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While working on my interview with Molly Leach about her jacket and interior design for the 50th anniversary edition of A Wrinkle in Time, I was reminded of all the terms that have alternate meanings outside the world of print design and production. Here’s a vocabulary quiz, but see how many you can answer without using a search engine. Most people in the book world should know at least a couple of these.
Give us your answers in the comments.
Hickey
Bleed
PMS
Dummy
Creep
Stripper
Hot spot
Gutter
Kiss die cut
Butt fit
0 Comments on Get your mind out of the gutter as of 1/1/1900
Henri’s Walk To Paris, by Leonore Klein and illustrated by Saul Bass. I first mentioned this here several months back, and it’s now available. First published in 1962, this was Bass’s only children’s book that he illustrated. I’ve written up a review on my blog, if you’re curious.
The colors and spreads look amazing. Universe has done a great job in ensuring that the printing match the original edition, which, if you can believe it, was released exactly 50 years ago. (Universe also reissue M. Sasek’s This Is… Series.) Well worth the wait.
0 Comments on Henri's Walk To Paris Now Available as of 1/1/1900
Happy 2012! I began the new year working on a poster for Virago Theatre Company’s upcoming production, A Taste of Honey.
According to Virago Theatre: A sensation in the late fifties and early sixties with its bold racial and sexual themes, and boasting huge successes in London, Paris and on Broadway, Delaney’s script is considered a masterpiece of character driven black comedy. A Taste of Honey is directed by Virago Artistic Director Laura Lundy-Paine and performed in San Francisco’s intimate Thick House Theater.
About the artwork and design: A combination of brush pen illustration and digitally altered photographs–a stained paper bag and the face of woman on a 1950s advertisement–coupled with clean, modernistic design atop beautifully chaotic “grime.” In short: A mixed “mess.”
0 Comments on New projects, New Year as of 1/1/1900
Platform: iOS 3.0 and later iPhone, iPod Touch, and iPad
Cost: $ .99
Animation Creator is perfect for teens who like to draw and are into graphic design. I know teens at my Library who read Manga and watch anime; most every library has these teen patrons. From time to time they can be found sketching out drawings on the sides of binders and notebooks rendering their favorite characters in some crazy action pose. This app is also equally appealing to anyone who enjoys illustrating their own comics or zines.
The app is very sleek and easy to use. Many apps require a one-time tutorial that I never follow unless I really get stuck. The teens I know are not going to sit there waiting patiently as an app shows them how to use it. They want to dive right in and experience it themselves! After all, if they can’t figure it out on their own they won’t be interested long enough to learn how to use it anyway. However, if you do need some extra help, there is a nifty demonstration you can follow.
So here is what you need to know: when you first launch the app, you will see a gray background with a simple animation of a walking stick figure. This is the demonstration animation. Feel free to watch it to get a feel for how your animation will eventually come to life. If you are ready to start, click on the “add” button in the top right hand corner to get started on your first graphic. A drop-down menu will appear; select “edit.” Now you may create your first graphic. You are able to create a series of images or however many you see fit. In a way, it is similar to making a flip book. Once you have finished your first image layer, you can now hit the arrow on the bottom right that looks like this (>). Clicking the “add” button again will bring you to your next layer, where you can still see a faint image of your first drawing so that you can then trace or adjust the second graphic for mobility. This ability to see the previous layer is referred to as “onion skinning”.
Once you are satisfied with your drawings, it is time to animate! By selecting the “play” button, the screen flips over and up pops a tool bar where you can adjust the speed of the animations as well as the option to loop the animation to play over and over. In the drawing toolbar, you will find other options such as brush thickness, color changes, tool types, and uploading audio and photos.
The simplicity of the app initially appealed to me, but once I saw its potential I quickly realized the app could be so much more with just a few tweaks. Perhaps in a future upgrade, we will see some more depth with possible 3D capabilities. As a teen librarian, I look forward to incorporating it into a teen program in the near future.
There was some interest in a previous blog I wrote on creating the book cover for Melissa Kline's young adult sci-fi novel, My Beginning. So, I decided to repost this article, which originally appeared on Lucky Press's blog.
* * *
I love creating illustrations for book covers, but there are some interesting common moments that happen in nearly every case. First, I have a vague idea of what the cover might look like. This idea germinates with the input of the publisher and author (In this case, Lucky Press is the publisher, so I wore two hats, publisher and designer. Cynthia Neale's input regarding historical costume and Norah's personality was vital.)
Second, I am sure that implementing that vision will be too difficult for me to accomplish. Three, I figure out (well, okay, I wake up one morning and have a good guess) how I might be able to create the cover. Four, I begin the process and worry again that it's not what I want it to be. Five, everything clicks and I finish it (which usually coincides with arrival of deadline).
1. You can read a synopsis of Norah at this link, but basically it is about an Irish immigrant, Norah McCabe, whose family lives in Five Points in New York City in the second half of the 1800s. Norah is in her early twenties, strong-minded and creative. She owns her own used-clothing shop, and takes cast-offs from wealthy women and resells them. She also dreams of being a journalist -- there is no stopping Norah from reaching her dreams.
We wanted a cover that would capture Norah's strength, her love of fine clothes, and the "feeling" of that period in NYC's history. I asked the author, Cynthia Neale, to send me any documentation she might have on dresses Norah might have worn (though Norah is a fictional character, accurate historical details were most important to the author as she wrote her book). Cynthia sent me a book of historical costumes, noting the images correlating to Norah's generation; I also found some costume images, from museums, online (see photo at left).
2. In the meantime, I also looked at photographs available from stock photo agencies. There was one photo that I liked very much, but the woman's face was not right for Norah. I also looked at images of women in period costumes, but they all looked very posed. Here are some images we came across (available from Superstock Images):
0 Comments on Birth of a Book Cover: Norah as of 1/1/1900
Image by EpicGraphic I love this simple graphic! It visually explains the difference between a good presentation and a boring one. To explain the graphic design business, for instance, the first two images are what I get from a client and the third image is what I give back to them.
0 Comments on The Importance of Presentation as of 1/1/1900
I just got back from a wonderful trip to Chicago for the HOW Design Conference. What an amazing, exhausting and inspiring experience! It was a huge conference, with a couple thousand designers in attendance. There were over 30 speakers, including Gael Towey, Chief Creative Director of Martha Stewart Living magazine and her husband Steven Doyle, who designed the Martha Stewart Living logo (he carved the letters by hand, I should add, which is amazing!). I could go on for paragraphs about all of the great design work I saw, and the inspiring sessions that I attended, but instead I will leave you with a few photos.
Richard Baird is a British freelance graphic design consultant who specializes in logo, brand, corporate identity and packaging design. He has written for Design Week, has been featured in Computer Arts Magazine and runs the design commentary website BP&O Branding, Packaging & Opinion. He prides himself on delivering thoughtful design solutions with a high level of customer service to clients from around the world.
In keeping with this week's challenge, I'm showcasing the letter "E"! I started doing designs for the alphabet at the start of this year and I've got 5 so far... only 21 more to go. Look for #6 coming soon.
1 Comments on Introducing the Letter "Epsilon", last added: 2/13/2011
First, congratulations to yesterday's winner, CollenFL, who won a set of Penny Vincenzi's best novels. Thank you again for your enthusiasm! We're so excited for our wonderful books to be finding new homes and, hopefully, new fans.
Today's contest is one we've been thinking about for quite some time. While many outside the art and design world might not know Milton Glaser by name, you've definitely seen his work--it includes the iconic "I Heart NY" logo as well as DC Comics' old logo the "DC Bullet," and the logo for the delicious and quirky Brooklyn Brewery. He co-founded New York magazine and last year was awarded the National Medal of the Arts.
So you know Milton Glaser is a living legend. He's also written a number of books. DRAWING IS THINKING is perhaps our favorite--it's a deeply personal look at how the mind works in visually representing reality. More about the book:
Based on his view that all art has its origin in the impulse both to create and, visually, to do this by drawing, he has designed a book that powerfully delineates this position. In Drawing is Thinking, the drawings depicted are meant to be experienced sequentially, so that the reader or viewer not only follows Glaser through these pages, but comes to inhabit his mind. The drawings represent a sweeping range of subject matter taken from the full range of a reflective master's career. They represent the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but, as the title suggests, a way to understand and experience the world.
This beautiful book can be appreciated both by artists and designers familiar with Glaser's work and by anyone interested in the beauty of the world around them. We'll be giving away THREE AUTOGRAPHED COPIES as the perfect holiday gift for yourself or for someone very special.
TO WIN: Leave a blog comment, Tweet this contest, or leave a comment on our Facebook page. You can enter once in every area and we'll announce the winners tomorrow morning as we announce what you can look forward to for the fifth day of Overlook Christmas!
We still have eight giveaways to go, plus a very special BONUS giveaway related to the upcoming film adaptation of TRUE GRIT. Check back daily for more! Hope you're enjoying the holiday season--and these giveaways--as much as we are!
I'm so excited that I won the Penny Vincenzi books. After reading your blog post yesterday, I have to say that I'm really looking forward to reading them. Thank you!
I finished another client project! A custom-designed header for a website called Computer Savvy Granny. My client is an older woman who is really technically knowledgeable and gives advice to those that aren't. Check out her site!
1 Comments on Custom-Designed Website Header, last added: 11/4/2010
Just got finished attending the first International Freelancers Day online conference. It was so informative! Had fun tweeting with other attendees while the presentations were going on. There was so much I learned, and a lot I missed (will catch up when the replays are available). But here are just 10 of the take-aways I can think of right now (my mind is swimming with so much information) that would be helpful to many kinds of freelancers – illustrators, writers, graphic designers, marketers, entrepreneurs, etc.
Pricing Implies Quality – Jonathan Fields
Paradox of Choice - don’t overwhelm your clients with too many choices – Jonathan Fields
Present your pricing from the highest to the lowest, because people will compare the new price in relation to the one mentioned before it – Jonathan Fields
FUF: Follow up Forever – Michael Huggins
ABP: Always be Pitching – Rebecca Matter
NEVER miss your deadlines. 75% of new freelancers Rebecca Matter hired missed their first deadlines. WOW!
Get listed on top influencers’ resource directories – Ed Gandia
Milk the freelance life – Peter Bowerman (favorite quote - a t-shirt to be made?)
People Don’t Buy What You Do; They Buy Why You Do It – Simon Sinek (by way of Peter Bowerman)
Never discount, instead offer economical alternatives by taking out line items. – Michel Fortin
4 Comments on Top 10 Things I’ve Learned from International Freelancers Day (in no particular order), last added: 9/26/2010
Terrific list Very speedy. I am still at the thinking stage of what to write. I really liked Peter's presence the best. I missed some yesterday and today.
Stand Out! Use these unique business card designs and patterns for your indie business.
Tired of your old design? Try these retro and chic biz cards, with strip patterns and a single bead strand on the left side.
How it works:
After you order, you will send me all your biz and contact information that you want on the card. Send it to diana [!at] dianalevinart.com or through Etsy message conversations. I will place your info on the card and send you the new version ready for print
You will receive through email an electronic packet consisting of 2 psd and jpeg files: Yellow stripes and Peach Stripes with your information on each card.
EphemeraStudies.org is a useful, intimate website for those of us with a love on for obscure printed matter of bygone days. Saul Zalesch, proprietor, is posting samples from his own collection – and in high resolution.
Ephemera is beginning to get more attention from academics these days, so I’m sure this site is going to become pretty popular soon. Saul says in his mission statement that he wants to help historians study this stuff, and as a historian of popular print, I am very grateful for his contribution.
Seen here: cover of a booklet issued in the 1920s, when the fad for painting old furniture took off with the increasing availability of premixed paints.
Milton Glaser, legendary designer and beloved Overlook author, was awarded the National Medal of Arts on February 25. The award was presented by President Obama in the East Room of The White House. Milton was the first designer to receive this honor. In addition to Milton, the recipients included Bob Dylan, Clint Eastwood, Maya Lin, Rita Moreno, Jessye Norman, Joseph P. Riley, Jr., Frank Stella, Michael Tilson Thomas, and John Williams.
To many, Milton Glaser is the embodiment of American graphic design during the latter half of this century. Born in 1929, Glaser was educated at the High School of Music and Art and the Cooper Union art school in New York and, via a Fulbright Scholarship, the Academy of Fine Arts in Bologna, Italy. He co-founded the revolutionary Pushpin Studios in 1954, founded New York Magazine with Clay Felker in 1968, established Milton Glaser, Inc. in 1974, and teamed with Walter Bernard in 1983 to form the publication design firm WBMG. Throughout his career, Glaser has been a prolific creator of posters and prints. His artwork has been featured in exhibits worldwide, including one-man shows at both the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. His work is in the permanent collections of many museums. Glaser also is a renowned graphic and architectural designer with a body of work ranging from the iconic logo to complete graphic and decorative programs for the restaurants in the World Trade Center in New York. Among many awards throughout the years, he received the 2004 Lifetime Achievement Award from the Smithsonian Cooper-Hewitt, National Design Museum, for his profound and meaningful long-term contribution to the contemporary practice of design.
His three Overlook books include Graphic Design, Art is Work, and Drawing is Thinking.
0 Comments on Milton Glaser Receives the National Medal of Arts as of 1/1/1900
Guess who's behind the wheel of my car. Right, that's K. He loves driving my car because it's oh-so-fast. And Twinkle? Well, he's just hangin' around enjoying the ride.
Father Time, please slow down so we can relax and really enjoy the weekend...
On a rare Pacific Northwest winter-sunny day, we were down at Seattle Center -
...walking around, enjoying the sunshine, we meandered past the EMP (Experience Music Project) and the SFM (the awesome Science Fiction Museum) to discover...
...they have the best signage *EVAR*.
2 Comments on Succulent Saturday - Museum Signage of Awesome, last added: 1/31/2010
nstead of watching House episodes all day like a normal person, I spent one of my vacation days making a video about the media practice of greenwashing.
According to the world’s only remaining viable encyclopedia, greenwashing is the “practice of companies disingenuously spinning their products and policies as environmentally friendly.”
I’m interested in the graphic design motifs that seem to pop up whenever a product wants to advertise itself as Good for the Environment. I was inspired by my hilarious friend Gus’s Media Show episode on greenwashing, and I started thinking about all the sans-serif fonts and burlap lining the shelves of my local organic grocery store.*
This is my first video, and I was a bit nervous. I used iMovie to do the editing, and I slapped the whole thing together in an afternoon with the help of some coffee and a misplaced sense of social justice.
I’d like to do more of this. If you guys have any suggestions for other ornery Librarian Avenger topics, I’d love to hear them.
* I live in San Francisco. I patronize an organic grocery store. I don’t own a car or a tv. Live the stereotype!
** That’s Sister Rosetta Tharpe playing in the background, who is the boss of you.
1 Comments on The Typography of Greenwashing, last added: 1/10/2010
nstead of watching House episodes all day like a normal person, I spent one of my vacation days making a video about the media practice of greenwashing.
According to the world’s only remaining viable encyclopedia, greenwashing is the “practice of companies disingenuously spinning their products and policies as environmentally friendly.”
I’m interested in the graphic design motifs that seem to pop up whenever a product wants to advertise itself as Good for the Environment. I was inspired by my hilarious friend Gus’s Media Show episode on greenwashing, and I started thinking about all the sans-serif fonts and burlap lining the shelves of my local organic grocery store.*
This is my first video, and I was a bit nervous. I used iMovie to do the editing, and I slapped the whole thing together in an afternoon with the help of some coffee and a misplaced sense of social justice.
I’d like to do more of this. If you guys have any suggestions for other ornery Librarian Avenger topics, I’d love to hear them.
* I live in San Francisco. I patronize an organic grocery store. I don’t own a car or a tv. Live the stereotype!
** That’s Sister Rosetta Tharpe playing in the background, who is the boss of you.
Cool, I really am looking forwarf to see all of them. They're really good
Thank you very much Tomas! I'll keep posting them till they are all done and then I'll post a link to the book.
:D
Mike