So, what does it mean--if anything--that Phillip Hoose's National Book Award winning Claudette Colvin: Twice Toward Justice is ineligible for the Coretta Scott King Award (because Hoose is white) and Jerry Pinkney's Lion & the Mouse is in the same position because it isn't about black people? Does it not matter, or have the CSK awards painted themselves into a corner?
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The Horn Book editor's rants and raves. Roger Sutton has been the editor in chief of The Horn Book, Inc, since 1996; previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian.
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I see that PW has followed up on Betsy Bird's thoughts on the Amazon Vine program; their speculation that membership in Vine might be a perk for good customers is intriguing if not substantiated. What seems oddest to me is that this program--for which publishers and other producers pay for the privilege of having their products evaluated--is being criticized for eliciting cluelessly negative reviews, which does not seem to serve the purposes of either publishers or Amazon. It's not like the books don't otherwise get customer reviews, but perhaps the Vine reviews post early enough so that any early buzz they provide outweighs what they actually say?
Vine reviews, customer reviews, and, sorry, blog reviews--they are all too damned long. That's the problem I have with 'em. Just because the technology allows one to prattle on forever should by no means encourage one to do so. The one Amazon review I remember appreciating was a negative review of a recording I adore, Adam Guettel's musical Floyd Collins. It read, in its entirety, "Too much yodeling."
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Back from Vermont--we did get to visit the Patersons (that Katherine bakes a mean scone and gave us plenty to take back to our Killington chalet, no snow but there was a hot tub) but not JRL as poor Buster was by then too exhausted and disoriented to either move or leave behind. (He is better now but still, twenty.) Our chief entertainments were books in the daytime (me, a Joy Fielding--never again--and the second Stieg Larsson mystery; Richard, Possession and finally skipping the poetry like I told him to) and The Godfather movies in the evenings. (How had I missed all three of those?) Like The Girl with the Dragon Tattoo, The Girl Who Played with Fire only really comes to life when The Girl is onstage, but then it is irresistible. Christopher Hitchens suggests that Winona Ryder should play her in the movie but I kept seeing Bjork or that little fey thing who was on Absolutely Fabulous.
We only went shopping for ice cream once, and the only locavore alternative to Ben & Jerry's was some coconut sorbet. No thank you.
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Going to Vermont for a few days; hoping to see Katherine Paterson and HB reviewer Joanna Rudge Long (who lives not near but ON the Appalachian Trail) but otherwise just r&r, Roger and Richard, and Buster, who at twenty is too old for any trailwalking but we hope will enjoy the fireplace. Lots of reading planned--Richard gave me the latest Arthur Phillips for my birthday and I've got the second book about the tattooed lady (as well as the new Vanity Fair which promises a hatchet job on same by Christopher Hitchens) and the new Isabel Dalhousie "mystery" on audio. All that and a hot tub!
And look for the new Notes from the Horn Book later today, where I interview Jim Murphy about his new book about the Christmas Truce--appropriate for Veterans' Day, yes?
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The New York Times Best Illustrated Books list is out, along with my review of The Lion & the Mouse. What a great book--I wish they had given me twice the space. When I sat down with it and my two young neighbors, the two year old boy announced, looking uncertainly at the cover, "lions are scary." His more intrepid four-year-old sister took over the narration from there ("Look out for the bird!") until the end, whereupon the two-year-old said, "lions are NOT scary." Now it's his favorite book, so we gave him a copy for his birthday, along with a little plastic lion he can carry around in his hand. What's your talisman?
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I love it when my second-favorite magazine meets the interests of my first:
"The young miller is naive, vulnerable and over-enthusiastic, with a poetic imagination, but not psychotic! As to the cycle's ending, his death in the brook makes me think of the Philip Pullman trilogy His Dark Materials. Pullman imagines death as a dispersal into the universe, an absorption into the cosmos, and that's very much the sense we have here."
--Tenor Mark Padmore talking about Schubert's Die schone Mullerin in the November issue of Gramophone.
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While we've already given you our choice of the best holiday-themed books of the season, Deborah Stevenson and her elves at BCCB offer a handy handout of more than three hundred recent titles suitable for gift-giving. Deborah and I both learned our trade from Zena Sutherland and Betsy Hearne, so you know she has excellent taste. Too.
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In Betsy Bird's SLJ article "This Blog's for You" (and I thank her for including Read Roger in the list of "Ten Blogs You Can't Live Without"), she asks a bunch of swell questions:Do kids' lit bloggers influence publishing decisions? Are library systems basing their purchasing decisions on our recommendations? Should they? And to what extent is a blog about literature for youth a reliable source of information?
My short answers to the first three are not a lot, ditto, and no. As to reliability: while I don't see a lot of misinformation on children's lit blogs and am in fact impressed by the care which with bloggers source their facts, we first need to ask what we mean by information--and it's the answer to this question that tells us why blogs are not, generally, as useful to librarians as Betsy's first three questions would have them be. The glory and the bane of book blogging is its variety. Glory because lots of talented people are saying lots of different things about different topics in different ways to different audiences. Bane because this same riotous abandon confounds any but the most limited usefulness. While an individual can pick up the odd book-buying tip from reading the blogs, a library can't--it needs more systematic information than the blogosphere provides. A library collection based upon blog recommendations would be a mess.
If somebody needs a master's thesis, I wish he or she would take a look at whether or not there is such a thing as a blog-friendly book. We've had lots of discussions about bloggers all pushing the same books at the same time (a phenomenon exacerbated by blog tours) but I wonder if this is less a result of publishers pushing certain titles than it is that some books more than others will appeal to people who like to blog about children's books. Many bloggers are emphatic about their desire to write about books they personally love (and again, if a youth services librarian built a collection on the basis of what he or she loved, the library would be useless to the actual kids allegedly being served). There's a whole sub-genre of children's literature that has found its best audience among the adults who serve children (The Wednesday Wars, for example); does the same thing go on among bloggers?
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While Scholastic has gotten a lot of press these last couple of weeks about censoring its book club selections, this is not new; the company has been cleaning up its club editions ever since dirty words started appearing in children's books. Six Boxes of Books has the best analysis of the controversy I've seen yet.
Props to SLJ for getting this story out in the first place, but I have to note one thing that skeeved me out about the lede in the original article: "Don't expect to see Lauren Myracle's new book Luv Ya Bunches (Abrams/Amulet, 2009) at Scholastic school book fairs this year. It’s been censored—at least for now—due to its language and homosexual content." Calling the presence in a children's book of a couple of lesbian mothers "homosexual content" is gross unless the two of them are totally going at it.
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The new issue of the Magazine is out (with a cover by Lane Smith that makes me want to watch Mr. Magoo's Christmas Carol immediately). You can see the table of contents with links to selected reviews (holiday books!) and articles (fan fiction!) right over here.
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but when do you think trick-or-treating starts when Halloween is on a Saturday? I can't believe Hopey has been running things since January and still hasn't gotten back to us on this.
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The discussion/flamewar over at Betsy's place about the Amazon Vine program reminds me yet again of the best way to get people to leave comments on a blog post: write something about blogging that implies in even the tiniest way that some practices might be better than others. People love to go all meta on that stuff.
In other words, as Betty Cavanna's Diane Graham (in A Date for Diane) recalls from a teen dating etiquette book she's optimistically memorized, "let a lad talk about himself."
Now, if someone would kindly leave a note in the comments accusing me of accusing Betsy of doing the same thing that I am doing right now, we can all watch the metaverse explode together.
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The most interesting statistic of this teen reading survey concerns who responded to it: "while we purposely marketed the survey to attract male readers, females are the vast majority (96%) of responders."
It would be really good to know if book reading breaks down in similarly dramatic proportions. We know that girls and women read more books than do boys and men, but how much more?
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I twittered my on-the-spot reactions to the Harry Potter exhibit at the Boston Museum of Science, mainly, as a way to kill time because this show was definitely So Not My Thing. While I knew it was going to be about the films (which I've only seen out of the corner of my eye on TV) rather than the books, I dragged my companions along to the preview with the promise that there might be some cool stuff about moviemaking and special effects. Instead, it was an admittedly dazzling faux-Hogwarts gallery of costumes and props, a couple of minimally interactive pit stops (skee-ball like Quidditch tossing; plastic plants that made a noise when you touched them) and a big fat $ouvenir emporium. No ideas of any kind about science or magic or movies were offered. True fans will not be deterred, I'm sure, but I was a little embarrassed for the Museum, whose role, I think, is limited to giving the exhibit space (I wonder how the profits get sliced up). It could have been great, though, with opportunities to look at the science behind alchemy, say, or how CGI really works. But this was all "celebrate the magic," complete with English-accented guides and guards recruited from Craigslist. Why, so you feel like you're in an English museum? I dunno.
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It's getting very difficult to muddle on without her, but we have nevertheless appointed our judges for the 2010 Boston Globe-Horn Book Awards. They are Horn Book Magazine executive editor Martha V. Parravano, NYT children's books editor Julie Just, and novelist (and long-time-ago Horn Book columnist) Gregory Maguire. Information about the awards and guidelines for submissions can be found on our website.
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. . . well, I don't know what to think of the new Spike Jonze movie but luckily Claire does and she tells you here.
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A couple of weeks ago, in the aftermath of telling Alan Kaufman to do a not very nice thing to himself, I asked him to name names of the "high-tech propagandists" who tell us that we will be better off without books. I found one:
. . . the techies in Silicon Valley are giving us powerful new tools for telling stories. Scary because the old ways of telling stories are about to become obsolete, and if we cling to them, we'll be washed away. In the past we've all worked in silos. "Print people" had one way of describing the world. "Video people" had another. But the silos are getting crunched together. It's as if for most of your life you could get by speaking only English, but now you need to learn a bunch of other old languages, and, what's more, you must then master a new language that is evolving out of the DNA of all the old ones.
Newsweek journalist Dan Lyons is primarily speaking about news-delivery here, but he does lump in book reading along with all the other exciting things that full-time connection to the Internet is going to give us: "these devices will play video and music and, of course, display text; they will let you navigate by touching your fingers to the screen; and—this is most important—they will be connected to the Internet at all times." Coming from a generation that was always admonished to turn out the light when leaving a room, I do wonder who is going to pay for the apparently unproblematic necessity for lots and lots of electricity. And as for being connected to the Internet at all times--Alan, pass me a pitchfork.
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Inspired by our Martha, Jonathan Hunt has a good post up over at Heavy Medal about the possibility of a picture book ever winning the Newbery Medal.
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I think it was in Martina Navratilova's autobiography that I read that Rita Mae Brown found names for her characters by wandering through old cemeteries. Now she could just wander through my junk mail, which today provided me with Dahlia Holley, Ailene Petruso, Arlean Taina, Shane Zavatson and Sarah Madrid. There must be a science to spam-name generation and I would love to know it--they are usually just the other side of plausible.
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The Horn Book offices will be closed this afternoon as the staff is making a field trip to see Where the Wild Things Are.
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Kitty has posted 'em. One is still forthcoming and another will not be reviewed as its publisher decided rather late in the game that it was in fact a book for young people.
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I'm not sure just how sustainable e-lending e-books is going to be for public libraries. Three points made in yesterday's Times article about the practice moved my eyebrows higher and higher until they were indistinguishable from my hair:
“'People still think of libraries as old dusty books on shelves, and it’s a perception we’re always trying to fight,' said Michael Colford, director of information technology at the Boston Public Library. 'If we don’t provide this material for them, they are just going to stop using the library altogether.'”Okay, so people don't care about books in libraries, but if we can give them something they don't even need to leave their bedrooms to obtain, that's going to keep the lights on?
". . . with few exceptions, e-books in libraries cannot be read on Amazon’s Kindle, the best-selling electronic reader, or on Apple’s iPhone, which has rapidly become a popular device for reading e-books. Most library editions are compatible with the Sony Reader, computers and a handful of other mobile devices."
Who wants to read a novel on a computer?
"Most digital books in libraries are treated like printed ones: only one borrower can check out an e-book at a time, and for popular titles, patrons must wait in line just as they do for physical books. After two to three weeks, the e-book automatically expires from a reader’s account."
Who wants to wait in line to read a novel on a computer?
I understand that libraries are doing the best they can, faced with restrictions from publishers (several of whom, big ones, will not license their ebooks to libraries) and the mercurial nature of electronic files. But I wonder if libraries are trying too hard to fit ebooks into a circulation model designed for physical media. While the reasons for borrowing a physical book from the library are several--it's free, you don't have to provide storage for something you'll only read once, browsing the shelves provides serendipitous discoveries--right now, anyway, the only reason to get an ebook from a library website is that it is free, albeit hampered by considerable restrictions. Are there enough people willing to wait in line for a digital copy of The Lost Symbol that they will have to read on their desk- or laptop or Sony Reader, when they can buy it for around ten bucks (digital edition) or fifteen (widely discounted hardcover)? This does not sound like a situation upon which to build a future.
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The latest issue of Notes from the Horn Book has just been published, with an interview with Kristin Cashore, reviews of new fantasy sequels, new chapter books, new picture-book biographies of artists, and new books about autumn. New! New! New!
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from Publishers Lunch:
Deborah Heiligman, Charles and Emma: The Darwins’ Leap of Faith (Henry Holt)
Phillip Hoose, Claudette Colvin: Twice Toward Justice (Farrar, Straus and Giroux)
David Small, Stitches (W. W. Norton & Co.)
Laini Taylor, Lips Touch: Three Times (Arthur A. Levine Books/Scholastic)
Rita Williams-Garcia, Jumped (HarperTeen/HarperCollins)
I'm a little surprised by the Small in this category as I don't think it was published as a children's book and was not sent to us for review.
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It occurs to me that now that Robert Langdon has raced around Rome, Paris, and D.C. he ought to go to New York; precisely to Madeleine L'Engle's current residence, the Cathedral of St. John the Divine. His readers would love her; hers, I'm not so sure about.
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My talisman is a rhino, and it would be SOOOooo cool if Jerry Pinkney would feature one in a book as wonderful as The Lion & The Mouse!
A ladybug due to 9/11. Long story involving my class coping back then in NYC, good luck, Swiss chocolate, etc etc.