAH gómez
Jewell Parker Rhodes

While gender identity, sexual orientation, race, ethnicity, religion, or ability add to who we are, they do not define who we are. And these differences do not define our stories. How do we teach, discuss, or describe diverse books without making diversity the issue? Should we? How do we respond to the perception that ʺdiverse booksʺ are only for ʺdiverse peopleʺ and deliver book reviews and essays that highlight what makes books universal for those disinclined to think diversity is for them while acknowledging readers who need and deserve to find themselves in literature? Presenters Edith Campbell, Hannah Gómez, and author Jewell Parker Rhodes will deliver an interactive session with talking points, booktalks, strategies and much honest discussion.

I garden! Isn’t kale gorgeous?

It’s an important opportunity to share my diversity message along with Hannah Gomez and Jewell Parker Rhodes. I am too outdone by these ladies!

It’s also an opportunity to meet folk in real life that I have known for years online, but never met in person, like Mitali Perkins, Natalie Mvondo, Charlotte Taylor and Laura Atkins. Will you be there? If so, please let me know!

I have several book reviews to write, some good, some not so much. I’m getting a lot of my reading done on the treadmill, elliptical and stationary bike these days. The better the book, the faster the time goes. Today’s read was Love Is The Drug by Alaya Dawn Johnson. I went for an extra 10 minutes because of that book. It helps if the book is good, but some books, like some music are better for walking than others. The language in Bombay Blues by Tanuja Desai Hidier is so creative and expressive and the action so passive that it’s not a good read for the treadmill.

Fitness gurus generally say that treadmills and stationary bikes don’t provide the best exercise out there, but

Today!

I’m pretty sure they’re better than sitting on the sofa and reading.

It’s tough having reading and quilting as hobbies. They’re both time intensive and both require sitting and that’s not good for someone with a weight problem! Ebooks make reading easier to accomplish while working out, as I don’t have to find ways to hold pages down and books open. I suppose audiobooks would free me up

Two varieties of sweet potatoes; hundreds of those critters to harvest.

even more, but listening to a book is a completely different experience than reading.

My ereader of choice these days is my Nook reader. If at home, I’ll use my Surface. It has a very nice page display that will include images. However, turning pages can be tricky on it and, the Nook app doesn’t work requiring me to read through Adobe Digital Editions (ADE). I took the device to the gym once, accidentally left it and decided not to take it again.

I have read on my phone (the BlueFire App syncs to ADE) and would have no problem doing that again if I didn’t have another device available. It’s just too small for sustained reading. My Nook is a 1^st generation that was giving to by my son and daughter in law. No color, horrible formatting, no images… but there is just something about that old thing that makes me love reading on it. I’ll upgrade it one day, but I’m certain I’ll probably have a dedicated ereader for occasional reading such as when traveling, exercising or if no other format is available.

I do have so many posts that come to mind, but now they seem more appealing as journal articles rather than blog posts. I know that some people do post on their blogs about their article ideas and they generate in-depth conversations that probably enhance the article when it is written. There’s also the possibility, though of someone snagging your great idea! I have mentioned some things here that I consider writing about, but it rarely (never!) turns into a conversation. Perhaps I’ll try again in the future. For now, I think I’ll get back to Love Is The Drug!

The new device will use Samsung's Galaxy Tab 4 hardware to better compete against the Apple iPad and Amazon Kindle.

Goodreads Book Giveaway

Start Your Novel

by Darcy Pattison

Giveaway ends October 01, 2013.

See the giveaway details at Goodreads.

Enter to win

Here’s an interesting infographic from Kite Ebook Readers, which specializes in making children’s ebooks and apps.

This infographic is from kitereaders.com.

My picture book, WISDOM, THE MIDWAY ALBATROSS is now available as in iBook. To access it, you must go to the iBook app on your iPhone or iPad. Then, search for the iBook. Or, click here to be taken to the page on iTunes.

Do you want your book to sell as an ebook? Here are some of the things you must consider.

Ebooks on Multiple Platforms

First, there is an industry-wide ePub standard. But almost no one goes by it. This means that you can put your book up as an ePub, but you’ll have to tweak the files for each and every platform you want to put it on.

The easiest method is to work with Smashwords, which allows ePubs now, or has a MeatGrinder to convert files. You will most definitely want to read Smashwords owner Mark Coker’s Smashwords File Guide. It is a simple explanation of the variables involved in formatting your book. Smashwords has multiple distributions and many people just upload it here and let Smashwords take care of distribution to these platforms: Sony, Barnes & Noble, Kobo, Amazon, Apple, Diesel, Page Foundry, Baker & Taylor Blio, Library Direct, Baker & Taylor, and Axis 360 . But others prefer to move on to other platforms themselves.

Nook: You can upload your ePub documents to Nook at pubit.barnesandnoble.com.
Their process has a built in viewer so you can see what your book will look like on these devices.

Kindle: Go to the kdp.amazon.com program and set up an account to get started. Kindle formatting is not ePub and you must convert your files. KDP allows for distribution on Amazon stores in multiple countries: Germany, France, Spain, Portugal, Italy, and India. Of course, if you want it in different languages, you must translate it yourself, then upload the translated files.

Kobo: Not a new player, but one to take notice of now, Kobo recently signed a deal with the Independent Booksellers to make Kobo the preferred platform in your local indie. They are working together to promote books in new and fresh ways. The Kobo App is available on almost any platform. You can get on Kobo through Smashwords, or by directly uploading to them. They accept an ePub format and will convert it as needed to their format.

Apple iBooks: The strange thing about Apple’s iBook platform is its limitations. iBooks is an app for iPhone or iPad, but there’s no app for Android, desktop Macs, or other platforms. Sales go through the iBookstore, which is part of iTunes. Some argue that iBooks won’t take off until they pull the books out of iTunes. The real advantage of Apple is their international reach, which allows you to put your book into 52 different countries. Again, you must translate yourself; if you only put up English, you may get some sales, but it won’t take off. Apple provides free software, IBookAuthor, which allows you to embed audio and video and is generally touted as a boon to textbook writers. Of course, that just increases your copyright headaches, as you must make sure you have permissions for all images, sounds, music, video, multimedia, etc. But it’s totally cool to include video. I put an introductory video on the new Wisdom iBook. If you have ePub files, they may work on Apple’s platform, but you can’t get around the requirement that you use a Mac Computer to upload at iTunesConnect .

There are other platforms, of course. Vook touts their video-embedded ebooks, while other platforms have other specialties.

PDF Ebooks. Technically not an ePub, but still often referred to as an ebook, are pdf versions of your book. You can sell these from your website through a sales management site such as ejunkie.com. It allows you to upload your files, then handles the transaction and sends a notice to the buyer when the financial transaction is finished, so they can download their file. Goodreads.com also allows you to sell pdf

Software to Create EPubs

What a tangled web there is when you consider converting your book to ePub!
First, most of the major platforms will convert for you. But you’ll want to create the ePub first. Here are some options.

Adobe Indesign. The premiere book/publishing layout and design software from Adobe has made it easier than ever to convert to an ePub. Indesign CS6 allows for flexible layouts, so you can create both portrait and landscape versions of your book for the tablet requirements. Many magazines use Indesign and create the flexible layouts to publish. You can export in a digital format, too, which should meet ePub requirements. The cost of Adobe products continues to escalate and they update so often that it is outdated quickly; therefore, they now offer a monthly subscription that I am reluctantly moving to.

Adobe’s Digital Publishing Suite is not the same thing; it is used more by magazine publishers than book publishers, and by iPad app developers. This is because through this software, you can upload to the Apple App store, but NOT to the Apple book store. Think carefully where you want to sell your product when you choose your Adobe software. Do you want an app (DPS) or an ebook(InDesign)?

Apple’s iBookAuthor. On the other hand, Apple’s price is right: free. iBooksAuthor is one of the easiest, most-intuitive programs to use, but it comes with a major disadvantage. When you create an ebook with this software, you may sell it on Apple’s iBookstore and no where else. This means you will probably do a separate version just for them. The biggest advantage of Apple is that you can sell to 52 countries. And Apple seems to me to be a sleeping giant: if they ever decide to push ebooks, like they do music and video, look out.

Sigil. Open software, Sigil lets you look at the inside of your ePub and–if you are brave and knowledgable–make changes.

Calibre. A desktop ebook reader and editor, Calibre allows you to edit the metadata, add a book cover and convert to some formats. A free, open-source program, it’s useful to have around.

My Workflow

Well, to be honest, it changes every time I get ready to do this, because the development of software, platforms and everything about ebooks changes so rapidly. But in general, what I’ve done is to layout a book in InDesign, then export as an ebook and as a pdf. In Sigil, I can change anything I need to on the “guts” of the ebook. I use that for Smashwords, Kindle, and Nook. I’ll use it for Kobo next time, too, since their connection to Independent Bookstores has raised their profile. I use the pdf with ejunkie.com to sell on my own site.Then, I do a completely new version in iBookAuthor for Apple. Such a pain. Hard to keep track.

At times, I have also hired someone to convert to the standard ePub, then done any tweaking needed for a different format. I’ll be so glad when everyone abides by a given standard! Right now, the biggest drawback to ePubs is the fragmented platforms and their individual requirements.

Helpful books

Elizabeth Castro rocks. Essentially, an ePub is a set of images and text that are put into an html file, controlled by a CSS (cascading style sheets) file, and then zipped into one file. This means that if you mess with the guts of the ePub, you need advice from someone who understand html and css and can explain it in relatively simple terms. Elizabeth Castro has a suite of books that does just this.

This is by no means the only things you can use to format and convert your manuscript to an e-book, it is just to give you an idea of the some of the things out in the market you can use. The Kindle, the Nook and the iTunes Bookstore (which services both the iPhone and iPad) now stand out as the most common targets for e-books. This has helped the e-book boom has helped consolidate formats a bit, but there still isn’t a single gold-standard editing product that guides users through the whole workflow and helps them check their results.

You probably will want to format your e-book for a varity of readers –  it helps to support as many of devices as possible. The Kindle, for instance, is notorious for not supporting ePub format files.

So here is a little information about the most common e-book formats and their drawbacks, so you can decide what to use to format your manuscript and create an ebook.

HTML:

If you are looking for only one fromat, HTML is more or less it. For one, it’s ubiquitous; almost every text-processing program can generate or read HTML. It also supports many features e-books will use: hyperlinks, font control, section headings, images, etc. Downside not everyone knows HTML.

But if you’re starting with a Microsoft Word or Open Document Format document, your best bet is to export it directly from the source application into HTML. Word users should do a “Save as…” using the “Web Page, Filtered” option, which strips out most of Word’s generated left over junk (cruft).

Exporting to HTML from your source program helps preserve the most crucial formatting and usually preserves sections and chapters: outline headers are turned into h1/h2/h3 tags, which most conversion programs correctly recognize. Some are even able to auto-generate tables of contents from those tags. Word typically does a good job generating TOCs without problems.

Microsoft Word (DOC or DOCX)

If you’re dealing with an original manuscript, odds are it’s probably going to be in Microsoft Word format. Almost every device on the face of the Earth can read or write Word documents. And the format has native support for most everything you could think of: formulas, chaptering, footnotes, indexes — anything that might show up in an e-book.

Word documents are best as a starting point for an intermediate conversion format, most likely HTML, rather than a format that can be converted directly into an e-book. In fact, most e-book conversion programs don’t accept Word natively as a source document type. They may accept Word’s sibling format, RTF, but that is already at least one stage of conversion away from the original and increases the chance that certain features might not make it through the conversion process. For example, RTF does support features like sections and footnotes, but the Calibre e-book creation suite, for one, doesn’t process them correctly.

OpenDocument (ODF)

OpenDocument is the format used by OpenOffice.org. Microsoft Word also supports ODF as one of it’s formats. it reads and writes.) Third-party OpenOffice offers extensions that let you export directly to e-pub formats. There are also a number of standalone applications, such as ODFToEPub. If you’re already used to creating your documents in ODF, your path to creating a finished e-book may be  shortened, slightly.

ePub:

An open, non-proprietary format. Uses XHTML as the basis for its document format. ePub is widely supported as an output format by various e-book production applications. iTunes only accepts ePub as a source format, so it couldn’t hurt to render a copy of your product as ePub no matter what other formats you use.  Books that require PDF-style page fidelity won’t work well in ePub.

Mobi and Kindle:

After Amazon bought Mobit, it made it into the basis for the Kindle reader’s own e-book format. Mobi supports digital rights management, but unencrypted Mobi documents can be read on the Kindle without issues.

PDF

PDFs can be read as-is in the majority of e-book readers, including the Kindle. It is best used when you want to maintain absolute fidelity to page layout — images, typefaces, etc. But this is the very feature that makes PDFs a problem in some scenarios. Other e-book formats are designed to work independently of any particular device resolution, so pages reflow automatically for each device. This is one of the reasons the Kindle didn’t make use of page numbers at first, since the page numbering for a particular book depends on what device or screen size you are using.

PDFs reproduce the formatting of the original page, no matter what the size of the destination device, so a PDF formatted at a certain size may be readable on a large display, but look cramped on a Kindle or Nook. If you plan to use PDFs, you may want to consider exporting your document with different page sizes for people using e-readers with small screens.

Calibre:

http://calibre-ebook.com/  Calibre is a free and open-source application marketed as a personal e-book management solution. It can be used as an e-book conversion utility.  It is powerful and may be the best place to start, especially if you want to distill output for multiple e-book formats. The program can accept ODF, RTF, ePub, Mobi, PDF and HTML. Calibre can also reformat documents unwrapping plain text that has too many line breaks or insert chapter breaks by looking for certain text structures (such as a line break, the word “Chapter” and then a number).

It doesn’t support DOC or DOCX documents, so anything coming from Word, so you will have to save it in another format first.  Serdar Yegulalp, a computer techology author says, ”Saving in either ODF or HTML from Word seemed to do the best job of preserving formatting and features, including things like monospaced formatting for code examples. Doesn’t process footnotes correctly.”

Sigil:

http://code.google.com/p/sigil/ Sigil is a multi-platform EPUB ebook editor – free open source. It’s an editor that exports to e-books (has a built-in document editor) it includes various tools for collating and assembling a finished e-book (such as a table-of-contents editor). Sigil’s main drawback is how it handles importing – only accepts HTML, plain text or existing ePub files as input documents.

Jutoh:

http://www.jutoh.com/ Accepts OPL files and has slightly more robust editing options. The cost is $39.

Adobes In Design is a full blown publishing solution, but it requires a lot more work and knowledge to generate a finished product than a simple conversion utility. Second is the price tag: It starts at $699.

TIP: Include a Table of Contents

An e-book that isn’t properly chaptered is difficult to navigate. Going to an arbitrary point in a book is not as easy as it should be. The Kindle, for instance, has no touch screen, so jumping around in a book without a table of contents is a chore.

If you have gone through the process of formatting and converting your own ebook, we loved to hear what you chose.

Talk tomorrow,

Kathy

Someday will we be nostalgic about our good old-fashioned Kindle or Nook?

In his “For Lack of a Better Comic” strip, artist Jacob Andrews imagined how we will talk about eReaders and digital books in the future.

If you liked the comic, check out the complete “For Lack of a Better Comic” archive at this link.

New Career Opportunities Daily: The best jobs in media.

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by Bruce Lidl

With Thanksgiving (and the various themed shopping days that follow) now past us, the highpoint (or lowpoint depending on your viewpoint) of the annual shopping season has arrived in full force, and according to various trend observers, tablets are once again one of, if not the, thing to give or receive this year.  Unlike in previous years however, when “tablet” actually just meant “iPad,” in 2012 we are finally seeing a bit of diversity in the “portable device that is bigger than a smartphone but doesn’t have a keyboard” category, beyond just the offerings from Cupertino.  And considering what a great fit for comics tablets are proving to be, no matter the specific shape or size, not to mention the ever expanding offerings of digital comics, it is worth a glance to see how the landscape is shaping up for tablets and comics this year.

Amazon released the original Kindle Fire roughly a year ago, and while it has certainly not overtaken the tablet crown from the iPad, it did demonstrate that other companies could compete in the arena, particularly if their device had tight integration into broad content eco-systems (something that all the pre-Fire Android tablets sorely lacked).  Smaller, less powerful, but decidedly cheaper, the Kindle Fire expanded the Kindle brand beyond mere black and white eReaders and helped to legitimize the 7 inch form factor, despite Steve Jobs’ previous dismissals of that format.  Attempting to build on the first Kindle Fire’s success, Amazon has diversified its lineup of tablets this year, offering not just the original Kindle Fire ($159), but expanding with the Kindle Fire HD (same size and shape as original but better a 1280×800 screen, more powerful, etc for $199) and the Kindle Fire HD “8.9 (larger, better 1920×1200 screen, more powerful, etc. for $299).

Barnes & Noble technically beat Amazon to the punch with their Nook Color, a 7 inch Android skinned tablet very similar to the original Kindle Fire, but without the marketing power of Amazon, the Nook Color languished a bit compared to its Kindle competitor.  Nonetheless, B&N (with some financial assistance from Microsoft) is pushing ahead with tablets, and now has an improved Nook HD (better screen, more powerful, etc. for $199) and a larger 9 inch Nook HD+ ($269).  A third entry in the eReader-based Android-skinned tablet competition is the Canada-based Kobo, with a very Kindle Fire-like Kobo Vox ($179) and a newer Kobo Arc (better screen, more powerful, etc. $249).

The offerings from Amazon, B&N and Kobo share some fundamentals, notably they are essentially modified Android tablets, with strong integration with their respective online retailers. All of them do, however, allow the installation of Android apps so with some basic technical know-how they can each provide access to each other’s stores, or other independent markets.  An owner of a Nook HD could conceivably purchase content from B&N, Amazon or any of the comics publishers affiliated with Comixology, iVerse or their own stores (like Dark Horse).  Hence, preferences between these pretty similar devices will likely depend more on comfort with a particular retailer than any noticeable specification or app differences at a particular price point.

Of course, the hitherto dominant figure in the tablet world remains the iPad, and Apple continues to iterate the device now in its fourth generation.  The big news is, however, the introduction of the iPad mini, the first major deviation from the original iPad format, shrinking the screen down from 9.7 inches to 7.85, creating a tablet that is smaller, lighter and more ergonomic, if sacrificing some power and display resolution.  By all indications the iPad mini is proving to be very popular, and has even convinced some Apple observers that the mini is the logical development of the iPad, and the smaller format will become the “default” size ultimately.  On the other hand, the mini goes backwards from a resolution standpoint (1024 x 768) and is not a “retina” display, or even “high definition” by normal understanding.  While the mini obviously benefits from the maturity and depth of the overall iOS experience and App Store, from a specific comic perspective, the advantage the standard iPads have had in displaying graphic storytelling is somewhat blunted in this case.  For $199 the Amazon Kindle HD has a 7 inch display with a resolution of 1280×800, and while resolution is not the only factor when it comes to screen quality, it does create an interesting comparison to the $349 iPad mini.  The fourth generation non-mini iPad retains the larger screen size and high resolution display (2,048 × 1,536) of its predecessor, but did receive a computing power boost and starts at $499.

From a sheer visual quality standpoint, it is hard to beat reading comics on the larger, sharper iPad, but as we have already seen, Android competitors are not sitting still when it comes to resolution, and comics should look fantastic on any of the HD capable models from Amazon or B&N.  The most buzzed about Android tablet this year, however, remains the Nexus 7, the first tablet in Google’s Nexus line of quasi-flagship devices that receive special software attention from Google.  A relatively powerful device for its 7 inch screen size, with HD resolution, no retailer app restrictions and a guarantee of always receiving the latest version of the Android operating system, the Nexus 7 will appeal most to price sensitive power users at $199.  There is also a larger Nexus 10 available, but with a size, screen and price ($399) that borders on iPad territory it is not as compelling an option, although digital comics will certainly look great on it.

Surprisingly, at least to me, what may be the best current “over-all” tablet choice with a comics emphasis is the Barnes&Noble Nook HD+.  It has a large-ish size screen that displays digital comics excellently, has a pretty good price to performance ratio ($269 for the 16GB model), can be rooted for maximum flexibility and compatibility, and even has the ability to expand storage with microSD cards (up to 32GB added).  Still small and light enough to be read in bed comfortably, the Nook HD+ offers many of the benefits of the larger iPad, but at almost half the price.

Are you planning on giving or receiving a tablet this year?  Which one do you want, and why?

Barnes & Noble announced today that the Nook will be available in the UK this fall. The book retailer will begin sell its Nook eReaders through the storefront www.nook.co.uk in mid-October.

AppNewser has more: “The store will launch with the Nook E Ink Readers — the Nook Simple Touch and Nook Simple Touch with GlowLight. The store will also sell eBooks, apps and digital magazines and newspapers with a catalog of more than 2.5 million titles. The company will also sell its devices at leading retailers in the UK.”

While the store opening does put Barnes and Noble in business just in time for the holiday shopping season, the book retailer is late to the game in the UK market as compared to its competition. Amazon, Kobo and Google already sell devices and eBooks in the UK.

New Career Opportunities Daily: The best jobs in media.

Can we finally put the argument to rest? E-readers are not killing reading, nor are they killing books. As research shows, people who own e-readers not only read more than people who don’t, but they read both e-books and print books. Not to mention, there are plenty of populations, from prison inmates to seniors, who will need print books for a long time coming. Neither one is going away.

That’s not to say that they’re the same, though. Far from it. In my experience, e-readers attract different types of readers than print books, and they’re also engaging more people who were previously non-readers. Anybody who thinks that’s not great, well… There are also scads of e-reading apps available for phones, tablets, and computers, so e-content is available to more than just people with Nooks and Kindles. People use e-readers for a variety of reasons, from pleasure reading to research, so it’s good to consider how many bases you can cover. The Pew Research Center released a report on reading, readers, and e-readers recently, and ALA of course responded. While Pew’s data is encouraging (among other statistics released, the study found that people who use e-readers read more books per year than people who only read in print), ALA pointed out that the stats of who reads at all, and who reads in what format, are also related to education and income level. So what can you do about it?

First, take a look at your e-book collection and see what types of materials are most widely represented. In my anecdotal experience, I’ve found that bestselling memoirs and adult fiction are easy to find in e-book format, as well as genre fiction like westerns and romance. Pew’s study also indicated that people are drawn to print and e-books for different reasons, based on the types of materials they can find. This is your chance to offer innovative e-materials, as well as to fill some gaps that your print collection just can’t do. If your library offers Kindles or other devices for checkout, and not just the e-materials, see if you can designate one of them as the YA e-reader, and fill it up with some teen-friendly stuff that will attract readers and non-readers alike. If you don’t have library-owned devices, you can always offer these suggestions on a flyer for your patrons who own personal devices.

I probably should save these comments so that I could actually have something to write about come Sunday, but heck! I’m on spring break and I’ve got nothing but ideas!

First, I have to share with you that I’ve gotten a new position! I’ll be working as an Assistant Reference Librarian at Indiana State University beginning this spring and if it weren’t for all the books (and other stuff) that need to be packed between now and then, I’d be flipping cartwheels!

I did take time out for a walk this morning and enjoyed the cool crisp air as much and the pink and white blossoms on the trees. Such beauty really got me to thinking… about books… Does your local Barnes and Noble have a Starbucks? Mine does and I’m wondering why the Starbucks near me doesn’t have a Barnes and Noble. I mean, many people actually sit for a spell at Starbucks, taking the time to read, computer or just chat. So, why don’t these companies increase each of their sales potential by putting books for sale in the Starbucks and heck, while they’re at it why not allow Nook access in the Starbucks just like at B&N? Seems like a no brainer to me!

Voya just shared an article based discussion on Twitter regarding “The power of Young Adult Fiction.”

Have you ever noticed how national news programs send the Latino guy to cover Latino issues and the Black guy to cover Black issues? I hate when they do that because while the network looks like they’re relating ethnically diverse issues, they’re really marginalizing the issue and stamping it as a Latino/Asia/Native American issue and not as a people issue.

To me, that’s what the New York Times has done with their piece on Young Adult fiction. Why not have a White author address diversity? An Asian address complexities and Latina talk about social networking? Why let readers continue to believe that the lack of diversity that surrounds us only continues to concern people of color? And, by the same token make it seem as if people of color have no other issues? Go on, join the discussion!

Time to pack some more boxes!