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The comment section seemed pretty happy with the announcement that Howard Chaykin was going to be doing Buck Rogers for Hermes Press, so I laid hands on Dan Herman (the Publisher at Hermes) and got a little more information for you.
Hermes has a five year license for Buck Rogers comics, which means the license for a new comic as well as reprint rights for the previous comic books, like the Gold Key series based on the television show and, yes, some Murphy Anderson work from the early ’50s. Part of their proposal was a “back to basics” new series. Herman, as a publisher who does a lot of archival/historical books, isn’t a big fan of changing the formula.
That’s where Howard comes in. Herman had originally commissioned Chaykin to do a cover for a collection of the old Flint Dille/David Marconi/Dan Speigel “Agent 13″ graphic novels that came out from TSR back in the mid-to-late 1980s. Herman knew Chaykin had a fondness for ’30s and ’40s material. He also knew Chaykin’s work with Ironwolf/Cody Starbuck/Star Wars. Chaykin liked the idea.
Herman described the series as a “riff” on the original series and tells me Chaykin went back and read the two original pulp prose stories and roughly the first 10 years of the strip to get ready. Look to the left and the promotional poster does look like the classic period of the strip.
This will come out in normal comic book format and Herman is thinking May 2013 is a likely target date. Herman says Chaykin is initially working on 4 issues and when those are completed they’ll have a look at it and see where to go from there. He wants to evaluate the work as a whole, not piecemeal. Also factoring into this approach is Herman’s philosophy that “you let Howard do his job.” He knows who he hired, so he’s getting out of the way.
Figure we’ll hear a little more about this around the beginning of next year.
4 Comments on More Details on the Howard Chaykin Buck Rogers, last added: 7/22/2012
The illustration on the poster is great, but that is some hideous design there. The tag line is covering the characters’ feet. It’s like they have no design sense or anything.
Evan said, on 7/22/2012 3:58:00 AM
That info gives me all I need to know that I’ll definitely be getting these when they appear in Previews.
Howard Chaykin trae de vuelta al clásico Buck Rog said, on 7/22/2012 2:02:00 PM
In October 2011, Phoenix Jones, a vigilante superhero, was arrested by Seattle police. His costume and crimefighting was not dissimilar to that of Batman: martial arts, body-armored suit, crime-fighting gear.
Most fans place Batman high on “all-time” lists partly because of his lack of superpowers. He has a lot of money, lots of training, and a brilliant mind. Like the sidekicks of the Silver Age of Comics, readers identify with him. We might not come orphaned from a distant world, meet a mysterious wizard who grants us powers, or suffer industrial accidents which trigger a latent genetic code, but we could, with enough time and money, become Batman.
So, while it might be a shock, in retrospect it might not be a surprise that someone would be inspired by the Joker, another character who ranks high on “worst villain” lists. His origin is uncertain… did his chemical bath trigger his insanity, or was it just an incident which pushed him over the edge? Yet, aside from a mis-wired brain, he has no superpowers, and even fewer devices than Batman. (Although his Golden Age and animated versions do have schemes which rival those of Rube Goldberg and Wile E. Coyote.)
As always happens when something like this happens, the police, media, and society always search for influences and triggers. What media did he enjoy? What paper and electronic trail did she leave? Where there psychological symptoms? Was there an inciting incident which pushed the suspect over the edge? Did the individual retreat to a fantasy to cope with reality? Did they have multiple personas, either online or on the street? What caused them to do what normal people would never do? (Thankfully, our definition of “normal” hasn’t changed, and we are still sensitized to horrific tragedies.)
In this situation, fantasy did have a large influence. He seems to have been inspired by “The Dark Knight”, even in his random actions shooting some theater patrons, but not others. Of course, given his mental state, if he had not been inspired by the Joker, he most likely would have found a different locale or method.
Criticism will be placed on Hollywood and how it influences society (Money Train, Scarface, The Matrix). Rarely is it praised for influencing society, except, perhaps, when an action hero celebrity saves someone in danger. Will there be discussion on how art reflects life, how art comments on society, how art can influence society? Most likely not… that’s boring Ivory Tower philosophical talk. Talking heads prefer to talk about more interesting things which entice viewers to watch and comment.
I hate to say it, but someone is going to label him the “cosplay killer” as soon as his mug shot is publicized. Already, his red-haired profile picture from Adult Friend Finder has been publicized. There’s going to be a lot of introspection forced onto fandom.
“Why do you dress up as a psychopathic villain?”
“What is it about the Punisher that you identify with?”
“You’re right…Batman is crazy. Is it a ‘good crazy’ or a ‘bad crazy’?”
“Why are the villains the interesting characters in stories?”
“How does fiction influence you and your behavior? What lessons are taught?”
“Do you use your fantasy fandom as a means of escape? Do you use it to make your real life mor
11 Comments on The Most Difficult Questions Usually Don’t Have Any Answers, last added: 7/23/2012
Unlike some commentators that I’ve heard in the news media, I don’t think comics or movies bear the slightest responsibility for the horrible shooting, but if nothing else positive comes out of this, I hope that at least people start to realize that the psychopath isn’t actually cooler than the hero.
Just today I saw an interview promoting a new Batman comic, wherein artist Greg Capullo doesn’t say much about Batman, but he’s all over the Joker, saying — “What artist doesn’t want to touch The Joker? He’s just the coolest and the most badass, the most evil, the most insane, and so there’s so much to play with.” He goes on to say that he’s looking forward to going, “down the road of, like, Texas Chainsaw Massacre stuff,” saying that he and writer Scott Snyder will be,”turning the Joker up a notch, you know? If you can turn the Joker up any higher.”
Now, I don’t mean to point any fingers at Capullo or Snyder — they’re just doing their job. I only cite the interview because it was a handy example of how creators seem to be in a race to out-crazy the last guy. All of the heroes are becoming morally-conflicted anti-heroes, and all of the villains have become Ted Bundy on crack!
The anti-hero was once a fresh antidote to a code-controlled industry, but after thirty years, I’m starting to feel like I need to take a bath after every comic I read. I guess angry, antisocial, mentally-unbalanced people aren’t very appealing to me.
I guess I long for the return of the “good guy.”
will naslund said, on 7/21/2012 5:57:00 PM
I have great sympathy and compassion for the victims of the Aurora shooting, but that’s where it ends for me.
To indulge in reactionary navel-gazing and/or fantasize about some magic prescriptive policy that will fix everything is to give the killer the attention and recognition he so desperately sought to achieve via mass murder. I refuse to do that.
IMHO, the best way to deal with this tragedy is to insure that the victims and their loved ones all the support and sympathy they require — but to otherwise change nothing and do nothing save to try, convict, and execute Holmes in the most efficient and least publicized manner possible. We shouldn’t give him or his crimes a millisecond more attention than is absolutely necessary to see justice done.
Richard Caldwell said, on 7/21/2012 6:06:00 PM
@Jim Keegan
Good guys are absolutely real, They just don’t get the press time. Nothing sexy about guilt complexes.
Frank Juliano said, on 7/21/2012 7:58:00 PM
We all have a responsibility to each other, regardless of influences.
Whether the influences are defined as chemical, social, or the latest chapter of a filmmaker’s trilogy is unimportant.
Responsibility begins on an individual level, but also extends to include anyone who functions as a member of a support system – this includes family, friends, casual acquaintances, right down to the person who stops to lend a hand when they see someone in distress.
When these support systems fail – when we choose not to address troubling behavioral signs from those around us – the results can be devastating.
I’m always disappointed to hear the old saw, “What would you do if you could get away with it?” emerge at times like this.
My answer?
You would do what you know to be the right thing in that given situation, because the people who care about you do not want to see you or anyone else suffer due to your actions.
That’s placing the responsibility squarely where it belongs, influences & dark impulses be damned.
What-Ev said, on 7/21/2012 11:47:00 PM
“change nothing and do nothing save to try, convict, and execute Holmes in the most efficient and least publicized manner possible.”
Right…one more death, that’ll fix everything. Great message to send, “what do you do with a murderer? Murder him!”
Life in prison. No chance of parole. Institutionalized murder in the name of “justice” is still murder…but hey, maybe we can get some woman dressed in a Wonder Woman costume to snap his neck and bring things full circle.
May the human race survive to see a day when nobody has any reason or feels the need to kill anyone ever in any circumstance.
Joe S. Walker said, on 7/22/2012 3:34:00 AM
“Why are the villains the interesting characters in stories?”
One reason is simply because they’re the active characters. They make the story happen.
Also, memorable villains tend to have some complexity. They’re often rebels against the established order of things, which makes them sympathetic if you have a grievance with it.
It doesn’t help that nowadays heroes don’t behave much better than villains.
Synsidar said, on 7/22/2012 7:18:00 AM
The recurring use of villains in the comic book stories does raise questions as to how effective they are at making any kind of valid point about anything. A Super Friends type story is written for children, and the moral point of it is clear. The adult stories, though–it’s been claimed that Spider-Man, Superman, Batman, et al. are good for thousands of stories each. They’re not, though. Repetition of a theme is as deadly, over time, as repetition of plot elements is. If the moral of a story is that Good triumphs over Evil, then Good actually has to triumph and vanquish Evil. Chasing Evil away for a few issues isn’t a triumph. However many stories a hero might be good for, a villain such as the Joker is good for one or two. Three? That would be stretching it. Once it’s been established that he’s Batman’s opposite, he’s been defined completely. There’s nothing more to say about him. He should have been vanquished decades ago. Using him again and again doesn’t serve any purpose except to glamorize the very Evil that the heroes are supposed to be fighting.
SRS
Rick Rottman said, on 7/22/2012 9:12:00 AM
Why would anyone label him the “cosplay killer”? He wasn’t dressed a comic character. He was wearing full body armor. I know he supposedly referred to himself as the Joker, but nothing in his dress or demeanor is related to the Joker. Even the photo from the adult website shows him with orange hair, not green hair. His mugshot appeared on Friday and he has brown hair.
VichusSmith said, on 7/22/2012 2:07:00 PM
You could say that, Rick (I actually agree with you) but why does the media jump to any conclusions? They’ll say nearly anything to keep this story going. They’ll blame this on video games, for instance.
MattComix said, on 7/23/2012 6:25:00 AM
“I don’t know if this marks the end of the grim reality which has infected superhero comics since 1985.”
I hope so. For one it’s sucked all the fun out of superhero comics even to the point where action has just been replaced with cheap shock and gore. For another, it’s a lopsided view of reality in the first place.
Courtesy of Jamie Coville, here are 16 of the top panels from Comic-Con 2012. It’s almost as good as being there and if you don’t like crowds, it’s better. Many thanks to Jamie for providing this service. Jamie’s photos can be seen here.
How to Get News Coverage (53:51, 49.3mb)
Moderated by Rik Offenberger, a bunch of comic news sites writers talk about how to get coverage on their sites. One the panel was Rich Johnston, Alan Kistler, Bryan Young, Dan Manser, Holly Golightly, Chris Thompson, J.C. Vaughn, Josh Waldrop, Heidi MacDonald and Glenn Hauman. They taled about what e-mails they did and did not read, what information should be in the e-mail, things that people shouldn’t do which will ensure you get ignored, they also talked about smaller sites vs bigger sites when it comes to promoting a project.
Spotlight on Geof Darrow (100:30, 55.3mb)
Geof Darrow wins an Inkpot award and talks about how he got started in comics with Moebius, Frank Miller and the Wachowski Brothers. He showed a partly worked on Shaolin Cowboy Anime that had no audio, but gave funny commentary as it played. He talked in detail about trying to get the anime created and some road bumps he encountered along the way. Geof took the unusual step of asking the audience questions and giving them some signed prints for answering them. The audience did ask him some questions and the Geof talked about good movies the audience should see towards the end.
Bleeding Alliance of Beat Reporters (47:51, 43.8mb)
On this panel was Andy Khouri, Rich Johnston, Heidi MacDonald and Tom Spurgeon. The panel was moderated by Douglas Wolk. The group talked about making a living with their blogs, how they deal with commentators, how much they write vs editing their contributors, what type of stories get und
1 Comments on SDCC 12: Listen to the top panels, last added: 7/21/2012
If you didn’t see the trailer for Man of Steel, the upcoming Zack Synder Superman film, in the previews before The Dark Knight Rises, the trailer has finally started turning up online. The trailer is bleak and somber in tone. It might be the whole film has this feel or it might be a deliberate attempt to differentiate a new project from the Richard Donner version the viewing public is familiar with (and that Bryan Singer was attempting to emulate in the last Superman film).
15 Comments on The Man of Steel Movie Trailer – A Somber Superman, last added: 7/22/2012
I’m all for breaking away from the Donner. It worked, because it was his style. Smallville gave it a nod, but has held up on it’s own. I’m not the biggest fan of Zack Snyder, but I did like his work on Watchmen.
Jesse said, on 7/21/2012 2:37:00 PM
So is Clark crewing on the Northwestern? I watched the last season of Dealiest Catch I must have missed him. Maybe he came on after Oppie season……..
John said, on 7/21/2012 4:21:00 PM
Would’ve been better if it didn’t use music from Fellowship of the Ring.
Crisis On Infinite Midlives - Something To Look Fo said, on 7/21/2012 4:27:00 PM
[...] Comics Beat) └ Tags: Man Of Steel, [...]
Paul Houston said, on 7/21/2012 4:58:00 PM
I actually like the idea of him struggling with the idea of becoming the icon we all know he will. That’s a pretty good story point. I’m actually interested in this movie for the first time.
Phil said, on 7/21/2012 5:37:00 PM
Finally less red panties and more fishing!
Ian Boothby said, on 7/21/2012 5:48:00 PM
Ten seasons of Smallville have shown that being Superman is a huge depressing drag. Hope there’s some joy and fun in this.
Brian Spence said, on 7/21/2012 8:01:00 PM
I’m in agreement with Ian. More fun please! Watchmen was a little too heavy handed. Let’s hope this is a little more loose and fun like a blockbuster Superman movie should be. The last one was so forgettable.
Derek said, on 7/21/2012 8:23:00 PM
More Crying Superman and his shitty poetry.
Le Sigh
Apollo9000 said, on 7/21/2012 8:48:00 PM
The teaser works for me considering the various parts in play. The fact that it doesn’t just throw a bunch of random action shots at you ( unlike most trailers) is plus when you take into account that Zack Snyder is directing. The musing, wondering what my place is tone of the trailer hints at the story ( cooked up by the Brothers Nolan) are going for.
My only gripe with what we know about the Man of Steel so far is a bit fanboyish – the choice of Zod, again, as the villain.
jacob goddard said, on 7/22/2012
Looks like a Mallick rip.
James said, on 7/22/2012 1:59:00 AM
I actually enjoyed the trailer for what is it. A teaser. I mean, there is a year till it comes out, have they even finished filming??
Looks like it might have an extended origin, like Batman Begins, which I loved, so I’m willing to see how it goes. Then it shows us a little action with the ’sonic boom’ which I thought was great.
I just prey it doesn’t run for 2 and a half hours like DKR!! Which I thought easily could of been condensed to under two hours. The last Superman movie also ran way to long for me. So that is my only concern for the new movie.
Phil said, on 7/22/2012 9:22:00 AM
I agree with James. There is no reason DkR should have been as long as it was. I saw it at 11:15 am and crawled out of the theater at 2:00. Mind you I thought it was good but towards the end I was shifting in my seat trying to get comfortable.
Al™ said, on 7/22/2012 9:41:00 AM
Smallville showed me the nebulous joys of watching a Dark Superboy. I thought there was something wrong with my television, it was so dark.
Enough dark. Turn on the lights and entertain us.
Jim Kakalios said, on 7/22/2012 10:08:00 AM
Phil:
There is a famous story in the old days of Hollywood of a studio executive screening an early cut of a film. When it was over, the executive told the director that it had to be shortened by 19 minutes. When asked how he had settled on that precise time for editing, the executive replied that that was the time before the film ended that his butt started getting twitchy.
The Guardian has a series of comics up called A cartoonists worldview and it’s a fantastic series of thoughtful comics by an all-star line-up. It’s also a reminder that social commentary has always been one of the most powerful and direct uses of the comics medium. We’re lucky to have so many insightful practitioners using that medium today.
I am REALLY looking forward to this.
The illustration on the poster is great, but that is some hideous design there. The tag line is covering the characters’ feet. It’s like they have no design sense or anything.
That info gives me all I need to know that I’ll definitely be getting these when they appear in Previews.
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