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1. It's Live!! Cover Reveal: Curse of the Moon by Beth Trissel + Giveaway (Intl)

Hi, YABCers! Today we're super excited to celebrate the cover reveal for CURSE OF THE MOON by Beth Trissel, releasing May 4, 2016 from Wild Rose Press. Before we get to the cover, here's a note from Beth: Hey guys! Beth Trissel waving to the gang at YABC! I'm psyched to...

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2. May is National Short Story Month

Stories and collections and publishers and authors will be discussed here and hopefully at many other sites during the month.

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3. Hey Diddle Diddle


One of my excursions into egg tempera.  Not done for publication.

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4. योग, मोदी सरकार और मन की बात

 योग, मोदी सरकार और मन की बात   Happiness is … योग, मोदी सरकार और जनता के मन की बात मन की बात नाम आते ही हमारे जहन में रेडियों पर मोदी जी के मन की बात का ख्याल आ जाता है …. अक्सर देखा गया है कि हम अपने मन की बात नही सुनते […]

The post योग, मोदी सरकार और मन की बात appeared first on Monica Gupta.

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5. ‘Zootopia’ Overpowers ‘Ratchet and Clank’ Debut

The ninth weekend of Disney's "Zootopia" outperformed its new competition, "Ratchet & Clank."

The post ‘Zootopia’ Overpowers ‘Ratchet and Clank’ Debut appeared first on Cartoon Brew.

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6. Tony, Tony, Tony, Tony, Tony

Several years ago, I tuned into the Tony awards telecast eager to find out whether Ragtime was going to beat The Lion King. (It didn't.) I made my new boyfriend watch the whole thing with me, even though he didn't care at all about the results. The next day at his work, his colleagues were talking at lunch about what they had watched on television the night before. "Anyone watch the World Cup?" someone asked. Several people had. "How about the NBA Playoffs?" Again, a lot of murmurs of agreement. My boyfriend said, "Hey, did anyone watch the Tonys?" Dead silence.

I've always loved that story because I think it's a fairly good representation of the Tonys in popular culture. They have a very limited audience- you have to physically go to New York and see the original productions. You really can't tell who is going to win Best Choreography if you listen to the cast album. This is completely different from the Oscars, because you can see the nominated movies anywhere.

Also, that boyfriend is now my husband, and I still make him watch the Tonys with me every year. 

This year, I'm particularly excited to find out how Hamilton will do at the Tonys. Let's start with this question: How many Tonys can Hamiltonactually win?

It's eligible for the following 13 categories:

1. Best Musical
2. Best Book of a Musical
3. Best Original Score
4. Best Orchestrations
(These four categories can only be won by new musicals).

5. Best Direction of a Musical
6. Best Choreography
7. Best Scenic Design of a Musical
8. Best Costume Design of a Musical
9. Best Lighting Design of a Musical
10. Best Performance by a Leading Actor in a Musical
11. Best Performance by a Leading Actress in a Musical
12. Best Performance by a Featured Actor in a Musical
13. Best Performance by a Featured Actress in a Musical
(These nine categories can be won by either new musicals or revivals- which means the field is much larger for these awards.) 

The current record is held by The Producers, which won 12 Tonys and was nominated for 15. The Producers won every single category for which it was nominated, which is a rather incredible acheivement. The three nominations that The Producers didn't win were in the acting categories because multiple actors from the show were nominated for the same category. The one category it didn't win, is also the only one it wasn't nominated for:  Leading Actress. 

The Tony Administration committee has ruled on eligibility for certain parts in Hamilton, and whether they belong in the Lead or Featured Actor categories. Lin-Manuel Miranda, Leslie Odom, Jr.  and Phillipa Soo will all be considered in the Lead categories.

If Hamilton gets nominated in all thirteen categories- then it is within striking distance to go for the record. The Producers only had three eligible performer categories, but with the decision to put Phillipa Soo as a Leading Actress, Hamilton now has all four performer categories available.

Also, don't be surprised if it receives more than thirteen nominations. Hamilton is likely going to have the same problem as The Producers. If multiple actors get nominated in the same category (which I would expect), it won't be possible for Hamilton to win all of its nominations. 

How many possible Tonys could Lin-Manuel Miranda personally go home with? If he was nominated for every available category andhe won all of them, I see four Tonys on the list above that could wind up on his mantel. Best Book of a Musical, Best Original Score, Best Performance by a Leading Actor in a Musical and Best Orchestrations (which he collaborated on). The award for Best Musical is given to the producers- and he didn't produce the show. But the possibility of seeing the same person win both the composing and writing awards and an acting award and an arrangement award- that is a phenomenal and exciting possibility.

I have an image in my head from when Norah Jones won so many Grammys in the same night that she could barely hold them all. I keep thinking about this picture every time I think about what a photo of Lin at the end of the Tonys might look like. 

In The Heights was nominated was for 13 Tonys and won 4. Lin-Manuel Miranda was personally nominated for two: Best Score (which he won) and Best Actor (which he lost). (As a footnote, I'll mention that In the Heights was also nominated for Best Sound Design, a category that no longer exists.) But Hamilton is a whole different ball game. It's a hit, it's a hit, it's a palpable hit. A crazy lottery, standing room only, sold out forever hit. A show doesn't have to be a monster hit like Hamilton to win Tonys, but it doesn't hurt. 

For me, a lot of the drama is going to be in the Actor categories. Ignoring the other shows for a moment- if it was a match-up between just Lin-Manuel Miranda (Hamilton) and Leslie Odom, Jr. (Burr)- who would win? (Oh, the irony, given that the show itself is a matchup between Hamilton and Burr.) Common sense probably tells us Lin, but I have to say that Leslie was show-stoppingly phenomenal. 

What about the Featured Actors? The ensemble work was all exceptional and it is difficult to rank one above another. If I absolutely had to, I would say Daveed Diggs (Lafayette/Jefferson) and Chris Jackson (Washington) were truly standouts. So was Jonathan Groff (King George III), even through he was only on stage for a few moments. Okieriete Onaodowan (Mulligan/Madison) was also terrific, but there may not be enough room in the nominations. 

On the actress side, both Phillipa Soo (Eliza) and Renee Elise Goldsberry (Angelica) were outstanding, so I'm glad they won't have any other competition in their categories from within the show, unless Jasmine Cephas Jones (Peggy/Maria Reynolds) gets nominated as a Featured Actress.

We can't ignore those other shows forever. Here's a listof eligible new shows that will be vying very hard not to be shut out.

The Tony nominations will be announced on Tuesday, May 3 and the Tony Awards will be on Sunday, June 12.

<!--[if gte mso 9]> Normal 0 false false false EN-US JA X-NONE <![endif]-->
Wait for it.

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7. लघु कथा – महिला दिवस- ऑडियो -मोनिका गुप्ता

  लघु कथा – महिला दिवस- ऑडियो -मोनिका गुप्ता Audio -Short Story – Monica Gupta नमस्कार कहानियों का संसार भी बडा अजब गजब होता है कभी हास्य कहानी दिल खुश कर देती हैं तो कभी कोई कहानी दिल के इतने करीब लगती है कि आखें नम कर देती है. आज मेरी लिखी कहानी  जो आप […]

The post लघु कथा – महिला दिवस- ऑडियो -मोनिका गुप्ता appeared first on Monica Gupta.

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8. Misadventures of Grumpy Cat

The Misadventures of Grumpy Cat and Pokey, vol. 1 Ben McCool, Royal McGraw, Elliott Serrano, Ben Fisher, Steve Uy. 2016. Dynamite Entertainment. 104 pages. [Source: Review copy]

I didn't enjoy reading The Misadventures of Grumpy Cat (and Pokey!), at least not as much as I was expecting to--wanting to. I hoped my love of Grumpy Cat would outweigh my dislike of comic books. That wasn't the case at all. The portrayal of Grumpy Cat didn't really live up to my expectations either. More often than not, my reaction to a comic was: so what?

I wasn't expecting the weirdness in the collection: a couple of ghost stories, a time travel story, an alien encounter, and one about ancient Egyptian mummies.

Treasure Map--Grumpy Cat exerts a lot of energy in this one to set up Pokey for a trick: she buries a treasure map, pretends to be disinterested, refuses to cooperates, reluctantly agrees, dresses up as a ghost or two, etc. A "real" ghost ends this strip. I was less than enthused by this first comic.

Grumpy in HD--Grumpy gets Pokey and a dog into trouble with the humans in this one. It is about the remote control and how to "make" it work. It felt shorter and less annoying--which is a good thing.

Super-Pokey & Grumpy Cat in Paws of Justice--Pokey convinces Grumpy Cat to be his sidekick. Pokey having been inspired by watching superheroes on tv. There are costumes and everything. Can this duo prove heroic in the local neighborhood. This one is a bit over-the-top in a purely silly way. If I had to pick a favorite to like, it, might accidentally be this one.

Grumpy Cat Goes to Comic-Con--just one page, and, definitely one of the 'so what????' strips.

Cell Phone--Grumpy Cat and Pokey get into some trouble with a cell phone. At first Grumpy Cat was don't *try* to answer the phone, leave it alone, it's nothing but trouble waiting to happen. Then, she changes her mind when the human on the other end of the phone starts talking about bringing treats.
It doesn't end well for the cats.

Vincent Van Grump--In an effort to become famous, Grumpy tries her hand at singing, writing, and painting. Perhaps one of the better ones in the collection. At least it isn't otherworldly.

Grumpy Birthday to You--Grumpy Cat is grumpy about her birthday.

Detective Cats--Grumpy Cat and Pokey become detectives to solve a case--a case about missing food or missing treats or something like that. It was okay.

A Grump in Time--weird from start to finish and not in a good-weird way or a funny-weird way. Just weird-weird as in--so what????

Close Encounters of the Grumpy Kind--Pokey and Grumpy meet aliens. At this point I was ready for the book to be done already.

I Know What You Did Last Summer...I Just Don't Care--Fortunately there was just one more story. Unfortunately it was Halloween-themed. This one features the haunted house (again) and an Egyptian mummy-cat.

© 2016 Becky Laney of Becky's Book Reviews

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9. Lingo

In basketball, there is a hoop
Through which an orange ball
When arcing, in a graceful loop,
May very likely fall.

A candidate, in quite a gaffe,
Mistakenly said “ring”
Instead of “hoop;” on his behalf,
Attention it did bring.

But notoriety is not
Considered as a plus
And lack of sporting lingo’s what
Makes him not one of us!

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10. 7-Imp’s 7 Kicks #481: Featuring David Litchfield

  It’s the first Sunday of the month, which means that here in 7-Imp Land I take a look at the work of an up-and-coming illustrator. Today, instead of a student, I’ve got a debut author-illustrator. David Litchfield’s new book, The Bear and the Piano (Clarion), was evidently inspired (in part) by the White Stripes’ […]

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11. Animation Can Make Anything Interesting, Even This Overpriced Samsung Fridge

Moonbot created a short about a fridge that has been viewed millions of times.

The post Animation Can Make Anything Interesting, Even This Overpriced Samsung Fridge appeared first on Cartoon Brew.

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12. Eka Kurniawan Q & A

       In The Jakarta Post Stevie Emilia has a Q & A with Eka Kurniawan (who recently made a splash in English translation, with Beauty is a Wound and Man Tiger).
       Among Kurniawan's answers: re. his favorite author he singles out:

If I have to mention only one, it's Knut Hamsun ( the Norwegian author who won the Nobel Prize for Literature ). His works convinced me to become a writer.
       And as far as 'social media' (Facebook, Twitter, or Instagram) go, he says: "Don't like any of them."

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13. alma y la isla

   


Alma llegó del mar...

Este año he tenido el placer de ilustrar Alma y la isla, de Mónica Rodríguez, XIII Premio Anaya Infantil y Juvenil de Literatura. Y la magia, la realidad, el dolor y la poesía que están presentes en este relato.

En palabras de Mónica: Alma son todos esos niños –y adultos– que tienen que abandonar su tierra, su familia, todo lo conocido, arriesgando cuanto tienen, incluso la vida, para alcanzar una tierra en la que esperan recuperar su dignidad y en la que no siempre lo consiguen.
...........
Alma y la isla by Mónica Rodríguez, has won the XIII Anaya prix this year, and I had the pleasure of illustrating this story a few months ago. The tale talk to us about Alma, a black girl who comes by the sea, and the story is a reality framed in magic and poetry. Here are some images from the book.







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14. Spotlight on Falcon Flight by Azalea Dabill, Plus Giveaway!

  Today we're putting a spotlight on Azalea Dabill's novel, Falcon Flight. Read on for more about Azalea, her novels, an excerpt, plus a giveaway!     Meet Chronicle Book One: Falcon Heart! Murder, sacrifice, vengeance ... compassion and an adventure beyond fear. Slavers steal first­daughter Kyrin Cieri from medieval Britain and...

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15. The Jungle

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16. Pony cottage. 13/100 #100daysofOILCRAYON #the100dayproject...



Pony cottage. 13/100 #100daysofOILCRAYON #the100dayproject #oilpastels #lisafirke



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17. Genius - Movie Trailer

Seldom do editors get the appreciation they deserve, but they do in the new movie about Thomas Wolfe and his editor Maxwell Perkins. Looks interesting! Click the image to watch the trailer and learn more about the movie.

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18. getting ready for the big (clay) shows

In our tiny but (dare I say it?) much-loved house, there are two bedrooms, one kitchen, one place for me to work, two rooms full of books and a basement and then again a garage where my husband does his thing.

This is a view of the basement. This is Sunday morning, 7:50 AM, as my husband prepares for his first solo clay show, opening in early June at the Show of Hands gallery on Pine Street. Bill has dozens of pieces of extraordinary originality and craftsmanship being cued up for the show. This shape is but a very early iteration (trust me when I tell you it will look nothing like this when it is done).

Meanwhile, Bill and I will be down at the Clay Studio in Old City on Friday evening, for the Clay Studio National reception. The show, which honors "the best contemporary ceramic art being made in the United States now" features a collection of pieces culled from hundreds from across the country. One of Bill's architectural pieces will be on display.


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19. Manifesto for May

  • I will read what I want to read when I want to read it regardless of length. 
  • I will not allow the "need" to have a certain number of reviews to post keep me from reading the long books that I love and adore.
  • I will let myself abandon books that I'm not liking even if--maybe even especially if--they are review copies. (Why do I feel the need to keep reading?!?!)
  • I will be sensible at the library and not bring home twenty new books each weekend. I will try.
  • I will not automatically renew everything that is on my library card. I will be sensible and try to return the items I'm not going to be reading within two weeks.
  • I will make time for people and be thankful to be in the moment.
  • I will prioritize sleep over reading and blogging. Or try to at least.
  • I will create more top ten lists for the blog.

© 2016 Becky Laney of Becky's Book Reviews

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20. Chinese investment in French publishing

       At Paper Republic Bruce Humes points out that Chinese media are reporting that Chinese publisher/media firm ThinKingDom (新经典文化) has apparently invested in (i.e. bought a chunk of) leading French publisher of east Asian literature ("des livres de l'Extrême-Orient", as they put it) in translation Editions Philippe Picquier; see also the (Chinese) reports at The Paper and, a bit more extensively, sina (and note the deafening silence in the European press -- I couldn't find anything in the French papers ...).
       As Humes notes, it's unclear just how much of a stake they've staked themselves, but this is an interesting move, with Philippe Picquier a relatively small boutique independent -- but a leading conduit for east Asian literature into European languages and with a first rate list (and, presumably, contacts). Worth keeping an eye on.

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21. April Showers: The Sweet Rain of Books

Hi, folks. Today I'm putting my writer hat aside and my creative hat too. I'm placing that reader hat on my head. Here I'm going to talk about something I don't chat about much.  I love to read. I read every day of my life. I mark off the days to a book I want to read is ready to be published. My live revolves around stories, true and fiction. There is nothing that waters my life more than books.

I'm not a high brow reader.  I occasionally read a book that is called literary fiction, but most of the time, I like children's books and genre fiction, most of all historical, historical romance and science fiction.  I occasionally binge on non-fiction.  I have had entire decades devoted to mysteries and thrillers.  I never like horror. I like the classics and read one or two a year. I read a few fantasies every year too. Occasionally, I just like an author and I read every thing they have ever written.

In books, I have lived thousands of lives. I faced thousands of problems. I've inhabited the lives of  so many and I am so much more this.

 I feel like I've survived the Battle of Talavera in 1800s Spain, and at the same time, the intrigues of Russian noblemen is the times of Peter. The history of the Netherlands for thousands of years boils in my blood. I've seen the pyramids built and inhabited huts with my fellow slaves. I lived in the bogs of Ireland thousands of years ago struggling against my harsh gods. The stories of ages inhabit my soul.

I've felt Mr. Darcy's pride and Elizabeth Bennet's prejudice. I've been with Jane and heard Edward's mystic cries through time and space.  I've survived bombings while working with my true love.  I've been broken to shards and found love with someone also as broken as me. I've missed huge swaths of life, frozen with fear, and found the fortitude to love again. So many stories.

I've traveled to the far reaches of the galaxy. I've fought aliens, terra-formed planets, and discovered the ruins of ancient species. I've been sold into slavery and been rescued by an intergalactic cop. Apocalyptic nuclear winters, jungle green worlds, the harsh conditions of Mars, I've lived in a myriad of unique environments, survived, thrived and sometimes died. Like the intense electromagnetic radiation of the sun, the heart of all life. Speculative stories have transformed me.

I've sat on the bones of dead children waiting for rescue from a white mouse. I've had my memories stolen from me and forged a new life. My puppy fell out of an airplane once! Oh, one of my best friends is spider and I might be some pig. I care too much and call it love.  I've opened my heart and believe that someone will come. I am stronger than I think, and I may not belong in the zoo but there is a place for me.  I like your hat, I understand the price, and know stories are light in this dark, dark, world.

Books water the soul. They expand horizons and open my eyes to the distance shores.  They encourage me to be more, to accept myself and others, and believe in happiness with good things beyond the bright light of last moments on Earth.

Pick up a book and read till your heart is content!

Next week a new series starts. Exciting news! A guest blogger will usher in the month of May with Bloom! Excellent author Alexandria La Faye will be here! If you don't know her  books already, please check her out!!! Edith Shay! Strength of saints!  Strawberry Hill!  So many fab stories. www.facebook.com/alafayeauthorwww.alafaye.com, a@alafaye.com

Here is a doodle.



Here is a quote for your pocket. 

Stop being so fruitlessly busy and dream. Use your imagination. Reach out into the unknown and dream of how you can enlarge your experience and improve your mind and your soul and your world. Mary Balogh

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22. Students, students, students...


The end of April marks the end of the teaching period at the University of Manchester, so each of the academics I have been shadowing for my residency has been doing final lectures in their modules, preparing their students for end of year exams. As this also means that my chance to sit in on lectures has therefore come to an end, I wanted to make sure I sketched what was left.


So, both last Tuesday and Wednesday, I sketched a 2-hour session, filling up another book. I have had so much practise now at speed-painting people, I have got more and more confident at just diving in. Most of the work I am doing at the moment involves 'drawing' with paint, only using line-tools after some watercolour is down, to pull things into focus and define details where necessary.


My added confidence proved very handy on Wednesday as, to add an extra frisson of pressure to the lecture, I also had a professional film-maker there, recording me in action. Earlier this year, we put in a bid to the university, asking for some money to make a film about the project, both to show at the July exhibition and at various subsequent academic presentations. We just found out a couple of weeks ago that we got all the money (hurrah!), but of course, we now have a very short time to get all the necessary filming done, not to mention all the time it will take to edit things together.


Anyway, we have now made a start. And luckily nothing went embarrassingly wrong with the sketches from the session!


As well as footage of me in action, we are going to be filming interviews with lots of the other academics who have been involved, getting the sociological perspective on the value and interest of the work. We began though, with a quick interview with me after the Wednesday morning lecture had finished, talking about how I choose what to include in the sketches, how I decide where to place things on the page, the degree to which I incorporate the verbal content of the lecture etc.

Here's how the sketchbook looks as one continuous piece:



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23. Aarden Entertainment -Atlas Comics -The End Of The

This is a "bit" of a re-post.  I write "bit" because I've added a lot to it!  More covers to make those who like their text broken up with eye-candy.  But since this is about comics how could I not include covers?

And if you haven't checked out Tales from the Kryptonian you ought to. Subzero just did a very nice posting on French comics so plenty of covers there.



Let us begin the Reverend Hooper's Sunday Sermon!
                                                     ***************
Back in March, 2011, I announced, with all the overly excited boyish enthusiasm of an original fan, that Atlas Comics(Seaboard Periodical)  was back!  If you missed the article here it is:




Atlas Is Back! You DO Remember Atlas??

Some thirty-five (thirty-five??) years ago I was living in a caravan between Ramsgate and Margate, Kent.  Don’t ask why –hush-hush- but it got boring.  Walks down to look at the Hoverport and the very noisy hovercraft coming in and out, listening on a little transistor radio to pirate radio station "Mi Amigo" and shopping trips into Ramsgate.

I picked up a few very cheap comics but not much since there ain’t that much storage space in a caravan!  I walked into a newsagents next to Woolworths in the High Street.  There were comics I had never seen before –Atlas. Hang on, wasn’t that a former Marvel Comics company name?  Had they gone back to using it?  I grabbed a bunch of the comics and itsy bitsy teensy-weensy brother Mike and I hoofed it back home.
Turned out this was not Marvel. And the characters were almost British in their anti-heroic way.
Firstly, there was Tiger Man (alias Dr Lancaster Hill). I suppose you want to hear about this so...

Dr Hill was working at a medical clinic in Zambia when he injected himself with the chromosome that gives a tiger its strength and speed and it  transforms him. Dr Hill now has abilities on a par with the great cat.  Dr Hill returns to New York City he meets up with his sister, pleasant enough?  Oh, come on –this is comics! Dr Hill’s sister is shortly thereafter robbed and murdered by two criminals working in a rodeo. Adopting the identity of Tiger-Man, he tracks them down and kills them.  Tiger Man’s gloves also sport razor sharp claws –very pre-Wolverine or even my own Celtic hero the Badger.

In the black and white Thrilling Adventure Stories #1, the gore factor is much higher –the criminal boss he goes up against is eaten by piranhas!  I think I re-read this Ernie Colon fest several times the first day.  As I recall, Brother Mike giggled.
I love Tiger Man and at least his origin is not as odd as the UK Tiger Man’s! But having said that, every comic in Africa from (believe-it-or-not) Tarzan, Gara, the UK Tiger-man and others encountered tigers in Africa. Now there is something I'll be delving into at a future date in a BTCG comic.

Then, returning to Atlas, there was of course, The Tarantula. Or, as he was known before he went all "arachno", Count Eugene Lycosa.  You see, a European nobleman, an ancestor of his, was cursed by a witch burned at the stake.  This cursed passed from generation to generation making them “were-spiders.”  

European nobility and their weird ways, heh?
Anyway, the 1970s Count Lycosa would transform into the were-spider but tried everything to avoid taking innocent lives. Instead he focussed on the worst criminals and scum around -and all that entails.  “Oh, a Spider-man rip-off!” you say. Uh-uh; as The Tarantula, Lycosa was a predatorand would eat human victims.

And Pat Boyette was the artist –I just don’t think it could have been any better. I’d been a Boyette fan due to his Charlton work.  This was all exciting stuff. I mean, Boyette drawing a were-spider I was in seventh heaven!

Screeches of “Ernie Colon rocks!” came with the story of Matthew Dunsinane, an infamous highwayman in colonial America in the 1740s.  Dunsinane hid his identity behind the mask and persona of the Grim Ghost. However, after robbing the coach of Lord and Lady Braddock in 1743, Dunsinane’s luck ran out when the beautiful Lady Braddock lures him into a ”honey-trap”  and he was captured and unmasked. Just three weeks later he is hung by the neck until dead…then the story really picks up.

For Dunsinane’s soul went straight to…HELL!  And there he is met by the Fallen Angel himself. Old Nick. Behelzebub—oh, you’ll know all that. Anyway, Satan offers Dunsinane a choice of suffering in purgatory for all eternity or -here it comes- he can return to the world of the living and harvest evil souls for him.  Hmm, red-hot pokers up the jacksie for all eternity or…? Dunsinane chose to harvest evil souls.
And so, Dunsinane finds himself in 1970s New York where Satan thinks he can make a good start in his Grim Ghost persona and, riding a jet-black flying horse and carrying a brace of spectral pistols, off Dunsinane goes.

Oh, Satan apparently has a black sense of humour.  Dunsinane is forced to work with non-other than the treacherous harlot Lady Sarah Braddock!

Boo!

Hissss!

His greatest foe was the demon Brimstone, who sought to topple Satan and rule Hell in his place.

The usual anti-hero action was underway when Dunsinane found himself in the middle of a Hellish uprising.  The demon Brimstone wanted to topple Satan and looked in a strong position and made some interesting offers.  The Grim Ghost sided with …SATAN!?!  I know.  That’s what I thought. Can you believe it?

Man, I still take those issues out every-so-often and Colon’s work just looked..luscious.



Wulf The Barbarian and the origins of the character are explained by The Atlas Archives thus:

”…On a nameless world in a forgotten time…” there lived a man called Wulf. Orphaned 10 years ago when his parents, the king and queen, were slain in an ambush staged by trolls in the service of an evil sorcerer, Wulf has spent the last decade training for the day he would return to claim his birthright.

After his trainer/mentor is killed by the same troll who killed his mother 10 years earlier, Wulf avenges his mother’s death, reclaims his father’s sword from the slain troll, and begins his long awaited trip home. As Wulf rides homeward with the intent to raise an army to raid the evil sorcerer’s lair and free his hereditary kingdom, he encounters many magic-induced obstacles conjured by his foe.”

More of a sci fi character to start with was astronaut Ed Tyler -The Phoenix. 

After  months on board the "Threshold 1" space station, the three-man crew were forced to abandon ship after an air-leak.  The escape shuttle made a three-point emergency landing (Here, There and Everywhere!) in the Arctic –Tyler was thrown across the ice and left near to death. 

However, Tyler was saved from freezing to death by the Deiei, an alien race that had been monitoring mankind for years from within a secret hidden base in the frozen north.  This was no real act of kindness since the Deiei feared that a rescue party might discover their presence.

Tyler awoke to find himself a prisoner rather than a guest and the truth was soon revealed to him. The Deiei, it seems, had been involved in the evolution of the human race but had become ashamed at the failings of humanity –war, etc..

So what do a bunch of self-righteous aliens with a god complex decide to do?  They planned to quite literally wipe the slate clean by destroying humanity.  Tyler could not be allowed to go free and expose them, the Deiei planned to keep him captive for the rest of his life. However, as such pains-in-the butt aliens tend to do, especially when they think they are superior, they ruled Tyler to be harmless and left him unguarded. The resourceful astronaut managed to steal a space suit and arm himself with “atomic transistors” –and then he made his escape.
Tyler reached the nearest human population centre which happened to be Reykjavik, Iceland, hours later.  Here he discovered that the Deiei were causing the very earth beneath the city to collapse using nuclear particles. No self-respecting human could just stand back and watch so Tyler raced back to the alien base to stop this attack. The Deiei were having none of this interference and especially not from a human using their technology. 

It was the ensuing fight which set off an nuclear blast that destroyed the aliens’ headquarters. Tyler then returned to Reykjavik to help the survivors and it was here that the media dubbed him the “Phoenix,”  risen from the ashes of the city. Meanwhile some Deiei survivors, and they were really teed off and swore revenge; they would kill Tyler and then destroy the human race.

Tyler -The Phoenix-  was attacked by a Deiei spaceship a short while later, a distraction of sorts (if such superior entities felt they needed one) as the main force of Deiei craft headed for New York.  Phoenix survived the attack and learned of the armada and headed off to intercept it. After a fierce battle the alien Deiei fleet was destroyed and Phoenix was triumphant (oh, and New York was saved, though I’m guessing that you guessed that, right?).

Tyler then had to think about his newfound role in life –he was now a protector and example to mankind.  He decided to lead humanity from the evil path the Deiei predicted they would follow. Tyler dedicated himself to saving Mankind as The Phoenix

Then The Phoenix became…The Protector and got a more super-hero style costume. Why? Well, he was not the only character to adopt the super hero style but the change in this case involved more aliens.  Tyler felt guilt-ridden about the near destruction of Reykjavik and New York and basically breaking down since he felt Man had no chance to survive the further onslaught of the Deiei.  He decided to fly into space and commit suicide.

Tyler awoke to find himself aboard an alien space station.  He was badly burned and his face swathed in bandages, he was not a happy bunny as he was taken to meet his alien rescuers.  This time, however, things were not so sinister. The aliens called themselves the “Protectors of the Universe”  and had been behind the Deiei monitoring of Mankind’s development.  This race was also disappointed by Mans development but unlike the Deiei, bless them, they were willing to give us a chance.

The alien leader, the Magus, declares that Ed Tyler would be solely responsible for Mankind’s shot at redemption. Tyler is given new powers and a new face and given the name of The Protector before being sent back to Earth to redeem mankind or it would be destroyed.  Two-faced aliens!

Phoenix/Protector was not as anti-hero or gory but there was, as far as many were concerned, a controversial aspect.  Helping to save Man from evil, dying and being resurrected to help redeem mankind…holy –!  Ed Tyler was Jesus-like!!  That argument still continues today amongst fans old enough to remember the series though that period also spawned another “saviour” in comics –Marvel’s Warlock!
But there was also The Brute, wonderfully drawn by none other than the original JLA artist, the great Mike Sekowsky!  I loved this book, too. Not really the Hulk but you could see what Atlas was aiming for. The Destructor and Morlock 2001 and the barbarian Iron Jaw -other great characters and it might even be argued that with Morlock, Atlas were aiming for a character similar to The Heap, Swamp Thing or Man-Thing.  

Lesser remembered characters but still great were The Cougar,a stunt man who gets into costumed action, the Dark Avenger, Rich Buckler's Demon Hunter, Manstalker, Scorpion -created by Howard Chaykin as a 1930s adventurer but with the third issue Chaykin was gone and a costumed character replaced the adventurers outfit. And, naturally, the Bog Beast.


But who or what was Atlas Comics, or Seaboard Periodicals. The UK had no really wide-spread fanzines back then so it took a while to filter through.  The Atlas Face Book pages cites Wikipedia:

Atlas/Seaboard is the term comic-book historians and collectors use to refer to the 1970s line of comics published as Atlas Comics by the American company Seaboard Periodicals, to differentiate from the 1950s’ Atlas Comics, a predecessor of Marvel Comics. Seaboard was located on Fifth Avenue in Manhattan, New York City.

Marvel Comics founder and Magazine Management publisher Martin Goodman left Marvel in 1972, having sold the company in 1968. He created Seaboard Periodicals in June 1974 to compete in a field then dominated by Marvel and DC Comics. Goodman hired Warren Publishing veteran Jeff Rovin to edit the color comic-book line, and writer-artist Larry Lieber, brother of Marvel editor-in-chief Stan Lee, as editor of Atlas’ black-and-white comics magazines. Lieber later became editor of the color comics following Rovin’s departure. Steve Mitchell was the comics’ production manager, and John Chilly the black-and-white magazines’ art director. Goodman offered an editorial position to Roy Thomas, who had recently stepped down as Marvel Comics editor-in-chief, but Thomas “didn’t have any faith in his lasting it out. The field was too shaky for a new publisher.”

You can find the Wikipedia entry here:


The Atlas Face Book page is here (though there is little there):

The best place to go on the net is The Atlas Archives which has a fuller history and explains why the Atlas logo was altered to be less “up yours, Marvel!”:


Interestingly, there were some larger format anthology books and me being a horror fan....well, Devilina and Weird Tales of the Macabre I had to get! Black and white with grey washes -rather like some of the Marvel mags of the time.

"Illustrated stories of female-filled fantasy"....behave yourselves!




John B. Cooke also wrote a terrific article on Atlas for Comic Book Artist #16, which you might find near impossible to get in the UK/Europe but the item “Vengeance Incorporated” is reprinted on The Atlas Archives site.

So then came the death of Atlas (Seaboard) and we had to wait until the New Atlas arrived.  We were promised a return to past glories. Excellent!

I had the new books on order and Tony Isabella was back to writing comics!  I had hoped they stayed true to the characters origins back in 1974/1975 Atlas Comics and their dark anti-heroes were some 10-15 years ahead of their time, though Archie Comics "Red Circle" in the 1980s broke a few taboos before it, too, faded away and then DC and Marvel were hailed as the "innovators"!  

 The company was setting out to do what DC did years later with The Dark Knight Returns and The Watchmen. I was anxious to see what these new versions were like and how they panned-out.

I hoped this would be good.
I even kept my fingers crossed that the original books might be brought together in a collection -rather like the Essentials or DC Showcase Presents format- because the comics I had wouldn't suffer more thumbing-through!

Various reasons were given as to why Atlas was so short lived in the 1970s but I hope this incarnation would continue much longer…if they were good!

The art shown didn’t look so bad and being a big fan, like many other fans, I thought “YEAH!”

Well, to be honest, the artwork by Kelley Jones on The Grim Ghost was so poor that my one time favourite character wasn’t even worth bothering with. It was AWFUL. Not just down to personal taste either; I exchanged a few emails with die-hard 1970s Atlas fans who have simply cancelled their standing orders for the book.  Tony Isabella and Stephen Susco’s story and plot is quite ponderous and at issue 6 all I’m thinking is that I’ve wasted valuable money.

Jim Krueger/Brendan Deneen and Dean Zachary’s work on Phoenix has me divided.  The art was okay to a degree. It was far better than in Grim Ghost.  But I started getting bored of the whole “He’s dead….now he’s alive again….now he’s dead…” you get my point. It seems to be getting absolutely nowhere and I keep hearing comments such s “great art” but story?  

there was no "hook" to catch the reader.  Looking at the  issues again recently, I realise the art was not great but still passable.  The story/script is as bad as I thought. Some times, if you leave a gap of time between reading something and go back you can look at it and see that you may have been wrong.  Sadly, not with this one.
The hit comic has been Wulf.  Now stranded on Earth, Wulf is written by Steve Niles who seems to understand how to write a story and plot things properly!   The art by Nat Jones is gritty and nice. The colour work by MAI works well. Hey, they re-introduced Lomax NYPD and then…Iron Jaw!  This book was going great guns.

However, there was a "fly" in the Atlas ointment.  You could read all these titles in ten minutes -that is all three titles in ten minutes in one sitting.  There are 22 pages per issue BUT Grim Ghost and Phoenix had little substance to them. The two main titles of the 1970s Atlas were reduced to being not "B" listers but "Z" listers.

Perhaps these titles were a bit light-weight because they were merely establishing things before the rumoured "Big Event".  Yes, I was clutching at straws even then.
Then we got to Atlas Unified -the “Big Event”.
That mummy on the cover above is the Grim Ghost. I just had to say "WTF??" out loud in the shop when I saw it.  And, fer feck sake -and American artist could not draw a World war 2 US Army uniform? There are only several thousand references online and lords know how many in books.

A few people noticed something about the "Big Event" book.  Only 22 pages -so just a regular comic. I’m not sure if the thick paper they printed on was supposed to make us think there is more? It was the theory going around at the time anyway.  As a writer, Tom Peyer has produced  a story trying to spin an air of mystery but it is just a confused mess and it just is not helped by the absolutely awful  art of Jimbo Salgado.  Anatomy -out the window.  Very basic art with as little background as possible which ain’t helping to hide the art flaws

In all honesty I just opened the book. Looked at it.  Closed it.  Opened it again. Didn’t help. Just very bad art. This is what us Atlas fans were built up to expect to be the event.

Oh. And Phoenix dies again. Permanently. But he’d be alive again soon so do not worry.



I noticed the list of characters from the inside front cover: Kid Cody.  Wulf.  Phoenix. Kromag The Killer.  Scott Galland (who?? I have no idea who this is so I’m guessing a new character). Sgt Hawk.  Vicki.  Luke Malone: Manhunter and, of course, the Grim Ghost.  I think some of these are the badly drawn quartet on the last page of the book?

I just got the book out again. Yes, the artwork is BAD.

If I didn’t like the Grim Ghost in his own book I hated the character in Unified. For one thing he now seemed to be a mummy -there just simply were and are not enough "WTF?!" to cover this.

At $2.99 (which UK stores charged as £3.00 so I was paying more than a US reader) I was robbed.  If this was supposed to be the biggest ever event in (New) Atlas Comics history then all I can say is I was not surprised so many were jumping the Atlas fan-ship.  Talking to UK store owners as well as fans in the US, I learnt that a lot of standing orders on the regular titles and for Unified have been cancelled. Sadly, there are some who were quite happy with the art which is very, very sad.

In the 1970s Atlas had great artists and writers but lasted little over a year.  I foresaw, on CBO, the new Atlas going as well.

Ernie Colon was the artist who made The Grim Ghost such a hit originally -his art just oozes style.  And he is STILL working today:



So why didn’t the new Atlas owners pull him on board? Please don’t tell me it’s because they would have had to pay more?

And, to relaunch it, why didn’t they get Sal Almendola to draw The Phoenix  as he did in the 1970s?

If these characters are so great and “needed reviving” why then try smothering them to death??

You know, I shouldn’t care but I do.

This return had so much promise but I see myself cancelling standing orders. What is worse is that there are good amateur artists out there who could have done a far better job on both Unified  and Grim Ghost.

I really, really reallywanted Atlas to succeed and be with us a long time but if they made it to 2013 I’d have been very shocked.

I was expecting to hear about cancellations which would have been sad.  I think the bosses need to sit down, look at those 1970s comics again and re-think.  Thirty years later the original Atlas series’ are far superior in both story and art compared to the modern incarnation.



                                                                     ****************

Well, as it turns out I was right.  Again. Although cover art for six Atlas Unified books was released along with some story details that made it sound almost like DCs Crisis on Infinite Earths, the series never got to issue 3.

Everything went quiet.  No one from store managers to distributors could give a definitive "the next issue will be out in---"  And fans thought the Atlas boss was giving them the runaround.  We then heard "These are not the 1970s Atlas characters but re-imaginings". "WTF?" time again. Why, if these were much loved characters that Aarden were "bringing back" did they have to be "re-imagined"?

I was in contact with Jason Goodman and even made a few suggestions -hey, why not? I was told "this" then told "that" and last I heard everything was set for a revival..two years ago?

I'm not sure what the problem was but if you want to revive the 1970s characters it makes sense to make them the 1970s characters and get the creative teams back.  It just looked like the whole New Atlas was produced on the cheap.

It was a sad little revival but it could be successful but you have to be true to the originals.

  

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24. Animal Bites: A Nonfiction Series from Animal Planet


I am always looking for good new nonfiction series that are accessible to my 3rd graders. I recently received a copy of OCEAN ANIMALS from the newish Animal Bites series from Animal Planet.  It looks like it will be a perfect fit for 3rd and 4th graders.

The book is filled with amazing photos so it will definitely attract readers--it is one they will pick up on their own. And there seems to be just the right amount of text on each page. Each page contains more than a few facts but not so much text that the book becomes overwhelming for young readers.

The book's text features are color-coded so readers are directed to a key on the Table of Contents page.  There are several categories covered in the book and the colored tabs alert the reader to which umbrella topic is being discussed on a page.  Topics like "Where They Live", "How They Live" and "Big Data" are some of the categories. There are also some pages that focus on one type of animal to get more information.

The book has a good progression so can easily be read from cover to cover over a few days. But the pages also stand alone so each page can be read alone and there are lots of mini lesson possibilities form the stand-alone pages.  This is a good series to use to share various ways to read nonfiction and the ways the various nonfiction text features are used to help share information.

There are a few other books in this series and I am anxious to see if my kids like them as much as i think they will. I definitely have plenty of series about animals but many of  my 3rd graders could read about animals every day and still want to read more! They are a sturdy paperback book so they seem like they will hold up well in a classroom.

The other books in the series include Polar Animals, Farm Animals and Wild Animals.

I'm excited to discover this new series!

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25. Artist of the Day: Eva Vilhelmiina Eskelinen

Discover the art of Eva Vilhelmiina Eskelinen, Cartoon Brew's Artist of the Day.

The post Artist of the Day: Eva Vilhelmiina Eskelinen appeared first on Cartoon Brew.

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