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I adore: authors from the anthology The Letter Q from left to right, Brian Selznick, Arthur Levine, David Levithan ('s ear) Sorry, I have a pic that has David's lovely face also. Will post soon. But that's what I get for taking candids.
Can you see him? It's George R. R. Martin.
Marie Lu is gorgeous and charming! I'm going to wait and buy Prodigy in hardcover so I can match my copy of Legend, haha! Can you develop OCD in your 30's? Because I just might be doing that.
Best part of the day: I hugged R. J. Palacio. She is awesome. I almost cried on her. You should read Wonder.
now i have matching arcs of legend and prodigy. heehee. wish i had seen you more. not sure if i hugged any authors...hm. but marissa meyer did recognize me.
I love this illustration, which comes from freelance illustrator, designer, and comic artist Jake Parker.
Jake is the creator of the Missile Mouse graphic novel series, published by Scholastic, and he has also worked for Blue Sky Studios. While at Blue Sky, Jake created sets and environments for such films as Ice Age: Dawn of the Dinosaurs and Rio. Right now, Jake—who lives in Utah with his family—is working as a freelance artist, creating picture books and comics.
Most recently, Jake embarked on a project to fund The Antler Boy and Other Stories, a collection of short comic stories he’s been writing and drawing over the past eight years. There’s more information in the below video, as well as lots of art. (For the record, I haven’t seen The Antler Boy yet, but this doesn’t stop me from featuring Jake’s art today.)
I thank Jake for visiting. Be sure to visit his site for more of his work (and previously published books); the “characters” page is particularly fun. His blog is here. I hope we see more of Jake’s art in even more picture books in the near future.
Oh, and I have to start out with his tattooed Santa, though it’s nowhere near Christmas. I love him too much — and maybe he’ll help us cool down a bit, even if he himself seems to be in swimming trunks. (more…)
17 Comments on 7-Imp’s 7 Kicks #285: Featuring Jake Parker, last added: 6/26/2012
That tattooed Santa is the best. I will have to find Antler Boy
Jules, I always love that you share such great music with us all.
My kicks:
1. Going to spend the day at The Writing House.
2. Dinner with two teacher librarians who are retiring.
3. A great two day workshop on teacher evaluation.
4. The garden.
5. A garden party las night.
6. Read Wonderstruck.
7. Walking.
Have a great week.
Moira said, on 6/24/2012 7:53:00 AM
Jake Parker is great! I was glad to see this week that he will be a contributor to the Drawn Blog, which is always sending me down to illustration rabbit hole. http://blog.drawn.ca/post/25658865357/our-newest-contributors
Jules- You are also always sending me down the rabbit hole of awesomeness. I listened to that whole Marc Maron interview the other night up in the studio. Now I am listening to song after song of Lost in the Trees.
Jone- You have given me the great idea of calling cookouts “garden parties” from now on.
kicks!
1. School is out. I’m going to consider this a good thing despite working mom’s guilt.
2. It was actually hot this week.
3. I finished husband’s promo card for his business.
4. Summer is here!
5. Supportive friends and family.
6. All of the great ice cream shops on the Cape.
7. Last but not least I have Little League news.
The first place Red Sox won the championship game!!! http://www.facebook.com/photo.php?fbid=4119490953916&set=a.1091599138513.16336.1482546367&type=1&theater
Happy Summer Imps!
Steven Withrow said, on 6/24/2012 7:56:00 AM
What a post! How I envy Jake’s ability to render his dreams in lightning-flashes of line and color, unimpeded by the temporal, cumulative effects of words — and his skill at drawing “cute” without succumbing to schmaltz.
This week brought the first heat wave of 2012 to New England, and it prompted me to write this:
Once You’ve Wandered from Under Your Yellow Cabana
Yay, Jake Parker! Not only do I like his work in general, but he’s on board to illustrate my next picture book, so it’s great to see him featured here.
Little Willow said, on 6/24/2012 8:58:00 AM
Good morning, Imps! Hi there, Jake Parker! I like the page from The Robot and the Sparrow.
My kicks from the past week:
1) Rehearsals - The musicals are this week!
2) Filming
3) Audition
4) Music
5) Sleep
6) Comfort
7) Movies
Jone: I am now singing Garden Party by Ricky Nelson. I love that song.
Jules and Jake: What a beautiful array of artwork demonstrating such versatility…I have to agree the Santa is awesome and I love Jack and the Beanstalk. Up until now my only introduction to Jake’s art was The Astonishing Secrets of Awesome Man and Missile Mouse.
Jone: I read Wonderstruck aloud to the entire third grade student body this year. We were in awe. Check out the virtual visit to the Museum with Selznick.
Moira: My mouth is watering thinking of all those ice cream shops.
Steven: Your poems are like music, silent but stirring.
1. Enjoyed debut authors work this week; Devine Intervention by Martha Brockenbrough and A Hero’s Guide to Saving Your Kingdom by Christoper Healy
2. Homer is my new favorite dog book…my fave book of alll time.
3. Went on a taco binge after reading Dragons Love Tacos.
4. Finally got my gardens in order to the watch and grow stage.
5. Enjoying ALA in CA through Twitter.
6. Won a book giveaway (again).
7. Walked in the rain with Xena (my lab) this morning.
jules said, on 6/24/2012 9:50:00 AM
Jone, the girls and I are reading Hugo Cabret now. The kindergartner didn’t *want* to like it (long story), but she can’t help it. They’re both quite taken … Walking is so good for the soul. Also, I agree with Moira, and I just want to say I threw a garden party.
Moira, thanks for the Drawn tip! And wasn’t that Maron interview good? (I assume you meant Jack White.) I hope you like Lost in the Trees. I swear, there were only about maybe 15 people there last night. But they were very gracious to those of us who showed. This band is amazing. I wish more people knew about their music. (And I always worry about appearing pushy with my yakking about music, so I’m glad it doesn’t appear that way — at least to you!) … And, hey, school is just now out for you all? We are halfway done! … Congrats to the Red Sox!
Steven, I love when poems get right to it like that with the title being the first line.
Kate: Great news. What’s the name of this one?
Little Willow, I’m glad to see “sleep” in there, given all the other busy kicks. You’re living it up, as always. I admire you like that. ….Thanks for the music. Ooh! That second video!
Margie: So glad you like Homer, too. That book works on so many levels, it’s rather brilliant. Oh, and I gave Dragons Love Tacos as a gift this week to some friends. Don’t you wish we could all be at ALA, hearing those speeches in person?
Denise said, on 6/24/2012 12:37:00 PM
Jake Parker offers up some real fun. Tatted Santa (ha!), sweet Robot & Sparrow and moody Antler Boy especially caught my eye. Thanks for sharing.
Jules – The Mel vid pretty much takes one through the stalking experience: at first, she’s sweetly amusing; by the end you feel oddly creeped out. That speech about how she wore down her college professor into marrying her was the turning point for me. Ha! As always, both music and art a wonderful Sunday start.
Jone – Have a good writing day. I can picture your garden (from photos.) Lovely.
Moira – Yea for your Red Sox! And for hubby art support. Can’t go wrong with summer and ice cream.
Steven – You and Moira are in summer-stroll-for-ice cream synch. Love, “crash the strand, tinderbox of kindling, flint and firesteel”. Captures that sound so vividly.
Kate – Lucky Kate. : - )
Little Willow – Ditto: Jules relief that little sleep is included in always-full schedule.
Thanks for Mccarley links (she got a great emotional rattle in her lower range.)
Margie – Now I want icecream AND tacos. Reading to assembled 3rd grade, yes!
My mid-June kicks:
1- 3. Watching the most adorable humming bird nest out my window with 3 chicks (unusual is 2.) Nesting, sitting, feedings, chirpings and now…. they’ve flown away.
4 & 5 Trip to house in Mexico; drove to Ensenada with my son to get new modem for internet service. With luck (and Google Earth) I somehow found the store. My son managed to convey, in his newly-conversational Spanish, our wishes and get the right equipment. Together, after hours of trial and error, we got it working. Yea!
6. sketches
7. summer reading: I’ve got three books going (car, purse and bedside.)
Have a wonderful week kickers!
emmaco said, on 6/24/2012 1:40:00 PM
What a diverse range of pictures today! Hope you had a great time at your concert, Jules!
I will return after work to delight in everyone’s kicks! My kicks:
1. A couple of weeks ago I lost my train card (the thing we load with money & swipe), cancelled it, and then by lunch had the train people ring to say it was handed in, and, even better, they could uncancel it.
2. I then lost my purse by leaving it at work one afternoon (our floor has social nibblies & drinks together once a fortnight). The next day as I walked to the lift to go down to the bank to cancel our cards, I bumped into one of the managers who remembed they had picked it up and locked it in their office for safety.
3. We are passed the shortest day of the year, so it will be getting lighter in the evenings soon which will make it easier to walk home
4. I made a delicious pear and almond cake
5. …and am going to make it again for a second occasion with a wedding present that many people chipped in for: a beautiful red Kitchenaid mixer! We just picked it up today. So excited!
6. Looking at the instruction booklet, the name for the mixer in Dutch appears to be keukenrobot. I think this is a splendid name.
7. Jonquils must have come into season (they are winter flowers here) as I bought an inexpensive bunch at the shops and they are now cheering up the lounge room
Denise said, on 6/24/2012 2:20:00 PM
Returned to note: The Google Earth street-view car (small green & white vehicle with red ball of cameras on top) just drove by our bluff street — passed one way and then, back the other. (I waved…)
emmaco — ‘keukenrobot’, love that!
jone said, on 6/24/2012 4:17:00 PM
Way, cool Denise. I wondered when Google will be on my street.
And Emmaco, love ‘keukenrobot’.
Allison said, on 6/24/2012 8:13:00 PM
HI Imps!
wonderful posts everyone. Thank you. You’ve cheered me after a tough, good and crazy weekend.
Wonderful poem. Thank you Steven.
Love the art, Jules. Especially the boy riding the T-Rex and then the boy riding the whale. These are definitely
the fantasies of every 5 and 6 year old boy I know.
1. listening to the neighbors’ garden party singers (now) sweetly singing and gently strumming.
2. lovely weather in the low 70s with warm sun - oh wait it is Los Angeles, the weather is always like that! But my New Englander self is still appreciating it.
3. enjoying the newly rearranged bedroom so that the crib for the soon-coming foster baby is away from all the windows. This was not easy. Thanks to my hubby for all the hard work.
4. helping my 6 year old draw the trees in our front yard in his tree journal
5. new draft of the novel I’m editing has arrived. I’m pleased with the results of lots of hard work.
6. last week of editing online editing course. I’ve really enjoyed it and learned a lot, but I”m glad it is almost over.
7. sold lots of odds and ends in our community yard sale yesterday, made $220. Major victory was only buying ONE item - a small and beautiful porcelain lamp from a neighbor that looks perfect in our living room.
Thanks for doing the 7 kicks, Jules. I needed to be reminded of all the joy, beauty, kindness and gratitude in the world.
Have a great week!
jules said, on 6/25/2012 6:02:00 AM
Denise, your trip sounds fun, and kudos to your son for the communication win! I love hummingbirds and always think of The Underneath when I see them.
Emmaco: DID YOU ALREADY HAVE THE WEDDING?!! I swear I read your kicks (pear and almond cake, mmm), but this is the one pressing question I have now. If we missed it, OH MY GOD, belated congratulations to you!
Allison: Glad the imps brought cheer. We aim to do so. … Didn’t realize you were getting a foster baby. That is exciting, and I’m glad you got the crib all good-to-go. I hope this week is better, Allison, and not tough and crazy.
jules said, on 6/25/2012 6:03:00 AM
Oh, and Denise: I giggled over what you wrote about Mel. So true how it goes from funny to all-out creepy.
Jessica Young said, on 6/25/2012 11:26:00 AM
Wish I could have seen them in person! Glad you had fun. Who knew about Santa! Although I suspected he’s pretty tough under that jolly exterior.
adrienne said, on 6/25/2012 1:46:00 PM
“Deck the hallz” made me snort-laugh.
Thanks for getting me hooked on Lost in the Trees, Jules. I’m glad you got to see them in concert.
emmaco said, on 6/26/2012 2:52:00 AM
Love all these lists. So cheering on a cold and wet night. (actually I like the weather as it’s a cosy change).
Best wishes with your foster, baby, Allison!
And yes I was married in March, Jules! I think you congratulated me already…maybe? (I have some photos on Facebook, but ones I’ve been tagged in rather than an actual album). But thank-you anyway
My husband was recently watching a documentary on the making of one of our favorite films (and books) To Kill A Mockingbird...
It gave me pause...I am a card carrying Southern Woman. After all I have more than one deviled egg plate. No self-respecting Southern Woman would NOT have a deviled egg plate. In fact you can't even be in the Souther Belle Society without having one. I did have a china pattern - in a previous life - held open houses for church, posessed the appropriate attire for funerals and weddings, could whip a casserole for the bereved or someone with a new baby in 2.5 min. and not even blink if I had to hostess a wedding, funeral or homecoming at a moments notice. I was young and didn't know better. Ask me now and I might need interevenious adavan.
Yes, when I was younger I was a girly girl, I played dolls, paper dolls, wore dresses every day, could leap puddles holding my train case purse in a single bound, wear loafers and bobby socks and could kill anyone with kindness. We were born that way. Out of my four girls, only one was partially a girly, girl. the rest detested dresses, and I won't even go into their antics as a tomboy. But I managed to scar them by making them wear dresses, hats and gloves on Easter Sunday. They remind me of that torture once in a while.
I was the only little girl on my block of Darling St. - yes, I lived on Darling street in a pink brick house. My Daddy built be a playhouse with a real glass sliding window. It held baby cribs and dolls, doll cloths, tea sets, etc. I saved my allowance (25cents), go to the Good Will and buy net formals from the 50's and my Mom would fit them to me. So my dress up dresses were also in the playhouse. I don't know how many times my Mom would go to Weingartens (our grocery story) with my little girl friends all dressed up in net formals. We were the original princesses. No one called us that, we were Southern Bells. My house we THE house all the neighborhood girls wanted to play. The boys always dressed as cowboys and indians and tried to attack us. Boys. It makes me sad to think that my play house now holds lawnmowers and lawn chemicals. Does the owner even know the magic it once held?
Now don't get me wrong, I was a playmate with my brother and learned to catch snakes and lizards, run through the woods, give some one an "indian rope burn" and play Tarzan and swing off the roof of our house on the tiny branches of the trees. Mom would have whipped our hid if she knew half the stuff we did. That was fun but I knew what I was supposed to do and how to act. Even if I did regress occasionally.
When I lived in Natchitoches, Louisiana as a young Mom, I got to be an extra in Steel Magnolias. I wore on ugly had an dress and set in a bench in the wedding scene for 12 hourse for a 3 min. scene in the movie. But I was also a tour guide to the plantation houses and I learned to get my hooped skirts into the suburban in a flash and drive down Cane Rive to my job, be my "sugary sweet" self and then go home to 4 kids and cook dinner.
I won't ever give up my Southern Belle membership card, wear white shoes after labor day, smoke in public like Princess Margret, wear velvet after Febuary and will always use mayonaise and white chicken meat to make chicken salad - not dark meat and Hellmans! But I could care less about being in the Jr. League or who made what Sorority in college. There is more to life than that!
My kids grew up laughing at the silly rules I taught them about Southern Ettiquete. They don't adhear to those rules except - say yes mam', no mam', please and thank you, always mind your p's and q's. Don't cuss in public, never spit, open doors for ladies, ladies first and always try to help.
Make your Momma Proud.
0 Comments on A Proper Southern Woman as of 1/1/1900
I met with the editors of Dover Publishing a while ago. They publish a lot of classic books on art instruction from days of yore. I told them that most of what I know about drawing and painting comes from studying their books. They asked me for a list of my ten favorite art instruction books with a blurb about why I love each one.
Bridgman's legendary figure drawing demonstrations at the Art Students League of New York have inspired generations of artists, from Norman Rockwell to Frank Frazetta. His dynamic, chunky form analysis reminds students of the big shapes and how they interlock with each other, which is easy to overlook when faced with the subtleties of the actual figure.
John Vanderpoel, who studied in France at the Académie Julian, offers a classical approach to figure drawing, noteworthy for its timeless grace. His approach focuses on the important planes of the figure understood in terms of simple light and shade. Male and female models are analyzed in many detailed drawings of parts, such as the head, neck, torso, and limbs. The plates are so good that it would profit a student to systematically copy all of them.
I have heard that Edgar Payne's "Composition of Outdoor Painting" is good but I have not found a copy to look through yet. Also, although not 50 years old yet, "The Artist's Guide to Sketching" has a special place on my bookshelf.
I have found Loomis' instruction on perspective in Successful Drawing to be the most helpful, complete treatment of linear perspective that I have read. All of Loomis' books are great, but his way with breaking down the various problems of perspective really stand out for me. What he did with perspective for me, Famous Artists Course (1960 version is the one I've got) did with understanding how to draw clothing and draperies, in breaking down and simplifying the reason behind how and why certain folds occur as they do.
Simona said, on 6/23/2012 11:26:00 PM
Loomis books are my favorites too. "Successful drawing" has a really enlightening treatment of perspective. Another one I love is "Creative Illustration" - the simple and effective way to explain composition and value in that book makes it quite unique.
Anonymous said, on 6/24/2012 12:01:00 AM
The main thing I dislike about older art books, especially the ones on drawing humans, is a lack of diversity. All the "example humans" tend to be white and European. Not that more modern books are that much better.
James helped me find Earnest Norling's "Perspective Drawing". I'd been given it as a child and I'd forgotten both Title and Author. Since buying an old copy online I've found it just as comprehensive and useful as I'd remembered. As you progress through the book the charmingly vintage American illustration style walks you gently through everything you need to know in a very efficient manner. An infant would find the early pages understandable and a professional might find the final pages challenging. It really is a book that can serve you well for a lifetime in art.
Thanks for this post on books. Dover is wonderful. I like very much the book : On Drawing Trees And Nature: A Classic Victorian Manual With Lessons And Examples by James Duffield Harding (Dover publications). It's mostly text but what a text, very rich in the explanations on the structure of trees. The Encyclopédie Diderot are old and very good (in french). A very good book on composition : The basis of successful art -Concept and Composition by Fritz Henning (1983). There are books too like "Cours et Leçons à l'Académie de la Grande Chaumière" 1909-1929 by Antoine Bourdelle which a very good read to learn to see (french). I love the book "Treasury of American pen and ink illustration 1881 to 1938 (dover)...
When I first started college in January 1990, I was starting a bit late and had to take the second drawing class first. Our professor had us use "The Natural Way to Draw" by Nicolaides. That class was the equivalent of figure drawing boot camp...but by the end absolutely every one of us was better for it. I loved it for MAKING us pay attention to weight and form.
- "Hawthorne on painting" - "The classic point of view" by Kenyon Cox. Not "art-instructional" like the others but a great read nonetheless. - "Creative perspective for artists and illutrators" by Ernest W. Watson
1. Mastering the Craft of Painting by Angelo John Grado, Watson Guptill , 1985 (Describes Frank Reilly's teaching method. Reilly's big innovation was to set the palette with several "strings" of the same hue but of about seven different values.
2. Alla Prima by Richard Schmid, Stove Prairie Press, 1998
3. Landscape Graphics by Rant W. Reid Whitney Library of Design (an imprint of Watson-Guptill). The first 128 pages are about drawing plans, but from their on it has wonderful quick drawings of trees, cars, etc.
4. Rendering with Markers, Ronald B. Kemnitzer, Watson-Guptill, 1983
5. Magic Marker, The Rendering Problem Solver for Designers by Richard McGarry and Greg Madsen, Wiley, 1993
6. Pencil Pictures by Theodore Kautzky, Reinhold 1947 -- a classic
7. Composition of Outdoor Painting by Edgar Payne, Payne Studios 1941 (but probably still in print)
8. Light and Shade by Mrs. Mary P,. Merrifield, Dover (originally 1805. She describes now forgotten changes in values at edges
9. Hawthorne on Painting collected by Mrs. Charles W. Hawthorne , Dover (originally 1938)
10. Hensche on Painting by John W. Robichaux Dover (originally 1997)
11. Rendering in Pen and Ink by Arthur L. Guptill , Watson Guptill 1976 (drawing examples not by him)
12. Rockwell on Rockwell, How I Make a Picture by Normal Rockwell, Watson Guptil 1979
and last but not least
The Artist's Guide to Sketching, a handbook for drawing on the spot" by James Gurney and Thomas Kinkade, Watson Guptill 1982
Great list. I have almost all them. I have the Loomis books as well and Rex Vicat Cole' book on perspective. Between Cole and Loomis everything one wants to know about perspective is there. I know the Ernst Norling book and it's a good book on this subject. Definitely simpler to grasp than Cole' book.
I would add Bridgman's Constructive Anatomy, Peck's Atlas of Human Anatomy for the Artist, and Human Anatomy for Artist: The Elements of From by Elliot Goldfinger.
Great post, thanks! I also want to mention Bruno Lucchesi's "Modeling the figure in clay". It helped me a lot learning digital sculpture. It's not Dover but a great process reference, even if the photos are a bit underexposed. @Craig Wilson: thanks for sharing the link on human types!!
Bridgman and Norling have long been among my favorites. Two recent additions are "The Artist's Complete Guide to Figure Drawing" by Anthony Ryder and "Color and Light" by James Gurney.
My favorite book for reference, not only for it's photo-real illustrations of the muscles and skeleton, but also for it's simplified and symbolic sketches is Stephen Peck's Atlas of Human Anatomy for the Artist:
Also, this is an excellent reference for "athletic" bodies. It has a very diverse range of people, all Olympic or professional athletes: http://ninamatsumoto.wordpress.com/2010/12/18/athletic-body-diversity-reference-for-artists/
It's a great way to see that not every fit body must look like a superhero.
I found this post to be useful for me in compiling a wish list! I also appreciate the recommendations in the comments section.
I was helped by the book "Drawing on the Right Side of the Brain" and for drawing with children -- I highly recommend "Drawing with Children" by Mona Brooks.
If you can find it, Jack Faragasso's The Student's Guide to Oil Painting is a GREAT book to have if you want to learn more about the Reilly system of painting. Oddly enough, the biggest piece of information I came away with from my first reading was how to achieve the different edges in a painting, I like the method he presents.
Sadly, as far as I know the book is out of print, so it's hard to find.
I love all of Loomis' books, and own most of them, but what I'd love to find is a book at his level about gouache painting, from that period. Any suggestions, anybody?
Anonymous said, on 6/24/2012 4:39:00 PM
I love dover books and buy one any chance I get, and I'll definitely check these out.
They also have a few books on medieval painting techniques, like the Practice of Tempera Painting by Daniel Thompson. Since I don't tolerate solvents really well and don't like the plastic look of acrylics, I tried out egg tempera. Without this book I wouldn't have gotten very far with it.
Thank you for this, James. Fantastic. I'll look into the perspective book and the tree book. I have some of the others. My recommendation would be, even though it's not old, and not a Dover book, is Robert Beverly Hale's "Master Class in Figure Drawing."
Anonymous said, on 6/24/2012 5:39:00 PM
I like Dover books, and have a lot of your list already. Another that I really like is Daniel Burleigh Parkhurst's "The painter in oil".
Anonymous said, on 6/24/2012 5:49:00 PM
I own or at least have read most of all the books mentioned in your post and the comments. Not a bad one in the bunch. I refer back to them often. But, I don't do anything without having a copy of Bert Dodson's Keys to Drawing nearby. This book got me into drawing and keeps me drawing. My copies of Harold Speed and George Bridgemans books are just as dogeared!
"Animation" by Preston Blair, published by Walter Foster, and republished in different formats. Aimed at cartoonists, but very basic info on weight, seeing a character in 3-D, and making use of the "line of action." First saw this when I was 13 and have been drawing ever since!
Michael Pianta said, on 6/24/2012 10:15:00 PM
I second the Daniel Burleigh Parkhurst book ("The Painter in Oil") - it's fairly interesting, although it covers will trodden ground. Also, there's an interesting book called "The Twilight of Painting." It is not instructional; rather it is a polemic written by an academically trained painter (R.H. Ives Gammell), who was mortified by the rise of modern art. His analysis of how this happened and what it will mean (and what should be done about it) is fairly interesting, in that it basically all came true. Unfortunately the book is out of print now and used copies are fairly expensive.
I am selftaught and i practiced art since for a few years so far.
"Fun with a Pencil" by Andrew Loomis. Just for beginners, it has a very slooow learning curve and a very low starting point. By following the book it's possible to learn to draw figures and environments without any unnecessary stress, which in my opinion may be fatal at the beginning.
"Figure Drawing For all it's worth" by Andrew Loomis is my favourite text. I read it many times, It's very easy to follow and every phrase in it is gold. Plus, it covers a very large variety of fields. Just like with the other Andrew Loomis books, alongside every truth is given an explanation, alongside every technique is given a reason to learn it.
"Constructive Anatomy" by Brigdman is the first anatomy book which i found easy enough to follow. Since there's not any hint on how to study, I have found it a little difficult at the beginning. When i turned back to it after a while, i just knew what I wanted to know, so it might be considered a reference book , more than an instructional one.
"Dynamic Anatomy for the Artist" by Burne Hogarth. I have the italian version of this. Very bad image quality, translation, paper. The plates are hard to read, but maybe it's just because of the poor transposition.
Not 50 years old, but: Ernest W. Watson's Course in pencil sketching: Four books in one.
Anonymous said, on 6/25/2012 8:17:00 AM
One the hardest parts of trying to become an artists on a part time basis over the years is coming across lists like this. I tend to buy all the books, reference material, and then when it comes time to sit and learn I get overwhelmed by the sheer volume of resources available. I get paralyzed because I don't know where to start, or I start in to many places and only achieve overload. I've been breaking things down lately to working the learning issues one painting, drawing, or concept at a time. But it is still a struggle for me knowing where I am and where I need to go and not feel the weight of the challenge.
In the end I have found the only path forward is to keep moving becuase if I stop, I won't accomplish anything.
I'm glad to see the Vanderpoel book on your list. I have been studying it for the last few months and loving every bit. He describes the planes of the human form more intimately than any other book I've read. It's as if he's your tour guide to the figure.
Value wise you can't beat the Dover books, but the text in older books can be hard to digest unless you really buckle down with them. In general, I prefer art instruction books that present concepts in small doses and then build on them.
Here are some recent favorites:
-Drawn to Life by Walt Stanchfield
-Composing Pictures by Donald W. Graham
-Composition of Outdoor Painting by Edgar A. Payne
-Color and Light: A Guide for the Realist Painter by James Gurney
I've long been fond Henry Poore's book "Pictorial Composition". In my college art classes, composition seemed to be the one topic that never quite fit in the semester, yet often came up in critiques of my work... At last the library supplied this book to fill the gap. It gives a good solid overview of compositional conventions in the european painting tradition, with ample black and white engravings to illustrate. It's also got a delightful one page graphic summary of the most common geometric compositional schemas, along with metaphorical interpretation (like perpendiculars => opposition, spirals => infinity, etc).
I'm happy to see Nickolaides' "The Natural Way to Draw" also suggested in the comments. Great book. I was lucky enough to get all the main ideas directly from my drawing instructor (in class, with model, which is the best way) but the book was an excellent review in later years.
HARLEQUIN AND MILLS & BOON LAUNCH GLOBAL WRITING CONTEST WITH PUBLISHING CONTRACT PRIZE
NEW YORK, LONDON, TORONTO, SYDNEY June 21, 2012
Harlequin, a leading publisher of books for women, and Mills & Boon, their international romance imprint, today announced the inauguration of a global English-language writing contest that offers aspiring authors the chance to win a publishing contract. The free 24/7 online conference, So You Think You Can Write (soyouthinkyoucanwrite.com) will take place September 17–21, 2012 and will be the first event to combine the strength of the publisher’s two iconic brands—Harlequin (North America) and Mills & Boon (Europe, Australia and Africa), taking advantage of an international presence and audience.
So You Think You Can Write allows hopeful romance novelists to spend a week with more than 50 editors from Toronto, New York and London through social media tools including podcasts, videos, webinars, blogs, live chats, community discussions and Twitter events. Aspiring authors will attend a virtual romance-writing “boot camp” designed to teach them how to write a romance novel that will attract the attention of publishers.
So You Think You Can Write has been organized in such a way as to help participants prepare completed manuscripts for submission to the So You Think You Can Write contest by the deadline, October 13, 2012.
Entrants into the contest portion of the conference will experience the path a professional writer undertakes from the genesis of a story idea all the way through to the publication of a novel. Participants will initially be asked to submit a first chapter accompanied by a maximum100-word pitch. An online vote, open to the public, will narrow the field down to 25 contestants who, along with three “wildcard” entrants selected by Harlequin, will then be required to submit a finished manuscript. Harlequin and Mills & Boon editors will select three finalists whose manuscripts will be judged in an online vote, again open to the public, and a winner will be named and awarded a publishing contract to write a series romance novel for Harlequin/Mills & Boon.
Harlequin and Mills & Boon editors believe that by engaging aspiring writers, showcasing the tremendous appeal of the romance genre and offering expert insights into crafting the perfect story, they can help promising novelists hone their skills and achieve their dreams of writing for one of the world’s leading publishers of books for women. For more information please visit soyouthinkyoucanwrite.com.
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Loved speaking as the Usborne and Kane Miller Books Convention, Tulsa Oklahoma USA.
I was introduced by Tamela Cocke for my major speech to the Convention.
Couldn’t believe that Tamela worked with Dr Hugh Martin OAM in the Burn Unit at The Children’s Hospital Westmead (Sydney) at the time I was researching for ‘Butterflies’.
Randall White President of EDR and Kane Miller Books welcomed Kane Miller authors Michelle Nelson-Schmidt (Jonathan James and the Whatif Monster), Debbie Bernstein LaCroix (It’s Almost Time) and me.
My first novel, Wuftoom, is about a boy who, at the start of the book, is aware of something nobody else knows: He is not sick with an unknown disease; he is transforming into a monster. The monster visits him at night and waits for Evan to fully transform, telling Evan that life will be better once he joins them. Of course, the Wuftoom don’t believe they’re monsters, and they don’t see themselves as ugly and disgusting the way Evan does. Once you are a monster, the whole meaning of the word changes.
What does the word monster mean? My Oxford American Dictionary defines “monster” as “an imaginary creature that is typically large, ugly, and frightening.” But how do you create something ugly and frightening? Here’s my take on how to do it:
Start with something everybody thinks is gross, like a worm.
Make it waaaay bigger than a normal worm.
Give it a face, but don’t give it a face just like a human’s, with ordinary eyes, nose, mouth, and teeth. Make the eyes different, take the nose away, change the shape of the mouth (I picked a shriveled hole), add fangs.
Give it a distinctive voice: a rasp, a tone, a chortle. And finally,
Give it a (disgusting) smell.
Click to purchase.
Now think long and hard about this monster. Draw it. Give it a name. Put yourself in its shoes. If you looked like that monster, what would be a monster to you? If you had a body like a worm’s, maybe it would be weird to see people walking around with knees and elbows and stiff bones. If you had fangs, maybe it would be strange to see people with short, dull, stunted teeth. If your voice was raspy, maybe it would be scary to hear someone talking in a sharp, clear, high voice.
Now think about what you would do if you saw this disgusting giant worm-like monster. Would you scream? Would you cry? Would you beat it with a stick? Would you call it mean names and tell it to go away? Well, now you know why monsters always seem so distrustful of people. Not that they don’t have their bad sides. All I’m saying is, monsters have their own perspectives. And if you were turning into one, you’d have to learn that sooner or later. You might even begin to appreciate the “monster” you have become.
In the deep recesses of my closet, buried underneath a stack of old tax returns is the unpublished manuscript for my first attempt at writing a middle grade time travel adventure. Clipped to the manuscript is a letter from an agent in New York City. It has been a few years now since I read the letter but one sentence is seared into my brain for eternity: “I stopped reading at page 71”.
I remember thinking at the time: how could anyone stop reading at page 71? Especially when things really get rolling on page 72! After equal amounts of soul searching and chocolate, I came to the realization that maybe the agent was right. Maybe there wasn’t enough to hold a reader’s interest.So I made a secret vow (secret ones are the best kind – if you break them no one will ever know). My vow was to write another middle grade time travel adventure novel; one so compelling that no one would be able to put it down before the end.
Here are my four keys to writing the un-put-down-able middle grade adventure novel:
Guest column by Richard Ungar, whose latest book is TIME SNATCHERS (March 2012, Putnam), a futuristic adventure that received a starred review in Booklist. He also has four picture books published. Some writing awards he has won include a 2009 Storytellers World Resource Award, a 2007 National Jewish Book Award, and a 2007 and 2004 Canadian Children’s Book Centre Our Choice Selections. Find his author website here.
1. Hook Them In: Don’t begin your novel by telling all about the town that your protagonist lives in or how he is dressed. Sure, setting and description are both important but they can be woven into the story. Instead, start with an action scene with your main character thick in the middle. If you can come up with a killer first sentence even better but don’t dwell on it. In fact, don’t dwell on anything very long… Keep things moving!
2. Use Humor: Humor not only keeps your readers engaged but also helps relieve some of the tension after a particularly intense scene. Humor doesn’t have to be spoken. In fact, it’s mostly not. For instance, it can be situational – in Time Snatchers, the evil boss has a bodyguard who is obsessed with doing crossword puzzles. In one scene he applies a chokehold to the protagonist, Caleb, demanding that he help him come up with a ‘four letter word for a Chinese sailing vessel or food with zero nutritional value’. Caleb knows the answer (it’s ‘junk’) and really wants to help, but because he’s being choked he can’t get the word out. Okay, so maybe I’m the only one who finds that funny.
3. Keep Things Moving: the obvious way to do this is to keep your characters jumping from one exciting
Full credit to the good people of Sterling for keeping a handy coffin on hand!
So Friday actually was a bigger kick-off of than I initially led you to believe, and on the conference floor it was all anyone could talk about. I alluded to it briefly but hadn’t expected the conversations about it to blossom the way they did. Apparently on Friday evening there was a Booklist / Guys Read program with a roster of folks talking on the subject. Even if I had heard about it and had skipped my dinner I wonder if I would have gone. I mean, we hear about Guys Read and we expect the same old, same old boys-should-read-more topics. Not even. It started off evenly enough with Jon Scieszka doing the honors. But by the time it got to Andrew Smith (The Marbury Lens) things got interesting. According to my sources Mr. Smith thought to question the notion that boys really are more reluctant a readers than girls. With statistics and facts under his belt he proceeded to throw the very nature of the problem into question. That would have been shocking enough and the librarians in attendance would have gone home murmuring how very interesting it all had been.
Then came Mr. Snicket.
Daniel Handler gets up there and proceeds to read a passage from what I believe was The Mambo Kings Play Songs of Love. The dirtiest, sex-drenched series of words the ALA Conference may have ever seen. Like the Stephen Gammel speech of old, reports after the fact vary on how long the reading actually was. Whatever the length, the audience sat stock still in shock. The point? Mr. Handler made it clear that if you want boys to read you give them books with sex in them. That’s what boys want to read after all. A librarian later confirmed that recently she was getting a lot of guys requesting and loving John Green’s Looking for Alaska. Sure the literary qualities are grand, but what they really like? The blow job scene (a scene that periodically gets the book banned and that I have since entirely forgotten).
SO! Between Smith and Snicket the conference floor was a veritable buzz on Saturday!
When preparing to descend to the floor you need to be on your toes. I’ve done enough of these things, so I went through my routine.
The first thing to do is to grab your Annual Conference Program and Exhibit Directory, a sprawling mass of author signings, booth locations, events, speakers, and maps. If you want your day to make any sense at all, you have to chop away at it until it’s in some kind of workable condition. In my case I tend to produce something that looks like this:
That’s just a wish list. There’s no way I’ll see all those folks, but at the very least I should be able to get to the booths. Now if you are invited to a lunch or dinner with a publisher, it’s a toss of a coin whether or not they’ll have the book you so desperately want. I knew I had an Abrams lunch coming and I knew Barry Deutsch would be there so the chances that the new Mirka graphic novel would be on hand were fairly good. But what about that new historical fiction graphic novel series by Nathan Hale? Would they have that as well? Impossible to say. That’s why you have to plan ahead. Carefully I determined what might be available (the new Adam Gidwitz?), what I’d ask about, and what I needed. Not too much, mind you. A suitcase can only hold so many things.
0 Comments on A Taste of the Floor (ew!): ALA Annual Conference 2012 (Day Two) as of 1/1/1900
The Shadow of the Wind-author Carlos Ruiz Zafón's The Prisoner of Heaven is coming out in English (available in the UK -- get your copy at Amazon.co.uk -- and due out in a few weeks in the US -- pre-order your copy at Amazon.com), and so there are profiles popping up in the English-language press.
In the Independent on Sunday Christian House hears 'about the inspiration for the Cemetery of Forgotten Books', in Carlos Ruiz Zafón: 'I'm haunted by the history of my city', while in The Age Andrew Stephens profiles him.
In The Scotsman they asked: 'a panel of eminent Scots which books they will be packing to make it the perfect holiday', and the results are found in Books for the beach: Top Scots name their favourite summer reads (the reads being almost as interesting as who they consider to be 'top Scots' ...).
The most recent addition to the complete review is my review of Michael Frayn's new novel, Skios -- which certainly qualifies as an amusing holiday/beach read (if not all that much more).
I only read my first Jack Heath book, HitList, recently. I have reviewed it on this web site, January 11. It was a fast-paced thrill-a-minute book for boys which had a strong female protagonist and, unlike my one attempt to read Matthew Reilly, I actually cared about the characters. And the ending wasn't what you might expect.
On his website, Jack expresses his frustration with a certain big bookseller he calls ChaoSonic, and their undercutting the competition. You wouldn't think a best selling writer like him would have books out of print or a publisher unable to afford to release his books, would you? Personally, I don't think the GST helps either, but Jack is much younger than me and has grown up in the GST era, so hasn't seen the difference.
Maybe it's time to offer to overseas publishers or even self-publish as some other well-known writers have done.
You have a fabulous blog! I’m an author and illustrator and I made some awards to give fellow bloggers whose sites I enjoy. I want to award you with one of my homemade awards: the Best of Sci/Fi Blog Award for all the hard work you do! There are no pass along requirements. This is just to reward you for all the hard work you do!
Thank you, Deirdra. Very kind of you to say that. Are you a follower? I can't find you on the list... Your badges are very pretty, did you design them?
That said, I think I would rather you promoted my blog on your own site to your 1100 followers than that you give me a badge to put up here. ;) Thanks anyway!
I have a bunch of things I want to write about, but I want to post this info about next year's trip.
South Central College will host a student trip to South Africa May 20-June 7, 2013 (dates may vary slightly). Cost will be in the neighborhood of $3200-3400.
People who are not students at SCC are welcome to go on this trip, too, but students will be involved in a related course during spring semester.
This trip will be a journey in understanding humanity, exploring the history of human rights, and being immersed in South African culture by spending fourteen days on the ground in country.We will see the country, strive for an understanding the historic culture, and connect with people. The trip will include experiencing Cape Town, District Six (political basis for the feature film “District Nine”), Port Elizabeth, the Red Location Museum (Apartheid Museum), Robben Island (where Nelson Mandela was imprisoned for 27 years), Eden Campus Tertiary School of Business Administration, Nelson Mandela Metropolitan University, Sedgefield “Garden Roots,” an African safari, Elephant park and Ostrirch park, and personal connections with South African students.
Scott Fee, MSU professor of Construction Management, will be our group leader. He has taken groups to South Africa several times and was instrumental in the founding of Eden Campus TSBA.
Let me know if you're interested or have questions!
I’m excited to be working on a new story called FLIGHT SCHOOL. It’s a whimsical tale featuring an irrepressible penguin. I’m still in the early stages of the creative process so will wait till later to share more story details, but wanted to share this video of me drawing penguins. I often create my characters by drawing animals from life – observing how they move, noticing small details of their features.
Then slowly, as I keep drawing, my imagination takes over.
2 Comments on Flight School, last added: 6/24/2012
I always appreciate it when Roger Sutton writes about Maurice Sendak. His appreciation, respect and friendship always shines through. In a recent Horn Book post, Roger writes about what winning the Caldecott Medal for Where the Wild ThingsAre meant to Maurice.
In the course of his ruminations, he mentions that in his opinion, though many Caldecotts have been awarded, only three books are ones he would truly consider "classic": Make Way for Ducklings, The Snowy Day and Where the Wild Things Are. At first I was like, "Wait! What about the winner the year I served on the committee; or the year this colleague served or that colleague...?" But then I stopped and thought.
The three books mentioned are truly touchstones. When I served on the Caldecott, I used Make Way for Ducklings to train kids and adults on how to help your eye see excellence. The warm brown lines on creamy paper were the only color, yet those illustrations were so powerful and told the story so well, the text was barely needed to convey the plot, emotions and story. This book is the quintessential Caldecott winner for me.
Re-thinking and re-reading Roger's post and going over the list of seventy-five Caldecotts draws me to the much the same conclusion as Roger. I might quibble here and there. But he has named true touchstones of children's literature. What do YOU think?
1 Comments on Caldecott Classics, last added: 6/24/2012
They're certainly the best-known and I think it's too soon to tell about some of the newer winners. Lots of the Caldecotts - especially the older ones - never circulate. But there are some that are still beloved and that we use in storytime. But Roger is probably right about those being touchstones. Maybe Weisner will join them in a few years.
Book: Froi of the Exiles Author: Melina Marchetta Published: 2012 Source: Local Library
Froi would do anything for his queen, so when she asks him to travel to nearby Charyn and assassinate their king, he agrees without a second thought. But it's not going to be as easy as slipping in with a dagger in the dead of night. Froi has to pose as a young nobleman who's come to the palace to impregnate the princess, the last in a long string of unsuccessful attempts. Only when she's conceived a child will the curse of infertility that's lain on the country for eighteen years be broken.
Froi finds himself drawn into this drama, because the princess is irresistible. Oh, not for her beauty or her charm, because she has neither, but her ferocity, her secrets, and her strength under an unbearable situation. As Froi fights his way through the thickets of schemes and danger in the Charynite palace, every answer just seems to lead to more questrions. How did the curse come about? Why is the princess's mother locked away? Who exactly is Gargarin, his prickly companion?
And most importantly, what does Froi himself have to do with it all?
This was a behemoth of a book, weighing in at nearly 600 pages, and not light ones either. It's a complex tapestry of a novel, with multiple plotlines, secrets, and schemes to follow. I stuck with it for the characters. Froi, impulsive, hot-tempered, and unexpectedly sweet. Quintana, both damaged and powerful in ways that keep being discovered. Gargarin, Arjuro, Lirah, the older generation who are inextricably entwined in Charyn's curse.
It's also an examination of love, family, politics, and power, and how they're forever intertwined. Each is affected by the other, and very often in ways you can't predict.
While Froi's story is the central plot, there are two threads back at home in Lumatere that didn't work quite as well for me. As individual stories, yes, but I couldn't work out until near the end what they had to do with Charyn or the central plot, and I suspect that I'll have to wait for the third book, Quintana of Charyn, to really understand all the ins and outs.
I'd shelve this next to the Attolia series for the complexity of politics, the fate of countries and the fate of individual hearts.
0 Comments on Book Review: Froi of the Exiles by Melina Marchetta as of 1/1/1900
This is what happened when I poked the Rolleiflex at people at the Cilip Greenaway/Carnegie awards. One of my books was nominated but didn't win (because the awesome "A Monster Calls" won EVERYTHING, deservedly) and I was there to have tiny cakes and be interviewed by children. A good opportunity to practise my photography skills, I figured... Here you go:
Hey Ben! I found the close-up lens! No don't look! Just be natural!
The Barbican serves EXTREMELY SMALL CAKES. I took several away in my handbag.
After the ceremony everyone relaxed in the greenhouse.
David is happy because Walker Books totally dominated the awards. Or maybe it's to do with his hat.
Sometimes I seriously question whether or not I should be as open on here as I am about depression and OCD and therapy and all the crazy that is me. I wonder if people I know in real life will find it and think differently of me or if I ought to be reminding myself that the internet never forgets and this could come back to haunt me one day. But last week I was reminded why I'm open when an in real life friend came and told me she had read about my depression on here and wondered if she could tell me about hers. Totally worth the risk.
And by now you're wondering what that has to do with a book about sleep. Sleep has always had a huge impact on my depression, or maybe depression has had a huge impact on my sleep. Either way, I have had periods of insomnia where I would only sleep one of every three nights and I've had periods of hypersomnia (not sure that's a word) where I slept for sixteen hours a day. It's always been a trouble spot for me emotionally. I get really worked up over sleeping conditions and knowing exactly where and what conditions I'll be sleeping in each night. I also have several time consuming/inconvenient rituals that center around going to bed and being in the "right" mood for sleep. I tend to become obsessed with how much I'm sleeping or not sleeping.
So one of my assignments recently in therapy was to do some sleep research and find out what exactly is happening in my body while I sleep and what "normal" sleep patterns look like. So after researching all of my options via Goodreads, this is the book that seemed to best adress various issues regarding sleep from an accessible and scientific standpoint.
Writing The writing fit my criteria of accessible for a non-scientist, but still academic. I have to say though that it was fairly dry. A lot of the information was interesting, but the author's writing made it less palatable. It just came across very much like a textbook. I found myself picking up anything and everything else. It probably took me a good three weeks to finish and I typically read non-fiction of the same length in 3-4 days.
Entertainment Value I feel like I learned a lot. I wasn't really reading it to be entertained, I was reading it to learn whether or not I fit in with normal sleep patterns and whether or not my brain will explode if I get more or less sleep than "normal" (Spoiler alert: your brain will not explode due to over or under-sleeping). The author spends a good portion of the book talking about how dangerous sleep deprivation can be while driving. Which is true, but even chapters that were unrelated seemed to somehow come back to the topic. I wanted to hear more about exactly how crazy I am compared to the rest of the world. Apparently a lot of people drive while sleepy, but I don't, so it bored me. And let's face it people, it's all about me.
Overall Meh. If you're really interested in the topic of sleep and want a fairly wide range of information/fun facts, I'd say give it a try. I'd recommend getting it from the library though. It was rather pricey, even in paperback, and not as interesting as I had hoped.
2 Comments on Book Review: Sleepfaring: A Journey Through the Science of Sleep by Jim Horne, last added: 6/27/2012
Thanks for the review. As a fellow depressio-battler, I totally understand your concerns about sleep.
I recently discovered a sleep app that helps you to see the quality of sleep you're getting by tracking your movements while you sleep. The idea is if you're moving, you're not in the desirable deep REM sleep. I found the dataitgenerated interesting and helpful.
Apps are available for both iPhone and Android platform. Lifehacker had reviews of the apps in April.
Oh man, don't even get me started on sleep... thought I would comment and let you know that I LOVE your openness, it's good. As you said, totally worth it.
I know about the obsession about when and where your sleeping conditions need to be. I freak out about it a lot when we go on vacation and stuff like that. I struggle a lot with being super angry if I don't get enough sleep. Like, I could take somebody's head off because I didn't get enough sleep last night... it's scary.
I would like to start weaning myself off ambien, did they talk about that at all in the book? I just don't like the fact that I seriously take it every night.
The fourth in a new series of guest blogs by booksellers who work with children’s authors in different ways. These Sunday guest blogs are designed to show life behind the scenes of a crucial but neglected relationship – the one between a writer and a bookseller.
Booksellers are like writers. You can learn to be one, but in reality you’re born that way.
I was absolutely born a bookseller. Even now, I feel the joy of belonging as soon as I put my nose inside a bookshop. And my bookshop is like me. Like me, it is, well, a bit of a mess sometimes. Sometimes it seems that the books skip around the shelves of their own accord, because it’s also too much effort for them to stay in strict alphabetical order. I always find Italo Calvino’s Marcovaldo among the cookbooks. If you ever read it (and you should, my friends) you will understand why. I take it and put it back among the ‘C’s where it should be.
I forgot to say that I sell Italian books …
You’d think it would be difficult to sell Italian books here; a losing bet, even. In fact, English people love Italian books! Those who read Italian books come to our shop to find them in translation and in the original language. Above all, the English love to learn our language. And we Italian booksellers are ready to help them with advice and encouragement.
What do you read when you first come up against Italian literature? My clients cover a big range. They don’t have any qualms about variety … moving from the classics to the latest ‘giallo’ (detective story) because now Italian writers know how to create a great thriller – by dint of being jealous of the Anglo-Saxon writers, we have become pretty good thriller-writers ourselves!
Among my most passionate clients I have many children. They are not discouraged by a foreign or a strange word. They open books, full of courage. They chant the nursery rhymes of Gianni Rodari, even when they don’t understand every word. But the beauty of poetry is that you don’t understand it all straightaway, is it not?
I always offer advice, whether to the grown-ups or to the smallest children. But I also like to leave them the total freedom to fall in love with a cover or an alluring beginning, or a fleeting phrase they find when they open the book somewhere in the middle.
Books should be touched, creased, caressed. I fear a time when they will all be contained inside little electronic devices. But by that time I shall be a lovely little old lady seated on a terrace surrounded by books. I shall reread for the umpteenth time about how Marcovaldo found mushrooms in the city.
My bookshop hasjust transferred to a new address. Now we are combined as The European Bookshop and Young Europeans Bookstore and The Italian Bookshop in Warwick Street W1. When I first heard this would happen, I was desperately sad, but now I have come to the conclusion that walls don’t matter much. What matters is the writers who ar
0 Comments on BOOKSELLER SUNDAYS: Born that way, Ornella Tarantola at The Italian Bookshop, London as of 1/1/1900
Sounds like a ton of fun! It's so cool to meet authors so I'm glad you're enjoying it.
now i have matching arcs of legend and prodigy. heehee. wish i had seen you more. not sure if i hugged any authors...hm. but marissa meyer did recognize me.