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By: Monica Gupta
Blog: Monica Gupta
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मेरा भारत महान हे भगवान !!! समझ से बाहर है कि आज देश में ये हो क्या रहा है. इतना दुख है ये सब देख ,पढ और सुन कर कि दिमाग विचार शून्य है. जहां न्यूज चैनल एक एक बयान कुरेद कुरेद कर दिखाने में जुटे हुए हैं इतनी जबरदस्त और खतरनाक राजनीति हो […]
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By: Monica Gupta
Blog: Monica Gupta
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हे मेरे भगवान समझ से बाहर है कि आज समाज में ये हो क्या रहा है. इतना दुख है ये सब देख ,पढ और सुन कर कि दिमाग विचार शून्य है. जहां न्यूज चैनल एक एक बयान कुरेद कुरेद कर दिखाने में जुटे हुए हैं इतनी जबरदस्त और खतरनाक राजनीति हो रही है कि […]
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There are few stories more abjectly fascinating than those surrounding Lance Armstrong’s triumph over a cancer he was given infinitesimally small chance of surviving and his subsequent seven Tour de France (AKA Tour de Lance) victories. Consequently, there are few stories more assumptions-shattering than the revelation that Armstrong had, in fact, been using drugs to […]
Blog: The Bookshelf Muse
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I don’t know about you, but I love reading books where the author encourages me to draw conclusions that are wrong. Case in point–untrustworthy characters who I trust anyway. Like all writers, I am ultra aware of character cues and actions as I read, so when I’m led astray and find out someone I believed to be good really isn’t, I want to cheer and tell the author, “Well done!”
Tricking readers in this manner is difficult.
In real life, all of us are body language experts. At least 93% of communication is nonverbal, meaning we are very adept at ‘reading’ other people by their mannerisms, gestures, habits and voice changes. In books, this skill allows us to pick up on nonverbal cues which communicate a character’s emotions. Plus, if we are in the dishonest character’s POV, we also have access to their thoughts and internal visceral sensations (heartbeat changes, adrenaline shifts and other uncontrollable fight-or-flight responses). All of this means that tricking the reader can be very tough.
There are several ways to make the reader believe one thing while another thing is true.
One technique is the red herring. This is where a writer nudges a reader in one direction hard enough that their brain picks up on ‘planted’ clues meant to mislead them. So for example, let’s say I had a character who was a pastor and youth councilor for his church and he spent his weekends working with homeless teens, trying to get them back into group homes. The reader will begin to get a certain image in their mind.
If I then further describe him as slightly bald with a bad taste in fashion (imagine the kind of guy that wears those awful patterned sweater vests) but who has a smile for everyone he meets, it’s a good bet that I’ve disarmed the reader. They’ve written this character off as a nice, honest guy. Even though his life is all about the church, no way could he be the one stealing cash from the collection box, or the man having affairs with depressed women parishioners, or playing Dr. Death by administering heroin to street teens, right?
Another technique is pairing. Similar to a red herring, pairing is when we do two things at once to mask important clues. If, as an author, I show my friendly pastor leaving an alleyway at night and then have a car crash happen right in front of him, which event will the reader focus on? And if later, the police find another overdosed teen nearby as they interview the pastor about the accident, commending him from pulling a woman from the wreckage before the car could explode…would the reader put two and two together? If I did my job right, then no.
A third technique is to disguise aspects of his “untrustworthy nature” using a Character Flaw. After all, no one is perfect. Readers expect characters to have flaws to make them realistic. If our nice pastor (am I going to go to Hell for making my serial killer a pastor?) is characterized as absent-minded with a habit of forgetting names, misplacing his keys, or starting service late and flustered because of a mishap, later when the police ask him when he last saw dead teen X and he can’t quite remember, readers aren’t alarmed. After all, that’s just part of who the character is, right?
When your goal is to trick your readers, SET UP is vital.
If the clues are not there all along, people will feel ripped off when you rip the curtain aside. Make sure to provide enough details that they are satisfied you pulled one over them fair and square!
What techniques do you use to show a character is untrustworthy? Any tips on balancing your clue-sprinkling so that the reader doesn’t pick up on your deceit before you’re ready for them to? Let me know in the comments!
Image: lllblackhartlll @ Pixabay
The post The Subtle Knife: Writing Characters Readers Trust But Shouldn’t appeared first on WRITERS HELPING WRITERS™.
Eric Lindstrom worked in the interactive entertainment industry before writing his debut novel, Not If I See You First (Coming Dec 1), gaining a unique insight of storytelling from the gaming industry. Today, he's on the blog talking about how asking the right questions can make your story come to life.
Asking Better Questions by Eric Lindstrom
The fourth doctor of the TV series Doctor Who was my childhood hero. (He still is, but that’s a different story.) In an episode I watched as a teen, he said, “Answers are easy – it’s asking the right questions which is hard.” It was my first exposure to this idea, and it stuck with me.
Over time this perspective became a very useful tool. When I get stuck and can’t find an answer, stepping back and examining my questions often leads to a solution. This process proves itself useful in many different ways, but here I’ll focus on a key example.
Starting out as a writer, I sometimes found myself blocked, wondering, “What should happen next?” I came to understand (over years, not one Saturday afternoon) how that was the wrong question. Tornados happen. Wildebeest migrations happen. But the vast majority of events in a story don’t just happen. Characters make them happen. “What happens next?” is appropriate for the reader to ask, not the writer.Read more »
Katie MacAlister dropped by the virtual offices to answer a few questions! Be sure to enter the giveaway, too!
Do you have any favorite book boyfriends of your own?
Oh, mercy, just line my books up and start reading off the hero names. I’ve said before that I write books for myself first, and that’s absolutely true. I love all of my heroes, and it’s only because publishers won’t let me write all the heroines as me that I bother with writing those dishy men females who are worthy of them.
Outside of my books, I was one of those girls who grew up with the hots for Sherlock Holmes. As an adult, I’ve been quite fond of several of Georgette Heyer heroes, particularly those who give in to their senses of humor (Sir Tristram from Talisman Ring, and Freddy Standen from Cotillion).
What are five books on your night stand/bookshelf?
This is going to be a very disappointing answer, I fear. Right now on my nightstand are Sol y Viento (a Spanish textbook), Art: A Brief History by Marilyn Stokstad (an art history textbook), History of Italian Renaissance Art by Frederick Hartt and David Wilkins, Introduction to Forensic Science by Richard Saferson, and Step Aside, Popsm a Hark! A Vagrant Collection by Kate Beaton.
What’s your favorite quote or scene from your book?
I think the scene where Gary meets Jim is one of my faves. Especially since Gary is showing off, and Jim is instantly jealous of Gary’s toys.
If your couple’s relationship had a theme song, what would it be?
Roar by Katy Perry. The need to rise above people who want to put you down is pertinent to both hero and heroine. Plus I can see them both singing it loudly.
Tell us about the cover process. Is this what you had in mind?
I’m lucky in that my publishers have excellent art departments who take a few bits of scattered ideas that I pry out of my brain, and turn them into gorgeous covers, usually involving lick-worthy men. And this cover is no different. It’s not a bad thing to find yourself stroking a book cover, is it?
Where do you find inspiration for you writing? Do you use real people/places as a foundation?
I’ve always told myself stories, so writing is really just an extension of that. My inspiration is my muse, who I picture as a bon-bon eating diva who reclines of fainting couches a lot, waving a languid hand whenever she wants something, and basically ruling me with threats of going away on vacation if I attempt to work her too hard. I seldom use real people in my books, since the people in my head are much more flawed and thus suitable for me to torment, but I do use as many real locations as I possibly can. I rely heavily on past trips to Europe as the source of many locations, and those I haven’t visited I usually research by finding people who live there, and haunting online webcams, and photo galleries.
Do you have any hobbies or activities that you enjoy outside of writing?
When my arthritic hands let me, I like to spin wool into yarn, knit, and sew a variety of things that never quite turn out as I’ve envisioned. I’m a gamer girl, as well, so I’m online in games like World of Warcraft, Guild Wars 2, Star Wars The Old Republic, Hearthstone, Lord of the Rings Online, and way too many other games.
I’ve also decided to go back to school, and am enjoying online classes at Fort Hays State University so I can add a history degree to my list of credentials.
Would the 10 year-old version of yourself kick your butt or praise you for what you’ve accomplished in life?
Oh, she’d be thrilled that I’ve survived the last few years, since they included everything from the death of my husband to moving to a new house. And I think she’d be quite happy with the body of work I’ve produced in the last ten years, although I know she’d tell me I should stop insisting on having time off between books, and instead write non-stop.
About Dragon Storm
TURN ON THE CHARM
According to some (including himself), Constantine is one of the greatest heroes of dragonkin who ever lived. Too bad he’s now lonelier than ever and his biggest adventure involves a blow-up sheep-until he has an opportunity to save his kind once again. All Constantine has to do is break into a demon’s dungeon, steal an ancient artifact, and reverse a deadly curse. The plan certainly does not involve rescuing a woman . . .
TURN UP THE HEAT
Bee isn’t sure whether to be infuriated or relieved when Constantine pops up in her prison. The broody, brawny shifter lights her fire in a way no one ever has before, yet how far can she really trust him? Their chemistry may be off the charts, but when push comes to shove, Constantine will have to make a crucial choice: to save the dragons or the woman he’s grown to love with fierce intensity.
About Katie MacAlister
For as long as she can remember Katie MacAlister has loved reading, and grew up with her nose buried in a book. It wasn’t until many years later that she thought about writing her own books, but once she had a taste of the fun to be had building worlds, tormenting characters, and falling madly in love with all her heroes, she was hooked.
With more than fifty books under her belt, Katie’s novels have been translated into numerous languages, been recorded as audiobooks, received several awards, and are regulars on the New York Times, USA Today, and Publishers Weekly bestseller lists. A self-proclaimed gamer girl, she lives in the Pacific Northwest with her dogs, and frequently can be found hanging around online.
a Rafflecopter giveaway
Books are a delightful way to brighten the deep midwinter. You can pre-order an autographed copy of Flamecaster (release date 5 April 2016) or order signed copies of any of my other books, hardcover or paperback, through my local independent bookstore, The Learned Owl Bookstore . Just indicate in the comments how you would like the book to be personalized or signed. Call the store if you have questions about your order.
If you're ordering for holiday giving, get your order in as soon as possible so we can make that magic happen in time.
By: Deeply Dapper,
Blog: Rodents Of Unusual Size
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Now Playing - I Am Invisible by They Might Be Giants
Sorry about the delay, as usual! It's
been a hectic year, between two dozen comic con appearances, a "kids"
alphabet book and the always there shop madness, this blog kind of
fell by the wayside, but I'll be trying to do better in the new year,
using this blog as both a personal journal and as a way for my fans
One thing the University has wanted of me, has been to see my process. This may sound easy, but it's been a major shift in the way I usually work. Why? Because for most of my working career I've been dealing with deadlines. Deadlines don't allow you to meander and try various ways of attacking an end goal. With a deadline, you think something through in your head and you go for it. Then you send it off and get paid.
Books are a slightly different beastie in that I always made tons of sketches, and sometimes played with some new digital methods, but it still didn't go quite as far as this.
Here at the College of Art
, they've asked me to show my process - that part that happens in my brain. They've also asked me to meander and try different media, styles, techniques before deciding which might work for my current project. Basically, they want to see my brain on the outside.
Once I figured that out, I was able to dive into this new way of working and document it. In fact, one of our required projects is an almanac - basically, a diary of our process.
So I bought a gorgeous sketch book and I started putting my ideas into it. It also includes sketches, images of influential books and art, pictures of various workshop projects, etc. Judy Schachner would call this a 'character bible
' - she's done one for every one of her books. But until now, I didn't really get it. Happily, I'm starting to.
It was also the reason they had us take a book-binding workshop - to learn to create an almanac (or bible) from scratch. Between my sketch book and my handmade book, I didn't want to create one more book, but I did want to collate these creative volumes. So, for my almanac project, I created a box to keep these two items in. I also might include other floaty things like pretty feathers and leaves.
It turns out there is a ton of skill involved in making books and boxes - and a ton of little tricks of the trade. (Read my post about book binding here
.) I will forever have a greater appreciation for these handmade treasures. My box isn't perfect, but I'm pretty darned proud of the end result.
Here is is just opened, revealing the caramel paper lining inside and the two books - my sketchbook and handmade book, which will soon be full of Trickster paraphernalia (more on that soon).
Here you can see how the books pull out.
And with the books pulled out. I opened my handmade book so that you can see how the end papers and decorative details tie in with the box design.
My next step will be to make labels for the books and the box itself. I've cut a lino block, which reads "e's process, a.k.a. e's brain on the outside." (I used the easy carve board - which I will never
use again - pah!) And I cut out the word Tricksters, which I will use for a new (to me) printing method - collagraph. More on that soon, too.
In the mean time, I have so enjoyed being able to take the time to explore various methods and run down different rabbit holes. Using glue sticks and scissors speaks to my inner creative child. I hope I can keep it as part of my process in the future. It's so much FUN and makes me feel like a true artist!
In many stories, the antagonist may even be more important than your main character. Your main character cannot become sympathetic without an opposing force.
The antagonist is more than just a bad guy who tries to stop the good guy. A good antagonist actually pushes the protagonist to action. The bad guy gives the good guy a reason to behave like a good guy. Because he is so important, your antagonist has to be every bit as real, every bit as well-rounded, as the protagonist.
The Antagonist is Evil
No. The good antagonist is not evil. OK, he could be, but not for the mere sake of being evil. It's fun to write the bad guy who ties maidens to railroad tracks for fun, and throws the hero's One True Love on to the conveyor belt at the saw mill just because he can. The kind of bad guy who spends his time laughing maniacally while he twirls his 'stache. There's one secret, one thing you need to remember, if you want your antagonist to be truly interesting:
The antagonist honestly believes he is the good guy. Everything he does has a reason, and to him, those reasons are Right. They are Correct. They are Good.
Your good guy needs flaws and your antagonist needs positive characteristics
. In some stories, the reader might even start to wonder just which character is the good guy and which is the bad guy. Few characters are as dull as the arch-villain who is evil just because being evil is evil. People aren't like that. Even people with a warped sense of reality (another little secret: we all
have a warped sense of reality, shaped by our imperfect perceptions), do things for a reason. There are truly evil actions, and your bad guy might do some of them. But we humans have an almost unending supply of rationalizations for what we do.
A Rebel With a Cause
Your antagonist has his own character arc. Give your antagonist a cause. She wants to accomplish something, wants that more than anything else. And, like your protagonist, she is prepared to do what she has to do to achieve it, because that's what people do when something is of ultimate importance. Even a bad guy who wants to do something truly awful, like blow up a stadium full of innocent people, does it because he believes it has to be done to achieve the end result, which he believes to be for the ultimate good.
- Sauron thought he was doing Middle Earth a favor by taking dominion.
- Saruman thought he was doing good by trying to stop the Black Lord and taking the power himself.
- Darth Vadar probably saw the Jedi as nefarious upstarts who wanted to thwart his plan to make the universe a better place.
A Hero in His Own Mind
The antagonist believes he's the hero. Your protagonist, who stands in his way, is the villain.
We are both nice people. The last cookie is sitting on the counter. You want it. I want it. Boom: conflict! In my story, you are now a villain because you want what I want.
My favorite example of this principle comes from politics. No matter what your political position is, your side is right and the other side is wrong. Maybe even evil. The thing is, the other side looks at you the same way. Why? Because each side believes it is right. If they were allowed to have their way, the world would be a spectacularly better place. It's the same with your hero and villain.
|Which one is the bad guy?|
Molly has a new puppy. This puppy is so naughty. When she takes it for walks, it pulls at the leash and tries to go its own way. It doesn't follow Molly's perfectly reasonable rules. When the puppy runs away, Molly is devastated. How could her puppy be so wicked?
But what is the puppy doing, really? It's being true to its own puppiness. It doesn't understand Molly's unnatural rules. All she does is try to to restrain it and she scolds it for simply being what it is.
Let your reader sympathize with the villain, and understand why he wants what he wants, and maybe even see his point
. If your reader can sympathize with both the hero and the villain, the conflict becomes more real, the stakes are raised, and your reader is more engaged.
Read More About It
By: James Gurney,
Blog: Gurney Journey
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With the thermometer dropping, it's getting a little chilly to paint outdoors.
In this little 4x4 inch gouache study I was thinking about warm vs. cold in terms of color temperature, too. The fading warm sunlight only partially melts into the icebergs of the buildings.
I'm using three colors plus white here: Prussian blue, burnt sienna, and cadmium yellow.
On a different topic, blog reader Jim Douglas asked:
"After following your creative habits for years now I've gleaned you often make a sketch study of a subject then move on to a new subject to make a fresh start. New sketchbook page, new subject. Sketches, especially ones as excellent as yours, can certainly stand on their own as works of art, but do you ever have the urge to develop a sketch and produce a larger scale work based on it? I've only known you to develop sketches into a larger piece of artwork as part of a commission, and I'm curious to know if you ever follow that rhythm when making art for yourself."
Jim, thanks for the compliment and question. As you say, my sketchbooks are very much an end in themselves, a way of seeing and sharing the world. I'm not doing those paintings to sell, and am making a living in other ways. The benefit of keeping the paintings bound together in sequence in a sketchbook offsets the limitation of not being able to frame them individually on the wall.
At the same time my sketchbook paintings (maybe I should call them "studies" rather than "sketches") are valuable to me as a means to at least three other goals. One, of course is video production. The instructional documentaries are one of my primary creative outlets at the moment and an important source of income. I'm also looking into ways of publishing those sketchbooks both digitally and physically. And, of course, I do use my sketchbooks as reference when doing studio work.
And finally, it's funny you should ask about larger scale works, because I just completed two larger separate paintings that will be the subject of the next video. I haven't really shared those images on the blog yet. They're both concept art pieces created entirely on location. Compared to the little sketchbook pages, 11x14" and 12x16" seemed huge. The new video is in voiceover and final edit and will be released in a few weeks.
Holy Pumpkin Pie, Batman!
How did we get to the day before Thanksgiving already?
If you're like me, you still have to vacuum, bake pie, clean the bathrooms, bake more pie, make sure there are fresh towels, and bake more pie :) And those of you not cleaning and baking probably have to travel.
So we're going to keep today's post as short and sweet as possible!
In honor of Thanksgiving tomorrow, I think our Something Chocolate should be festive and turkey-oriented, don't you? :)
|Obviously dark chocolate is preferable to milk chocolate,|
but we'll take what we can get :)
Gobble, gobble, gobble!!! :)
Today's pitch comes to us from Jen who says, "I’m just starting out on my journey into the overwhelming and wonderful world of picture book writing. When I start to doubt myself, my two young kids cheer me on and get me back in the game. We live in the beautiful seacoast of New Hampshire. Next up – work on my social media presence!"
Here is her pitch: (and she would especially love feedback on a title
since she's not wild about this one but has yet to come up with anything she likes better!)
Working Title: Ernie Fakes A Tooth
Age/Genre: Picture Book (ages 4-8)
The Pitch: In a rush to get his first lost tooth home and under his pillow, Ernie Blossomfoss trips and watches his tooth go sailing into the playground woodchips. Convinced the tooth fairy won’t come unless she has a tooth to collect, Ernie hatches a plan to leave the perfect counterfeit. When the clever fairy doesn’t fall for it, Ernie ups the ante until he finally learns a lesson more valuable than a crisp dollar bill.
So what do you think? Would You Read It? YES, MAYBE or NO?
If your answer is YES, please feel free to tell us what you particularly liked and why the pitch piqued your interest. If your answer is MAYBE or NO, please feel free to tell us what you think could be better in the spirit of helping Jen improve her pitch. Helpful examples of possible alternate wordings are welcome. (However, I must ask that comments be constructive and respectful. I reserve the right not to publish comments that are mean because that is not what this is about.)
Please send YOUR pitches for the coming weeks! For rules and where to submit, click on this link Would You Read It
or on the Would You Read It tab in the bar above. There are openings in January so you've got a little time to polish up your pitches and send yours for your chance to be read by editor Erin Molta!
Jen is looking forward to your thoughts on her pitch! I am looking forward to having the family together for Thanksgiving tomorrow... even though I have to vacuum :)
Have a wonderful Wednesday, everyone, and Happy Thanksgiving!!!
Yesterday, amidst much corporate work, three things happened:
I learned that Going Over,
my 1983 Berlin Wall book, has officially launched as a paperback, and I thank Chronicle Books for its faith in this story. (And the darling Taylor Norman, for tweeting the news.)
I learned (again from Taylor, who has so steadfastly supported this book) that This Is the Story of You
has gone to print, with its gorgeous jacket and incredibly generous quotes from Dana Reinhardt, Tim Wynne-Jones, and Margo Rabb (and its Junior Library Guild citation).
I talked to Danielle Smith, who (in a matter of days) read the middle grade novel I've lately been obsessed with, said so many reassuring things, talked with me about some decisions I'd have to make as I refined the story, and said yes to representing me. I have known Danielle for almost as long as I have been writing for younger readers. The popular force behind the beloved There's a Book
blog, Danielle has read my stories, always. She has supported me in a multitude of ways—throwing blog parties, walking the floor of the BEA with me, calling just to talk, listening as I worked through ideas. A few years ago, Danielle launched a career as an agent and today, as a member of Red Fox Literary, she is seeing her authors receive raves and stars, foreign sales, and success at hoped-for houses. I've always been happy to call Danielle my friend. I'm incredibly happy to be taking this step forward into the land of Middle Grade with her.
Even if you're not an illustrator, you should make a dummy for all your picture books, and here's how.
For Nola, the White Rhino who died November 23rd at the San Diego Zoo
. There are now only three remaining White Rhinos left in the world... #Nola4Ever #EndExtinction
Our friends at grammarly.com
have sent a helpful list of things to watch for when editing - whether it's your NaNoWriMo novel or anything else. However I've held back on sharing till the end of the month, because I think it's essential that while you're in that first draft and actively creating, you must NOT worry about spelling, commas, or anything else that blocks your flow.
The important thing in your first draft is just to keep writing. Even if you realise you've just used a stereotypical description - 'red as a beet', etc – unless you can come up with a better one immediately, just leave it there for now. If you're truly worried that you won't notice how bad it is, use an asterisk or footnote e.g. 'red as something unusual that fits into the store: ruby? traffic light? fresh blood?'
Then move on. No matter how beautiful a sentence seems as you write it in that first draft - it's highly unlikely that it'll remain in that form in the finished book. So relax, write, and when your story is done and needs tidying and editing, be absolutely rigorous about these five tips.
Good luck to everyone doing not just NaNoWriMo, but taking that brave step of leaping into any new writing!
What Was Your First Thought When You Woke up This Morning?
Hello, and welcome to A Nice Place In The Sun and Tuesday's Question. I try to post a question every Tuesday to get to know my readers better, play with my online friends, and hopefully attract more visitors to my online home.
If you would like to answer today's question and you're a blogger, I will post your answer along with a link to your blog, but if you do not have a blog, I'll just post your answer. I hope you have fun answering today's question and will return to A Nice Place In The Sun for more fun!
Alright, I'll answer first,
My first thought this morning was, "Which work should I do first so that I will have time to post Tuesday's Question and have fun with my friends? And then, What question am I going to ask?"
I love to write, but I do not like deadlines. I would love to the time to visit my blogging buddies and write for A Nice Place In The Sun. Although Tuesday's Question is posted late today, you're welcome to answer any of Tuesday's Question's anytime and I will reply.
Thank you for visiting and have a fabulous day!Now, it's your turn:)
Since tomorrow is thanksgiving, I thought I'd share what I'm thankful for this year. These are in no particular order, and I'm sure I'm forgetting people so I'll apologize in advance for that.
This Thanksgiving, I'm thankful for:
- my family who is so supportive of the crazy author/editor lifestyle I've chosen
- my friends who accept that I ignore them when I'm in my writing or editing bubble
- my writer friends who truly know how tough this business is and endure it alongside me
- my amazing street team, Kelly's Coven, who shares every step of this journey and helps me make decisions about author logos, book settings, and so much more
- my agent who keeps me sane when I just want to scream and cry, which has been more than I'd like to admit
- my social media manager, Amber, who always has brilliant ideas about how to spread the word about my books
- my readers, whether they've been with me from the start or have just discovered my books
- my newsletter subscribers for actually wanting to hear from me every month to see what I'm up to
- the schools who have invited me to speak and share what I do for a living
- my editing clients who allow me to make some money to pay bills and allow me to work on some really amazing books
- bookstores who invite me to sign and who also carry my books on the shelves so I can take pictures of them out in the wild
- my social media followers who put up with my posts about my crazy Shep-hound dog, my adorable daughter, all my books, The Walking Dead, my love of Jensen Ackles, and my Jamberry nail obsession
- Limitless books for being so amazing to work with and for putting out Our Little Secret and the entire Into the Fire trilogy
- my editors and beta readers for making me a better writer
- bloggers and book reviewers who take the time to review and share my books with others...
I could keep going, but this is getting kind of long. And the really nice thing is that amidst all the struggles I encounter in this industry, seeing all these great people I have to be thankful for makes me really grateful that I decided to pursue this career.
*If you have a question you'd like me to answer from the other side of the editor's desk, feel free to leave it in the comments and I'll schedule it for a future post.
By: JOANNA MARPLE,
Blog: Miss Marple's Musings
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, Beatrice Alemagna
, Bologna Book Fair
, Giovanna Zoboli
, Italian publisher of children's books
, John Alcorn
, Paolo Canton
, Segio Ruzzier
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As many of my blog followers will know, a few weeks back I was thrilled to be contacted by Lisa Topi of the Italian publishing house, TOPIPITTORI, about translating my interview with Leonard Marcus for their website. Through our email … Continue reading
By: Izzy Elves,
Deedy (Dorothea Jensen to you) sent this to us, and we think it is big enough news that we agreed to put it on our blog.
After all, some of these Bubbles are apparently about us Izzies.
That's probably why people like to read 'em!
The Izzy Elves
So I hate to be a braggart, but take a look at this number:
This is the total - as of late today - number of "hits" on my Bublish account, that I began writing in late July. I have no idea who the people are who read my "Bubbles", or why they like to read them, but I would like to say "thanks" to all of you who have done so.
I have been having a wonderful time writing "background information" and "author insights" on Bublish for a couple of my Izzy Elf stories, as well as for my classic historical novel, The Riddle of Penncroft Farm. (I am SO looking forward to writing about my new historical novel for young readers, A Buss from Lafayette, which is coming out April 22, 2016.)
I really had no idea how to do this when I started Bublishing exactly four months ago. I found, however, that it was terrific fun to revisit my stories, sometimes many years after writing them (30+ years, in the case of Riddle). I can't believe how easily I recall how I came up with ideas. Especially at my age.
In any case, I ended up simply writing stuff to entertain myself.
I am delighted that my Bubbling is apparently entertaining for others as well.
Here's the link if anyone out there might like to take a peek at my Bublish stuff.
My Bublish Account
Hope you like it!
From the Author
Writing this book was very challenging but extremely fulfilling, more like releasing. Finally, releasing this start of an adventure that has been building in my head for years. This first book of the Argonian Series is your introduction the Argon aliens. The idea first came to me when I lived in the Virgin Islands. The people I saw at the bars and restaurants were all so different from typical Americans. Everyone greeted you in the grocery, walking down the street --- always with a smile and a formal greeting like "Good Morning", etc.. I started to think that these people are really from another planet. Everyone was so intelligent too. It was all so strange and surreal sometimes.
Summary:In a futuristic world, where Earth's cities are still recovering from being ravaged by gang wars, cyber crime is at its peak and threatens the world's digitized monetary supply.
Susan Caldwell is a newly hired security development manager at GTS, the company that controls the world's monetary supply and data. The sophisticated systems have been hacked and now people on Susan's team are being killed while they try to fix the breach.
Susan, who trusts no man, must rely upon the GTS CEO, Christoph Baldric, to keep her safe. Little does she know that he's the Argon alien commander on Earth. She's not interested in him, doesn't want a hookup with him, but is extremely attracted to him. Susan has her own plans and will be having a baby through the fertility clinic. She's excited about her pending future, that is, if she is still alive.
Christoph Baldric's mission is to protect the Earth's humans and nurture them so that eventually his people can merge with the humans. Christoph's planet, Argon, was blown up when their major sun exploded into a black hole. The people of Argon have been studying and nurturing Earth for many millennia as a new, potential home. Now is the time to make Earth their home and begin merging with Earth's humans, making both races stronger.
But first, the Argonians must save Earth from the Grogan's, the Argon nemesis from their home universe, Baldracon, who want to eliminate all life on Earth and take the planet for their own.
Paperback: 266 pagesPublisher: Heather Harlow Books (October 19, 2015)
As the holiday draws nigh And frenzied shoppers roam the aisles To buy, buy, buy, buy, buy. Another side dish for the feast? A brand-new tablecloth?
(Although the old one still looks fine.)
A jazzy outfit so they’ll feel Both festive and in style? To make guests take note and smile? The cashiers ring up purchases; The buyers leave the store But rarely head straight home because
They have to shop some more!
O God, we thank you for this earth, our home;
For the wide sky and the blessed sun,
For the salt sea and the running water,
For the everlasting hills
And the never-resting winds,
For trees and the common grass underfoot.
We thank you for our senses
By which we hear the songs of birds,
And see the splendor of the summer fields,
And taste of the autumn fruits,
And rejoice in the feel of the snow,
And smell the breath of the spring.
Grant us a heart wide open to all this beauty;
And save our souls from being so blind
That we pass unseeing
When even the common thornbush
Is aflame with your glory,
O God our creator,
Who lives and reigns for ever and ever.
— Walter Rauschenbusch
The post Thanksgiving Day Prayer appeared first on Caroline Starr Rose.
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