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<<October 2016>>
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Results 1 - 25 of 2,000
1. Inktober Day 25: Birds and Trees

Birds and Trees. Day 25 of #Inktober2016.

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2. Wildlife Photos by Mary Nida Smith


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3. पान मसाला खाने के नुकसान हैं या फायदे

पान मसाला खाने के नुकसान हैं या फायदे ये हमे ही सोचना है सिग्रेट पीते हुए हम वाकई ग्रेट लगते हैं या ये  सी ग़्रेड चीज है  … ये हमारी सोच पर है और यकीनन अगर हम अपने बच्चो से अपने परिवार से प्यार करते हैं तो हमें समझादारी से काम लेना होगा   है ना […]

The post पान मसाला खाने के नुकसान हैं या फायदे appeared first on Monica Gupta.

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4. Fusenews: Moominlatte

Good morning!  I’d like to begin today by thanking the good people of Foundation 65 for allowing me to moderate a panel discussion last night with Duncan Tonatiuh, Grace Lin, Matt de la Pena, Janice Harrington, and Steve Sheinkin.  Foundation 65 has created this cool program where these authors are visiting every single child in the Evanston, IL public school system this week.  I helped kick it off, which was lovely.  In this image you’ll see me in a rare moment of not lolling all over the podium (there was no seat high enough for me to sit on, and my heels were killing me).



Travis just offered a fascinating look at the recently released Follett statistics of what children around the country are checking out.  It’s simultaneously unsurprising and disheartening.  If you’re into that feeling, check the list out here.


Gotta hand it to Bookriot.  When they came up with a list of 9 Kids Books That Should Be In Print, they did their due diligence.  No mention of Hey, Pizza Man, but otherwise impeccable.  I have a copy of Trouble for Trumpets of my very own, so I can attest to its awesomeness, and The Church Mouse should definitely find a new audience.  Well written, Danika Ellis.


Two Harold and the Purple Crayon related posts appeared around the same time last week.  The first was from The Ugly Volvo (a.k.a. my replacement for The Toast) called Harold’s Mother and the Purple Crayon.  The other was Phil Nel’s piece How to Read Harold in which he reveals the possible subject of his next book.  There are also some pretty keen links at the end.  Go to it!


This one’s neat.  Middle school teachers Julie Sternberg and Marcie Colleen have collected short audio clips in which storytellers share memories from their childhood.  They write,

“For each memory, we propose writing prompts for students as well as questions for classroom discussion.  Topics range from moments when storytellers have experienced bullying or been bullies themselves; to the first time they remember doing something they knew to be wrong; to difficulties in their home lives; to the effects of keeping secrets.  We hope each story helps kids think through issues that can be difficult to address but impossible to avoid.”

The site is called Play Me a Memory and contributors include everyone from Sarah Weeks and Kat Yeh to Michael Buckley and Matthew Cordell.  If you’re looking for writing prompts to share with kids, this site may prove inspirational.


This is neat:


It’s like fanart for a really recent picture book.  Cool stuff, Migy.


I know Dana Sheridan says that artist Aliisa Lee’s illustrations of classic folktale characters are “manga characters”, but I think the adaptations go a bit further.  These creations look particularly Pokemon-esque.  I could see me capturing one in a public space.  Couldn’t you?

Now for a double shot of espresso/adorableness:


Thanks to Marjorie Ingall for the link.


I outsource some of my knowledge of children’s literature to those better suited than I.  For example, if you were to ask me what the best Christian books series out there might be, I’d probably hem and haw and then excuse myself to the ladies room where I would attempt to climb out the window.  Author/illustrator Aaron Zenz, however, knows his stuff.  Recently he said that the best series is Adam Raccoon and that the books are now officially back-in-print.  FYI, Christian reader type folks!


Just the loveliest piece was written recently at the Horn Book by Sergio Ruzzier about his time looking at the work of Arnold Lobel and James Marshall at the Kerlan Collection.  And though I might take issue with the idea that Marshall’s humans were less charming than his animals, the piece is an utterly fascinating look at the process of the two men.


Daily Image:

And for our last image of the day, we turn once again to good old upcoming Halloween:


Reminds me of the time I went to the Dan Quayle Museum and saw the Fabergé Egg that showed him being sworn in as VP (<— all that I just said is true).  Thanks to Marci for the link.


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5. Author-Illustrator Interview: Ambelin Kwaymullina on Justice, Hope & Her Creative Family

Sample chapter from Candlewick Press
By Cynthia Leitich Smith
for Cynsations

The second of a four-installment dialogue with Ambelin and Cynthia.  

Our focus is on the creative life and process, speculative fiction, diversity, privilege, indigenous literature, and books for young readers.

Yesterday, Ambelin spoke on ethics, the writing process and own voices.

We have children’s-YA literature and the law in common. That’s actually a pretty common combination here in the states. Why do you think there are so many people involved in both?

Well, I’ve had some of my law students suggest the law is so horribly dry that it drives people to being creative in order to escape its clutches (these are generally the students who are studying law because their parents thought it was a good idea).

But for me at least, I think the reason I studied law and the reason I write are the same. In both realms, I am seeking justice – and justice, in Aboriginal societies, generally equates to balance, not just between human beings but between all forms of life (and everything lives).

I write speculative fiction because I want to write about the possibility of defeating injustice; to write about the terrible things that were (and are) while imagining what could be.

The oppressive law I wrote about in the Tribe series divides people into three categories: those without an ability (Citizens); those with an ability (Illegals); and those whose ability is considered benign (Exempts).

This is not an invented law. It is based on the Western Australian Natives (Citizenship Rights) Act 1944, a piece of legislation that purported to offer Aboriginal people ‘citizenship’ by exempting us from racially-based restrictions that only applied to my ancestors in the first place because they were Aboriginal.

In the Tribe series, this law is ultimately defeated by an alliance of the marginalised and the privileged, and by a heroine whose power is to identify and sustain the connections between all life.

And in writing of connections, I am writing of something that is central to the law in Aboriginal legal systems where (at its broadest) law is the processes of living in the world that sustain the world.

You clearly articulate the impact of white privilege on writing and writers, noting the negative impact on the work of Native voices and POC voices. What would you say to those Native and POC writers who may find themselves angry, frustrated, hurt or discouraged by these dynamics?

First: it’s not you. Exclusion is not something you are inventing in your head and you are neither unlucky nor unworthy.

It helps in this context to form connections with other Indigenous writers as well as with writers of colour, LGBTI writers, and writers with a disability.

You are likely to hear stories of authors getting similar comments across different contexts (e.g: you’re not writing to the Indigenous experience … this story is too Asian … gay books don’t sell … we’ve already published a ‘disability book’ this year).

It matters to have a network of people with whom to share both the good and bad experiences; and perhaps most importantly, to understand that you are not alone.

Second, never forget how to laugh. Some of the comments I’ve listed above have been part of the experience of other writers that they’ve laughed about with me – not because these comments are not discriminatory and hurtful, but because laughter has always been one of the ways in which marginalised peoples have dealt with pain.

Third, define success in your own terms. We all know what ‘success’ is supposed to be in literary industry terms: book sales and/or critical acclaim (preferably both). I’m not saying we shouldn’t aspire to that. But I also think that if marginalised writers define our success solely in the terms set by an industry that consistently privileges white, straight, cis-gendered people who don’t have a disability, we are also buying into an underlying lie.

The lie is that if we can just prove we are good enough we will be treated equally. But once equality has to be earned, it is no longer equality.

So I think it’s important that each of us define success according to what matters to us – and for me, it’s being a person that my ancestors would be proud of.

Book sales wouldn’t overly interest them. But honouring who they were, and who I am; treating cultural knowledge with respect; helping other Indigenous writers whenever and wherever I can – these are the kinds of things they’d be concerned about.

Fourth: be hopeful. I am. I locate my hope in people, and there are many, many people working towards a world in which all voices have an equal opportunity to speak and all stories are equally heard.

I think change will come, and in the meantime, I’m proud to be a part of a global community of voices, marginalised and privilege alike, that are speaking out for justice.

While you don’t feel it’s appropriate for non-Indigenous writers to reflect your community in first person or deep third, you are open to them writing secondary characters. Why does your opinion differ depending on how centered the character’s perspective is in the story?

Ambelin's desk
I don’t think it’s appropriate for non-Indigenous people to speak as if they are Indigenous, especially given the operation of privilege which means that non-Indigenous voices will be heard in a way that Indigenous voices are not.

For me, writing from an ‘outsider’ perspective (so not in first or deep third) is to respect boundaries; to accept there are limits on what we can know of others and how we should represent others in our own work.

When I write of experiences of marginalisation not my own, I do it from an outsider perspective – reflecting that this is much as I can understand and that understanding may of course be wrong; I am not suggesting that I know what it is to see the world from an ‘insider’ view of a group to which I don’t belong. I think the spaces must be created for everyone to speak to their own worlds, and I want to be part of making those spaces a reality.

What advice do you have for non-Indigenous writers in crafting those secondary characters?

I think something you’ve said is the best place to start – you’ve spoken of the need for writers to read 100 books by Indigenous people before writing about us.

I agree. No one should be writing an Indigenous character without being familiar with Indigenous stories (not the ones told about us but the ones told by us).

It’s also important to ensure that any stories people are reading are ethically published because there is a vast body of Indigenous stories that were taken by anthropologists and others and are now in the public domain without the informed consent (or sometimes even the knowledge) of the Indigenous peoples concerned.

The easiest way to check that a story is appropriately published is to see who holds the copyright; where Indigenous peoples hold copyright in their own stories it is at least some indication that they control the text.

In addition to reading stories, I’d say, become familiar with representation issues. Engage with the online dialogue happening around representation and children’s literature as it relates to Indigenous peoples. There are no shortage of voices speaking in this space.

And finally: words spoken about marginalised peoples have a weight and a cost. But if you are not a member of that group, then it’s a weight that you don’t carry and a cost that you don’t pay.

So don’t measure the impact of your words by how they will be read by people like you. Measure them by how they’ll be read by the people you’re writing about.

How did you learn your craft as a writer and illustrator?

By doing! I have no formal training in writing or illustration. But nor do a lot of Australian Indigenous writers and illustrators, and we have been storytellers for thousands of years.

So to learn craft I look to the work of Indigenous writers and artists, both within Australia and elsewhere, as well as to the ancient teachings of my people.

What inspired you to direct your talents toward creating stories for young readers?

In my YA series, I was writing about a superhero, so it had to be about a teenager. I don’t believe grown ups have it in us to save the world, because we are spectacularly failing to do so.

But in the young I see all the hope for the future – they are more interconnected, quick to embrace new ideas, and passionate about fighting anything they perceive as an injustice.

They’re also more honest, especially the children for whom I write picture books. When they like a book, they write me lovely letters telling me how they sleep with the book under their pillow and begging me to write more. When they don’t like it they’re equally forthright.

People ask sometimes whether its difficult as an author to deal with bad reviews, to which I say: try writing for six-year-olds. Every once in a while, children send me letters about one or the other of my picture books that begin something like this: “My teacher made me read your book. I didn’t like it.”

I’ve had a few of these letters that went on for ten pages or more, and since that length is like War and Peace from a six-year-old, it means I’ve had kids hate my work enough to send me the child equivalent of Tolstoy.

Adverse reviews from grown-ups are nothing in comparison.

What was your initial inspiration for The Tribe series?

Sample chapter from Candlewick Press
My brother Blaze. He came up to me one day and said, “I’ve got an awesome title for a book. It’s called The Interrogation of Ashala Wolf.”

I said, “That’s a pretty good title – what’s the story?’

To which Blaze replied, “Oh, there’s no story. Just the name, and I can’t be bothered writing it so I’m giving to you.”

Having bestowed the title of the novel upon me, he wandered off, leaving me to start thinking about the story. (And for anyone who’s read any of the Tribe series, the character of Jaz is very like my brother Blaze).

What were the challenges—literary, research, psychological and logistical—of bringing the stories to life?

I think the primary challenge is this: in so many ways, I wasn’t writing fiction. A post-apocalyptic world is not a fantasy for Indigenous peoples; the colonial apocalypse has already happened and much of The Tribe series is drawn from Australian colonial history.

Much of it too is drawn from the experiences of my ancestors and that is why hope runs so strongly through the narrative. They held on to hope through hard, cruel times when all their choices were taken away from them.

Indigenous peoples are so often spoken of as victims and I certainly don’t wish to minimise the suffering and the multi-generational trauma inflicted upon us by the colonial project. But the very fact that the Indigenous peoples of the world survived determined efforts to destroy us demonstrates our great strength.

I think the ability to hold onto hope is part of that strength and its something I try to honour.

You’ve created several picture books with Sally Morgan. Could you tell us about your work together?

Ambelin with her creative family
So, Sally is my mum. I’ve also done books with my two brothers, Blaze and Zeke, and the four of us have written together as a family. We’re all authors and artists, and we always give each other an honest opinion – sometimes this results in one of us storming off (usually me or Zeke, we’re both excellent stormers).

Generally, once we’ve had a chance to think about the criticism we come creeping sheepishly back and agree that yes, actually, that particular portion of the narrative (which we were previously so proud of) does indeed need more work.

I think from the outside our working process probably looks chaotic; we all talk at the same time and over each other; generally, the person with the best story gets to hold the floor until they get boring and someone else interrupts. If you want a place in the conversation in my family, you have to be prepared to earn it.

What can your readers look forward to next?

I’m working on three YA novels right now, but the one I’ll finish first is a book I’m writing with my brother Zeke.

It’s a mystery with fantasy elements that’s told from the perspective of three Indigenous female protagonists. It’s been a difficult book to write in places because terrible things happen in it, but its ultimately a story about the power of young Indigenous women and how they find their way home.

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6. Fun books to read for Halloween

Halloween is almost here and it's the perfect time to read a spook-tacular Halloween themed books.

Here are a few not too spooky Halloween books for our young readers:

Go away, big green monster! by Ed Emberely
Die-cut pages through which bits of a monster are revealed are designed to help a child control nighttime fears of monsters.

Does a cow say boo? by Judy Hindley
Children on a farm want to know which creature says "boo," and learn about animal sounds as they search. 

Room on the broom by Julia Donaldson
A witch finds room on her broom for all the animals that ask for a ride, and they repay her kindness by rescuing her from a dragon.

Otter loves Halloween! by Sam Garton
Otter and Teddy celebrate Halloween.

Big pumpkin by Erica Silverman

A witch trying to pick a big pumpkin on Halloween discovers the value of cooperation when she gets help from a series of monsters.  

The little old lady who was not afraid of anything by Linda Williams
A  little old lady who is not afraid of anything must deal with a pumpkin head, a tall black hat, and other spooky objects that follow her through the dark woods trying to scare her.

For our older readers looking for a scary story to tell in the dark:

Scary stories to tell in the dark by Alvin Schwartz
This spooky addition to Alvin Schwartz's popular books on American folklore is filled with tales of eerie horror and dark revenge that will make you jump with fright.

In a creepy, creepy place and other scary stories by Judith Gorog

A collection of scary stories with unpredictable events and bizarre characters.

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7. Cybils Speculative Reader: WHERE FUTURES END by PARKER PEEVYHOUSE

Welcome to the 2016 Cybils Speculative Reader! As a first run reader for the Cybils, I'll be briefly introducing you to the books on the list, giving you a mostly unbiased look at some of the plot.Enjoy! Synopsis: A year from today, Dylan will... Read the rest of this post

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8. Breaking: Oscar-Winning Studio Moonbot Lays Off Employees After Possible Studio Sale

Moonbot is laying off employees in Louisiana, but might be growing even larger in Florida.

The post Breaking: Oscar-Winning Studio Moonbot Lays Off Employees After Possible Studio Sale appeared first on Cartoon Brew.

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9. KIDS DESIGN - sainsbury's TU A/W16

Today I have some snapshots of the latest Autumn/Winter children's clothes at Sainsbury's. They retail their clothing under the brand TU and for Autumn Sainsbury's have brought us Owls, woodland flora and fauna, and ducks in the rain. For winter there are plenty of bear designs for boys, either camping style, skiing, or in woolly hats. For girls their are Scandinavian style birds. Here are my

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10. I Am A Story

I Am A Story. Dan Yaccarino. 2016. HarperCollins. 40 pages. [Source: Library]

First sentence: I am a story. I was told around a campfire, then painted on cave walls. I was carved onto clay tablets and told in pictures. I was written on papyrus and printed with ink and woodblocks, then woven into tapestries and copied into big books to illuminate minds.

Premise/plot: The story's autobiography. The concept of 'story' is personified and communicated in very simple, basic terms that readers of all ages can appreciate.

My thoughts: LOVED it. Loved, loved, loved, LOVED it. It's so simple yet so brilliant. Would recommend to anyone and everyone who loves stories and storytelling. It's not just for people who love books and libraries, but, for anyone who celebrates storytelling and communities.

Text: 5 out of 5
Illustrations: 4 out of 5
Total; 9 out of 10

© 2016 Becky Laney of Becky's Book Reviews

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11. Bird Bath

While wandering some wooded paths
We witnessed warblers taking baths.
Some rocky croppings, they’d detected,
Had some dips where rain collected.

Several types of birds appeared
And waited ‘til the “bathtubs” cleared.
Taking turns, they each immersed
While those in waiting chirp-conversed.

The bathing birds, a’frenzied, flapped
As water droplets rose and slapped.
I couldn’t tell if all that preening
Was for show or simply cleaning.

Concrete jungle thoughts aside,
In New York City, we’re supplied
With lots of Nature’s hidden treasures;
Spotting them provides sweet pleasures.

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12. PACKAGING - sainsbury's

Talking of Sainsbury's I noticed that they have recently repackaged their own label bakery products using repeat pattern designs. Just a little mention really but it caught my eye as I love to see pattern in use wherever it pops up.

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13. ‘Superhero’ by Kris Merc

Music video for Kool Keith x MF Doom's "Superhero."

The post ‘Superhero’ by Kris Merc appeared first on Cartoon Brew.

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14. The Great Antonio by Elise Gravel, 64pp, RL 2

The Great Antonio is Elise Gravel's loving tribute to Antonio Barichievich, the Croatian born strong man who was a Montreal fixture for many years. The Great Antonio is also yet another superb beginning reader from the fantastic TOON Books. Gravel begins this fanciful story of the life of this giant of a man speculating about his possible parentage and wondering about his childhood in Croatia. This may seem like an odd subject for a beginning reader, but Gravel tells Antonio's story with a playful tone that is immediately engaging.

To show readers just how HUGE Antonio was, she shows his clothes (a cat could sleep in his shoe, but it was quite smelly) and his eating habits. She also shows reader the various opponents he wrestled and the many enormous, heaving things he lifted and pulled.

 Antonio was larger than life and stories about him border on the unbelievable. Reading Gravel's author notes at the end of the book helped me get a perspective on this strange - for a beginning reader, anyway - story. Gravel shares that one of her favorite authors is Roald Dahl, who "got her interested in unusual people and animals," saying that she is, "attracted to anyone who is STRANGE or FUNNY." Growing up in Montreal, Gravel was very familiar with this strange and funny man. Like Sampson, Antonio had magnificent hair - long, thick dreadlocks that fell to the ground and were often used to pull buses. Or, Antonio would put metal in his braids and use them as golf clubs and more.

Gravel gives The Great Antonio the feel of a tall tale, speculating about his life and his feats but also respectfully sharing the stranger aspects of it. Near the end of his life, Antonio chose to live on the streets of Montreal, using a donut shop as his office. Gravel tells readers that, when he died, a mountain of flowers was left at his favorite table at the donut shop. Antonio himself may have created this air of mystery about himself, lending to his larger than life persona. In her author notes, Gravel shares that, after his death, many of his "wild stories" were proven to be true!

Source: Review Copy

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15. Instagram: Finds from the Field – Sea Ranch Edition

Grain Edit Instagram

In this edition of Finds from the Field, we feature our trip to Sea Ranch – a modern housing community established in the mid-sixties along the Northern California coastline. Featured on and within several of these structures are supergraphics and icons by Bay Area designer Barbara Stauffacher-Solomon. In addition, she designed the logo which can be easily seen on the signage at the Sea Ranch Lodge and welcome center.


Grain Edit Instagram

Sea Ranch was designed by Moore, Lyndon, Turnbull, Whitaker and a significant smidgen of Escherick


Grain Edit Instagram

Super fun exit sign


See all of our Instagram finds here.


Also worth viewing:

Eye Sea Posters
Bulgaria Black Sea Resort Stamps 1972

Script and Seal Posters

Follow us on RSSInstagramPinterestWanelo


Thanks to this week's Sponsor // Foto Sushi

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16. Trusting God Through a Miscarriage (Part 1 of 2)

by Sally Matheny

Trusting God Through a Miscarriage
(photo by Pixabay)
Not even the startling, cold lubricant squeezed onto my belly could stifle my excited chatter.

I was on the verge of being the first one to hear a great secret—the gender of our third baby!

Earlier that day, I had taken our seven-and nine-year old daughters to a sitter. They wanted to go with me for my 12-week check up. I told them the following month’s appointment would be an ultrasound. I assured them they could go with me, and their daddy, to see the baby growing inside my tummy then.

Now, here I was, by myself about to hear the big reveal earlier than expected. Finding it difficult to locate the tiny baby with his stethoscope, the doctor asked how I felt about an ultrasound to see if I was as far along as we thought.

I happily agreed but told him he’d have to do another one next month because I’d promised my girls. Plus, my husband was out of town on business so there was no way he could get there in time to see today’s ultrasound.

So, I felt like I was special since I was about to receive some exciting news before everyone else. What a nice gift to receive after enduring three months of nausea!

“If I’m not as far along as we expected will you still be able to tell if it’s a boy or girl?” I asked.

“Maybe. We’ll see,” the tech said as she slid the probe around.

A few seconds later, she added, “There’s the baby.”

“Awww, it looks like it’s waving,” I said, noticing five, distinct, widespread fingers held in front of a profiled head and nose.

My heart pounded, waiting for her to tell me the big news. Boy? Or girl?
A few more swipes. She announces, “Okay. The doctor will be in to see you in just a minute,” as she leaves the room.

Odd. Maybe the tech isn’t allowed to say anything and has to wait for the doctor.

A few minutes later, the doctor comes in and repeats the same movements over my belly. It’s awfully quiet in the room until the doctor grunts a low and short, “hmm.”

I feel my enthusiasm fade in the dimly lit room. Something isn’t right.
Read more »

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17. It’s Tuesday! Write. Give. Share.

It's Tuesday! Time to write, share and give!

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I am thankful for this review for, "Heroes Beneath the Waves," with Deborah Kalb who now has her first children's book released. "Heroes Beneath the  Waves: Submarine Stories of the Twentieth Century", is written for the men who served, for families of submarine veterans to understand what it was like for  their love ones, and for students to understand war is not a game. My husband has two stories in the book. He never got to see the book as he passed away two day before the book was released.

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19. Query Letters

There are some things you should NOT include in your query letter.


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20. महिला और समाज – भारतीय समाज में नारी का स्थान

महिला और समाज – भारतीय समाज में नारी का स्थान – हाल ही में हम महिलाओं से जुडे दो बेहद खास त्योहार गए. करवा चौथ और अहोई अष्टमी का. पर नेट पर तो मानों मजाक बनाने वालो की बाढ सी आ गई. बहुत ही ज्यादा मजाक बनाया गया. कुछ अच्छा भी लगा तो कुछ बुरा भी… महिला […]

The post महिला और समाज – भारतीय समाज में नारी का स्थान appeared first on Monica Gupta.

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21. 2017 VFX Oscar Contenders: From Most-Likely To The Outliers

Who are the likely contenders for a visual effects Oscar? And which films might surprise this year?

The post 2017 VFX Oscar Contenders: From Most-Likely To The Outliers appeared first on Cartoon Brew.

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22. Coloring Page Tuesday - Halloween Story Time

     Halloween is Monday - are you ready? If you don't want to hand out candy, and you aren't a business, feel free to hand out my coloring pages instead! CLICK HERE for more Halloween-themed coloring pages!
     CLICK HERE to sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...
my debut novel, A BIRD ON WATER STREET - winner of six literary awards. Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

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23. Monday Poetry Stretch - List Poem for Fall

A list poem is a carefully crafted list, catalog, or inventory of things. Robert Lee Brewer of Poetic Asides writes this in his article List Poem: A Surprisingly American Poem:
The list poem was used by the Greeks and in many books of the Bible. But two of the most popular American poems, Walt Whitman’s “Song of Myself” and Allen Ginsberg’s “Howl,” are list poems. So what is a list poem? 
Basically, a list poem (also known as a catalog poem) is a poem that lists things, whether names, places, actions, thoughts, images, etc. It’s a very flexible and fun form to work with.
What is it about list poems that makes them so accessible? Perhaps it's because the list is so ubiquitous in our lives. Everyone makes lists, so finding them in poetry is not unexpected and makes them seem familiar.

In the book Conversations With a Poet: Inviting Poetry into K-12 Classrooms (2005), written by Betsy Franco, the chapter devoted to the list poem includes this background and helpful information.
The list poem or catalog poem consists of a list or inventory of things. Poets started writing list poems thousands of years ago. They appear in lists of family lineage in the Bible and in the lists of heroes in the Trojan War in Homer's Iliad.  
Characteristics Of A List Poem
  • A list poem can be a list or inventory of items, people, places, or ideas.
  • It often involves repetition.
  • It can include rhyme or not.
  • The list poem is usually not a random list. It is well thought out.
  • The last entry in the list is usually a strong, funny, or important item or event.
Your challenge for this week is to write a list poem about fall, or Halloween, or something October-y. Please share a link to your poem or the poem itself in the comments.

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24. Baseball and Ben-Gay

1945 World Series

A young boy sat on the windowsill of his grandmother's Sheffield Ave. Brownstone, and watched his beloved Cubbies.

Binoculars in hand, and radio nearby, his view was unobstructed, straight down the first base line. Grandma would bring him a sandwich and ask for updates on the game.

The summer heat settling in the top floor apartment, coupled with an over-powering smell stinging his nostrils from his grandmother's "overuse" of Ben-Gay, made it imperative to lean as far out the window, as possible.

"Now, Kenny. Don't you fall," she'd warn.

A World Series appearance and win was always first and foremost on his mind.

The last Cubs pennant win was 1945; 7 months after he was born, so another pennant or series win was just around the corner.


It would be a lifetime before the Cubs would make it to another series. 71 years.

In case you're wondering, Ken isn't still sitting in the window of his grandmother's Brownstone, but he's just as excited now, as he was then, to see his team play.

It's been 7 decades for this long-suffering fan, but joy, along with relief, came flooding back.

Go Cubbies!

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25. Monday Review: GEMINI by Sonya Mukherjee

This is one of the most gorgeous and effectivecovers I've seen. I love it.Synopsis: Clara and Hailey are twin sisters, and like a lot of sisters, they are closer than close one moment, but in the next, they get on each other's last nerve. Hailey is... Read the rest of this post

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