Sophie and The Finn: Secret of the Box is the second book in author J. Peter Clifford’s mystery series about Erica Stafford—a spunky seventh grader who has premonitions and often finds herself embroiled in risky adventures—and her two loyal dogs, Sophie and The Finn.Add a Comment
Viewing: Blog Posts from All 1552 Blogs, Most Recent at Top [Help]Results 1 - 25 of 2,000
Blog: The Children's Book Review (Login to Add to MyJacketFlap)
JacketFlap tags: Ages 9-12, Animal Books, Author Showcase, Books for Girls, Chapter Books, Mysteries, Teens: Young Adults, Books with Danger, Dedicated Reviews, Dogs, J. Peter Clifford, Mystery, Add a tag
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Editors, Revolving Door, Janice Audet, Add a tag
Audet gave this statement in the press release: “As both a reader and a publisher, I’ve long admired Harvard University Press’s strong science publishing program. Working outward from my background in cellular and molecular biology, I look forward to growing this program and to broadening my author network across the life sciences”
Audet has devoted more than a decade of her life to a career in publishing. In the past, she has held editorial positions at Jones & Bartlett and Pearson. In 2011, she was named editor of the year for science and technology books at Elsevier.Add a Comment
I'm in a group that has had a sudden explosion of success. With one writer (out of five) having published a few books now, and two others recently finding agents, the need of the group is changing. We still do the standard critiques, but it has changed. There's sometimes more time pressure, or at least one writer is too busy making a deadline to dedicate much time to a traditional group in a certain week.
With these kinds of changes and under these kinds of pressures, some groups might collapse. Not us. We're changing though. We're more about support, providing feedback when needed and not necessarily in scheduled get-togethers, cheering each other on, pushing each other to write in scheduled or impromptu writing sprints, and encouraging the two members who are still trying to join the success party.
This creates some growing pains, but we've been together long enough that, so far, we've weathered the changes. It's almost a new group with the same people, and we continue to make adjustments so we can keep helping each other. It's been interesting to watch, and it will continue to be interesting as the group matures and evolves in the face of success.
For those of you who have been through similar changes in your groups, what advice do you have? How have maturing and success affected your groups?
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Feature Film, Stop Motion, aardman, Aardman Animations, David Sproxton, Early Man, Nick Park, Olivier Courson, Peter Lord, STUDIOCANAL, Add a tag
The stop-motion director takes on his first feature film since 'Wallace & Gromit: The Curse of the Were-Rabbit'.Add a Comment
Blog: The National Writing for Children Center (Login to Add to MyJacketFlap)
JacketFlap tags: Blog, Summer Bridge Activities, summer learning loss, Add a tag
Research shows that students experience about 2.5 months of learning loss when they don’t engage in educational activities over the long summer break.
This means much of what they learned this school year will evaporate during the summer.
However, summer learning loss is preventable. Summer Bridge Activities® – a workbook series – is designed to reinforce grade-level skills and preview upcoming grade skills in only 15 minutes a day.
Students will stay mentally sharp and be prepared for the upcoming year while still having time for summer fun. That is why Summer Bridge Activities remains the #1 choice for parents with school-age children.
Get Summer Bridge Workbooks here now:Add a Comment
Blog: PW -The Beat (Login to Add to MyJacketFlap)
JacketFlap tags: Comics, Crowdfunding, Image, Interviews, Kickstarter, Brian Booch, Brian Buccelleto, Image Comics, Kyle Higgins, sons of the devil, Toni Infante, Add a tag
Welcome to MATT CHATS, where I (Matt) talk to a person of interest in the comic book industry every Tuesday at 4:30 PM Eastern. Today I am speaking with an industry veteran but relative necomer to the Image renaissance. When Brian Buccelleto offered the first two issues of his upcoming Image series Sons of the Devil (also a short film) to reviewers on a recent episode of the Word Balloon podcast, I jumped at the chance to read them and talk to him. As a fan of his collaborations with Francis Manapul on The Flash and Detective Comics, I was not disappointed, more than happy to discuss with Brian the differences between something on the screen and on the page, the effect crowdfunding has on financials and other aspects of the creative process.
Did you talk with Kyle Higgins about the process of bringing something from the screen to the comic book page?
He’s a really close friend of mine and so we talk about everything – including the process of filmmaking and comic books. That said, he helped me out a lot on the film. Shout out to Kyle!
How are your philosophies similar?
We love film and comics and want to do both. So I think everything we create is done with the hope of being able to tell the stories in both mediums.
What do you think are the pros and cons of doing a film simultaneously with a comic, as opposed to adapting a film years later like Higgins did?
I think the biggest pro for doing it simultaneously is that you can actually SEE the story come to life on screen, which informs what you do in the comic AS you are doing it. Having actors take your material, interpret it, and make it their own helps you see the characters in new and interesting ways. Also, in the case of Sons of the Devil, we were able to secure interesting locations and have visual reference that I then gave Toni in the script. I think there was a certain level of synergy with doing both comic and film together. For Kyle and C.O.W.L./The League, I think adapting it later allowed him distance to cherry pick the best elements of his short. Honestly, I don’t know if there is a downside to either. Making comics and films are each awesome experiences… getting to do BOTH is off the charts awesome.
What are some storytelling benefits of telling a story both on the comic page and on the screen?
I think the two mediums are similar but have their own inherent advantages in how the story is told. Film is a forward-moving visual medium where you experience the story with sight and sound. There is a momentum to films that you want to sustain because you HOPEFULLY have the viewer’s undivided attention and you want to keep it. It’s more of a sensory experience for the viewer. Comics are also visual, but are experienced at a pace dictated by the reader. There is no captive audience. In some ways that’s a disadvantage… but the benefit of a comic is that a reader can spend as much time on a single page as he/she wants. And the reader can go back and re-read and really digest the material without it hurting the experience.
What kind of audience did the Kickstarter attract? Was it more composed of fans of films or comics?
It was mostly comprised of fans of my work, who were intrigued by my transmedia concept.
Does the fact that the comic was funded through a Kickstarter campaign change the financials of the series at all? Because of the Kickstarter, for example, is the sales threshold lower?
II I don’t think being a Kickstarter project has any bearing on sales thresholds. In the case of SOTD, almost all of the funds we got went into the budget of the short film – which ended up costing more than what we got from Kickstarter. So financially speaking, the Kickstarter didn’t pay for the ongoing series. I had to get financial support from other means. But Kickstarter allowed me to start the comic book and get far enough down the road to pitch it to Image. This allowed me to take the concept from its initial plan as a one-shot to becoming an ongoing series.
Kickstarter is as much about marketing tool nowadays as it is a way to amass funds. How big of an impact do you think the campaign has had on the visibility of the work?
Honestly, I don’t know how directly Kickstarter will factor into the marketing of the book. I had approximately 250 backers, so I don’t think that number will significantly impact the sales number for issue 1.
For any artists looking to be discovered, can you describe how you searched for an artist for Sons of the Devil?
I feel VERY lucky. I was searching an international portfolio website called Behance when I came across Toni Infante’s work. I also tried DeviantArt and inquired using social media.
What were some of the challenges of working with a less experienced artist?
Honestly, I don’t look at his art or our lack of American comic credits and think “less experienced.” He is a professional artist with an amazing skillset, and I haven’t had any challenges that you might associate with a new artist.
Were there any benefits?
Only that I get the honor of working with him.
Was it hard letting go of the coloring duties for Sons of the Devil?
Not really. I’ve been coloring for 20 years and have had my fill. Of course, him showing me great coloring samples helped to make the decision easy.
You’re perhaps best known in the comics scene for your collaborations with Francis Manapul. Has it been difficult in any ways to be seen as a writer in your own right?
Not really. I made the decision to do my own solo stuff very early on, so that I could carve out my own identity as a writer. I self-published a book called Foster early on in our Flash run and did a 12-issue Black Bat story for Dynamite. I think it took a little more time for me to build trust within DC editorial so that they saw me as an individual in collaboration with Francis and not just the guy that he brought in to help. But to their credit, they have been very supportive of me and have allowed me amazing opportunities to shine on my own with Rogues Rebellion, Injustice and a few solo arcs on Flash. Oddly enough, I think Francis has had a tougher time being seen as a writer because he is such an amazing artist that it overshadowed his own writing chops. But he IS a writer/storyteller and has future plans to do his own solo stuff.
What are your hopes for Sons of the Devil professionally, creatively and personally?
Personally and creatively, I am always trying to grow as a writer and tell personal stories that resonate. So my hope is that each project I do is better than the last. Professionally, I would love for SOTD to be an ongoing series AND a television series.
Do you think the amount of great output from Image Comics good for business, or does it make it harder for your book to stand out?
I think there is always room for good books from every corner of publishing. The Image brand is obviously something any creator would want to be associated with. The amount of quality content that Image puts out means that retailers and fans will be more likely to try the book because Image’s track record is a promise of quality. As far as standing out among the other great books, I think that’s a challenge no matter how many books Image is publishing. There are 400 books that come out in a given month… so standing out is bound to be a challenge,
What’s the most exciting part of taking the plunge with a creator-owned series from Image?
Being able to tell the stories I want to tell EXACTLY how I want to tell them. Unfiltered.
You can find Brian on Twitter and his name on issues and trades in comic shops across the world.Add a Comment
Blog: PW -The Beat (Login to Add to MyJacketFlap)
JacketFlap tags: Comics, DC, Reviews, Top News, DC Comics, Injustice Gods Among Us, Injustice gods among us: Year four, review, Add a tag
Injustice Gods Among Us: Year Four #1
Writer: Brian Buccellato
Art: Bruno Redondo
Inks: Juan Albarrran
Colors: Rex Lokus
Publisher: DC Comics
Since the series inception under writer Tom Taylor, Injustice Gods Among Us digital first book (based on the hit game by Mortal Kombat creator Netherrealm Studios) has been one of the overall best books in DC Comics line up. Now under the meticulous pen of current Detective Comics co-writer Brian Buccellato, Injustice methodically kicks off its Year Four story.
Chapter one is part epilogue along with being part set up as it deals with the aftermath of the destructive battle between Mr. Mxyzptlk and Trigon at the end of Year Three. Superman continues his crusade to save the human race from itself by his iron fist rule, Batman has gone into hiding as he plots his next idea to remove him from power, and all the while Ares schemes to return the worship of mortals to the gods instead of Earth’s metahuman pretenders. Since the series takes place five years before the events of the game, this volume is already hinting at some of the threads that are left to be tied together such as Damian’s transition to Nightwing and Batman’s plan to bring the heroes from the other dimension over.
Buccellato continues to show why he’s one of comics most underrated writers. His understanding of how these characters differ from the regular DCU books is put to use in showing how the cracks in Superman’s regime develop. Hal Jordan and Superman show an intolerance for each other you wouldn’t see anywhere else. His Damian Wayne has a different type of chip on his shoulder compared to the regular DC version. It’s almost like he blames Batman for the actions that led to his killing Dick Grayson and that makes him as far from the boy seeking his father’s approval as you can get.
The art teams seen before in previous issues will be returning to action in Year Four. Issue one features the line work of Bruno Redondo. Out of all the artist the series has seen, Redondo’s work is most representative of the visual world established by Netherrealm in the game.
While this opening isn’t new-reader friendly to those who haven’t read any of the Injustice books or played the game; it’s a great continuation of the events unfolded thus far. Year Four is a carefully paced opening that’s a prime example of the writer’s strengths. Buccellato has a habit of making his characters earn their big moments, which make those points even better reads.Add a Comment
Blog: prime time rhyme (Login to Add to MyJacketFlap)
JacketFlap tags: Add a tag
A malted made without the malt
You may think a mistake,
But take a sip - it still tastes great
Though now it's called a shake.
A real one, though, comes with a tin
Directly from the shaker,
A second glass-worth sitting there,
A present from the maker.
You slurp it down, so cool and sweet
And when your straw hits air,
You pour a refill from the tin,
So calmly waiting there.
There's nothing like a milkshake
When you're really in the mood -
A splurge, a treat, a pure delight
And better than most food!
Blog: cRod artblog (Login to Add to MyJacketFlap)
JacketFlap tags: children's books, childrens illustrations, crodillustration, i want to be a bald eagle, illustration, kidlitart, Add a tag
Well the past few months have been jam packed with projects! I did 24 paintings in 35 days!(as I heave over panting like I just finished a race but give you all two thumbs up!!) I can hardly believe it myself! I received my first job with my agent, which was such a fun project. I was asked to do a short story reader about Dr. Dolittle. This was also exciting because I had the perfect job to ask my soon to be hubby to put his modeling skills to the test.
copyright 2015 Seed Media
|copyright Capstone Publishing 2015|
|copyright Ty Davis 2015|
Also it looks like I'll be starting my own sip wine and paint workshop at the restaurant that I work. Still coming up with names, so stay tuned on that!
Add a Comment
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Adaptation, Add a tag
Amblin, a production company owned by film director Steven Spielberg, has plans to adapt Aldous Huxley’s Brave New World for television.
The Hollywood Reporter has the scoop:
First published in 1932, Brave New World will be adapted by writer Les Bohem, who penned Taken, which won the 2003 Emmy for best miniseries and racked up six other nominations. Amblin TV co-presidentsDarryl Frank and Justin Falvey will executive produce alongside Bohem. The drama hails from Universal Cable Productions.
“Brave New World is one of the most influential genre classics of all time,” stated Dave Howe, president of SyFy in a statement. “Its provocative vision of a future gone awry remains as powerful and as timeless as ever. Promising to be a monumental television event, Brave New World is precisely the groundbreaking programming that is becoming the hallmark of Syfy.”Add a Comment
I am certain that in a previous life I loved cooking. I’m certain that I was one of those people who threw ingredients into a pan with abandon and created great and wholesome dishes that were the envy and delight of many. (Cue image of Meryl Streep from “It’s Complicated”.) (Don’t mock me for liking this move. It’s Meryl-freaking-Streep. I get to love it without shame.)
I am certain that in some parallel dimension I am an excellent cook.
Enter Tod Davies and Jam Today, Too. Following up on Jam Today: A Diary of Cooking With What You’ve Got, this new foodie title includes more of the author’s wonderful recipes along with peeks into her life as a carnivore who is married to the “Beloved Vegetarian Husband”. This time Davies has some trouble on the homefront however, as a flood has seriously damaged their Oregon home forcing relocation into temporary digs. This includes some weeks in a RV which produce more than a few hilarious cooking anecdotes about a teeny tiny RV stove.
Here’s what I love about food writing: clearly written recipes that make me think I can cook the meal myself and some insight into the life & mind of the cook who crafted them. Davies has all of that and more going for her; the recipes ingredients range from basic to exotic (I don’t see myself eating oxtail anytime soon!) and none are overly complicated. What really sells the book though are her stories about how she comes to these recipes (like the oxtail), the friends she eats them with and the good times she has (even when eating alone).
And here’s the best thing about her, Davies celebrates just trying – that you shouldn’t worry every second that you are “doing it right”. Here’s a bit about that attitude from the book:
There are two questions that interest me mainly, and food is just a way of getting more answers for me, not an end in itself. Which is why it is endlessly fascinating. And not just that–endlessly productive. I don’t mean endlessly productive of meals (though there certainly is that benefit!), but rather, endlessly productive of insight. Insight that leads me to a firmer understanding of my likes and dislikes, and through that, to building my own autonomy. Autonomy, I truly believe, is what each person owes the world——because only an autonomous adult, who knows who she/he is, and knows what her/his duties and rights are, can participate in making our world better for everyone.
Some recipes, laughs and philosophy on food and life. What more could you want from a book? Highly recommended as just the sort of summer diversion we all are looking for.
You can read an interview with Tod here.Add a Comment
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Authors, Bob Hirst, Mark Twain, Add a tag
Twain (pictured, via) wrote these pieces almost 150 years ago when he worked at a California-based newspaper. At that point in time, the celebrated writer was fighting confusion and trying to figure out a direction for his career.
Here’s more from The Guardian: “His topics range from San Francisco police – who at one point attempted, unsuccessfully, to sue Twain for comparing their chief to a dog chasing its tail to impress its mistress – to mining accidents. Bob Hirst is editor of the UC Berkeley’s Mark Twain project, which unearthed the articles by combing through western newspaper archives and scrapbooks. The author’s characteristic style authenticated some of the unsigned letters.” (via BuzzFeed.com)Add a Comment
After you've let your first draft sit for a bit, it's time to ask these questions.
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Call For Entries, Festivals, Corfu Animation Festival, Festival by Pixelatl, New Chitose Airport International Animation Festival, Add a tag
Three new calls for entries from Cuernavaca, Mexico; Hokkaido, Japan; and Corfu, Greece.Add a Comment
As someone who kept a diary as a kid and still does on an albeit infrequent basis, diaries as an art form are a very attractive draw for me. I love to read them and then get really depressed because my diaries are never so interesting as that, never so well written or filled with exciting things or deep thoughts. No, my diaries were about school and friends and who was being mean and how I was feeling lonely. Now they are about work and friends and who is being mean but not so much about being lonely so I guess that’s an improvement.
As Heidi Julavits discovered when she found a childhood diary, they usually end up telling us a different story about ourselves than the one we have currently concocted. As she says at the beginning of The Folded Clock, she has told people that her childhood diary keeping was the seed of her becoming a writer. So when she read her old diary looking for evidence of the future writer, she was surprised to find her absent and instead discovered the mind of a future “paranoid tax auditor.”
The really interesting thing about diaries is that even though they generally have no plot or narrative structure (unless you are writing for publication), the writer thinks she is relating facts but in reality she is assembling a story or an explanation, she is creating something and stamping it with her point of view. And then time intervenes and during those span of years the story created in the diary morphs into something else as the “narrator” becomes more sophisticated and gains more knowledge and experience. We really want our lives to be like a story with a plotline, we want to see in our past selves the beginnings of who we have become and like to think that who we are today is the key to who we will be in the future. But diaries have a tendency to point out the fallacy of narrative desires.
The Folded Clock is written like a diary but it liberally plays with the genre. The entries are dated (month/day but no year) but they are not in order; July 16th follows July 31st and is followed by May 2nd. In homage to her childhood self, Julavits begins each entry with “Today I.” And while it might start with today, it rarely ends with today. Instead it turns into a mini essay of sorts that are sometimes only a page long and sometimes two or three. We get meditations on time and losing things and people, lots of mulling over identity from various angles in more than one entry, thoughts on middle age and adultery, and musings on needs and desire. We also get lots of self-deprecating humor, worries over what is proper friend etiquette in various situations, arguments with her husband, thoughts about her children, and everyday life stuff. The high mixes liberally with the low and all is told in Julavits’s pitch perfect voice. I mean, how can you not like someone who writes this:
Today I read a book while holding a fountain pen. I often have a pen in my hand when I read. I am trying to fool myself into thinking I am writing when I’m not. I read with a pen in my hand because it helps me think. If I underline a sentence, I temporarily own it. It’s mine. I have bought real estate in this book, laid down stakes, moved in. This does not mean I remember where I live. I turn the page. I lose my place.
The Folded Clock is a fun, thoughtful read, never heavy even when talking about a serious subject, but not flippant either. It is serious without taking itself seriously. And because of the diary format, it makes for perfect before bed or in between activities reading.
Filed under: Books Add a Comment
Blog: Becky's Book Reviews (Login to Add to MyJacketFlap)
JacketFlap tags: 1939, books reread in 2015, books reviewed in 2015, children's classic, J Fiction, J Realistic Fiction, library book, Add a tag
I enjoyed reading "B" is for Betsy by Carolyn Haywood. It's one I've read before, though I don't remember reading the sequels, or all the sequels in this children's series. (Other books include Betsy and Billy, Back to School With Betsy, and Betsy and the Boys). In the first book, readers meet a young girl, Betsy, who is nervous about starting school. Though her anxiety is relieved after a successful day or two at school. The focus throughout the book is on Betsy's life at school and home. Each chapter has an "adventure" of sorts. Some of the adventures are more of an actual adventure. (For example, there is a chapter where Betsy finds and rescues a neighborhood dog from a pit she had fallen into. It may prove more 'exciting' than the chapter on the class' two pet tadpoles.) The book celebrates childhood, family life, friendship, and community.
It was originally published in 1939. In one of the chapters "How Wiggle and Waggle Grew," the class learns about Indians and makes an Indian village.
They made little wigwams of twigs covered with brown paper. They brought little dolls which they colored with reddish-brown paint. Some they dressed as squaws. Miss Grey had told them that the Indian women were called squaws. Some they dressed as Indian Braves. The Braves were the men who did the hunting and fighting while the squaws stayed home and did the work. Ellen brought a tiny doll which Miss Grey fastened on the back of one of the squaws. It was the squaw's papoose, which is the Indian name for baby. Betsy thought the Indian village was beautiful. (50-1)So it's definitely a product of its time. For better and for worse. Betsy's world is quite different than ours. In Betsy's world, it's safe to walk everywhere, play anywhere, and every adult is a friend.
I wouldn't say it's a must-read children's classic, but, it is an enjoyable enough read for those looking for an old-fashioned read.
© 2015 Becky Laney of Becky's Book Reviews Add a Comment
Blog: ALSC Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Call to Action, Child Advocacy, Early Literacy, Guest Blogger, Partnerships, children's librarians, Every Child Ready to Read, Talk Read Sing, Add a tag
Talking is Teaching: Talk Read Sing, a campaign of Too Small to Fail, offers libraries tools for high-exposure partnerships in early literacy, and a clear alignment with Every Child Ready to Read through its targeted parent engagement strategies to close the 30 million word gap.
As an advertising campaign to parents, it works on the evidence that organized drives to change behavior are most effective when they use “nudges” to remind people to make small changes in their daily routines. The campaign asks communities to organize its trusted messengers (us!) to work together, putting that consistent message “Talk Read Sing” in front of parents throughout their day, and throughout their city. And it gives us plenty of tools to do it.
Oakland CA was the kickoff city for Talk Read Sing last summer. Billboards on freeways and bus shelters still invite parents, in English and Spanish, to talk with their children through playful slogans: “Let’s talk about the bus” or “Let’s talk about the weather.” Bibs and towels distributed in our libraries and elsewhere: “Let’s talk about food” and “Let’s talk about bath time.” The branding and creative assets produced by the campaign are available to libraries and other organizations who register at Too Small to Fail’s Community site.
Here, the coordinated distribution of free materials was managed by First 5 Alameda County, in partnership with many organizations (including OPL) involved in Oakland Reads 2020, a community in the National Campaign for Grade Level Reading. The Talk Read Sing campaign is a natural strategy for school readiness, and works seamlessly within Grade Level Reading campaigns.
Our rollout meetings provided a perfect opportunity for me to share our own OPL “Talk Sing Read Write Play” brochures, which we developed from the ECRR2 curriculum. Despite the fact that ECRR2 promotes two additional elements, the message is clearly the same, and partners were thrilled to have local materials to weave into the campaign. Boom: our library brochures went city wide.
If you have a Grade Level Reading Community or a functioning literacy collation, you have the perfect network to build a Talk Read Sing campaign in your community. Introduce yourself as a partner who can help engage parents around teaching behaviors that will help everyone meet common goals for early literacy. And if you don’t have such a network yet, this campaign is the perfect carrot to get one going. See SPFL’s Christy Estrovitz’s presentation “Inspired Collaborations” for some tips.
For the public overview of the campaign, including free resources: http://talkingisteaching.org/
For the community campaigning materials, register at: http://toosmall.org/community
And find out more at ALA Annual, Sunday June 28 from 1-2pm, at Babies Need Words Every Day: Bridging the Word Gap as a Community
Our guest blogger today is Nina Lindsay, Children’s Services Coordinator at the Oakland Public Library, CA, who talks, reads, and—yes!—sings, every day.
The post Every Child Ready to… Talk Read Sing!: Partnership in Action appeared first on ALSC Blog.Add a Comment
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Bookselling, Self-Published Bestsellers List, Add a tag
Knocked Up by the Bad Boy by Vanessa Waltz leads the Self-Published Bestsellers List this week.
To help GalleyCat readers discover self-published authors, we compile weekly lists of the top eBooks in three major marketplaces for self-published digital books: Amazon, Barnes & Noble, and Smashwords. You can read all the lists below, complete with links to each book.
If you want more resources as an author, try our Free Sites to Promote Your eBook post, How To Sell Your Self-Published Book in Bookstores post and our How to Pitch Your Book to Online Outlets post.
If you are an independent author looking for support, check out our free directory of people looking for writers groups.
Amazon Self-Published Bestsellers for the Week of May 6, 2015
1. Knocked Up by the Bad Boy by Vanessa Waltz: “The only settling down I do is at night, when I take a girl home to f*ck. I get laid to unwind from the chaos in my life. I live to hear them scream my name, but one night is all they get.”
2. Sincerely, Carter by Whitney Gracia Williams: “Arizona Turner has been my best friend since fourth grade, even when we \"hated\" each other. We’ve been there for one another through first kisses, first \"times,\" and we’ve been each other’s constant when good relationships turned bad. (We even went to colleges that were minutes away from each other…).”
3. PUCKED by Helen Hunting: “With a famous NHL player for a stepbrother, Violet Hall is well acquainted with the playboy reputation of many a hockey star. So of course she isn’t interested in legendary team captain Alex Waters or his pretty, beat-up face and rock-hard six-pack abs. When Alex inadvertently obliterates Violet’s misapprehension regarding the inferior intellect of hockey players, he becomes much more than just a hot body with the face to match.”
4. The Friend Zone by Kristen Callihan: “The last thing star tight-end Gray Grayson wants to do is drive his agent’s daughter’s bubblegum pink car. But he needs the wheels and she’s studying abroad. Something he explains when she sends him an irate text to let him know exactly how much pain she’ll put him in if he crashes her beloved ride. Before he knows it, Ivy Mackenzie has become his best texting bud. But then Ivy comes home and everything goes haywire. Because the only thing Gray can think of is being with Ivy.”
5. Having Faith by Abbie Zanders: “Kieran Callaghan has it all. As the sole remaining single male of the Callaghan clan, he is drawing a lot of female attention. Not only is the former SEAL easy on the eyes and the poster boy for BodyWorks, the fitness center he owns/operates, but he is a genuinely nice guy with a white-knight complex.”
6. Leah (Carter Book 2) by R.J. Lewis: “After Carter left, I convinced myself I was well and truly over him. Fairy tales didn’t exist. I learned to make myself happy, while avoiding commitment like a plague. I couldn’t afford another heartbreak. Love simply didn’t exist the way I once believed it did.”
7. Departure by A.G. Riddle: “Flight 305 took off in 2014…But it crashed in a world very different from our own…With time running out, five strangers must unravel why they were taken…And how to get home.”
8. Ember by Deborah Bladon: “Being rescued in the middle of a blind date by a gorgeous fireman is the last thing that Bridget Grant expects. When he throws all caution aside to defend her honor, she sees something that she has been craving for years. Inviting him back to her place can’t hurt, can it?”
9. Protecting Cheyenne by Susan Stoker: “Living in Southern California, Cheyenne was used to seeing hot military men as she went about her daily business. An anonymous encounter at the grocery store cemented her crush on one such man. He was big, built, and incredibly easy on the eyes, but it wasn’t as if he would ever really notice her.”
10. The Mad Tatter by J.M. Darhower: \"Reece Hatfield has just one rule when it comes to falling in love: don’t fucking do it. There’s no room in his life for another person. He can barely keep a handle on things as it is. A shadow of the man he used to be, Reece spends his days tattooing, the artist inside of him longing for the chance to do something different.\"
Smashwords Self-Published Bestsellers for the Week of May 6, 2015Add a Comment
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
JacketFlap tags: A Wedding, a wedding play, comedy, dialogue, entertainment, first scene of play, funny, humor scene 1, Add a tag
Sharing the first scene of my first play, "A WEDDING" a.k.a. "MAKE ME A WEDDING." A comedy, the story focuses on the trials and tribulations of a young couple who want a small, intimate wedding, versus the bride and groom's mothers, who want an all-out, no holds barred (expensive) affair.
In this opening scene, the bride announces her engagement to her parents.
kitschy French-provincial furniture, circa 1970’s. On
either side of the couch are two end tables with drop
“crystal” lamps on each table
his wife, sits in an armchair, absorbed in her knitting.
She glances up from time-to-time to watch MORTY
Do I hear right? You would deprive your parents of making you a big tra-la-la-wedding? I think I'm gonna faint. Catch me Morty!
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Awards, Locus Awards, Add a tag
Locus Magazine has revealed the shortlist of nominees for the annual Locus Awards, which honors the best science fiction and fantasy writing.
“The Peripheral” by William Gibson, “Ancillary Sword” by Ann Leckie, “The Three-Body Problem” by Cixin Liu, “Lock In” by John Scalzi and “Annihilation/Authority/Acceptance” by Jeff VanderMeer made the short list for the best science fiction novel of the year.
“The Goblin Emperor” by Katherine Addison, “Steles of the Sky” by Elizabeth Bear, “City of Stairs” by Robert Jackson Bennett, “The Magician’s Land” by Lev Grossman and “The Mirror Empire” by Kameron Hurley made the shortlist for the best fantasy novel of the year.
The winners will be revealed during the Locus Awards Weekend in Seattle WA, June 26-28, 2015. Follow this link to check out the nominees in other categories.Add a Comment
Part of the appeal of NA is that the storylines are about characters who are taking on adult responsibilities for the first time without guidance from their parents. And the storylines generally have a heavy romance element.
Keep this in mind as you revise your wonderful story, New Adult books are mostly about that specific time in every person's life—the time when the apron strings are cut from your parents, you no longer have a curfew, you're experiencing the world for the very first time, in most cases, with innocent eyes. New Adult is this section of your life where you discover who you want to be, what you want to be, and what type of person you will become. This time defines you. This is the time of firsts, the time where you can't blame your parents for your own bad choices.
An NA character has to take responsibility for their own choices and live with the consequences. Most storylines are about twenty-something (18 to 26) characters living their own lives without any parents breathing down their necks, and learning to solve things on their own as they would in real life. New Adult fiction focuses on switching gears, from depending on our parents to becoming full-fledged, independent adults.
I am a firm believer that if you’re going to write a certain genre that you should read it, too. So I’m going to recommend that you start devouring NA novels to get a real sense and understanding of the genre before you write one.
Here are some great recommendations: https://www.goodreads.com/genres/new-adult-romance and http://www.goodreads.com/genres/new-adult and https://www.goodreads.com/shelf/show/new-adult-romance
Just as YA is fiction about teens discovering who they are as a person, New Adult (NA) is fiction about building your own life as an actual adult. As older teen readers discover the joy of the Young Adult genres, the New Adult—demand may increase. This, in turn, would give writers the chance to explore the freedom of a slightly older protagonist (over the age of 18 and out of high school, like the brilliant novel, "BEAUTIFUL DISASTER" by the amazing talents of author, Jamie McGuire) while addressing more adult issues that early 20-year-olds must face.
Quote from Georgia McBride, author (Praefatio) and founder of #YALitChat and publisher at Month9Books: "New Adult is a fabulous idea in theory, and authors seem to be excited about it. But in a world where bookstores shelf by category, to them, it is either Adult or Young Adult. Some booksellers even call their YA section “teen.” And when you have a character who is over a certain age (19 seems to be the age most consider the start of New Adult), it is received as Adult. In some cases, the designation by publishers causes more confusion than not.
Let’s face it, YA is associated with teens, and at 19, most no longer consider themselves teens. So, it would support the theory of placing these “New Adult” titles in the Adult section. However, with the prevalence of eBook content, it would seem that the powers that be could easily create a New Adult category if they really wanted to...."
- Jamie McGuire
- Jessica Park
- Tammara Webber
- Steph Campbell
- Liz Reinhardt
- Abbi Glines
- Colleen Hoover
- Sherry Soule
Does it sound better than YA (teen novels)?
Do you consider YA to include characters that are over the age of eighteen?
Blog: The magic hairball of the ruby eyed panther (Login to Add to MyJacketFlap)
JacketFlap tags: Add a tag
Here are some bowls I've been working on since I came to the U.S. I've been giving most of my free time over to felt work, but it's nice to keep my eye in as far as woodwork's concerned.
If you're interested in purchasing one of them please contact me at: Dyorkca@hotmail.com
On a visit to Tokyo with her family, Fusselman stumbles on Hanegi playpark, where children are sawing wood, hammering nails, stringing hammocks to trees, building open fires. When she returns to New York, her conceptions of space, risk, and fear are completely changed. Fusselman invites us along on her tightrope-walking expeditions with Philippe Petit and late night adventures with the Tokyo park-workers, showing that when we deprive ourselves, and our children, of the experience of taking risks in space, we make them less safe, not more so.Writing
Savage Park is a fresh, poetic reconsideration of behaviors in our culture that — in the guise of protecting us — make us numb and encourage us to sleepwalk through our lives. We babyproof our homes; plug our ears to our devices while walking through the city. What would happen if we exposed ourselves, if — like the children at Hanegi park — we put ourselves in situations that require true vigilance? Readers of Rebecca Solnit and Cheryl Strayed will delight in the revelations in Savage Park.
Very well written. I think Fusselman is an excellent essayist and she has a lot of great things to say about the nature of play, space and risk in relation to both children and adults. I like that she included both aspects and that the book wasn't just a meditation on over-parenting. The essays are all short and easy to follow although some are fairly philosophical in nature and do require the reader's full attention.
As I mentioned above, some essays are more philosophical and therefore more difficult to read than others, but that doesn't mean they're less interesting. I do think, however, that this is going to have a somewhat limited appeal to the general reader. Unless you find the topic of play and risk and what it means to take up space of particular interest, you probably won't be as entertained by this as a reader who either has a topical interest or, like me, who just really enjoys a well-crafted essay.
It's a great read and makes for either an afternoon of thoughtful reading or as something you can read an essay at a time. It's not something that will grab you and not let you go, but it is interesting and something that left me pondering what it really means to be safe and how to challenge my own fears.
Thanks to NetGalley for providing me with a copy to review. Add a Comment
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Internet/Blogs, Tools, CGSociety, Diego Rojas, Add a tag
The online destination for digital art industry professionals gets a makeover.Add a Comment
View Next 25 Posts