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Illustrators and comic book creators hunkered down two weekends ago to produce original comic book content.  They did this in cities all over the world.  It was Twenty Four Hour Comics Day – an annual happening launched some years ago by cartoonist and teacher  Scott McCloud, the author of Understanding Comics. (You can read the rules at that link.) This year the event was sponsored by Bawls, one of those caffeinated energy drinks.

In Austin they conclaved at a store,  Dragon’s Lair Comics and Fantasy, where lots of tables had been set up for the artists.  There were all kinds of things going on in the store that rainy night — people were putting models together, browsing the shelves, visiting their friends.

I wasn’t a participant. Only  curious. Plus a pal,  cartoonist and writer Erik Kuntz, part of our enchanted SCBWI tribe, was doing  the marathon again this year. Erik is the author-artist of  Hex Libris, a witty,  kid-friendly webcomic with wonderful characters.

Erik's laptop with a panel from his new comic --work in progress.

I don’t do comics much anymore but they were important to me growing up.  I read them and drew them.

My own formidable classical education came from reading Classics Illustrated comic books — as many as I could get my hands on.  (They were a whole lot better than CliffsNotes.)

(L. to R.) Bonn Adame, Erik Kuntz, Justin Rogers and Jeremy Guyton create at their table during 24 Hour Comics Day in Austin, Texas recently.

Another SCBWI and Inklings Group pal,  illustrator Martin Thomas is a professional colorist of comics.

Mary Sullivan,  supremely talented illustrator for Highlights and many other magazines and books and part of our Austin clan — has illustrated a beautiful and funny children’s comic book.  She draws in comic panels for her own amusement.

Austin SCBWI  illustration chair Christy Stallop does great black and white  comic strip panel style illustrations

A panel of sketches for "Action Packed Gorillas", a new web comic being developed by Erik Kuntz. The dialogue balloons always come first. (Note: The character featured here is a chimp, not a gorilla.)

My stepson Glenn remains  a connoisseur- collector of graphic novels.  School librarians are increasingly making room for graphic novels on their shelves.  Scholastic Books wants to whip up  its own graphic novel brand.

For years the “comic book look” has  been finding its way into wildly popular  “chapter books ” for upper elementary and middle grades. w.  Dav Pilkey is one example.  The Zack Proton series by Austin author Brian Anderson (of our SCBWI Mafia family) with illustrator Doug Holgate is another.

Kads and Matt. Matt has the webcomic http://ayellowworld.com

The Toon Books are comics for toddlers and children just begining to learn to read.

Disney bought Marvel.

By the way, Matt’s blog has a good recap of his experience of the 24 Hour Comics Day here.

Artist-writer Meghan Regis and technical consultant Jeremy Zunker (an engineering student.) Meghan is the creator of the comic series "Yours Truly" published in "The Paisano", the weekly newspaper of the University of Texas at San Antonio. The main main character in the strip is a young woman who lives on the moon. So seriously, that's why Meghan needs a technical consultant around her when she's working. "Because there are a lot of technical terms that are used in the dialogue," Zunker explained.So

And Yes. Women really do participate in 24 Hour Comics Day.  In addition to Meghan (above) there was Kad (who will let me know when she has her website up) and Melanie Moore working on her strip “Sacred Junk” with Amy Middleton (not shown.)

Meghan Regis with her panels.

The teamwork of Jason Poland and Austin Havican ( below) can be seen here and here.

Colored comic panels (watercolor washes) on the comic strip "The Ortolan" created by a collaborative team, Jason Poland, and Austin Havican, whose hands you see here. They described their work as deceptively simple child-like and simply but "definitely not child-friendly." See more of their work at www.robbieandbobby.com. S

Erik Kuntz laughs at one of his digital cartoons as he draws on a Wacom tablet while Justin Rogers works with traditional comic artist materials -- paper, pencil, eraser, pen, triangle, T-square, etc. (In the background with beard is comics writer Tony Franklin. )

As you see, there were fun moments and lots of hard work– or should I say heart work? I guess they go together  — being done by a lot of people  in that comic book store.

Erik is suggesting that we get together next year for something a little less intense than a They Shoot Horses Don’t They? draw-a-thon.

He’s calling it the “geriatric version of 24 Hour Comics Day.” I can’t say that I’m in favor of the name.  It sounds, you know, a little ageist — and hits a little close.  But the idea intrigues. Instead of laboring over pages of comic panels, we could be blitzing through picture book thumbnails and storyboards, or maybe even a dummy.

A children’s book illustrators lockdown. Check back with us in September next year to read our rules.

Seraphine

I don’t want to go without mentioning that I saw the movie Seraphine recently, about an early 20th century painter most of us have never heard of –  Seraphine Louis or Seraphine de Senlis.

Seraphine offers an unblinking look at the dilemma of art vs. reality that confronts all artists and would-be-artists sooner or later in their lives.

It’s being promoted as a fictionalized portrait of Seraphine and also of  the kindly German art collector who discovered her. But I felt its  spirit to be honest. My friend and I were both moved. I recommend that you see it, then give me your thoughts on it.  Leave a comment  and I’ll share another of mine.

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