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By: Wilson Swain,
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I've been developing a project in a simple style, daily. Stay tuned.
Meg Wolitzer has written novels that blow the minds of adult and young readers alike. Her adult work includes The Interestings, The Ten Year Nap, The Position,
and The Wife.
Her YA novel is Belzhar,
and for middle grade readers she has The Fingertips of Duncan Dorfman.
She talked to us about writing for both adults and younger readers.
She started by describing a horrible question people ask writers at parties: "Would I have heard of you?"
The right answer ... "In a more just world, yes."
Her world involves going back and forth from one literary world to another.
"Being a writer is really about freedom," she said. "All of you should have the freedom to say I want to write the next Hunger Games. Then switch and say I want to write the AARP games. A scary tale."
Meg had a secret weapon in the fight to become a writer: her mother, an 85-year-old writer who is still publishing books.
"My mother was the only writer in town, and the exciting thing for me was that the checkout person would let us take out as many books as we wanted."
People often ask what's going to happen to books, but Meg feels encouraged. It's natural to see narrative all around in the world (including in one-celled amoebas). And the stories we tell are very reflective of us.
"A novel is a sort of concentrated version of who a person is," she said, "a boullion cube of concentrated sensibility."
She gave us great advice about how we should approach our writing.
"Be who you are, but much more so on the page. That's how a book starts to take shape. That's how a writer develops," she said. "Write what obsesses you."
Another way to do this is to write the book you would have loved to read as a teen. She once had a book taken from her because it was for older kids, and it suddenly became irresistibly alluring.
She also had the help of others when she first started writing stories, which she'd dictate. One was about truckers, and included the dialogue, "Get on the rig, Mac."
Meg's mother also wrote for adults and for children, and began her work around the time the women's movement started. Meg also became a feminist. (One of her mother's first published stories was titled "Today a Women Went Mad in the Supermarket.")
Writing tortured Meg's mother, who typed on a quivering Smith Corona. But it showed Meg writing was something you could do. She did have to get over the sex scene her mother wrote in her first book—something she was teased for by the neighborhood toughs, who went into the store and bought something from the literary fiction section, which makes her laugh now.
She encouraged us not to be afraid of what we write, and not to avoid something that makes us feel uncomfortable. When she writes her adult novels, she doesn't think about audience, except that she's the ideal reader for her kind of books. She doesn't have to worry about any of the content or emotional complexity. All her adult editor wants is to know that the book is meeting the expectations Meg had when she set out.
When you write, you should be able to do it freely without fear of being judged or found lacking. And in one sense, she writes adult work for herself today, and kid lit for the person she used to be. She is mindful of making her work have a rhythm that will work for her readers.
With "Belzhar," she was looking to create what obsessed 15-year-old Meg, not just the arty summer camp girl, but someone who was waking up to an emotional world for the first time. It's inspired by Sylvia Plath's "The Bell Jar," which struck her hard when she read it.
It's about a girl who was sent to a school for emotionally fragile, highly intelligent teenagers. The students there are all reunited with the things they've lost, taking the short view of their sorrows. The characters she creates are filtered through her own humanness. It's taking them and making them us. We're all different, and every novel has lots of ways in. Points of view can vary.
But we should only write about what's important to us, she said.
Switching hats means we have a lot of roles. The one we occupy among our friends and family. The one you wear when you write autobiographically. The one you wear when you're writing about about growing up in the 12th century.
"Write about what obsesses you because that is the one that people will identify with," she said, "and that will be one I definitely want to read.
That’s right, August 1st is National Respect for Parents Day. And while I’m not sure what the founder intended, we can show respect for all parents and caregivers by making sure our collections include books reflecting diverse families. We can highlight these books in storytimes, other programs, and displays. Here are a few suggestions to get you started:
I Love Saturdays y domingos by Alma Flor Ada
Marisol McDonald Doesn’t Match/Marisol McDonald no combina by Monica Brown
Sweet Moon Baby: An Adoption Tale by Karen Henry Clark
Here Comes Hortense! by Heather Hartt-Sussman
Silas’ Seven Grandparents by Anita Horrocks
Monday is One Day by Arthur A. Levine
Spork by Kyo Maclear
The Family Book by Todd Parr
A Chair for My Mother by Vera B. Williams
Along with offering and highlighting materials reflecting diverse families, we can remember to use inclusive language, both spoken and written. For example, when approaching an unaccompanied child in the library, we might say, “Are you with someone today?” rather than, “Are you here with Mom or Dad?” In promotional materials for our programming, we could write, “Children and caregivers are welcome,” in place of, “Children and their parents may attend.”
There are lots of ways to show respect for parents, caregivers, and families! What are some techniques you use? What are your favorite books reflecting diverse families?
Amanda Struckmeyer is a Youth Services Librarian at the Middleton (WI) Public Library. She is a member of the ALSC Services to Special Populations and Their Caregivers Committee.
The post Happy National Respect for Parents Day! appeared first on ALSC Blog.
Before the summer gets away from me, I wanted to post tiny video clips of the poets reading at the Poetry Blast at the ALA convention in San Francisco in June hosted by Marilyn Singer and Barbara Genco. It's always fun to hear poets read their own work aloud-- I never get tired of that. And if you couldn't join us, this is the next best thing-- if you'll forgive the mediocre skills and equipment here.
First up: Betsy Franco reading from her brand new book, A Spectacular Selection of Sea Critters (Millbrook Press).
Next, Nikki Grimes read from Poems in the Attic (Lee & Low Books).
Then, Rebecca Kai Dotlich read selections from Grumbles from the Forest: Fairy Tale Voices with a Twist in collaboration with Jane Yolen (Wordsong/Boyds Mills Press).Marilyn Nelson was next, reading from her memoir, How I Discovered Poetry (Dial).
Alma Flor Ada read an excerpt from Yes! We Are Latinos! co-authored with F. Isabel Campoy (Charlesbridge).Then, F. Isabel Campoy read from Poesia eres tu (Poetry is You) (Alfaguara).
Marilyn Singer wrapped it all up by reading a few selections from her book, A Strange Place to Call Home (Chronicle Books).
What a fun way to spend an hour, right?
If you get to attend the ALA (American Library Association) conference NEXT summer (in Orlando), be sure to put the Poetry Blast on your schedule. It's usually held on Sunday afternoon and it's a wonderful gathering of poets and poetry lovers. See you there!
In The Moscow Times Anastasia Bazenkova reports that Russia's Book Industry Shrinks as Russians Stop Reading.
It's not that they've stopped reading entirely, but apparently there has been quite a decline (with the ever-popular explanations as supplied by experts, such as: "Young people see books as pure entertainment, and in that category they cannot compete with modern gadgets").
A real problem is certainly the decline in bookstores -- and, astonishing if true, Moscow apparently only has six used book stores.
Among the consequences: "The effect of bookstore closures has been to reduce the quantity of printed words"
And while there's no data to back up the claim, it's still an eye-catching one:
There are currently 10-12 people in the whole country that can earn their living only by writing books, and there will be even fewer of them in the future, Filimonov said
Alison Weiss is an editor at Sky Pony Press. She was previously at Egmont for 6 and half years.
Missing the Middle Grade Mark: Common Mistakes to Avoid
- Your character is too young or to too old.
- Your voice isn't authentic.
- Your dialogue doesn't sound natural or natural to your characters.
- Your vocabulary is too sophisticated.
- You're putting characters in situations that don't make sense.
- You're writing what you think is a middle grade experience, not what's actually a middle grade experience.
- Your book lacks conflict.
- Your making choices that will date your book.
- Your book is too long.
- You don't know the market.
- Sex, drugs, and rock and roll.
- You aren't asking your questions when you have the chance.
Following a long day of conference keynotes and breakout sessions, there's nothing quite like relaxing with meditation and downward facing dog pose. And that's just what some conference goers did. Each year at the summer conference, writer Lori Snyder
has offered a daily yoga session. Below she writes about how writers and illustrators can benefit from the practice.Guest post by Lori Snyder
One of the extraordinary things a yoga practice can do, and has done for me, is make it easier to show our deepest, truest face to the world. To be unabashedly ourselves. To stand up for what we believe. How that translates to writing or art of any kind is the same way it translates to life—it frees up the courage we need to create writing or art that is meaningful to us, and that only we can create. And it helps us to do it without fear.
For all of us, time is an issue. We live in a culture of overwhelm and busy. What’s important to know is that you don’t actually need a 90 minute class, or a 60 minute class…or even 10 minutes. You can take two minutes and practice a single yoga pose or some breathing, and that alone will start to change things. Even two minutes will help free up the psychic space needed to create anything that matters.
|#LA15SCBWI getting their triangle pose on!|
Two tips for beginning a yoga practice.
1. If you can be kind to people, breathe deeply, and focus your awareness, you’re already practicing some of the most important aspects of yoga. So don’t be intimidated to start!
2. There are a multitude of yoga styles, and within those styles every teacher is also completely different from each other. Keep trying until you find one you like. If anyone tells you that theirs is the only way, run. It took me 10 classes I didn’t like AT ALL to find the right teacher. Keep going.
What do you need to get started.
Some comfy clothing, a yoga studio or teacher or book or DVD, and the willingness to learn something new that might be one of your greatest tools throughout your life. More important is what you DO NOT need: flexibility. Seriously. You don’t have to start out with any at all. You don’t even have to end up with any at all.
The most recent additions to the complete review are my reviews of Murakami Haruki's two earliest novels, now published together in one volume, in a new translation by Ted Goossen, as Wind/Pinball:
This is yet another example of US/UK publishers opting to publish multiple works by an author in one volume -- several works by Patrick Modiano, whose works tend to come in at around a hundred pages, are getting the treatment now.
It's more justifiable here than in most cases (even as the title, Wind/Pinball
, really isn't) but I reviewed them separately -- among other reasons: because there are already so many separate reviews of one or the other title to link to.
However, it's been annoying to see so much coverage which has dismissed the previous translations (by Alfred Birnbaum, published by Kodansha International) as if no one had ever seen them.
The Knopf jacket-copy has it about right -- "Widely available in English for the first time, newly translated" -- but much of the review coverage does not (as I have also repeatedly noted on Twitter (e.g.
True story: a few weeks ago I was picking up medicine for my cat and on the way back to the car I saw a three-footed squirrel. One of its hind feet had been severed; the wound where it used to be was kind of scabbed over and the squirrel was making do, hobbling along, gathering scraps of food from an overflowing garbage can, watching the world more warily than most squirrels do, but not especially tragic.
I knew I wanted to write about this plucky rodent. I thought of allusions that might tie in: the famous poem about the Scot and the field mouse; a squirrel that was an ironic icon of traffic safety when I was a child living in England. I recalled a crippled beggar I saw in Rome at age seven, how I bawled later, and how my parents yelled at me… one of my most palpable memories, but one I’ve written about futilely so many times it no longer has heat.
I never did write about it because I failed to come up with a narrative frame, something the squirrel would be “about” in the grand scheme of things. I gave fleeting glances in subsequent days as I drove by that building (used to be a grocery store, now vacant and fenced off), but gradually forgot.
Such is the plight of the bush-league memoirist, of which the blogger is a kind. I want to make meaning of my experiences, but fail sometimes to see theme lurking behind a scene.
I thought of that squirrel today because there’s a conversation about what people choose to think and write about. Here is an example of something trivial that I nevertheless cared about, and wanted to write about, no doubt in a week of mudslides and mass shootings that I received with tragedy-saturated numbness. Squirrels are less significant than humans, I know, and not even an endangered species. But God forgive me, I briefly gave a damn about a small thing.
Filed under: Miscellaneous
हम मे है हीरो …. जी हां, इतना तो मै दावे से कह सकती हू कि हम सभी में, कोई ना कोई खास बात जरुर है और ऐसी ही कोई ना कोई खास बात आप मे भी होगी.. है ना !! अरे ये क्या आप तो मुस्कुराने लगे और वो भी व्यंग्यात्मक रुप से … हु ह … खास और हम में … रत्ती भर भी कुछ नही है और हो इससे फायदा भी क्या है .. कौन देखने आ रहा है … खास बात का क्या बैठ कर अचार डालें !!
देखा, बस यही कमी है हम मे . हम खुद को जानना ही नही चाह्ते. बस दूसरो को देख देख कर दुखी और परेशान होते रहते हैं कि फलां तो इतना खूबसूरत है डिमकाने को तो देखो भगवान ने उसे सभी कुछ दिया है और एक हम है.हमे तो भगवान मे कुछ ही नही दिया. वगैरहा वगैरहा. और जो हमे मिला है उसकी कभी कद्र ही नही करते.
वैसे देखा जाए तो गलती हमारी भी नही है आजकल मानसिकता ही ऐसी बन गई है.पर यकीन मानिए हमारे भीतर भी कोई ना कोई हुनर जरुर छिपा है. एक बात से मुझे बहुत कुछ सीखने को मिला. हुआ यू कि कुछ समय पहले मुझे अस्पताल जाना पडा. बीमार मरीज के कमरे मे एक जमादार बहुत मन से झाडू लगा रहा था.उस समय मरीज का आप्रेशन चल रहा था. मै थोडा चिंतित थी तो वो जमादार मुझे देख सफाई करते करते बोला कि अगर आप इस मंत्र को मन ही मन दस बार बोलेगी तो आपकी चिंता दूर हो जाएगी. एक बार तो मुझे बहुत अजीब लगा.पर वो वाकई मे सच था. अगले दिन जब वो सफाई करने आया तो मेरे पूछ्ने पर उसने बताया कि वो यहा आने से पहले दस साल माता वैष्षो देवी मंदिर मे सफाई का काम किया करता था और वही से अच्छे विचार ग्रहण किए.कोशिश रह्ती है कि मै इस ज्ञान को लोगो मे बांट सकू.मै हैरान थी क्योकि मै सोच भी नही सकती थी उस जमादार के बारे मे.
वही एक कुरियर वाला है वो हमेशा डाक ले जाता है पर एक दिन डाक देते हुए पता चला कि वो तो नामी लेखक है और बहुत रचनाए किताबो मे छपती है.ये तो बस तो समय व्यतीत करने के लिए काम कर रहा है और तो और एक नामी गिरामी कवि जिन्हे ढेरो पुरुस्कार भी मिले है वो बस स्टेड पर गन्ने का जूस बेचते थे. उनकी दुकान पर लोग जूस भी पीते और कविता भी सुनते.
एक अन्य उदाहरण मे मुझे गिटार पर बडा सा स्टीकर लगवाने के लिए बाजार गाडी की जो नम्बर् प्लेट लिखते है उस दुकान पर जाना पडा. वहां एक मैले से कपडे पहने मैकेनिक ने दस मिनट इंतजार करने को कहा .मुझे यही चिंता थी कि कही ये स्टीकर लगाते लगाते गिटार तोड् ही ना दे. ऐसे लोगो को कहा समझ होती है .पर दस मिनट बाद ना सिर्फ उसने खूबसूरत सा स्टीकर लगाया बल्कि गिटार पर धुन भी बजा कर सुनाने लगा और कहता कि इसकी ट्यूनिग सही करनी पडेगी.मेरे पूछ्ने पर उन्होने बताया कि कालिज के समय मे सीखा था पर बाद मे मौका ही नही मिला.पर जब कभी मौका मिलता है सुर छेड लेता हूं.
मै हैरान थी कि ऐसा भी होता है.असल मे, कई बार हम खुद को बहुत कम आंक जाते हैं पर ऐसा कभी नही सोचना चाहिए. जहां एक ओर हमे अपने हुनर को दिखाना चाहिए वही दूसरी ओर दूसरे मे छिपे हुनर की तारीफ करने मे कभी पीछे भी नही रहना चाहिए.जरुरी नही है कि हीरो वही है जो रुपहले पर्दे पर ही नजर आता है हम अपने चारो तरफ नजर उठा कर देखेगे तो ना जाने कितनी लम्बी कतार दिखाई देगी… तो पहचानिए खुद को … हो सकता है अनजाने मे ही सही,हो सकता है कि आप किसी के लिए प्रेरणा ही बन जाए …!!! क्योकि हममे है हीरो !!!
किसी ने सच कहा है कि …
काम करो ऐसा की पहचान बन जाए
हर कदम चलो ऐसा की निशान बन जाए
यहां जिंदगी तो सभी काट लेते हैं
जिंदगी ऐसे जीयो की मिसाल बन जाए
The post हम मे है हीरो appeared first on Monica Gupta.
Rotem shares a few acquisition stories, here is one:
She reads us To the Sea
by Cale Atkinson. It's important to be able for an author/illustrator to describe their story in a nutshell because Rotem does the same thing when she's doing a presentation for acquistions.
She asks us how we would position To the Sea
, what its key note would be, the audience throws out:
- friendship story
- problem solving
- adorable characters
- bold illustrations with limited palette
- being seen
From that we get this nutshell: "A touching friendship story with stunning art about finding someone who really sees you."
Rotem then helps the audience hone their nutshells!
At Hyperion, marketing approval is integral to an acquisition. If Rotem thinks marketing might not "get" a potential book, she will do rounds of work on something before it goes to acquisition (that's a big deal given her time demands at work are for acquired books, which means Rotem does this additionalRotem talks a little bit about the profit and loss statement, the P&L. Which is roughly: The quantity that they think they can sell in the first year + what they think they should pay the author + what the royalties look like ÷ if the book can go into board book eventually and/or ebooks x how other comparable books are doing in the market + the square root of π...
If Rotem is bringing a manuscript to an acquisition meeting, she will also bring her choices for who will illustrate to help the meeting attendees envision the project more fully.
|Introductions before the discussion of nonfiction and historical fiction for children. Pictured is only half of the group, the social continued to grow over the next hour!|
Adam Rex illustrates.
He writes AND illustrates.
He does Board Books,
He does Picture Books,
He Does Chapter books,
He Does Novels,
He even made his own bio laugh-out loud funny:
Adam Rex wrote and/or illustrated all the books you like including the New York Times best-selling Frankenstein Makes a Sandwich, the New York Times best-selling Chu’s Day, and also a number of titles about which the New York Times has been strangely coy. His first novel, The True Meaning of Smekday, was adapted this past spring into the DreamWorks feature film “Home.” Having your book get turned into a movie is like that section in L. Frank Baum’s The Wonderful Wizard of Oz where the woodsman systematically chops off all his body parts one by one and replaces them with tin. But in a good way? Like maybe with the heart still intact? This isn’t one of Adam Rex’s better metaphors. Visit www.adamrex.com.
We're in for a treat!
Adam starts by sharing how it took him ten years of re-writing his "Moonday" story until he got it to work. From setting out to write something that made him feel the way a dream did to the book that was just published.
How he told a joke at a gathering about a school being afraid of its first day of children, and telling his agent the next morning. And having his agent insist that would be his next picture book. And Adam wrote that in an afternoon. (Here he riffs on the old Picasso quote: 20 years of learning and working and failing most of the time and succeeding more and more and eventually sitting down on one afternoon to write the book. So one afternoon plus twenty years.) "School's First Day of School" which he's written and was illustrated by Christian Robinson.
He talks about the combinations of images with text, and how we've imagined that less pictures means something is more for adults.
"In a mature society... we would have picture books for every age. ...It's not really a form that someone should grow out of."
He shares one of the best books he wrote that he says will never be published, "The Robot That Moe Bought." And tells us how doing that book dummy and one finished spread led to his being hired to illustrate his first picture book.
Adam shares his process for a number of his picture books, even showing us the sculptures he created to be able to draw the same characters, settings, and set pieces numerous times.
"My drawings are always better if I have something real to look at."
So if he doesn't have the ability to photograph a character (like he didn't for Frankenstein) then he sculpts it!
It's a fascinating window into what's similar about his process across books (breaking down the text, figuring out what's going where, thumbnails where he solves problems, sketching where he figures out the characters) and then what's different. And a lot is different – Adam changes styles and mediums seemingly for every book, trying to figure out the perfect way to tell each story.
The slides and Adam's repartee give us a behind-the-scenes look into how it all comes together, and it's so cool.
He finishes with a rap song, having us all snap along.
As longtime readers know, I hold Cao Xueqin's The Story of The Stone, in David Hawkes and John Minford's translation, to be one of the peaks of literature.
Interesting to learn now that, as Tang Yue reports in China Daily, in Lost in translation for more than 40 years, that the manuscript of an unpublished translation into English by Lin Yutang has been found in Japan.
Lin published widely in both Chinese and English, and was a widely-read popularizer of Chinese literature in English -- it would be interesting to know what kind of impact his translation of this towering work might have had.
Barry Goldblatt has been an agent since 2000. His agency focuses mostly on children's literature, but has expanded to include some adult fiction as well.
His client list is sterling: Christopher Barzak, Holly Black, Angela Johnson, Jo Knowles, Lauren Myracle, Genevieve Valentine, Colleen AF Venable, Ed Vere, Charles Vess, and Stephanie Yue.
He talked to us about being a writer, being an author, and how the two are sometimes distinct and sometimes overlap.
A writer is being creative. An author is doing business. The two can feed each other. If you're doing research, you're not putting words on the page, but you're writing. If you go to a conference, it's a mix of writing and being an author. Your task is to know what you're doing so you can best work out how to do it.
Some key bits of advice:
Part of the process is figuring out the things that click for you individually. There's no one size fits all solution. But strategies to consider:Be disciplined.
The Freedom app, which turns off the Internet, can help. But you can't do it when you're reading. So, maybe setting goals and designing your day is a good strategy. Discipline your brain to know not to deal with dishes/laundry/day job. It's writing time.Train your family.
One of his clients works on the basement. Her six (six!) kids know that if the door is closed, they're not suppose to enter it unless their heads have fallen off.Make goals.
For some, having a 1,000-word daily goal is effective. For some, that's daunting. For picture book writers, that's two-and-a-half books.Reward yourself.
"We are monkeys. The best way to make something happen is to reward yourself." If you meet your writing goals, you get to eat the ice cream sundae. Or watch TV. Whatever goals make you want to work better--this is you figuring out what works for you.Make attainable goals that suit you.
You're not going to write a novel in a day. You can also change goals--2,000 words a day might not work for you, and failing and failing will put you in a bad mind space. So find goals that work for you.
(Barry likes Habit RPG
, a role-playing game that rewards you for achieving goals.)What don't authors need?
A social media presence. Do it if you're good at it. You do need an updated website.
Cassandra Clare is good at it, on both Twitter
.What do you need to do?
Whatever works for you that stretches your work's availability and visibility.Barry Goldblatt LiteraryFollow Barry Goldblatt on Twitter
SCBWI was a huge part of Mike Curato
's success, the author-illustrator proclaimed today on a Success Story Panel. In 2012, Curato submitted his artwork to the SCBWI Portfolio Showcase and won. "After that, everything seemed to happen all at once," he said. Since that time, he has gone on to write and illustrate several award-winning picture books, including Little Elliott, Big City
and Little Elliott, Big Family
. Here are a few tips he offered on success:
• Enjoyful the process. Bring the joy to your work.
• Create the kinds of books that you wish existed. Don’t worry about fads or what’s hip, worry about what you like.
• Celebrate small successes along the way. For example, “Hey, I drew an awesome hand today, it doesn’t look like a bag of hotdogs,” Curato joked. "Break things down into small wins."
• Do your homework. Learn how the industry works. General knowledge about the business will take you a long way.
दौरा बनाम दौरा ….
दौरा बनाम दौरा
आज अचानक सुबह सुबह नेता जी ने घोषणा कर दी कि अभी विदेश दौरे पर जाने की बजाय वो सीधा तिहाड के दौरे पर जाएगे क्योकि भारी अव्यवस्थाओ के चलते वहां देखना भी बहुत जरुरी है. आनन फानन में सायरन बजाती हुई गाडियो का काफिला अगले ही पल तिहाड के भीतर था.
काजू और बादाम खाते हुए नेता जी ने बहुत ध्यान से सभी बातो का मुआयना करना शुरु किया.सबसे पहले गेट पर खडे संतरी को बहुत प्यार से देखा और उसकी पीठ पर थपकी दी. फिर पूरा मुआयना किया कि कैसे कैदी सुबह उठ कर दिनचर्या अपनाते है और उन्हे किन किन बातो की कमी लगती होगी. सबसे पहले तो सैर करने के लिए जगह तैयार करवाने के आदेश दिए.ताकि ताजी हवा का आनंद ले सकें. कुछ कमरो को वीआईपी सैल बनाने की धोषणा की कि जब कोई बडा नामी गिरामी बीमार नेता आए तो उसे किसी प्रकार की दिक्कत का सामना ना करना पडे.
खाने मे भी अच्छे कुक रखने के आदेश दिए ताकि कोई कैदी खाकर बीमार ना पडे क्योकि मीडिया मे एक बार खबर आ जाए तो बहुत किरकिरी हो जाती है. फिर बात आई शौचालयो की. अच्छे स्वास्थ्य के लिए साफ सुथरे बाथरुम निंतांत आवश्यक हैं इसलिए ज्यादा शौचालय बनाने के भी आदेश दे दिए गए औरयह हिदायत भी दी गई कि सभी सफाई कर्मचारी 24 घंटे डयूटी पर ही तैनात रहें.
हर रोज कुछ ना कुछ क्रियात्मक होता रहे इसलिए मनोरंजन के लिए भी आदेश दिए गए ताकि दुखी कैदियो का ध्यान सुसाईड करने पर ना जाए और उसमे जीने की नई आशा का संचार होता रहे.छोटा फ्रिज,गद्दा और छोटा रेडियो या छोटा टीवी भी सभी कमरो मे लगे इसका भी ध्यान रखना बहुत जरुरी है और और नेता जी बोलते जा रहे थे और उनका सैक्रेटरी लिखे जा रहा था. तभी किसी ने पीछे आकर कहां कि आपके जाने का समय हो गया है. उन्होने तुरंत गाडी निकालने के आदेश दिए ताकि कही विदेश जाने वाली फ्लाईट मिस ना हो जाए. और अगले दौरे का भी दिन तथा समय निश्चित कर लिया ताकि जिन कामो के आदेश दे दिए है वो लागू हुए है या नही.
तभी उन्हे ऐसा लगा कि कोई उन्हे झंकोर रहा है. अचानक वो उचक कर उठ बैठे. हवलदार उन्हे उठा रहा था कि इतनी देर से क्या बडबडाए जा रहे हो… वो नींद से जागे… अरे!!! वो तो खुद कैदी हैं.छोटा सा कोठरीनुमा कमरा, पुराना सा मटका,थाली कटोरी,चम्मच, और मटमैली सी चादर मानो उन्हे चिढाती हुई हंस रही थी.उफ!!! कहां तो नेता जी दौरा करने आए थे और ये क्या …!!! अचानक नेता जी को एक बार फिर दौरा पडा और एक लंबी सांस लेते हुए वो एक तरफ लुढक गए…..पीछे संगीत चल रहा था …ए मालिक तेरे बंदे हम …ऐसे हैं हमारे कर्म …!!!!!
कैसा लगा आपको ये व्यंग्य… जरुर बताईएगा
The post दौरा बनाम दौरा appeared first on Monica Gupta.
By: Jerry Beck,
Blog: Cartoon Brew
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, Milt Kahl
, Mr. Snoops
, Shamus Culahne
, Shamus Culhane
, The Rescuers
, Ward Kimball
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Culhane also inspired the character of Flying John in "Fantasia/2000."
Trevor Laurence Jockims
Blog: The Children's Book Review
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Patty Luhovey began to write Life in the Meadow with Madie: Mr. Earl's Missing Eyeglasses in 2009. Several of the story’s characters are based upon family members, even her daughter’s dog Carli.
|Isn't Lori cute? And so is whoever |
is photobombing her.
, author/illustrator, is asked what was it that broke her through to the other (published) side:
"If I had to break it down to two things, it would definitely be SCBWI, I went to my first conference in 2002, I left two small children at home with the flu and drove five hours to a regional conference (where I then got the flu) but I learned so much. I met my agent at a SCBWI conference, and she's the other thing that's broken me through, my amazing agent Joanna Volpe."
Lee asks Lori about some craft tips: Lori quotes Kelly Light
, "Writing is like punching myself in the face."
Lori says, "That quote really spoke to me, for me, I have to show up every day, and sometimes what I write is going to stink. It's the showing up every day and not waiting for perfection. I think part of what makes a beautiful book are the imperfections, maybe a line is too scratchy, so what! Show up to your paper, your easel, your computer, and stay there, do it daily. Study other writers and illustrators, too."
By: Stacy Dillon,
Pram has never truly been told the tale of her beginnings. A beginning that started with her still inside her mother, even as she hung from the branch of the tree. Pram was orphaned right from the start, but was taken in by her two no-nonsense aunts. Pram is even short for Pragmatic -- named such because it was deemed sensible for a young lady, and sensible is just what the aunts wanted for Pram.
But Pram has always been the opposite of sensible. She’s dreamy, and her oldest and best friend is a ghost named Felix who appeared one day in the pond by the home for the aged where she lives with her aunts.
Pram is forced by the state to actually attend school at the age of eleven and this is where Pram meets her first real life friend. She gets into an argument with Clarence before school even starts when he informs her that she is sitting in his desk. By lunch time they have discovered that both of their mothers are dead and with this the seeds of their friendship are planted.
As time goes on, Pram doesn’t tell Clarence that she can speak with ghosts, but she does agree to accompany him to a spiritualist show where he hopes his mother’s spirit will reveal herself. Things don’t go as Clarence hoped and instead the spiritualist is very interested in Pram. What Pram and Clarence cannot know is that the spiritualist is anything but a charlatan, and a girl like Pram is very valuable to her.
What follows is a haunting and frightening ghost story that straddles the world of the living and the dead. Lyrical and tender, DeStefano’s story will scare readers without tipping into horror. This is an achingly beautiful story of love and loss, of friendship and family. A Curious Tale of the In-Between is for the deep reader, and I can see it becoming that touchstone title that ferries readers into more complex and intricate stories.
Patti encourages both authors and illustrators to think of their picture books in terms of music and cinema, there should be flow and rhythm to the book, and you can play with easing the readers along with repetition and then surprising them with something wholly different.
Patti shares Me... Jane which has a very steady rhythm of illustration on one side of a page spread and text on the other, so when we get to a climactic moment in the book, we also see something different on the page—an actual photograph of Jane Goodall out in the wild.
When Patti works on a book, she understands the author/illustrator is focused on the tiny details of every page, but she tries very hard to see things globally and offer guidance there. She encourages the audience to take a step back and get allll of your pages on one page so you can see how everything is working together. She likes CALDECOTT MEDAL WINNER Dan Santat's
practice of storyboarding out something successfully cinematic like a Hitchcock movie to understand storyboarding better.
आईए परेशान हों
इसका टाईटल पढ कर हैरान होने वाली तो कोई बात ही नही है क्योकि हम है ही ऐसे. बात बात पर रोंदडू सा मुहं बना लेगे और परेशान ही रहेगें.
अब देखिए ना !! आज सुबह की ही बात है सरकारी दफ्तर के बाहर दो बाबू लोग चाय पीते पीते बतिया रहे थे .एक बोला क्या बताऊ आज धुंध की वजह से सब गडबड हो गया. दूसरे ने पूछा पर यार अब तो मौसम एक दम साफ था. धुंध तो थी ही नही इस पर वो बोला तभी तो …. आज मै धुंध के चक्कर मे जल्दी घर से निकल गया ताकि दफ्तर के लिए देरी ना हो जाए पर मौसम एक दम साफ मिला और मै इतनी जल्दी आफिस पहुच गया कि ताले भी नही खुले थे और ना ही यह चाय वाला आया था.बाहर इतनी सर्दी थी और अकेला खडा खडा इतना बोर हुआ कि पूछो मत.
ताकि दफ्तर के लिए देरी ना हो जाए पर मौसम एक दम साफ मिला और मै इतनी जल्दी आफिस पहुच गया कि ताले भी नही खुले थे और ना ही यह चाय वाला आया था.बाहर इतनी सर्दी थी और अकेला खडा खडा इतना बोर हुआ कि पूछो मत.
अब दूसरा उदाहरण देखिए .. एक श्री मति जी अपनी काम वाली बाई के आने पर रो रही थी. हुए ना आप हैरान !! असल मे वो क्या है ना कि चार दिन से देवी जी बिना बताए छुट्टी पर चल रही थी श्रीमति जी दिन रात इंतजार मे लगी रही पर इनके दर्शन नही हुए. इसलिए आज सुबह से ही उन्होने कमर कस ली और जुट गई सफाई मे. जैसे ही घर का सारा काम निबटा तो वो देवी जी अचानक प्रकट हो गई.अब आप ही बताईए क्या ऐसे मे वो क्या उनकी जगह कोई भी होता वो खुश नही हो पाता.
और सुनिए!! भारी ठंड और धुंध को देखते हुए स्कूलो की छुट्टियाँ आगे बढा दी ताकि बच्चे घर मे सुरक्षित रहें. पर अब घर मे रहने वाली महिलाए अब और ज्यादा दुखी है कि सारा दिन हल्ला गुल्ला शोर शराबा होता रहता है. बच्चे नाक मे दम किए रखते हैं इसलिए. ना स्कूल जाए तो उसमे दुखी और जाए तो उसमे और भी ज्यादा दुखी कि सरकार और हमारा कानून कितना निर्मम है इतनी सर्दी मे भी मासूमो को पढने जाना पड रहा है.
एक और उदाहरण तो पढिए. एक मोहतरमा गैस खत्म होने से बहुत खुश थी. नही तो आम तौर पर गैस खत्म होने पर एक चिंता सी हो जाती है. खासतौर पर जब बुक करवा रखी हो और ना आए !! असल मे, अचानक उनके घर मेहमान आ गए और वो खाना बनाने से बच गई. खुशी टपक टपक के दिखाई दे रही थी उनके चेहरे पर से. अरे भई ,होटल मे खाना खाने जो जाना था उन्हे!!वही दूसरी तरफ पतिदेव के चेहरे से उदासी टपक टपक के गिर रही थी.
जहां आजकल जबरदस्त सर्दी के दिनो मे अचानक धूप या सूरज निकलने से हमे राहत मिल रही है वही नीना आज धूप को कोसे ही जा रही है पूछ्ने पर पता चला कि अखबार मे और टीवी पर सुना था कि मौसम बादल वाला ही रहेगा इसलिए उसने आज कपडे नही धोए और आज सुबह से ही धूप आसमान मे चमक रही है मौसम एक दम साफ है पर नीना का पारा एकदम गर्म!!! काश उसने भी कपडे धो लिए होते.!!! किसी पर विश्वास ना किया होता !! बस आज वो यही प्रार्थना किए जा रही है कि हे भगवान!! बरसात आ जाए या बादल हो जाएं!!
देखा !!! आप भी यह लेख पढ कर परेशान हो रहे हैं और मुझे कोसने लगे कि ना जाने कैसे कैसे लोग ब्लाग लिखने लगे है. जो भी मन मे आता है लिख डालते है..ह हा हा धन्यवाद !!! यानि मेरा लेख सार्थक हुआ!!
The post आईए परेशान हों appeared first on Monica Gupta.
Molly Idle is the creator of the Caldecott Honor-winning, wordless picture book, Flora and the Flamingo
. In her session, Idle's enthusiastic personality was a total joy—a good humor that is apparent in the books she illustrates.
In her session, Idle offered a special treat: she drew. Mostly lines and stick figures, but they were very cool, animated lines and stick figures—that moved! In addition, she shared a few of her favorite tools for making illustrations that zing with movement. Here are a few:
Basic shapes—circles, triangles, squares—can be used to create dynamic compositions. For instance, a triangle is a stable shape with opportunities to create three points of interest. (Show example of Rex). Circles are great compositional shapes too. For examples of compositions using concentric circles, Idle suggested seeing The Spider and the Fly, illustrated by Tony DiTerlizzi.
The use of directional compositions move a reader across the page, from left to right and back. Most times, she suggested, an illustrator will direct the reader to move with the page turn. However, there will be times to pull your reader backward, to really get their attention.
Sequence. Old school art instructors will advise to never use the same character more than once on a page. However, Idle suggsts breaking that rule. "The use of a character sequentially is a useful tool for creating animated movement on a page," she says, offering Marla Frazee's Mrs. Biddlebox
a wonderful example.
• Study anatomy. Learn how the joints in the human body move
• Avoid total semitry, or twinning. The body is not perfectly semetric, it's a system of counter balances.
• Get your reader in on the action. Idle suggested using flaps that open and close and allow the reader to interact with the book, as used in Flora and the Penguin and Flora and the Flamingo.
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Martha Brockenbrough is the author of YA novels THE GAME OF LOVE AND DEATH and DEVINE INTERVENTION, and THE DINOSAUR TOOTH FAIRY, a picture book with much more to come.
Martha wanted to write books her whole life. She had a couple transformative moments: 1) The decision to attend this conference in 2008. 2) A class she took with Linda Sue Park that turned on a lightbulb for her (on revising scenes).
The "if I could just" thought can be dangerous (If I could just get an agent... If I could just get published...). "What's really satisfying is building meaningful relationships."
Martha thinks resistance makes you strong. It means it takes effort. We all have to get stronger in order to progress.
Martha reminds us the first draft of a novel is not going to great. There can be great moments in it, but you can't let those moments become your enemy. As Martha struggled with her only draft, Anne Ursu advised: Just finish the draft. Martha, tell us, don't stop as you go.
Martha reminds us all: The work is the reward. The work is the joy.
Stacey Lee is the author of UNDER A PAINTED SKY, her debut young adult novel.
For Stacey it was writing for many years and then taking a risk. Stacey attended a local SCBWI conference that she nearly talked herself out of attending because of fear. There, her work was recognized as the most promising manuscript and things started rolling from there for her.
Stacey wrote 5 books before breaking in with UNDER A PAINTED SKY. You have to cut your teeth working on other projects to grow as a writer.
Stacey remind us that conflict makes us keep turning pages. We need to give our characters pain to make the payoff better.
Stacey shares, success is not what defines you.