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1. Lessons from the heart: listening after Ebola

Like many this past week, our attention has been fixated on the media coverage of the Ebola outbreak: images of experts showing off the proper way to put on and take off protective gloves to avoid exposure to the virus; political pundits quarrelling over the appropriateness of travel restrictions; reassuring press conferences by the director of the Centers for Disease Control. It is an event that has received immediate and intense attention and generated compelling journalism, for sure, but does it really give us an emotional understanding of the impact of the event?

What is it like for a mother or a father to watch their child die and not to be able to touch them? What happens within a community that has experienced a major outbreak? Are people brought closer through a shared suffering or are the bonds that held the community together forever broken? There are infinite questions that we could ask of the human heart in the midst or the aftermath of such an event. Oral history with its emphasis on empathy is an effective method of asking these questions.

Hopefully the epidemic will be contained, but by the time it is, it is likely that the public’s appetite for more analysis on the outbreak will have been satiated. Journalists will be compelled to move onto the new topic of the day. Oral historians, however, can — and should — linger on this event.

For oral historians, who have increasingly worked in the aftermath of crisis over the past decade, the motivation to document is fueled by both a humanitarian impulse to respond to crisis and a scholar’s desire to inquire and understand. Times of widespread crisis have an elusive complexity which defies any attempt at meta-narrative. Aspiring to get at a comprehensive picture and the countless ways in which the epidemic is impacting so many seems unfeasible. For many researchers, the most profound way to begin is to try to appreciate how this crisis manifests itself for an individual, for a family, or for a community is oral history.

Dr. Joel Montgomery, Team Lead for CDC’s Ebola Response Team in Liberia, adjusts a colleague’s [personal protective equipment] before entering the Ebola treatment unit.  Photograph by Athalia Christie. Public domain via Flickr.
Dr. Joel Montgomery, Team Lead for CDC’s Ebola Response Team in Liberia, adjusts a colleague’s protective equipment before entering the Ebola treatment unit. CDC Global. Photograph by Athalia Christie. Public domain via Flickr.

Doing oral history in West Africa in the aftermath of the epidemic will present unique challenges for interviewers. Navigating the emotional and political resonance of the Ebola outbreak will require caution, compassion, and courage, as well as flexibility in the application of oral history best practices. The outcome of this work, however, can offer insight into how the individual human heart and mind respond to the terror of an epidemic, and how an individual’s responses to fear and grief impact their communities.

The personal perspective oral history provides has so often been left out of our analysis of crisis. We are left with dry academic reports often composed by responding agencies trained to exclude emotion from their analysis. But without this emotion, without this individual perspective, we don’t understand crisis and the impact it has on those who are left to pick up the pieces of shattered lives and communities. Oral history provides a means for the people most affected by crisis or disaster to be recorded, archived, and shared, to put them, not the devastation, at the center of the story. It is an effort that often runs counter to our collective response to emergency and, for that reason alone, it offers meaningful and enduring outcomes.

Featured image: Hospital in Kenema, Sierra Leone, where the Ebola virus samples are tested. June 2014. By Leasmhar. CC-BY-SA-3.0 via Wikimedia Commons.

The post Lessons from the heart: listening after Ebola appeared first on OUPblog.

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2. Karen Akins, author of Loop, on writing during nap time

What is your favorite thing about LOOP?

LOOP is about a twenty-third century time traveler named Bree who meets a boy from the past who is already in love with her future self and is keeping his own set of secrets. One of the things I love most about the story is that Finn (the boy) refuses to give up on Bree even when she's almost at the point of giving up on herself. He loves her even when she's unloveable, and that makes it a very hopeful story.

What was your inspiration for writing this book?


I fell asleep while watching my husband play a video game that had all sorts of grappling hooks and explosions. It triggered a vivid, fun, action-filled dream, and right before I woke up, I dreamt the twist that this guy fell in love with a time-traveler's future self. I grabbed a notebook and started scribbling ideas. It was the first time that I'd ever thought, "This could be the one."

How long did you work on the book?

I started writing it in 2010, and approved my first pass pages just a few months ago so...a long time. I wasn't working strictly on LOOP that entire time, though. I was also writing and revising TWIST, its sequel.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

Before I had my second child, I would write while my older son was in preschool, usually at a coffee shop or the library. Now that I have two (one of whom is a toddler), I squeeze in writing during naps and after they go to bed. I'm also blessed to have a very supportive husband, so I'm able to get away from the house when I'm on a pressing deadline.

What advice would you most like to pass along to other writers?

I know everyone says it, but KEEP WRITING. One of my favorite writing quotes is from C.S. Lewis: 

"What you want is practice, practice, practice. It doesn’t matter what we write (at least this is my view) at our age, so long as we write continually as well as we can. I feel that every time I write a page either of prose or of verse, with real effort, even if it’s thrown into the fire the next minute, I am so much further on."

ABOUT THE BOOK


Loop
by Karen Akins
Hardcover
St. Martin's Griffin
Released 10/21/2014

At a school where Quantum Paradox 101 is a required course and history field trips are literal, sixteen year-old time traveler Bree Bennis excels…at screwing up.

After Bree botches a solo midterm to the 21st century by accidentally taking a boy hostage (a teensy snafu), she stands to lose her scholarship. But when Bree sneaks back to talk the kid into keeping his yap shut, she doesn’t go back far enough. The boy, Finn, now three years older and hot as a solar flare, is convinced he’s in love with Bree, or rather, a future version of her that doesn’t think he’s a complete pain in the arse. To make matters worse, she inadvertently transports him back to the 23rd century with her.

Once home, Bree discovers that a recent rash of accidents at her school are anything but accidental. Someone is attacking time travelers. As Bree and her temporal tagalong uncover seemingly unconnected clues—a broken bracelet, a missing data file, the art heist of the millennium—that lead to the person responsible, she alone has the knowledge to piece the puzzle together. Knowledge only one other person has. Her future self.

But when those closest to her become the next victims, Bree realizes the attacker is willing to do anything to stop her. In the past, present, or future.


Purchase Loop at Amazon
Purchase Loop at IndieBound
View Loop on Goodreads

ABOUT THE AUTHOR

Karen Akins lives in the MidSouth where she writes humorous, light YA sci-fi. When not writing or reading, she loves lightsaber dueling with her two sons and forcing her husband to watch BBC shows with her.

Karen has been many things in her life: an archery instructor, drummer for the shortest-lived garage band in history, and a shockingly bad tic-tac-toe player.

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3. Cinda Chima, author of THE SORCERER HEIR, on learning how to write a novel

Author Question: What is your favorite thing about THE SORCERER HEIR?

The Sorcerer Heir is the final novel in a series of five contemporary fantasies revolving around five magical guilds: Warriors, Wizards, Seers, Enchanters, and Sorcerers. In this novel I was able to clear up the trouble I made for my characters in The Sorcerer Heir as well as giving two deserving minor characters some major stage time. I also got to change up the magical system a little. An appropriate tagline for these last two installments would be: This is what happens when magic goes mutant.

What was your inspiration for writing THE SORCERER HEIR?
1. The prospect of having to give my advance back. 

2. The opportunity to bring closure to a number of characters that readers had bonded with. There's also a strong musical element in these stories: the characters are all magical misfits who formed a band and that pretty much describes my teen life.

What did this book teach you about writing or about yourself?
  
Somebody once said that you never learn how to write a novel until it's finished. And then it starts all over with the next one. There's truth in that--it's not like once you get the hang of this thing it's easy. But what you do have is the memory of succeeding at it before. And that's very encouraging.

What advice would you most like to pass along to other writers?
  
Writing well is the very best thing you can do to promote your novel. I see too many writers attending sessions on writing a query letter or pitching agents before they have a project completed. Trying to shop a bad book is like trying to roll a boulder uphill--it's a lot of work with very little return. The Sorcerer Heir is my ninth published novel, and I am still learning how to write. 

What are you working on now?
  
I've signed on to write four more fantasy novels set in the Seven Realms, my high fantasy world. I'm revising the first of those, scheduled for release in spring, 2016.

Other resources: I have tips and FAQs for writers on my website at www.cindachima.com; I'm on Facebook at www.facebook.com/CindaWilliamsChima and on Twitter @cindachima


ABOUT THE BOOK


The Sorcerer Heir
by Cinda Williams Chima
Hardcover
Disney-Hyperion
Released 10/21/2014

The delicate peace between Wizards and the underguilds (Warriors, Seers, Enchanters, and Sorcerers) still holds by the thinnest of threads, but powerful forces inside and outside the guilds threaten to sever it completely.

Emma and Jonah are at the center of it all. Brought together by their shared history, mutual attraction, and a belief in the magic of music, they now stand to be torn apart by new wounds and old betrayals. As they struggle to rebuild their trust in each other, Emma and Jonah must also find a way to clear their names as the prime suspects in a series of vicious murders. It seems more and more likely that the answers they need lie buried in the tragedies of the past. The question is whether they can survive long enough to unearth them.

Old friends and foes return as new threats arise in this stunning and revelatory conclusion to the beloved and bestselling Heir Chronicles series.


Praise for The Heir Chronicles:
The Warrior Heir

*"Chima offers a pitch-perfect blend of high fantasy and small-town reality..." -The Bulletin of the Center for Children's Books (starred review)

* "Twists and turns abound in this remarkable, nearly flawless debut novel that mixes a young man's coming-of-age with fantasy and adventure." -VOYA (starred review)


The Wizard Heir

* "Chima uses her pen like a wand and crafts a wonderfully rich web of magic, while thankfully leaving some dangling threads for subsequent tales." -VOYA (starred review)

"Chima is a talented storyteller...a strong choice for teens seeking a rousing read." -The Cleveland Plain-Dealer


The Dragon Heir

* "A superlative accomplishment." -Kirkus Reviews (starred review)

"Chima spins a finely structured tale that roars to a satisfying conclusion." -School Library Journal


The Enchanter Heir

* "A smoldering story soaked in tears, sweat and blood, constantly threatening to blaze into an inferno. Spellbinding." -Kirkus Reviews (starred review)

"Chima continues to excel at building tension and populating her well-told tales with new and returning characters we want to know better." -Booklist

Purchase The Sorcerer Heir at Amazon
Purchase The Sorcerer Heir at IndieBound
View The Sorcerer Heir on Goodreads

ABOUT THE AUTHOR


New York Times bestselling author Cinda Williams Chima comes from a long line of fortune-tellers, musicians and spinners of tales. She began writing romance novels in middle school, which were often confiscated by her teachers.

The Warrior Heir was named to Voya’s Best Science Fiction and Fantasy 2005-2006, is a 2006 Booksense Summer Reading Pick, was named to the 2007-2008 Lone Star Reading List, and was a finalist for the 2006 Great Lakes Book Award. Warrior Heir received a starred review in the Bulletin of the Center for Children’s Books and a “Perfect Ten” (5Q, 5P) in Voya. The Wizard Heir also received a “Perfect Ten” from Voya and appears on Voya's Best Science Fiction and Fantasy 2007. The Dragon Heir received a starred review in Kirkus, was named to Kirkus's Best YA 2008 list, was a VOYA Perfect Ten, and is a USA Today, Indie Next, and NYT bestseller.

Chima's Seven Realms series launched with The Demon King in October, 2009.It received a starred review in the Bulletin of the Center for Children's Books, was a Voya Perfect Ten and was named to the 2009 Voya Best Science Fiction, Fantasy, and Horror List. The Exiled Queen followed in September, 2010. It received a starred review from Kirkus, was a Voya Perfect Ten, and a New York Times bestseller. The Gray Wolf Throne follows in September, 2011.

Chima is a graduate of Case Western Reserve University and the University of Akron. Chima is an active member of the Society for Children’s Book Writers and Illustrators and the Science Fiction and Fantasy Writers of America. She has been a workshop leader, panelist, and speaker at writing conferences, including the Northern Ohio SCBWI Conference, the Western Reserve Writers’ Conference, and the World Fantasy Convention. She frequently speaks to young writers and readers at schools and libraries nationwide.

Chima lives in Ohio with her family, and is always working on her next novel.

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4. Short stories from the Danish capital

From the narrow twisting streets of the old town centre to the shady docklands, Copenhagen Tales captures the essence of Copenhagen and its many faces. Through seventeen tales by some of the very best of Denmark’s writers past and present, we travel the length and breadth of the Danish capital examining famous sights from unique perspectives. A guide book usefully informs a new visitor to Copenhagen but these stories allow the reader to experience the city and its history from the inside. Translator Lotte Shankland is a Copenhagener by birth who has lived many years in England. In the videos below she discusses the collection, decribing the richness of Danish literature, as well as the Scandinavian noir genre.

Lotte Shankland on the greater significance of short stories within Denmark:

Lotte Shankland discusses her favourite short story, ‘Nightingale’, by Meir Goldschmidt:

From Hans Christian Andersen to Søren Kierkegaard, Denmark has been home to some of the finest writers in Europe. In the National Museum in Copenhagen you will find stories from as early as 1500 BC, covering myth and magic. A walk through the city will most likely involve an encounter with the emblematic statue of the Little Mermaid from Hans Christian Andersen’s famous tale. The Danes continue to tell great stories, as evidenced by the hugely popular Danish TV series The Killing and the Sweedish co-production The Bridge. Copenhagen Tales offers a way to understand the heart and soul of this diverse city, through the literature and art it has generated.

Featured image credit: Copenhagen, Denmark. Public Domain via Pixabay.

The post Short stories from the Danish capital appeared first on OUPblog.

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5. Talents and Skills Thesaurus Entry: The Midas Touch

As writers, we want to make our characters as unique and interesting as possible. One way to do this is to give your character a special skill or talent that sets him apart from other people. This might be something small, like having a green thumb or being good with animals, to a larger and more competitive talent like stock car racing or being an award-winning film producer. 

When choosing a talent or skill, think about the personality of your character, his range of experiences and who his role models might have been. Some talents might be genetically imparted while others are created through exposure (such as a character talented at fixing watches from growing up in his father’s watch shop) or grow out of interest (archery, wakeboarding, or magic). Don’t be afraid to be creative and make sure the skill or talent is something that works with the scope of the story. 

THE MIDAS TOUCH

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Keith Cooper @ Creative Commons

Descriptionthe ability to multiply one’s money; having a knack for making money. Most people with this talent have a bent toward the business arena. Many are entrepreneurial by nature and, without any education or formal experience at all, have an inherent knack for understanding the dynamics of finance and are able to apply their knowledge in a way that leads to success.

Beneficial Strengths or Abilities: being able to quickly and accurately size up an opportunity, seeing opportunity where others see nothing, being good at math

Character Traits Suited for this Skill or Talent: disciplined, self-control, shrewd, patient, greedy, risk-taking, ambitious, bold, focused, discerning, persistent, analytical, visionary

Required Resources and Training: Many people with this gift can be found making money at an early age through entrepreneurial enterprises without any resources or training to speak of. As they grow older, they either increase their knowledge through education or experience in the field. They often end up becoming experts in a particular area, be it finance, the stock market, real estate, the fashion industry, etc. They grow and improve (often by making costly mistakes in the beginning) through immersion in their given area.

Associated Stereotypes and Perceptions: investors, entrepreneurs, business moguls. People with this skill are often portrayed as being greedy and caring first and foremost about money. They’re often perceived as materialistic with a shaky moral code.

Scenarios Where this Skill Might be Useful:

  • a situation where the hero is in need of money
  • if someone needs to disappear or start a new life but needs to be able to support himself
  • to support the lifestyle one has become accustomed to living
  • when a large sum of money is needed to back a cause or organization

You can brainstorm other possible Skills and Talents your characters might have by checking out our FULL LIST of this Thesaurus Collection. And for more descriptive help for Setting, Symbolism, Character Traits, Physical Attributes, Emotions, Weather and more, check out our Thesaurus Collections page.

The post Talents and Skills Thesaurus Entry: The Midas Touch appeared first on WRITERS HELPING WRITERS.

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6. 50 States Against Bullying: PENNSYLVANIA

As you can guess, I consider 13 to be a very lucky number. So it was of little surprise when a whole lot of awesomeness surrounded my thirteenth stop on the 50 States Against Bullying campaign in Pennsylvania.

It began with some presentations at Sewickley Academy, just outside of Pittsburgh.


If there's one thing I will visually remember from my stops on the East Coast this autumn, it's the stunningly colorful trees everywhere I turn. And I was told this year was unusually lacking in color.


I gave two presentations to the students, and had two more gatherings that were more like free flowing discussions. First I met with student leaders, in groups like ASB and Peer Counseling. We discussed leadership and mentoring, and I had the chance to get into (based on a beautiful question) another aspect of bullying not often considered, yet crucial: forgiveness. Then I met with faculty leaders at the school, which was an opportunity I don't often get. But it was so inspiring!

Then I took a drive through the area for a very personal reason. My mom spent her childhood in the Pittsburgh region. As I drove, memories of black and white photos I've seen, Eastern European characteristics on so many people walking by, and stories I've heard from my mom and my extended family made the entire drive feel so familiar.


I even found the house in West Mifflin where she lived in from grades one through six.


That evening, my friend (and author) Stephen Chbosky took me on another tour of the city, which is where he also spent many important years. He doesn't live here now, but we were both speaking at the same conference this weekend. Stephen, as you should all know, wrote The Perks of Being a Wallflower, and also wrote and directed the movie based on the book. Some pivotal scenes occur while the characters driving through the Fort Pitt Tunnel. They have special songs they listen to while sitting or standing in the vehicle, which continues as they exit into a beautiful view of the city at night. Stephen drove me through the tunnel a few times. Once, I listened to my Tunnel Song, Larry, by Buffalo Tom. Another time...just the sounds around us.


That was followed by my virgin experience at a Rocky Horror Picture Show production. My experience happened in the same theater where Stephen lost his RHPS virginity, which is also where he shot some scenes for his movie.


This has made him the Patron Saint of the Hollywood Theater!

(That's Stephen in the middle, pulled from his seat
for the wedding photo.
)

Yes, the number 13, and Pennsylvania, has been very good to me.


Thank you, Stephen.

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7. Word count

Even though this is a writing blog, let’s do some math.

Fifty K words for the NaNo November works out to 1667 words a day, about 12,500 a week. The daily count means almost 7 pages of double-spaced text.

I’m in trouble. 

The method I’ve been regular with is a daily timed writing session, with no regard to word count. If I had to guess, I couldn’t. I’ll write on the story, then type notes to myself or scribble them in a notebook. I’m sure it wouldn’t be near a thousand, probably less than 500.

With NaNoWriMo looming, there have been some articles floating around on how to ramp up word count. Then I Googled for other ideas.

Jessica Strawser, in a recent Writer’s Digest article, initiated this query. Juggling work and toddlers, she says it is about finding ways to write in between the times she actually sits uninterrupted at her laptop. One thing she does is use a voice recording app on her smart phone to record ideas that randomly floats into her head.  Scene snippets, dialog, plot ideas, etc., can even be recorded with a hands free device on the drive home from work. Sometime during the day, she emails herself notes about the next scene so she doesn’t go into it cold when she sits to write.

Other articles list things like establishing a writing routine and never vary from that schedule. Some swear by writing in the morning, others must wait until the kiddies fall asleep at night. 

There is the Pomodoro Technique (Google it) in which you set a timer for 25 minutes and work interruption free, then take a 5 minute break, the repeat.

Most writing on the subject confirm Stawser’s idea of having a notion of what you will write about before you sit to type. Rachel Aaron devotes the first 5 minutes to jotting down a quick description of the scene she’s going to write. Aaron claims she has gone from two to ten thousand words a day with her three-tier approach. The first and most important is the knowledge phase. She always spends 5 minutes, never less, sometimes more, writing a stripped down version of the scene; no details, she simply notes what she will write when the time comes to actually write it. This step alone increased her daily 5K. 

Aaron took two other steps to increase her writing. She noted the time and places she was most efficient and built her writing time around those periods. Lastly, she says enthusiasm ups word count. The fun scenes fly by faster than the boring scenes that work up to it. Which leads to, if it’s dull for you to write, what expectations do you have of your reader? 

I am not doing the Rachel Aaron justice with this quick recap. The whole article can be reached following the link below and is pretentiously titled “How I Went From 2,000 Words a Day To 10,000 Words A Day.” 

I’m not sure I’m ready to jump in at that pace. I’d settle for 1667 words. 


(This article also posted at http://writetimeluck.blogspot.com)

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8. The publishing-wait in Iran

       Books in Iran generally aren't officially censored -- publishers are just denied the permission needed to actually publish them. All books need to get official permission, and while permission is sometimes denied outright, usually the Ministry of Culture and Islamic Guidance just makes authors and publishers wait, and wait. and wait.
       How long ? Well, as IBNA reports: Iranian author's 'The Smoke' was released after eight years, as Hossein Sanapour's novel finally got the green light after eight years.
       Mention that: "It was waiting for the issuance of a publication permission in the previous government for some years" suggest perhaps change is in the air -- but things still seem to be moving slowly.

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9. Meet David Shannon

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10. Ripley’s Fun Facts & Silly Stories 3

Fun Facts and Silly Stories 2 is the second book in this engaging and humorous series.

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11. My tweets

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12. Once upon a time, part 2

There is a quarrel inside me about fairies, and the form of literature their presence helps to define. I have never tried to see a fairy, or at least not since I was five years old. The interest of Casimiro Piccolo reveals how attitudes to folklore belong to their time: he was affected by the scientific inquiry into the paranormal which flourished – in highly intellectual circles – from the late nineteenth century and into the twentieth. But he also presents a test case, I feel, for the questions that hang around fairies and fairy tales in the twenty-first century. What is the point of them? What are the uses of such enchantments today? The absurdity of this form of magical belief (religious miracles are felt to be different, and not only by believers) creates a quarrel inside me, about the worth of this form of literature and entertainment I enjoy so much. In what way am I ‘away with the fairies’, too?

Butterfly fairy
This watercolor is part of the collection owned by the Family Piccolo of Calanovella Foundation, created by Baron Casimiro Piccolo of Calanovell, www.fondazionepiccolo.it. All rights reserved. Used with their permission.

Suspicion now hangs around fairy tales because the kind of supernatural creatures and events they include belong to a belief system nobody subscribes to anymore. Even children, unless very small, are in on the secret that fairyland is a fantasy. In the past, however, allusions to fairies could be dangerous not because belief in them was scorned, but because they were feared: Kirk collected the beliefs of his flock in order to defend them against charges of heterodoxy or witchcraft, and, the same time as Kirk’s ethnographical activities, Charles Perrault published his crucially influential collection (l697), in which he pokes fun, with suave courtly wit, at the dangerousness of witches and witchcraft, ogres and talking animals. Perrault is slippery and ambiguous. His Cinderella is a tale of marvellously efficacious magic, but he ends with a moral: recommending his readers to find themselves well-placed godmothers. Not long before he was writing his fairy tales, France and other places in Europe had seen many people condemned to death on suspicion of using magic. The fairy tale emerges as entertainment in a proto-enlightenment move to show that there is nothing to fear.

The current state of fairy tale – whether metastasized in huge blockbuster films or refreshed and re-invigorated in the fiction of Robert Coover, Donald Barthelme, Margaret Atwood or, most recently, Helen Oyeyemi (Mr Fox, and, this year, Boy Snow Bird) does not invite, let alone compel, belief in its magic elements as from an audience of adepts or faithful. Contemporary readers and audiences, including children over the age of 6, are too savvy about special effects and plot lines and the science/magic overlap to accept supernatural causes behind Angelina Jolie’s soaring in Maleficent or the transmogrifications of the characters. Nor do they, nor do we need to suspend disbelief in the willed way Coleridge described.

Rather the ways of approaching the old material – Blue Beard, The Robber Bridegroom, Hansel & Gretel, Snow White and so on – opens up the stories to new meanings. The familiar narrative becomes the arena for raising questions; the story’s well known features provide a common language for thinking about families and love, childhood and marriage. Fairies and their realm allow thought experiments about alternative arrangements in this world. We are no longer looking for fairies at the bottom of the garden, but seeing through them to glimpse other things. As the little girl realises in The Servant’s Tale by Paula Fox, her grandmother through her stories ‘saw what others couldn’t see, that for her the meaning of one thing could also be the meaning of a greater thing.’ In the past, these other, greater things were most often promises – escape, revenge, recognition, glory – but the trend of fairy tales is turning darker, and many retellings no longer hold out such bright eyed hope.

Featured image credit: Sleeping Beauty, by Viktor M. Vasnetsov. Public Domain via Wikimedia Commons.

The post Once upon a time, part 2 appeared first on OUPblog.

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13. Chicken by Chicken: Shaken to the Core

Hi folks,

I'm continuing the series of Chicken by Chicken. This week I'm writing about being shaken to the core. Have you ever had a period a time when you are working, and you are just not feeling IT? What is IT? IT is a sense of assurance that you will find your way, a deep internal knowledge that your work will reach others, and some kind of genetic thing that you are meant to do what you are doing. This feeling of IT has been with me for decades. I think that Socrates called this his divine something that guided him along his path. This divine something never told him what to do, but nudged him this way and that to find the sweet spots that would rocket him forward along the river of destiny.

So this IT feeling has left me.

I don't know exactly when. A few months back, I think. You can see it in my recent blogs. I'm digging into the bedrock to hold on. I want the feeling back, but I don't know how to make it return. I'm living my own little Ecclesiastes, Chapter 1. Meaningless. Meaningless. But I'm fighting back with there is a time and season for everything under heaven. There is a season to dig up the ground. And here I am digging. What have I found so far? Long walks lift me up. I think. I sing. I watch butterflies. It's good for the soul. Kind thoughts also help. I try to think of what I would tell someone that is the same place I am. Then I say those things to myself. I listen to Burl Ives songs. Here is a link.  I say my prayers. I keep on working, even though it is slow going. I do little artist things. Go to lectures. Hang out with other artists. Find ways to be helpful.

I'm shaken to the core, but I am confident that what can't be shaken will remain. I'm holding to that right now. I have a deep desire to do more as an artist, to jump up to something more profound, but I didn't see this piece of the journey ahead. I have no idea where to jump. I'm whispering hourly, "Heart find your way."

Every little soul will shine. We all go through deep waters. Rise up! Don't give up. I will be back next week.

For doodles this month I'm featuring doodles from my ebook Halloween project: Chicken Take Over Halloween.   This one is "Robot Chickens."



A quote for your pocket. 

Many a book is like a key to unknown chambers within the castle of one’s own self.
― Franz Kafka

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14. Jonathan Franzen Q & A

       In the Indianpolis Star Will Higgins has a Q & A with Jonathan Franzen.
       J-Franz reveal his favorite TV shows, how many bird species he's seen (2,600 worldwide), and the fact that both he and David Foster Wallace have/had a one-handed backhand (increasingly rare at the pro level).

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15. Press Release Fun: Nominate a Literary Landmark

From our good fellow in the field, Rocco Staino:

Hello,

As chair of the ALA/CBC committee I am working with United for Libraries and the Children’s Book Council on an initiative for Children’s Book Week.  It is our hope that during Children’s Book Week in 2015 that with your help United for Libraries can dedicate throughout the country at least 7 Literary Landmarks that are connected with a children’s book or author.

It would be great if you or your state organization would take the lead in nominating a possible Literary Landmark in your State.  You may also want to work with your state’s Center for the Book.

Here are some helpful links that give you more information on Literary Landmarks.

http://www.ala.org/united/products_services/literarylandmarks

Only 33 States have Literary Landmarks.  Check to see if you state has at least one. If it doesn’t this is a great time to get one.

http://www.ala.org/united/products_services/literarylandmarks/landmarksbystate/landmarksbystate

I have worked in having several sites designated as Literary Landmarks.  Most recently we dedicated The Walt Whitman Birthplace a Literary Landmark.  At the event we had a Congressman, State Senators and members of the NYS Assembly including the chair of the Library Committee.  I am happy to say that the Landmark was cosponsored by Suffolk County Library Association, Suffolk School Library Media Association and the Lambda Literary Foundation.

Attached is a photo of the Librarians in attendance.

Feel free to contact me of Sally Gardner Reed or Jillian Kalonick (cc’d in this email)  if you have any questions.

Best,
Rocco Staino
Chair
ALA/CBC Committee
@roccoa

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16. Banjo Pig on a Wendy's Commercial














Click here to watch the commercial on YouTube.

(Tip of the hat to Andi Butler.)

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17. Guest Post for Elf Killers by Carol Marrs Phipps


RRBC MEMBER OF THE MONTH

OCTOBER, 2014
Carol Marrs Phipps
CAROL MARRS PHIPPS is a teacher turned author. She was born in Missouri, grew up in Illinois and lives on their farm in Illinois with her husband, her menagerie, a parrot, a raven, two cockatiels and her Siberian Forest cats. The books she has written with her husband, Tom Phipps include, Elf Killers which takes place a millennium before the books of the Heart of the Staff series: Good SisterBad Sister, The Collector WitchStone Heart, The Burgeoning andThe Reaper Witch, with the final book, Doom, to be released at the end of 2014. All their books are available as eBook or paperback.
Carol taught with her husband on various Native American Reservations in Arizona, New Mexico and Nevada, where they learned a great deal from their students, the very first fans of their writing. Not long after they married, she discovered to her joy that he also loved to write. They have been writing together full-time ever since.

Elf Killers by Carol Marrs Phipps

Carol is one of those uber-supportive members here at Rave Reviews Book Club!  She is very deserving of this award and she will also receive a $10 Amazon Gift Card!  Please support ourMEMBER OF THE MONTH by picking up a copy of either of her books listed below, if you can, supporting her on Social Media and by all means, tweet, re-tweet and share this page thru the month of October in honor of her.
CONGRATULATIONS, Carol on being our October, 2014 MEMBER OF THE MONTH!!!

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18. Ripley’s Fun Facts & Silly Stories: The Big One!

A new addition to Ripley’s successful Fun Facts & Silly Stories, The Big One! takes things to the next level.

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19. Spotlight and Giveaway: Court by Cat Patrick

I have enjoyed everything that I’ve read by Cat Patrick, so I was super excited to see that she has a new book coming out. I wanted to share with all of you because I think her writing is awesome…and well, there’s a giveaway you can enter!  So have at it!  Read about Court and then enter away!

 

court_96

Title: Court

Author: Cat Patrick

Date of Publication: October 23rd 2014

  goodreads-badge-add-plus-d700d4d3e3c0b346066731ac07b7fe47   About Court: For more than 400 years, a secret monarchy has survived and thrived within the borders of the US, hiding in plain sight as the state known as Wyoming. But when the king is shot and his seventeen-year-old son, Haakon McHale, is told he will take the throne, becoming the eleventh ruler of the Kingdom of Eurus, the community that’s survived for centuries is pushed to the limit. Told through four perspectives, Court transplants us to a world that looks like ours, but isn’t. Gwendolyn Rose, daughter of the Duke of Coal, is grudgingly betrothed to Haakon — and just wants a way out. Alexander Oxendine, son of the Duke of Wind and Haakon’s lifelong best friend, already grapples with external struggles when he’s assigned to guard Haakon after the king dies. And commoner Mary Doyle finds whispers in the woods that may solve — or destroy — everything, depending on your bloodline.

Money. Love. Power. Community. What’s your motivation?  

Amazon

  Q&A with Cat:

-Where did the idea came from?

After writing The Originals, I wanted to write something from multiple character perspectives. Around that time, I was thinking of my home state of Wyoming. A friend had recently driven through, and I thought about how people who aren’t from there don’t really know that much about Wyoming—it could be its own world, hiding secrets. It could be its own kingdom.

-Out of all the 4 perspectives, which is the hardest to write?

Surprisingly, the boys’ voices came easiest. (And there used to be two more!) As for one POV being more difficult than the others, I think the real challenge was developing each voice individually with only a heaping handful of chapters per character.

How do you think you’ve evolved creatively?

Any craft grows with practice, and I hope that I’ve become a more controlled writer as I’ve published more books. I’m definitely more of a risk-taker than I was in the beginning, as well.

What 5 things would you like readers to know about you?

That I’m the greatest mommy in the world. (Say my children.) I love, and am inspired by, wind. I can kill it at Dance Central on Xbox. I share a birthday with one of my siblings. I once met Muhammad Ali.  

Excerpt: HAAKON

Before he was the enemy, James Haakon McHale III was just a seventeen-year-old in what most people knew as the state of Wyoming, wishing he was somewhere other than the predawn forest with a rifle in his grip.

“It’s colder than moonlight on a tombstone,” Haakon muttered, blowing on his fist. His thick-soled boots swish-thumped on the hard earth as he skillfully avoided twigs, rocks, and low branches.

Alexander Oxendine—youngest son of the Duke of Wind, wide receiver, video game button masher, and Haakon’s best friend—laughed into his collar. It could’ve been mistaken for a cough.

“It’s colder than a whore’s heart,” Alexander said, his tone cautiously low. They were the youngest members of the hunting party, and were only allowed to take part because of their rank. Haakon could think of a thousand superior privileges.

He glanced around to make sure none of the other men were paying attention—especially his father. Smirking, he said, “Colder than a polar bear’s balls.”

The pair stifled laughter.

“Than a witch’s—”

“Too easy.”

“Colder than a dead woman’s touch,” Alexander said.

Haakon checked again, dialed down his voice even more, and said, “It’s colder than Gwendolyn Rose’s kiss.”

“Quiet!”

It was Haakon’s father: dictator, fun-spoiler, and—regrettably for his son—the tenth ruler of the Kingdom of Eurus, also known as the Realm, the monarchy hiding in plain sight in the depths of the Democracy known as the United States of America.

Every schoolchild knew the story. In 1670, after Joseph Dyer’s wife died in the Great Plague in London, he brought his five daughters to what would become the United States one hundred years later, seeking a better life. But it soon became apparent that his family would never thrive under strict Puritan rule in New England–which banned higher education for girls and taught submissiveness above all else, and which centered around extreme religious beliefs that were counter to Dyer’s own.

A friend, John Seymour, who was—controversially—married to a Native woman, suggested that they set out together in search of a new home deep within America’s treacherous unknown. Seymour’s wife had been attacked; her family persecuted. Seymour believed that rather than fighting the Natives, they should live in harmony with them.

Dyer, Seymour, and several other men and their families snuck away. After a long and dangerous journey, together they created their version of paradise: a kingdom that blended the best of England with Native cultures. Dyer was thought of as the Father of the Realm, and Seymour’s Native wife, who ensured their survival through tribal relations, the Mother.

Rather than cause a revolution, the founders decided to keep the kingdom secret. Inside the borders of what they’d eventually stake claim as Wyoming, they’d follow their own rules. Outsiders wouldn’t know they were different because they wouldn’t understand.

Outsiders weren’t to be trusted.

Dyer’s youngest daughter, captivated by the ancient Greek she wouldn’t have been allowed to learn in Puritan society, named the new kingdom Eurus, meaning <em>east wind</em>. She pronounced it “air-us.”

“But the winds here blow from the west,” Haakon had asked his father once—before Dad was King James. That was when it was okay to ask questions. When curiosity wasn’t an imposition.

“That’s right, Haakon,” his father had replied, straw between his teeth. They’d gone on a walk together. The sun was setting on an easy day. His dad had pointed toward the eastern horizon. “The wind here does primarily blow from the west, but our founders blew in from the east. That day, the wind changed directions.”

Haakon frowned away the memory of days never to return, and refocused on the trees. He walked as soundlessly as he could in his camo fleece jacket and vintage Levi’s, his rifle nestled in the crook of his left arm, a round in the chamber. He was on the left edge of the group, three rows behind his father. Evenly spaced gaps between them, the men were like migrating geese, locked in formation.

Geese hunting deer.

“Were you drinking last night?” Haakon’s father had demanded on the way to the meeting point that morning. “Is that why you’re so tired?”

“I’m tired because it’s so early that the birds aren’t even awake yet.”

“Good. Because you know what the consequences will be if you start drinking again.” They’d shared the backseat of the armored SUV; Haakon had done his best to preoccupy himself with his cell phone.

“Yes, sir, I know.”

“You need to turn that thing off before we arrive. And when’s your next haircut? You look slovenly.”

Will you just get off my back. Haakon had thought at the top of his lungs. What he’d said, though, was simply, “Yes, sir.”

There, in the forest, Haakon toyed with the idea of raising his gun and shooting King James square in the back of the head. Right there under his hat, just above the rise of his custom down hunting vest. He could do it. Even with the others present, he knew there’d be no trial, no trip to Corby. But offing his father wouldn’t solve anything. In fact, it would make life a lot worse. Because with his father gone, Haakon would be in charge.

Haakon would become the King of Eurus.

The thought made him want to puke.

 court_teaser1  

 

  About Cat Patrick:

Cat PatrickCat Patrick is an author of books for teens. Her debut novel, FORGOTTEN (available now), is about a girl who can remember the future instead of the past, and was praised by NYT bestselling author of Thirteen Reasons Why, Jay Asher, as a “mindbending,” one-sitting read. The book is being translated into 21 languages and Paramount bought the movie rights, with True Grit’s Hailee Steinfeld attached to star as the main character, London Lane.

Patrick’s second (unrelated) novel, REVIVED, is about a girl who’s part of a secret government program to test a drug that brings people back from the dead. REVIVED will be available in the US May 2012, and in the UK and Australia Summer 2012.

Patrick lives near Seattle with her husband and twin 3-year-olds, and is afraid of zombies, planes, and zombies on planes.

Website | Twitter | Facebook | Goodreads 

 

 a Rafflecopter giveaway      

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20. Dori Hillestad Butler's HAUNTED LIBRARY series - Guest Post and Giveaway!

PERFECT for Halloween is the third installment in the HAUNTED LIBRARY series by Dori Hillestad Butler. She is visiting today to tell us the story behind the book...


      We all have that teacher in our past, don’t we? The one who made a difference…and started us down the path toward who we are today.
      Mr. Hartshorn was that teacher for me. He was my sixth grade English teacher. I wish I could say I was one of his best students, but I wasn’t. I was just your average “B” student.
      I was quiet and shy in sixth grade. And a little bit scared of Mr. Hartshorn. I was scared of him because he told it like it was. And because he made us give speeches.
      Let me be clear. We didn’t just have to get up in front of the class to give these speeches. There was a stage at the back of Mr. Hartshorn’s classroom. We had to go up ON THE STAGE, where there were bright lights and a podium, and give our speeches from there.
      Did I mention I was quiet and shy?
      I was also short. I was so short I couldn’t see over the podium. So I had to stand beside the podium…which was worse than hiding—I mean, standing behind it because then everyone could see my hands shaking as I read my speech.
      I didn’t do very well on any of my speeches. And I was in danger of getting far worse than a B in Mr. Hartshorn’s class that quarter, so I went to see him after school. I asked him if he’d give me extra credit if I wrote a novel for him. I don’t know what possessed me to ask him that. I’d never written a novel before. But I certainly wasn’t going to give another SPEECH for extra credit! What else could I do? I knew I had to do more than just write a short story or two to bring up my grade.
      He said, “You write the novel and we’ll see.”
      I worked on my novel every single day after school. I don’t remember how many pages the original hand-written version was, but the typed version was 42 pages. My mother typed it for me, which was nice considering it was about a girl whose mother dies!
     I felt really good about it when I turned it in. I couldn’t believe I’d actually done it! I’d written a whole novel (42 pages!). Just like real authors did. And I sooo wanted to be a real author when I grew up.
      I watched Mr. Hartshorn read my novel at his desk. It took him several days. At first I enjoyed watching him. But then I got worried. What if my novel wasn’t very good? When I was in fourth grade, a chorus teacher told me I couldn’t sing. I was devastated because I loved to sing, and I had no idea I had no talent for singing until that teacher told me. So now I was afraid Mr. Hartshorn was going to tell me I had no talent for writing, either.
      He didn’t say much when he returned my novel to me. Or maybe I just don’t remember what he said. But I’ve hung onto the note he stapled to the inside cover all these years:

     That note meant far more to me than all the extra credit in the world. If Mr. Hartshorn thought my story was “interesting, and basically very well written,” then it was. And maybe, just maybe, I really could be an author when I grew up.
      I kept writing because of that note.
      But Mr. Hartshorn’s influence doesn’t end there. I had him again for seventh grade English. We had a drama unit in seventh grade, and the play was “I Remember Mama.” While going up on the stage to give speeches in sixth grade was one of my most traumatic school experiences ever, I wasn’t nervous about being in the play. I wanted to be in “I Remember Mama.” And I wanted to play Katrin. Not because it was a lead role, but because Katrin was a writer.
      I didn’t expect to actually get the part. [See: quiet and shy] But Mr. Hartshorn did indeed cast me as Katrin!
      I don’t remember much about the performance itself (I’m sure I was fabulous! Haha!), but after it was over, I remember telling Mr. Hartshorn my secret: that I wanted to be a writer just like Katrin.
      He said, “Then you have to keep writing. You can’t give up when you get rejection letters. Katrin never gave up.”
      I never gave up, either, Mr. Hartshorn. I didn’t know it at the time, but you gave me the secret to becoming a writer when I was in seventh grade: Keep writing and never give up!
      The Ghost Backstage is book 3 in my new Haunted Library series. The Haunted Library is about a ghost boy and a “solid” girl who work together to solve ghostly mysteries. In this book, Claire is in the school play…and there’s a ghost wreaking havoc backstage. I didn’t have to think very hard about what to name the drama teacher.
      I never described Mr. Hartshorn in my text, but the very talented Aurore Damant drew him almost EXACTLY the way I remember the real Mr. Hartshorn. (He’s not wearing his glasses in this picture, but trust me: he had them!)

      I didn’t have to think very hard about who to dedicate this book to, either (click the image to see it larger in a new window, if you can't read it small):
      I’ve reread that novel as an adult. It’s NOT interesting. Nor is it particularly well written. Even when you take into account I was a sixth grader, it’s average writing at best. I know that. But Mr. Hartshorn made me FEEL like my novel was interesting and well written. He gave me confidence at a time I desperately needed some.
      I’ve thought of Mr. Hartshorn often over the years. Without his influence, I may not be an author today. Success as an author has very little to do with talent. It’s all about putting in the time (“Keep writing!” Mr. Hartshorn said) and never giving up. Maybe that’s true of anything in life?
      By the way, Mr. Hartshorn, if you’re reading this…I actually LIKE to give speeches now! Who’d have thought?

Read the first two books in the series!

GIVEAWAY!
     Penguin has kindly agreed to give away one free copy of THE GHOST BACKSTAGE - the 3rd installment in THE HAUNTED LIBRARY series! Must live in the US to win - enter below:

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21. Scene-itis by Tamsyn Murray

I'm at London Screenwriters' Festival this weekend. One of the things I like best about studying screenwriting is the way it makes me think about book writing. For example, in a session about non-linear stories yesterday, I realised that the next YA book I write will probably start in an unconventional place for a novel. During a panel event about attracting a killer cast to your screenplay, I was reminded by casting director Lucy Bevan that 'What comes from the heart goes to the heart.' Which is a timely reminder to write what you love and not to worry about chasing the market. And during Charlie Brooker's session, I remembered that my primary objective in writing, whatever I'm writing, is to entertain.

My real light bulb moment of the day was at the end, however, in a session with screenwriter David Reynolds (who has worked on the Toy Story movies, Finding Nemo, The Emperor's New Groove amongst many many other things). David was talking about collaboration in comedy writing, and the way that writing funny things with someone else can help gauge how good a joke is: if you both laugh, it's a humour litmus test. And he went on to say that when you see the same jokes over and over, they start to appear flat and unfunny. Almost straight away, my light-bulb flashed, because when looking over my first Cassidy Bond book recently (published March 2015), I had a sudden cold uneasiness that the writing was not funny. Worse than that, it was flat and whiny. So when David explained that it was possible to get over-exposed to your own brand of humour, it was as though someone really had switched on a light. Maybe it wasn't that my book was unfunny...

I went and chatted to him afterwards, to thank him for making me feel a little better. I told him I had a book coming out, a book that had taken longer than normal to reach publication stage and that I had been worried about it. He explained that I had the book version scene-it is, something that happens in scriptwriting when you see a scene over and over again until you can't see the merit in it. I said that I was sure my book had been funny once, that I was fairly sure I was still funny occasionally and I walked away feeling better about Cassidy.

So if you find yourself looking at your work with flat disinterested eyes, it doesn't mean you've lost your touch. Maybe you've just got scene-it is.

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22. This Weekend: See ‘The Tale of the Princess Kaguya’ In These Cities

See Isao Takahata's Oscar-contending "The Tale of the Princess Kaguya" in the following theaters this weekend.

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23. Foreign children's classics in the Soviet Union

       At Russia Beyond the Headlines Alena Tveritina reports that: 'In Soviet children's literature, retellings and altered versions of foreign classics captivated society far more than translations -- so much so that some classic characters were completely russified', in How Dr. Dolittle became Dr. Aybolit.
       So, for example, Alexander Tolstoy took on Pinocchio -- but:

At first I just wanted to write Collodi's content in Russian, but then I abandoned that idea because it was too boring and bland
       (For what it's worth, his version was phenomenally successful, even for that captive market.)

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24. Diverse? More Multicultural Than I Look

My life is busy and FULL!
My many hats include children’s book author & publisher, reading & play advocate, reading activist who is committed to diversity in children’s books. I am also co-founder of a very important event call Multicultural Children’s Book Day (1/27/2015) which is now approaching it’s second year. Co-founder Mia Wenjen of Pragmatic Mom is raising children in a 1/4 Japanese-American, 1/4 Chinese-American and 1/2 Korean American home. At first glance, my multicultural roots are not obvious, but I can assure you they are there.
val2
On any given day, you may hear as many as six different languages spoken in my home.
My life and household has been diverse and multicultural for as long as I can remember. As the daughter of parents who emigrated from Sweden, I have been immersed in Nordic culture since childhood. As a child I attended German/English schools and as an adult I continued learning even more languages for a grand total of six (English, Swedish, French, Arabic, German, Japanese, plus working knowledge in a few others.)
I am also a wife to a Lebanese/Muslim man and am raising Lebanese-American children post 9/11. I may look like an All-American girl, but my multicultural roots run deep and I have been committed to raising my children as global citizens since the day they were born.  As a family we speak Arabic, French, and English in our home and travel often to give our children exposure to people and various cultures on the globe.
Literacy has played a huge roll in my family. We are a family of avid book readers, however it has been very difficult to find books that have characters who are like my children, global citizens with a diverse and varied background.
Other tidbits of information about my life includes the fact that I am passionate about making kid’s books come alive on my website Jump into a Book where we creating moments for adults and children to share together while bringing the books they’re reading to life. I am the author of The Fox Diaries: The Year the Foxes Came to our Garden, The Ultimate Guide To Charlie and The Chocolate Factory, and most recently A Year in The Secret Garden. In fact, the hard cover of this book was just delivered this week and to say I am giddy with glee is an understatement! You can view more details about my latest book here and I’d live if you connected with me!
A Year in the Secret garden

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25. Mark MacKay: Fall Dueling Banjo Pig


















Link: Mark MacKay's blog.

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