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26. Behind-the-scenes: How new picture book PIRASAURS! was created, with insights from author Josh Funk and illustrator Michael Slack

Back in May 2013, I posted an interview with Celia Lee, an editor at Cartwheel Books / Scholastic, and Celia invited Inkygirl readers to submit manuscripts for a limited time; apparently Celia received over a thousand submissions (!). A couple of years later, I met Josh Funk at nErDcampMI and found out that he had sold one of his picture book manuscripts to Celia as a result of my Inkygirl post, and it was being illustrated by Michael Slack.

I'm thrilled that PIRASAURS! is launching this week from Cartwheel/Scholastic. You can find out more about the book at the Scholastic page about the book, Josh Funk's Pirasaurs! page (where you can also find lesson ideas, reviews, links to other interviews and more), and the trailer below:

I asked Josh Funk how PIRASAURS! got created, and here's what he told me:

On February 27th, 2013 at 2:53 in the morning, I woke up. I don't remember what I was dreaming of. I don't remember what I watched on TV the night before or what I ate for dinner (or late night snack). I do know that I sent a text with a single word to myself:

pirasaurs

Ok, maybe that's not a word (yet). But it was a single string of letters. And I knew what to do with them.

Over the next two days, I furiously wrote a story featuring pirate-dinosaurs and a slew of other characters. It was my first time using internal rhyme (rhymes within a single line of text) and I had a blast with it. It turned out to be sort of a concept book. There were a bunch of crazy characters. The ending didn't really make all that much sense. But about 40 hours later, I had a full first draft that was ready to be sent to a critique group.

Here is the opening section of the 'Concept Book' version of Pira-Saurs!

I brought the manuscript to my critique group twice over the next three months, and while much of the manuscript was tweaked, the opening Pira-Saurs! section stayed pretty much the same.

And then on May 20th, 2013, Debbie Ohi posted an interview with Celia Lee, editor at Cartwheel Books an imprint of Scholastic. Within a week, news had spread that a fancy Scholastic editor was accepting unsolicited submissions of picture books for ages 0-5. The funny thing was, Pira-Saurs! was the only manuscript I had that really fit the 0-5 age range. Most of the manuscripts I'd written fell more into the 5-8 area (although I personally believe that most of what I write is good for anyone between the ages of 0 and 92).

So, in late May, I sent Pira-Saurs! to the Scholastic offices in NYC via snail mail. I never sent Pira-Saurs! to anyone else. And then I went about my business, because at the time, I had no book deals, no agent, and really, I'd never received any positive feedback on anything I'd sent to an industry professional up to that point.

PIRASAURS! author Josh Funk with his editor, Celia Lee

And then on July 9th, my phone buzzed. I'd received an email with the subject "Pira-Saurs! for Cartwheel Books" and everything slowed down. I was used to getting email rejections, so when I saw that it was a writing-related email, I instinctively thought, "oh, well, another no." But a few more synapses fired and I realized that I'd only sent Pira-Saurs! to one person, and it had been snail mail. And why would an editor bother sending an email rejection to a snail mail submission? That just wouldn't happen. Could this actually be good news?

Yes! Celia Lee had found the manuscript and liked it! It wasn't perfect (yet), but she wanted to work on it before bringing it to acquisitions. The next ten days were a flurry of emails and brainstorms and waking up in the middle of the night with new lines and rhymes. And on July 19th, Celia thought the manuscript was ready to bring to acquisitions. Hooray!

Or not hooray? On September 5th, Celia wrote back that Scholastic was going to pass on Pira-Saurs! ... but, they editorial team liked my voice and writing style. Celia asked if I would write another story, this time featuring just Pirasaurs - and cut the rest of the slew of other characters. My answer was "Of course!

But all I had were those three stanzas. And I needed to create a whole story with a full plot and compelling characters. And as an unpublished, unagented writer, I felt I needed to strike quickly before Celia Lee forgot who I was. I frantically wrote a draft, shared it with a few critique partners:

Thank you, Paul Czajak for suggesting I add an adventure and Anna Staniszewski for pushing that I add a little heart. Within a week of rejection, I had sent Celia a brand new completed manuscript. We revised it over the next few days, and on September 19th (which happens to be Talk Like a Pirate Day), I handed it off to Celia to take to acquisitions again. I didn't hear anything until a month and a half later, I received an offer on Lady Pancake & Sir French Toast and subsequently signed with an agent. At that point, Celia mentioned that the editorial director and art director were trying to set up a meeting to discuss potential illustrators before taking to acquisitions. I was told this was a good sign. And by late January of 2014, 8 months after Debbie's interview, Scholastic offered to acquire Pirasaurs! And pretty quickly they found the perfect illustrator... Michael Slack.

Illustrator Michael Slack's creative space.

From Debbie: 

Illustrator Michael Slack worked with art director Patti Ann Harris, editor Celia Lee and designer Jessica Tice-Gilbert for Pirasaurs!

Michael says that he did a lot of sketches early on. "Pages and pages of dinosaurs, hats, swords, and cannons."

 

"Once I found the characters I did a few rounds of really loose thumbnails. After  I had the story pacing in good shape, I switched from pencil and paper to digital to create the sketch dummy. Ultimately I ended up with three different versions of the dummy. The final illustrations were digitally painted in Photoshop."

Thanks to both Michael and Josh for sharing about the process of creating PIRASAURS!

You can find out more about PIRASAURS! at the Scholastic website.

More about Josh Funk and his work at JoshFunkBooks.com.

More about Michael Slack and his work at Slackart.com.

------

For more interviews, see my Inkygirl Interview Archive.

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27. TBR Monday: Diverse Reads and Long-Awaited Sequels

Yep, you guys. I went to the library again! Whee! That one on the top left? It's by Mariko Tamaki, who has also written a number of wonderful graphic novels for kids and teens.Top right: the final (I think) book in the Dream Thieves series, which is... Read the rest of this post

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28. ‘Miss Hokusai’ Trailer: GKIDS Sets U.S. Release for October

"Ghost in the Shell" maker Production I.G. travels back in time for its new feature, "Miss Hokusai."

The post ‘Miss Hokusai’ Trailer: GKIDS Sets U.S. Release for October appeared first on Cartoon Brew.

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29. Monday Poetry Stretch - Haiku Sonnet

Hello all! I'm back after a bit of a hiatus and hopefully am in the swing of things now that we are in week 2 of the fall semester.

The haiku sonnet is a form developed by David Marshall, an English teacher and writer living in Chicago and blogging at Haiku Streak. Essentially, this form combines four haiku with a final two-line “couplet” consisting of seven and/or five syllable lines.

You can read some examples of David's work at Haiku Sonnet. While his poems don't rhyme (as haiku do not), I'm thinking I may attempt to include rhyme in my stretches.

So, there's your challenge. I hope you'll join me this week in writing an haiku sonnet or two. Please share a link to your poem or the poem itself in the comments.

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30. NEW SEASON - donna wilson aw16

We have a real treat on P&P today with tons of new product from Donna Wilson. There are lots of fab new designs for Autumn/Winter 2016 including these fun bamboo plates featuring a fox, cat, and bear. Donna Wilson is known for her sense of humour, knitting and love of craft. Her quirky woolly creations are stocked in top stores such as Heals and John Lewis. Fond childhood memories in the

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31. Book Review: The American Girl by Kate Horsley

The American Girl
On a quiet summer morning seventeen-year-old American exchange student Quinn Perkins stumbles out of the woods near the small French town of St. Roch, barefoot, bloodied, and unable to say what has happened to her.

Quinn's appearance creates a stir, especially since her host family, the Blavettes, has mysteriously disappeared. Now the media, and everyone in the idyllic village, are wondering if the American girl has anything to do with the missing family.

A Boston reporter named Molly Swift travels to St. Roch, prepared to do anything to learn the truth and score the ultimate scoop. After Quinn is arrested and a trial by media ensues, she finds an unlikely ally in the young journalist. Molly unravels the disturbing secrets of the town's past in an effort to clear Quinn's name, but even she is forced to admit that the American girl makes a compelling suspect.

Is Quinn truly an innocent abroad, or is she a cunning, diabolical killer intent on getting away with murder?
Writing
Another entry in the "thrillers with the word 'girl' in the title" and I think that pretty much sums up the writing.  Another entry.  It's nothing bad, but nothing stands out about it as exceptional either.  It reads quickly, and it's entertaining, but it doesn't bring anything new or outstanding to the genre.  The ending wasn't particularly shocking or thrilling and I wasn't kept guessing up until the end.  I also wasn't captivated by the characters or drawn to any aspect of the story line in a way that stands out from the herd.

Entertainment Value
Again, it was a great diversion.  I went through it quickly, it kept my attention, I wasn't bored.  I also wasn't blown away and I doubt that it'll be one that I can recall the plot for a year or two down the road.  It's a fine book and I don't have anything negative to say about it as far as the reading experience is concerned, but I also don't have many raves for it either.  It's another entry in the generic thrillers about girls who may or may not be telling the truth category and it does a fine job of being what it is.

Overall
If this is your genre, I think it's a fine title to grab.  I'm enjoying all of the Gone Girl, Girl on the Train, etc, etc, etc spin offs, and this one isn't an exception.  I'm not sure it lives up to the high standard of those titles, but it's a fine diversion for an afternoon.  If you're not just super into the genre, I'd say maybe skip it and pick one of the more well known iterations that's getting all the buzz.  Sometimes the hype is there for a reason.

Thanks to TLC for having me on the tour and providing me with a copy of this one to review.  Click here for a link to the other stops on the tour!

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32. Effective hallmarks for teaching the Kodály Concept in the 21st century: part 1

To teach music effectively, we must know our subject—music. We must embody and exemplify musicianship.” (Elliott, Music Matters, 1995, p. 271). But how are we to communicate our musicianship to students in meaningful ways?

The post Effective hallmarks for teaching the Kodály Concept in the 21st century: part 1 appeared first on OUPblog.

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33. Embrace Complexity/Write It for the Young at Heart (video series)



A month ago, we shared our first video series on the making of memoir, a Udemy offering that can now be found here.

This past week, we filmed a series of ten video essays all relating to the big challenges, themes, and opportunities that present themselves to those writing for the young at heart. These essays reflect the thinking I've done over the past many years on topics ranging from the question, What is excellence? in this category, to the essential truths in all fictions, to the development of authentic voices and complex characters. Some of the pieces are adapted from keynote talks; most of the material is brand new, fashioned from the challenges I've faced as a writer, from the conversations I've had with teen readers and fellow prize jury members, and from my ongoing dialogue with the leading practitioners of YA and MG.

The full suite of videos will be up on Udemy by week's end.

Today I'm sharing this single episode from the series. I'm focused on complexity here—why it is important, and how it is achieved. I hope you'll find the time to watch it through. If you like what you see, perhaps you'll share it with a friend. If you'd like to receive an update when the series goes live, you know where to find me.

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34. WHAT LIGHT: Cover Design

I want everyone to read my next book. That would be awesome for so many reasons! But I'll be plenty happy if the only people who read it are the people who want to read a story exactly like the one I wrote. (Although, I think the world would be a much better place if everyone did read it, which I feel morally obligated to say.)

So the most important job of a cover is to grab the attention of people looking for a story just like the one behind the cover. A good title helps, too, which is why I'm glad we settled on what we did rather than those...other ideas of mine.

Until I publish something that's illustrated (no...just checked...I can't say anything yet), one of the most exciting parts of having a book in production is seeing the cover. Or different versions of a cover. With What Light, I saw five potential cover designs. I went back and forth between two designs, but when I showed all five to a couple of people, they chose a different one. So I showed them to a few more people (authors, librarians...), but none of them agreed with me, which was the entire point!

What they kept landing on, whether they knew the premise of the book or not (I wanted both perspectives) was this...


And I liked that one, but I didn't love it. When they told me what they liked about it, I understood where they were coming from, but I imagined myself giving a PowerPoint presentation at a school or library, excitedly showing the covers of Thirteen Reasons Why and The Future of Us, and then casually putting up my latest offering.

How could I tweak this cover to become the cover I would choose? Thankfully, it was winter, and as I was strolling downtown, I came across this poster in a store window...


I snapped a photo of it and emailed it to my publisher and editor. I'll admit, I did not do the best job in telling them how I thought the image of the girl would be enhanced by adding light "flares" or "bursts" or "shimmers" or whatever I called them. And their casual response echoed that I did not describe my vision well enough to convince them.

So I had to show them.

To repeat myself, thankfully, it was winter. That meant I didn't have to climb into the garage attic to fetch a string of Christmas lights, I could simply untangle them from the tree! Then I pulled up the original design onto my laptop, which has a reflective screen, plugged in the lights, and snapped a photo of the cover that included reflected light flares/bursts/shimmers.


And I emailed them this...


Now they understood, and they sent back this...


Thank you, Theresa Evangelista, for working on this cover, which I absolutely love! It represents a book exactly like the one I wrote.

If you'd like to know what What Light is about, or pre-order it, here's a link!

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35. The Infamous Ratsos by Kara LaReau, illustrated by Matt Myers, 64 pp, RL 2



The Infamous Ratsos is a rare little chapter book written by Kara LaReau and illustrated by Matt Myers. I say rare because it's not often that I get to read a book at this reading level that feels like a real chapter book, rather than a leveled reader. The Infamous Ratsos is written in simple but colorful language and is perfect for newly independent readers or even for a read out loud!

Louie and Ralphie Ratso are two brothers who hang tough, no matter what. They want to be just like their dad, Big Lou, who drives a truck and a forklift and sometimes a snow plow. There are two kinds of people in this world, says Big Lou, "Those who are tough and those who are soft." Louie and Ralphie get the message and want to make their dad proud, especially since they are trying hard not to think about Mama Ratso, who's been gone for a little while now.

Louie, who considers himself the smart one, confuses being tough with being mean, which gets the brothers into a lot of sticky situations that don't go as planned. Stealing a hat from the biggest, baddest guy on the playground makes the brothers heroes. Turns out that Chad Badgerton stole the hat from Tiny Crawley on the bus that very morning. The brothers are praised for stopping a bully. And trying to slip a homemade sandwich filled with disgusting pickled foods to the new girl only ends up making the homesick rabbit feel better, as the pickles remind her of her nana.

More mess-ups ensue, and they get funnier as they go. Finally, Big Lou gets a letter about the boys's behavior. They try to deny being helpful, thoughtful, friendly and kind, saying they want to be TOUGH just like their dad, not softies. This gives Big Lou pause and the boys have a good talk, a cuddle and even a little cry. From then on, all the Ratsos are helpful guys. Like Big Lou says, "Life is tough enough, we might as well try to make it easier for one another, whenever we can."

Love these rats, the fantastic illustrations and the wonderful message to be found in The Infamous Ratsos.


Source: Review Copy

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36. My tweets

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37. A Bench in the Shade

You’ve got it made
With a bench in the shade
When the sun is boiling hot
But you’ve been played
For this charade
Is part of Nature’s plot.

See, I’m afraid
You’ve been betrayed
For thinking that this spot
Will masquerade
The heat that’s weighed
You down – but it will not.

It’s just delayed
The rays displayed
From letting you know what
You might have prayed
To barricade
Has added up to squat.

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38. Employment law: Post-Brexit

The Leave vote in the EU referendum presents several potential challenges for employers which are of far more immediate and practical importance than speculation about the future direction of employment law in a post-EU environment.

The post Employment law: Post-Brexit appeared first on OUPblog.

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39. My Cat Copies Me

My Cat Copies Me. Yoon-duck Kwon. 2007. Kane/Miller. 40 pages. [Source: Review copy]

First sentence: My cat copies me. We tunnel under newspapers, and crouch behind doors. If I hide under the desk, or in the closet, she hides with me.

Premise/plot: A young girl loves, loves, loves her cat. The book shows the two interacting with each other--copying each other. It's a sweet, must-have for cat-lovers.

My thoughts: I absolutely LOVE, LOVE, LOVE this one. It's one of my favorite picture books that I've discovered since I began blogging ten years ago. I love the writing. I love the illustrations. I love that the first half shows the cat copying the girl, and that the second half shows the girl copying the cat.

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10


© 2016 Becky Laney of Becky's Book Reviews

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40. जरा सोचिये

जरा सोचिये Jara Sochiye किसी का गुस्सा किसी पर निकालने में कहां की समझदारी है !! जरा सोचिए कि कही आप भी तो ऐसे नही हैं ना !!  एक जानकार के घर गई तो वो अपने बच्चे को होमवर्क करवा रही थी और बीच बीच में उसे बहुत बुरी तरह डांट भी रही थी और […]

The post जरा सोचिये appeared first on Monica Gupta.

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41. Three Dark Crowns: Review

This is the dark, twisted tale of three sisters fair destined to destroy each other. Or rather, only two need die. One will emerge victorious. On the island of Fennbirn, when the queen gives birth it is always to triplet girls. Each new queen is either a poisoner, a naturalist, or an elementalist. The queen identifies which queen is which and then abdicates. The new queens are raised together until the age of 6, when they are claimed by their different factions and trained in their powers. In the year of their 16th birthday, the Ascension year, the queens will each put their powers on public display and then proceed to attempt to murder each other. They have one year to accomplish their tasks. The last queen standing wins. Of the three sisters, we spend the most time with Arsinoe, the naturalist. The naturalists live in a seaside town that evokes a humble,... Read more »

The post Three Dark Crowns: Review appeared first on The Midnight Garden.

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42. Happy(Belated)Birthday, Gillian Rubinstein!


Image borrowed from the author's website

I only found out about this last night on Twitter, when this wonderful writer received birthday congratulations under her pen name of Lian Hearn. See, she doesn't even appear on the Famous Birthdays web site, where there are a whole lot of celebrities, even among the authors, of most of whom I've never heard. I'd heard of Nancy Holder, but not read any of her work.

So, happy birthday, Gillian/Lian!

I read some of her fiction in my early days as a librarian. In Space Demons a bunch of kids playing a game not unlike Space Invaders find themselves inside the game - which reacts to you according to how you behave. If you're angry and in the mood for shooting things...well, you're going to get what you put into it. We used this one for Literature Circles and it made for good discussion. A bit dated, but still has something to say. 

I read some others, of course - Foxspell, Galaxarena, the rest of the Space Demons trilogy ...

And then Tales Of The Otori came along, under a pen name. I confess I've only got around to reading the first one, Across The Nightingale Floor, but I loved it! It was set in an alternative Japan, in which the ninja fighters really did have the magical powers ascribed to them in our own world. They were called something else, of course, but they were definitely ninjas. I won't go further, because spoilers, but read it!

I have been fortunate enough to hear her speak, some years ago, at the Melbourne Writers' Festival. She was talking about how she got her impressions of such things as country and city children from the likes of Enid Blyton, which she read enthusiastically as a child. Country children good, city children, spoiled and horrible.

It didn't affect her writing, though.

So, happy birthday and many more to come!

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43. Welcome to the Tuesday Slice of Life Story Challenge

WRITE a slice of life story on your own blog. SHARE a link to your post in the comments section. GIVE comments to at least three other SOL bloggers.

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44. On ‘Cats Don’t Dance,’ Eric Goldberg, And The Difference Between Watching and Seeing Cartoons

Asking questions about animation is what separates the connoisseur from the fanboy.

The post On ‘Cats Don’t Dance,’ Eric Goldberg, And The Difference Between Watching and Seeing Cartoons appeared first on Cartoon Brew.

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45. RIP Gene Wilder: Children’s Literature’s Avatar

Consider, if you will, the life of Gene Wilder.  Since his death, many people have been doing precisely that.  It makes me happy, but since I’ve harbored a not-so-secret crush on the man for decades (a quick search of this blog will back that up) I felt it necessary to point out that for all that he was a great actor, he was also, and often, key in bringing to life various famous children’s literary characters.

The most obvious of these was, of course, Willy Wonka.  Without Wilder’s mad genius, the film Willy Wonka and the Chocolate Factory could never have been the wonder that it was.  A brief hat tip to Gene there:

Mr. Wilder also portrayed The Fox in the live adaptation of The Little Prince.  Though not as odd as Bob Fosse’s Snake, it’s still a mighty peculiar role.

Some would then forget but Mr. Wilder also portrayed the Mock Turtle in a made-for-TV adaptation of Alice’s Adventures in Wonderland.

In his honor, then, allow me to post all the funny links related to Mr. Wilder and his roles as I can come up with.


 

First up, long before wrote the picture book Let Me Finish, Minh Lê created this stellar little post about a reality show called The Sweet Life.


 

I loved it when he was portrayed as one of the many American actors in this faux montage Celebrating 50 Years of American Doctor Who.

Admit it.  He would have been glorious.


 

Next up, one of my favorite How It Should Have Ended videos:


 

This other little gem came up not too long ago:


 

And in parting . . .

YellowBrick

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46. Coloring Page Tuesday - Fairy Orb

     Wow again - you guys are really enjoying these crosshatch pieces! I'll give you one more... I captured this one for you before I started the cross hatching. Click the image to access a line art version for coloring. And please send your completed versions to me (as low resolution JPGs). I'd love to see what you do with her!
     CLICK HERE for more coloring pages!
     CLICK HERE to sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...
my debut novel, A BIRD ON WATER STREET - winner of six literary awards. Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

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47. DESIGNERS WANTED - uppercase

UPPERCASE magazine are currently running two great opportunities for designers. The first is to appear in their UPPERCASE Surface Pattern Design Guide Second Edition (Jan/Feb/March 2017) that will feature the best in established and up-and-coming surface pattern designers. The second is to win a licensing contract with Windham Fabrics!. The deadline is September 12th so please visit this page

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48. Skirts, ladies and India’s Tourism Minister

  Skirts, ladies and India’s Tourism Minister Advice – हमारा भारतीय पहनावा और संस्कार . केंद्रीय संस्‍कृति और पर्यटन मंत्री महेश शर्मा ने कहा है कि भारत आने वाली महिला विदेशी पर्यटक स्‍कर्ट या अन्‍य छोटे कपड़े नहीं पहनें.ये सुनकर भारतीय लडकियां सोच में हैं कि किसलिए उन्होनें विदेशी महिलाओं को कहा होगा. Tourism Minister […]

The post Skirts, ladies and India’s Tourism Minister appeared first on Monica Gupta.

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49. If You Care about American Indians... Keep abreast of Native news.

Dear Parents, Teachers, and Librarians,

If you care about American Indians, you're likely aware of what is going on in North Dakota. You may have read David Archambault's opinion piece in the New York Times on August 24th. He's the chairman of the Standing Rock Sioux Tribe. He began with this:

It is a spectacular sight: thousands of Indians camped on the banks of the Cannonball River, on the edge of the Standing Rock Sioux Reservation in North Dakota. Our elders of the Seven Council Fires, as the Oceti Sakowin, or Great Sioux Nation, is known, sit in deliberation and prayer, awaiting a federal court decision on whether construction of a $3.7 billion oil pipeline from the Bakken region to Southern Illinois will be halted.
The decision to say 'no' to the Dakota Access Pipeline is one that matters for Native people and for anyone whose health will be at risk when that proposed pipeline leaks. As the people who are gathering there and elsewhere are saying, this is about water. We all need it. The people of Standing Rock are taking action to protect their rights, and everyone's water. With each day, I see resolutions from tribal councils who declare that they stand with Standing Rock. I'm also starting to see resolutions from entities that aren't Native.

You may have friends, or your children may have friends, who aren't where you are in terms of knowing that we're part of today's society. Far too many people think we no longer exist, and far too many think that if we wear jeans and drive cars, then, we aren't "real" Indians. They don't know what "real" Indians are!

American citizens don't dress like George or Martha Washington, but that doesn't mean we aren't "real" Americans. Somehow, there's this idea out there that if we don't live and dress exactly like our ancestors did, we can't possibly be "real" Indians. That's bogus. There's also this idea out there that Native people have high cheekbones. Or glossy black hair. Dark eyes. That's not accurate, either!

I hope you'll follow the news and tell others to follow it, too, but I also want you to make sure that the books you give to your children and students are ones that don't frame us in narrow, stereotypical ways. Check out, for example, this response from elders and leaders,  to a story at the New York Times that was clearly biased.

If you want to get your child or students a book that accurately depicts someone of the Great Sioux Nation, pick up Joseph Marshall's In the Footsteps of Crazy Horse. The main character in the story is a blue-eyed Lakota boy, on a road trip with his grandfather. It's a winner. 

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50. Wonder Women

Sam Maggs has written a fun collected biography (as we call them in the library trade) about women in science, medicine, innovation, espionage and adventure titled - wait for it - Wonder Women.

Maggs writing style is up-to-the minute and whip smart.  I'm only one third through this book and my mind is totally boggled.  Without flipping another page, I would give this book 5 stars.  Maggs searched long and hard and found women heroes from Asia, Europe and the Americas, of all colors and persuasions.  Her mini-bios between segments - Maggs arranges the books by the various disciplines cited above - give peeks into the lives of other accomplished women.  Maggs also includes interviews with women professionals who work in those disciplines.

Anyway, I am so excited by this book's content and writing style that I couldn't wait to tell you all about it.  Thanks to Sam and to Quirk Books for offering this title.  Not out til October!  You can pre-order it here  (This is not an affiliate link.  I just don't like Amazon all that much.), or order from your favorite bookseller.  Don't let ME tell you what to do.

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