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1. Demons Dance

Insomnia, methinks, doth stink;
It carts one quickly to the brink
Then yanks those taunting forty winks
And turns them into toss and blinks.

The hell with all those leaping sheep!
My thoughts on them would earn a bleep.
Instead I stare, in darkness deep,
As minutes into hours creep.

The mind, it fills as demons dance
So slumber doesn’t stand a chance,
But as the daylight does advance
They’re gone, without a backward glance.

And then at last, I get to drowse.
The lines smooth out between my brows;
But obligations don’t allow
The time to catch up anyhow.

Another tired day will dawn,
My pillow something I could pawn.
I’ll greet the morning, pale and drawn
And stifle yet another yawn.

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2. 5 BookBuzzr Widget Installations to Inspire You in April 2014

1. Barb Drozdowich – The Author’s Guide To Working With Book Bloggers (Building Blocks to Author Success Series)

 
 

2. P. O. Dixon - A Lasting Love Affair: Darcy and Elizabeth (A Pride and Prejudice Variation)

 
 

3. Valerie Twombly - Eternal Flame (Guardians, Book One)

 
 

4. Rebekah Pierce - Sex, Lies & Shoeboxes

 
 

5. Maxine Douglas - Blood Ties

 
 

_________________________________________________________________________________________________________


 

Naveen manages the social media marketing at BookBuzzr.

_________________________________________________________________________________________________________

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3. Naming a sequel

Question: If you wrote a book and it got published and there's a sequel to it do you have to come up with a title? If you can't think of anything can you

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4. Reinventing rites of passage in contemporary America

By David Yamane

“It has often been said that one of the characteristics of the modern world is the disappearance of any meaningful rites of initiation.”

Mircea Eliade made this comment in his 1956 Haskell Lectures on the History of Religions at the University of Chicago (subsequently published as Rites and Symbols of Initiation). The qualifier meaningful in Eliade’s statement is significant, because something so fundamental to human societies (across cultures and over time) as rites of initiation do not simply melt into air, modernity notwithstanding.

An initiation near the Sepik River

Initiation ritual along the Sepik River in Papua New Guinea in 1975. Photo by Franz Luthi. CC BY-SA 3.0 via Wikimedia Commons.

Contemporary ritual studies luminary, Ronald Grimes, highlights a unique and contradictory aspect of Western industrialized societies when it comes to initiation, one perhaps implied by Eliade. “Initiation goes on all the time,” Grimes writes in his book, Deeply Into the Bone: Re-inventing Rites of Passage. But we lack “explicit or compelling initiation ceremonies.”

The centrifugal forces of modernity have rendered the initiation that does take place in Western industrial societies more diffuse, haphazard, individualized, and even sometimes only imaginary. In the face of this, some communities are attempting to create or re-create rites of passage that are mindful and intentional.

Perhaps not surprisingly, then, less than a decade after Eliade’s lectures, the leaders of the Roman Catholic Church meeting at the Second Vatican Council (1962-1965) called for a restoration of the “catechumenate”—the ancient process for ritually initiating adults. As I noted yesterday, this culminated in the publication in 1972 of Ordo Initiationis Christianae Adultorum, subsequently translated into English in 1988 as Rite of Christian Initiation of Adults.

In his work on re-inventing rites of passage, Grimes does not mention the Rite of Christian Initiation of Adults (RCIA), but he could have. In “returning to the sources” in the ancient church for an earlier model of initiation (what French theologians call ressourcement), the creators of the contemporary RCIA engaged in the very process of reinvention that Grimes calls for.

Anointing with Holy Oil

Anointing with Holy Oil. Photo by John Ragai. CC 2.0 via Flickr.

When fully implemented, the RCIA process takes those considering becoming Catholic on a journey through four distinct periods of formation which are demarcated by three ritual transitions.

Period 1: Evangelization and Precatechumenate

The opening stage of the RCIA process is intended to introduce individuals to the Catholic faith and to answer questions about it. Also during this period individuals are paired with sponsors, members of the church who will accompany the individual on their journal toward initiation.

Ritual Transition 1: Rite of Acceptance into the Order of Catechumens

Those who decide to continue in the RCIA process go through this first of three major ritual transitions. During a liturgy individuals are asked to affirm their acceptance of the Gospel of Christ and the assembly is asked to affirm their support of the candidates. The passage to the status of “catechumen” is then ritually enacted by the priest, catechist, or sponsor tracing the sign of the cross on the forehead (and often also the ears, eyes, lips, chest, shoulders, hands, and feet) of the candidate.

Period 2: Catechumenate

This is the main time of formation for those seeking initiation. The purpose of this period is to give catechumens “suitable pastoral formation and guidance, aimed at training them in the Christian life” through catechesis, community, liturgy, and service (RCIA, no. 75). Once catechumens are ready to receive the sacraments of initiation they must publicly declare this and go through a ritual transition to become one of the “elect.”

Ritual Transition 2: Rite of Election

Typically held the first Sunday of Lent and presided over by the bishop, this ritual brings together individuals in the RCIA process from the entire diocese so that for the first time the candidates are able to see and experience the church writ large. In this rite, God “elects” those catechumens who are deemed ready to take part in the sacraments of initiation and who affirm their desire to do so. The candidates’ names are enrolled in the diocesan “Book of the Elect” which is countersigned by the bishop who declares them ready to begin their final period of preparation before initiation.

Period 3: Purification and Enlightenment

This period focuses on spiritual preparation for the rites of initiation and coincides with the 40 days preceding Easter, known as the season of Lent. As part of their spiritual cleansing, the elect undergo three public “scrutinies” which typically involve prayer over the elect and an “exorcism” enacted by a laying on of hands by the presider. The elect are also ritually presented the text of the Nicene Creed and Lord’s Prayer. At the conclusion of this period, the elect undergo the most significant ritual transition: the reception of the sacraments of initiation.

Ritual Transition 3: Reception of the Sacraments of Initiation

This moment of incorporation—literally becoming part of the body of the church—normatively and most often takes place during the Easter Vigil, what Augustine called “the mother of all holy vigils.” In and through this ritual, individuals receive the sacraments of initiation (baptism, confirmation, and eucharist) and in doing so become Catholic.

Period 4: Mystagogy

This is sometimes called the period of “post-baptismal catechesis” because it seeks to lead the newly initiated more deeply into reflection on the experience of the sacraments and membership in the church. It is a springboard from the RCIA community to the broader church community.

By the turn of the 21st century, more than 80% of American parishes were using some version of this RCIA process to initiate adults. Although it is not yet fully implemented in every parish, the RCIA is the officially recognized liturgical and catechetical process by which adults become Catholic today.

As a reinvented rite of passage, the RCIA process has been very successful at bringing individuals into the Catholic Church in a mindful, intentional, and compelling way. As I noted in my first OUPblog entry, it is also helping to shape the process of ritual initiation in other churches. I will suggest in my third and final entry that the RCIA, therefore, represents a bit of good news amid a lot of bad news for the Roman Catholic Church in the contemporary United States.

David Yamane teaches sociology at Wake Forest University and is author of Becoming Catholic: Finding Rome in the American Religious Landscape. He is currently exploring the phenomenon of armed citizenship in America as part of what has been called “Gun Culture 2.0″—a new group of individuals (including an increasing number of women) who have entered American gun culture through concealed carry and the shooting sports. He blogs about this at Gun Culture 2.0. Follow him on Twitter @gunculture2pt0.

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The post Reinventing rites of passage in contemporary America appeared first on OUPblog.

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5. Spotlight and Giveaway –Seals of Summer Superbundle

SEALS OF SUMMER

Military Romance Superbundle

Print Length: 1300 pages

Publisher: SOS Ladies

Publication Date: April 21, 2014

ASIN: B00J436CN8

Military Super-bundle of ten novellas and novels by New York Times, USA Today and award-winning bestselling authors: Delilah Devlin, Sharon Hamilton, Anne Marsh, Cora Seton, Zoe York, Roxie Riviera, S.M. Butler, Kimberley Troutte, Jennifer Lowery, Elle James.

IT TAKES A SEAL by USA Today Bestselling author Delilah Devlin:

When Susan heads to the Bahamas, she thinks the sexiest part of the trip is that she can count it as a tax deduction. After all, her agency has new offices in the Bahamas, and she needs face-time with her employees, who also just happen to be her best friends. However, things go quickly awry when their island benefactor comes under threat. After a night of partying on his yacht, she awakens to discover she’s stumbled into a sting operation to lure the bad guys into the open. She’s got to pretend she’s the billionaire’s trophy girlfriend, which isn’t hard when the man taking his place is a sexy ex-SEAL. When the bad guys kidnap the couple and imprison them on a deserted island, it’s up to ex-SEAL Justin to orchestrate an escape.

SEAL MY HEART by NY Times and USA Today Bestselling author Sharon Hamilton:

Kate Livingstone’s engagement is at risk the instant she sets eyes on the handsome elite warrior sitting next to her on a plane trip to visit her sister. Navy SEAL Tyler Gray had thought he knew what he wanted in life, until he meets Kate and their obvious attraction for each other sparks something deep in his soul. What starts out as innocent letters between friends turns out to be much more. Can someone fall in love deeply just with words and letters exchanged, or is this just a pleasant fantasy that will ruin their lives forever?

SMOKING HOT by National Bestselling author Anne Marsh:

When an ambush kills his teammate, Navy SEAL Tye Callahan steps in to fulfill the fallen man’s obligations. He vows to spend the summer in Strong, California, fighting fires with the smoke jumper team and looking out for Katie Lawson, his teammate’s fiancée. Now, as the summer heats up, they must decide if the chemistry burning between them might just be their second chance at living their own lives… together.

THE NAVY SEAL’s E-MAIL ORDER BRIDE by National Bestselling author Cora Seton:

Mason Hall, Navy SEAL, has fought insurgents, drug lords and terrorists, but his current mission is one for the records. Not only must he find a wife—and get her pregnant—or forfeit the ranch his family has prized for over a hundred years, he also must convince his three brothers to marry, too—before the year is up.  Who knew one city girl and three wayward brothers could put up such a fight? 

FALL OUT by Zoe York:

Drew Castle is a Navy SEAL with a bad case of indifference. Until Annie Martin shows up on his doorstep, scared out of her mind, and all of a sudden, keeping her safe becomes the most important mission of his life. And this time, he’s on his own. Annie knows that letting Drew whisk her away under the guise of protection is a recipe for disaster, but he’s the only person she can trust. Drew’s strange mix of laid-back bossiness takes some getting used to, but as they escape to a Caribbean hideaway, she finds herself wondering what it would be like if they came together at a different time. As the threat is resolved, a new danger arises: one of passion, heat and desire so overwhelming neither can resist, no matter the cost.

CLOSE QUARTERS by Bestselling author Roxie Rivera:

When Navy SEAL Leland Gates runs off to his family’s secluded cabin to lick his wounds, he never expects to find makeup heiress Jamie Pearson hiding out there. His sister’s best friend swears she’s only there for a weekend of relaxation, but his well-honed instincts tell him that she’s in big trouble. Getting tangled up in Jamie’s latest hot mess—or her sheets—is the very last thing he needs, but in close quarters like these, there’s no denying the white-hot passion blazing between them.

KILLING HONOR by International Bestselling author S.M. Butler:

Returning home after a disastrous extended deployment, Navy SEAL Brody Battles struggles with nightmares and government secrets building a wall between him and his wife, Devyn, especially when a security breach compromises his identity. While they’re adjusting to being a family again, an old enemy waits in the shadows, salivating for the sweet taste of revenge.

COMING IN HOT by Award-winning author Kimberley Troutte:

For Navy SEAL Mack Riley, rescuing a family in Colombia is not as hard as seeing the admiral’s daughter again. He’d sworn a vow to steer clear of that heartbreaker. But since the family was taken hostage on Jenna’s watch, she’s determined to join the rescue team. When the admiral orders him to protect Jenna, Mack is forced to keep her as close as body armor. In the heat of battle, love Mack and Jenna deny breaches their defenses. With missiles locked onto their coordinates…can they save the family and get out alive?

A SEAL’s SONG by Golden Heart Finalist Jennifer Lowery:

Navy SEAL Jack Taggart’s plans to catch some much-needed downtime between deployments are demolished when he risks everything to rescue beautiful wedding singer, Darci O’Shea, from a band of thieves. Will the battle between their inner demons be the hardest one to fight, or will they find rescue in each other’s arms?

SEALS’s EMBRACE by USA Today Bestseller Elle James:

Navy SEAL, Ceasar Sanchez has it bad for Army Lt. McGee, a nurse at Bagram Airfield in Afghanistan. When a rescue mission goes bad and he ends up being medically evacuated, she’s there. Not sure whether he’ll walk again, he’s afraid to pursue the pretty nurse, not wanting to shackle her with half a man. Lt. Erin McGee is a Critical Care Air Transport Team nurse, responsible for ensuring her patients arrive alive at the next level of health care. Fighting an attraction to a sexy Navy SEAL she outranks, she resists the risk of losing her commission for fraternization. But one sensual tryst behind a supply building isn’t enough and the SEALs determination to see her wear at her resolve. Ceasar and Erin share a medevac plane ride to Germany with a critically wounded Taliban leader who could provide information to the whereabouts of four missing soldiers. Transferred to the hospital at Landstuhl, Caesar undergoes surgery, restoring movement to his legs in time to stop a hostage takeover of the ICU where Erin is in charge of the Taliban leader’s care. Together they fight to save lives and halt a Terrorist attack, while finding that love trumps rank every time.

Available April 21 – Preorder Now:

Amazon: http://amzn.to/1eAQNsy

 

SEAL’S EMBRACE

by Elle James

SEAL’S EMBRACE

Injured Navy SEAL and the critical care nurse he’s attempting to woo join forces to stop a terrorist attack at a military hospital

Navy SEAL, Ceasar Sanchez has it bad for Army Lt. McGee, a nurse at Bagram Airfield in Afghanistan. When a rescue mission goes bad and he ends up being medically evacuated, she’s there. Not sure whether he’ll walk again, he’s afraid to pursue the pretty nurse, not wanting to shackle her with half a man.

Lt. Erin McGee is a Critical Care Air Transport Team nurse, responsible for ensuring her patients arrive alive at the next level of health care. Fighting an attraction to a sexy Navy SEAL she outranks, she resists the risk of losing her commission for fraternization. But one sensual tryst behind a supply building isn’t enough and the SEALs determination to see her wear at her resolve. Ceasar and Erin share a medevac plane ride to Germany with a critically wounded Taliban leader who could provide information to the whereabouts of four missing soldiers.

In the hospital at Landstuhl, Caesar and Erin fight their attraction for each other while a terrorist plot is underfoot to rescue the Taliban leader. Together they struggle to save lives and halt the an attack, while finding that love trumps rank every time.

Excerpt:

“Sanchez,” a firm voice called out.

Caesar spun, his pulse ratcheting up as he faced the woman he couldn’t get out of his system.

Irish backhanded him in the chest. “I think you’ve met your match in that one.”

By the way Lt. McGee was shaking her pretty red head, Irish might have it right. What Irish didn’t realize was just how much Caesar had been working to break down the lady’s defenses. “Trust me, at this very moment, she’s on the brink of raising the white flag.”

“And her skirt?” Irish snorted. “I seriously doubt it. Wanna lay down another bet?”

“Sorry, I have to go. My future awaits.” Caesar took off across the floor, his focus on the petite nurse with deep auburn hair and emerald green eyes.

With her full, luscious lips pressed into a thin line, she led him deeper into the clinic to an examination room. All the way down the aisle, Caesar couldn’t help but notice the way her hips swayed beneath the flight suit that hugged her body like a tailored glove.

His groin tightened along with his resolve to have this beauty.

“Sit,” she ordered, pointing to the examination table.

Caesar hopped up on the table and spread his knees wide. The only way she was getting to that cut finger was to step between them. Still wearing his PT shorts, he realized the mistake that was. With nothing much to hold him back, he tented the shorts in an instant when the door closed to the room and they were alone.

“You really have to stop cutting yourself. This camp is full of all kinds of germs. Keep this up and you might lose that finger altogether.” She pulled a gauze pad out of a drawer, alcohol pads and a bandage before she turned and met his gaze, her own green eyes dancing with humor. “And the answer is no.” She pressed her lips together.

“How did you know I was about to ask a question? I might really be here to seek aid for my cut finger.”

“Uh huh.” She shook her head and stepped between his knees. “Two times in the same week is suspicious. Three times cutting the same finger, and that the injuries just happen to be on the same days as I’m volunteering at the clinic, is proof. You’re stalking me.” She bumped the inside of his thighs with her hips and sucked in a sharp breath, moving back quickly, her cheeks turning a rosy shade of pink.

So, she wasn’t immune to his presence. She just needed a little persuasion.

“Lt. McGee, mi amor, I’m crushed.” He pressed his uninjured hand to his chest. “Can I help the fact that I’m clumsy and deeply in love? Have coffee with me just once, and I won’t bother you again.”

“What do you know about love?” She pushed a loose strand of red hair behind her ear, twin flags of pink flying high on her cheekbones. “And I only have two words for you: fraternization and sexual harassment.”

Crooking an eyebrow, he grinned. “That’s four.”

“Yeah, I know, but with you, they all go together.” She swiped the alcohol pad across his finger, careful not to sway sideways and touch his thighs.

At the sting, Caesar bit down on his tongue to keep from hissing.

Two seconds later, she had the wound cleaned, and a bandage plastered over it. “There. Your booboo is all better.”

Before she could move away, Caesar hopped off the table and captured her wrist. “What do I have to do for you to look at me as other than a patient?” They stood so close, he could feel the heat of her body through the flight suit.

Her free hand rose to his chest, her eyes widened and her breathing grew more ragged. “An act of God?” She wet her lips.

That simple act sent Caesar over the edge of reason and he swooped in to steal a kiss. “Rules be damned.” He captured the back of her head, and bent to crush his lips against hers.

For a moment her hand pressed against his chest, then her fingers curled into his T-shirt and her mouth opened on a gasp.

Caesar thrust his tongue through, sliding it along hers in a long, wet caress. She tasted even sweeter than he’d imagined. When he lifted his head, he whispered against her mouth, “Muy precioso.

The lieutenant gazed up into his face, her eyes glazed, her lips parted. Then she blinked and the spell was broken. She glanced down at his hand on her wrist, and her gaze narrowed. “Do you know how wrong this is? Let go.”

Immediately, he released her. “For now. I still want to have coffee with you.”

“No. It’s a bad idea.” She eased back a step.

“Are you afraid of me?”

“No. I’m not afraid of you.” She turned back to the cabinet, fished something out of a drawer and a bottle out of the cabinet above. “Drop your drawers.”

“What?” He frowned. Had he read her wrong? Surely she wasn’t going to…not here…anyone could walk in. His heartbeat quickened.

“You heard me.” She turned toward him, syringe in hand and fire in her eyes. “Drop ‘em.”

He held up his hand. “Seriously? You’re giving me a shot for a little cut on my finger?”

“No, for three little cuts on your finger.” She tilted her head, her brows rising in challenge. “Are you afraid of me?”

He stared at the syringe she wielded like a weapon. “Frankly, yes.”

About the Author

Elle James spent twenty years livin’ and lovin’ in South Texas, ranching horses, cattle, goats, ostriches and emus. A former IT professional, Elle is proud to be writing full-time, penning intrigues and paranormal adventures that keep her readers on the edge of their seats. Now living in northwest Arkansas, she isn’t wrangling cattle, she’s wrangling her muses, a malti-poo and yorkie. When she’s not at her computer, she’s traveling, out snow-skiing, boating, or riding her ATV, dreaming up new stories.

You can reach Elle James at www.ellejames.com or email her at

Website | Blog | Facebook | Twitter | GoodReads

http://www.rafflecopter.com/rafl/display/3795a327/

The post Spotlight and Giveaway –Seals of Summer Superbundle appeared first on Manga Maniac Cafe.

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6. Three Ways to Teach Etched In Clay by Andrea Cheng

Jill_EisenbergJill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators.

1. Teaching Students About Narrator Bias

Etched In Clay is a compelling case study for narrator bias and trustworthiness. The text structure with 13 narrators and its economy of words make Dave’s story captivating, especially to middle grade Etched in Clay written and illustrated by Andrea Chengstudents who are beginning to engage with primary sources from the period of American slavery. Students can analyze how each speaker’s social experiences, status, motivations, and values influence his/her point of view, such as evaluating the poems of the slave-owners who would have had a vested interest in popularizing a particular narrative of slavery.

Using multiple perspectives to tell the story of one life is a striking display of how events can be interpreted and portrayed by different positions in the community. Students face the task of examining the meaning and nuance of each narrator (13 in total!) and what they choose to convey (or don’t).

Discussion questions include:

  • Why might the author choose to share Dave’s story using multiple speakers? How do multiple narrations develop or affirm the central idea?
  • How do the author’s choices of telling a historical story in present tense and first person narration affect our sympathy toward the narrators and events in the book?
  • Select a poem, such as “Nat Turner,” and defend why the author chose a particular narrator to tell that event or moment. How would the event and poem be different if another, like Reuben Drake, had told it?
  • Are there narrators the readers can trust more than others? Why or why not? What makes a narrator (un)trustworthy? How is each narrator (un)reliable? Why might one of these narrators not tell readers the “whole” truth? Does having more than one narrator make the story overall more reliable? Why or why not?
  • How does a narrator’s position in society or in Dave’s life affect what he/she knows? How does the historical context affect what a narrator may or may not know and his/her reliability? How can readers check a narrator’s knowledge of facts?
  • What is the motivation of each narrator to share?
  • Does this alternation between narrators build compassion or detachment for Dave in readers? How so?
  • Why is it important to learn the history of slavery from slaves themselves?
  • Compare and contrast the conditions of slavery from Dave’s point of view and Lewis Miles.
  • How do the slaveholders depict the relationships with their slaves? How do the slaves depict their relationships with the slaveholders?
  • Compare Dave and Lewis Miles’ perceptions of the Civil War.
  • Consider whether Dave and David Drake should be considered one perspective or two.
  • Contrast how each narrator feels about antebellum South Carolina.
  • Who might be the audience the narrators are telling their version of events to (themselves, God, a news reporter, etc.)? Are they the same? Why is intended audience important to consider?
  • Argue whether 13 points of view flesh out this figure or make Dave and his life even more elusive.

2. Poetry Month and Primary Sources

As “Primary Sources + Found Poetry = Celebrate Poetry Month” suggests, the Library of Congress proposes an innovative way to combine poetry and nonfiction. Teaching With The Library of Congress recently re-posted the Found Poetry Primary Source Set that “supports students in honing their reading and historical comprehension skills by creating poetry based upon informational text and images.” Students will study primary source documents, pull words and phrases that show the central idea, and then use those pieces to create their own poems.

This project not only enables teachers to identify whether a student grasps a central idea of a text, but also encourages students to interact with primary sources in much the same way as Etched In Clay’s Andrea Cheng. When researching Dave’s life and drawing inspiration for her verses, Andrea Cheng integrated the small pieces of evidence of Dave’s life, including poems on his pots and the bills of sale.

3. Common Core and the Appendix B Document

Many middle school educators are currently using Henrietta Buckmaster’s “Underground Railroad,” a recommended text exemplar for grades 4-5, and Ann Petry’s Harriet Tubman: Conductor on the Underground Railroad and Frederick Douglass’s Narrative of the Life of Frederick Douglass An American Slave, Written by Himself, recommended text exemplars for grades 6-8 in the Common Core State Standards’ Appendix B document.

Educators can couple Etched In Clay with those texts to involve reluctant or struggling readers, prepare incoming middle school students, and scaffold content and language for English Language Learners. Additionally, Andrea Cheng’s biography offers educators an inquiry-based project for ready and advanced readers to analyze “how two texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take” (CCSS.ELA-LITERACY.CCRA.R.9).

For a more inclusive, diversity-themed collection of contemporary authors and characters of color, check out our Appendix B Diversity Supplement.

Further reading:

Andrea Cheng on Writing Biography in Verse

A Poem from Etched in Clay


Filed under: Curriculum Corner Tagged: African/African American Interest, appendix b, CCSS, close reading, common core standards, Educators, ELA common core standards, History, National Poetry Month, poetry, reading comprehension, slavery

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7. Bluecrowne - a new novella by Kate Milford

cover art for "Bluecrowne" by Kate Milford

Amazing author Kate Milfordstarted a Kickstarter campaign to self-publish a new companion short novel to her Young Adult novel series.

I was very honored to illustrate the cover for this novella, entitled „Bluecrowne“, fantastic designer Miwako Feuer designed the title font.

And: a group of young artists will be hired to illustrate a special digital edition! (For the last companion book "The Kairos Mechanism", 15 young artists between the ages of 11 and 20 created 18 works of art.) Please check it out!

back vignette for the cover of "Bluecrowne"



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8. Practice Query #5


Ahem,

When, Joanas and Moses Criist, the owners of the popular S&M nightclub Dominion extend the basement, they inadvertently open a portal to Hell. The Devil, or Bezel as his friends call him, doesn't see a conflict of interest between paying customers and lost souls. That is until The Church of You Know Who comes knocking. The signal might as well be worth the Shave and a Haircut riff. Two bits.

The Devil takes Dominion viral as mortal man cries for more debauchery. The Four Horsemen of the Apocalypse arrive, closing their tour. Imagine a thousand years of exquisite pain. Times are good, Bezel makes money hand over fist and parlays his popularity by opening Dante's Timeshare condominiums. To hell with goodness, the end of days have arrived.

Not wanting to be on the wrong side of history the Almighty turns a new leaf and buys a lifetime membership in Dominion. Now that's a lot of money.

Moses is perturbed at his followers. S&M is his art, his love and muse. He wants to go back to when whips weren't an allegory and decides to go and live in the desert. Joanas is hung up, in denial. All Moses ever wanted was to get his rocks off the front porch and shut the front door. He wonders, will Joanas ever wake up from denial, and will Bezel ever become the friend he said he'd be? Moses isn't sure he'd bet his soul.

Irreverently yours,


--Kregger

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9. I'm Re-reading... The Potter's Field by Ellis Peters


I haven't read this book in some time, though the Brother Cadfael books are among my favourites and I had read and re-read them. Last night I stayed with my mother and on an impulse picked it up from the pile by her bed. (She's reading library books and has read this one anyway).

It's really this week's random read. And I'm pleased to say I have forgotten whodunnit.                   

It has proven to be easy to get back into this world. For those unfamiliar with this series, ie too young or have been hiding under a rock, it's set in earlyish/mid-twelfth century, in the town of Shrewsbury, on the border of England and Wales. Brother Cadfael is a monk in the Abbey of St Peter and St Paul, a herbalist who has strong forensic skills due to his powers of observation. His closest friend is Hugh Beringar the deputy sheriff - later Sheriff - of Shropshire, whose duties include crime investigation in his area. In other words, the amateur sleuth and his buddy the cop. ;-). Cadfael is not some naive man who's been in the abbey from his youth; he had been a soldier and Crusader who had thrown it all away to retire into a quiet life. This means he can work out motivations that help solve mysteries. And the author can bring in people from his past - a former girlfriend he had dumped to go on Crusade,for  example(she thinks he went into a monastery because of her and he doesn't enlighten her), even his son by a woman he met in the east.

I had read some of this author's historical novels, written under her real name, Edith Pargeter,before discovering Brother Cadfael, but she had also written contemporary crime fiction as Ellis Peters before. She combined her crime and historical fiction skills and behold! Mediaeval crime fiction! 

I love the series, which is gentle, though I'd wince at calling the novels cosies. They're not. They're historical fiction set in a violent era when King Stephen and Empress Maud were battling it out for the crown of England, and though the folk of Shrewsbury seem to mostly live in peace, they are still affected by the war going on around them - in fact, the first novel, One Corpse Too Many,  is set immediately after Stephen has besieged Shrewsbury and executed a large number of men he considers traitors. The crime is woven into the history. It goes over a number of years - this one is set in 1143, when Geoffrey De Mandeville was looting and burning in the Fen country.

The BBC TV series with Derek Jacobi was pretty faithful to the books, as far as a telemovie could be faithful to a novel and Derek Jacobi perfect for the   role. The author herself said she would always imagine him as Cadfael from then on.

There were 20 books in the series before Edith Pargeter's death. Reading the final one I knew that it was intended to be the last. She could have written more, nobody died, but it felt like the last. Loose ends were tied up and the story was a personal one, about Cadfael and his son. It was sad to now there would be no more, but as the author died not long after, it was probably just as well. No frustrating unfinished novels or cliffhangers. 

I may just go back and re-read the lot! 


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10. Talents and Skills Thesaurus Entry: Sewing

As writers, we want to make our characters as unique and interesting as possible. One way to do this is to give your character a special skill or talent that sets him apart from other people. This might be something small, like having a green thumb or being good with animals, to a larger and more competitive talent like stock car racing or being an award-winning film producer. 

When choosing a talent or skill, think about the personality of your character, his range of experiences and who his role models might have been. Some talents might be genetically imparted while others are created through exposure (such as a character talented at fixing watches from growing up in his father’s watch shop) or grow out of interest (archery, wakeboarding, or magic). Don’t be afraid to be creative and make sure the skill or talent is something that works with the scope of the story. 

SEWING

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Courtesy : Lori Branham @ Creative Commons

Description: sewing encompasses a variety of forms: dressmaking, embroidery, millinery (hat making), quilting, needlepoint, crocheting, knitting, and other activities involving needle and thread. Sewing can be a practical endeavor (as a means of producing a needed product) or a leisurely activity that is more craft-like or entertaining in nature.

Beneficial Strengths or Abilities: dexterity, good hand-eye coordination, sharp eyesight, a basic knowledge of mathematics, being able to communicate clearly with others

Character Traits Suited for this Skill or Talent: patience, meticulousness, creativity, organization, dependability

Required Resources and Training: The basics of sewing can be self-taught but many sewers choose to train through an apprenticeship or via trade or fashion schools.

Associated Stereotypes and Perceptions: Sewers are usually portrayed as females; it would be nice to see other people groups represented in this field. Closely related to sewing, fashion design is a popular skill or hobby that is quickly becoming cliché among female protagonists, particularly in YA books.

Scenarios Where this Skill Might be Useful: when extra income is needed; as a means of artistic expression; when money is scarce and clothing/cloth has to be recycled or repurposed; when an article of clothing needs repairing at an important, high-profile event

Resources for Further Information:

Hand Sewing Basics

Choosing Fabrics for a Sewing Project

A Sewing How-To

 

You can brainstorm other possible Skills and Talents your characters might have by checking out our FULL LIST of this Thesaurus Collection. And for more descriptive help for Setting, Symbolism, Character Traits, Physical Attributes, Emotions, Weather and more, check out our Thesaurus Collections page.

http://www.fabricsandbuttons.com/Merchant2/merchant.mvc?Store_Code=WSS&Screen=Choosing-Fabrics

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11. The continuing threat of nuclear weapons

By Barry S. Levy and Victor W. Sidel


Out of sight. Out of mind.

Nine countries, mainly the United States and Russia, possess 17,000 nuclear weapons, many of which are hundreds of times more powerful than the atomic bombs dropped over Hiroshima and Nagasaki almost 70 years ago. An attack and counterattack in which fewer than 1% of these nuclear weapons were detonated could cause tens of millions of deaths and could disrupt climate globally, leading to crop failures and widespread famine. A greater conflagration could cause a “nuclear winter” and threaten the future of life on earth.

The recent tensions concerning Ukraine demonstrate that although 23 years have elapsed since the end of the Cold War, nuclear weapons remain a clear and present danger to humanity. Persistent threats include accidental launch of nuclear warheads, proliferation of nuclear weapons among nations, potential acquisition and use of nuclear weapons by non-state actors, and diversion of human and financial resources in order to maintain and modernize nuclear arsenals in the United States and other nations.

Despite safeguards, accidental detonation remains a real possibility. A few years ago, a US Air Force plane transported six missiles tipped with nuclear warheads, unbeknownst to the pilot and crew. Twice, in recent weeks, it was revealed that as many as half of navy and air force personnel who maintain nuclear-armed missiles and would be responsible for launching them if commanded to do so had cheated on their competency examinations. In 1995, Boris Yeltsin, then president of Russia, had only a few minutes to decide whether to launch Russian nuclear-armed missiles against the United States in response to what, on radar, looked like a US air attack with multiple re-entry vehicles (MERVs); it turned out to be a rocket launched by a team of Norwegian and US scientists to study the aurora borealis.

Another major concern is that the leaders of the nine nations that possess nuclear weapons each have absolute authority — unchecked by other government officials or institutions, even in the United States — to launch an offensive or allegedly defensive nuclear strike.

Furthermore, proliferation remains a serious threat. During the past decade North Korea obtained nuclear technology and fissile materials, and developed and tested one or more nuclear weapons. At least until recently, Iran apparently was — and may still be — on the path to developing nuclear weapons. Given the widespread knowledge about nuclear technology and the potential availability of fissile material, non-state actors could acquire and use nuclear weapons.

U.S. Air Force Staff Sgt. Betty Puma, from the 5th Munitions Squadron, reviews a nuclear weapons maintenance procedures checklist as part of the Nuclear Surety Inspection (NSI) May 19, 2009, at Minot Air Force Base, N.D. An NSI is designed to evaluate a unit's readiness to execute nuclear operations. Areas to be evaluated during the NSI include operations, maintenance, security and support activities needed to ensure the wing performs its mission in a safe, secure and reliable manner. This no-notice inspection is expected to conclude May 22. (U.S. Air Force photo by Staff Sgt. Miguel Lara III/Released). defenseimagery.mil

U.S. Air Force Staff Sgt. Betty Puma, from the 5th Munitions Squadron, reviews a nuclear weapons maintenance procedures checklist as part of the Nuclear Surety Inspection (NSI) May 19, 2009, at Minot Air Force Base, N.D. An NSI is designed to evaluate a unit’s readiness to execute nuclear operations. Areas to be evaluated during the NSI include operations, maintenance, security and support activities needed to ensure the wing performs its mission in a safe, secure and reliable manner. This no-notice inspection is expected to conclude May 22. (U.S. Air Force photo by Staff Sgt. Miguel Lara III/Released). defenseimagery.mil

Highly-enriched uranium (HEU) — the fissile material used in nuclear weapons — is distributed globally, and used in nuclear reactors to perform research or power aircraft carriers and submarines. Converting to low-enriched uranium would eliminate the possibility of HEU being stolen or otherwise diverted to produce nuclear weapons.

Yet another major concern is the huge diversion of financial resources to maintain and modernize the US nuclear weapons arsenal, estimated over the next 30 years to be about $1 trillion. The proposed nuclear weapons budget of the US Department of Energy for fiscal year 2015 is higher than at any time during the Cold War. Meanwhile, substantial cuts have been proposed in programs to dismantle and prevent proliferation of nuclear weapons — and in programs to reduce poverty and protect human rights.

To most Americans, all of these concerns are out of sight and out of mind. Each of us has a responsibility to become more educated about these issues, increase the awareness of other people about them, and advocate for measures to reduce the dangers associated with nuclear weapons, including the abolition of nuclear weapons.

A longstanding proposal to eliminate all nuclear weapons is the Nuclear Weapons Convention (NWC). In 1997, a consortium of experts in law, science, public health, disarmament, and negotiation drafted a model convention. The Convention would require nations that possess nuclear weapons to destroy them in stages — taking them from high-alert status, removing them from deployment, removing warheads from delivery vehicles, disabling warheads by removing explosive “pits,” and placing fissile material under control of the United Nations. Such a convention has had wide public support throughout the world.

An immediate step that could pave the way to the Nuclear Weapons Convention and the eradication of nuclear weapons is a treaty banning nuclear weapons. Such a treaty could be negotiated with or without the participation of those nations possessing nuclear weapons. It could create an international norm of the illegality of nuclear weapons, similar to the norms that have been established concerning chemical and biological weapons, antipersonnel landmines, and cluster munitions. Such a treaty could put substantial pressure on the nations possessing nuclear weapons to comply with their disarmament obligations — which they have been unwilling to do thus far. The International Campaign to Abolish Nuclear Weapons (ICAN) has mobilized 300 civil-society organizations in 90 countries to campaign, on humanitarian grounds, for such a treaty banning nuclear weapons.

Given resurgent Cold-War-era arguments for revitalizing US nuclear-weapons capabilities to deter Russian actions in Ukraine, we must resist measures that would reset the “Doomsday Clock” to a point that places all humanity — and indeed all life on earth — in great peril of annihilation by nuclear weapons.

Barry S. Levy, M.D., M.P.H., and Victor W. Sidel, M.D., are co-editors of the recently published second edition of Social Injustice and Public Health as well as two editions each of the books War and Public Health and Terrorism and Public Health, all of which have been published by Oxford University Press. They are both past presidents of the American Public Health Association. Dr. Levy is an Adjunct Professor of Public Health at Tufts University School of Medicine. Dr. Sidel is Distinguished University Professor of Social Medicine Emeritus at Montefiore Medical Center and Albert Einstein Medical College and an Adjunct Professor of Public Health at Weill Cornell Medical College. Victor W. Sidel was a member of the 1997 consortium of experts in law, science, public health, disarmament, and negotiation that drafted the model Nuclear Weapons Convention. Read their previous blog posts.

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12. Journal Page: Dad's kitchen

Still going strong, with A Selfie A Day!
Hated the one I did on April 4 here in the left corner of the page. I had a sketch date with my dad the day after and decided to ignore the ugly face and draw half through it. I now really love the page, as I took a lot of time to draw my father's kitchen and get all those details and colours in too.


As you can see in the selfie in the bottom right corner, dinner was great.

Today is the second official World Wide Sketchcrawl of this year! I will be sketching with a group of like minded people in Amsterdam this afternoon, and looking forward to it.
You can find out more about the Sketchcrawl I am hosting in this earlier post or find a sketchcrawl group to join in your area by clicking here and type your town or city in the search bar.



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13. PLANNING YOUR NOVEL: IDEAS AND STRUCTURE by Janice Hardy - Guest Post and Giveaway!


I'm one of Janice Hardy's Beta readers and I have to tell you how excited I am about her latest book: Planning Your Novel: Ideas and Structure. So many of the things people tell you about writing are lovely, but leave you with questions of, "How"? Janice answers that. She is not only an amazingly talented writer (author of the Healing Wars trilogy), but she is a gifted teacher. She breaks down complicated ideas into easy-to-understand concepts you can adapt with your own writing. Now that the book is out - I will be shouting about it to everybody I know and using it in my classrooms. I'm honored Janice dropped by to talk:

What Kind of Writer Are You? Finding Your Writing Process
By Janice Hardy, @Janice_Hardy

     If you put ten writers in a room and ask them how they write, odds are you'll get ten different answers. There's bound to be some crossover, but everyone approaches the writing process differently. The creative process takes many forms and there's nothing wrong if your process differs from another writer's.
     But it's sad how often new writers (and some old ones), don't realize this. I’ve met too many writers who felt they had to write in a certain way to be successful, and that style was contrary to their own natural process. So say it with me...
     There is no right way to write.
     Trying to force yourself to write in a way that feels unnatural to you is only going to cause frustration. For example:
• The outliner who tries to wing it with no writing plan and feels lost, writing a book that’s a huge, unfocused mess.
• The pantser who tries to force her creativity into an outline and feels stymied, making her story go where it doesn’t want to go just because a list of events told her to take it there.
• The freestyler who forces himself to write chronologically and feels his creativity drain out of him when the scenes he’s most excited about fade away in his head.
     If a process makes you miserable and hurts your creativity, there’s a good chance it’s not the right process for you. Don’t be afraid to dump it and try something else.
     However, don’t reject a process idea if you’ve never tried it just because you don’t think it suits you. I’ve had techniques I thought would never work be exactly what I needed to take my writing to the next level.
     If you’re just starting your first novel, you might not yet know what your process is, and that’s okay. Most writers try multiple techniques before they find the ones that work best for them. Experiment with different styles (or adopt pieces from many) until you find the one that feels the most natural to you.
     Let’s look at a few process types and see if any fit your style:

The Pantser
      These writers write by the "seat of their pants" and enjoy sitting down at a blank screen with a general idea and letting the words take them. They don’t want to know what happens before it does happen, and seeing how the novel ends is half the fun of writing it. If you have no trouble finding the words when you sit down to write, but stare at the screen with a terrified look on your face when you try to plot or outline, this could be the process for you.

The Outliner
      Writing without a plan leaves these writers with a mess of scenes and no coherent storyline. They find comfort in knowing how a novel will unfold before they type a single word. They like to list how each scene starts, how it ends, and what happens in between.
     If you need to know exactly where your novel is going and how it’s going to get there before you write it, this could be your process.

The Loose Outliner
      These writers like structure, but they don’t want to know every detail before they write. They prefer to build the foundation of the novel, creating a framework in which to write that lets them control the plot without the plot controlling them.
     If you like knowing enough about your novel to guide your writing without losing the mystery of the story, this might be a good process for you to try.

The Character Writer
      Characters come to these writers first, and by the time they’re ready to write they know them inside and out. These writers don’t always know what those characters are going to do, however, and they enjoy letting the characters chase after their dreams and see where they take them.
     If you’re the type who knows what the characters want and need, but aren’t sure of the plot events to get them there, you might enjoy this process.

The Plot Driver
      These writers see the plot unfold long before they see the faces of the characters. They love the mechanics of plotting and figuring out how the pieces all fit together, and once that’s solid, then they figure out who the story is about.
     If structure and plot is what excites you, this could be the process for you.

The Scene Sewer
      Novels come to these writers in bits and pieces in random order. Scene sewers prefer jumping around when the mood strikes and sewing up the plot later. They’d rather see it in their mind, get it on paper, and worry about how the puzzle pieces fit later.
      If you like to let inspiration strike and then write—no matter where that scene might be in the book—you could be this type of writer.
      And if you fit more than one process? Take the parts that work for you and create your own style.

Finding Your Own Writing Process
1. Which type of writer do you most identify with? How does that fit with your own writing style?
2. What style would you want to try? What about it appeals to you? Why?
3. What style don’t you like? Why not?
4. Is your process working for you, or do you feel like it’s holding you back?
5. If it’s holding you back, why? What about the process do you find frustrating?
6. Can those frustrations be eliminated by trying or incorporating any of the above styles?
     Even if you know your process, it's never a bad idea to dust it off once in a while and re-evaluate what you're doing and why. You might discover you've grown as a writer, and making a few tweaks to your process could make you more productive overall.

What kind of writer are you?
      Looking for advice on planning or revising your novel? Check out my newest book Planning Your Novel: Ideas and Structure, a series of self-guided workshops that help you turn your idea into a novel.
     Planning Your Novel: Ideas and Structure takes you step-by-step through finding and developing ideas, brainstorming stories, and crafting a solid plan for your novel—including a one-sentence pitch, summary hook blurb, and working synopsis. 
     Over 100 different exercises lead you through the novel-planning process, with ten workshops that build upon each other to flesh out your idea as much or as little as you need to do to start writing.
     Find Exercises On:
- Creating Characters

- Choosing Point of View

- Determining the Conflict

- Finding Your Process

- Developing Your Plot

- And So Much More!
     Planning Your Novel: Ideas and Structure is an easy-to-follow guide to planning your novel, as well as a handy tool for revising a first draft, or fixing a novel that isn’t quite working.

     Janice Hardy is the author of the teen fantasy trilogy The Healing Wars, where she tapped into her own dark side to create a world where healing was dangerous, and those with the best intentions often made the worst choices. Her novels include The Shifter, Blue Fire, and Darkfall from Balzer+Bray/Harper Collins. The first book in her Foundations of Fiction series, Planning Your Novel: Ideas and Structure is out now. She lives in Georgia with her husband, one yard zombie, three cats, and a very nervous freshwater eel. Find out more about writing at her site, Fiction University, or find her on Twitter @Janice_Hardy.
Website | Facebook | Twitter | Goodreads | Amazon | Barnes & Noble | Indie Bound

GIVEAWAY
     Janice has kindly agreed to give away one free, signed and dedicated copy of Planning Your Novel: Ideas and Structure to one of my lucky visitors. Must live in the US or Canada to win. Enter below.

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14. Preparing for INTA 2014, the first annual meeting in Asia

By Christopher Wogan & Ruth Anderson


In their new book A Practical Guide to Trade Mark Law, authors Amanda Michaels and Andrew Norris observe that:

In the past, products and services would have been purchased over the counter or by a personal transaction, but today purchases may be made in a plethora of ways, many of which involve no personal contact between the vendor or supplier and his customer. In such circumstances, advertising, PR, and image become increasingly important, and as a corollary the power of a trade mark to act as a distinguishing sign, guaranteeing the source and quality of goods or services, is increasingly vital to business.

This observation highlights both the importance of trade marks and trade mark law in the 21st century, and underlines the relevance of the upcoming meeting of the International Trademark Association in Hong Kong. The first annual meeting held in Asia, INTA 2014 presents a unique opportunity for colleagues, practitioners, and trade mark specialists to meet each other face to face, many for the first time. Take a look at the list of attendees for this year’s INTA.

Around 8,500 delegates from all over the globe will convene at the Hong Kong Convention and Exhibition Centre from 10-14 May 2014. The programme naturally features a special focus on Asia, with eight sessions focused on hot topics and substantive case law updates in the region.

Hong Kong Convention and Exhibition Centre. hotot by Edwin. CC BY 2.0. via Edwin.11 Flickr.

Hong Kong Convention and Exhibition Centre. Photo by Edwin. CC BY 2.0. via Edwin 11 Flickr.

The five-day conference is packed with informative panel discussions and networking events. Highlights include a session moderated by Karen Fong, from Rouse, UK entitled ‘What Role Will Trademarks Play in the Future of Asia?’, and ‘Trademarks at the Crossroads of Trade and Culture’ moderated by Irene Calboli, and including Oxford author Lionel Bently as a speaker. Both the Welcome Reception and INTA Gala are not to be missed.

Here are some of the conference events we’re excited about:

  • Saturday, 10 May, 4:00-5:00 p.m.: First-Time Attendee Annual Meeting Orientation
    First-time attendees and new members will find this orientation essential to surviving their first Annual Meeting. Learn from experienced Annual Meeting attendees about the many resources and opportunities for education and networking; also find out how to navigate the Exhibition Hall and make the best use of your time.
  • Monday, 12 May, 12:00-1:00 p.m.: Meet Oxford author Neil Wilkof
    Neil will be signing copies of Overlapping Intellectual Property Rights. at Oxford University Press booth #409.
  • Monday, 12 May, 3:00-4:00 p.m.: Meet Oxford author Amanda Michaels
    Amanda will be signing copies of the new fifth edition of A Practical Guide to Trade Mark Law at Oxford University Press booth #409.
  • Monday, 12 May, 5:15-7:00 p.m.: Academic and Young Practitioner Happy Hour
    Enjoy a cocktail with colleagues while discussing interesting new trademark law developments. Don’t miss this excellent networking opportunity for law and paralegal students, practitioners new to trademark law, as well as professors and adjunct professors.
  • Wednesday, 14 May, 7:00-11:00 p.m.: Grand Finale
    Enjoy your final night of the 2014 Annual Meeting at Hong Kong Disneyland.


But Hong Kong (香港) offers so much more. A gateway between East and West, Hong Kong is often at the intersection of trade, art, and culture. Located on China’s south coast, at the mouth of the Pearl River Delta, Hong Kong (along with Macau) is one of the two Special Administrative Regions of the People’s Republic of China.

Here are a few tips on what to expect when you get to Hong Kong:

  • The weather in Hong Kong in May will be warm. Expect temperatures to reach between 24-29 degrees Celsius, 75-84 degrees Fahrenheit.
  • At the Convention and Exhibition Centre, free wi-fi is available for attendees with wi-fi-compliant devices in all exhibition halls and meeting rooms together with their foyers, all public areas, and the Centre’s restaurants.
  • There are seven restaurants at the Convention and Exhibition Centre, including Congress Restaurant which services extensive set lunch menus, and a dinner buffet with choice of savoury delicacies. The harbour view is a main attraction.
  • You find can find details of the floor plans of the Convention and Exhibition Centre on the web.
  • If you would like to try something different when you are in Hong Kong, why not visit Jumbo Kingdom, one of the world’s largest floating restaurants. It is situated in Aberdeen, and can seat up to 2,300 diners.

 

If you are lucky enough to be joining us in Hong Kong, don’t forget to visit Oxford University Press at booth number 409 where you can browse our award-winning books, pick up a sample copy of one of our intellectual property journals including Journal of Intellectual Property Law & Practice or Reports of Patent, Design and Trade Mark Cases.

To follow the latest updates about the INTA Conference as it happens, follow us @OUPAcademic and the hashtag #INTA14. See you in Hong Kong!

Christopher Wogan is the Marketing Manager for Intellectual Property Law products at Oxford University Press. Ruth Anderson is Senior Commissioning Editor for Intellectual Property Law products at Oxford University Press.

Oxford University Press is a leading publisher in intellectual property law including the Journal of Intellectual Property Law & Practice, edited by Professor Jeremy Phillips, and Reports of Patent, Design and Trade Mark Cases, as well as the latest titles from experts in the field, and a wide range of law journals and online products. We publish original works across key areas of study, from trade marks to patents, designs and copyrights, developing outstanding resources to support students, scholars, and practitioners worldwide.

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15. Latest News

My children’s book Living Green: A Turtle’s Quest for a Cleaner Planet began being published as a 5 part series in February, and will run through June in Jabberblabber Magazine. Based in Memphis, Tennessee, Jabberblabber is a print and online Earth Friendly magazine for kids available at all Walgreens in the Tri State area, as well as various other locations throughout the Mid-South. To read part 3/5 in the April issue, please click on the illustration below. Parts 1-3 are covered on pages 31 and 32.

LG Cover

The Southern Newspapers Publishers Association is offering several of my children’s stories to newspapers across the United States. The latest is my story titled The Hummingbird Who Chewed Bubblegum, which was published on March 18th.  To read the stories, please click on the illustration below.

The Hummingbird Who Chewed Bubblegum

 

Use of any of the content on this website without permission is prohibited by federal law 

COPYRIGHT © 2014 ARTIE KNAPP

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16. 50 Years of Charlie: A Celebration of Charlie and the Chocolate Factory

Send to Kindle

This year marks the 50th anniversary of the beloved Roald Dahl book Charlie and the Chocolate Factory.

Charlie and The Chocolate factory

Like most families reading Charlie and the Chocolate Factory by Roald Dahl, we were mesmerized and enchanted by the adventure into Willy Wonka’s chocolate factory.

As my family closed the book for the third time on Charlie and Willy, as they’ve become known here, a litany of questions followed.

“Mom, can we please jump into Charlie and the Chocolate Factory?” This brought about a bit of a problem for me as “Charlie” was one of those “untouchable” books. A book so captivating that it’s better to let it rest in the mind and imagination instead of disappointing by not meeting up to the “enchantment” standards.

“Mom do you think a place like Willy Wonka’s chocolate factory could really exist ? Is it possible or is it just too made up to even be realistic?”

It was the answer to that question which sent me down a path, not unlike the yellow brick road, with Willy Wonka in hand to create an enhanced e-book adventure of Wonka size proportions.

Little did I know that on the journey into opening up the magical world of Willy Wonka that we would need to find our own golden tickets, no admittance allowed without one is what the sign said. That we would venture into South American jungles to discover where chocolate comes from and how gum is made. Soon we would taste the banks of the chocolate river and learn the secrets to making delectable Swudge, the minty grass which grows on the banks of the Chocolate River.

As we raced a pack of clothes changing Oompah Loompah’s down the croquet lawn, we can absolutely verify that they exist. I can also attest that hot chocolate definitely tastes better churned by waterfall.

The ultimate Guide to CharlieThe ultimate Guide to Charlie

Oompah Loompah’s are great game players. While the rest of the world is trying to let their gobstopper’s last forever, Oompah Loompah’s never put their gobstoppers in their mouths. Instead they play a series of games which occupy their “off” hours. My family and friends play these games often and prefer to save their gobstoppers forever so that we can eternally play our favorite games.

The Ultimate Guide to Charlie

One cannot explore Willy Wonka’s incredible factory without knowing a thing or two about mazes to keep ones bearings. Again gobstoppers came to our rescue with a clever shoe box maze game, as well as learning how to walk through a piece of paper by cutting a scissor maze. Like Charlie we found ourselves stopping in the Fizzy Lifting drink room and gave our hand at making a few of our own fizzy concoctions and of course burping incredibly loud. We wouldn’t want finger prints on the ceilings would we?

4-JIAB-Charlie-square-candies-spread

We are the creators of magical moments, magnificent candy, fun and nonsense, fizzy drinks, makers of Swudge, maneuverers of mazes, tower builders, but mostly adventurers at heart. To grab your copy of The Ultimate Guide to Charlie and the Chocolate Factory enhanced digital e-book for kids, go to iTunes or to our Ultimate Charlie site to learn more about the making of this memorable adventure!

 

Tweet: Watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places- Roald Dahl

roald

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17. Writing is Seeing

Author Kate DiCamillo tells us writers see and pay attention. 

http://www.katedicamillo.com/onwrit.html

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18. Lord Chumley's Kitten Chow

Something I came up with a few years ago for a video game company I used to work for. I had to stock an entire gas station environment with product art, and Warren Dotz's Ad Boy was my main inspiration for the items. It's an awesome resource, and I'm looking forward to seeing what's in store with his new titles!

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19. Jumping Jack by Germano Zullo and Albertine

<!-- START INTERCHANGE - JUMPING JACK -->if(!window.igic__){window.igic__={};var d=document;var s=d.createElement("script");s.src="http://iangilman.com/interchange/js/widget.js";d.body.appendChild(s);} <!-- END INTERCHANGE --> Germano Zullo and Albertine are the duo who created Little Bird and Line 135 and now the very funny, kind of weird Jumping Jack. Jumping Jack and Roger Trotter are

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20. We're a Writer's Digest 101 Best Websites for Writers Site Again! THANK YOU!



I got an email from Writer's Digest on Thursday letting us know we'd been honored as one of their 101 Best Websites for Writers for the second year in a row. And I honestly can't begin to tell you how grateful I am--how grateful we all are! We are in phenomenal company, which is even more astonishing.

One of the most wonderful things about this award is that it truly recognizes the team effort that goes into creating a blog like this. It would be an impossible, and far less rewarding, task for any one person to undertake. But the recognition is far broader than our core team of myself, Alyssa, Clara, Lisa, and Jan. It truly goes to the authors and publishers who contribute posts and interviews and books to us to share with you guys each week. Bringing their words to you is what this site is all about.

Writing is a lonely endeavor so much of the time. Being able to share it with other writers makes it easier. Being able to learn from authors generous enough to give their insight, wisdom, and expertise is beyond price. Finding new favorite books is even better, because I truly believe there is no better way to learn craft than reading fabulous books.

We want this site to be an intersection between readers and writers, a place where readers and authors connect about the love of the journey and celebrate each other.

Ordinarily, we would post a giveaway in honor of a hallmark like this, but the honor came just a day after I posted a the huge giveaway to celebrate reaching two million page views, so I think that's celebration enough. : ) The giveaway for that post is here, and to make a long story short, you'll find twenty prize packs in there including thirty-eight different books or series by Jennifer L. Armentrout, Holly Black, Anne Blankman, Libba Bray, Sarah Rees Brennan, Rae Carson, Kresley Cole, Leah Cypess, Kimberly Derting, Lisa Gail Green, S.E. Green, Wendy Higgins, Rosamund Hodge, Clara Kensie, Kimberley Griffiths Little, Marie Rutkoski, Maggie Stiefvater, Laini Taylor, Kat Zhang and more.




That should take care of the reading portion of our celebration.

To showcase the writing portion, I've asked Alyssa and Jan to go through and pull together a list of popular or helpful posts on writing craft and getting published. Here's the list they came up with.


There are a LOT more posts. Check the labels and browse around.

We hope you'll find something helpful on this list and on the site in general, something that will inspire you, get you past a hurdle, and push you a little further along the publishing path.

I can honestly say that everything that you'll find on this site is material that I've experimented with and applied to my own writing in the past four years. This site is how I learned to write.

I can't say often enough that I know luck plays a huge part in getting a book published and into the hands of readers. I feel beyond blessed every single day that Compulsion was picked up and that I have the opportunity to work with the incredible team at Simon and Schuster and Simon Pulse. (And I have news I can't even share yet about how wonderful they are!)

That said, though, luck isn't all that goes into it. We have to be brutally critical of our own work. As writers, we have to be ready for luck to strike. It's no surprise that so many of the writers I've met online or at writers workshops have been published or are in the process of being published. We can't control which manuscripts get picked up by agents or ultimately sell, but we can get our manuscripts to publishable level. And to do that, we have to learn everything we can about craft. The writers I've seen succeeding are those who write all the time, read all the time, and question and eagerly pursue learning as part of the process.

I've been lucky to learn from most of the websites mentioned in this year's issue, as well as many who aren't on the list.  Writers Helping WritersJanice Hardy, and Jami Gold are three sites you don't want to miss, and Mystery Writing Is Murder, Victoria Mixon, Anne R. Allen, Jane Friedman, The Plot Whisperer, Writer Unboxed, YA Highway, The SCBWI, Querytracker, Adventures in Agentland, Rachelle Gardner, Nathan Bransford and so many others have been my go to sites for years. I can't believe we're on a list with Mashable, Absolute Write, and Goodreads, for Pete's sake. How awesome is that? Mind. Blown. But I truly wish the list was longer. So many people and great sites deserve it.

Thank you all!  Thank you to Writer's Digest. Thank you to the amazing authors and publishers who make this happen. Most of all, thank you to Alyssa, Clara, Lisa, and Jan, without whom this site simply would not exist!

Happy writing, everyone,

Martina





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21. Can You Identify These Legendary Animators?

Tonight, just for fun, I posted a series of photos of legendary animators from the Golden Age of theatrical animation. We owe them a great deal. Without the pioneering efforts of these artists (and hundreds of others like them), animation would not be nearly so advanced as it is today. How many of these animators can you identify? You can click through to Instagram for the identifications.

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22. 2014 April PAD Challenge: Day 19

At the beginning of the challenge, there’s a lot of excitement about starting; at the end of the challenge, there’s excitement (and sadness) over finishing the challenge; but in the middle, it’s kind of like the dog days of summer–at least for some. For me, each day is a new challenge. And speaking of challenges, don’t forget to check out my poetic challenge with a $500 grand prize (deadline: May 15). Click here for more details.

For today’s prompt, pick a color, make the color the title of your poem, and then, write your poem. You can make your poem black, white, red, purple, turquoise, puce, or whatever your heart desires. And the subject of your poem can cover any topic–as long as you’ve plugged a color into the title. Let’s do this!

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Get feedback on your poetry!

If you want some professional feedback on your poeming efforts, the Writer’s Digest Advanced Poetry Writing course is a great place to start.

Click here for more details.

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Here’s my attempt at a Color in the Title Poem:

“onyx”

my father would cover the windows
with heavy blankets the only light

a digital clock that counted slow
the minutes i didn’t have patience

but i knew how to listen and keep
silent i often wonder if he

knew i wouldn’t tell years later when
i did he said he could remember

nothing but admitted it could’ve
happened a decade keeping secrets

and keeping them alone that hurt most
father asking if i loved him and

saying to not tell a secret we
must keep and me wanting to escape

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Today’s guest judge is…

Thomas_Lux_poetThomas Lux

Thomas Lux’s most recent book of poems is Child Made of Sand (Houghton Mifflin Harcourt, 2012). Selected Poems is due from Bloodaxe Books this fall.

He is also the author of several other books, including The Cradle Place and God Particles. In addition to poetry collections, Tom is the author of From the Southland, a book of literary nonfiction.

He holds the Bourne Chair in Poetry and is director of the McEver Visiting Writers Program at the Georgia Institute of Technology. He has been awarded multiple NEA grants and the Kingsley Tufts Award and is a former Guggenheim Fellow.

Click here to learn more.

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PYHO_Small_200x200Poem Your Heart Out

Poems, Prompts & Room to Add Your Own for the 2014 April PAD Challenge!

Words Dance Publishing is offering 20% off pre-orders for the Poem Your Heart Out anthology until May 1st! If you’d like to learn a bit more about our vision for the book, when it will be published, among other details.

Click to continue.

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Robert Lee Brewer is Senior Content Editor of the Writer’s Digest Writing Community and author of Solving the World’s Problems. The title poem from that collection is about the relationship mentioned in the poem above. Learn more about Robert here: http://www.robertleebrewer.com/.

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Color your life with these poetic posts:

 

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23. Henry James, or, on the business of being a thing

By Jeff Sherwood


It is virtually impossible for an English-language lexicographer to ignore the long shadow cast by Henry James, that late nineteenth-century writer of fiction, criticism, and travelogues. We can attribute this in the first place to the sheer cosmopolitanism of his prose. James’s writing marks the point of intersection between registers and regions of English that we typically think of as mutually opposed: American and British, Victorian and modernist, intellectual and popular, even the simple good sense of Saxon-Germanicism and the fine silk shades of Franco-Romanticism. Thus, because his writing defies easy categories, it isn’t hard to suppose that James belongs in the back parlor of English-language history, a curiosity of passing interest, but one which, in its very idiosyncrasy, fails to capture the ‘ordinary, everyday’ language.

Henry-James-books-656x485

Henry James in the OED

Nevertheless, the Oxford English Dictionary (OED) cites Henry James over one thousand times, often in entries for common English words like useturn, comedo, and be. At least one explanation for this preponderance is the fact that, precisely because James’s prose incorporates elements from so many different kinds of English, it is uniquely positioned to exemplify—and even differentiate between—very subtle distinctions of usage and meaning. Thus, at green adj. James’s early novel The American provides a downright crystalline use of the phrase green in earth to mean ‘just buried’: ‘He thought of Valentin de Bellegarde, still green in the earth of his burial.’ By adding the final (semantically superfluous) three words, not only does James clarify the phrase’s context, he accentuates its poetic wordplay; its dependence on the double sense of green both as ‘new’ (sense 7a) and as ‘covered with vegetation’ (sense 2a) in order to conjure the renewal of the earth that is part and parcel of the burial rite. In this case, poeticism, often an obstacle to meaning, is actually the most probable explanation for the collocation’s longevity.

This old thing?

James’s ability to write prose that is both fastidiously discerning and euphemistically elliptical is not accidental, and cannot fail to intrigue someone whose business it is to describe words all day. In fact, despite clearly affectionate attachments to a number of words (presence and relation leap to mind), the one I would nominate as James’s absolute favorite is of great concern for lexicography—the thoroughly common word thing. Meaning quite literally any-thing from the genitals (sense 11 c) to a work of art (sense 13, complete with a James citation), thing is remarkably Jamesian in its ability to denote both the most concretely literal elements of reality and the most rarefied abstractions of human thought. And it is in just this respect that the word presents itself at the heart of perhaps the most naïve yet essential question that the lexicographer must answer: whether any particular meaning associated with a given word is actually ‘a thing.’ At times, this can be quite easy: it is not difficult to evaluate whether the physical object we mean when we say ‘smart phone’ is a ‘thing.’ But in many cases, the ‘thing’ referred to by a word is only conceptual. The existence of what we mean by ‘freedom’, for example, cannot be empirically proven. All we can say for sure is that the frequency and manner in which people use such words strongly suggests that they mean specific ‘things’.

Philosophically speaking, what makes ‘thing’ so interesting is that it straddles the gap between words that refer to physical objects and those that refer to abstract concepts, serving as a kind of verbal ‘junk drawer’ where items from both groups get casually tossed, only to wind up completely tangled and confused. Unsurprisingly, this confusion is just what James chooses to explore in his short story ‘The Real Thing.’ Its protagonist is an illustrator visited by two aristocrats, Major and Mrs. Monarch, who have fallen on hard times. They volunteer themselves as models for the artist, presuming that as bona fide members of society they are more suitable subjects for the aristocratic characters he depicts than the working-class types he typically employs. In fact, of course, the couple is awkward and unnatural, unable to embody the concept of aristocracy despite being literal examples of it.

Defining the tooth fairy

In just the same way, when a particular word is used ‘in the real world’, it will almost never be a perfect example of the concept it refers to. Consequently, it becomes the lexicographer’s job to improve upon ‘the real thing’, to illustrate a word more vividly than the real world can. This is especially clear when the word being defined refers to a fictional character, like the tooth fairy. To give wholesale priority to this term as a lexical object would render a definition like ‘a fairy that takes children’s baby teeth after they fall out and leaves a coin under the child’s pillow.’ This covers how the term is ordinarily used, since in everyday speech we are not in the habit of constantly remarking on the key conceptual detail that the tooth fairy is not real. Nevertheless, a definition that fails to note this misses, paradoxically enough, ‘the real thing.’ Just as Major Monarch doesn’t quite look like ‘the real thing’ he is, sometimes a word used in everyday speech doesn’t quite capture the thing it really is.

Jeff Sherwood is a US Assistant Editor for Oxford Dictionaries. Read more about Henry James with Oxford World’s Classics. A version of this article originally appeared on the OxfordWords blog.

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Image: Montage of Henry James Oxford World’s Classics editions.

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24. New Murakami (in Japan)

       A new volume of stories by Murakami Haruki is out in Japan, 女のいない男たち; see the 文藝春秋 publicity page.
       See, for example, The Japan Times report, Murakami's new book hits shelves amid fan frenzy; more ordered, as:

Publisher Bungei Shunju has already raised the first shipment of the book to 300,000 copies from 200,000 due to heavier-than-expected advance orders for the first compilation since 2005, local media said.
       You figure they'd have this figured out by now; I assume they just low-ball what they say the initial print run is so that they can report the 'heavier-than-expected' demand ..... (Of course, since this the publishing industry it's distinctly possible that they have nothing figured out .....)

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25. Our Wonderful World.19

Details of my Poetry Month Project can be found here.






Dominating the North Platform of Chichen Itza is the Temple of Kukulkan (a Maya feathered serpent deity similar to the Aztec Quetzalcoatl)...On the Spring and Autumn equinoxes, in the late afternoon, the northwest corner of the pyramid casts a series of triangular shadows against the western balustrade on the north side that evokes the appearance of a serpent wriggling down the staircase, which some scholars have suggested is a representation of the feathered-serpent god Kukulkan. --Wikipedia



What To Do If You Are a Feathered Serpent Deity


Wear plumage to mitigate your fangs
to imply flight
suggest softness


Wear scales to camouflage your tenderness
to announce might
define dominance


©Mary Lee Hahn, 2014


Kevin has an amazing interactive poem today at Kevin's Meandering Mind.




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