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26. Face-Lift 1229


Guess the Plot

Love to the 25th Power

1. High school mathematics genius Tim has always been too interested in ones and zeroes to pay attention to girls. But when he tweaks a new formula he's working on it has unexpected consequences - the Binary girl of his dreams comes to life from the paper. Hilarity ensues.

2. Junie Jasmine has 25 boyfriends, and the only way to get rid of them is cannibalism. But eating the flesh of 25 guys won't be easy, not unless she has some delicious apple juice to wash them down. Also, a homeless guy with a cello.

3. After months of calculations, adjustments, and equations, ubernerd Felix Snodgrass has finally found the Holy Grail of Nerddom: The mathematical formula that, when performed, gets girls to instantly fall in love with you. Now all he has to do is leave the basement and find a girl to try it on.

4. Delbert is tired of never having a date for prom, or any other dance. This year will be different. All summer he toils creating his perfect girl. She's beautiful, and witty, and his. But when senior year begins, she falls for Jason, star quarterback. Now Delbert's on a mission to destroy them both.

5. Love Potion No. 9? The Magnificent Seven? Sixteen shells from a thirty-ought-six? Amateurs. When it came to a love of math, Music Professor Studdly McMuffintops would show them a thing or two. He would give them a Love to the 25th Power. Trouble was, he’d never been very good with differential equations… and how in the heck was he gonna work that into a hot, sexy sax solo?

6. Snerdly Butterschnokin had never been much of a people person. But when sweater-wearing Swanoula moved to town, Snerdly’s goose was cooked. He needed to up his game, and fast, before any arrogant hunters could move in on his territory. Trouble was, he’d been stuck at the first level of power ever since he could remember. Let’s see… if breathing was the 1st power, then what was second? And how was he ever to develop his Love . . . to the 25th Power?


Original Version

Dear Agent,

I am seeking representation for my YA fantasy/suspense novel, 70k words, Love to the 25th Power.

Sixteen-year old Junie Jasmine Wilshire’s got 25 boyfriends, all at the same time. And most of them want to kill her. [What's stopping them?]

Ex-boyfriends is more like it.

But, as far as she can remember Junie's never even had a date, let alone a boyfriend. But one of her exes swears she's been with him for years. Her only clue, giving to her by a silent, cello-toting, homeless guy is a note with a single word written on it "Haven."[I think I'd rather know the explanation for this seeming contradiction than who gave her the clue.]

No girl wants to eat the flesh of her ex-boyfriend to heal her wounds, but cannibalism of past lovers is the least of Junie’s worries. [What the--? Where is this coming from? You can't bring up cannibalism of past lovers without laying some groundwork or immediately explaining yourself.] Junie Jasmine Wilshire only wants to be herself- a non-conforming, irresponsible, teenage tomboy who likes urban hip-hop and apple juice. Yet, when the reigning high school cat-fight champion crashes her sixteenth birthday car into a ditch, Junie realizes she is not immortal. [Did she think she was immortal up until then? If so, why?] [The sentences in that paragraph don't seem connected to one another.

But, the many men hunting her very well could be.

A thousand years ago, a witch poisoned 25 men with a potion that captured every romantic ideal of love in its spell: long-lasting youth, emotional intimacy, soul bindings, and last but not least, duration--forever. [This "poison" doesn't sound so bad to me. It's like your doctor tells you you've contracted an STD and, horrified, you ask what the symptoms are and she says, "Eternal youth, a much-improved sex life, and no side effects.] [Maybe you can just say she gave 25 men a potion.] [Maybe you should start the query here, as up to now everything's been sounding nuts.] Like 25 blood vessels connected to one heart, the men will survive as long as she, the heart, survives.

But there’s a problem: men hate forced commitment, and when the spell lifts after a thousand years, [What was that about "duration--forever"?] they want revenge. Now, the witch is sixteen years reincarnated, and Junie Wilshire is their new (and improved!) soul-mate. [Are you saying she's the witch? If so, she would have had to die in order to be reincarnated. If she died, why didn't the 25 "blood vessels?]

Junie’s got to figure out what's going on, who she is, and how to break up with her exes once and for all. And fast. The past has come back to haunt her. Karma is a real, and the men are out for blood. She’s got to drop the mean-girl act, [What mean-girl act? She's been described as a a non-conforming, irresponsible, teenage tomboy who's never had a date, not as a mean girl.] protect her friends and frienemies [From what?] or bring her immortal soulmates down with her. [Are her soul mates immortal despite the spell being lifted?] [I don't see why she has to drop the mean-girl act or why she has to protect her friends. What does she have to do to thwart those hunting her? Leave town and go into hiding? Can she put them under another spell? Can't her witchy powers protect her from them?]


Notes

This is all over the place, confusing, disorganized, and full of extraneous information. If you use only the last three paragraphs it'll sound decent, something like this:

A thousand years ago, a witch put a spell on 25 men, granting them eternal youth but also binding their souls to hers. Problem is, the men didn't all want to be romantically committed to the witch.

Fast-forward to modern times. The witch has taken the persona of 16-year-old high school student Junie Jasmine Wilshire. The spell, which lasts a thousand years is about to be lifted. And Junie's "soulmates" want revenge.

Junie’s got to figure out how to break up with her exes once and for all. And fast. The past has come back to haunt her, and the men are out for blood.


Build on that, especially with the stakes. What must she do and what happens if she fails to do it?

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27. Firebird: A Guest Post by Sam Bloom

firebird 300x273 Firebird: A Guest Post by Sam BloomIs it possible for a guy who has won three BGHB Honors, four Coretta Scott King Honors, and one Caldecott Honor (in 1998, for Harlem) to be underrated? Why yes, yes it is. Christopher Myers continues to fly under the radar every year when it comes to Caldecott buzz, but I’m guessing the real committee will take a good look at this one.

Julie Danielson interviewed illustrator Myers and author/ballet dancer Misty Copeland at Kirkus a while back; it’s a great piece that is definitely worth a look. In it, Myers talks about how he decided on collage because it allowed him to “choreograph across the page,” using color and texture to reflect the juxtaposition of the “riotous energy” and “careful attention to detail” that constitutes the essence of dance. Keeping this in mind when reading Firebird, I would contend that Myers nailed the “appropriateness of style” criterion…but I would argue that he scores nearly as well with the other criteria, too.

Myers’s illustrations are like intricate puzzles for the reader to take apart and put back together, over and over again. For instance, look at the first full-page spread: the young, unnamed dancer gazes up from the bottom left corner as adult ballerina Misty leaps across a night skyline. In the background, buildings twinkle above a frothy-looking river spanned by a bridge. Misty’s white outfit makes a striking contrast against the lovely midnight blues and deep purples of the sky and river. But don’t stop there: look closer. Note first the texture of the collage, the overlapping pieces of cut paper used to make the night sky, the white-washed blues and blacks of the river below. Now zero in on that skyline. The building above Misty’s outstretched right calf…is that a picture of someone’s hand resting on a gray table, cut into a building shape? And the building above her right knee looks to be a shadowed photo of a brick wall… or is that a fence? All of this is barely noticeable when viewing the spread as a whole, but the bizarre (yet lovely) details become apparent when you lean in for a better look.

In Jules’s piece, Myers talks about how he focused mostly on color and texture to show emotion, and to my mind he succeeded completely. To give just one example, the endpapers are a fiery mix of reds, golds, and oranges, extending that Firebird motif from the front cover. This is some abstract stuff, but young readers will no doubt respond to the hot colors (forget that they are normally referred to as “warm”; these hues are habanero-smoking hot) and texture. To be sure, reading Firebird is an extremely tactile visual experience. Looking closer at the endpapers, I see feathers, the bumps of a diamond-studded (I think) strawberry, a fabric of some sort, and either a shag carpet close-up or a sea anemone. And here, as throughout the book, the reader can clearly see where each piece of cut paper ends and the next begins.

I hate to bring up the typography because I find the book to be practically perfect in every way, but the two fonts are not perfectly chosen. The text is a dialogue between the two characters, with the young girl’s words appearing in a bold italic font and Misty’s words appearing in a bold Roman font. I wish there was more differentiation between the two type styles, because I had to look twice on many occasions to see who was talking. It’s a lovely text, though, and Myers does a fabulous job with his interpretation.

Speaking of interpretation, my own interpretive skills aren’t terribly great, so I’m always curious to hear what others think. What do you all think is going on in some of those spreads? Especially intriguing to me is the final spread, where Misty and the young girl dance together wearing matching white tutus. Silhouetted dancers leap and twirl in front of multi-colored backgrounds, including what I believe is a male dancer to the extreme right. The spread itself is a stunner — it’s absolutely gorgeous — but I don’t completely understand it. Thoughts? And in more general terms, what does everyone think? Are you all high on Firebird, too?

share save 171 16 Firebird: A Guest Post by Sam Bloom

The post Firebird: A Guest Post by Sam Bloom appeared first on The Horn Book.

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28. Ticking Clocks and Tracking Eyes

I'm excited to be visiting the Texas A&M. I did a couple of radio interviews in the morning, and then painted this 45-minute gouache sketch of the old clock in downtown Bryan. I used four colors: white, ultra blue, burnt sienna, and cad yellow.

I had lunch with professors Ann McNamara of Texas A&M and Donald House of Clemson University, both of whom share my fascination with eye tracking as it relates to artists.


I was thrilled to have a chance to try out the eye tracking tech setup at the Visualization Lab. Here, graduate student Laura Murphy is calibrating the system. She's checking alignment points on stereo images of my face as I look at a test screen.

Below the computer monitor are the two infrared sensors of the FaceLab 5 system. The sensors track both the exact direction of my eyes and the direction of my head so that the system can record exactly where I'm looking within the display monitor. 

The monitor has a photo of grocery store shelves crowded with products and overlaid info tags that pop up in response to where I'm looking, part of an augmented reality experiment they presented at Siggraph this year.
---
I'll be spending time with students of the Department of Visualization in their classes today and tomorrow, and I'll give a free digital slide lecture about picturemaking and worldbuilding in Dinotopia in the Geren Auditorium in the Langford Architecture Center, Building B, Thursday at 7 p.m.
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Previously on GurneyJourney:
Eyetracking and Composition, part 1
Eyetracking and Composition, part 2
Eyetracking and Composition part 3

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29. When A Grandpa Says "I Love You"



  When A Grandpa Says "I Love You"! Out this fall from Simon And Schuster.







0 Comments on When A Grandpa Says "I Love You" as of 10/21/2014 12:40:00 PM
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30. Macmillan to Publish New Board Book By Jimmy Fallon

DadaThe Tonight Show host Jimmy Fallon has been working on a new book. Macmillan Children’s Publishing Group will release Your Baby’s First Word Will Be Dada as a board book on June 09, 2015.

The story follows a father as he tries to make is so that his child’s first word is “dada.” This project was inspired by Fallon’s mission to compel his daughter, Winnie Rose, to say “dada” for her first word. Sadly, the young girl did not comply and instead said “mama.”

Here’s more from The Hollywood Reporter: “This is Fallon’s second board book. The first, Snowball Fight, about kids having fun when school is canceled for snow, came out in 2005. He’s also the author of a couple of funny books for adults — Thank You Notes and Thank You Notes 2 — that were based on skits from his late night TV show.”

New Career Opportunities Daily: The best jobs in media.

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31. On Handling Criticism

by

Alex Bracken

Alex

On Saturday morning, as I was scrolling through my Twitter feed, I came across an article written by another author, describing the great lengths she had gone to to track down and, I guess, expose a reviewer she felt was too harsh and inaccurate in her review of this author’s work. The author describes the supposed harassment she received from this reviewer in the weeks that followed, and, after some “light stalking” (there is no such thing as “light stalking,” just stalking) of this reviewer’s social media, she ultimately showed up on the reviewer’s doorstep to confront her. I think we are all in agreement that this act was 100% unacceptable behavior and terribly, horribly frightening for the reviewer who had every right to protect her identity online. I’m fairly certain you all know what I’m talking about, but rather than link you to the essay, I will point you in the direction of posts from Dear Author and Smart Bitches, Trashy Books for a better, balanced discussion.

What I want to talk about today are ways to cope with negative criticism as an author. We all receive it. We all see it. And if you haven’t reached that step of your career yet, well, you should expect it and start conditioning yourself to handle it now. It’s easy to think that you can take a rational stance when it comes to getting feedback about your work, but there are so many emotions at play here, that I think many authors are surprised by how gut-deep they feel negative words (and how easy it is to ignore the positive). I’ll be the first to admit that I was not great at coping when my first book was published in 2010. I stalked my Google Alerts and the book’s GoodReads page. Every good review was like a hit of wonderful sunshine-y rainbows, and I’d keep coming back for more… but then I’d see a critical review and it would smack me down into this dark “maybe I do suck” place. So what formed was a cycle and I knew I was going to have to break it if I wanted any sort of career.  Here is what has helped me:

1) Don’t read reviews. Plain and simple, do not read reviews, good or bad. This is the only thing that has ultimately saved my sanity and allowed me to be productive. It’s obviously easier said than done, especially when a book is first coming out and you’re dying to hear what people think. You will never be able to stop with just one review. I recommend staying off GoodReads entirely, but I actually do think it’s important for authors to have a presence there so they can update their books’ information pages and respond to questions and messages. If you find you need a hit of GR, I recommend bookmarking the Readers Questions page for each book or your author dashboard and really keeping to just those pages. You can also add books you’re currently reading without looking at your own books’ pages–don’t sneak a peek. If you find yourself with a crippling addiction to checking on the average or seeing if anyone new is reading it, block GoodReads on your browser.

My one exception to this rule is that I do read professional reviews from trade publications like PublishersWeekly and Kirkus Reviews, because those publications are used by librarians to see if they should purchase the books for their libraries. But you can always ask your editor to hold the reviews back if you really don’t want to see anything.

2) Remember that not every reader is on GoodReads. GR is a fantastic community of book lovers, but if you were to ask the average person on the street what they thought of it, a lot of people would just blink at you in confusion. Bad reviews may feel like someone is trying to mock or humiliate you (they’re not) for public consumption, but that public is actually just a fraction of the number of people reading your books. Don’t believe me? Check your royalty statement against the people who have marked the book as ‘read.’

3) We are all students. The goal of any writer should be to improve and grow with each book. No matter how perfect you think the story is, there is always room for improvement. Embrace that idea, and, if you must-must-must read reviews, learn to recognize a real critique someone is giving you versus a statement about their personal taste, the latter of which is completely out of your control. (eg “This author didn’t spend enough time developing the secondary characters.” versus “I didn’t like XX character. I thought they were annoying.”)

4) Trust reviewers to know their tastes. One thing I’ve learned over the years of getting to know book bloggers and reviewers is that they know what’s going to work for them and what’s not going to work for them. They can read another reviewer’s negative review and recognize, oh, s/he doesn’t like this element in books, but I do, and still purchase or request it. They can even recommend a book they, personally, didn’t like to another reviewer/friend who they think will.

5) Bad reviews are better than no reviews. Trust me.

5.5) THREE STARS MEANS “I LIKED IT.” THEY LIKED IT. THEY DID. IT’S NOT LIKE GETTING A “C” GRADE. THEY LIKED IT. GETTING THREE STARS IS ACTUALLY NICE, OKAY? REMEMBER THAT.

6) Keep the old adage in mind: taste is subjective. Think of your group of friends and family. Think about a movie you all saw, or a book you all read that you, personally loved. Not everyone agreed with you, right? Everyone found their own problem with the story or characters that they fixated on. Readers bring their own world with them to a story, and that informs how they read it and how they enjoy it. I think it was Dita Von Teese who said, “You can be the ripest, juiciest peach in the world, but there’s still going to be someone who hates peaches.” I will repeat that to myself over and over if I have to until it clicks in my brain. My epiphany moment came, again, with my first book. I was deep down into the GR rabbit hole, torturing myself by looking at all of the negative reviews, and had a moment of, “Well, what else has this reviewer hated?” Reader, this reviewer hated a lot of books that I myself had given five stars to.

7) Don’t respond to reviews, good or bad. Do not respond. DO NOT RESPOND. If someone includes you when they tweet out the link to the review, you can say thank you, but do not leave comments on their blog, do not leave comments on the GR review. Reviewers are reviewing the books for other readers, not for you. Not even for your publisher. Other readers.

8) Know that you can still be friends with bloggers, even if they didn’t like your book. You are not your book(s). You are an awesome person, and awesome people can be friends with other awesome people. Much like you can be friends with other authors never having read their books or not liking them very much. A negative review isn’t a sign that you’re being shunned, just that your book did not work for that reviewer. But, hey! You both love Sleepy Hollow, so why not chat about that on Twitter instead?

9) Make it so the people who love your work can find you and you can banish the negative voices. The best thing I ever did in this regard was set up a PO Box and an author email account for readers to contact me. Because the ones that are taking the time to write to you are the ones who either are thinking critically about your story enough to have pressing questions or because they love it. You might occasionally get a message from someone who has strong beliefs that contradict what you’re saying in your books, but those will always be fewer than the chorus of sweet, awesome voices of the readers you reached and affected on a personal level. If someone is being a troll on Twitter to you, block them. Done. If you track Tumblr tags of your name or book title, install an extension or plug-in like Tumblr Hatred that lets you hide posts you’d rather not see each time you check the tags.

10) Shake it off. Yes. Like TSwift is telling you to. One of my favorite lyrics in that song is Just think while you’ve been getting down and out about the liars and the dirty, dirty cheats of the world/You could’ve been getting down to this sick beat. Basically, your energy is WAY better spent thinking and caring about the people who like your book. As I said above, don’t ignore a hundred voices telling you they like your stuff in favor of the one or two voices who are basically just saying “eh… not my cup of tea.” There are certainly going to be reviews that are way harsher than that in your lifetime, ones you think go too far. The best response is still no response. It’s getting up from your computer and going to do something you love. Or, you know, turning off the internet and writing. Anything that affects your productivity isn’t worth your time.

Alex lives in New York City where she writes like a fiend and lives in a charming apartment overflowing with books. She is the New York Times bestselling author of The Darkest Minds and Never Fade. You can visit her online at her website, Tumblr, or Twitter.

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32. 3 Ways to Increase Your Daily Word Count While Away From Your Computer

Image by Beliroz, deviantART, courtesy of a Creative Commons License: http://beliroz.deviantart.com/art/Keyboard-in-the-night-183881657

Image by Beliroz, deviantART, courtesy of a Creative Commons License: http://beliroz.deviantart.com/art/Keyboard-in-the-night-183881657

While I’ll be cheering on NaNoWriMo participants from the sidelines this year rather than joining the race, I am forever looking for ways to expand my own daily word count—not just in November, but all 12 months of the year. My goals may be more modest (while they fluctuate depending on my work-in-progress and what stage it’s in, I currently aim for an average of 1,000 words a day, six days a week), but with a full-time job and a family, they’re not easy to meet.

When people find out I’ve got a novel in progress, they inevitably stop to take in my energetic 3-year-old boy, already-almost-walking 9-month-old girl, and full-time job overseeing Writer’s Digest magazine and say the same thing: Wow, you have your hands full.

I do. Literally. If I’m not in the office, you can often find me with a giggling, hair-pulling baby in my arms, a pot on the stove (or, um, the pizza guy on the phone), and a little boy dressed as a superhero tugging on my pant leg.

So for me, pushing my daily word count is about finding ways to write in between the times when I can actually sit uninterrupted at my laptop. Here are three methods that work for me—and may just work for you, too.

1. Ms. Phone, please take a letter …

On TV commercials, people talk to their phones to find out where the nearest Chinese restaurant is or to remind themselves to buy flowers for their anniversary. I talk to my phone to record ideas for fictional scenes that pop into my head at random moments of the day. Snippets of dialogue, emotional descriptions and plot notes all get recorded to be sure they don’t evaporate before I can get to my keyboard.

On my drive home from work, I have about 15 minutes of quiet time alone in the car until I pull into the daycare. Sure, sometimes I listen to music, or NPR news. But especially if I don’t yet know what scene I’m going to tackle after the kids are in bed that night, I like to use this time to brainstorm. Hands-free, I’ll dictate what comes to me into my phone. I once “wrote” 650 words between quitting time at work and pickup time at daycare. Sure, there were lots of misunderstood words and typos to correct—no voice command app is perfect—but when I do get to the computer, cleaning up the copy is far easier than starting from scratch.

2. Go go Gadget keyboard …

There are other times—say, if a baby is napping on my shoulder—that I can get my hands free but not balance a full-sized laptop on my lap. And we’ve all had those moments when we don’t have our computers in reach when inspiration strikes—but we do happen to have a tablet or smartphone with us, so we try to peck out the words on our touch screens as fast as we can, all the while grumbling that our fingers can’t catch up to our brains.

That’s where my Bluetooth keyboard comes in. I got one for my birthday back in August, and my husband is still pretty proud of himself for how much I rave about it. For only about $30, it came with a slim case and slips easily into my purse. No matter where you are, simply pair it with whatever device you have on hand, and voila! You can actually type out a scene or notes at full speed. When I have my Bluetooth keyboard along, I no longer mind if a friend is late to meet me for lunch, or if my dentist leaves me in the waiting room. In fact, sometimes I’m secretly glad.

3. Note to self …

It is one of the stranger side effects of the writing life that I email myself perhaps more than I send messages to anyone else. But every day, no matter how busy I am, whether I’m using one of the methods above or another, I try to at the very least send myself the briefest of notes regarding what my next scene will be.

At worst, when I sit down at my keyboard later, I’ll have some kind of starting point, rather than a blank screen (and a blank brain). At best, if I’ve gotten a little carried away with my note taking, my scene might already be half-written.

What I’ve found is this: Whether you’re a “pantser” or a plotter (or, in my case, a little of both), when you sit down to write with SOME kind of notes in front of you, you’ll spend less time getting in the groove and more time churning out words.

The November/December Writer’s Digest magazine is filled with Tips and Inspiration to Write a Book in a Month, including advice for developing a write-a-thon strategy and keeping the words coming. If you’re looking to increase your productivity or planning for NaNoWriMo, check out a preview in the Writer’s Digest Shop, download it instantly, or find it on a newsstand near you.

What about you? How do you increase your daily word count? From one hands-full writer to another, I invite you to leave your own tips in a comment below—we can all use all the help we can get!

Happy Writing,
Jessica Strawser
Editor, Writer’s Digest Magazine
Follow me on Twitter: @jessicastrawser

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33. Dark Horse Comics Offers Star Wars Humble Bundle Deal

Star WarsDark Horse Comics has formed a partnership with Humble Bundle. The two organizations have crafted a digital comics package tailored for Star Wars fans.

According to the press release, this deal makes it so that “fans of the epic sci-fi franchise can pay what they want for up to $190 worth of digital comics.” Buyers who pay $15.00 or more will have access to a total of 89 different titles.

Customers can choose whether the funds go towards the publishing house or the Comic Book Legal Defense Fund. This Humble Bundle deal will be made available until October 29th. What do you think?

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34. Two New Exciting Books!!! Rookie Yearbook Three and This is Your Afterlife!!!

I love October. October 3 (my wedding anniversary) and October 31st (the best holiday of all!) are my favorite days, but today, October 21st, is really giving them a run for their money because not one, but TWO books that I've been eagerly awaiting are coming out. I seriously couldn't be more excited about these books if they were my own: ROOKIE YEARBOOK THREE, edited by Tavi Gevinson, and THIS IS YOUR AFTERLIFE, the YA debut by my hilarious, brilliant, amazing, simply-not-enough-cool-adjectives-exist-to-fully-describe-her critique partner, Vanessa Barneveld!

Let's talk about the amazing Vanessa and her book first. My books would basically not exist if not for Vanessa--well, they definitely would not be as good. We became online critique partners (Vanessa lives in Australia where I really hope to visit her one day!) shortly after I WANNA BE YOUR JOEY RAMONE sold in 2007. She's read multiple versions of both of my books (and some not-published manuscripts as well) and was a total lifesaver during the revisions of BALLADS OF SUBURBIA in particular, reading and immediately responding to the changes I was making at 3 am (this was where it was very convenient to have an Australian CP). She's got an eye for character and an ear for voice, which have helped me a ton, but those plus her incredible sense of humor have made her manuscripts a blast for me to read over the years and I AM SO FREAKIN' EXCITED that readers EVERYWHERE get to be swept into one of Vanessa's worlds.

Here's the lowdown on THIS IS YOUR AFTERLIFE!

When the one boy you crushed on in life can't seem to stay away in death, it's hard to be a normal teen when you're a teen paranormal.

Sixteen-year-old Keira Nolan has finally got what she wanted—the captain of the football team in her bedroom. Problem is he’s not in the flesh. He’s a ghost and she’s the only one who can see him.

Keira's determined to do anything to find Jimmy's killer. Even it if means teaming up with his prickly-yet-dangerously-attractive brother, Dan, also Keira's ex-best-friend. Keira finds that her childish crush is fading, but her feelings for Dan are just starting to heat up, and as the story of Jimmy’s murder unfolds, anyone could be a suspect.

This thrilling debut from Vanessa Barneveld crosses over from our world to the next, and brings a whole delightful new meaning to "teen spirit".

Here's the book trailer:



I devoured THIS IS YOUR AFTERLIFE. It was funny, it was sad, it kept me turning pages, and best of all, it reminded me of my own teenage years when I was obsessed with the Ouija Board and longing for the psychic abilities that Keira has. If you are looking for great ghost story with laugh-out-loud moments and more thrills than chills, this is it.

To celebrate her launch, Vanessa is throwing a big, online bash on her blog from tomorrow, October 22nd through October 31st. It will be filled with guests, including me! I'm doing a post and a giveaway (of an anthology featuring a ghost story I've written) on October 30th. I hope to see you there!

And now.... (drum roll)... on to ROOKIE!!!!

I've had the privilege of being a part of Rookie magazine since it launched in September of 2011. (Remember this super-excited blog post when it debuted?) I'm still in awe of everything that we do. The Yearbooks feature the best of the best of our online pieces for each year as well as some cool added bonuses. This is our first Yearbook with Razorbill and since I'm a Penguin/Random House author too now, I'm think that's pretty awesome. I also have two essays in this one, which feels like a huge accomplishment.

Here's the lowdown on ROOKIE YEARBOOK THREE!

Rookiemag.com is a website created by and for young women to make the best of the beauty, pain and awkwardness of being a teenager. When it becomes tough to appreciate such things, we have good plain fun and visual pleasure. When you're sick of having to be happy all the time, we have lots of rants, too. Every school year, we compile the best from the site into a print yearbook. Behold: our Junior year!

In Rookie Yearbook Three, we explore cures for love, girl-on-girl crime, open relationships, standing for something, embracing our inner posers, and so much more. Featuring interviews with Rookie role models like Sofia Coppola, Amandla Stenberg, Greta Gerwig, and Kim Gordon, and a bonus section chock-full of exclusive content including a pizza pennant, sticker sheet, valentines, plus advice and contributions from Lorde, Shailene Woodley, Dakota and Elle Fanning, Grimes, Kelis, Sia, Abbi Jacobson and Ilana Glazer of Broad City, Haim, and more!

I know!!!! Amazing, right? Can't wait to go home and pore over my copy!

And if you are in the New York or Toronto areas, there are events celebrating the release TOMORROW, October 22. There is also an event in Brooklyn on November 5th. All of the details are on the Rookie Events page. Go if you can and tell me how fabulous it was!

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35. The Powell’s Playlist: Anne Rice

These are the songs that wake me up, take me out of my worries and anxieties, wash my brain cells, and send me to the keyboard to write with new vigor. 1. "It's My Life" by Bon Jovi This is a song I associate with my beloved vampire hero, Lestat, today. I imagine Lestat loving [...]

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36. Re-Grouping

More than two weeks after Mma has passed away, I'm slowly pulling the threads of my new life together. Traditionally in Phokeng, we pack up the deceased's stuff (clothing, shoes, linen, personal knicknacks etc) immediately after they pass away, even before the funeral. So all Mma's personal things are in storage to later go to the relevant people and the house, which is very big, feels even

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37. KidLit Events Oct. 21-Nov. 3

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We have a great variety of events happening this week. Take in an author’s visit, a writing workshop, a literacy fundraiser or a poetry presentation. As always, please visit the sponsoring bookstore or organization’s website for full details.

October 22, Wednesday, 5:00 PM UNDIVIDED by Neal Schusterman
Blue Willow Bookshop
Neal Shusterman, YA Author

Neal Shusterman will discuss and sign UNDIVIDED, the last book in the bestselling UNWIND Dystology for young adults. Teens control the fate of America in the fourth and final book in the NYT bestselling Unwind dystology. Proactive Citizenry, the company that created Cam from the parts of unwound teens, has a plan: to mass produce rewound teens like Cam for military purposes. And below the surface of that horror lies another shocking level of intrigue: Proactive Citizenry has been suppressing technology that could make unwinding completely unnecessary. As Conner, Risa, and Lev uncover these startling secrets, enraged teens begin to march on Washington to demand justice and a better future.

But more trouble is brewing. Starkey’s group of storked teens is growing more powerful and militant with each new recruit. And if they have their way, they’ll burn the harvest camps to the ground and put every adult in them before a firing squad—which could destroy any chance America has for a peaceful future.

October 23, Wednesday, 7:00 PM DINOTOPIA by James Gurney
Geren Auditorium, College of Architecture, Texas A&M University
James Gurney, Author/Illustrator

Illustrator event! Join SCBWI-BV, as we attend a free lecture, featuring  James Gurney, author and illustrator of the DINOTOPIA series. James Gurney specializes in painting realistic images of scenes that can’t be photographed, from dinosaurs to ancient civilizations. He is also a dedicated plein air (outdoor) painter and sketcher, believing that making studies directly from observation fuels his imagination.This is sponsored by The Academy for the Visual and Performing Arts (AVPA) at Texas A&M University.

October 23, Wednesday, 10:30 – 12:30 and 12:30 to 1:30
The George Bush Library and Museum, College Station
Wayne Edwards, The Family Poet
Free. For grades 3-8 and adult learners; Reservations are advised.  

Comic poet Wayne Edwards will present his latest book of rhyming poetry for children, KIDS ONLY LAND. Through discussion of the three R’s of rhyming verse – Rhyme, Rhythm, and Repetition – he helps inspire interest in both reading poetry for pleasure and writing one’s own as a form of art. His humorous illustrations of poems engage and delight all ages. Contact bushlibrary.tamu.edu or email bush.education@nara.gov, or 979 691 4006 for telephone reservations.

October 25, Saturday, 1:00-4:00 PM Jessica Cappelle
Writespace
Jessica Cappelle: Workshop—Worldbuilding
PRICE: $ 35.00

Jesicca Capelle will lead a workshop at Write Space: How to World-build in Every Genre: World-building is a term that many people associate with science fiction and fantasy, but all novels require careful crafting of the world of the characters. This workshop will take writers through the process of creating a world that feels “real,” whether that world might be down the street or across the universe. We’ll look at using actual and imagined settings in realistic fiction, recreating the past for historical fiction, transforming landscapes based on alternate history and future developments, and venturing to new planets and high-fantasy worlds. We’ll learn what to consider when crafting both the society and culture of a setting and the environment of the characters’ daily lives. Lastly, we’ll discuss the importance of knowing much more about your world than readers will ever see, as well as how to decide what details to share without “dumping” too much on readers. Come prepared to apply these lessons to your own writing through exercises designed to help you connect more deeply with the details of your story’s world. We will discover how to craft “believable” worlds through careful study of excerpts from adult and children’s books in many genres including well-known works such as The Help, Gone Girl, The Hunger Games, Water for Elephants, The Hobbit, and The Graveyard Book.

October 28, Tuesday, 7:00 PM FROM SEA TO SHINING SEA by Callista Gingrich; Illustrated by Susan Aciero
Blue Willow Bookshop
Callista Gingrich, Children’s Author, with Newt Gingrich, Adult Nonfiction Author

Callista Gingrich will meet and greet customers and sign her new book, FROM SEA TO SHINING SEA. Callista Gingrich shares a new adventure into American history with Ellis the Elephant as he explores the untamed wilderness with Lewis and Clark. He learns about the Louisiana Purchase, the two explorers’ epic journey across the North American continent, and the amazing discoveries and innovation it sparked.

Appearing with Callista will be author Newt Gingrich with his new adult nonfiction title, BREAKOUT.

November 1, Saturday, 10:00 AM- Noon, & 1:30-4:30 PM Kathy Duval
Writespace
Kathy Duval: Picture Book Workshop
PRICE: $ 85.00

Kathy Duval will present  Make It Shine!: Polish Your Picture Book Manuscript to Its Full Potential. A successful picture book is an art form combining lyrical language and dynamic images, each dependent on the other.  To compete, your work must shine, as well as follow the conventions of today’s crowded market.

This hands-on revision workshop will take a fresh look at your characters, setting, plot, and picture book language. Participants will complete exercises to polish their prose, as well as create a dummy to see how your text fits into a picture book format. Feedback in small groups will help you take your picture book to the next level.

November 1, Saturday, 10:00 AM-1:00 PM
Hilton Americas, 1600 Lamar Street
Read3Zero 5th Anniversary Luncheon
Price: Ticket costs vary. Click here for more details and to purchase tickets.

Houston non-profit literacy organization, READ3Zero, will honor students nationwide at a memorable Luncheon and Book Signing event for this year’s winners of the I Write Short Stories For Kids By Kids contest and celebrate the organization’s 5th anniversary. The event will feature the works of 55 published student authors and illustrators. The Keynote speaker will be Neil Bush, chairman to the Barbara Bush Houston Literacy Foundation, and the event will be emceed by Deborah Duncan of Great Day Houston.

November 3, Monday, 7:00 PM IN THE AFTERLIGHT by Alexandra Bracken
Blue Willow Bookshop
Alexandra Bracken, YA Author

Alexandra Bracken, NYT bestselling author of THE DARKEST MINDS and NEVER FADE, will discuss and sign IN THE AFTERLIGHT, the finale in the DARKEST MINDS series for young adults. Ruby can’t look back. Having suffered an unbearable loss, she and the kids who survived the government’s attack on Los Angeles travel north to regroup. Ruby tries to keep their highly dangerous prisoner in check, but with Clancy Gray, there’s no guarantee you’re fully in control, and everything comes with a price.

When the Children’s League disbands, Ruby becomes a leader and forms an unlikely allegiance with Liam’s brother, Cole, who has a volatile secret of his own. There are still thousands of other Psi kids suffering in government “rehabilitation camps” all over the country. Freeing them–revealing the government’s unspeakable abuses in the process–is the mission Ruby has claimed since her own escape from Thurmond, the worst camp in the country.

But not everyone is supportive of the plan Ruby and Cole craft to free the camps. As tensions rise, competing ideals threaten the mission to uncover the cause of IANN, the disease that killed most of America’s children and left Ruby and others with powers the government will kill to keep contained. With the fate of a generation in their hands, there is no room for error. One wrong move could be the spark that sets the world on fire.

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38. Black Speculative Fiction: The Hunger of Imagining

I was just speaking with a colleague about the need to incite curiosity as the basis for research. Questioning, wondering and south-africa-tribes-e28093-south-african-cultureimagining are essential real life skills that are certainly nurtured in speculative fiction.

Earlier this year, authors Zetta Elliott and Ibi Zoboi  published part of a conversation about race and representation in The Hunger Games and YA speculative fiction. Their conversation, which continued on Zetta’s blog brought out significant points on the critical importance of brown girls being seen in worlds of flight and fantasy.

 

IBI: My first contact with speculative fiction was the stories I would hear my family tell. They

Ibi Zoboi

Ibi Zoboi

happened in Haiti—political stories intermingled with loogaroo stories, which is like a vampire-type figure in Haitian folklore. There was always a sense of magic and darkness and fear in those stories. There was always somebody who didn’t come home and it was usually associated with the tonton macoute (a bogeyman with a sack), or a loogaroo who came to get somebody’s child. I had two mystical, folkloric figures woven into these political stories about family and friends, so that line between what was real and what was not was never clear.

ZETTA: In my childhood, that line between fantasy and reality was very clear because I was reading British novels in Canada—C.S. Lewis and Frances Hodgson Burnett, which isn’t

Zetta Elliott

Zetta Elliott

exactly fantasy. But her work featured these wealthy, white children living on the moors in England and was so far removed from my reality. And because those books didn’t serve as a mirror, fantasy was very much something that happened to other people. I didn’t really imagine magical, wonderful things happening to me because everything that I read said it only happened to kids of a certain color or a certain class. In terms of gender, at least girls were having adventures, too, so that was a good thing.

You and I are both writers and we’re obviously trying to generate our own stories. Is there a way for us to make an intervention in the field of YA fantasy? How do our stories reach our kids?  MORE

A short list of great resources for racial diversity in young adult sci-fi

bde3b60f5b88f236b3a5a07ca2c0b3a4_400x400

Eboni Elizabeth

Eboni Elizabeth, writing at the Dark Fantastic positions the following regarding people of color  and Native Americans and how YA lit fails in this regard.

There is an imagination gap when we can’t imagine a little Black girl as the symbolic Mockingjay who inspires a revolution in one of today’s most popular YA megaseries.
There is an imagination gap when one of the most popular Black female characters on teen television is stripped of agency, marginalized within the larger story, and becomes a caricature of her literary counterpart.
There is an imagination gap when a Korean-Canadian woman’s critique of J.K. Rowling’s character Cho Chang in the Harry Potter novels is seen as more problematic than certain aspects of the character herself.
There is an imagination gap when a Nambe Pueblo critic’s perspectives on a pre-Columbian America “without people, but with animals” are seen as more problematic than the worldbuilding itself.

This is taken from “The Imagination Gap in #Kidlit and #YAlit: An Introduction to the Dark Fantastic“, her initial blog post. In addition to pulling readers into spaces of deep conversation, Eboni highlights numerous Dark Fantastic/Black Speculative Fiction resources in her side bar.

 


Filed under: Causes Tagged: Black Speculative Fiction Month

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39. I don’t THINK anyone is trying to hunt me down

heathers01 I dont THINK anyone is trying to hunt me downLast weekend my friend Lori was in town and we took the dogs for a walk in the schoolyard across the street. Three tween girls were hanging out on the jungle gym and as we passed they started whispering ostentatiously in our direction and laughing meanly. ‘Girls that age” said Lori, a middle-school math teacher in the Bronx, “are the worst.”

That encounter stayed with me as I started exploring the saga of YA author Kathleen Hale and the Goodreads troll, which Hale described at great, great length in the Guardian. What did the editors think to let her go on for 5000 words? Perhaps they are part of the great catfishing* conspiracy erected to oppress Ms. Hale, because while you begin the essay thinking “poor her,” as Hale unravels you start to smile nervously and look for an exit. It’s far away.

Then I went to a blog that Hale cited as an ally in her fight against the Dark, Stop the GR [Goodreads] Bullies, which I thought would be, I don’t know, some kind of manifesto about maintaining decency in book discussion. Instead I soon felt like Jennifer Connelly discovering Russell Crowe’s crazypants chalkboard diagrams as pages of scans and proofs and links and trolls and catfish whirled about each other with manic glee. Here, as in Hale’s confessional, I saw no victims, just bullies on all sides.

I know it’s unlikely–or NOT, he adds, as the madness infects him–that any of the participants in this circus are twelve-year-old girls, but watching the accusations fly and the drama being whipped up reminded me of those kids at the school, a big helping of attention-seeking with a side of hostility. I’ve avoided Goodreads only because it was too much like work, but it always seemed like such a nice place. Now it looks to me like those spy novels I love, where the apparent placidity of daily life  and ordinary citizens is completely at the mercy of the puppet masters. If you want me, I’m in hiding.

*as Liz Burns points out, that word does not mean what Hale thinks it does.

 

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40. Margaret Atwood Fans Invited to Take Part in a Wattpad Writing Contest

Stone MattressRandom House has released Margaret Atwood’s new short fiction collection, Stone Mattress. One of the nine tales, “The Freeze-Dried Groom,” has been posted on Wattpad. This particular piece leaves the reader with many unanswered questions.

Some of these queries include “Will Sam be a killer or a victim?” and “What are the other characters’ versions of events?” Fans are invited to take part in a writing contest to answer these questions. Follow this link to learn about all the rules.

The deadline has been set for October 31st at 11:59 p.m. EST and a winner will be announced on November 18th. The grand prize winner will receive a signed Stone Mattress anthology, a tweet from Atwood, and loot from Wattpad. Two runner-ups will also receive autographed of copies of Atwood’s book.

New Career Opportunities Daily: The best jobs in media.

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41. Black Speculative Fiction: The Hunger of Imagining

I was just speaking with a colleague about the need to incite curiosity as the basis for research. Questioning, wondering and south-africa-tribes-e28093-south-african-cultureimagining are essential real life skills that are certainly nurtured in speculative fiction.

Earlier this year, authors Zetta Elliott and Ibi Zoboi  published part of a conversation about race and representation in The Hunger Games and YA speculative fiction. Their conversation, which continued on Zetta’s blog brought out significant points on the critical importance of brown girls being seen in worlds of flight and fantasy.

 

IBI: My first contact with speculative fiction was the stories I would hear my family tell. They

Ibi Zoboi

Ibi Zoboi

happened in Haiti—political stories intermingled with loogaroo stories, which is like a vampire-type figure in Haitian folklore. There was always a sense of magic and darkness and fear in those stories. There was always somebody who didn’t come home and it was usually associated with the tonton macoute (a bogeyman with a sack), or a loogaroo who came to get somebody’s child. I had two mystical, folkloric figures woven into these political stories about family and friends, so that line between what was real and what was not was never clear.

ZETTA: In my childhood, that line between fantasy and reality was very clear because I was reading British novels in Canada—C.S. Lewis and Frances Hodgson Burnett, which isn’t

Zetta Elliott

Zetta Elliott

exactly fantasy. But her work featured these wealthy, white children living on the moors in England and was so far removed from my reality. And because those books didn’t serve as a mirror, fantasy was very much something that happened to other people. I didn’t really imagine magical, wonderful things happening to me because everything that I read said it only happened to kids of a certain color or a certain class. In terms of gender, at least girls were having adventures, too, so that was a good thing.

You and I are both writers and we’re obviously trying to generate our own stories. Is there a way for us to make an intervention in the field of YA fantasy? How do our stories reach our kids?  MORE

A short list of great resources for racial diversity in young adult sci-fi

bde3b60f5b88f236b3a5a07ca2c0b3a4_400x400

Eboni Elizabeth

Eboni Elizabeth, writing at the Dark Fantastic positions the following regarding people of color  and Native Americans and how YA lit fails in this regard.

There is an imagination gap when we can’t imagine a little Black girl as the symbolic Mockingjay who inspires a revolution in one of today’s most popular YA megaseries.
There is an imagination gap when one of the most popular Black female characters on teen television is stripped of agency, marginalized within the larger story, and becomes a caricature of her literary counterpart.
There is an imagination gap when a Korean-Canadian woman’s critique of J.K. Rowling’s character Cho Chang in the Harry Potter novels is seen as more problematic than certain aspects of the character herself.
There is an imagination gap when a Nambe Pueblo critic’s perspectives on a pre-Columbian America “without people, but with animals” are seen as more problematic than the worldbuilding itself.

This is taken from “The Imagination Gap in #Kidlit and #YAlit: An Introduction to the Dark Fantastic“, her initial blog post. In addition to pulling readers into spaces of deep conversation, Eboni highlights numerous Dark Fantastic/Black Speculative Fiction resources in her side bar.

 


Filed under: Causes Tagged: Black Speculative Fiction Month

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42. Mobile soundsystem


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43. App of the Week: 2048

2048
Title: 2048
Cost: Free
Platform: iOS and Android

2048 may be 2 to the eleventh power, but it’s also the name of a game I have noticed a lot of people playing lately. It’s based on a paid game, Threes!, which has won numerous game design awards, but the story behind 2048 involves a teen game developer, Gabriele Cirulli who tackled the design as a weekend project then released the game as open-source so that anyone can use the code behind it to build their own versions. You can play through a browser as well.

screen568x568 (1)
 
This game really doesn’t support STEM — the applicability of math to success is minimal. Instead, you combine the same numbers to perform the additive operation. But the real challenge is in thinking ahead and positioning your number tiles. Moving one tiles moves ALL the tiles, and the number of moves available to you are finite.

screen568x568

It’s easy to see how 2048 builds adopts the gaming strategies in Threes!. There are many, many knock-off versions of these games around, and much digital ink has been spilled from both amateur and professional quarters discussing strategies. There are ads in the free version, too. But for free, 2048 is an easy way to give these sorts of games a go. As Wired categorized them, these are games that are “Hard Enough to Be Played Forever.”

Have a suggestion for an App of the Week? Let us know. And check out more YALSA Apps of the Week in our archive.

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44. Guest Post & Interview: J.L. Powers & George Mendoza on Children's Book Illustration & Colors of the Wind

By J.L. Powers
for Cynthia Leitich Smith's Cynsations

What would your life be like if it felt like you were looking into a kaleidoscope every time you opened your eyes?

What would it feel like to experience strange visions twenty-four hours a day, seven days a week, even at night when you dream?

That’s what happened to George Mendoza when he started going blind as a teenager.

My first picture book, Colors of the Wind: The Story of Blind Artist and Champion Runner George Mendoza (Purple House Press, 2014), is a picture book biography about George Mendoza.

When George was 15, he lost his central vision and started seeing things that weren't there—eyes floating in the air, extraordinary colors, objects multiplied and reflected back.

George describes this condition as having "kaleidoscope eyes."

He triumphed over his blindness by setting the world record in the mile for blind runners, and later competing in both the 1980 and 1984 Olympics for the Disabled.

Now a full-time artist, Mendoza's collection of paintings, also titled "Colors of the Wind," is a National Smithsonian Affiliates traveling exhibit. His artwork has also been printed onto fabric and is now sold internationally by Westminster as cloth for clothing and quilts.

Ironically, George paints what he “sees,” an entirely unique phenomenon among painters.

Colors of the Wind is George’s story, illustrated with his paintings (and supplemented with line drawings by Haley Morgan-Sanders).

"Flight of Feathers"
I sat down with George and asked him about the process of becoming a children’s book illustrator.

Powers: What is it like to go from fine artist to illustrator of a children’s book?

Mendoza: Because of my vision problem, being legally blind, I was unable to illustrate the book. But ironically the words that you wrote fit into my paintings. It was kind of a miracle in a way.

Jill Morgan selected those paintings very carefully. And it saved me a lot of trouble because I couldn’t really put paintings to the words.

Wise Tree
Powers: What is it like to have your art used to depict the journey to becoming an artist?

Mendoza: Well, I’ve had great success with painting and having Westminster Inc. do the fabrics, quilts, clothing based on my artwork.

I never thought of doing a children’s book. I think because we’re in a digital age, I thought of doing book covers and CD covers—but never a children’s book.

To have my artwork reproduced digitally on books and fabrics is just a beautiful feeling, to know that people look at my art.

In the beginning, when I first started painting, people said, “Oh, wow, that’s amazing because he’s blind.”

Now they don’t even know that I’m blind because they’re introduced to my artwork only as its reproduced digitally on different types of products.

Powers: Have you ever had art used as covers for CDs? Because I love that idea.

Mendoza: I have actually been contacted by some no-name bands that have put my artwork on their CD covers….and it’s fine with me.

Powers: That’s cool. Anything else you want to say about your journey as an artist and this foray into children’s book publishing?

Mendoza: I grew up with children’s books because my father was a children’s book writer, a very famous children’s book writer. He published over a hundred books with major celebrities like Carol Burnett, Frank Sinatra, celebrities like sports figures. He’s got a classic out called Need a House? Call Miss Mouse (by George Mendoza, illustrated by Doris Susan Smith (Grosset & Dunlap, 1981)).

Jill Morgan (publisher at Purple House Press) wanted to buy the reprint rights for my dad’s book.

She was like the hundredth publisher—email or phone--that I had received over a two-year period so I finally said, “What about our children’s book, Colors of the Wind?”

She said, “Well, let me look at it.”

And it became a children’s book!

www.purplehousepress.com
Visit Purple House Press!


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45. Windows and mirrors book discussion

Lauren had her first adolescent lit class last night at HGSE (Harvard Graduate School of Education). For last night’s class we talked about How I Live Now by Meg Rosoff. I love this part of a course when the students go from names and faces on a roster to real people with opinions about books. Lauren gave an excellent overview of literature for adolescents: the history, the jargon, the genres.

oct27readings Windows and mirrors book discussion

For next Monday’s class the theme is Windows & Mirrors and they will all read Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian. For their second book, they have a choice between Rainbow Rowell’s Eleanor & Park and Cynthia Kadohata’s The Thing About Luck. Tough choice!

Please join us as we discuss these books before Monday evening’s class. Things tend to pick up steam later in the week, but we like to put up the posts early for those who are reading ahead.

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46. Essences Store Closing: Big Sale this week!!

store

As I streamline my biz, I realize I don’t have time for making the flower essences, so I am having a BIG SALE all this week. All essences are $5.00 each only this week. Tell your friends, grab a bunch before they are gone for good. All essences are formulated for the sensitive made with Apple Cider Vinegar instead of alcohol.

An introduction to Flower Essences: 

http://vimeo.com/71582764

What are flower essences teaching video from Designing Fairy Cinema on Vimeo.

Head on over to the the SHOP and BUY. Go here.


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47. The Night Gardener (2014)

The Night Gardener. Jonathan Auxier. 2014. Abrams. 350 pages. [Source: Library]

I loved, loved, LOVED Jonathan Auxier's The Night Gardener. It may just be my favorite new book published in 2014. I loved so many things about it: the atmospheric setting, the creepy world-building, the storytelling, the writing, and the characterization. (Yes, those overlap, I imagine.) I could just say that I loved all the elements of this one; that I loved it absolutely from cover to cover. (Which does more justice for the book?)

Here's how the story opens. I'm curious if it will grab you like it did me!
The calendar said early March, but the smell in the air said late October. A crisp sun shone over Cellar Hollow, melting the final bits of ice from the bare trees. Steam rose from the soil like a phantom, carrying with it a whisper of autumn smoke that had been lying dormant in the frosty underground. Squinting through the trees, you could just make out the winding path that ran from the village all the way to the woods in the south. People seldom traveled in that direction, but on this March-morning-that-felt-like-October, a horse and cart rattled down the road. It was a fish cart with a broken back wheel and no fish. Riding atop the bench were two children, a girl and a boy, both with striking red hair. The girl was named Molly, and the boy, her brother, was Kip. And they were riding to their deaths. This, at least, was what Molly had been told by no fewer than a dozen people as they traveled from farm to farm in search of the Windsor estate.
I loved Molly and Kip. It wasn't that either protagonist was perfect. It was that I felt both were oh-so-human. These two do find the Windsor estate. And they do manage to stay on as help. Even though they don't necessarily receive wages--just room and board. This country estate is...well, I don't want to spoil it. But the people who warned them to stay away from the estate, from the sour woods, well they had good intentions. The book is creepy in all the right ways. It is a WONDERFUL read if you love rich, detailed storytelling.

I also loved Hester Kettle. She is the old woman--Kip thought she was a witch at first glance--who tells them the directions to the estate. She also proves to be a friend and kindred spirit. She is, like Molly, a story-teller.
Hester touched the button, "Funny things, wishes. You can't hold'em in your hand, and yet just one could unmake the world." She looked up at Molly. (214)
"You asked me for a story; now you call it a lie." She folded her arms. "So tell me, then: What marks the difference between the two?"
Agitated as she was, Molly couldn't help but consider the question. It was something she had asked herself in one form or another many times in her life. Still, Molly could tell the difference between the two as easily as she could tell hot from cold--a lie put a sting in her throat that made the words catch. It had been some time, however, since she had felt that sting. "A lie hurts people," she finally answered. "A story helps 'em."
"True enough! But helps them do what?" She wagged a finger. "That's the real question..." (214)
I loved the story. I loved the pacing. It was a great read!!! Definitely recommended!

© 2014 Becky Laney of Becky's Book Reviews

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48. School Visits!

Please click on the image to enlarge.

schoolvisitsflat

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49. CANSCAIP's Packaging Your Imagination Conference

Thanks so much to CANSCAIP for inviting me to be a speaker at the Packaging Your Imagination conference at Humber College this past weekend. I had a fantastic time and once again appreciated what a wonderful kidlit/YA community we have here in Canada.

I've posted some of my photos on Facebook and on Flickr.

Kate BlairThanks to Kate Blair for being my "shadow" during the event; Kate helped get me find the right rooms, introduced me at my workshop, made me feel welcome. Kate is a middle grade and YA writer, and placed 2nd in the 2010 Toronto Star Short Story Contest (out of 1800 entries!) as well as being longlisted for the CBC short story contest in both 2011 and 2012. You can find out more about Kate and her work at Kateblair.com.

Anyway, the subway was shut down between Eglinton and Bloor so I ended up taking a cab and arrived way early! The organizers were still setting up. I think I was one of the first to pick up my speaker badge:

Ran into my Torkidlit friend Karen Krossing, who helped distract me from my pre-talk jitters by walking around the venue with me, figuring out where the speaker coats could be stored, etc. Here are CANSCAIP Administrative Director Helena Aalto and PYI Co-Director Lorna Poplak, just before the conference officially opened:

I also had time to check out the art show. So much wonderful children's book art, and I also loved the process sketches that some people included. I'm new enough that I also got a thrill to see my own art up on display...and also very cool to see my sister's art right beside it:

Teresa Toten's opening keynote was inspiring! I've just started reading THE UNLIKELY HERO OF ROOM 13B, Teresa's novel that won the 2013 Governor General Literary Award For Children's Literature, and am loving it so far.

Teresa Toten, giving her inspiring opening keynote

After that were the first set of workshop sessions, including mine! Thanks SO much to the Humber AV crew, who did a fantastic job at PYI:

and the E-Learning team in my session, who helped the streaming portion run smoothly for virtual attendees:

The photo at the top (courtesy GABBY author Joyce Grant) is from the beginning of my session. Here's one from GRACE author/illustrator Kate Parkinson, who was a virtual attendee:

And here's her screen with the live video in the top left and my current slide on the right:

After the conference, I asked Kate how the streaming went and she reports it ran smoothly, thanks to the Humber College tech crew. You can also read Kate's report about being a virtual attendee at CANSCAIP's event on her blog. Kate's FIRST children's book (she's author/illustrator), GRACE, comes out from Holiday House Books early next year!

Back to PYI. My session seemed to go well, yay. I was still really nervous, but it was a bit easier than last time I gave a talk, plus the attendees were enthusiastic and asked interesting questions. After my session, I stayed in the room so I could hear Ashley Spires talk about her work:

Ashley Spires during her session at PYI

I so love Ashley's bubbly enthusiasm and energy! Ashley talked about the creation process for Binky The Space Cat series of junior graphic novels, which I found fascinating, entertaining and informative. Did you know that Ashley initially drew all her herringbone and other intricate textures by HAND? Wow. I think Ashley noticed the look of awe (ok, maybe more like horror :-)) on my face when she told us this. 

Anyway, finally getting to meet Ashley Spires in person was one of my personal highlights at PYI.

With my talk over, I could relax at lunchtime and just chat. Thanks to my lunchtime companions for some great kidlit/YA conversation (including my Torkidlit pal Nicole Winters in the bottom right):

I looked around for my MiGWriters critique partner, Andrea Mack, but missed seeing her! Happily, we ran into each other later in the conference. Here are Lana Button, Jan Dolby (so great to finally meet Jan in person!!) and Joyce Grant:

Lana Button, Jan Dolby and Joyce Grant at PYI 2014. Joyce and Jan are the creative team behind the GABBY series from Fitzhenry and Whiteside Publishers. Finally getting to meet Jan Dolby in person was another personal highlight during the conference. Lana's WILLOW FINDS A WAY was just nominated for a 2014 Blue Spruce Award, by the way!

In the afternoon, I was faced (again) with an impossible choice: I wanted to attend all the workshops! I ended up opting for the industry panel with Susan Rich (Editor-At-Large at Little, Brown) and Tara Walker (Editorial director at Tundra Books):

An excellent panel, so informative AND entertaining. :-D Teresa Toten was a fabulous moderator.

I stupidly missed getting a photo of Susin Nielsen, who gave a wonderful closing keynote (see audience above). We even got to see a clip of her acting role in the original Degrassi Junior High (she was a screenwriter)!

Plus LOOK, I won a prize in the raffle! I never win anything but thanks to CANSCAIP and the Vermont College Of Fine Arts, I won this bag of goodies:

Thanks to Lena Coakley for giving me a lift to a small gathering hosted by Sharon Jennings afterwards. Sadly, a bad headache prevented me from staying as long as I had wished but it was fun chatting with some of the others who came. Thank you, Sharon!

And again, THANK YOU so much to CANSCAIP and all the volunteers and organizers. Everything went so smoothly and I had so much fun, plus came away super-inspired.

If you're a Canadian children's book author, illustrator or performer, I strongly recommend you checking out CANSCAIP's website....and do consider attending next year's PYI event!

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50. Editorial Submission :: Gerardo Suzán

Post by James

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Gerardo Suzán is an illustrator working professionally since 1985. He focuses mainly on books for young people but his work also appears in advertising, posters, magazines and newspapers. He has won several prizes in Mexico, Japan and USA.

Migration has always been a central topic throughout Gerardo Suzán’s artistic career. The work shown above from one of his children’s books speaks of the importance of self-identity and cultural roots.

Suzán’s formal education includes graphic design at the National School of Visual Arts in México, as well as etching and drawing at the Centro dell’ Incisione with Gigi Pedroli and with Giuliana Consilvio in Milan. He attended the Illustration Seminar organized by the UNESCO and the ACCU (Asian Cultural Center for the UNESCO) taught by Dusan Kallay in Moravany, Slovakia.

You can see more of Gerardo’s work on his website.

 

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