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BARBIE, KEN AND THE REST IN PLASTICVILLE
BY ELEANOR TYLBOR

The continuing and sometimes funny, sad but always interesting story about life and love among the plastic people)

The story so far: Barbie, famous fashionista and media doll celebrity and cyber star of the continuing cyber soap opera, BARBIE KEN AND THE REST IN PLASTICVILLE, has now been relegated to a warehouse, somewhere, along with her friends, KEN, G.I. JOE, BLAIN, the BRATZ, due to a product recall. In stark contrast to their former lives of wearing expensive high end clothes and doing the club scene, they are now in the dark in the true sense of the word, stashed away in boxes.

As we pick up the story, they are in the midst of planning a rebellion to draw attention to their plight and get free in time for the Christmas rush.


BARBIE
Okay. Can we get started? Is everyone here?

G.I. JOE
Oh I’m here babe! Big time! All I gotta do is flip the trigger on this here weapon of mass destruction and then… Boom! We’re outta here big time!

BARBIE
Joe, Joe, Joe… Get this through that thick plastic blob sitting between your shoulders…

G.I. JOE
…I love when you talk dirty like that babe…

BARBIE…whatever. Like...has it hit you yet you are lying down flat on your back in a cardboard box, unable to move?

G.I. JOE
Has what hit me? Nothing hit me! At least I didn’t feel nothing… Uh-oh - it's the enemy planning to strike and I gotta act like…fast and protect youze all! All I hav'ta do is pick up my weapon here... Arm - move! It's gonna move now... I...think...I...feel...something cold...in...my...hand...

BARBIE
(sighing)
Like...just forget about your weapon. 'Kay? Focus Joe - focus!

G.I. JOE
I'm...not sure of...what...this is... I don't remember...them...making weapons with long tails. Then again...a soldier has'ta be prepared for everything and I'm the best, y'know

BARBIE
You’re a legend in your own mind. Ken? Are you around, here, somewhere?

KEN
I-I’m scared, Barbie! It’s so…dark here. And...and I'm soooo cold... Why am I so cold, Barbie?

BARBIE
'Cause it's winter and you're wearing your surfing outfit! You don't have to be scared. I'll protect you

G.I. JOE
Hey! That’s a soldier’s job!

BARBIE
Listen G.I. – like…let me lay it on you the way things are. You are stuck in a cardboard box along with the rest of us

G.I. JOE
Hey! A soldier is never stuck! A soldier always has options!

KEN
(sobbing)
Mommy! I want my mommy!

G.I. JOE
Oh shut your trap, sissy boy! Act like a man and not a cry-baby for pete's sake! ‘I-want-my-mommy…’ This man’s army would make a man out’ta you. Ten-shun!

BARBIE
Like…how did this happen? Me, a former fashionista whose biggest problem was what outfit to wear and which club opening to be at? Look at what I’m reduced to? Can we get on with this meeting? Blain? Are you around somewhere?

BLAIN
Here! Trying…to…lift…this…top… Forgetaboutit. When I was in Australia…

G.I. JOE
There he goes again, talkin’ about that there strange soundin’ place ‘Stra-li-a! ‘Stralia this and Stralia that.’ We don’t care about your weird sounding place with a foreign name! Got that? Or maybe you need a little convincin’ with some lead…

BARBIE
Don’t listen to him, Blain. Like…his elevator don’t go to the top floor if you get my drift. Can we start now? Like…Christmas is almost here and like…we gotta be on the shelves in toy stores or we’ll never be here…forever! We hav'ta make our move, now

(sound of sobbing coming from KEN’s box)

G.I. JOE
There he goes again. ‘Wa-wa-wa!’ Be a real doll for once in your life, soldier! Ten-shun!

BARBIE
Know what’s really sad?

G.I. JOE
I’ll tell you what’s sad, babe! I could run out’ta bullets!

BARBIE
Like…I’ve been wearing the same outfit for like…months! I mean, a fashionista like me deserves better! And…and…nobody will wanna buy me because my beautiful blond hair will be flat and…and…

BLAIN
It’s okay. In my eyes, Barbie – you’ll always be the most beautiful sheila around

G.I. JOE
What’s that? Who’s Sheila? Did he make a pass at you, babe? ‘Cause if he did…

BARBIE
Oh Blain! If only…if only…we weren’t stored away in boxes and…and…we could like…reach out and touch each other…

BLAIN
We have to make a big push to get out. What if your friend, Joe, there, could shoot himself out of his box and then he could do the same for us…

BARBIE
Like…I dunno. The last time he fired his weapon, he shot his right foot off

G.I. JOE
Hey! You promised that would be our secret. Did I cry, huh? Did I? No I didn’t because I’m a real soldier! Not like sissy-boy over there… Anyway, I still got one good foot

BLAIN
Listen – we don’t have much choice, here. Um…G.I. – we need your services as a soldier!

BARBIE
Like…I dunno. I’m getting a bad feeling about this


QUESTION DU JOUR: WILL G.I. JOE BE ABLE TO FREE THEM FROM THEIR CARDBOARD PRISONS? MORE TO THE POINT, WILL THEY SURVIVE? STATE TUNED FOR THE NEXT INSTALLMENT OF “BARBIE, KEN AND THE REST IN PLASTICVILLE”

IBBY SA has announced that the following books have been selected as IBBY SA’s Honour List to be presented at the IBBY World Congress in Copenhagen in 2008 as having made a significant contribution to recent South African literature for children and young people:

Author: Afrikaans
Jaco Jacobs: Suurlemoen (LAPA Uit-gewers, Pretoria, 2006)
Jaco Jacobs het hier daarin geslaag om op oortuigende wyse ’n regte, egte tiener-verhaal te vertel. Die sestienjarige Tiaan Fourie, saam met sy ‘partner in crime’, die baskitaarspeler en moeillkheidmaker Zane le Roux, word aangemoedig om hulle band vir die Rumoer-kompetisie in te skryf deur die musiekonderwyser. Hulle kry uiteindelik toe ’n vocalist en ’n drummer. Jaco Jacobs het ’n lewendige, vermaaklike en genuine jeugverhaal geskep met genoeg opwinding en humor en ’n sterk spanningselement om jong lesers te vermaak. Die karakters is werklik tieners; die styl lig, gemaklik en onderhoudend. Jaco Jacobs word geluk gewens met ’n oortuigende leesbare en toeganklike jeugverhaal.

Author: isiXhosa
Mhlobo Jadezweni: UTshepo mde / Tall enough (Electric Book Works, Cape Town, 2006)
Tshepo is a boy who wishes he was as tall as a beautiful tree. He plants himself in the ground, waters himself, and magically grows into one. But, as a tree, he soon comes to realise why it’s good to be a little boy, at least for now. Told in isiXhosa, and accompanied by an English translation, this book is about the worries of growing up and belonging. The story is funny, poignant and surprising, and fuses the mythical and the domestic in a quintessentially African fairytale. (from the publisher’s information sheet)

Author: English
K Sello Duiker: The Hidden Star (Umuzi Books Random House, Cape Town, 2006) (posthumously)
K Sello Duiker’s last novel, edited after his death by publisher Annari van der Merwe as a tribute to her friend and author, is something of a milestone for South African literature for young people. Eleven-year-old Nolitye takes upon herself the quest to bring together again the separated pieces of a magic stone that will both reveal and heal. So, yes, this is a fantasy story every bit as much as any in the great classic tradition, but the achievement lies in this fantasy being embedded in a uniquely South African reality: every taste, sound, sight and smell in the novel smacks of South Africa, and, specifically, of Phola township in Gauteng. Its authenticity is unassailable. We are the poorer for the loss of a talent such as Sello’s; but South African literature for young people is undeniably the richer for the survival of The Hidden Star.

Translator:
Russell H Kaschula: Emthonjeni trans-lated into isiXhosa from his own English Take Me to the River (New Africa Books, Cape Town, 2006)
Professor Kaschula has earned the respect of isiXhosa-speakers in the academic world; and he now adds to the small but growing body of stories in isiXhosa for young teenagers. Chance and the recent history of South Africa make the young black boy Zama and the young coloured boy Pieter next-door neighbours. But they make their friendship themselves. And it is the kind of friendship that proves it can withstand a number of severe tests and challenges. The author is unafraid of tackling social issues that are potentially controversial – and even divisive. He skilfully harnesses them to serve his theme of individual human bonds bringing and keeping people together.


Illustrator:
Anneliese Voigt-Peters: Ouma Ruby’s Secret by Chris van Wyk (Giraffe Books Pan Macmillan,Johannesburg, 2006)
This story is taken from Chris van Wyk’s memoir about growing up in Riverlea in Johannesburg, Shirley, Goodness and Mercy. He has rewritten, for a young audience, a story about his beloved grandmother Ruby. One day he meets his Ouma in town and she buys him two books. For her birthday two weeks later, he writes a letter which he wants her to read out. She makes the excuse that she does not have her glasses with her. His mother takes him aside and quietly tells him that Ouma Ruby cannot read. This gentle, very real story is sensitively illustrated in fine watercolours by Anneliese Voigt-Peters. Her images capture the essence of the neighbourhood and houses and the extended family inhabiting the boy’s world. A book to be treasured as a fine example of how an illustrator who knows her material and the environment in which the story takes place can produce illustrations typically South African in a quiet reassuring manner. She is highly applauded for this little gem of a book.

Taken from Lona Gericke's article in the IBBY SA Newsletter No 45, October 2007.