("Always scribble, scribble, scribble, eh Mr Gaiman?" whispers an imaginary Duke of Gloucester in the back of my head.)

MONA is pleased to announce a Mona Bushfire Fundraiser Concert to raise funds for the Australian Red Cross Tasmanian Bushfires 2013 Appeal. http://www.mona.net.au/
Buy tickets: https://www.mona.net.au/shop/bushfirefundraiser.aspx
THE ARTISTS:
The Hoodoo Gurus
The Break
Kate Miller-Heidke
Evan Dando & Spencer P Jones
Neil Gaiman and Jherek Bischoff (special guest David Byrne)
Taiko Drum
WHEN & WHERE:
Monday January 21, 2013
Princes Wharf 1 (PW1), Hobart
Doors open 5.30pm for 6pm, until late
TICKETS:
$33
On sale now: https://www.mona.net.au/shop/bushfirefundraiser.aspx
All profits from the concert go to the Australian Red Cross Tasmanian Bushfires 2013 Appeal. Production costs kept low by the generous donation of time and services by dozens of companies and individuals.
Mona and MONA FOMA staff are hosting the event. Suppliers will provide equipment and services, including artist accommodation; volunteers will staff the concert, and artists are performing for free. Mona has waived ticket booking fees and is giving all food and bar profits from the evening to the Red Cross.
On the way home from the recording, driving through the rain, just as I pulled off the freeway to head home, I saw a large, pale dog on the side of the sliproad. I went in a couple of seconds from a first glance thought of "Oh, he's just wandering around and knows exactly what he's doing," to, on a second glance, "He's absolutely terrified and if he isn't actually lost he's really scared of all the cars and in danger of bolting onto the freeway," .
I pulled over, crossed the road and hurried across to where he was. He backed away, skittish and nervous, then came over to me, shaking. No collar or information, just a choke chain. And big. And very wet and very muddy. With cars going past, I decided the wisest thing to do was to put him into my car while I figured out what to do. The car was the Mini. I opened the door and he clambered in. The dog took up most of the Mini that I wasn't in and a fair amount of the Mini that I was in. Big dog, small car.
I phoned my assistant Lorraine, and asked her to let the local Humane Society (really nice people with a no kill policy) know we'd be coming in soon with a dog, then I drove home, narrowly avoiding death on the way (it's amazing how much you can't see when a huge dog fills the car and your field of vision). I ran around the garden with Dog until he'd tired me out. (I really hope he'd just got lost, and his family are looking for him; it would be hard to imagine someone abandoning a dog that cool.) Then I put him into the back of a car much bigger than the Mini and took him to the Humane Society, where they fawned all over him. ("I think he's a husky-wolf cross," said the Humane lady who took him, and she could be right.)
I think he's probably a survivor too.
I seem to have acquired a dog.
I got a call today to say that the owner of the dog I found on Monday had called the Humane Society and collected him. I was happy Dog was back with his family, but found myself rather sadder than I would have expected -- I realised I'd half hoped that maybe no-one would claim him.
The call went on to say that the dog's owner, a local farmer, who kept him chained up in the yard, and couldn't walk well so couldn't walk him, thought the dog was a nuisance, always getting out and heading onto the freeway and sooner or later he'd cause an accident, and, when the Humane Society lady mentioned that the person who found him rather liked him, he told her that if I came over and picked him up I could have him.
So I did.

The Ocean at the End of the Lane is a fable that reshapes modern fantasy: moving, terrifying and elegiac—as pure as a dream, as delicate as a butterfly’s wing, as dangerous as a knife in the dark. It began for our narrator forty years ago when the family's lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed—within his family and from the forces that have gathered to destroy it. His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duck pond is an ocean. The oldest can remember the Big Bang.
Morrow have also released The Ocean at the End of the Lane desktop wallpaper in, so far, six version, so you will not forget that it is coming out:
- iPad (Download)
- 2560x1440 (Download)
- 1920x1080 (Download)
- 1024x768 (Download)
- 800x600 (Download)
And…
- 640x480 (Download)
- A 3-D image of The Ocean at the End of the Lane (Download)
- A 3-D image of Make Good Art (Download)
I'm back in New York, got in late last night, in time to rehearse my song (the Fireball XL5 song) for tonight's New Year's Eve gig. Waiting for me in New York was a remarkable coat, made by Kambriel. I wore it out into the world last night: it's wonderful, but it makes me feel fictional when I wear it.
Had a late night dinner in the hotel with Amanda, and did something we do not do often, viz., communicate only in writing. Passing notes back and forth across the table. It's a nice break from routine, and sometimes we doodle or cartoon as well.
Then sleep. I woke up in a good mood. "I love you more than anything," I said.
"No you don't," she said, not even bothering to properly wake up. "You don't love me more than breathing. If the choice was breathing or me, you'd pick breathing."
"Not necessarily. Is the choice breathing or death, or breathing or some other option, like photosynthesis?"
"Death," she said, without opening her eyes. "You'd love photosynthesis. You'd be green like the Hulk and you'd stand in the sun with your arms and fingers spread and a big smile on your face. Now shush, I'm asleep."
And she went back to sleep while I lay next to her pondering the pros and cons of photosynthesis.



This is quite possibly the most exciting adventure ever to be written about milk since Tolstoy's epic novel War and Milk. Also it has aliens, pirates, dinosaurs and wumpires in it (but not the handsome, misunderstood kind), not to mention a Volcano God.
“You are charged with breaking into people’s planets and redecorating them,” said a noble and imposing-looking Tyrannosaurus Rex. “And then with running away and doing it again somewhere else, over and over. You have committed crimes against the inhabitants of eighteen planets, and crimes against good taste.”
“What we did to Rigel Four was art!” argued a globby alien.
“Art? There are people on Rigel Four,” said an Ankylosaurus, “who have to look up, every night, at a moon with three huge plaster ducks flying across it.”
Heifer International is my favorite charity. It helps people raise themselves up out of poverty and starvation. All over the world Heifer promotes education, sustainable agriculture, and local industry.
They don’t just keep kids from starving, they make it so families can take care of themselves. They give goats, sheep, and chickens to families so their children have milk to drink, warm clothes to wear, and eggs to eat.He's been giving away amazing books to people who donated, over the years. This year he's doing a calendar, with art by Lee Moyer. They asked if they could put a character from American Gods into it, and I said yes.
*DonorsChoose.org engages the public in public schools by giving people a simple, accountable and personal way to address educational inequity. We envision a nation where children in every community have the tools and experiences needed for an excellent education.
**Booktrust is an independent reading and writing charity that makes a nationwide impact on individuals, families and communities, and culture in the UK. We make a significant positive contribution to the educational outcomes of children from the earliest age. We work to empower people of all ages and abilities by giving them confidence and choices about reading. And we want individuals of all backgrounds to benefit from the wellbeing that a rich and positive engagement in reading and writing can bring. Our work supports children and young people, parents and carers and indeed anyone who would benefit from the positive impact that books, reading and writing can have on their lives.
Mr. Oliver is a living work of theater all by himself, and the gestures of his pale, long-fingered hands and the restless expressiveness of his hollowed-out eyes seem completely of a piece with his benevolent horror-movie voice.But there's nothing horror-movie about Helen and Edgar (except for the story about the swimming pool and the watermelons, of course). It's really gentle. It's a love story about family, and how families buoy you up, and shape you, and how you escape them.