JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts from the Industry category, Most Recent at Top [Help]
Results 1 - 25 of 121,462
How to use this Page
You are viewing the most recent posts from blogs in the Industry category in the JacketFlap blog reader. These posts are sorted by date, with the most recent posts at the top of the page. There are hundreds of new posts here every day on a variety of topics related to children's publishing. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. Click a tag in the right column to view posts about that topic. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
Writer Patrick Ness (pictured, via) has signed a two-book deal with HarperCollins Children’s Books.
Editorial director Rosemary Brosnan negotiated the deal with literary agent David McMillan. According to the press release, the first book, entitled The Rest of Us Just Live Here, will be released in Fall 2015.
This novel examines “what it would be like to live in a world that’s a lot like a YA novel, where some kids in school are battling forces of evil, and some kids just want to go to prom and graduate before someone goes and blows up the high school again.” The second book which will also feature a stand-along story; no other details have been announced.
The cover for Neil Gaiman’sTrigger Warning: Short Fictions and Disturbances has been unveiled. We’ve embedded the full image above—what do you think?
This anthology contains previously published short stories, a Doctor Who story that was written to celebrate the fiftieth anniversary of the science-fiction TV series, and a tale that revisits the universe of American Gods called “Black Dog.” William Morrow, an imprint at HarperCollins, will release the book on February 03, 2015. (via USA Today)
Anna Todd, the first-time author whose online fan fiction series After became a Wattpad sensation, has had a big month.
Publishing one chapter at a time, Todd racked up 1 billion reads online and gained avid fans worldwide. Last week, Paramount Pictures announced it had acquired screen rights, and this week, After was pubbed newly revised and expanded in a paperback from Gallery Books, part of a six-figure, multi-book deal with further print releases set for this November 18, December 30, and February 10, 2015.
Talking with Alexandra Alter, Todd told the New York Times that she began as a Wattpad reader, hooked on serialized fictional stories about British boy band One Direction. In 2013, she started writing her own fiction about a female college freshman who gets involved with a tattooed, lip-ringed, cute, tousled-haired guy named Harry Styles.
“I didn’t think anyone would read it.” … She updated “After” with a new chapter every day to meet readers’ demands and tapped out much of the book on her cellphone. She wrote for five hours a day and spent three hours trading messages with readers on Wattpad, Twitter and Instagram and drew on those comments to help her shape the story.
“The only way I know how to write is socially and getting immediate feedback on my phone,” she said.
Todd also told Alter that she receives threats daily from angry One Direction fans on Twitter and Tumblr, which explains why, as Alter reports, in the print After the romantic lead is no longer Harry Styles but Hardin Scott. We’ll know soon enough if After is as big in print for $16 as it is online at Wattpad, where it remains free.
In other Wattpad news, the site is currently hosting two contests. “Share your Yes moment,” cohosted with HarperCollins, is the call for the Yes Please by Amy Poehler Writing Contest. They want to hear about a moment when your life changed because of saying yes. The Yes Please prize pack includes a tweet shout-out from Amy’s Smart Girls. And, to celebrate Margaret Atwood’s Stone Mattress, fans are asked to write a piece of fanfiction inspired by her Freeze-Dried Groom on Wattpad. Atwood will choose and recognize the winning story.
When an old friend told me he had saved the former Edward Everett Hale house in Matunuck, Rhode Island from demolition and gifted it to a local historical society with an endowment fund for its restoration, I remembered there was a significant collection of E. E. Hale letters at the Library of Congress that might throw light on the house. How could I have guessed this would lead me to uncovering the revered minister’s decades-long love affair with a forgotten, much younger and truly remarkable woman named Harriet E. Freeman?
First I had to unlock the code the writers used in passages throughout some 3,000 surviving letters. As I transcribed the letters, I recognized the “code” as a defunct shorthand, which I traced to its inventor, Thomas Towndrow. Hale taught himself this shorthand while a student at Harvard, and Towndrow’s 1832 textbook became my “Rosetta Stone” to unlocking an intimate, sometimes passionate, and mutually supportive relationship — the nature of which was concealed by the two of them, their families, and generations of Hale biographers.
Hale’s public life and career are well documented, but who was this Harriet Freeman? As I discovered from reminiscences in the letters, Hale’s special relationship with Freeman had its origins in his close friendship with the wealthy Freeman family, his parishioners since her teenage years. In her early twenties, Freeman began working as a volunteer in Hale’s church, the South Congregational Church in Boston’s South End, just a block away from the Freeman’s town house. Soon, she became his favorite literary amanuensis, to whom he dictated more than half of his sermons and a significant number of his fifty books and countless articles. Their coded expressions of devotion to each other in the letters that begin in 1884, when Hale, married with six surviving children, was 62 and Freeman 37, often seem “over-the-top” in typical Victorian fashion, but the longhand portions of the letters are rich in evidence of their shared intellectual and activist interests and love of the outdoors. Quite simply, they were soul mates.
Far from being just an adjunct to an older man’s life, Freeman fashioned a full and useful life of her own. She had a passion for botany and geology, which she studied at the Teacher’s School of Science (a venture of the Boston Society of Natural History and Boston Tech, later MIT) and then as a special student at Boston Tech, when she participated in multiple field trips in North America. Active in leadership roles in a number of the women’s clubs and organizations that pursued philanthropy and reform in women’s higher education and human rights, she also became a member of the Appalachian Mountain Club once women were allowed to join in 1879. Spending her summers in the White Mountains of New Hampshire, where Hale joined her for the month of August and other shorter visits, she was an activist for preserving the severely threatened forests of the region, persuading Hale to lend his authority to the cause when he became chaplain to the US Senate in 1904.
The story of Harriet Freeman and Edward Hale is valuable for two reasons: it sheds new light on the already celebrated E. E. Hale and it comprehensively documents the life of a truly remarkable woman. I began by thinking that “Hattie” could only be overshadowed by the overpowering legend and charismatic personality of Edward Everett Hale. Instead, I found multiple reasons why he felt she transformed his life. At last, and 84 years after her death, the formerly obscure Harriet Freeman is recognized with a profile in American National Biography Online.
The annual Foreign Direct Investment (FDI) International Arbitration Moot gathers academics and practitioners from around the world to discuss developments and gain a greater understanding of growing international investment, the creation of international investment treaties, domestic legislation, and international investment contracts.
The FDI Moot occurs over the course of six months, and includes regional rounds, which took place in August in New Delhi, Seoul, and Buenos Aires, and concludes with the global finals. Global finals venues rotate each year between Frankfurt, Malibu, Boston, and London.
The 2014 final hearing will be held 24-26 October at Pepperdine University School of Law in Malibu, California. In this phase, 48 teams from the South Asia, Asia-Pacific, Latin America, Africa, North America, Europe and the Middle East regions will compete in the global oral argument preliminary rounds followed by the quarter final, semifinal, and final rounds.
Established practitioners and academics in the international arbitration, investment regulation, construction law, and international economic law fields act as arbitrators or memorandum judges throughout the competition. The arbitrators facilitate hearings during the oral arguments while the memorandum judges assess and score memorials one month before the oral arguments. Oxford University Press will be awarding prizes for the best memorial and counter memorial.
With three days of oral arguments, this year’s FDI Moot promises to be a busy and exciting weekend. In addition, Malibu, often described as “27 miles of scenic beauty,” is surrounded by the Pacific Ocean and Santa Monica Mountains, so don’t forget to take some time to check out area attractions.
Late October, with an average high temperature of 69°F/21°C, is perfect for exploring one of Malibu’s many beaches. Check out the famous Surfrider Beach and the nearby Malibu Pier.
If you’re interested in taking a hike, plan an excursion to Point Mugu State Park, which has more than 70 miles of trails in the Santa Monica Mountains.
If you’ll be joining us in Malibu, stop by the Oxford University Press booth where you can browse our journals collection and take advantage of the 20% conference discount on all books. We’re also offering one month of free access to our collection of online law products for all attendees. Looking to brush up on the Vienna Convention on the Law of Treaties in BIT arbitrations in time for the Moot? Check out the recording of our recent Investment Claims Webinar session and accompanying slides.
To follow the latest updates about the 2014 FDI Moot, follow us on Twitter @OUPIntLaw and at the hashtags #FDI14 #FDIMOOT14, and don’t forget to like the FDI Moot Facebook page.
See you in Malibu!
Heading image: Willem C. Vis pre moot at Palacky University of Olomouc by Cimmerian praetor. CC-BY-SA-3.0 via Wikimedia Commons.
Constantin Film and Dark Horse Entertainment are teaming up to create a movie adaptation of Polar: Came From The Cold.
Victor Santos’ graphic novel was published in November 2013. According to the press release, “the adrenaline-pumping action-thriller tells the story of Black Kaiser, a master assassin forced out of retirement when he finds himself the target of a motley crew of new generation hitmen.”
Jayson Rothwell will write the screenplay. The movie studio is currently looking to hire a director to helm this project.
With Halloween just one week away, we’re getting into the spirit of the season with these 13 quotes on the writing life from famous authors of horror, thriller and suspense:
1. “So where do the ideas—the salable ideas—come from? They come from my nightmares. Not the night-time variety, as a rule, but the ones that hide just beyond the doorway that separates the conscious from the unconscious.” —Stephen King, “The Horror Writer Market and the Ten Bears,” November 1973, WD
2. “The first thing you have to know about writing is that it is something you must do everyday. There are two reasons for this rule: Getting the work done and connecting with your unconscious mind.” —Walter Mosley
3. “I hope people are reading my work in the future. I hope I have done more than frightened a couple of generations. I hope I’ve inspired a few people one way or another.” —Richard Matheson
4. “When one is writing a novel in the first person, one must be that person.” —Daphne du Maurier
5. “When I write, I try to think back to what I was afraid of or what was scary to me, and try to put those feelings into books.” —R.L. Stine
6. “[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.” —Clive Barker
7. “Beauty is the sole legitimate province of the poem.” —Edgar Allan Poe
8. “I have always loved to use fear, to take it and comprehend it and make it work and consolidate a situation where I was afraid and take it whole and work from there.” —Shirley Jackson
9. “Writing is writing, and stories are stories. Perhaps the only true genres are fiction and nonfiction. And even there, who can be sure?” —Tanith Lee
10. “I always wanted to be in the world of entertainment. I just love the idea of an audience being happy with what I am doing. Writing is showbusiness for shy people. That’s how I see it.” —Lee Child
11. “I don’t think there is enough respect in general for the time it takes to write consistently good fiction. Too many people think they will master writing overnight, or that they are as good as they will ever be.” —Tananarive Due
12. “What I love about the thriller form is that it makes you write a story. You can’t get lost in your own genius, which is a dangerous place for writers. You don’t want to ever get complacent. If a book starts going too well, I usually know there’s a problem. I need to struggle. I need that self-doubt. I need to think it’s not the best thing ever.” —Harlan Coben, WD Interview, January 2011
13. “My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature.” —H.P. Lovecraft
Today is United Nations Day, celebrating the day that the UN Charter came into force in 1945. We thought it would be an excellent time to share thoughts from one of their former Commissioners to highlight the work this organization undertakes. The following is an edited extract by Navanethem Pillay, former United Nations High Commissioner for Human Rights, from International Human Rights Law, Second Edition.
I was born a non-white in apartheid South Africa. My ancestors were sugarcane cutters. My father was a bus driver. We were poor.
At age 16 I wrote an essay which dealt with the role of South African women in educating children on human rights and which, as it turned out, was indeed fateful. After the essay was published, my community raised funds in order to send this promising, but impecunious, young woman to university.
Despite their efforts and goodwill, I almost did not make it as a lawyer, because when I entered university during the apartheid regime everything and everyone was segregated. However, I persevered. After my graduation I sought an internship, which was mandatory under the law; it was a black lawyer who agreed to take me on board, but he first made me promise that I would not become pregnant. And when I started a law practice on my own, it was not out of choice but because no one would employ a black woman lawyer.
Yet, in the course of my life, I had the privilege to see and experience a complete transformation in my country. Against this background it is no surprise that when I read or recite Article 1 of the Universal Declaration of Human Rights, I intimately and profoundly feel its truth. The article stated that: ‘All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood’.
The power of rights made it possible for an ever-expanding number of people, people like myself, to claim freedom, equality, justice, and well-being.
Human rights underpin the aspiration to a world in which every man, woman, and child lives free from hunger and protected from oppression, violence, and discrimination, with the benefits of housing, healthcare, education, and opportunity.
Yet for too many people in the world, human rights remain an unfulfilled promise. We live in a world where crimes against humanity are ongoing, and where the most basic economic rights critical to survival are not realized and often not even accorded the high priority they warrant.
The years to come are crucial for sowing the seeds of an improved international partnership that, by drawing on individual and collective resourcefulness and strengths, can meet the global challenges of poverty, discrimination, conflict, scarcity of natural resources, recession, and climate change.
In 2005, the world leaders at their summit created the UN Human Rights Council, an intergovernmental body which replaced the much-criticized UN Human Rights Council, with the mandate of promoting ‘universal respect for the protection of all human rights and fundamental freedoms for all’. The Council began its operations in June 2006. Since then, it has equipped itself with its own institutional architecture and has been engaged in an innovative process known as the Universal Periodic Review (UPR). The UPR is the Council’s assessment at regular intervals of the human rights record of all UN member states.
In addition, at each session of the Council several country-situations are brought to the fore in addresses and documents delivered by member states, independent experts, and the Office of the High Commissioner for Human Rights.
Today, the Office of the High Commissioner is in a unique position to assist governments and civil society in their efforts to protect and promote human rights. The expansion of its field offices and its presence in more than 50 countries, as well as its increasing and deepening interaction with UN agencies and other crucial partners in government, international organizations, anad civil society are important steps in this direction. With these steps we can more readily strive for practical cooperation leading to the creation of national systems which promote human rights and provide protection and recourse for victims of human rights violations.
In the final instance, however, it is the duty of states, regardless of their political, economic, and cultural systems, to promote and protect all human rights and fundamental freedoms. Our collective responsibility is to assist states to fulfil their obligations and to hold them to account when they do not.
We’re excited to announce this week’s topic, but first please enjoy the illustration above by Susie Oh our Pick of the Week for last week’s topic of ‘TROUBLE’. Thanks to everyone else for participating. We hope it was inspiring!
You can also see a gallery of all the other entries here.
And of course, you can now participate in this week’s topic:
Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).
Step 2: Post your image onto your blog / flickr / facebook, etc.
Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).
Step 4: Your illustration will then be added to the participant gallery where it will be viewable along with everyone else’s from the IF community!
A Kid's Guide to Arab American History by Yvonne Wakim Dennis and Maha Addasi (Chicago Review Press, 2013). Peek: "...dispels stereotypes and provides a look at the people and experiences that have shaped Arab American culture in a format enjoyable for elementary students. Each chapter focuses on a different group of Arab Americans including those of Lebanese, Syrian, Palestinian, Jordanian, Egyptian, Iraqi, and Yemeni descent."
I Want What She's Got: The Disastrous Comparison Game by Emma Dryden from Our Stories, Ourselves. Peek: "There's a thief among us in the writing community: this thief is insidious, harmful, and causing an enormous amount of heartache, pain, and angst. And worst of all, this thief is stealing writers' ability to write. What is this thief?"
Here I Am by Brian Pinkney from CBC Diversity. Peek: "As a renderer of images that affect children, it’s essential that I stick to my commitment of showing black kids in all their glory. By doing this, I hope to be able to bring power, change, healing, self-expression, and heart to children of every color."
How Image Systems Can Supercharge Your Novel by C.S. Lakin from Writers Helping Writers. Peek: "Great novelists know the power of motif and symbolism, often using something like a repeated word or phrase, or an object of importance to the character, to bring a richness to the story and to enhance the theme of their novel. In effect, they are creating something similar to an image system."
Mini Trend: Grrrl Power Graphic Novels by Elissa Gershowitz from The Horn Book. Peek: "...excellent graphic novel memoirs (or fiction that feels an awful lot like) written by women about their adolescence."
How Can I Make Readers Cry by Deborah Halverson from Dear Editor. Peek: "Examine your entire story to be sure every plot point amps up emotional tension. Since plot serves character arcs in romances, events should pierce the characters’ deepest fears and most passionate hopes repeatedly."
Writers on Writing: Dear Professor H. by Lesléa Newman from Passages North. Peek: "If you meant to intimidate us, Professor H., you certainly succeeded. You distributed the syllabus and launched into the course requirements without once explaining the phrase 'serious pleasure' which stared down at us like an angry gargoyle."
My link of the week is Everything I Know About Plot, I Learned from Buffy by Dave King from Writer Unboxed. Peek: "Whedon keeps this working because his morality, while always clear, is never simplistic. Good and evil are the sides, but characters sometimes switch sides or aren’t sure what side they’re on."
The one and only Floating Head of Shannon Hale! It rocks! It talks! It silences its viewers! I didn't take as many notes as I should have, when author Shannon Hale "visited" KidLitCon on our second day. Mainly because I was on edge, hoping against... Read the rest of this post
J.K. Rowling has penned a new essay about the antagonist Dolores Umbridge.
It’s scheduled to be posted on Pottermore this forthcoming Halloween Day. According to the press release, “the new exclusive J.K. Rowling content provides a rich, 1,700-word back story about Umbridge’s life filled with many new details, as well as Rowling’s revealing first-person thoughts and reflections about the character.”
So recently I picked up the YA fiction novel Uninvited by Sophie Jordan. Let's just say, the book was permanently glued to my hands until I finished. It was that good. Filled from cover to cover with an intriguing story, thrilling action, and witty dialogue, the book takes the reader on a wonderful ride and never lets go. So, without further ado, here are the top five things I loved about Uninvited.
1. The Plot is Scary Good
It's so unique I can't take it. Told from the POV of an "HTS" carrier (Homicidal Tendency Syndrome; aka: The Kill Gene), the plot twists and turns through the multitude of possibilities in a world where violence can be traced to someone's DNA. It's truly original and completely engrossing.
2. The Characters are so Real
Not only does the main character, Davy Hamilton, drag you in with her unique voice, but every character she meets does as well. They all have distinct, wonderfully written personalities, and the dialogue is to die for.
3. The Romance is Gripping
So, we've got the whole homicidal thing going on- super cool. But then you add romance to the picture? It all just fits together beautifully. Amidst a crumbling world full of violence and a power-hungry agency fixed on her demise, Davy manages to fall in love in the last place she thought possible. Hopeless romantics beware.
4. The Action is Awesome
This book is packed full of thrilling action scenes, and boy are they awesome. From fist fights to armed guards, every page is a surprise, and not one that you'd want to miss.
5. It's Scientifically Spooky
The way Jordan weaves the tale is genius in that it all seems so real. Before each chapter is a short blip about HTS, and the way its described seems so plausible you can't help but shudder. It's truly a work of art, and utterly addicting.
And there you have it! Five reasons why my latest read was so fantastic. Pick up a copy of Uninvited by Sophie Jordan, and I promise you that you'll be hooked.
Today we have our very own First Five Pages Workshop Coordinator, Erin Cashman! Erin's novel, THE EXCEPTIONALS, is a YA fantasy that was named a Bank Street College of Education Best Children's Book.
WORLD BUILDING TIPS by Erin Cashman
Recently, someone commented to me that writing fantasy must be easy, since I can just make up what I need to fit my plot. I wish! As Lloyd Alexander said, “Once committed to his imaginary kingdom, the writer is not a monarch but a subject”. I think world building is both the hardest and the most wonderful part of writing a fantasy novel. Here are some of the techniques that help me:
1. Give your imagination free reign! Do not edit your thoughts or ideas. During brainstorming sessions let your imagination soar. Take chances and risks while you write – try outlandish ideas. Editing comes later. Fantasy, is by its nature, a leap of faith, suspended belief, so – dream big. Write big.
2. Description and Parameters of the World What is the nature of the magic? Who has it and who doesn’t? What are the rules? What are the consequences of breaking the rules? What does it cost? What does the world look like? Beware the dreaded info-dump, however. No one walks down the street and thinks about the color of the buildings, the thickness of the sidewalk – nor should your character think about the blue floating bridge that connects two purple fluffy clouds. The details of the world need to be woven in artfully and naturally – in revision after revision after revision.
3. Important Objects/Mechanics For example, in Lord of the Rings, there is the one ring and the lesser rings, the Wizard’s staffs, etc. Harry Potter has many as well: the sorcerer’s stone, the sorting hat, the Sword of Gryffindor, etc. If you have these objects, try to have them serve another purpose besides a plot device. Rae Carson does an excellent job of this in The Girl of Fire and Thorns. The Godstone is crucial to the plot, it connects history to the present and informs the reader about the people. These objects should not be a crutch, but should add richness to the novel.
4. Power/Abuse of Power Who has power? Who wants power? In a fantasy world a central conflict often arises from the control, or the use and abuse of the magic. Why should magic be protected? Why would someone want to exploit it? Try to weave in good, evil and murky gray reasons and purposes for using/controlling/monopolizing the magic, and strong motivation.
5. Government Who is in charge of the fantasy world? What is their goal? Can those in power be believed and trusted?
6. History of The World The history of my world often takes shape as my draft takes shape (I wish I was a plotter, but alas, I am a pantser). It comes to life through revision . . . after revision . . . after revision . . . you get the idea. I always draw (draw is a very grandiose word for what I do – it is more like scribble) a map. For The Exceptionals, a contemporary fantasy, I drew the school grounds, the tunnels, the tournament field, and the caves. My editor even asked me to send her a copy! If I’ve created a world, I make a map of the geography, and take notes on how it would have influenced the people and the government.
7. Travel How do people get around in your world? Are there space ships like in Star Wars? Do they teleport? Is there a portal – like the wardrobe in Narnia? Do they use magical creatures? Back to #1 – let your imagination go wild!
8. Recreation/Culture/Rituals Think of the magic/powers/creatures that you have in your world. What would be a game or a competition that would arise from it? What about rituals? Expressions? Always be on the lookout for ways to include more world building, such as in currency, recreation, clothes, food . . . this adds layers to your world, and makes it more real to the reader.
9. Edit Revise, revise, revise. Make sure the rules that you have created are followed, or have a consequence if not followed. With each new draft, look for ways to take what you have created and use it for more than one purpose. For example, if you have a magical creature, perhaps it can be used in a competition, or as a plot twist or for barter.
10. Find a Critique Partner and/or Writing Group I really can’t emphasize this enough. Your CP should be someone that you trust who is not afraid of hurting your feelings. Consider what he or she says – the places in your manuscript that are muddled or confusing, the world building that worked, and more importantly, the world building that needs work. And then – you guessed it – revise, revise, revise!
About The Author
Erin's debut YA fantasy novel, THE EXCEPTIONALS, was named a Bank Street College of Education Best Children's Book. She primarily writes YA and middle grade fantasy while eating chocolate and drinking tea. She lives in Massachusetts with her husband and three children. You can find her here, as our First Five Pages Workshop Coordinator. She loves hearing from readers and writers, and you can contact her at erin (at) erincashman.com, or through her Website or on Twitter.
About The Book
Born into a famous family of exceptionally talented people, 15-year-old Claire Walker has deliberately chosen to live an average life. But everything changes the night of the Spring Fling, when her parents decide it's high time she transferred to Cambial Academy--the prestigious boarding school that her great-grandfather founded for students with supernatural abilities. Amazon | IndieBound | Goodreads
Cartoonist Noah Van Sciver has been crafting his own special brand of throwback indy comix since the mid-2000’s. His one man anthology, Blammo, is up to issue #9, and it would fit quite comfortably between classic Eightball’s & Yummyfur’s on the funny book racks! It was with Fantagraphics’ critically acclaimed anthology series, Mome, that Noah started to reach a wider audience, and soon after that his first graphic novel would be published; The Hypo: The Melancholic Young Lincoln. Van Sciver was born in New Jersey, but has lived in Denver, CO for most of his adult life, where his oft times publisher Kilgore Books & Comics is located.
AdHouse Books recently published a collection of his comics titled Youth is Wasted, and Fantagraphics has 2 more upcoming projects with Noah in 2015: Saint Cole & Fante Bukowski.
Noah has been nominated multiple times for an Ignatz Award(which is sort of like an Oscar for Small Press comics…), and has had his work featured in the prestigious Best American Comics annual.
You can check out more of Noah Van Sciver’s comics like his day-to-day “Diary Comics”, and other serialized stories on his tumblr site here.
For more comics related art, you can follow me on my websitecomicstavern.com- Andy Yates
As a nonfiction writer, you might feel a bit left out during November. Everyone is talking about NaNoWriMo this and NaNoWriMo that. All the while, you want to write a nonfiction book in a month not a novel.
Well, you can, and you should. I have news for you, though. You don’t have to do it as a NaNoRebel or as part of an event created for novelists. You can write your nonfiction book in 30 days during an event for writers just like you—nonfiction writers.
During National Nonfiction Writing Month (NaNonFiWriMo) you can start and finish the draft of your nonfiction book in a month. Just take the Write Nonfiction in November Challenge (WNFIN). No need to even restrict your self to a full-length book; you can finish the final draft of a short book, an article, an essay, a series of blog posts, or your manifesto. As long as you embrace the goal of completing a work of nonfiction, this event is for you.
********************************************************************************************************************************* This guest post is by Nina Amir, the bestselling author of How to Blog a Book and The Author Training Manual. She is a speaker, a blogger, and an author, book, and blog-to-book coach. Known as the Inspiration to Creation Coach, she helps creative people combine their passion and purpose so they move from idea to inspired action and positively and meaningfully impact the world as writers, bloggers, authorpreneurs, and blogpreneurs. Some of Nina’s clients have sold 300,000+ copies of their books, landed deals with major publishing houses and created thriving businesses around their books. She is the founder of National Nonfiction Writing Month, aka the Write Nonfiction in November Challenge, and the Nonfiction Writers’ University. www.ninaamir.com
Let’s say, however, that you do, indeed, want to write a nonfiction book in a month. There’s nothing like a challenge to get your creative juices flowing and to heighten your sense of commitment to completing your project and doing it fast. To meet that goal, though, you need to be prepared before the month starts.
While there are similarities between how fiction and nonfiction writers prepare for a book-in-a-month event, differences exists as well. What you need to do to be ready to get quickly from first to last page of you manuscript by the end of November also has a lot to do with the type of nonfiction book you choose to write.
Let’s take a look at the eight preparatory steps necessary to successfully write a nonfiction book in a month.
1. Choose your topic.
The first thing you want to do as you prepare for a month-long nonfiction book-writing challenge is choose a topic for your project carefully. This may seem like a no-brainer, but it really isn’t. Remember, you must finish your book in 30 days. (Now, NaNonFiWriMo is not a contest. No one counts your words to see if you won, and you don’t submit anything at the end to prove you finished your project. It’s a personal challenge. Still…you know if you succeed or fail.) Therefore, you don’t want to choose a subject that requires 150,000 words. That would mean you need to complete 5,000 words per day. That’s a tall order to fill for any writer, especially if he or she has a day job.
It’s better to select a topic you can cover in 50,000 words or less. You can write 1,667 words per day over the course of 30 days. If that still feels like a lot, then opt to write a guide, tip book or booklet. Many ebooks sold on Amazon today have only 5,000 to 20,000 words.
Who knows…you might end up with a longer book by month’s end. But don’t start with an unattainable goal. Begin with a topic that lends itself to a word-count that feels doable to you. That gives you a higher chance of success.
2. Create a Content Plan
While you can write a nonfiction book by the seat of your pants, it’s best to have a plan. (Yes, the seatsers vs. planners debate pertains to nonfiction as well as to fiction.) That plan helps you know where you are going so you write in a straight line rather than taking many detours. As you know, the need to make a lot of u-turns takes up a lot of time. When it comes to writing, that means cutting, rewriting and revising. You don’t want to do that if you are going to finish a goodfirst draft or a final draft in a month.
Create an outline or a table of contents for you book. I like to start by brainstorming my topic and then taking all the different topics and organizing them into a book structure. (I use a mind map.) This ends up looking like a table of contents—actually a rather detailed table of contents with chapter titles and subheading titles. You might prefer to just create a simple outline or a bulleted list.
Whatever your method of choice, create something that looks like the structure of a book—a table of contents. And know what content will fill that structure as you create your manuscript. That’s your map.
Then, when you sit down to write each day, you know exactly what to write. In fact, the more detailed you make this plan, the more quickly and easily you will write your book. You will spend little time staring at your computer screen wondering what to write or what comes next. You will know. It will be right there in your writing plan. You’ll just follow the map—your tale of contents—to your destination.
3. Determine What Research You Need
You might think you can write your book “off the top of your head” because you are the expert on the topic. Inevitably, though, you will discover a need to search for something—a URL, a quote, the title of a book. These things can slow down your process. This is where preparation can help keep your fingers on the keyboard typing rather than perusing the Internet.
For each item in your plan—or your detailed table of contents, brainstorm the possible research you need and make note of it.
As you write, if you discover you need more research or interviews, don’t stop writing. Instead, create brackets in your manuscript that say [research here] and highlight them in yellow. Later, do a search for the term “research,” and fill in the gaps. In fact, you can even leave a certain amount of time per week for this activity if you think you will need to do so; this ensures you don’t come to the end of November with a manuscript filled with research holes.
4. Create a To-Do List
Look over your content plan. Take all the research items you listed and put them on a to-do list.
Make a list of URLs, books and articles to find. Look for anything you need to do. For instance, does your research require that you visit a certain location? If so, put “Visit XX” on the to do list.
Don’t forget to put interviews on this list. You want to conduct your interviews now, not during November, if at all possible.
5. Gather and Organize Your Materials
Gather as much of your research and other necessary material as you can prior to the end of October. Purchase the books, copy the articles into Evernote.com, copy and past the URLs into a Word doc, or drag them into Scrivener’s research folder, for instance. Get your interviews transcribed as well—and read through them with a highlighter, marking the quotes you think you want to use.
If you are writing memoir, you might want to gather photos, journals and other memorabilia. If you are repurposing blog posts, or reusing any other previously published or written material, you want to put all of this in one place—an online folder, a Scrivener file or a Word file.
Generally, get as much of what you need to write your book in an easily accessible format and location so you aren’t searching for it when you should be writing. Use piles, boxes, hanging folders, computer folders, cloud storage…whatever works best for you.
6. Determine How Much Time You Need
Each nonfiction book is different and requires a different amount of time to write. A research based book takes longer to write, for example, because you have to study, evaluate and determine your opinion of the studies. You have to read the interviews you conducted, choose appropriate quotes and then work those quotes into your manuscript.
If, on the other hand, you write from your own experiences, this take less time. With the exception of drawing on anecdotes, an occasional quote or bit of information from a book, the material all comes from your head. You need only sit down and write about a process you created, your own life story or your area of expertise.
You might normally write 750 words per hour, but the type of book you’ve chosen to write could slow you down to just 500 per hour. Or you might speed up to 1,000 words per hour. Determine how long it will take you on average to compose the number of words you must compete per day to meet your final word-count goal. Then, figure out how many hours per week you need to set aside during November to finish your manuscript. Allow more hours than you think necessary for “unforeseen circumstances,” slow days and a general need for extra time to complete the project the last week of the month.
7. Create a Writing Schedule
Last, create a writing schedule. You now know how much time you need to write your book. Now find those hours in your calendar and block them off.
Make those hours sacred. Nothing other than an emergency should take you away from writing your book during those scheduled writing blocks.
You’ve heard the advice that goes with this:
Find a quite place to write.
Get an accountability partner.
Keep your appointments with yourself.
8. Put a Back-Up System in Place.
Yes…this is my last tip, because you just never know what happens. Your computer crashes or dies. You accidentally delete your whole manuscript. Your child dumps milk all over your keyboard.
You want a back up of your NaNonFiWriMo project. Always save it to your computer’s drive and onto a thumb drive or, better yet, into the cloud, for safe keeping! Make these plans in advance as well. You can use Evernote.com, Dropbox.com or Google Drive, for example.
The other thing you need to has little to do with planning. During your 30-day nonfiction writing challenge, you must posses an attitude that supports meeting your goal. You must:
Be willing to do what it takes
Remain optimistic about meeting your goal.
Stay objective about your work.
Be tenacious and not let anything get in the way of finishing your project.
Those four qualities—Willingness, Optimism, Objectivity and Tenacity—constitute an Author Attitude. With that you will finish your nonfiction book in a month with no problem. Woot!
To learn more about National Nonfiction Writing Month, aka the Write Nonfiction in November Challenge, or to register, click here.
Though the weather outside has been dreary, some of this diversity news has been anything but!
This week, the We Need Diverse Books campaign announced that they’re naming an award in honor of the late, great Walter Dean Myers! They are currently raising money through their IndieGoGo campaign and the hashtag #SupportWNDB.
School Library Journal and #WNDB also announced their collaboration. The collaboration will include a diversity-themed event at the 2016 ALA Midwinter conference and support for the diversity-themed festival to be held in the Washington, D.C. area in 2016.
We’re also excited to see all of the diverse movies being released:
The Book of Life, the Mexican-themed fantasy-adventure was released last week! Manolo, an adventurer, travels through magical worlds to rescue his one true love and defend his village from death!
Dear White People, the comedy-satire that started as a Youtube concept trailer premieres today. Dear White People was the winner of the 2014 Sundance Film Festival’s Special Jury Award for Breakthrough Talent. This comedy is a clever satire of race relations in the age of Obama.
Disney’s next heroine will be Moana. The eponymous film will be about a teenaged explorer from Oceania who travels the ocean with a demigod named Maui in search of an island. It’s set to be released in 2016!
Have you seen any great news about diversity this week?
Many ALSC Members are also YALSA members. At the request of the Chair of the 2015 MAE Jury Award for Best Literature for Teens, here is information about an Award in which many of you might be interested.
YALSA members who have run an exceptional reading or literature program in the 12 months leading up to Dec. 1, 2014 are eligible to apply for the 2015 MAE Award for Best Literature Program for Teens, which recognizes an outstanding reading or literature program for young adults.
Do you run a spectacular teen book club that engages underserved audiences? Did your summer reading program or literature festival connect teens with literature in an innovative way? Is your Reader’s Advisory always three steps ahead of a trend? Have you connected teens to literature or helped them gain literacy skills via some other exciting means? Whether the program was large or small, if it was good, you could win $500 for yourself and an additional $500 for your library by applying for this award! Individual library branches may apply.
The MAE Award is sponsored by the Margaret A. Edwards Trust. Applications and additional information about the award are available online. Applications must be submitted online by Dec. 1, 2014. For questions about the award, please contact the jury chair, Tony Carmack (email@example.com). The winner will be announced the week of Feb. 9, 2015.
Not a member of YALSA yet? It’s not too late to join so you can be eligible for this award. You can do so by contacting YALSA’s Membership Marketing Specialist, Letitia Smith, at firstname.lastname@example.org or (800) 545-2433, ext. 4390. Recognize the great work you are doing to bring teens together with literature and apply today!
The goal next month is not to write a polished novel. Next month's goal and every fast-writing goal is simply to write the barebones, foundation, design, essence, promise of a story -- words, lots and lots of words -- with the idea of going back and revising after the month is up.
Begin now: 1) Visualize yourself letting go, writing with abandon, sleeping, eating, breathing your story for an entire month, becoming obsessive of your writing time and compulsive about writing, letting the real world drop away as you fully enter the exotic world of your story. Without judgement, criticism or shame, see yourself writing for the pure joy of putting one word after another in the spirit of creating something out of nothing but a fragment, a wisp, a dream…
2) Clear your calendar of everything next month.
3) Schedule in your writing, sleeping, writing, eating, writing, plotting, dreaming, writing time.
4) See yourself writing everyday joyfully.
(NOTE: don't worry about your plot or if you're starting in the right place or any of the details. We'll get to that in December. For now, give yourself permission to completely give yourself to writing your story.
"Now this way, now that way, and won't let me be! Keep him off, Bill - look here - don't let him come near! Only see how the blood-drops his features besmear! What, the dead come to life again! Bless me! Oh dear!"
The Dead Drummer or a Legend of Salisbury Plain from The Ingoldsby Legends a collection of myths, legends, ghost stories and poetry supposedly written by Thomas Ingoldsby, actually the pen-name of an English clergyman Richard Harris Barham (1788-1845).
The legends were originally serialised in Bentley’s Miscellany Magazine and later in the New Monthly Magazine the version I'm featuring here was published by Macmillan in 1911. The illustrations are all by Harry G Theaker.
I was thrilled to be one of the lucky recipients of a giveaway hosted by the lovely Yvonne over at Winter Moon. My gift was a copy of The Savage Garden by Mark Mills and as if that wasn't enough Yvonne also included a gorgeous bookmark, a pretty card and a second card with my initial. Thank you so much Yvonne, I know what I will be reading this All Hallows Eve.
The Witching Hour is nearly upon us – are you reading anything scary?
Fox is developing an Archie Comics TV drama called Riverdale.
It will feature several characters from the Archie universe including Archie Andrews, Betty Cooper, Veronica Lodge, Reggie Mantle, Jughead Jones, Kevin Keller, and Josie & The Pussycats. Warner Brothers Studios and Greg Berlanti’s Berlanti Productions will partner together to produce this project.
Roberto Aguirre-Sacasa will work on the writing. He gave this statement in the press release: “This is something we’ve been working on for awhile now, figuring out the best way to bring these characters to life for what will be, essentially, the first time. The entire team working on Riverdale is as passionate about Archie as Jon and I are, so it feels like the stars have finally aligned for Archie and the rest of the gang.”
We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Every Friday this October we’ve unveiled a part of Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones. Last we left off the narrator, Harry, tried to fight off a mysterious creature fighting him in his bed. His friend Hammond had just come to his rescue.
Hammond stood holding the ends of the cord that bound the Invisible, twisted round his hand, while before him, self-supporting as it were, he beheld a rope laced and interlaced, and stretching tightly around a vacant space. I never saw a man look so thoroughly stricken with awe. Nevertheless his face expressed all the courage and determination which I knew him to possess. His lips, although white, were set firmly, and one could perceive at a glance that, although stricken with fear, he was not daunted.
The confusion that ensued among the guests of the house who were witnesses of this extraordinary scene between Hammond and myself, — who beheld the pantomime of binding this struggling Something, — who beheld me almost sinking from physical exhaustion when my task of jailer was over, — the confusion and terror that took possession of the bystanders, when they saw all this, was beyond description. The weaker ones fled from the apartment. The few who remained clustered near the door and could not be induced to approach Hammond and his Charge. Still incredulity broke out through their terror. They had not the courage to satisfy themselves, and yet they doubted. It was in vain that I begged of some of the men to come near and convince themselves by touch of the existence in that room of a living being which was invisible. They were incredulous, but did not dare to undeceive themselves. How could a solid, living, breathing body be invisible, they asked. My reply was this. I gave a sign to Hammond, and both of us — conquering our fearful repugnance to touch the invisible creature — lifted it from the ground, manacled as it was, and took it to my bed. Its weight was about that of a boy of fourteen.
‘Now, my friends,’ I said, as Hammond and myself held the creature suspended over the bed, ‘I can give you self-evident proof that here is a solid, ponderable body, which, nevertheless, you cannot see. Be good enough to watch the surface of the bed attentively.’
I was astonished at my own courage in treating this strange event so calmly; but I had recovered from my first terror, and felt a sort of scientific pride in the affair, which dominated every other feeling.
The eyes of the bystanders were immediately fixed on my bed. At a given signal Hammond and I let the creature fall. There was the dull sound of a heavy body alighting on a soft mass. The timbers of the bed creaked. A deep impression marked itself distinctly on the pillow, and on the bed itself. The crowd who witnessed this gave a low cry, and rushed from the room. Hammond and I were left alone with our Mystery.
We remained silent for some time, listening to the low, irregular breathing of the creature on the bed, and watching the rustle of the bed-clothes as it impotently struggled to free itself from confinement. Then Hammond spoke.
‘Harry, this is awful.’
‘But not unaccountable.’
‘Not unaccountable! What do you mean? Such a thing has never occurred since the birth of the world. I know not what to think, Hammond. God grant that I am not mad, and that this is not an insane fantasy!’
‘Let us reason a little, Harry. Here is a solid body which we touch, but which we cannot see. The fact is so unusual that it strikes us with terror. Is there no parallel, though, for such a phenomenon? Take a piece of pure glass. It is tangible and transparent. A certain chemical coarseness is all that prevents its being so entirely transparent as to be totally invisible. It is not theoretically impossible, mind you, to make a glass which shall not reflect a single ray of light, — a glass so pure and homogeneous in its atoms that the rays from the sun will pass through it as they do through the air, refracted but not reflected. We do not see the air, and yet we feel it.’
‘That’s all very well, Hammond, but these are inanimate substances. Glass does not breathe, air does not breathe. This thing has a heart that palpitates, — a will that moves it, — lungs that play, and inspire and respire.’
‘You forget the phenomena of which we have so often heard of late,’ answered the Doctor, gravely. ‘At the meetings called “spirit circles,” invisible hands have been thrust into the hands of those persons round the table, — warm, fleshly hands that seemed to pulsate with mortal life.’
‘What? Do you think, then, that this thing is — ’
‘I don’t know what it is,’ was the solemn reply; ‘but please the gods I will, with your assistance, thoroughly investigate it.’
Check back next Friday, 31st of October for the final installment. Missed a part of the story? Catch up with part 1, 2, and 3.
Famous time-wasters tend to fall into two camps: There’s the hedonistic band of enthusiastic lollygaggers, and there’s the anti-dillydallying brigade of outputters. The logic follows that non-famous writers follow the same pattern. For both sides, here are some thoughts and advice from the greats on the art and craft of wasting time—or not.
Mark Twain: “Never put off till tomorrow what may be done day after tomorrow just as well.”
Marthe Troly-Curtain: “Time you enjoy wasting is not wasted time.”
Rita Mae Brown: “If it weren’t for the last minute, nothing would get done.”
Herodotus: “Some men give up their designs when they have almost reached the goal, while others, on the contrary, obtain a victory by exerting, at the last moment, more vigorous efforts than ever before.”
Douglas Adams: “I love deadlines. Especially the whooshing sound they make as they pass by.”
Ellen Degeneres: “Procrastination isn’t the problem. It’s the solution. It’s the universe’s way of saying stop, slow down, you move too fast.”
Dorothy Parker: “Live, drink, be merry, love the reeling midnight through, For tomorrow ye may die, but alas we never do.”
Jerome K. Jerome: “Why, some of the work that I have by me now has been in my possession for years and years, and there isn’t a finger-mark on it. I take great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.”
Susan Orlean: I think of myself as something of a connoisseur of procrastination, creative and dogged in my approach to not getting things done.”
Auguste Rodin: “Nothing is a waste of time if you use the experience wisely.”
The Writer’s Digest Retreat on the Water is your chance to escape the demands of everyday life and immerse yourself in your craft for a few purposeful and peaceful days. Enrollment at this Retreat is limited—you’ll enjoy the close mentorship of the instructors and the attention to your individual manuscript that only an event this small and exclusive can provide.
Pablo Picasso: “Only put off until tomorrow what you are willing to die having left undone.”
Benjamin Franklin: “You may delay, but time will not.”
Charles Dickens: “Procrastination is the thief of time; collar him.”
Abraham Lincoln: “You cannot escape the responsibility of tomorrow by evading it today.”
George Bernard Shaw: “If you take too long in deciding what to do with your life, you’ll find you’ve done it.”
Oscar Wilde: “Hesitation of any kind is a sign of mental decay in the young, of physical weakness in the old.”
Victor Hugo: “Short as life is, we make it still shorter by the careless waste of time.”
J.R.R. Tolkien: “It’s a job that’s never started that takes the longest to finish.”
Martin Luther King, Jr.: “How soon ‘not now’ become ‘never.’”
Henry Ford: “It has been my observation that most people get ahead during the time that others waste.”
Which camp do you fall into? For myself, I’ll only say that this post was supposed to run yesterday.