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Nothing finished to show today. I took reference for something that ended up being a disaster, so I had to scrap the idea (for now) until I can do a re-shoot and start again. I've also been feeling a little under the weather (partly thanks to a weird piece of fruit, and the rest is thanks to the heat, I'm sure) and haven't been as productive as I'd like. But I do have two very different things 'on the board', and thought I'd share some work in progress shots so you can see what's happening.
First up is a little berry tart. These scanned so different, when in fact the only thing that's been worked on more is the criss-cross dough on the top one. I'm saving the filling to the end, because its going to be so much fun to do - its such a gorgeous color. This is also planned to be one of my Architectural Food pieces, showing the top (this view here), side, and cross section views. If all goes according to plan. If they don't work out I can always cut them off and just have this nice round tart all by itself! So far this is all Prismacolors, on Fabriano Artistico hot press paper.
Now, onto Jesus and the children. These are the first first first sketches, sitting with plain printer paper and a black ball point pen, with a cup of coffee, out on the porch.
Working out the girl hugging Jesus.
It seems like there would be a crippled child in the scene. And a bird.
Maybe a girl carrying her little baby brother or sister. Also thinking about hair styles. A braid? Just tied back somehow?
I love fat little baby hands, reaching.
I like the idea of one kid hugging Jesus' hand, and kind of standing on his foot. Jesus doesn't care if you stand on his foot! haha Also drew a little Down Syndrome boy, but then wasn't sure if that was too much. I want to show all kinds of kids, so that kids looking at the illustration will be able to relate.
A girl carrying her lamb. Or maybe he's a boy. Have to make sure the sandals don't look like flip flops!
This one looks like he's anointing someone. Need to work out what that arm's doing. Not sure if I want it to just be 'down', or like he's saying "hey, Jesus!".
Just walking. Getting the feet just right, especially from the back, is tricky.
A little boy and his . . . sister? Not sure how many of these kids will be in this illustration, but the one's that don't make it in will show up in another piece, somewhere, eventually.
Its fun to just imagine a scene like this, and what it was really like.
So that's what I'm up to. Hopefully next time I'll have a little more to share. Hope its cool where you are!
And now… time for a reader poll!
It's been one week since posting a poem about the sand, and I'm still dreaming of the sea.
The Tide Rises, the Tide Falls
by Henry Wadsworth Longfellow
The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
And the tide rises, the tide falls.
I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Sylvia Vardell and Janet Wong at Poetry for Children
. Happy poetry Friday friends!
I vowed it would never happen, but I ended up getting sucked into "Dr. Who." Oh well, if you can't beat 'em, join 'em, so here's the Tenth Doctor. Allons-y!
Appropriately timed with the announcement of the Man Booker Prize longlist (see above), the most recent addition to the complete review is my review of Edward St. Aubyn's Lost for Words -- about which Stuart Kelly wrote (in his review in the Times Literary Supplement, 21 May):
To call this a thinly veiled attack on the Man Booker Prize [...] would be a disservice to veils and how diaphanous they might be.
This has already/soon will appear in French and German translation, but turns out to be a rather disappointing prize-satire; among the few who really, really seemed to enjoy it was the Kakutani
Was it just a slow day in Hall H? Or were we more right than we even knew about this being the year things didn’t get crazier? Did the new wristband system—and the ban on tents, forcing people to Rambo it—work? IS this just another world? Maybe everyone went to the PetCo Park experience?
Zillions of reports all day from Twitter about minimal lines for Hall H.
And Ballroom 20
Craziest Comic-Con EVAH this year.
By Matthew Jent
The Fairy Tale Remix panel, moderated by author Shannon Hale, brought together more than half a dozen authors of young adult and fantasy fiction in front of a packed panel room. Hale a confident and fun tone, promising a fight to first blood by the panelists if things got boring. Full disclosure? I took a seat in this panel to get a good spot for a later panel in the same room that I wanted to cover for the Beat — but Fairy Tale Remix has proven to be the highlight of my SDCC 2014 experience so far. It was a symposium on fairy tales, storytelling, writing and the search for magic in real life. No first-blood-fights were required, and there wasn’t an empty seat in the room. The audience included mostly women, from kids on up, with more than a few cosplayers. Before the panel began, there were a number of kids (and their accompanying grown-ups) having their pictures taken with some folks who cosplayed the Frozen sisters Elsa & Anna and if you weren’t yet caught up on this season of Once Upon a Time, it was a bad audience to eavesdrop on.
Shannon Hale holds court.
After introducing the panel members as Marissa “The Mauler” Meyer, Katherine “No Safe” Harbour, “The Hammer of Lore” John Peck, “The Baroness Schadenfreude” Cornelia Funke, Tony “The Terror” DiTerlizzi, Ben “The Equalizer” Tripp (dressed in a Georgian England costume, complete with white wig), and Danielle “Toto’s Bane” Paige, Hale began with a quote from Albert Einstein: “If you want your children to be intelligent, read them fairy tales. If you want them to be moreintelligent, read them more fairy tales.” Asking how the panelists were introduced to fairy tales, it was across the board as children.
“It was the first time I realized, everything is a metaphor,” Tripp said, “These stories are all about something else.”
Funke, after explaining that she is German and so was naturally raised with the original, brutally violent versions of the tales, said she hated them as a child. They were full of death and dismemberment, and swans who had to knit sweaters for their brothers.
Meyer added that her first fairy tale love was Disney’s film version of The Little Mermaid, and upon subsequently reading the original version by Hans Christian Andersen, in which Ariel dies at the end, she wondered, “What else is Disney not telling us?”
That discomfort and that desire to know more was a strong motivator for the writers to tell their own versions of Rapunzel, Oz, or Puss N Boots. Meyer got her start as a writer with Sailor Moon fan fiction, and writing new versions of fairy tales was a logical progression. When Hale asked the panel if it was fair to call what they were doing fan fiction, everyone agreed.
“How is rewriting fairy tales different from fan fiction?” Hale asked.
They’re basically the same thing, the panel agreed, but “You can take fairy tales in more directions than fan fiction,” said Meyer. Tired of passive princess characters, Meyer wanted to get back to the older versions of very old tales — where Little Red Riding Hood rescued herself from the Big Bad Wolf, instead of waiting for the Woodsman to appear.
Fairy tales come to represent the times and the places in which they are written. Adding something new to those tales — characters, points of view, social agendas or social awareness that did not exist when they were first told — is part of a storytelling tradition that goes back to Shakespeare, and earlier. Peck added that no story was worth retelling without adding something new.
The panel ended with a Q&A from the audience, many of whom were writers and storytellers themselves. One audience member asked where the writers found magic in the modern world to write about.
“Where do you not find it?” Funke said. “Look at the people in this room, the hundred million stories in these chairs, in these costumes. There is so much in this room I would call magic. We are just the reporters of that. We are in pretty magical times.”
A parent asked how she could encourage her daughter, who wanted to be a writer.
“Forbid it,” said Tripp, whose own son was studying medicine and science.
“Don’t give too many instructions,” Funke said. “And give her beautiful, empty notebooks.”
It sounds like the beginning of a fairy tale.
I count myself lucky to know some really terrific people. And one such person is my colleague and friend Brian Abbott. Brian is the coworker who went to the ALA (American Library Association) Midwinter Conference back in January and brought me back several ARCs. (Read more about that by clicking Here.) A few weeks ago, he attended the ALA Annual Conference in Las Vegas and he came back bearing swag, and lots of it! From posters, to prints, to magnets, and even CDs, they were giving it all away at ALA. And Brian gave a bunch to me!
But his generosity didn’t end there. He waited in line and managed to grab me a signed copy, yes, a signed copy of Caldecott Medal winner Brian Floca’s book Locomotive! (Read my review of Locomotive Here.)
Okay, that’s definitely sweet, but the most unique item Brian brought back was a seven-page, full-color booklet that was given out to attendees of the Newbery Caldecott Awards Banquet. Brian was invited to attend! (Okay, push down the author envy.) The booklet is so cool; it even has a pop-up in it! Swoon.
Thanks Brian, you’re awesome! To learn more about adult mystery novelist Brian Abbott, check out his site, The Poisoned Martini, and look for his debut novel Death On Stoneridge, coming soon.
The Spring, 2014 issue of list - Books from Korea is finally out online, with a special section on 'Children's Picture Books' as well as the usual reviews and information-pieces.
Also of interest: Suh Heewon has a Q & A with The Man Who Loved Moebius Novelist Choi Jae-hoon.
Posted on 7/24/2014
Here are some fun SF and fantasy travel options from Stubby the Rocket's blog (Tor.com): There and Back Again
My favorites are the TARDIS and a Stargate--also Moya, a wardrobe, ... (From the Comments)
By: Guest Contributor,
Blog: ALSC Blog
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Returning from the ALA Conference, I was inspired by the notable tags used by the vendors on the exhibit floor. I didn’t want to print up tags because with our library’s circulation, the books on display are constantly changing. I needed a tag that was easy to see, but also adaptable to whatever book it was placed in. Thankfully, I have a really creative staff at my branch and by brainstorming with my branch head and afterschool leader, we were able to create some fun and useful book tags. To begin, I found some speech bubble post-it notes and laminated them. (Moment of honesty: These were a giveaway by Sam Hain Publishing at ALA this year. There are so many benefits of going to conference beyond the great programming!) When I cut them out, I kept a tail of laminated plastic on the end:
It’s a little hard to see in the picture, but I cut a slit into the tail so it would slide over a page in the book. Now that it’s laminated, it can be written on with a dry erase marker. (My after school leader told me about this and it’s revolutionized my life!) Here is a picture of some of the books:
I added a security tag to the back of each post-it, so they won’t accidentally walk out the door inside the book. Because the security tag is white, you really don’t notice it. Here is a group of books on display:
The picture is a bit dark, but they look great in person. If we lose any, we’re only out a post-it and some lamination paper. When I make more, I’m going to make the tails a little longer. I was able to make 9 tags out of one lamination sheet, but I think 6 would be better. This will allow the tail to be a little longer and fit more securely in the book. I’m using them in my picture book area currently, but I think the possibilities are endless.
Photo courtesy of Christopher Brown
Our guest blogger today is Christopher Brown. Chris is a librarian for the Wadsworth Branch of the Free Library of Philadelphia. He received is MLIS from the University of Pittsburgh in 2005 and his MA from Memorial University of Newfoundland in 2013. His current books obsessions are The Sittin’ Up by Shelia P. Moses, the Green Knowe series by Lucy M. Boston, and Leah Wilcox’s Waking Beauty. He’s probably book talking at least one of these titles right now.
Please note that as a guest post, the views expressed here do not represent the official position of ALA or ALSC.
If you’d like to write a guest post for the ALSC Blog, please contact Mary Voors, ALSC Blog manager, at email@example.com.
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By: Andye ReadingTeen,
Blog: Reading Teen
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"Review by Books" Review by J
Just Call My Name (I’ll Be There #2)
by Holly Goldberg Sloan
Page Count: 352 Genre: YA/Contemporary Rating: 4.5/5
Goodreads | Amazon
The happily-ever-after of Holly Goldberg Sloan's acclaimed debut, I'll Be There,
is turned on its head in this riveting, emotional sequel about friends,
enemies, and how those roles can shift in a matter of moments.
By Kyle Pinion
Dark Horse Editor in Chief Scott Allie has pulled together a wide array of young and up and coming talent for the upcoming four interlocking mini-series that revolve around the Aliens, Predator and Prometheus franchises entitled “Fire and Stone”. The majority of those creators joined him on stage for Dark Horse’s panel on the subject and included Paul Tobin (Prometheus), Chris Sebela (Aliens vs. Predator), Chris Roberson (Aliens), Joshua Williamson (Predator), Juan Ferrerya (Prometheus), and Ariel Olivetti (Aliens vs. Predator).
While the majority of the discussion held therein was for the most part news that has already been reported in the previous months leading up to the end of year release of this long-anticipated “mega-series”. There were a number of items worth noting:
- The collaborative process between the entire team has been a smooth one, despite a significant bump caused by notes given by Fox and Ridley Scott’s team regarding some of the content and the narrative direction of the series, causing much of each creative teams’ work to be scrapped. Though Tobin made note that the studio has now opened up “more of the tool-box” for their usage.
- This change of direction from Fox is one of the major factors that caused the eventual release delay of each series.
- Originally, Williamson was slated for an Aliens comic before the “Fire and Stone” concept came into place, and while he was sad to see the take that he and Allie had worked out not see the light of day, he believes this new effort is equally as exciting.
- Each team member stressed that the chemistry of their writers’ room approach was a big part of why this project came together as well as it did, despite significant rewrites being needed.
- Kelly Sue DeConnick, who is also writing the finale of the series in Prometheus Omega, was credited as the key driver of research regarding incorporating Prometheus into the Alien and Predator universe. According to Allie, she brought an entire pink binder full of Prometheus theories from the internet.
- Ferrerya was brought on board to the project because of his design skill, and that was an angle that the team wanted to make sure was highlighted. Roberson likened Ferrerya’s map-making abilities to being “one step away from a DnD campaign”.
- Paul Tobin was brought in for the Prometheus series because of his previous work with Ferrerya on Colder.
- Williamson discussed the eponymous Predator of his Predator series, named Ahab, who is indeed hunting for a “white whale” though the identity of said target had to remain a secret. He also was proud of the fact that Ahab already has an action figure, which could be found at the Dark Horse booth on the show floor.
- Williamson also discussed his protagonist, Galgo, who will be appearing in Prometheus first, followed by Aliens v Predator, eventually becoming the lead in Predator. The writer made sure to mention the morally grey nature of the character, and also his verbose nature.
- Sebela, regarding Aliens vs. Predator, stated that he spent his entire childhood trying to figure out a way for Xenomorphs and Predators to fight and couldn’t pass up the opportunity to do the same in comics. Allie felt as though Sebela’s horror background was a particularly strong fit for the “monster-like” material in his series. Olivetti expressed excitement for the cinematic nature of the visuals he is producing, a first for him in comics.
- When asked if the stories connect, the team stressed that the books could be read independently of one another and readers could get a satisfying story that way, but they would see the larger picture form if they wanted to read the entire event.
- The chronology of “Fire and Stone” was also cleared up, as Aliens is a pseudo prequel to the other tales, and takes place between scenes of Aliens (the film), Predator takes place after the other minis and Prometheus Omega is the finale.
- In response to a question regarding previous usage of “The Space Jockey” and the mythos built around it in previous Dark Horse Aliens comics, Allie said those stories will not come into play with Fire and Stone.
- Bouncing off of that, Roberson made mention that the key directive was to “start from the films and go from there”, and the only films that team really concentrated on were: Prometheus, Alien, Aliens, and Predator. Sebela, when asked, said that the two Aliens vs. Predator films were not canon to his series.
- When the divisive nature of Prometheus amongst fandom was brought up, Paul was quick to point out that he wasn’t interested so much in leaving any elements of that film behind, so much as he wanted to highlight the parts of it that worked well, specifically the concept of scientists going on a mission and realizing that things are far bigger than they ever imagined. Ferrerya then joked that he was excited to bring back the biologist and cartographer characters that everyone “loved” from the film.
- Allie made sure to underline that theme was key driver in the storytelling of each mini-series, particularly the idea of the “stewardship of life”, which runs in the background of the Alien and Prometheus films particularly. Roberson also made mention that the parallels that run between the androids in Aliens and Prometheus was a major influence.
- And yes, there will be Black Goo! Which, according to Roberson’s read of the notes they received from Fox, is called “accelerant”. They declined to go into further detail regarding the role it will play in the stories themselves.
- Prometheus and Aliens will both be due out in September, Aliens vs Predator and Predator will see release in October. The Prometheus Omega one-shot is set to arrive in February. Each series will be a 4-issue mini respectively.
In The Japan Times Reiji Yoshida reports that ¥80 million earmarked to translate Japanese books into English to aid PR drive.
Having learnt nothing from the catastrophe that was the Japanese Literature Publishing Project -- an incredible amount of money that did help get a lot of books translated (see those under review at the complete review) but to stunningly little effect (it still seems to me the ultimate case-study in how not to foster your literature abroad) -- they have decided:
A panel of seven Japanese intellectuals, including university professors and former government officials, will select candidate books over the next month.
The government will then subsidize the translation work and publication costs, the officials said.
I.e. they'll do exactly what the JLPP did (except they'll apparently only be translating into English -- another big mistake).
No doubt these will be worthy 'intellectuals' (hey, "university professors and former government officials" -- what could go wrong ?), but sorry, this is just not the way to go about it.
As is already clear from the observation: "Books will be selected to call attention to positive aspects of Japan" -- pretty much a death-knell for them choosing anything that might really work abroad.
It's real money, however -- almost US$800,000.
That's a lot of subsidy.
May it not go entirely to waste .....
Read the rest of this post
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It has already been a year since I feverishly put my portfolio together for the 2013 SCBWI L.A. Summer Conference and this was the art I used for my promo postcard. And here we are, the 2014 starts next week! Where does the dang time go?
I won’t be making the conference this year, but I am really
jealous happy for all y ‘all that are attending this year! Yessss, so, so very happy (clenches jaw.)
But seriously! I’m thrilled for you, especially the folks who haven’t ever attended before. You’re going to love it and get so much out of it!
I’ll be waiting with baited breath for photos and to hear all about it!
They've announced the thirteen-title strong longlist for the 2014 Man Booker Prize -- open to UK-published novels by writers from anywhere (previously: only from the UK, Commonwealth, plus Zimbabwe and the Republic of Ireland) -- i.e. for the first time also by American writers.
The longlisted titles are:
- The Blazing World by Siri Hustvedt
- The Bone Clocks by David Mitchell
- The Dog by Joseph O'Neill
- History of the Rain by Niall Williams
- How to be Both by Ali Smith
- J by Howard Jacobson
- The Lives of Others by Neel Mukherjee
- The Narrow Road to the Deep North by Richard Flanagan
- Orfeo by Richard Powers
- To Rise Again at a Decent Hour by Joshua Ferris
- The Wake by Paul Kingsnorth
- Us by David Nicholls
- We Are All Completely Beside Ourselves by Karen Joy Fowler
Several of these haven't even been published in the UK yet, much less in the US; I haven't seen a one of these, save the Ferris, which happened to be available at the library yesterday, so I picked it up.
I expect to read/cover several of these when/if I do get copies: the Mitchell, Smith, Jacobson, and -- if it gets a US publisher -- the Mukherjee.
Notable titles that didn't make the cut: The Goldfinch
by Donna Tartt (suggesting the judging panel has at least a modicum of sense/taste), as well as works by Ian McEwan, Philip Hensher, Nicola Barker, Martin Amis, and Will Self.
As usual, however, the Man Booker folks don't even reveal what titles were in the running -- some of these may not even have been submitted by their publishers (though quite a few get automatic byes due to their author's books' past performance)
[Judge Sarah Churchwell even tweeted
that we should: "bear in mind that what we longlist is defined by what publishers submit to us" -- a valid point, which however does nothing to explain why the Man Booker folk won't let on what books were actually in the running .....]
Apparently 154 titles were submitted/considered [as I suspected, judge Sarah Churchwell's claim of considering/reading 160 submissions was incorrect and inflated]
-- not a terrible increase from last year's 151 -- with entries from the Commonwealth (excluding the UK) down to 31 (versus 43 last year), while: "44 titles were by authors who are now eligible under the new rule changes" (presumably all of whom are US authors).
So, yes, as feared US authors 'took' some places from UK and Commonwealth authors -- and quite a few places on the longlist -- but things didn't turn out quite as bad as some feared.
Books LIVE has a useful look
at the country-of-origin of longlisted authors (debatable though some of these are) since 2001, suggesting the inclusion of American authors has indeed come at the cost of Commonwealth and African authors.
Among the other observations/criticisms: the gender disparity -- as noted, for example, by Tina Jordan at Entertainment Weekly
's Shelf Life weblog, in Really, Man Booker Prize ? 10 male authors, 3 female ?
(Again -- and as she also notes --: part of the problem may be what the publishers are submitting.
Which is kept secret, for no good reason .....)
In the UK they're taking bets, of course -- Ladbrokes have
Mukherjee as 3/1 favorite, ahead of Mitchell and Smith (6/1) -- and offer 2/1 that an American author wil take the prize.
(But remember to compare odds at various betting shops before placing your bets !)
The Plant Hunters by Anita Silvey turned out to be as marvelous as I thought when I started it last week.
The Plant Hunters deals with the naturalists who went all over the world hunting for new plants. While Silvey brings her book up to the present day, for the most part, she's dealing with seekers from the past, particularly the nineteenth century, a period when the search for new knowledge sent lots of people out into the unknown.
What Silvey does here that's so terrific is that she doesn't just write bio per chapter after bio per chapter. I thought that might be the case, after reading Chapter One, which is about Alexander von Humboldt. Instead, she organizes her chapters around topics. Say, Chapter 2 Why Did They Do It? While explaining why these people faced danger and made tremendous efforts to bring huge numbers of plants over long distances, she uses real people to illustrate her points. Every chapter is like that. They each are on a subject and the people involved get pulled in that way.
And the nineteenth century illustrations and the black and white photographs are so perfect.
The Author's Note has a great bit on how Silvey got the idea for this book while reading The Orchard Thief by Susan Orlean.
There's also a chapter on thieving westerners robbing other cultures of the crops they depended on. Well, no, that's not how Silvey put it. That's me. Those nineteenth century scholar/adventurers had a dark side, in my humble opinion.
This is a terrific book for older grade school students. It could even function as a quick introduction to this subject for much older readers. It might encourage a few plant hunters
Another wonderful illustration by Amal Karzai. Thought it showed the feeling of this post. Website: http://www.amalillustration.com Blog: http://amalimages.blogspot.co.uk/
There might be a spot opening up at the Avalon Full Manuscript Critique Writer’s Retreat. If you are one of the people who have been kicking yourself for not getting in for this opportunity to get a critique with Agent Ammi-Joan Pacquette from Erin Murphy Agency or Agent Heather Alexander from Pippin Properties, send me an email and I will get back with you.
WOO HOO! It seems like a number of you jumped on the post where I told you about Schoolwide.com had a call out for submissions, because I’ve heard from a number of writers this week who have heard back from them. Most have received very nice letters showing interest in their manuscript and asking for revisions, which is great and could be a start of something big, but Sheila Fuller had her book ALL NIGHT SINGING accepted. Congratulations Sheila!
Christopher Behrens’ finished his book, found an illustrator whose work has been on The Today Show, used Jim Whiting and Writer’s Digest for editing, then self-published his book Savanna’s Treasure this past spring.
Kirkus gave him a good review in June and now The Community Life Newspaper wrote an article the book. If you would like to read the article, here is the link: http://www.northjersey.com/arts-and-entertainment/books/longtime-dpw-employee-pens-first-children-s-book-1.1052358
Savanna’s Treasure is available everywhere online and in all formats, including the ebook.
Two of the comments from Kirkus:
“…story enriched by an inspiring animal alliance….a good fit for early readers.” —Kirkus Reviews
Good job Chris!
Check back next Friday for the First Page Results.
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They've announced that the €10,000 2014 Hannah-Arendt-Prize for Political Thought, awarded by the City of Bremen and the Heinrich Böll Foundation, will be shared by Pussy Riot-ers Nadezhda Tolokonnikova and Maria Alyokhina, and -- as they spell it -- Jury Andruchowytsch (Юрій Андрухович, usually -- so also elsewhere in this press release ... transliterated in English as 'Yuri Andrukhovych'), five of whose works are under review at the complete review, see e.g. Perverzion).
"The Prize is awarded to people who in their thought and deeds courageously accept the challenge of public intervention" ... well, you get the idea, right ?
And, this being a German prize (i.e. winners announced way in advance), the prize ceremony will only be held on 5 December.
A lot of fun drawing these today!!
Not fearing competition from that Man Booker Prize, they also announced the finalists for the 2014 New Zealand Post Book Awards.
Okay, they take things at their own pace down there -- last year's Man Booker winner is a fiction finalist -- but what really struck me is that five of the eight fiction and poetry finalists are published by Victoria University Press.
Sounds like a pretty interesting/unusual book market there if that's possible .....
(VUP describes itself as: "New Zealand's leading publisher of new fiction and poetry" -- but also notes that it publishes (only): "on average 25 new titles every year" (which is ... not that much).
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by Alexander Jones
Marvel’s Avengers & X-Men: AXIS panel is officially getting underway here at San Diego Comic-Con International. Marvel Editor-in-Chief Axel Alonso is hovering near the stage about to get ready. In the background there is a line of people getting ready for the show. Name placards for the panel are all lined up as follows; Senior Editor Nick Lowe, AXIS writer Rick Remender, and Executive Editor Mike Marts.
Senior Editor Nick Lowe is moderating the effort. Jordan D. White, the Editor of Deadpool made an appearance at the show as well. As soon as that was done the group jumped right into some of the new announcements from the show.
All-New Captain America is given an official name and features the art of Stuart Immonen.
Remender stated that the new comic is going to have a completely different tone for this new series. He stated that having Steve and Sam working together is going to add some new dynamics to the title. A new Alex Ross cover for the book was also shown here at the show. Remender states that writing more lighthearted characters in the book adds a sense of fun to the storyline. Ian Rogers is also revealed as the new Nomad in the comic book series. It was also stated that Hydra is being built up again in a way that apparently we have not seen before. Marvel vaguely stated that they are doing something completely new with Marvel’s premiere terrorist organization.
Remender talks about how Immonen takes the story to a nearly perfect level. He was wondering “what drugs were being put in Stuart Immonen’s water supply,” as the panel were shocked that the artist was able to give such detailed work and deliver it to the publisher on time. Captain America #25 is also going to have a bit of Stuart Immonen artwork towards the back half of the title featuring the brand new incarnation of Hydra. Unfortunately this also means that Stuart Immonen is departing fan-favorite title All-New X-Men
The Avengers: Rage Of Ultron Original Graphic Novel was then announced. Rick Remender is once again writing the storyline along with artist Jerome Opena and Dean White. The new story is an in-continuity original graphic novel that has an April 2015 release date. Alonso stated in a joking manner that Jerome “is so much better than Stuart Immonen.” This event takes place in a post-AXIS environment, which “leads to some very exciting things that are coming down the line. The under-appreciated hero known as Starfox is heading back to the surface in the brand new graphic novel. The Red Skull is also going to tie into the big Avengers & X-Men: AXIS storyline with the March to AXIS titles including Uncanny Avengers #24 and Captain America #24 which sees the final fate of Jet Black and observe what has been happening with the Red Skull.
The panel then revealed Avengers & X-Men: AXIS Issue #1, whose first is entitled The Red Supremacy. The title contains artwork from Adam Kubert. The group shared that the Vision is being toyed with once again. He is said to play a part towards a major moment in the upcoming AXIS and Graphic Novel storylines. We are also shown the debut of the brand new Jim Cheung cover for Avengers & X-Men: AXIS #2 pencilled by Kubert again. The third issue was revealed as well, which is being drawn by Leinil Yu.
The focus then shifted over towards the AXIS: Carnage mini-series from Rick Spears and the AXIS: Hobgoblin mini-series by Kevin Shinick and Javier Rodriguez. Where the group explained that there are exciting things to come from both series. AXIS: Revolutions features writing from Dennis Hopeless and Simon Spurrier with art from Ken Lashley.
There were even more small issues that were announced including Uncanny Avengers Issue #25 and Deadpool #36. Remender and artist Daniel Acuna are covering the final issue which is born out of the conflict with Scarlet Witch and the Red Skull.
Magneto #11, Loki: Agent of Asgard #7, All-New X-Factor #15 were all also announced to tie into the event.
When the floor turned over for Question and Answers from fans, a young man named Rory dressed up like Captain America asked a question about the Fantastic Four. Alonso stated that an upcoming event storyline is going to be more focused on the team. Another fan asked about certain X-Men characters joining the Avengers, and was wondering why there is less cross pollination happening with X-Men becoming Avengers
Lowe elaborated that the X-Men is categorized in that group based on their genetics. White noted the amount of cross-over and talked about books like Danger, Longshot, Mimics, and some of the other comics’ characters that have been featured on both teams. It was announced that Brevoort was really the one that had the idea of the Onslaught motif powered by Professor Charles Xavier. Remender said at first he sort of rejected the idea, but then started to re-think it towards the past few minutes, and it all came into a notebook for him.
Remender interjected that he is trying to mix both of these separate continuities to blend together shaking up the status quo for each hero. Another fan was curious about why there is a lack of X-Men material at the show, while there are many Avengers and X-Men panels that are featured here at the show. Nicke Lowed Jokingly stated to the group, “Put the hack Brian Michael Bendis on the book.” The panel explained that fans had nothing to worry about as AXIS is going to feature a heavy amount of X-Men material. On the topic of unworthy Thor, Remender stated that he had spent hours on the phone with Aaron talking about how they can tie the storyline into AXIS.
A comic book reader asked point blank whether Cyclops was going to be killed in Avengers vs. X-Men. The panelists explained that the idea might have been “floating around in the room, but never entertained for too long. “It was also announced that Jason Aaron was the one who had actually had the idea of the female Thor.