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Whether they be songs about angels or demons, Heaven or Hell, the theme of the afterlife has inspired countless musicians of varying genres and has embedded itself into the lyrics of many popular hits. Though their styles may be different, artists show that our collective questions and musings about the afterlife provide us with a common thread across humanity. Here are some of the songs that best represent this wide range of emotions that many people have about what lies beyond.
(Venice, Italy) Paolo Leoncini paints because he loves the raw, natural world of the Venetian lagoon, finding inspiration from the original Architect of the Universe. When he was just a small boy, he would go on fantastic adventures with his father, the artist, Marcello Leoncini, as he captured images of Venice on his sketchpad.
Paolo remembers the first solo exhibition his father had in at the Opera Bevilacqua La Masa in Piazza San Marco in August, 1947. Paolo was not yet seven-years-old, but the excitement of the opening left an indelible memory. As soon as he could hold a brush, Paolo, too, began to paint. It seemed that artistic talent ran in the family.
Cupola of San Simeon Piccolo by Marcello Leoncini (1956)
Marcello Leoncini was born in Florence on December 9, 1905. He grew up in Sulmona in Abruzzo, Ovid's hometown, where he got his degree at the Istituto d'Arte. After his beloved mother died in 1929, Marcello made his way to Venice where he found a job working for the Water Authority as a designer. He quickly established himself on the local artistic scene, participating in a group exhibit at the Bevilacqua La Masa in 1933, where he would remain a vital presence until 1950.
La Spiagga (The Beach) by Marcello Leoncini (1948)
In October, 1942, Marcello qualified as an art teacher and immediately quit his job working for the Water Authority. After WWII, he became an active member of the cultural association, "Gruppo dell'Arco," a group of Venetian intellectuals who sought to revitalize the cultural climate, exhibiting in the Galleria dell'Arco at the Palazzo delle Prigione. The visionary film director Pier Paolo Pasolini praised Marcello's Ritratto d'uomo (Portrait of a Man), which won the Premio Mogliano at the Triveneta in Udine in 1947. As an artist initially from the regions of Tuscany and Abruzzo, Marcello was winning acceptance in the Veneto -- not an easy achievement.
The year 1948 started off with a bang -- Marcello was invited to participate in the 24th Venice Biennale International Contemporary Art Exhibition, as well as the Quadrennial in Rome, and the National Exhibition of Contemporary Art, "April in Milan." On November 28, 1949, the Minister of Education bought Marcello's Natura morta con i pesci (Still Life with Fish) for the Ca' Pesaro museum, Venice's International Gallery of Modern Art.
Maternità by Marcello Leoncini (1956)
In the 50s, Marcello disagreed with the direction the creative community in Venice was taking, and withdrew from exhibiting, concentrating instead on his students, and working in seclusion. It would not be until 1975 that he would again exhibit his work, nearly 30 years after his first solo exhibition.
In 1992, two years after Marcello's death, the City of Venice mounted a retrospective entitled, Marcello Leoncini. Works from the '30s to the Postwar.
Paesaggio con mezzaluna (Landscape with Half Moon) by Paolo Leoncini (1978)
Paolo Leoncini was born on December 7, 1940, two days before his father's 35th birthday. He began painting as a young boy, guided by the hand of Marcello. But Paolo was more interested in nature than in the human figures that inspired his father.
Instead of going to art school, Paolo got his degree in Humanities and became a respected critic and professor of contemporary Italian literature, while still focusing intensely on his art. Diego Valeri, the poet and literary critic, wrote about Paolo Leoncini: "in his double-act" -- artistic and critical -- "there is no trace of amateurism because his commitment is the most serious and profound of those working in these difficult fields."
Spaccato collinare (Hillside cutaway) by Paolo Leoncini (1979)
Paolo began exhibiting in 1971. Henri Goetz, the acclaimed French American artist and engraver, delighted the crowd at Paolo's first solo exhibition in April, 1974 by making a surprise appearance at Galleria Segno Grafico. In the same circle as Picasso, Braque, Brancusi, Kandinsky, Gonzalez, Picabia and Max Ernst in Paris, Goetz had invented carborundum printmaking, opening up another universe to artists, and Paolo had studied his method.
Lunar Carnival by Paolo Leoncini (2004)
Throughout his life as an artist, Paolo has traveled through different mediums and methods -- black and white, colored inks, mixed, tempera, oils and engraving -- as he expanded his voyages throughout Italy and Europe, visiting hills, mountains, forests and streams, and capturing nature on his canvas.
Girasole (Sunflower) by Marcello Leoncini (1973)
Fifteen years ago, father and son began exhibiting together for the first time. In 2010, the Galleria Perl'A in Venice presented an exhibit entitled A Family of Artists: the Leoncini, featuring the work of both Marcello and Paolo Leoncini. In 2012, the National Museum of Oradea in Romania presented 100 works by the duo called, Two Venetian Artists: Marcello and Paolo Leoncini. In 2014 Effata published a volume called I due Leoncini a Venezia, which literally means "two lion cubs in Venice" -- "Leoncini" is Italian for "lion cubs" and, fittingly, the symbol of Venice is a winged lion. The volume featured 50 works by both Marcello and Paolo Leoncini, with a text by Domenico Carosso.
Now Paolo's journeys have led him to Paris where he will once again share the stage with his father, Marcello, at La Capitale Galerie, a gallery that also represents the work of Henri Goetz. From April 28 to May 23, 2015, La Capitale presents Marcello et Paolo LEONCINI, deux vénitiens à Paris, or Two Venetians in Paris. The vernissage is on Tuesday, April 28 at 6:00 p.m.
Mmm. Vanity straight up. So I never quite know how to post “me stuff” news when it’s particularly nice. On the one hand I could post the link with the typical “I’m not worthy” statement attached, but that always sounds as if I doth protest too much. Or, I could go the other route, and just celebrate the link with a whole lotta hooplah and devil take the consequences. I think, in the end, I’d prefer to just preface the link with a long, drawn out, ultimately boring explanation of why these links are problematic in the vague hope that your eyes glazed over and you skipped to the next bullet point. That accomplished, here is a very nice thing I was featured in recently at Bustle. I think Anne Carroll Moore probably should have taken my slot, but insofar as I can tell, she is not around to object.
There comes a time in every girl’s life when she realizes that all the funny stuff on the internet was written by a single person. That person’s name, it turns out, is Mallory Ortberg. And if you doubt my words, read her recent Toast piece The Willy Wonka Sequel That Charlie’s Mother Deserves. It’s applicable to the book as well, though in that case it would be “The Charlie and the Chocolate Factory Sequel That Charlie’s Mother and Father Deserve”.
It was Jarrett Krosoczka who alerted me to the fact that Jeanne Birdsall has a blog. Jeanne, you sly devil! Why didn’t you tell us?
Are discussions of children’s book illustrations given adequate attention when people interview authors about the books that influenced them when they were young? Mark Dery at The Ecstasist doesn’t think so. In a recent interview with Jonathan Lethem, the two discuss, amongst other things, Alice’s Adventures in Wonderland, a psychedelic children’s book by popular shrink, Dr. Eric Berne (who wrote Games People Play) called The Happy Valley, The Goops, Rabbit Hill, and the odd thickness (and hidden erotic meanings) behind Ferdinand the Bull’s neck.
I don’t usually advertise journal’s calls for contributions, but this seemed special. Bookbird (a journal close to my heart for obvious reasons) is calling for contributions for a special issue exploring Indigenous Children’s Literature from around the world. So if you’ve a yen . . .
And to switch gears, the cutest children’s librarian craft idea of all time. A teeny tiny traffic jam. Alternate Title: Dana Sheridan is a friggin’ genius.
Not too long ago I helped usher into completeness a brand new children’s book award. Behold, one that’s all about the math!! Yes, like you I was an English major who thought she feared the realm of numbers. Now I see the true problem: there were no good math books for me as a kid (and subsisting entirely on a diet of The Phantom Tollbooth doesn’t really work, folks). Now worry not, interested parties! The Mathical Award is here and the selections, not to put too fine a point on it, are delightful.
Out: Dark Matter. Five Minutes Ago: Gray Matter. In: White Matter. At least when it comes to how children learn to read. The New Yorker explains. Extra points to author Maria Konnikova for the Horton Hatches the Egg reference buried in the text.
Full credit to Aaron Zenz for turning me onto the site Sketch Dailies. Cited as a place “that gives a pop culture topic each week day for artists to interpret” there are plenty of children’s literature references to be found. Draco Malfoy. The Very Hungry Caterpillar. Hedwig (more owl than Angry Inch). Warning: You will get sucked in, possibly for a very very long time. Three of the Very Hungry Caterpillar winners recently were here, here, and here.
Oop! The end of the voting on the Children’s Choice Book Awards is nigh. Your last chance to “voice your choice” is looming. Voting for @CBCBook’s Children’s Choice Book Awards closes at ccbookawards.com on May 3rd. And, if I might be so bold, you may notice something a little . . . um . . . interesting about this year’s hosts of the CBC Gala. *whistles*
This one’s going out to all my Miyazaki fans. In the event that you ever needed a new poster for your walls. The title is “And Made Her Princess of All Wild Things:
Before having our son, JoanMarie and I went to Disneyland every year, usually around the holidays. We even went while she was pregnant, but were waiting for the right time to bring Isaiah for his first time. It was a very important decision. So this past weekend, since I was already going down to southern California, we thought...why not!
We bought a park-hopper pass and started the day in California Adventure. The Ferris Wheel offers a great overview of the park.
Isaiah was most looking forward to meeting some of his heroes: the Disney princesses! The first, and most important, was Anna from Frozen. When we walked around the corner and saw her, he was starstruck. And JoanMarie and I got choked up.
Slowly, she lured him closer.
And then the embrace that almost never ended.
There was a very fun Frozen sing-along, and Isaiah helped conjure the frozen fractals all around.
Over in Disneyland, there were more princesses to meet-n-greet-n-hug, like Cinderella.
Rapunzel brought a silly grin to Isaiah's face, and it was like watching two old friends hang out.
An unexpected bond formed with Merida, from Brave. Isaiah hasn't seen that movie, but he was completely head-over-heels in love. Everyone around us could read the look on his face, and she finally asked, "Do you have a crush on me?" and he looked her in the eyes, smiled, and said, "Yes."
So I took him on the rockets in Tomorrowland to bring him back closer to Earth.
The ride he asked to go on twice was Ariel's Undersea Adventure, but he seemed most in awe on the Jungle Cruise.
Finally, after spending over ten hours in the parks, it was time to head home.
Disneyland is called the Happiest Place on Earth. This was definitely one of my happiest days on Earth.
"Author" may be an individual or a co-author. The author must be living at the time of the nomination. In the case of co-authors, one must be living. If an author continues to write books of interest and appeal to young adults, then he or she may receive the award more than once as warranted, as long as it is not more frequently than every six years. "Book or books" indicates either a title or titles written specifically for young adults, or those titles written for adults, which continue to be requested and read by young adults. The title or titles must be in-print at the time of nomination. Only those titles of an author's work which meet the criteria of the award will be cited. "Over a period of time" means that the book or books must have been published in the United States no less than five years prior to the first meeting of the current Margaret A. Edwards Award Committee at the Midwinter Meeting. The five year period is stipulated so that the book or books have had enough time to filter down, i.e., reach a wide level of distribution, and to be accepted by young adults. "Continues to illuminate their experiences and emotions" means that the book or books have become a literary cornerstone for young adults.
As you can see, the author must be living at the time of nomination; and that an author may receiver the award more than once.
Also, the books must have been published "no less than five years" prior to the first meeting of the Edwards Award.
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As a resident of Los Angeles, one of the most polluted cities in the United States, I think a lot about the air we breathe. It’s well established that outdoor air pollution is a health threat -- exposure to high pollution concentrations has been linked to increased risk of respiratory and cardiovascular damage, emergency room visits and hospitalization, and premature mortality.
G rand-père est fatigué, ses montagnes sont trop lourdes. Il n’a plus la force de se déplacer. Pourtant, il doit entreprendre un dernier voyage : celui que l’on fait seul. Pour aider son aîné, l’enfant décide alors de partir à la recherche du vent le plus fort, celui qui renverse les montagnes, Son voyage lui vaudra d’étranges rencontres. Un arbre qui, en vieux sage, lui parlera de l’importance des racines. Ou encore, des cailloux qui n’ont d’autres choix que de rouler au bas des pentes. Mais aussi, le roi des bouquetins qui lui enseignera que toutes les tâches ne peuvent pas être réalisées seul. Au bout du périple, la plus importante des leçons l’attend.
Dans la vie, vient un moment où les enfants doivent affronter l’étrangeté de la disparition d’un être cher. Pour les parents, c’est une épreuve de plus car il est difficile de trouver les mots pour expliquer aux plus jeunes ce qui se passe et tout ce qui se joue dans ces instants. Séverine Gauthier choisit l’onirisme pour aborder un thème aussi délicat que le deuil, mais aussi ceux de l’entraide, des racines et de la construction de l’être. Le récit est un bijou de tendresse, de délicatesse et de poésie. Le ton n’est jamais pesant, bien au contraire. En adoptant le rythme de la quête et de l’aventure, en proposant des dialogues et des situations parfois extravagants, la scénariste sait charmer et enchanter pour mieux distiller son message. Parti pour découvrir le vent qui aidera son aïeul à effectuer son ultime pérégrination, le jeune héros effectue des rencontres qui lui permettent de s’interroger sur ce qu’il est, sur la vie et le monde, un questionnement et un enrichissement nécessaire pour grandir.
C’est Amélie Fléchais qui se charge de donner vie à ce conte subtile et lumineux. Sa vision est un doux plaisir réunissant magie, inventivité et émotions. Ses personnages, humains ou non, sont captivants et sa mise en scène invite à la découverte. Le lecteur vibre à l’unisson de l’enfant, partageant ses émois, goûtant la chaleur du soleil, la morsure du froid et la puissance des bourrasques.
Beau, vif, souriant, riche et intelligent, L’homme montagne est un livre à lire, à partager et à conseiller.
I checked out The Sheik and the Bought Bride because the original novel was written by Susan Mallery, without realizing that it was illustrated by Takako Hashimoto, the same artist who worked on A Mediterranean Marriage, my review from last Friday. I love her artwork! Her illustrations are delicate and airy, and the exotic village in El Deharia was brought vividly to life, both through background details and Victoria’s wardrobe. Her clothing was beautifully rendered and I loved seeing all of her costume changes.
The plot is a bit ridiculous, but because the art was so pleasing, I just “bought” into it. Victoria’s father is an unrepentant gambler, and after losing to Prince Kateb, he offers up his daughter Victoria to cover his debt. In addition to getting caught cheating, he earns Kateb’s distain by purchasing his freedom with his daughter. Victoria, enraged by both her father’s gambling addiction and Kateb’s implication that she’s part of a scheme to make a play for his money, agrees to accept her father’s debt as her own, but only if she never has to see her father again.
Kateb promptly relocates to a village in the middle of the desert. His younger brother is next in line for the throne, because their father believes his temperament and business skills are better suited for leading their small kingdom. Kateb also tells Victoria that he was forced to kill a man when he was a boy, and the ugly scar that mars his handsome visage is both a reminder of his actions and the rebellion against his father that instigated the incident. The tribesmen don’t need to constantly see his face, because they will only be reminded of the time some of them rose up against the king.
This is fun read. Victoria is anything but demure, and her boldness both infuriate and intrigue Kateb. He’s dead set against falling for her, but there is something about her vivacious personality that he just can’t ignore. When she asks him to help an abandoned young boy, and helps the local craftspeople organize and sell their wares on the internet, she becomes popular with the villagers. Even his old caregiver champions Victoria and appreciates the new life she’s instilled in the previously staid palace.
Besides the lovely art, there is action, a swordfight, and the romance to kept the reader engaged. And, wow, I would love to own some of Victoria’s purses and shoes!
Grade: B / B+
Review copy borrowed from my local library
Victoria was handpicked to be an assistant by the crown prince of the desert kingdom of El Deharia. So then why would the Imperial Guard suddenly break into her room and drag her away wearing nothing but a negligee? Her good-for-nothing father has been in trouble for gambling before, but to think he would have tried to cheat at cards against Prince Kateb… The prince’s personality is as fierce as his scarred face. He earned the scars amid a failed kidnapping, during which they say he killed a man. Rejecting palace life, he has been known to disappear to a desert village for months at a time. Victoria despises her father, but can’t abandon the promise she made to her dying mother. She pleads with the prince to set him free, and the prince agreed…on one condition. She would become his lover, and join his desert harem!
In just under a months time it will be the opening of the Surtex show in New York - when some of the worlds best designers will showcase their latest prints to buyers. Companies from all over the world will be look for fresh new designs to use on a myriad of products. Over the next few weeks Print & Pattern will be highlighting some of the artists to look out for if you are visiting the show or
Here’s one to hand to any kid that still can’t get enough of Frozen. And when you do, give them a little wink-nudge that this book’s creator worked on what Elsa and Anna’s world looked like. And she worked on Tangled. And then they will see the lush purple cover anyway, and sometimes that’s all it takes.
(click to enlarge)
Meet Celeste. She wants the perfect gift for her mom. Big eyes. Big dreams. (Sweet bear expression. And do you see those little shoes she’s kicked off? Even sweeter.)
Celeste is stumped. When she’s about to fall asleep, the Wind carries her away.
She sparkles with the Stars and then meets the Moon and the Sun.
(click to enlarge)
There’s something musical about the pace of the pictures here. Sweeping and epic and enchanting. The colors wash over Celeste’s celestial quest, slowly spinning one into another.
And then, she’s home again. But her heart is new and her eyes are fresh, and the same things that have always been there shine a bit more than they did before once upon a cloud.
A gifted orator, Lucy Stone dedicated her life to the fight for equal rights. Among the earliest female graduates of the Oberlin Collegiate Institute in Ohio, Stone was the first Massachusetts-born woman to earn a college degree. Stone rose to national prominence as a well-respected public speaker – an occupation rarely pursued by women of the era.
Full Speed Ahead! How Fast Things Go by Cruschiform, a French creative studio started by Marie-laure Cruschi in 2007, reads like an inforgraphic with each page presenting a speed (KM/H and MPH) and things that move at that speed. With your interest piqued, you can flip to end of the book where there is a glossary that provides a paragraph of information about the vehicle, person, animal
The UNIDROIT Principles of International Commercial Contracts, or PICC, were created in 1994 after decades of preparation, against what Oxford author Stephan Vogenauer calls a “romantic background” of a global commercial law, or lex mercatoria. While the UNIDROIT PICC offer a harmonizing global contract law, some objectors may say that as “principles”, they are too vague. Stefan tackles this objection in the video below, and also highlights how some practitioners may be surprised by the contents of the Principles.
BBB15 has already begun: it is not a mistake. Although the ninth edition of BilBOlbul will have its climax 19 to 22 November 2015, BilBOlbul is a festival that lasts a year. From Art City, with the intervention of the author Swiss Evelyne Laube to staff Steven Guarnaccia at the Bologna Childrens Book Fair and open until 8 May, the events of the festival are renewed at various times of the year.To accompany us to the events of autumn, a series of five meetings that will take players to the masters of comics and illustration of international fame, organized in collaboration with the Academy of Fine Arts in Bologna, School of Humanities and Cultural Heritage - University of Bologna and Hera. Scott McCloud, celebrated American cartoonist and author of the well-known essay Understanding comics inaugurate this series of meetings at the Academy of Fine Arts, Wednesday, April 22 at 17:00, where present, the sculptor, the graphic novel that kept him busy for the last five years, just published in Italy by BAO Publishing. In collaboration with BAO Publishing and Pop Store Bologna.Click here to buy the book. Other meetings will be with Nadia Budde, Dylan Horrocks, Quint Buchholz and Stefano Alghisi.Go on www.bilbolbul.net for full details!
BBB15 - PRIMAVERA ESTATE INCONTRO CON SCOTT McCLOUD
BBB15 è già iniziato: non si tratta di un errore. Anche se la nona edizione di BilBOlbul avrà il suo clou dal 19 al 22 novembre 2015, BilBOlbul è un festival che dura un anno. Da Art City, con l’intervento dell’autrice svizzeraEvelyne Laube alla personale di Steven Guarnaccia in occasione della Bologna Childrens Book Fair e visitabile fino all’8 maggio, gli appuntamenti del festival si rinnovano in vari momenti dell’anno. Ad accompagnarci verso gli eventi dell’autunno, un ciclo di cinque incontri che avrà per protagonisti maestri del fumetto e dell’illustrazione di fama internazionale, organizzato in collaborazione con Accademia di Belle Arti di Bologna, Scuola di Lettere e Beni Culturali - Università di Bologna e Gruppo Hera.
Scott McCloud, celebrato fumettista americano e autore del noto saggio Capireil fumetto inaugurerà questo ciclo di incontri presso l’Accademia di Belle Arti, mercoledì 22 aprile alle ore 17.00 dove presenterà Lo scultore, il romanzo a fumetti che lo ha tenuto occupato negli ultimi cinque anni, appena pubblicato in Italia da BAO Publishing. In collaborazione con BAO Publishing e Pop Store Bologna. Clicca qui per acquistare il libro.
Gli altri incontri saranno con Nadia Budde, Dylan Horrocks, Quint Buchholz e Stefano Alghisi. Vai su www.bilbolbul.net per tutti i dettagli!
Another fab artist to look out for from Jennifer Nelson Artists at Surtex next month is Lauren Lowen. You may recognise Lauren by her previous name Lauren Minco who is known for her quirky and whimsical characters. See Lauren's latest designs in Booth 559 from the 17th-19th May.
There is a new genre emerging..."New Adult" fiction for older teens aka college-aged readers. You never stop growing up, but little in the market seems to address the coming-of-age that also happens between the ages ofNineteen to Twenty-six. Life changes drastically once high school is over, you have college, first jobs, first internships, first adult relationships…
Part of the appeal of NA is that the storylines are about characters who are taking on adult responsibilities for the first time without guidance from their parents. And the storylines generally have a heavy romance element. Keep this in mind as you revise your wonderful story, New Adult books are mostly about that specific time in every person's life—the time when the apron strings are cut from your parents, you no longer have a curfew, you're experiencing the world for the very first time, in most cases, with innocent eyes. New Adult is this section of your life where you discover who you want to be, what you want to be, and what type of person you will become. This time defines you. This is the time of firsts, the time where you can't blame your parents for your own bad choices.
An NA character has to take responsibility for their own choices and live with the consequences. Most storylines are about twenty-something (18 to 26) characters living their own lives without any parents breathing down their necks, and learning to solve things on their own as they would in real life. New Adult fiction focuses on switching gears, from depending on our parents to becoming full-fledged, independent adults. I am a firm believer that if you’re going to write a certain genre that you should read it, too.So I’m going to recommend that you start devouring NA novels to get a real sense and understanding of the genre before you write one. Here are some great recommendations: https://www.goodreads.com/genres/new-adult-romance and http://www.goodreads.com/genres/new-adult and https://www.goodreads.com/shelf/show/new-adult-romance
Just as YA is fiction about teens discovering who they are as a person,New Adult (NA) is fiction about building your own life as an actual adult. As older teen readers discover the joy of the Young Adult genres, the New Adult—demand may increase. This, in turn, would give writers the chance to explore the freedom of a slightly older protagonist (over the age of 18 and out of high school, like the brilliant novel, "BEAUTIFUL DISASTER" by the amazing talents of author, Jamie McGuire) while addressing more adult issues that early 20-year-olds must face.
Older protagonists (basically, college students) are surprisingly rare; in a panel on YA literature at Harvard’s 2008 Vericon, City of Bones author talked about pitching her novel, then about twenty-somethings, as adult fiction. After several conversations, Clare realized she had to choose between adults and teens. She went with teens.
Quote from the publisher, St. Martin’s Press: We are actively looking for great, new, cutting edge fiction with protagonists who are slightly older than YA and can appeal to an adult audience. Since twenty-somethings are devouring YA, St. Martin’s Press is seeking fiction similar to YA that can be published and marketed as adult—a sort of an “older YA” or “new adult.” In this category, they are looking for spunky but not stupid, serious but not dull, cutting-edge, supernatural stories.
Quote fromGeorgia McBride, author (Praefatio) and founder of #YALitChat and publisher at Month9Books: "New Adult is a fabulous idea in theory, and authors seem to be excited about it. But in a world where bookstores shelf by category, to them, it is either Adult or Young Adult. Some booksellers even call their YA section “teen.” And when you have a character who is over a certain age (19 seems to be the age most consider the start of New Adult), it is received as Adult. In some cases, the designation by publishers causes more confusion than not. Let’s face it, YA is associated with teens, and at 19, most no longer consider themselves teens. So, it would support the theory of placing these “New Adult” titles in the Adult section. However, with the prevalence of eBook content, it would seem that the powers that be could easily create a New Adult category if they really wanted to...."
There’s also a list on goodreads of New Adult book titles. These books focus on college age characters, late teens to early twenties, transitioning into the adult world.
I love reading picture books to every grade at the elementary school where I am the librarian, but I have to confess that the kindergarteners are my favorites to read to. And Just Itzy by Lana Krumwiede with perfect illustrations by Greg Pizzoli is my new absolute favorite book to read to them. I love it when I read a book that gets my listeners to think even before I have read the first