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Colleen Mondor is a reviewer for Booklist, Bookslut, Eclectica Magazine and the Voices of New Orleans.
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Continuing on my quest to find books for my soon to be nine-year old niece, I read Karen Harrington's Sure Signs of Crazy last week. While I enjoyed the book a lot and recommend it for the over ten crowd, I think I'm going to hold off my girl until she's a wee bit older.
Protagonist Sarah is 12 and new in town. She and her father move around a lot as Sarah's mother was the object of a notorious trial and is now committed to a mental hospital. Her father was also tried but found innocent; he still struggles a decade later to cope and while a loving father, definitely self-medicates with alcohol.
In the course of one summer, Sarah fulfills an English assignment by writing letters to Atticus Finch, crushes on the college boy across the street (we've all been there) and builds up her courage to challenge the family secrets. She's smart and funny and determined which makes for a great protagonist. Most interestingly though, considering her family drama, Sarah is also very easy to identify with and I'm sure many young readers will like her a lot.
For my purposes though, I think the alcohol and the reasons behind her mother's trial, are just too much for my particular nine-year old. At least a year, maybe two and she will be ready. I'll be keeping Sure Signs of Crazy for the future.
We don't really hear much about Superfund sites anymore but they haven't gone away. From last month's National Geographic Magazine:
Money remains a constant problem. The Superfund program once had two pillars: rules that held past polluters liable for cleanup and a "Superfund"--financed by taxes on crude oil and chemicals--that gave the EPA the resources to clean up sites when it could not extract payment from the responsible parties. Congress let those taxes expire in 1995; the program is now funded by taxes collected from all Americans. It's low on staff. The Superfund itself is nearly empty.
Superfund sites have entered a mostly benign but lingering state, dwarfed in the public's eye by issues like climate change, says William Suk, who has directed the National Institutes of Health's Superfund Research Program since its inception in the 1980s. "It's not happening in my backyard, therefore it must be OK," is how Suk sees the prevailing attitude. "Everything must be just fine--there's no more Love Canals."
Check out the full photo gallery here.
[Post pic by Fritz Hoffman via Nat Geo: "The municipal water supply in Hastings was contaminated by landfills--and by the FAR-MAR-CO grain elevator. Fumigants sprayed to control rodents and insects leached into the ground. The city closed some wells, but cleaning the groundwater will take decades."]
Courtesy my mother, (who always pays attention when you write notes in a catalog* with the words "I WANT THIS!!!!"), I received The Secret Rooms by Catherine Bailey for Christmas. This incredibly compelling book follows Bailey's search for truth while engaged in a relatively innocuous WWI research project at the Belvoir Estate in England. Stymied in her plans to find out about the war's devastation on the men in the nearby villages (many of whom lost their lives), she can not help but wonder why the estate's meticulous records should have such a deep hole during the war period. So Bailey digs a little deeper and finds other holes, all of them tied to the 9th Duke of Rutland who died in 1940 and apparently, until his final moments, was feverishly working to hide something in "secret rooms" beneath the castle.
This book has literally everything you would want in an epic family drama plus some serious upstairs/downstairs social commentary.
Bailey is a careful researcher--she methodically moves through the existing records at the estate and then sets out to other archive collections to find information to fill the Belvoir gaps. What she finds is a story of family strife and conflict that includes everything from parental neglect to attempts to sway military decisions during WWI. There's also a lot here about dukes in general and how one becomes a duke and what happens to a duke's holdings when he dies. That kind of thing was candy for me--I never get tired of trying to figure out how the royal thing works in England.
As an aside - The 9th Duke's sister, Diana, married Duff Cooper after WWI and they were quite the famous couple in their day. (Although he cheated on her with basically everyone if wikipedia is to be believed. How on earth do these men find the time for all this messing around?)
For all the dramarama in The Secret Rooms, it is surprisingly not all that gossipy. Mostly, I found it shocking how the Duke's family chose to live. For all their wealth and social status these were deeply unhappy people who seemed more intent upon inflicting pain on each other than anything else.
[Post pic of Belvoir Castle taken in 2011 via Creative Commons.]
*Bas Blue catalog - a great collection of carefully selected books and bookish gifts that I heartily recommend!
From Alan Cumming's incredible memoir which I can't stop thinking about*:
Eventually of course we all escaped him. Tom and I entered adulthood and moved away: Tom at twenty-one to get married and I, two years later at seventeen, to go to drama school in Glasgow. And Mary Darling started her own independent life soon after. We all stitched together facades that we were all okay. Fine. Normal. Of course we weren't. You can't go through sustained cruelty and terror for a large swathe of your life and not talk about it and be okay. It bites you in the arse big time.
Cumming was starring in an episode of Britain's Who Do You Think You Are? about family history when his own life implodes with a stunning assertion from his father. The book follows the revelations from the show, (which are all about his maternal grandfather who died mysteriously in SE Asia after WW2), and the simultaneous trauma that accompanies his father's statements. It's written in a wry self-deprecating manner that alternates with sad memories of his troubled childhood and the warmth that comes from his current happy life. Mostly though, Not My Father's Son is about how much it hurts to keep family secrets and that always--always--the truth is what you must have to live strong and happy.
Oh, how I loved this book!
*Tom is his older brother and "Mary Darling" his mother.
I am not immune to the irony of reading a book about decluttering in order to figure out how to declutter my life. I get how silly it is to buy something that helps you get rid of things, but I couldn't help it when I saw Marie Kondo's The Life-Changing Magic of Tidying Up. This book is such a beautiful object--no dust jacket, small size, lovely textured cover--that I wanted to own it anyway.
Which should explain exactly why I need a decluttering book in the first place.
Lots of folks have reviewed Kondo's book and her method. It's a gazillion seller, she's basically a rock star in Japan and all the major newspapers and magazines have covered it. What I can tell you is the part that affected me which is Kondo's assertion that one should not sort by geography, ("today I will clean out the closet"), but rather by type. You need to pull every like item into one place and then gaze upon what you've got and then go all the way through that pile.
This means you don't go through the clothes in one dresser or room, you gather all of your clothes, all of your shirts and socks and gloves and coats and whatever, and you put it all on the floor somewhere and then you, I imagine, freak out as you gaze upon just how many shirts and socks and gloves and coats and whatever you actually own. Then, with the realization that you have way too much staring you in the face, Kondo tells you to start going through that pile and get rid of everything that does not work for you. (Or in her words, "gives you joy".)
I don't have a ton of stuff (I swear), but I have now gone through the homes of multiple deceased relatives and I am so tired of sorting through piles and piles of stuff that just ends up in the donate bin or the trash can. I am tired of that being my job - to clean up the messes that my relatives did not get to when they were alive. The thing is, as I listen to a lot of relatives bemoaning the fact that they never can get to dealing with their stuff, I'm sure I'll be doing it again and again in the future.
My frustration over all of that has few outlets, which is where Kondo's book comes in. At the very least, I can better sort through my own stuff and at least feel like I am in control of that part of my life.
Plus, I think I have way too many pairs of socks.
[Post pic of Kondo's method of vertical folding from Modern Mrs. Darcy .)
I have an 8-year old niece who has always been able to read above her reading level. The problem, of course, is the content found in books for older children and teens. So I'm always on the lookout for middle grade titles that are written in a more sophisticated style but still tell stories that are appropriate for a typical little girl.
It's ridiculous how not easy this can be.
I just burned through a couple of great books for her though and wanted to share them. In A Snicker of Magic by Natalie Lloyd, Felicity Pickle is used to traveling at a moment's whim with her mother and younger sister. They have now unexpectedly arrived in her mother's hometown of Midnight Gulch however and Felicity finds the idea of leaving to be terribly upsetting. She has found a home, not just a stopping place and hopes her mother will realize this before they move on yet again.
In Seven Stories Up by Laurel Snyder, Annie and her mother have returned to the Hotel Calvert, which Annie's rather unpleasant and now dying grandmother owns and has lived in all of her life. Annie goes to sleep in the crumbling hotel and wakes up in 1937 where she meets "Molly" - her grandmother as a young girl. The girls bond, Annie learns a lot about her grandmother's difficult childhood and in the process of trying to get back to her own time, she discovers the Baltimore that was. (And of course Molly & Annie are deeply changed by their time together.)
Both of these books emphasize family and the weight of unsaid words and worries. It is only when Annie arrives in her life that Molly is able to verbalize her fears and Felicity feels protective toward her own mother and thus does not tell her how much she wants to stop moving until her friends and family in Midnight Gulch convince her to speak up. Both girls also learn the value of friendship and adventure, the importance of being brave and honest. They are both quite heartwarming but not the slightest bit cloying and for my purposes (a certain 8-year old girl) dang near perfect.
I liked all the kids in these books--protagonists and supporting characters. They are smart but not magically brilliant, caring and thoughtful, concerned and questioning. They also occasionally say the wrong thing, act defensively and make a mistake. They are just kids, but especially delightful ones and a lot of fun to spend time with while reading.
Add both of these books to your lists for discerning 8-12 year old readers; they are excellent and highly recommended.
By: Colleen Mondor,
Blog: Chasing Ray
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Back home again after two weeks of sickness, death and funeral and I'm having trouble, as always after this sort of experience, easing back into regular life.
I'm sure all of you have been through something similar can understand.
I have 2015 resolutions but they sound rather banal I think: organize, create, be brave, be strong.
And eat better, of course.
I am reviewing YA SFF this year for Locus and continuing with aviation articles for Alaska Dispatch News. I broke into LARB last fall and have another review piece to finish and submit this month (on MG/YA nonfiction). I'd like to break in someplace else with some personal essays but nothing concrete to share on that score yet.
And of course, still and always Booklist.
The book is still in research phase. It's a very personal project, (about my ancestors as I have shared in the family history posts here), and I want to get it right. It's a time-consuming subject but I've gotten further along than I ever imagined. Right now I have to work on a marriage I never knew occurred in 1919 and gathering info on an asylum commitment in 1940. I love this project and I want it to succeed. Mostly, this year I just want to keep at it and continue to move forward with it.
I don't want to waste this year in talking about writing, like so many of us do.
There is nothing revolutionary about my 2015 hopes and dreams; just work. I want this year to be about work.
Finally, some sad news here - Ray Bradbury's house has been torn down. He lives forever in his stories and books but man, it's sad to think that the floors he walked for so long have disappeared.
Due to an epic failure between the funeral home and local newspaper, my stepfather's obituary will not run this weekend as promised to us. I am loading it here in the hopes that I can spread the word at least a bit this way.
Edmund B. Everette passed away on December 28, 2014. He is survived by his loving wife Maureen and children, Edmund Jr, Donna, Patrick and Colleen and grandchildren Hannah, Ben, Pierce and Emma.
Ed was born on a farm near Lake City, Florida. He attended the University of Florida with plans to teach and farm but the Korean War changed that. He enrolled in AFROTC and upon graduation was commissioned as a lieutenant in the USAF. He completed flight training and served in the US and Japan before being stationed with the Tactical Air Command and later attended Command and Staff College. He was assigned to the Fourth ATAF in Germany and was then sent to Vietnam where he was a squadron operations officer and commander with Forward Air Control. He flew more than 600 hours of combat time and was awarded numerous air medals and the Distinguished Flying Cross. He then was assigned to the Joint Chiefs of Staff in operations and was briefer to the Chairman. His last assignment was Chief of Operations Air Base Group at Patrick AFB.
Ed then obtained his FAA flight instructor ratings and was employed by Florida Institute of Technology as a flight instructor and professor. He earned an MBA there and held various positions until appointment as Dean of the School of Aeronautics and President of FIT Aviation. During his tenure, the School of Aeronautics grew to over 850 students and averaged 50,000 flight hours a year.
After Ed obtained an FAA grant, a new building, now called the College of Aeronautics, was constructed on campus. After leaving FIT he was named Professor Emeritus and became the Florida representative for the Aircraft Owners and Pilots Association.
During the course of his career, Ed logged over 10,000 hours of flight time and was recognized by the FAA with the Wright Brothers Master Pilots Award for more than 50 years of accident-free flight.
A celebration of Ed Everette's life will be held at Eastminster Presbyterian Church in Indialantic on January 7 at 1:30 PM with reception following. In lieu of flowers the family asks donations be made to the Wounded Warriors Project.
This is one of the most ingenious titles I have come across in ages! It's absolutely basic, the simplest design, and yet the more pages you turn the more appealing it becomes.
On the left side is an image representing "before" and on the right there is "after". The subjects are all over the place - the bud and flower as above and then everything from a honeypot to a beehive, a pigeon to an airmailed letter, a rocket to the moon and a watching lizard to a fly.
There are no words, just fully painted images that range in size but maintain a muted intensity. The whole thing ends up being funny, thoughtful and utterly entertaining. It also has an unexpected calming effect--one enters a bit of a zen-like state while considering the creativity behind the project and can only wonder what comes next before the page is turned.
Before After was published for children but I can't stress enough the timelessness of the design and idea. It's a great book for pre-readers who will love all the humor and making up stories on their own, but any smart and careful reader is going to embrace this book. It's the best kind of cheeky humor and just so lovely to look at--a real treat for young and old.
It is not often that I come across a grand tale that unfolds over decades and includes adventure across the land and sky, the pounding drums of war, religion, politics, romance, fast cars, fast boats, the love of a parent to a child, and characters who sweep you along with their words, actions and heart.
Frankly, it's almost exhausting to list all the parts of Vango: Between Sky and Earth that I enjoyed.
Vango takes place in Europe between the two world wars. Written by Frenchman Timothee de Fombelle and translated by Sarah Ardizzone, there is a rhythm and tempo to the language that speaks to its historic nature. It reads easily but not casually; I truly felt like I was reading a book written in the 1930s although the pages move with more of a comic book speed than I expected. (This is a very good thing by the way.)
The title character, Vango Romano, is a young man who bursts onto the opening pages as he is accused of murder in Paris. Quickly the text moves from his rooftop escape, to the police, to those who witnessed his escape, to a mysterious meeting in Sochi, Russia and and then back sixteen years to Vango's own childhood in Sicily. The reader might be a little confused at first as the action jumps quickly in and out of different characters and back and forth across the map and time, but soon enough it becomes clear that everything is connected. (Also, the time periods and locations are clearly marked at each chapter.) Studying those connections is part of the joy in reading here, as Vango's life became more and more significant as each page turns.
There is no magic in Vango, this is realistic historic fiction where the bad guys are terrifying enough without adding fangs and fur. As the heroes and villains circle each other and the clues are dropped to Vango's past and future, the novel moves from thriller to mystery to political intrigue. By the final pages it all comes together and everyone plays their parts in grand fashion.
Big moves, big action, big issues are the stuff Vango: Between Sky and Earth are made of. Next up is the sequel, out now in Europe, Vango: A Prince Without a Kingdom. which I'm really looking forward to reading.
Set in 1983 Berlin, Going Over is a combination of romance and coming-of-age that dwells a lot more with the fallout of the Cold War than just about any book I have read for teenagers. It works because the plot is driven less by the international politics of containment then the angst of Ada, 16, and Stefan, 18, who are separated by the Berlin Wall. They don't have hopes of changing the world, they'd just like to hang out together when they want to which is not easy with all the concrete and guns between them.
Basically, Stefan's got to go over the wall.
Before we get to the adventure aspect ,(which is comparatively quite brief), Kephart immerses readers in the complicated relationship between Ada and Stefan, whose grandmothers are childhood friends who became separated when the wall was constructed. Over the years Ada and her grandmother traveled to East Berlin to visit, (a relatively common occurrence readers may not know about), and what began as a friendship between the children slowly became more.
Stefan's life is small; his future predetermined by the stringent rules of education and work that dominate socialist society. Ada, a graffiti artist who lives with her mother and grandmother and works in a small day care, is wide open to possibility. Her Germany can be grim as well, but the chance of what might happen next is something she embraces. Ada is all about taking big leaps and encourages (practically forces!) Stefan to consider big leaps as well. Fearlessness doesn't come easy to East Germans however, not with so many examples of how badly things can go when you try to be brave.
In hoping to persuade Stefan to leave, Ada collects reports on successful crossings and smuggles them in to him to read. (These are all true.) Bit by bit, Stefan forms a plan, while on the other side Ada watches and waits and dreams of a world where they are both able to imagine a future of their choice.
Going Over is a teen novel of far bigger ideas than most I have come across. The setting is brilliant and the split narrative, between Ada and Stefan, provides readers with a close look at just how different Berlin became after the split. (Which also makes the reunification that much more impressive.) There are so many novels set during WWII, while the Cold War remains stubbornly overlooked. I'm thus delighted with what Kephart has done here and find these characters, in their decidedly European setting, to be different in the best way. It's a thought provoking title with exceedingly likeable characters and a great ending; all of which make Going Over a winner.
[Post pic courtesy LIFE of a mother & daughter speaking across the wall in August 1961.]
Capsule reviews on several recent reads for those looking for a recommendation or two:
Young Woman in a Garden by Delia Sherman. This is the first short story collection from this prolific and outstanding fantasy author. Sherman is tough to pin down; her stories (and novels) are sly and wink a bit at expectations. Sometimes the fantasy elements are barely there--a whiff of a ghost story perhaps as in the title story, or suburban witchcraft in "Walpurgis Afternoon". The point is not always even the fantasy, as significant as it might be to the plot, but rather the characters and the setting and, (I love this), the language.
Delia Sherman writes sentences you want to read out loud and that, perhaps more than anything, is why I advise you to read each and everything she ever writes.
Unwept: Book One of the Nightbirds by Tracy & Laura HIckman. The set-up here is straightforward: Ellis is on a train alone with a nurse who is also caring for an infant. Most of her memory is gone and the nurse assures her that she is being sent to stay with family and friends in a small town to recuperate from a long illness. Everything will be better if she rests in Gamin with her cousin Jenny. But then of course, after she arrives, nothing is as it seems.
The tension in Unwept is outstanding and readers will find themselves flinching along with Ellis as she finds herself uncomfortable and alarmed while among the local literary group, "The Nightbirds," who claim to be her dear friends. As she puts things together, and finds more reasons to be afraid, the book shifts into thriller mode. It's set up for a sequel (of course) and I hope the reasons behind all this drama get fleshed out more. But a solid start and a true page-turner.
The Spiritglass Charade (A Stoker & Holmes Novel) by Colleen Gleason. Evaline Stoker, vampire hunter, and Mina Holmes, detective, return for this next adventure in an alternate Victorian London. This time the teens have been tasked to help a friend of Princess Alix , 17 year old Willa who has become obsessed with spiritualism as she searches for clues about her missing brother's whereabouts. The princess thinks Willa is being taken advantage of and Mina immediately agrees. There is a lot more going on though, including Charles Babbage's computing machines, vile murder, sleep walking, and vampires (of course!).
What I like about the Stoker & Holmes books is that the lead characters are not great friends. They are prickly characters who have been brought together by circumstance and continue to work together because otherwise they would be bored out of their minds. But Evaline & Mina don't especially like each other. They do however trust each other and that is important. In the midst of chaos, both professional and personal, they know they won't let each other down. Their evolving relationship is what draws me in even more than the mysteries themselves (which are always fun). Good stuff for the 13 & up crowd.
Nobody's Home: An Anubis Gates Story by Tim Powers. This novella might appeal more to fans of Powers and his wicked creepy 19th century London than anyone else, but I found it a lot fun to read, especially as the two main characters are young women who defy quite a few expectations.
Jacky Snapp is looking for the man who killed her fiancee Colin when she saves Harriet, who is under attack from the ghost of her husband. (Already crazy weird, right?) Post scuffle, Jacky and Harriet find themselves catching the attention of a lot London's ghosts and must travel to a barge moored below Westminster Palace called "Nobody's Home". They might have to pay in blood, but Nobody is their only shot to lose their attraction to London's ghosts. As it turns out though, Nobody knows a lot more about Jacky then she suspects.
Loads of atmosphere, breakneck pace, smart characters and no shortage of creepiness. It's short, fast and fun and includes outstanding illustrations from JK Potter. It's an expensive stocking stuffer, but Powers fans will be thrilled. (Excerpt here.)
And beyond these books there have been several for Booklist which I can't talk about and one for Locus which I can't talk about and....well, a couple of others but I'll post about them tomorrow.
This book comes with a certain amount of baggage because Amanda Palmer, of the largest Kickstarter ever, of the viral TED talk, of the marriage to Neil Gaiman and the punk cabaret sound and the look that no one completely understands, is a person who carries a lot of baggage. Some folks love her and some folks hate her and some folks won't be able to set aside comments they might have read online or things they heard about her when considering her book. But they should, because it's really something special.
The Art of Asking is about Palmer's experiences as a creative person and how she has both made her music and supported herself while doing it. One of the key issues she brings up early on is how much she did not want a job, which we all know is not the same thing as earning a living. Everyone and their cousin told her over the years that she needed a job and supported her efforts at obtaining jobs while also making clear more than once that making art (or words or music or sculpture) is not the same thing as working. (And consequently, not a job.)
All of you who proudly told your parents you wanted to be a writer (or artist or musician or...) and were answered with the words "That is a good hobby but you need to set yourself up for a decent career first," well, you know how frustrated Palmer was for a long time and you can't help but admire her decision to strike out on her own and set herself up on a crate as a living statue in Harvard Square. What she learns through this daily interaction with strangers (and the money they give her) changed her life and set her on the path that eventually led to where she is today.
What I got from The Art is Asking is less a dose of personal empowerment (although it's certainly here) but more some serious thoughtful writing on figuring out what you want to do as a creative and how to get to that place. Palmer's message is that you have to accept help when it's offered and not be afraid to ask, but she is also serious about the level of hard work involved as well. You have to be willing to stand in the rain in Harvard Square dressed as bride if need be; you have to keep your eye on the goal and not be dissuaded by the doubtful chorus that might be filling your ears.
Honestly, I'm still thinking about much of what I've read and over the next couple of weeks I plan to read The Art of Asking again. I spent a lot of years cultivating a professional existence that did not include the word "writer" in it, because I thought that was what any writer, other than someone impossibly famous, (hello Stephen King & Nora Roberts), was supposed to do or expected to do or had to do.
We all waste so much time thinking that way, don't we? Palmer has challenged that belief every step of the way and how she got to the moment she's living now makes for fascinating reading and, if you are a creative, sheds some light on just how you might alter your path as well. That's she's remarkably candid about her own missteps and fears is just icing in the cake of this truly outstanding book. I wish I had it when I was 21 but mostly, I'm glad to be reading it now.
I surprised myself the first time I read The Bell Jar by falling hard for Sylvia Plath's autobiographical novel of a young woman in New York City and the fallout of her stressful summer. It was the Plath angle that sparked my initial attraction to Meg Wolitzer's Belzhar but that ended up being a way more complicated novel than I expected (with a truly amazing twist).
Introspective Jam Gallahue is a classic Plath heroine. Depressed over the death of her boyfriend Reeve, Jam has been sent by her parents to a "therapeutic boarding school" in Vermont. Selected for enrollment into a small English class, she and her fellow students immerse themselves in The Bell Jar and find themselves experience strange dreams attached to the individual traumas that brought each of them to the school.
Wolitzer uses the class to bring the misfits together and the mysterious dreams cause them to bond rapidly as they share their experiences and why they came to the school. Jam watchers a lot, observing her classmates and tentatively making friends. Mostly though she immerses herself in her dreams and memories of Reeve, rehashing every moment of their brief but powerful romance. It's a classic boarding school set-up and then Wolitzer hits readers with the wallop of a twist that blows every inch of the plot out of the water and yet also makes perfect sense.
I liked the teens in this novel and I think Wolitzer did a good job of showing how some things that bring us down can be remarkably small but still nonetheless devastating. And I liked how Plath fit into the novel and how seeing The Bell Jar through the eyes of Jam and her friends made me reconsider that novel a bit more as well. If Belzhar ends up being a way for readers to find Plath, then that is a really good thing and why I think that an excellent gift for teenage girls in particular would be copies of Belzhar, The Bell Jar and also Mad Girl's Love Song and Ariel: The Restored Edition.
More on Sylvia Plath at Brain Pickings.
By: Colleen Mondor,
Blog: Chasing Ray
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Between my website and the email automatically forwarded to me from Guys Lit Wire, I have been averaging about 150 emails a day for a very long time and it is completely insane. I scan through my inbox every morning and delete with abandon, my junk mail is even worse. (I wish I could ignore the junk mail but a couple of times a week real mail ends up in there so I have to check it at least every few days.)
Email is a stupid thing to worry about but when it's there everyday it becomes a burden and when I can't tell what is good and what isn't, my day just ends up starting with an annoyance. So, I decided a couple of weeks ago to start trying to get off some of the zillion mailing lists that I somehow got put on without my knowledge.
My daily goal was really tiny: just open 5 emails and unsubscribe. I figured out pretty quickly that a lot of emails are from the same lists, and also that unsubscribing is not that tough. I was able to get through my five often in just a couple of minutes. Some days that was all I did and I still felt like I accomplished something which was huge.
At least I wasn't just passively accepting all this crap everyday.
Some of the lists respond that it takes 5-7 days to be removed, others say it takes as long as 10 days. Because of that I don't think I'll get a really good idea of how successful I've been until the end of the month. By then, hopefully, I will be left with only the real junk (the Nigerian prince emails, etc.) and then I plan to blacklist those and see if I can outright block them.
I am really puzzled how I ended up on all these list. Several of them involve wine, which I don't drink and haven't ordered. Bloomberg News and the Economist like me a lot - several lists from each of them and again, no idea why. I also get a lot of stuff from people selling window blinds and hair replacement treatments.
Today, I am down to 45 emails a day total. Since I doubt I spent 45 minutes of my time getting down to this, I think I've been pretty successful. I'm not done yet, but at least I don't feel angry every time I check my email which is huge.
Ending 2014 this way is actually a pretty good thing to do. Between the e-hoarding and the email, I feel like I'm cleaning up my computer life quite a bit. This week I start on the bookmarks with the same tactic - looking at 5 a day minimum and either deleting or organizing them into folders. I have no idea what I'm going to find but at least this is all stuff I definitely wanted at some point which is a huge improvement over the email.
It's the little things, right? *grin*
By: Colleen Mondor,
Blog: Chasing Ray
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I have decided to get actually serious about redesigning my website and streamlining it in a major way.* I want to lighten it up, brighten it up and find some focus here. I was honestly thinking about suspending the blog for a bit but I need the website for my book and I do enjoy writing about my family history here, so I just decided a change might do the trick.
And then I had to face my e-hoarding issues.
I archive a lot here. I archive all my posts but also, until very recently, copy all all of my reviews and major articles as well. There is a lot of stuff backed up on Chasing Ray that is more about my paranoia of suddenly disappearing from the internet (it's insane, I know) then actually needing to be here.
It has to go.
So, just like we clean out our closets, I am cleaning up my website. I'm not going to worry about deleting everything, but more importantly, I'm not going to worry about copying everything here in the future. I'm going to put up my posts and if I think the world might like to know about an article or review then I'll link to it and that will be enough. And if something disappears from the internet then I need to LET IT GO.
It's like clinging to clothes from high school; embarrassing and stupid and not who I want to be (or how I want to live).
The thing about e-hoarding is that no one else can see it. No one knows about the dead bookmarks I have, or old articles cluttering my hard drive, and few even wander around the web site enough to see those reviews from forever ago. But I know and I can't stand it. I want it all gone and I want the compulsion that makes me keep all this junk gone as well.
It's a little change in the grand scheme of things but a bright one and in the midst of winter, bright things are always good. :)
*This means that I am happily paying Sarah Stevenson to redesign my website as I can't write code to save my life. Thank goodness she knows what she is doing.
By: Colleen Mondor,
Blog: Chasing Ray
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I have one Bridget in my family. She was my great grandfather's grandmother (my great great great grandmother). I have only the most tenuous of paper links to her thus far, finding her name on death certificates and in census records for 1900 and 1910. It appears though that Bridget is one of my immigrant Irish relatives, arriving in New York City in the late 1850s. I know that my great grandfather's (he was born in 1888) aunts and uncles were all born in NYC starting in 1860, so Bridget looks to be the one* who made the journey across the Atlantic.
The really weird thing about Bridget though is that she is our only known Bridget. The Irish are notorious for using the same names over again and we have a ton of Johns, Catherines, Roberts, Jameses, etc. When Bridget first popped up I didn't think she was one of mine because we have no Bridgets at all - not as a first or middle name, not as a deceased child - and my grandmother never ever mentioned this name. It's been a little puzzle and then I read the novel So Far Away by Meg Mitchell Moore a couple of weeks ago and I think I found my answer. (Loved the book - highly recommend it.)
In the novel, Massachusetts teen Natalie is working on a family history project while dealing with some horrible cyberbullying. She becomes friends with state archivist Kathleen who helps her read a diary found in Natalie's house. In those pages, they learn about the trials of Bridget O'Connell, an Irish maid who worked for a family in 1920. Here is the bit from the diary that gave me pause:
Ah, Charles had said when I first arrived at their home, a Bridget named Bridget. Because that was the name they gave to all the girls over from Ireland, they called them Bridgets, and while I should have been able to laugh that off, the terrible coincidence of my name, the way it made something I always thought was individual to me common and everyday, I often felt a flame of anger when I heard it. How funny, Charles said. We got the actual Bridget!
Moore listed a reference in her afterword, The Irish Bridget: Irish Immigrant Women in Domestic Service in America 1840-1930. Obviously I'm planning to read this and see what I can learn, but I'm also wondering if this was why Bridget's name was not repeated. Maybe my family found they did not want to use it again when they discovered how other people used it. I honestly don't know, but at least I have an idea now of what might have happened to it.
Now it's back to tracking my Bridget, and seeing what I can learn about her life and how she came to America, an endlessly fascinating mystery!
*Bridget's husband was Michael John or Michael or John (sigh) Lennon, my great great great grandfather. I have next to nothing on him though, so I don't know yet if they were married when she arrived, or if he was NY born.
[Post pic via Times Higher Education.]
By: Colleen Mondor,
Blog: Chasing Ray
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The ability to take a walk from one point to the next point, that is half the battle won.
Go out and walk. That is the glory of life.
A very short excerpt from Maira Kalman's My Favorite Things which is an incredibly indulgent purchase, a trifle really, but hard to resist.
It chronicles the items selected by Kalman in 2011 after she was invited to curate an exhibit by the Cooper-Hewitt National Design Museum. Kalman selected her favorite things from the museum's collection and they were arranged in a room that thus provided an inside look at her thought process and creativity. As it turns out (to no one's surprise), Kalman is a very interesting person who selected very interesting things. She also writes a bit about her family history which made me hope that she will return to that subject again very soon.
Sometimes, you just open a book and it sings to you. When that happens don't question why, just turn the pages and relish the moment.
TROUBLED TEENS have always been present in literature, long before the current crop of vampires and dystopian futures provided window dressing for their fears and struggles. Tales of addiction and separation, abuse and abandonment, have always been a staple of the young-adult publishing market, and their enduring appeal is easy to explain: young people are hyper-alert to injustice and pain. Not only do they have to get through every day (as we all do), but they often find themselves in powerless positions where their pain is discounted by the adults around them. Contemporary realistic fiction addresses these perspectives in much the same way that titles of the past have done, and writers such as Sara Zarr, Meg Medina, and Matthew Quick continue in the footsteps of such classic authors as S.E. Hinton, Robert Cormier, and Paul Zindel.
In the last several years, three novels have focused on a specific kind of teenage pain: that of having a parent who struggles with mental illness. This Is How I Find Her by Sara Polsky, A Blue So Dark by Holly Schindler, and White Lines by Jennifer Banash all give us teen protagonists trying to understand the destructive and dangerous behaviors of volatile, creative mothers who may be kind or cruel, depending on forces invisible even to them. These are powerful stories of daughters who have all been left to find their own way through the fits and starts of madness that fill their lives. They love their mothers as they believe they should, and they strive, as best they can, to protect them, either by covering up their behavior or keeping secrets about just how bad it has become. All three of these books explore the guilt and despair that result from a teenager's long overdue act of self-preservation, the personal fallout from the moment when the protagonist finally decides that her fate is separate from that of her mother's.
This Is How I Find Her opens when high school junior Sophie saves her mother's life after a prescription drug overdose. As the doctors take over and her mother faces weeks of inpatient treatment, Sophie turns to her long estranged aunt and uncle for safe harbor, but there is trouble there as well. Sophie and her cousin Leila were once close, but when Sophie's mother impetuously endangered their lives while behind the wheel of a car, Leila's mother cut off all contact. Sophie's aunt chose to guard herself and her family and, in doing so, left her niece behind to deal with the chaos.
Messy family relations are laid bare, revealing how wild and unpredictable a home can become while still remaining within the limits of the law. Sophie's mother, an accomplished artist, can control her mood swings with medication, but taking the pills mitigates the manic states she has come to rely upon as an artist. Her subsequent wild behavior and risk-taking drives everyone away. Sophie however, has nowhere to go and is left to act as caregiver. She sticks it out until the day her mother nearly dies and her inability to hold everything together can no longer be ignored.
Fifteen-year-old Aura Ambrose is in a similar situation in Holly Schindler's A Blue So Dark. Her mother suffers from schizophrenia, and Aura has been holding their lives together since her father moved out a couple of years ago. In one heartbreaking passage, Aura recalls a panicked phone call she made at age 12 from a soccer field, as her mother's delusions suddenly consumed her and she became convinced she was about to die:
But Dad didn't say, all worried, like I still expected him to, "I'll be right there." He just sighed, long and exasperated, right in my ear. Sighed so hard I could practically feel his breath, hot, coming through the phone. "Aura, I can't."
"You -- you --" I stuttered.
"I'm not even working in town today, Aura. I'm all the way over in Billings. And I can't just keep running off at a moment's ... Look, you're going to have to handle it, okay?"
My whole body was thudding and was so scared, so scared, suddenly I was the one who was drowning. I can't. I can't. You're not really going to do this are you? Why are you going to let everything fall on my shoulders, heavy as every brick building in the whole world?
Aura's thoughts sum up the horrifying realization that any teen with a mentally ill parent must face. Her parents break up, and Aura handles it because she has no choice. She keeps things under control until her mother slips into a near catatonic state. That's when she reaches out to her long absent grandmother who comes to the rescue, while her father, now in another relationship, also steps up to provide some guidance. Schindler makes clear that while these adults knew Aura was given a burden much too great to bear, they chose to ignore what was happening. They didn't do anything until it was almost too late and, even then, only because the teenager was falling to pieces.
Jennifer Banash's White Lines focuses on a teen who thinks she has escaped a mother with a combination of borderline and narcissistic personality disorders, but finds herself still very much in the emotional grip of a parent she cannot let go.
Seventeen-year old Cat seems to be handling things just fine; she is out of her mother's house and her wealthy remarried father has set her up in her own apartment. With New York City at her fingertips and no rules to follow, she holds an enviable position in her social crowd as a "club kid." She and her friends have a job of sorts; they are paid by a local promoter to bring in a teen cliental to various clubs. Her group is comprised of overlooked, ignored, or desperate kids who nominally attend high school, engage in all manner of drug-fueled activity, link up with sexual partners on a whim, and basically have what appears to be a full-time good time. They are also the kind of kids who kill themselves or get killed while no one notices.
Smart and self-aware, Cat knows her lifestyle cannot last forever but she also doesn't know what to do instead, and she's terrified of what will happen if she stops acting like she has it all together. For her, the problem is learning how to care about anyone again after the years of unpredictable violent abuse at the hands of her predatory mother. Consider this thought:
Sometimes I think that's what life really is -- the passing of small hurts on to one another, those circular moments of daily abuse. You hurt me, I hurt you. Rinse and repeat.
For Cat, it is the near death of a friend that finally prompts her to realize how close to the precipice she has come. This is the moment when she makes the phone call to her father, when she acknowledges not only that she's not okay, but that no one with so much psychological damage can be okay. Thankfully, after passively watching on the sidelines for years, her father steps up, and Cat is on her way to discovering what a safe and happy home can be.
Statistics on children living in homes with mental illness are difficult to come by, although a 2007 issue of Social Work reported that five million children in the US have a parent with serious mental illness. In Canada, a 2009 national health survey found 12 percent of children under the age of 12 living in that country shared a home with a parent suffering from at least one mood, anxiety, or substance abuse disorder. Children must also deal with the secrecy that surrounds many mental disorders, and fear of what might happen to a family often prevents honest and open discussion of the issue. As the teenage protagonists of these three novels come to learn, however, staying in the sphere of the mentally ill means ceding control of nearly every aspect of their lives. That moment of realization -- when the teen asserts that the life she's been living is not okay -- makes for a triumphant reading experience. These books represent gritty teen drama at its finest; they are powerful stories that teach readers what it truly means to be a young adult.
After two quick trips to points both east and west, here is the current status of my reading life:
1. Lies in the Dust: A Tale of Remorse from the Salem Witch Trials by Jakob Crane/Art by Tim Decker. This graphic novel tells the story of Ann Putnam Jr., 14 years after the trials. Ann was one of the girls at the center of the accusations that led to the deaths of the so many. I never knew that she felt remorse--honestly I never thought too much about what happened to any of the girls. Crane does a great job of pulling readers in to Anne's adult (and that of the siblings she raises) and shows how much the attitudes of Salem's residents changed. (It's interesting to me that they blamed her rather than themselves.) Crane also explains why Ann did what she did & the influence her parents had on her actions.
Tim Decker's spare black & white line drawings are the perfect complement to the story, with sad and soulful eyes that can not be denied. A great read for 8-12 year olds (or teens who want to know what happened.)
2. The Family by David Laskin. Oh, this one hurt. Laskin tells the story of 3 branches of his Jewish family--the one that emigrated to the US and became financially successful (founding Maidenform bras!), the one that emigrated to Palestine and still lives in Israel today and the one that stayed behind in Eastern Europe and was 100% killed in the WW2.
It's not a memoir but a history and nearly impossible to put down. I liked that Laskin removed himself from the story and let the history speak for itself. So much to say on this book but mostly, that it needs to be read.
3. Dark Metropolis by Jaclyn Dolamore & The Cure for Dreaming by Cat Winters. I am putting these 2 in a piece with Celine Kiernan's Into the Grey about offbeat scary stories that I'm pitching to LARB.
Dark Metropolis is set in an alternate world similar to a certain degree to Europe during the two world wars. Thea's mother has been suffering from separation from her father, believed to be killed in a recent war. Thea supports them by waiting tables in a swanky Jazz Age-ish club along with her best friend Nan. When her friend goes missing, Thea turns detective and teams up with Freddy who is at the heart of the mystery.
In The Cure for Dreaming, budding suffragist Olivia lives in Portland, OR in 1900 with her father while her absent mother works in the theater in NYC. A hypnotist arrives to give shows in town and Olivia's dad hires him to "cure her of her dreams" and accept her role as a dutiful daughter (and future wife for some fine young man). Olivia and "Henri" bond on a serious level and end up changing some minds and seeing the world in a different way. (Though don't expect the happy ending that my summary might be suggesting.)
Both of these are good reads and creepy in unexpected ways and I'm looking forward to writing about them (and Into the Grey).
4. 14 Days to Alaska by Troy Hamon. Sounds exactly like the title suggests--an engaging journal of two brothers on a plane trip from Ohio to King Salmon, AK in a small single-engine aircraft. Part of the hook here is that the author was learning to fly as they went and the airplane was his brand new (57-year old) purchase. Hamon is funny and honest and the trip itself is pretty interesting. I'm reviewing this one for ADN.
5. Rewilding Our Hearts by Marc Bekoff. For Booklist, so that's all I can say!
6. The Public Library by Robert Dawson. I really loved this so much. Great pictures and wonderful essays. I think it needs to be widely read--Dawson does a great job of showing just why libraries are such a vital part of America's past & present (and future). I think a lot of folks who might not get that would understand better after this book. It's important and beautiful and powerful; probably one of the best books I've paged through this year.
7. Right now I have 2 more books going for Booklist, both of which need to be reviewed by the 14th. Otherwise, I'm going through a backlog of magazines which is always a good way to spend some time.
In the next few days I'll catch up on my reviewing and writing and share some cool family history pics among many many other thins I need to blog about!
Cherie Priest takes on an infamous American crime with Maplecroft, the first in the new Borden Dispatches series. She plants the reader in Falls Church, Massachusetts as Lizzie and her sister Emma stubbornly remain, living down the infamy of Lizzie's trial following the murder of their father and stepmother. Lizzie still has her axe, everybody thinks she did it and an air of mystery surrounds the comings and goings of the two women in Maplecroft, their impressive home.
Then a whole bunch of monster killing happens and readers realize that whatever Lizzie Borden did or didn't do in real life is nothing compared to what Cherie Priest has decided to do with her in fiction.
Maplecroft keeps to many of the facts about Lizzie Borden's life: her father & stepmother were murdered by an axe, Lizzie was tried for the crimes and acquitted, no one ever found out what happened. Emma Borden was Lizzie's older sister and they both did remain in Falls River and moved into a house named Maplecroft after the trial. Also, the actress Nance O'Neil, who had a close (although never as clearly defined) relationship with Lizzie as portrayed in the novel, was also a real person.
Priest presents all of their stories from their perspectives, alternating the point-of-view throughout the narrative. Lizzie's commands most of the story, along with Nance and the fictional character of Dr. Owen Seabury, based on the real family doctor (who testified at Lizzie's trial), Dr. Seabury Bowen. Each of them inches closer to the startling truth of the horrors in Falls Church on their own as the the suspense builds and the characters find themselves in the most dreadful of circumstances.
Fictional Lizzie still has her axe and in this case is not afraid to use it (and for good reason). Her sister Emma is portrayed in the author's hands as a talented marine biologist, publishing her findings (as the times required) under a man's name. There is a sickness in Falls Church, a madness both of the mind and body, and the sisters approach it from two different directions: science and legend. Dr. Seabury seeks out his own answers through keen observation of the afflicted and his medical texts. Thrown together as the tension builds, they embark on a mad dash to find answers, all the while pursued by the stuff of nightmares.
Thank goodness Lizzie can swing that axe!
Maplecroft is great fun--it draws readers in with an almost Victorian pace at the beginning and then builds and builds as the heroes find themselves increasingly threatened. The characters are deeply written, full of flaws, tortured by their own inner doubts and achingly human. It is especially fun to read about Lizzie Borden and see her interacting with her sister and lover while struggling to be the hero that circumstance demands she must be.
This is a perfect autumn read; it will keep you on the edge of your seat, slight freak you out and totally conjure up images of "something wicked this way comes"!
By: Colleen Mondor,
Blog: Chasing Ray
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We are often asked why we have chosen to stay with Ballou Senior High School for our annual book fair. Prior to Ballou, Guys Lit Wire worked with a group serving juvenile offenders in Los Angeles and two schools on reservations in Arizona and New Mexico. While we certainly were happy to help those folks and felt that our book fairs did a lot of good and were appreciated, when we first teamed up with Ballou we quickly realized we had found a special situation.
Melissa Jackson, the Library Media Specialist, loves her job and her enthusiasm is quite infectious. A look at the library's facebook page shows the many events she plans there from poetry slams to club meetings to author readings and tons of visiting speakers. Melissa works tirelessly to get students excited about reading and has been key to the past success of the book fairs. She cares so much about the kids at Ballou and has shown us just how much one dedicated librarian can accomplish for a whole school. Melissa is a powerhouse whose dedication can not be denied. We are thus delighted to work with her, and help her, through the current book fair.
If you want to know how the world can be changed, then Melissa is a shining example of what a force for good looks like. Guys Lit Wire organizes these book fairs each year through her direct coordination and support; Melissa is the one who gets all these books you purchase off the list into the hands of teenagers eager to read them. Please know how much you making her job easier with every title you send to Washington DC and every effort you make to spread the word.
The Book Fair for Ballou Sr High School continues. Please check out the details and shop the Powells wish list.
[Post pic of Melissa Jackson with the Ballou mascot, the "Golden Knight".]
Cross posted from Guys Lit Wire.
One of the best books I read this year and a truly important reading experience is The Public Library, a photographic essay by Robert Dawson. Published by Princeton Architectural Press, this is a gorgeously designed book of photos and essays on American public libraries, which I could not stop paging through.
Right now, you are probably thinking you know what the book is and agree with me that it's important and yet you likely have no interest in paging through it. A book like this is a good thing, but you already value libraries, right? You think you don't need this one.
Allow me to convince you otherwise.
I know public libraries matter on many levels. My hometown library had a huge influence on my life and I know that sentiment is the same for a lot of other people. So I approached The Public Library expecting an appreciation and I certainly was not disappointed on that score. But there is a lot more going on in this book, in the essays (by Bill Moyers, Ann Patchett, Amy Tan, Barbara Kingsolver and more) and the photos.
Dawson shows libraries in a variety of situations: urban and rural, small communities and large, in remote locations and city centers. The design differences are amazing and the closed facilities are heartbreaking but what really got to me was seeing how really useful the libraries are in unexpected ways. Also, the issue of homeless patrons came up several times and the essayists were pretty blunt on that subject.
While I was reading The Public Library and pouring over the photos, what struck me time and again was that open, free libraries are not a gift for a community, but a necessity. They are an equalizing force between the rich and poor and as significant as schools and the right to vote. They can make the difference for so much that might be missing in your life and be a game-changer in so many ways.
The best case scenario would find all of our elected officials sitting down and reading this book. It's the type of title that makes you think and inspires action. (I feel like I'm getting almost silly about libraries right now but I can't help it; just looking at these pictures touched my heart.)
The Public Library--obvious choice for book lovers but an even more important one for folks who just don't get it yet and need to be persuaded.
Listen to an interview with Robert Dawson at NPR.
[Post pics from the book.]
I am a light reading fan of Kelley Armstrong's werewolf books, which started with Bitten (which spawned a tv series) (which I have not watched). In all honestly, I didn't love Bitten--the world building was pretty cool but there was some killing that seemed to be gratuitous and all the dramarama was a tad bit soap opera-ish at points to me. But I did read it and I didn't hate it and it certainly was not anything like Laurell K. Hamilton's succubus insanity so I've been open to reading Armstrong's other books in the series, especially the novellas released by Subterranean Press.
Forsaken is due out in late January but open for preorder now and one of the better books in the series I've read. It manages to combine a lot of tension with a look at the politics of a woman in power. Armstrong has been out in front of the woman-as-leader issue from the beginning--werewolf Elena's position in the werewolf pack has always been a big deal--but now that she is the Alpha of the North American pack and involved in some situations away from her territory, things take an international turn and that brings Forsaken into remarkably timely territory.
Elena's story has always been about a woman having to make big choices which I think is one of the strengths of the series. Who to be, where to live, who to love--all of these are things that readers can identify with even without the paranormal bits. But Armstrong took the books in a surprising direction when she her two main characters not just marry but have children. In Forsaken, it is the assertion that as a mother Elena can not be strong leader which takes center stage. (Can anyone hear echoes of this in the campaign of every single female political leader ever?)
So, our heroine is juggling a big scary issue with her kids in Forsaken and trying to negotiate with the British werewolf pack who is led by a serious sexist jerk and then bad guys try to kill her and her family and it all goes to hell in a hand basket. That final part is pretty standard stuff for the series but it actually takes backseat to the rest and female readers in particular will likely identify a lot with how Elena tries to balance her demands as mother and leader while still considering her very significant relationship with big sexy husband Clay.
Yeah, you knew that was going to be part of it too, right?
Armstrong is still not a 100% guarantee for me, but Forsaken is a fun read that hit all the bells and whistles. I blew through it overnight and enjoyed the ride a lot. I recommend it and suggest you keep an eye out for her other titles that appear at Sub Press.
By: Colleen Mondor,
Blog: Chasing Ray
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I have been, as they say, away for a bit.
I can definitively report that sunny Florida is still, even as the country freezes, sunny Florida. The beach was fab, the oysters tasty and much fun was had by all. As always, I am amazed that I could have grown up someplace so very different from where I live now. Life does take us all in the most interesting unplanned directions, doesn't it?
The best thing about going home and eating your mother's cooking is the time you end up spending thinking about your life. It happens, even when you don't plan it. Just driving all those roads that still hold the ghosts of your childhood (and yes, we visited the cemetery), makes you think about who you were and might have been.
It makes you think about who you are trying to be and if you are doing a good job at that. Or not.
What am I planning now? First, as soon as I got home I cleaned out my closet. (It needed to be done.) And now I am working on some long overdue aviation articles, (the news in Alaska has, not surprisingly, been terribly overwhelmed by politics the last couple of months).
I have learned some more amazing things about my family in recent weeks--an unexpected marriage, names from a past generation, (I can confirm we had a Bridget! My great great great grandmother!), the nationality of a great uncle that does not match what I thought I knew about him and more. I have found a 35 year old aunt (great great great aunt) celebrating her marriage in 1910. How unexpected to see a woman waiting so long back then to marry.
I have so many more questions to ask, and so many questions I still don't know to ask.
There are books beside me to be reviewed and submitted to several different venues. (I might be turning up in unexpected places in the coming months.) There is a site redesign that is desperately overdue here. And there is so much writing to do; so much writing that should have been done by now.
I don't know who these two ladies are or where the picture was taken or when, (the 1930s I think from their outfits), but it was in one of my great grandmother's photo albums and I couldn't resist it. This one I love even though it will likely forever remain a mystery. I defy you not to love it too.
Appreciating small things like this is something I am resolved to do more of in the future. Going back home will do that to you; it reminds you of all you didn't take time to appreciate when you should have.