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Results 901 - 925 of 658,681
901. A Little Light at the End of the Tunnel

Just when I was in despair about the state of the world because of our dependence on oil, I read The Quest: Energy, Security, and the Remaking of the Modern World by Daniel Yergin. Whew. There is some hope. At least, that’s my interpretation of it. I am a glass half full type of person and that’s my view of it. I may be wrong. I’ve been wrong before. THE QUEST ENERGY, SECURITY, AND THE REMAKING OF THE MODERN WORLD DANIEL YERGIN 2011 774 Pages The Penguin Press ISBN 978-1-59420-283-4 It also Includes Acknowledgements, Photos and Photo Credits, Notes on each chapter, a Bibliography and an Index. This book gives me hope. Its message is simple and positive. It convinced me, through painstaking research, interviews and a recounting of recent history, that human beings will survive. Somehow, through some miracle, In some unpredictable, unknowable way, human kind will make it through. It is worth reading for that hope alone. The list of major events and their effects on human efforts to harness available energy is impressive. And it all happened within the span of a lifetime. Desert Storm, the collapse of communism, OPEC and Venezuela’s actions, the world recession and, of course, 9/11, the accidents at Chernobyl and Three Mile Island, Hurricanes Katrina and Rita, the Japanese tsunami and the Arab Spring. All of them and others are on the list. Daniel Yergin, a Pulitzer Prize winning writer, lays out this book in six sections. Part 1 is called The New World of Oil and is made up of ten chapters which deal with events which range from the Gulf War to the rise of China. The definition and examples of “the Dutch Disease” and “Petrostate” are contained in these chapters as well as an accounting of the creation of the “Supermajors” (giant companies like ExxonMobil) and their influence. Part 2 is called Securing the Supply and includes chapters eleven to sixteen. They deal with unrest in the Middle East, the uncertainty of Venezuela, the threats from Iran and the history and currency of “energy independence” from American and Chinese points of view. Part 3 is called The Electric Age and includes chapters seventeen to twenty which demonstrates that “the history of the oil and gas industry, as with virtually all industries, is one of technological advance”. It is here that human progress is tied inexorably to electricity which is produced, in large part, by burning carbon. Part 4 is called Climate and Carbon. It includes chapters twenty one to twenty-six which tell the story of how climate change went from the study of a few curious scientists climbing around glaciers to the main focus of the Kyoto Conference to the beginning move toward a carbon market and a cap and trade system. Those who object to “trading pollution” are reminded that the internet exists because of electricity. Part 5 is called New Energies and includes chapters twenty-seven to thirty-two in describing alternatives to coal and oil such as wind, sun and other “Renewables”. Part 6 is called Road to the Future and includes chapters thirty-three to thirty-five. The last chapter (35) is called The Great Electric Car Experiment and the Conclusion is called “A Great Revolution”. Who could have known that last year China bought more new cars from American manufacturers than Americans did? And that 70% of all new housing in Japan will have to have solar panels on the roof by 2020? And that grow your own biofuels and electric cars are well on their way to commerciality? On November 12, 2014 China and The US signed an agreement to increase their use of “renewables” to 20% by 2030. Even if it is for show, as some say, it is a small, faltering, baby step in the right direction. When those two behemoths move, they get everyone’s attention. The landscape won’t change appreciably until the 2030’s. Coal, oil and natural gas will generate most of the power and car engines will become more efficient. When the people born now are sixteen years old, the 2030’s will be beginning a new age of energy and power generated by human beings with less pollution of the atmosphere with carbon and other waste. Here you can only hope that it’s not too little, too late. As Yergin demonstrates in this book, huge events like the Japanese tsunami and the Arab spring are as unpredictable as hurricane Katrina and the world recession in their effects on the energy picture. Yet the genius of human beings always finds an answer. Unimagined solutions to our present problems are waiting out there for us to discover them. We might not find them but someone will. This is not a book that encourages us to maintain the status quo. It is worth reading because it delineates the history of human progress and points out the many cases where people were too dedicated or determined to give up until they discovered solutions or partial solutions to our energy problems. No matter how humans try to see what the future holds, they can never quite get it right but somehow, in an unexpected way, they find the solution to the immediate problem and discover a way to attack the bigger problems. The Quest is a meticulously researched book which gives the reader a refreshing, unfamiliar, positive point of view on the big picture. But that’s just my glass half full interpretation of it. As a Canadian that’s the only way to look at it. “This is not a blind faith, by any means. There is no assurance on timing for the innovations that will make a difference. There is no guarantee that the investment at the scale needed will be made in a timely way, or that government policies will be wisely implemented. Certainly, lead times can be long and costs will have to evolve. As this story has shown, the risks of conflict, crisis and disruption are inherent. Things can go seriously wrong, with dire consequences. Thus, it is essential that the conditions are nurtured so that creativity can flourish. For that resource will be critical for meeting the challenges and assuring the security and sustainability of the energy for a prosperous, growing world. That is at the heart of the quest, it is as much about the human spirit as it is about technology, and that is why this is a quest that will never end.” P 717 The Quest

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902. A Special Needs Summer?

Families that include those with special needs can sometimes struggle with finding inclusive programming. Librarians often feel pressure to provide programming exclusively for special populations. But that’s not necessarily the case. Just having an open and welcoming atmosphere can be all that it takes to make your current programs accessible for everyone.  Are you doing what you can to offer programs for all children? Don’t know where to start?

As a programmer, ask yourself the following questions:

The location of the program-

Are the rooms bright and cheerful without being overwhelming with too many sights and sounds? A calm environment is important for children with sensory issues.

Is light distributed evenly? This is important for children with low vision.

Is the room accessible and clutter free, with clear pathways? Most mobility equipment requires a four to five foot turning radius.

Are there a variety of seating options? Large bolsters and pillows may be arranged to give children more stability and motor control and to ensure their comfort and security.

Staff to participant ratio-

Are all children receiving individual attention? Speaking with children at eye level is an important engagement tool.

Do adults call children by name? Identifying each child makes for a more inclusive environment. You can praise positive behavior when you can call each child by name.

Are there sufficient personnel to respond in the event of emergencies? Having another staff person in the room can help mitigate any immediate problem with minimal disruption to the program.

Are you using parents as partners? Parents can be your best tool! They know their children best. And after all, they are here to make positive memories as a family. Allow them to be a part of your program.

The program activities-

Do you have a variety of developmental activities taking place? Every child works and participates at a different pace. Make sure there are tools and activities for different ages and developmental abilities. This can be as simple as crayons of various sizes, precut craft items, and larger pieces of paper.

Is the information presented in multiple formats? Pictures can provide context about the program and its goals. A soft bell can be an audio clue that something is about to happen in your program.

Just being mindful of the needs of your families can start the conversation about inclusion. Don’t be overwhelmed by the idea of “special needs programming” these small steps will get you on the road to providing a welcoming atmosphere for all your families.

For more tips check out these resources:

http://www.ucsfchildcarehealth.org/pdfs/healthandsafety/inclen081803_adr.pdf

http://articles.extension.org/pages/61358/adapting-the-child-care-environment-for-children-with-special-needs

Lesley Mason is the Youth Services Manager at the Martin Luther King Jr. Memorial Library, the DC Public Library’s central branch. She is currently the chair of the ALCS’s Library Service to Special Population Children and Their Caregivers Committee. She earned her Master’s Degree in Library Science from Clarion University. She specializes in Early Literacy and can be reached at lesley.mason@dc.gov.

The post A Special Needs Summer? appeared first on ALSC Blog.

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903. Interview with Andrew, Fine Art Today

A few weeks ago, I did an interview for an online article, but the author didn't publish the interview—just used it for background, so here it is


1) Tell me a little about your creative process. Once inspiration hits, how do you approach the panel/canvas? In other words, do you always start a piece the same way even if the source of inspiration is different? How do you know when a piece is completed; is it that sense of fulfillment or that a particular experience/idea is re-achieved?
I don't always start the same way, but let me give you the overview of my typical creative process for an imaginative painting. I start with small thumbnail sketches in pencil, pen, or watercolor. If it’s an architectural subject or a dinosaur, I’ll often build a little maquette to establish shadows and angles. Sometimes I’ll do a small color study or comprehensive sketch.

If the painting requires scientific or historical accuracy, I consult with experts at every stage of the process and incorporate their suggestions. After all these studies, I work up the line drawing—and sometimes a full charcoal drawing—and finally begin the final painting.

The final painting is usually in oil, and may take anywhere from a couple days to a month to complete, depending on complexity. If I do my planning right, the finish won’t take very long, and I won’t have to change or rework any areas. But paintings don’t always go according to plan, and they almost never live up to my purest vision of the scene.

2) Could you dive into the process of a specific work that will be featured in the article? Perhaps you could recall when/where/how you were moved to create it and the process involved in its realization?
(Image: Waterfall City: Afternoon Light) Waterfall City is a combination of two places that always fascinated me: Niagara Falls and Venice. It's a place at the center of my imagined world of Dinotopia, the island where humans and dinosaurs coexist. The creation of the original painting predated the conception of Dinotopia, and my earlier career set the stage for it.

I began my professional art career painting animation backgrounds, paperback covers, and National Geographic illustrations. I had only vague inklings of lost worlds and utopias and epic stories. Looking back, I suppose that illustration work was an ideal training ground for the kind of visual world I was trying to develop, because I was called upon to paint all sorts of subjects: dinosaurs, ancient cities, space ships, aliens and mermaids. I particularly enjoyed painting scenes from archaeology and paleontology that were accountable to the truth of fact. My specialty became painting realistic images of scenes that can’t be photographed.

I traveled to Jerusalem, Athens, and Rome on assignment for National Geographic. It was a huge inspiration to see those famous old cities. I spent time with Rick Bronson, an archaeologist who was just like Indiana Jones. He led me through overgrown jungles to find little known Etruscan ruins, and we descended down ladders into newly-discovered tombs. Sitting around the campfire at night, Dr. Bronson and I would talk about dreams of discovering a lost city along the lines of Machu Picchu or Troy. I realized that I could always make a painting of such a lost city, and that led to painting Waterfall City, an image that took me several months to complete.

3) There are, obviously, infinite ways in which the body can express different ideas, narratives, and feelings. Can you talk about your attraction to figurative work what it means to you and your art? Perhaps you could extend this discussion to your plein-air / imaginative realism?
I don't think in terms of painting bodies or figures or heads, but rather people. I’m usually motivated to capture a specific character or individual. This is important to me because I think art students often get stuck thinking of people in generic or anonymous terms. When that happens, they miss out on the chance to animate their subjects with living souls.

Not that I do that every time, but it’s what I’m trying for. If I'm painting a portrait from life, I'm usually talking to the person to try to understand how they tick in addition to how they look. I'll be documenting that process in a new video called "Portraits in the Wild."

If I'm creating a work of imagination like Dinotopia, I enlist models to act out the characters. Usually my models are friends or neighbors, but I have hired professionals. I’m trying to imagine a certain person doing something for a particular reason. I either take photos or do tone paper sketches of the models. I have a large mirror mounted in the studio and often draw myself posing in costume to get the basic action.

4) What are your primary goals in art making? What do you hope your audiences take away from your paintings?
If I’m doing paleoart, my goal is to create a bridge to a forgotten world, to be an eyewitness to life that has long since vanished. Paleoart is wildlife art for the time traveler.

I’ve always been interested in creating an alternate universe that my readers can travel to during those moments of daydreaming during the day. I’m not conscious about morals or hidden messages; I simply enjoy telling a good old adventure story.

Another big goal for me is capturing the world in my personal sketchbooks and location painting. It’s the flip side of my imaginative work. The one side of my art feeds the other.

5) Which artists, historical or contemporary, have influenced you the most and why? Is it purely conceptual or aesthetic? Both?
When I was a student, I read everything I could find about Salon and Royal Academy artists like Alma Tadema, Bouguereau, and Gerome. As much as I love those guys, I also adore painterly realists like Repin, Kroyer, Sorolla, and Zorn. From a young age I recognized that all these artists were part of a tradition that continued unbroken through the Golden Age illustrators, particularly in the work of Rockwell, Cornwell, and Lovell. I pored over editions of the Famous Artist’s Course from the 1950s, where great story illustrators shared the secrets of their craft. I also read avidly about the life in the ateliers, particularly the Prix de Rome images and the history paintings. I was very curious how they painted such lifelike scenes from their imaginations.

Lately I’ve been extremely inspired by the the drawings and the gouaches of Adolph Menzel, and I edited a book of his work that will be released later this year from Dover Publications.

The appeal of all those artists is more basic that just being just conceptual or symbolic. It’s a very deep response to sensual life that pulses through the work of all these artists.

6) Talk to me about your surfaces. How important is the surface to your art? Why or why not?
I work on everything from watercolor paper to illustration board to canvas. I prime it in a variety of ways. But surface is not a huge preoccupation for me. I’m always trying to pass through the surface. It’s easy to make a painting look like paint. The challenge is to dissolve the surface and see into the depths. If people praise my brushstrokes or my canvas texture, something is wrong with the painting.

7) What has your journey to becoming a successful artist been like? Were you always interested in art?
I went to the University of California at Berkeley, but I didn’t take any classes in the art department there. I sought out the archaeology and paleontology professors and asked them if they needed an artist to render artifacts. They let me loose in the vast Kroeber Museum collection. One of the things I was permitted to do for school credit was to render Egyptian scarab carvings for a scientific publication. After participating in an actual archaeological dig, I decided to major in anthropology. I then went on to study drawing and painting at the Art Center College of Design in Pasadena, California, but I soon was hired out for paying work in the movie industry, and that’s where I learned to paint.

As a kid, I liked dinosaurs and ancient civilizations because I knew they were once real, even though I couldn’t see them with my own eyes. Outside my bedroom door was a shelf of old National Geographic magazines dating back to 1915. I would tiptoe into the hallway late at night and read about pilots in biplanes flying over uncharted Incan ruins. After school I would dig excavation pits in my suburban back yard, hoping to find a dinosaur bone or maybe even a lost temple. The neighborhood moms quit letting their kids play at my house because they always came home covered with dirt. Even though I didn’t find much of what I imagined, I made up for it by sculpting it out of clay or drawing it on paper.

I wanted to be an artist, but I was interested in so many other things. I was interested in that place where art intersects science and engineering. I find most scientist are kids at heart, with a sense of wonder and imagination about worlds that they must imagine from scraps of evidence.

8) Finally, where are James and his art in 5 years? How do you see your career and artwork evolving in the future and what are some things you seek to achieve?

I have kept several doors open all through my career: writing, freelance illustration, and books published the traditional way, and I’ll continue to do those. I’ll continue writing for the art magazines and for the art instruction press.

But lately I’ve been doing more self publishing, particularly in the video art instruction category. I have released six DVD / downloads already, with three more in the pipeline. I also have new story worlds that I’m developing, and I expect to continue with my blogging, which I’ve done daily since 2007.

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904. extreme procrastination by Andrea Joseph

So quick, while I'm on a roll, and before I notice, I'm going to blog. I'm only doing it to avoid doing something else, obviously. I've spent months procrastinating to avoid blogging and now I'm blogging to avoid doing something else I should be doing. We're all nuts though, right?
I get quite a lot of students studying my work. Which is ridiculous and fabulous at the same time. And, I often get asked to answer questions and stuff, but I really just do not have the time to answer all those individual questions. I'm sorry about that. If I had the time I would (or, actually, I'd probably like to answer them but, if the truth be told, I'd still avoid doing it because of my terrible case of procrastination). Here are some questions I've been asked recently and answered in a kind of less boring way than just typing them out on a keyboard.

So, if you are a student doing research, or just a person reading a blog, this is a little insight into how I work. Now, I'm going to press publish, or this post will sit in my drafts folder for the next few years. 
One last thing though, if you do go on to read all the nonsense in the drawing below and are curious as to whether I did actually finish the project that I was going to start and actually finish...
...of course I DIDN'T!
Have you learnt nothing???

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905. Arthur's Seat - oh my!

As Robert Louis Stevenson said, "[Arthur's Seat is] a hill for magnitude, a mountain in virtue of its bold design." What it is is an old dormant volcano, right in the heart of Edinburgh. Between the Castle (also built on a volcano), Calton Hill (yup - volcano) and Arthur's Seat, it's very hard to get lost in this city. They give you your bearings.
     Arthur's Seat is GRAND. We've been staring at it since we moved here, wondering when we would make the hike up it. A recent sunny, beautiful day became the moment. We took layers, just in case, water bottles and cameras and started our trek.

     To get there, you head for Holyrood Palace, hook a right at Parliament, enter the park and cut up at the ice-cream truck. The trek begins immediately. Hoo boy. We had to stop for pictures on the way up. Uh-huh, just pictures... okay, and to catch our breath.
     The trail goes up, up, up, then wraps around the cliff faces. It's incredibly beautiful and STEEP. This is looking straight down.
     Here's Stan standing at the edge with a view of Newington (on the south side of town) and the Pentlands beyond. That's a sheer drop right behind him. There are no fences, and it is indeed dangerous. In fact, a hiker fell to her death a few days after we were there.
     Turning around, we faced an incredible rock wall.
I have a bad knee from an old skiing accident, but I was determined to get to the top of that wall. Heck, tourists were hiking up wearing purses and cute shoes. If they could do it, so could I. And we did. The view from up there was amazing. That's the trail we came up running on the left.
     From up there, we could see all the folks climbing and bouldering up the cliff face, some all the way up - no ropes. I used to do that - with ropes. These Scots are made of hearty stuff.
     I'll admit, I had a wee bit of height fright up there. Yes, I used to hang-glide. But back then I had something attached to me that kept me aloft. I didn't have anything holding onto me that day, and the wind was whipping.
     And yet, we hadn't reached the summit. Maps told us it only took two hours to reach the top. Hm. We looked at the trail - see the tiny ants zig-zagging up the side? Yeah, those are people climbing to the top. We would have to go down and then back up again. Up THAT. Yeah, no.
     My knee was already starting to freeze up on me, it just refuses to bend anymore. When my knee starts doing that, it's actually worse going down than it is going up. Even if I did make it to the top, coming down would be pure pain. *le sigh*
     So, we hooked a left. On the back side of the cliff, we discovered a valley. I suppose it was formed from the lava blowing out the side of the hill, like Mt. St. Helen's (there are a lot of similarities between the two mountains). It's formed so perfectly. Here it is from the top of that cliff.
     I'm glad we got to see the views from the cliff face, but the valley was so much more our speed. Dogs ran up and down the sides with unbridled joy. Scotch broom bloomed everywhere creating wind breaks. And there was a wee pond at the bottom. We headed that way. Stan then surprised me with a wee picnic. He'd brought stilton, crackers, and an apple - so perfect! We found a little hidey hole from which to enjoy it and the sun.

     We just laid there for a good hour or more - we both got tans. Gads, it was a beautiful day.
     When it was finally time to leave (to go meet friends for dinner), we headed down the gentle slope. My knee had indeed locked up, so I was limping pretty badly. PAH! I suppose it's good to know my limits - so that I can predict the price of going past them. (I did indeed pay - lots of ice and aspirin afterwards.)
     At any rate, on the way out we passed a lovely, and still operational old well.

     And then again past parliament, where children and dogs played in the water feature out front.
     All said, we have done Arthur's Seat. Obviously, it's a dangerous place. But it's also a stunningly beautiful place that feels like another planet even through you're right in the city. Will I go back? Oh yes. But perhaps I'll keep to the valley next time. Ahhhhh.

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906. My tweets

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907. RIP: Muhammad Ali, one time foe of Superman

Athlete, statesman, icon, one of the greatest people of the 20th century….and star of one of the most indelible comics team-ups ever. Muhammad Ali passed away last night at age 74 and the tributes to one of the most transformative individuals of his times are pouring in. But in 1978 Ali was already so well […]

1 Comments on RIP: Muhammad Ali, one time foe of Superman, last added: 6/6/2016
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908. The Dark Knight

Felt the urge to do a Batman sketch.


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909. EARTH by Charity and the JAMband - musicwrap






Groove on down to 'Earth' with Charity and the JAMband

Four years in the making, new album celebrates Earth Day every day


Unwrapping...



  

Charity and the JAMband

Family friendly



Unwrapping some lyrics so you catch the flavour...

Verse 1
this old earth's
been around awhile
she knows how to cry
she knows how to smile
she's happiest when we
care for her soil
and the water and air
that feed us all

Verse 2
this old earth
runs on her own time
how long does it take
for a mountain to grind
all the way back down
to a grain of sand
and then bec
a mountain again

Chorus
every day
should be earth day
and every one
every daughter and son
will love her
like a mother
and cherish her
every single day
should be earth day!
every single day
should be earth day!
every single day
should be earth day!
every single day

Verse 3
this old earth
is home for all
the beasts and plants
stout and tall
some take root
others walk
some even fly
some even talk

Verse 4
we ride through space
upon her crust
never looking back
in earth we trust
she’s a ship afloat
in a sea of night
the burning sun
her guiding light

Chorus

Bridge
now is the moment
to open our eyes
and our minds and our hearts
and realize
the earth is our friend
we are never alone
the earth is our mother
the earth is our home
we must protect
our only earth
every action and intention
affirming her worth
let’s do no harm
and take good care
of every life
everyone
everything
everywhere...

Chorus

credits

released April 22, 2015
Charity Kahn: songwriting, guitars, vocals, synth, engineering, production
Daryn Roven: guitars, piano, engineering, production
Paul Lamb: bass
David Rokeach: drums, percussion

tags


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910. Plot

Question: What is a plot structure? Answer: Think of a plot as a series of events (things that happen). If they were just random events, they would have

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911. Baby You Can Drive My Car

Traveling is so great. And when you bring a sketchbook, each commute, flight or drive becomes so entertaining!
I don’t mind getting stuck in a traffic jam anymore, because it allows me to draw even more! When I’m not driving myself that is. Obviously.

20160513_Drive

20160527_Car

20160529_Car

The post Baby You Can Drive My Car appeared first on Make Awesome Art.

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912. Featured Review: Wanamaker by Ed Masessa

About this book: Magic is real -- and it runs in the family -- in this charming fantasy adventure about a boy who must balance his magical education with the demands of big-brotherhood, perfect for fans of Jenny Nimmo and Angie Sage. Henry Leach the Eighth doesn't know it yet, but...

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913. Barnes & Noble Celebrating ‘Cursed Child’ Release With Exclusive Activities!

If you’re not in Florida for GeekyCon’s exclusive Harry Potter and the Cursed Child Parts One and Two scriptbook release party, you may be in luck!

Barnes & Noble will be throwing a whole month of parties in the lead up to the midnight release of the Cursed Child Rehearsal Edition scriptbook (June 30th), beginning June 24th.

Business Wire reports:

“Barnes & Noble, Inc., the nation’s largest retail bookseller and a leading retailer of content, digital media and educational products, today announced that it will host a month-long celebration in advance of the publication of Harry Potter and the Cursed Child Parts One & Two. The events will kick off on Friday, June 24, at 7 PM when all stores nationwide will feature activities designed to give participants of all ages the opportunity to relive the magic of Harry Potter, and enter the Barnes & Noble exclusive Harry Potter Limited Edition Cover Prints Sweepstakes for a chance to win a set of 7 Harry Potter Limited Edition Cover Prints, available exclusively at Barnes & Noble, up until the July 30 Countdown to Midnight Party. On Saturday, July 30, starting at 8PM, customers can visit their local Barnes & Noble for the fan-favorite Countdown to Midnight Party leading up to the midnight release of the epic eighth story, Harry Potter and the Cursed Child Parts One & Two. At the Countdown to Midnight Party, two customers from each store who entered the sweepstakes will be chosen at random. Then, on Sunday, July 31, customers can return to their local store to share their perspectives on the new book and participate in additional Harry Potter-themed events, with activities and giveaways.”

Customers can enter sweepstakes (once entry per store, per day) up to the midnight release party, where two winners per store will be chosen at random. If you fancy entering the sweepstakes, just ask a local Barnes & Noble bookseller to find out more details, Official Rules and information on events and activities taking place at nearby stores:

“At the June 24 event, Barnes & Noble stores across the country will set up a coloring station where participants will have the opportunity to color various Harry Potter-themed materials including the 4 House Crests (Gryffindor, Hufflepuff, Ravenclaw and Slytherin) and a special Owl Post Postcard exclusive to Barnes & Noble that they can send to friends to invite them to the Countdown to Midnight Party. In addition to trivia and activities for Harry Potter fans to enjoy, many giveaways will also be available at the event while supplies last, including Harry Potter vintage posters, bookmarks and more. Stores will also host a robust Harry Potter trivia event. In addition, the Barnes & Noble Café will be offering special Harry Potter-themed treats including The Cheesecake Factory Bakery’s® fun and delicious Chocolate Witchout Cupcake (a Barnes & Noble Café exclusive), The Decorated Cookie Company’s delightful Witch Hat and Cauldron Decorated Shortbread Cookies, and the Passion Potion Iced Tea, a bewitching shaken blend of brewed passion tea, raspberry and vanilla flavors.

All stores nationwide will also host a Wrebbit 3D™ Harry Potter™ event, in celebration of Harry Potter’s arrival at Hogwarts School of Witchcraft and Wizardry, during which Harry Potter fans of all ages are invited to participate in the assembly of Wrebbit 3D™ Hogwarts™ Astronomy Tower, an 875-piece 3D puzzle. In addition, Barnes & Noble will put on display a fully-built, first-to-market Wrebbit 3D™ Hogwarts Express™ 3D puzzle in all stores for customers to marvel in and enjoy.”

Business Wire also report on the midnight release schedules:

“Harry Potter is back, and on Saturday, July 30, at 8PM, Barnes & Noble stores nationwide will host a special Countdown to Midnight Party leading up to the release of Harry Potter and the Cursed Child Parts One & Two, a special rehearsal edition script book, which goes on sale July 31 at midnight. The party will feature a special Muggle Wall where customers can share their favorite memories of Harry Potter as well as several amazing giveaways. On Sunday, July 31, customers can return to their local store to discuss the new book and participate in special Harry Potter-themed events and activities, as a follow-up to the Countdown to Midnight Party the night before.”

It’s set to be an exciting month, coinciding with preview performances of Cursed Child in London!

Find out more and pre-order the Cursed Child scriptbook over at the Barnes & Noble website (here), and read the full Business Wire article here.

If you can make it to Florida and you want to join a night of old-school Potter book release festivities for only $20 (which includes a ball, costume contents, sorting, quid ditch, wizard chess, special guest appearances and more), find out more about GeekyCon’s midnight release party here!

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914. 30 Days of Books: Day 12

 I saw this at The Written World--a blog I've been following for most of the time I've been blogging--and I thought I'd join in the fun. I believe the most recent recurrence of this is from Jenni Elyse's blog.

Today's prompt: A book you used to love but don’t anymore

I'll go with Gone with The Wind. When I was a teenager, I must have read this one a dozen times. But I've only been able to read it once or twice in the past decade. It's not that I hate it. I don't. I really don't. That's too strong an emotion for it. It's more I no longer love it. I can't bring myself to get all gushy about it anymore. 

© 2016 Becky Laney of Becky's Book Reviews

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915. Evanna Lynch is… a Gryffindor!

Pottermore recently interviewed Matthew Lewis, Rupert Grint and Bonnie Wright, following up each interview with a sorting.

So far, the only actor to be sorted into their character’s Hogwarts house was Bonnie Wright, who matched Ginny Weasley’s Gryffindor traits.

Evanna Lynch was also invited to speak to Pottermore about what the series means to her, and as a fan of the Harry Potter book before she got the part as the bold, eccentric and loving character of Luna Lovegood, Evanna clearly had a special place in her heart for the books:

‘They just feel so much like friends for me, in a way that other books don’t. Other books feel like I’m getting a little peek into your life, but somehow, just the way Jo writes them, they just feel like friends.’

She also says that growing up with the books is a big part of why older generations still seek refuge in the books.

Of course, Evanna says she misses playing Luna Lovegood, but says that she still feels connected to the character:

“I feel like I can still call on her inspiration and spirit when I need to” 

Her favourite scene to film was Fleur and Bill’s wedding in Deathly Hallows, due to being able to meet the character of Luna’s father, Xenophilus Lovegood.

When it comes to being sorted, Evanna wastes no time being sentimental about Ravenclaw. She is promptly sorted into Gryffindor, and gives a triumphant grin, proudly showing off the result.

On how she feels about the sorting:

“Thrilled, but also, not surprised”

Watch the full video below, along with a compilation video of all the sortings thus far!

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916. ऑडियो – दमदार बात- पान मसाला – मोनिका गुप्ता

क्लिक करिए और सुनिए ऑडियो दमदार बात  पानमसाला अगर आपके पास एक मिनट और 45 सैंकिंड हैं तो जरुर सुनिए ये दमदार बात… हो सकता है काम आ जाए . आज देश में बहुत मुद्दे छाए हुए हैं … जैसाकि नरेंद्र मोदी जी के विदेशी दौरे, मथुरा मे हिंसा के हालात क्यो और कैसे बने, […]

The post ऑडियो – दमदार बात- पान मसाला – मोनिका गुप्ता appeared first on Monica Gupta.

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917. Sing Along Saturdays

Today's prompt: What song would you like turned into a book?
This meme is hosted by Bookish Things & More.


The Reason by Hoobastank. I love this song like crazy. I'm not sure if I loved, loved, loved it before he started getting heavy use in fan videos for various tv shows and movies. But that certainly helped me appreciate it all the more.



One of the fan videos I'm talking about is for Alias. DO NOT WATCH THIS IF YOU DON'T WANT SPOILERS. But it turns the lyrics into being about father/daughter. Syndey and Jack. (I can't begin to tell you how much I LOVE, LOVE, LOVE, LOVE, LOVE Jack's character. I think the main reason the show resonates with me is because of him!)



© 2016 Becky Laney of Becky's Book Reviews

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918. Techie Learning Curve for the Day. Posting Audio on Blogger: Check!

Ok, ok. So technically this Techie Learning Curve was something Deedy (that's Dorothea Jensen to you) tackled, not us Izzy Elves. But we would like to point out that we consider ourselves full participants in her achievements, in some weird way. It's almost as if HER brain is OUR brain. We don't understand it, but then, we never claimed to be philosophers. Just elves.


Here is Deedy's post for the day. (She does promise to give our blog back to us some day.)

Love,

Dizzy, Blizzy, Bizzy, Fizzy, Frizzy, Quizzy, Tizzy, and Whizzy

*********


So I've been trying to figure out how to post the actual audio recording of my May 12 interview on Citywide Blackout, WEMF Radio, with Max Bowen and Gina House.

It turns out that all I needed was a "go-between" mechanism. I used the one called SoundCloud, and the rest was easy peasy. 

Here it is!

Dorothea Jensen WEMF Citywide Blackout Radio Interview, May 12, 2016

Now on to my next blog post idea: searching through hundreds, maybe thousands, of pictures to find some shots of the time my sister, father, mother, and I dressed up as pirates, boarded a "pirate ship," and attacked some Vikings that were marauding down our river. In 1966. I'm not making this up.

It might take awhile.

Regards,

Deedy
(AKA Dorothea Jensen)

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919. TILT – today in librarian tabs

I need to close some tabs on my browser so they are here.

1. Are you someone from a “diverse” group who gets frequently asked for your opinions about how to help organizations “get diverse” enough so it seems like a part time job? Follow Diversity in Design’s lead and charge people for it. No shame in it. There is also Clarity.fm which doesn’t have a specific keyword for librarians but that didn’t stop me from signing up.
2. The Open Access Button “helps researchers, patients, students and the public get access to scholarly research and to report when they’re denied access.” Learn about it. Cool stuff.
3. Fair warning: the Department of Justice is starting to get serious about public entities having accessible websites and also “web content” What they mean about web content is not totally clear but libraries should pay attention. Good blog post by this law firm who has a good accessibility blog generally.
4. Live to Run Again is a not-for-profit public education campaign against drowsy driving for people who are traveling long distances to go to dog events. They sponsor ABLE an Audio Book and Library Exchange where volunteer librarians bring audiobook CDs to dog events so that people can listen to them and stay awake on the way home. Drop off the audiobook at the next library along the way. Great idea and they are always looking for donations if you are weeding CD audiobooks.
5. I don’t think I have mentioned this here but I am teaching a Tools for Community Advocacy class at the University of Hawaii, a short summer class with eleven really interesting students. I dislike course management software so I made my own website for the class from an available template. I am proud of it. You can view it here.

screen shot from my website

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920. Eshu Bumpus


Eshu Bumpus is a storyteller who tells African, African-American, and World stories to a variety of groups. Here's a video of him.

His grand boubou or bubu was a fun costume to sketch. I liked the big pipe folds on the back and the half-lock folks on the right.


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921. Muhammad Ali

I knew him first as Cassius Clay,
“The Greatest,” as he claimed.
His many titles proved that he
Was accurately named.

He “floated like a butterfly”
Yet he was brash and bold.
He stung opponents “like a bee”
And left a few out cold.

Although a boxer through and through,
You might say to the core,
The one place he refused to fight
Was in the Viet Nam War.

He lost his license for that stand,
Excluded from the ring
For several years, but then returned
Triumphant as a king.

His years of taking endless hits
Led sadly to disease,
For even as “the greatest”
Life provides no guarantees.

I’m not a fan of fighting sport
In any form, but yet
I’ll mourn Ali, the fearless champ
The world will not forget.

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922. Dan Radcliffe on Seeing ‘Cursed Child’ and Starring in ‘Now You See Me 2′

Inquirer.net recently sat down to talk to Daniel Radcliffe about Cursed Child, magic and his acting career thus far. Dan recently starred in Swiss Army Man and Victor Frankenstein, and will soon be appearing as Walter Mabry in Now You See Me 2.

Mabry is a wealthy, magical entrepreneur who has captured the Horsemen (Jesse Eisenberg, Woody Harrelson, Dave Franco and Lizzy Caplan) – you can catch glimpses of his character in the movie’s trailer (below).

On whether or not he’ll be likely to see Cursed Child:

“I don’t know if I would. Because I feel like me going to see that show, it might become more about the fact that I was there seeing that show that night than anything else.”

At which point the Inquirer hinted to him that he might just be able to sneak into the show, asking if he was keeping up with the show:

“Do you really think that’s possible (for me to sneak in) (laughs)? No, I haven’t been keeping tabs. But I know Jamie Parker is playing me (Harry), which I’m very happy about, because he’s a great actor.”

Dan also said that he doesn’t see Harry Potter co-star Rupert Grint very much anymore (he’s working on his own TV comedy at the moment!), but did say that he saw him “at the beginning of the year, or the end of last year”.

On working with Michael Caine:

“Growing up in England… he is someone that you grow up being aware of as an institution. He’s everything that I want to be when I grow up as an actor.

When I first started working on “Potter,” there were crew members who have known Michael and had worked with him on various projects. To listen to them talk about Michael and the respect that they have for him, it made me, as a young actor, go, “God, I want to do that.”

When you work with him, he is utterly professional and also really good fun. He enjoys his job so much. I do love my job and I am thinking, if you aren’t having fun at work, you shouldn’t be there.

But watching Michael—I guess he is in his 80s by now—act at four o’clock in the morning in cold and dark England and still be there…

So many other actors would have been complaining and moaning. Michael is unflappable, and he’s still having a good time, telling stories, joking and laughing. He knows everyone’s name. It was a pleasure to be around him, to watch him work and to work with him. It was extraordinary.

Whenever I need a bit of a boost, I just go on Michael Caine’s IMDb page.”

On Swiss Army Man and its many complexities:

“I am not staying away from [romantic-comedy] roles. I think it’s more that it’s actually a lot harder to write something happy than it is to write something dark. There’s a lot of different versions of darkness that are very interesting. It’s harder to make happiness interesting onscreen for whatever reason.

“Swiss Army Man” sounds like a dark character because I’m playing a dead guy. The film does have its dark moments, but it’s got a lot of levity and joy. For me, that film is about joy. It isn’t a traditional rom-com, but it’s definitely got some lightness to it.”

Read the full interview over at Inquirer.net herewhich includes more about his character in Now You See Me 2. Watch the latest trailer for the film below!

 

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923. Co-Writing

How to not only survive co-writing, but use it to your best advantage.

https://writersrumpus.com/2016/04/22/how-to-survive-co-writing/

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924. Book Review: Yes, We Are Latinos! / ¡Si, Somos Latinos! by Alma Flor Ada and F. Isabel Campoy, illustrated by David Diaz

Note: I'll be using the term Latinx (pronounced Latin-ex) in this review. There are a number of different ways of speaking about Latinx as a whole, from the traditional Latinos (which is grammatically correct but implies they are all male), to Latino/a, to Latin@, which are both clunky-to-impossible to say aloud and also reinforce gender binaries. But I've been seeing Latinx more and more lately and I like the way that the x represents a wide variety of possibilities in an incredibly diverse group.

Title: Yes! We Are Latinos! / ¡Si! Somos Latinos!
Author: Alma Flor Ada, F. Isabel Campoy
Illustrator: David Diaz
Published: 2013

Source: Local Library

Summary: A collection of poems for children from the perspective of many different Latinx children, accompanied by lovely cut-paper scenes.

First Impressions: A set of glimpses into many different ways of being Latinx.

Later On: While I'm not a particularly poetic person, I picked this up because I love Alma Flor Ada. My favorite part is the sheer variety of the experiences related. There are kids whose families have been here forever, and kids who've just arrived. There are Afro-Latinx kids, and Filipino, and Japanese-Latinx. They live in different parts of the country, they have different family structures. Their roots travel all over Latin America and even Spain, not just Mexico. If you're Latinx, you stand a good chance of seeing at least part of your own experience represented, and if you're not - settle down and learn how incredibly diverse our American lives are.

More: Kirkus

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925. Diverse Children’s Books Link-Up – 4 June

DiverseKidLitMirrors Windows Doors is one of the hosts of the new Diverse Children’s Books meme. Find out all about it below – and be sure to join in, both by adding a post to the linky and by exploring the riches that both … Continue reading ...

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