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Viewing: Blog Posts Tagged with: Writers Conferences, Most Recent at Top [Help]
Results 26 - 47 of 47
26. Conference Spotlight: The Reno Writers Conference at TMCC (April 9, 2011)

Coming up soon is a great one-day intensive writers conference in Reno. It's called The Reno Writers Conference at Truckee Meadows Community College, and it happens on April 9, 2011. Keep reading to learn more about this great event.







DETAILS

The writing conference a one-day event, jam-packed with stuff. It all goes down on Saturday, April 9, 2011, at Truckee Meadows Community College in Reno, NV.


WHO WILL BE THERE?

I will be there giving a few speeches on getting published. Also, there will be three great literary agents in attendance taking pitches from writers:


       

Attending agents from left to right:
Gordon Warnock of Andrea Hurst & Associates
Verna Dreisbach of Dreisbach Literary
Lindsey Clemons of Larsen-Pomada Literary Agents



To find out more about which subjects and categories each agent represents, check out the conference website.


WHO ELSE?

# Doresa Banning, editor
# Pam Dulgar, screenwriter
# Sean Patrick O'Mordha, fiction author
# Susan Palwick, science fiction writer
# David Stipech, broadcaster and writer
# David Sundstrand, mystery writer



I Will Be Speaking At These Great Writing Events in 2010-2011:
27. My Adventures at the Writer's Digest Conference 2011

I just got back from our 2011 Writer's Digest Conference in New York City, Jan. 21-23, 2011. The conference took a lot of planning and involved three days, dozens of speakers, more than 50 literary agents, more than 500 attendees, as well as God knows how many hilarious lines from panelist Janet Reid. (All photos below taken by WD managing editor Zachary Petit.)




Above: Literary agent Donald
Maass addresses the crowd


It was such a blast meeting so many cool writers, many of which I've met before. The only problem with a conference like that is I'm always fixing something or finding someone that I don't have proper time to sit down with everyone I want to see.




Above: The Agent Pitch Slam


Plenty of people were already talking about what they learned, so you can catch snippets of conference sessions online. The best place to start is our official WD live conference blog, which was run by the ladies over at First Novels Club.

Also, there was a lot of tweeting going on with our official #wdc11 hashtag. Those tweets are definitely worth a look, as well.





Above: My book! You can see my
name real small in green



If you came to the conference, thank you so much for attending. I hope you were helped in your writing journey. If you have feedback, I'm certain there will be an avenue to reach us soon. People have been asking me if this conference will happen again, and I don't know for sure, but Jan. 2012 seems logical, especially since we beat our attendance goal with this event by 40%. Maybe I'll see you next year!



I Will Be Speaking At These Great Writing Events in 2010-2011:
28. Live Near Lexington? Come See Me Present at the Carnegie Center on Feb. 26, 2011

On Saturday, Feb. 26, 2011, I will presenting at the Carnegie Center for Literacy and Learning in Lexington, KY. From 10 a.m. to noon, I will speak on "Everything You Need to Know About Getting an Agent" as well as "Query Letters." I will also answer any questions that attendees have. If you're looking for a literary agent and have questions, come out and see me!







HOW TO SIGN UP

Attendees are encouraged to sign up in advance. If you click on this webpage, you can register in advance. Scroll down the page until you see the event for Feb. 26, 2011. Also, I believe you can call and sign up via telephone easily (during work hours EST). The center's number is 859-254-4175.


WHAT WE'LL DISCUSS

In addition to answering any questions you may have about agents, querying, and the publishing process, we will discuss the following:
  • The 3 major tasks of any agent
  • How to write a query letter
  • How to find agents and discover what they've sold
  • How to write a synopsis for fiction or memoir
  • How to put together a book proposal for nonfiction
  • Word count
  • How to prevent getting scammed
  • How to craft a pitch
  • And more

I hope to see you there! I taught at the Carnegie Center in 2010 and had a lot of fun. I will bring a few door prizes to hand out to some lucky attendees.




I Will Be Speaking At These Great Writing Events in 2010-2011:
29. Agent Michelle Brower On: 10 Tips for Attending Writers Conferences

Editor's note: I am declaring November 2010 to be "Agent Guest Column Month," and therefore, every weekday, I will be posting a guest column by a literary agent. Day 16: Today's guest agent is Michelle Brower of Folio Literary. 





Michelle Brower is an agent
with Folio Literary.




1. Go to get feedback on your work in a workshop or instructional setting. Sometimes writers forget that the first and most important step in starting a writing career is actually, you know, writing. If you're a genre or commercial writer, find out how your work fits the field you're writing in, find out if anyone is bored, find out the pages where your reader just couldn't put the manuscript down. If you're a literary author, find a conference with a great group of faculty who can offer a nuanced reading and challenge you to do better.

2. Go to meet other writers. I know most writers tend to write alone in some cramped closet in a deep dark basement somewhere and rarely ever emerge to see the sun, but a conference is a great place to meet others of your kind. You can share writer's block stories, bounce ideas around, talk about the process. And when you go home, thanks to the magic of the Internet, you just might have a ready-made critique circle to share your work with.

3. Go to learn about the publishing process. Let's face it, sometimes publishing can seem a little mysterious and unfathomable. At conferences, there's often a wide range of publishing personae there: agents of all shapes and sizes, editors from major houses, small publishers, magazine editors, etc. We almost always do some kind of panel, and this is your chance to ask educated questions about how publishing works. Ever wonder who decides what cover a book gets and why? How debut authors get blurbs? How do books get into the front of the book store? Here's your chance.

4.
Don't expect to get a major book deal and be whisked directly from the conference to Hollywood with a newly fat bank account. It's perfectly true that some people do sit down with an editor or an agent at a conference and something good comes of it down the line. But to be honest, it's really rare. The thing that helps the most? Having an amazing book that you've worked on until it's perfect.

5. If you're pitching, have a book and be a writer. It's surprising to me how many people pay for an individual pitch session, sit down, start telling me about their unfinished novel, and get really disappointed when they find out they have to complete it before it can be sold. All debut authors (with rare exceptions in certain genres) have to have one full novel that we can sell on the basis of its merits. Nonfiction books need complete book proposals. It sure would be great if you could sell an idea, but you can't. Also, once a man sat down across from me and started telling me about the novel he had "written" by dictating to his secretary. He had the verbatim transcripts, and he was hoping I would "iron them out" for him. Needless to say, I did not have a good impression of his writing abilities.

6.
Don't be a pushy pitcher. I've been pitched in the bathroom. On the treadmill. In an elevator. While trying to eat. Once, in the airport when the conference was over. Now, agents are at these conferences for a reason—we do want to hear what prospective authors want to say, and in

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30. WD's January Conference in NYC Will Have 60+ Agents Taking Pitches!

The Writer's Digest Conference is set for January 21-23, 2011 in New York City, and there will be more than 60 literary agents taking pitches at our gigantic Agent Pitch Slam. The WD pitch slams are famous for featuring insane numbers of agents. Check out the conference website here and meet me in NYC!





Did you know: At our conference in 2008, we know of at least three (and there could be plenty more) writers who found their representatives at the event. And what's more: Two of those writers signed six-figure deals with publishers within the year, through the help of their new agent. I think you get the point: WD conferences are rare, large, and awesome -- and people are getting agents at our events.





Besides the pitch slam, there are days worth of instructive sessions taught by authors and editors. All info is on the conference website. The big event, of course, is the Slam. Here are the attending literary agents. To see what every agent wants in terms of fiction and nonfiction, see their full bios online here.



Literary Agents at the

2011 WD Writers Conference:


Andrée Abecassis (Ann Elmo Agency, Inc.)
Jason Allen Ashlock (Movable Type Literary Group)
Bernadette Baker-Baughman (Victoria Sanders & Associates)
George Bick (Doug Grad Literary Agency)
Brandi Bowles (Foundry Literary + Media)
Jamie Brenner (Artists and Artisans)
Regina Brooks (Serendipity Literary Agency)
Ann Collette’s (Rees Literary Agency)
Marisa Corvisiero, Esq. (L. Perkins Agency)
Jennifer DeChiara (Jennifer DeChiara Literary Agency)
April Eberhardt (Kimberley Cameron & Associates)
Diana Fox (Fox Literary Agency)
Diane Freed (FinePrint Literary Management)
Adam Friedstein (Anderson Literary)
Mollie Glick (Foundry Literary + Media) Add a Comment
31. 6 Things I Learned At The Frankfurt Book Fair

When I landed in Frankfurt, Germany, my birthplace as an Army-brat, the same dreary weather greeted me that had left me in Boston, MA. However, when I walked through the doors to the Frankfurt Book Fair, aka FBF, the overall feeling was “contagious excitement.”

7,539 exhibitors from 111 countries with 3,000 events and 100 publishing companies were busy assembling their booths. I compared it to the 2010 New York Book Exp America, (aka BEA) I had attended in June. According to the BEA website, it had hosted 21,919 people in attendance and over 29,000 industry professionals. The Frankfurt Book Fair looked ten times larger.





Guest column by Kathleen O’Keefe-Kanavos, a
two-time breast cancer survivor who penned Surviving
Cancerland: The Psychic Aspects of Healing. She
is an inspirational speaker and a mentor for We
Can—a women’s self-help group. Kathy contributes
to Cape Women Online Magazine and many other
publications/websites. She is currently working
on her second book. See her website here



The Frankfurt Book Fair is described as the biggest book and media fair in the world. It consisted of multiple interconnected building filled with languages, flags, multilingual advertisements and the hustle and bustle of fast deals. Its enormity stole my breath.

I quickly discovered that most books published by conventional publishing houses had their own International Rights Agents working the deals. However, I was attending with my self-published husband who was looking to delve into the international market. Could this hurt his chances of getting published by a U.S. company? I e-mailed my agent at the Scovil, Galen and Ghosh Literary Agency in New York, which has an International Rights Agent. He e-mailed me back with some interesting insights.

In general, selling the foreign rights to the book would not harm the possibility of selling it to a U.S. publisher. In fact if it were to generate significant sales in one or more countries abroad it would enhance the possibilities of being acquired by a publisher in the the states.

However, there is one drawback. Some publishers like to protect their "investment" by acquiring world rights to a book (and thereby sharing significantly in any revenue generated abroad). If that possibility were removed, it likely would lessen a U.S. publisher’s level of interest.

My husband had been in contact with his International Rights Agent from International Rights Inc. in Austin, Texas, months before the FBF. While they scurried from meeting to meeting, I took in the sights, sounds and information. By the end of the third day, I had learned 6 important things about the Frankfurt Book Fair, especially for self-published books:

1. Get an International Agent before you go to the FBF. It will be almost impossible to find one there. Most agents in attendance already had clients and had done the groundwork required to ensure success. Add a Comment
32. My Adventures in ... Las Vegas 2010

I just got back from teaching at the 2010 Vegas Valley Book Festival in Las Vegas. The festival was very nice, and it combined events/signings aimed at adults with a ton of fun stuff for kids. I believe the festival is happening again in 2011, so if you live the Vegas area, make sure to check it out. A special thanks should be given to Jo Wilkins, Audrey, and the entire Henderson Writers Guild, a Vegas-based writers group that puts on the Las Vegas Writers Conference. The group chauffeured me around and attended my session on "How to Land an Agent." Thanks, ladies.





I got no pictures of myself teaching (or playing
piano for attendees) - shucks. But here is a quick
glance at the Children's Book Festival portion
of the event.





Above: Me finding my book at Urban Outfitters
on the Vegas Strip. Very cool! They had about
30 of the book. That's the most copies I've
seen at any one location anywhere. I happily
told the cashier this was my book. To say she was
most unimpressed is an understatement.



  

Above: Two photos I snapped
of Vegas at night.






Want to pitch agents at a conference?
More than 50 literary agents will be
taking pitches at WD's own conference
in New York, January 2011.




I Will Be Speaking At These Great Writing Events in 2010-2011:
33. Live Near Indianapolis? Come Meet Me at the Ann Katz Festival of Books, Nov. 17, 2010

I'm kind of ashamed I never knew about the Ann Katz Festival of Books before. The Indianapolis-based book festival prides itself on bringing in a wide spectrum of authors over two weeks and having something for everybody. If you live in the Indy area, check out this great event!





DETAILS

The Ann Katz Festival of Books runs from
November 2-17, 2010. It is organized by the Arthur M. Glick JCC, 6701 Hoover Rd., Indianapolis, IN 46260, (317) 251-9467. Each day's event requires you to register, which you can do easily enough online.


CHUCK'S SPEECH: NOV. 17, 2010

I am giving a speech on "How to Get Your Book Published" at 6:30 p.m. I will be giving some of my best piece of advice, then I will take questions from the crowd. Plus, you can browse the Local Author Book Fair before and after my presentation (fair starts at 5:30).

I believe the event is free.


WHO WILL BE THERE?

       

The festival brings someone different every day. I will be speaking on Wednesday, Nov. 17. Other than me, some speakers include the following:
  • Robert Eggers, author of Begging for Change
  • Clara Silverstein, author of A White House Gardening Cookbook
  • Carey Goldberg, author of the memoir Three Wishes


I Will Be Speaking At These Great Writing Events in 2010-2011:
34. Footnotes: 4 Articles on Pitching Agents at Conferences

          "I try to leave out the parts that people skip." 
~Elmore Leonard


Footnotes
is a recurring series on the GLA blog where I pick a subject and provide several interesting articles on said topic.
We’ve all been there. First, your throat begins to tighten and then your mouth goes dry. Your heart beats so fast it feels like it could leap from your chest at any moment. You take a deep breath and begin your pitch, hoping what you say will make some sense. Today, I’m serving up four articles on surviving the conference pitch. 




1. First impressions count.
An article on Suite 101 shows you how to prepare for the pitch like you would a job interview.

2. Different situations call for different pitches. Nathan Bransford explains one sentence, the one paragraph and two paragraph pitches.

3. Pitchcraft. Agent Katharine Sands explains the elements that should be included in the pitch and ones you should leave out.

4. Some agents hate pitches, too. Agent Janet Reid explains what not to do.

This guest series by writer
Nancy Parish, who runs her
blog, The Sound and Furry.



Want more on this topic?

35. When You Just Want to Disappear

Right now I'm at the American Christian Fiction Writers conference in Indianapolis. This is one of my favorite events every year because it's like a huge gathering of my friends. I'm sure there are a lot of writers here who are nervous, and there will be more than a few awkward moments.

So today let's talk about embarrassing situations. Could be at a writer's conference, or any other setting. Tell us about a time you were mortified, uncomfortable, or just wanted to disappear into the atmosphere.

Think of it as therapy. And a reminder that it happens to the best of us!

Have a great weekend!

34 Comments on When You Just Want to Disappear, last added: 9/20/2010
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36. Come Meet Me in Cincinnati: Books by the Banks, Joseph Beth, and the Kenton County Library (Erlanger, KY)

It's a busy fall to say the least and there are a lot of good writing events happening before the holidays land. (I've already blogged about how I will be in Tucson Sept. 24-26.) If you live in the greater Cincinnati area, think about popping by to one of the following events.


     



SEPT. 20, 2010: "MEET THE WD EDITORS"

This a two-part event. There is a "Meet the WD Editors" panel going down at 7 p.m. at Joseph Beth Booksellers in Rookwood Pavilion. Basically, we are there to help you on your writing journey. You ask questions; we give answers--it's that easy and it's all free. Also, at 5:30 p.m., there will be a quick informal eat & schmooze book party for my humor book that comes out on Sept. 7: How to Survive a Garden Gnome Attack. Come and schmooze.





OCT. 2, 2010: BOOKS BY THE BANKS (CINCY BOOK FESTIVAL)

Books By the Banks is Cincinnati's premiere book festival, and it's happening downtown at the Duke Energy Convention Center. It all goes down from 10 a.m. to 4 p.m.
  • Free admission.
  • More than 100 authors will be there.
  • There is a Kids Corner for young readers.
You can see the big list of authors in attendance if you visit the BBTB website online.





OCT. 16, 2010: KENTON COUNTY LIBRARY PRESENTATION

I will be presenting on "Everything You Need to Know About Agents" at 3:30 p.m., at the Erlanger branch of the Kenton County Library in Northern Kentucky. Location: ten minutes south of downtown Cincy. In fact, my speech is the final event of an entire day's worth of writerly happenings at the library. I don't see the event online (yet), so I don't know if it costs to attend. The contact is Venus Moose, venus.moose[at]kentonlibrary[dot]org.
  • 10:30am: Marketing Your Short Story or Novel
  • 1:30pm: The Freelance Lifestyle: Making a Good Living as a Writer in the 21st Century
  • 3:30pm: Everything You Need To Know About Agents

I Will Also Be Speaking At These Great Writing Events in 2010:

37. Gnomes Book Party in Cincinnati (and a WD Books Editor Event!)

Two very cool things are happening on Monday, Sept. 22, at Joseph Beth Booksellers in Cincinnati.

First, at 5:30, I'm having an open event to celebrate the release of my book, How to Survive a Garden Gnome Attack. The event is open and will have some free snacks (score!). I believe I will be talking about the book for a little while, and then moving on to the Bistro for some food. Come on down!



     


At 7 p.m., we are having a "Meet the WD Books Editors" event, which is essentially a Q&A panel. The audience asks questions about whatever they want. We answer. It's that simple, and it's all free. It's in honor of the release of the 2011 editions of the market books.

Joseph Beth Booksellers is an amazing independent bookstore here in Cincinnati. For more information about JB or directions, click here.


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38. Editors, Agents & Authors, Oh My!

By Jill Earl

As I head off to another writers’ conference later this week, the Greater Philadelphia Christian Writers Conference, I look forward to participating in the one-on-one appointments with various editors, agents, publicists and authors. Depending on the number of days conferees will be in attendance, they can schedule one, two, three or four 15-minute meetings, which are free. Below is a quick list I’ve compiled of items to keep in mind while preparing for these encounters.

1) Study, study, study. Make a list of those you’re interested in, then head over to the site of your particular conference and click on the information page(s) to read up on your choices. Make note of their guidelines or request them by mail. This would be a good opportunity to request sample copies of magazines, journals or book catalogs too.

2) Give your manuscript a workout. After you’ve determined the editorial needs of your selected, it’s time to shape up your manuscript. Generally a 12-point font in Times Roman, Courier or Arial is acceptable, but go with the guidelines suggested by your targeted periodical or editor. Polish your manuscript till that baby shines, and make sure you keep a copy for your files.

3) Remember the time. Generally, one-on-one meetings are about 15 minutes in length, so try to stick with that limit. Be fair to your fellow conferees by not cutting into their time. Even if you’ve made a great connection, perhaps you can schedule another time to finish up your chat, perhaps over a meal

4) They’re human. Many of us tend to forget that agents, editors and publicists are human---no really, they are. Granted, they’re at the conference to see what writers have to offer, but don’t stop there. See if you can arrange a few moments with that agent for a chat over coffee, perhaps a meal. It’s a great way to network and make new contacts.

And here’s one last one:

5) Enjoy. Give yourself permission to breathe and enjoy the experience. Think of it as one step closer to that book deal or magazine article.

Good luck!

3 Comments on Editors, Agents & Authors, Oh My!, last added: 8/12/2010
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39. The Value of the Verbal Pitch

Last week in Secrets of a Great Pitch I gave you some tips about talking to agents and editors at writers' conferences. A few people raised a good question: Why pitch verbally at all, when it's the writing that matters?

Yes, the writing matters most. But that doesn't mean there's nothing to be gained from a face-to-face meeting.

A verbal pitch is the equivalent of a written query, but with some advantages. Your verbal pitch (just like a query) can tell me whether or not I like the idea of your book enough to want to see the writing. But the face-to-face connection also allows you to express yourself not only with words but facial expressions and gestures. It allows a conversation to develop, in which the agent can ask questions and probe for more information if needed. If you get lost in your pitch or you're not being clear, the agent can redirect you or help you get focused. There's also the possibility that you'll "click" with the agent and she'll really want to work with you, secretly hoping your manuscript is awesome so she can rep you.

None of this is possible with a simple email query. The verbal pitch is usually more memorable than a query too. Both the query and the verbal pitch serve as an introduction to you and your project, leading the agent or editor to make a decision about whether they want to read some of the manuscript.

The in-person meeting also allows agents and editors to see how you present yourself. As a published author, you'll need to be able to talk to people about your book. You may be interviewed, you might do book signings, you'll probably have some events in which you'll need to interact and discuss your book. Taking into account that you're probably nervous at the pitch meeting, agents and editors can still get a good feel for the "public persona" you'll have as an author. It probably won't be a deciding factor in whether to request your manuscript, but it's one piece of information contributing to the whole picture of "you."

Some agents and editors find it helpful if you have the first pages of your manuscript available during the pitch meeting. We can take a glance, read a few paragraphs, and between that and the verbal pitch, we'll know if we want to see more.

Some agents/editors ask almost everyone to send their manuscript after the conference. This is an acknowledgment that it really is about the writing. Writers are nervous when they pitch and might not be presenting their book in the best light, so by requesting pages from everyone, an agent ensures she doesn't miss something. She wants to make the most of her conference attendance.

Some of you asked last week whether meetings at conferences were worthwhile and wondered whether anything ever came of them. Well from my perspective, they're definitely valuable. I have several clients whom I wouldn't be working with except for conferences, including Richard Mabry and Karen Witemeyer, both in the middle of 3-book contracts. So yes, things do happen because of those face-to-face meetings.

Q4U: Which do you think is more effective, the face-to-face pitch or the email query? Which do you prefer?

Rachelle Gardner, Literary Agent

33 Comments on The Value of the Verbal Pitch, last added: 5/19/2010
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40. Secrets of a Great Pitch

Now that Writers' Conference season has arrived, I wanted to go over (once again) some tips for pitching to agents and editors. We can probably all agree on the "don'ts" of pitching your project. Don't pitch in the bathroom. Don't pitch a novel that's incomplete. Don't pitch with your mouth full. What are some positive tips we can all use?

I think the secret to making a great pitch is to start with a bit of context or background, then tell me about your book. It doesn't have to be in-depth, considering your time restraints. But take a moment to introduce yourself and your project before pitching.

Too often, people sit down and nervously launch into some kind of story and I find myself dizzy with confusion. I sit there like a deer in the headlights and then I say something like, "Let's back up. What's your name? And is this fiction or nonfiction?"

To me, the best pitches include the following information without me having to ask for it:

My name is _____ and I wanted to meet with you because _____.

I'm writing ______ (what genre).

My publishing history includes _____(number of books, genres).

Today I want to tell you about my book called _____ .

This book won the _____ award (if relevant).


My tagline is _____ (20 words or so that capture your book).

Then, launch into your pitch. This should be 2 to 3 minutes long, max, allowing time for the agent or editor to ask questions. Have a 1-minute pitch prepared, too, in case of mealtime or elevator pitches.

Here are some guidelines:

→ Don't try to tell the whole story. Start with the plot catalyst, the event that gets the story started.

→ Then give the set-up, i.e. what happens in the first 30 to 50 pages that drives the reader into the rest of the book. Include the pressing story question or the major story conflict.

→ Fill out your pitch with any of the following: plot elements, character information, setting, backstory, or theme. You want to include just enough information to really intrigue your listener. Note that your pitch doesn't have to be all "plot." If your story is more character driven, then fill out your pitch with interesting character details. If the setting is an important element, talk about that. If the backstory plays heavily, round out your pitch with that. Be intentional in how you structure your pitch.

→ Finish by giving an idea of the climactic scenes and the story resolution.

→ Try not to tell too much of the story in the pitch. The pitch is supposed to get somebody interested, not tell the whole story. Stick to the high points, but be sure to tell enough that you don't leave your listener confused.

→ Include only a couple of characters.

→ Include one plot thread, or two if they’re closely intertwined. You can hint at the existence of other characters and plot lines.

Be prepared to answer questions that could include things like:
→ How does your story end?
→ What published author's style would you compare your writing to?
→ Who are your favorite authors in your genre?
→ Is this a series? And if so, what are the subsequent books about?
→ Have you worked with a critique group or a professional editor?
→ Have you pitched this to publishers in the past? If so, what was the resp

57 Comments on Secrets of a Great Pitch, last added: 5/14/2010
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41. How to Have an Awesome Time at a Writers Conference

1. BE PREPARED

Conferences are crazy, and you want to be prepared for whatever opportunity an industry pro might throw at you. Yes, polish your pitch; yes, study up on the faculty. But one of most important things you can do is have your work handy at all times. On the off chance that you’re talking to an agent and she asks for some pages, you’d better have them—and I’d suggest having them on your person. Ask FinePrint Literary’s Janet Reid. If you’re the tree-hugger type, stick your work on a thumb drive and carry that with you.

  

Ricki Schultz is a freelance writer and
will be presenting at the 2010
Southeastern Writers Workshop in
St. Simons Island, Ga., June 20-24.



When I attended last year’s Southeastern Writers Association conference, a last-minute schedule change resulted in an impromptu slush session, which required a query letter and the first two pages of your manuscript. While I didn’t have any hard copies on me, I did have my laptop. I threw those suckers on a flash drive, raced to the copy place down the street, and—bam!—I was ready to get some feedback from an agent.

2. DRESS THE PART

This simple cliché from the business world can help you stand out at writing conferences. As much as we might resist it because we’re writers (and, therefore, averse to anything as cold and unfeeling as the business world), writing is a business. You have to be able to sell your writing—and the first way to do that at a conference is to sell people on you. Your attire won’t get you a book deal, but dressing in professional garb will make you pop against all the schlubs who didn’t.

3. BE VISIBLE

How can agents fall in love with you if they never see you? Participate in as much as you can in terms of contests, pitch sessions, critiques, slush fests, as well as the classes themselves—even though some of these things cost more dough. You’ve already schlepped your way to the conference, so splurge a little on these “extras” because they represent unique opportunities to network, gain feedback—and get noticed. During my first year at SWA, I entered two novel contests. I wasn’t expecting to win either because not only was it my first-ever conference, it was also my first-ever manuscript. However, had I gone with my gut and not entered, I never would have won first place in one of categories, which I did (to my utter surprise!). As well, I signed up for every critique I could—and, in one, I learned I wasn’t writing chick lit, but young adult (a big “aha” moment in my writing).

4. BE

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42. My Adventures in ... Dayton

This month, I attended the Erma Bombeck Writers Workshop in Dayton, Ohio. The conference really is one of a kind. It's an event for humor writers of all kinds and only happens every two years. The conference draws big names, such as Dave Barry in the past, and this year one of its many nice guests was W. Bruce Cameron (8 Simple Rules...).

Because it draws humor writers from all over the country, the conference actually sells out every time. (Amazing in such an economic climate.) Check out this picture of the main ballroom at eating time.





I taught a pair of workshops on getting an agent. I didn't realize it until the day before I spoke, but with my Garden Gnome Attack book coming out in September, I am a published humor book author, which immediately gave me all kinds of street cred at the event. Score. Attendees were nice and, being that it was a humor-loving crowd, jokes were zinging everywhere.

At lunch, I got to sit next to Mo Rocca, formerly correspondent for "The Daily Show." He was in town on behalf of "CBS News Sunday Morning" doing a piece on the conference, as you can see by the pic below. (The piece is tentatively scheduled to air on Mother's Day. How cool is that?) I reminded Mo that we crossed path in Key West when I was on my honeymoon and he was filming something down there. He stared at me like I was crazy.





Would I recommend going to this event in the future? Absolutely. The list of speakers is big-time, and everyone is all smiles over the three days. Presenters give speeches multiple times, so if you miss something the first time, you can catch it on the second go-round. (Smart.) There are no agents or editors at the event, but it does bring the power players of humor book writing and column writing (networking!), so it's well worth it ... that is, if you can sign up in time.


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43. ACFW Conference Debriefing

I just came from ACFW, the annual conference of American Christian Fiction Writers. It's a large and terrific writers conference, with top notch writing courses and plenty of opportunity for networking. This year there were something like 540 writers attending, and 60 faculty and staff. Donald Maass gave an all-day seminar on opening day, and Debbie Macomber was the keynote speaker.

In case you've ever wondered what a conference is like for an agent, here are a few notes from my personal perspective:

* I generally enjoy writers' conferences because I love nothing more than, talking, eating and breathing "publishing" and there's no better place to do that!

* The hardest part for me is staying "on" for hours on end, sometimes 14 hours with nothing more than a couple of five-minute breaks. By the end of the first day, my face already hurts from smiling and my throat hurts from talking.

* I love teaching workshops but sometimes I need a break from teaching. I've taught a lot of local workshops lately, and I taught six sessions at my last big writers conference in June, so I decided not to teach at ACFW. Turned out to be a good decision - I was busy enough.

* It can be mentally exhausting to have back-to-back pitch meetings for several hours a day, but it's amazing how "present" I really am. I totally tune in to each writer, try hard to quickly grasp what they're pitching me, and offer my response trying to be as helpful as possible. I love interacting with writers - it's the reason I have this job.

* The hardest part about the pitch meetings is graciously ending the meeting in the cases where I don't want to request a partial or proposal. It's easier to end it by just saying, "Well, send me your sample chapters and I'll take a look" but I never use that line as a cop out, I only say it when I sincerely want to see the manuscript. So it can be awkward to have to simply say, "Thank you for coming." It's like a verbal rejection letter, and I always feel bad! But I always try to give them something to grab on to, something positive and perhaps a direction to take.

* Generally it seems writers are getting more savvy, being more prepared with their pitches, one sheets, etc. Most know not to pitch in the bathroom. I'm enjoying conferences more since there seems to be a higher level of professionalism. You're really reading agent blogs!

* Of course, sometimes people know all the "rules" but forget them in the excitement of the moment. Saturday I was in the middle of a 2-hour block of back-to-back pitch meetings, no time in between. Between meetings, I ran out to the hall to grab a glass of water and somebody started pitching me a long and detailed story. It was totally disconcerting... that's what the appointments are for! I couldn't find a gracious way out of it... I finally had to interrupt and say "I've really got to get back in, I have someone waiting who actually has an appointment to pitch me." I felt bad immediately but then again, it wasn't nice to try and pitch me during someone else's appointment time.

* I always learn new things at conferences, mostly from "the buzz" and talking to editors and agents. You can be sure I'll be blogging about some of the insights I had.

* I'm excited that I may end up with a couple of new clients from this conference, and I also began formulating a revised business plan for the next few months based on some new connections I made. You'll hear about that eventually on the blog, too.

* I have two favorite parts of conferences. The first is seeing my publishing friends from all over the country. I'm blessed to have such neat relationships with people I admire, even though we rarely see each other. My industry friends, including authors, editors and other agents, are so energizing and affirming to me. I love catching up with them, learning from them, and talking business. I met a bunch of new publishing people this time, too, which I loved. I can hardly overstate how much my industry networking lifts me up and motivates me to get back to my desk and work!

* The other favorite part is getting to spend time with my clients, most of whom I rarely see in person. This time I met three of my clients for the very first time - so cool. I have to say, I've gathered the most amazing and FUN group of people! We had an agency dinner on Friday night (there were 20 of us), and on Saturday most of us tried to sit together at the awards banquet. It was a blast and I always feel incredibly blessed to be surrounded by such cool people with so much talent. (For my clients who weren't there... you were missed, I promise. Catch you at another conference.)

I limit my conference attendance to two or three big ones a year, and I always to to ACFW because every single time, it has proven productive both personally and professionally. I highly recommend it to any Christian who is writing fiction (you don't have to be writing Christian fiction). For all writers, I suggest you try to get to at least one conference each year or two, if you can. You'll be amazed at the inspiration, motivation, practical learning, and new friends that will result.

Been to ACFW or another conference lately? What did you think?
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25 Comments on ACFW Conference Debriefing, last added: 9/24/2009
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44. Should You Go to a Writers' Conference?

People frequently ask me whether they should invest the time and money to go to a writers' conference. In my opinion, it can be a valuable experience whether you're agented or not, published or not. But especially if you're neither.

I could write pages and pages about the value of a conference, but in the end it comes down to a personal decision about how to spend your time and money. Here are some things to think about:

1. If it's a financial hardship, then it's usually not the right thing to do. There will always be more conferences, perhaps at a better time financially.

2. Making a commitment to attend conferences regularly (once a year if you can) signals to yourself and your family that you're taking this whole writing thing seriously; that you're treating it as a business and a profession, not just a hobby.

3. The workshops available at conferences are valuable for continuing to improve your writing. Even authors who are multi-published attend workshops because they want to keep growing as writers.

4. The intangible value of networking and making friends with other writers can be life-changing for someone who's used to toiling all alone on the computer (even with online friends). Interacting with like-minded people is validating, encouraging, and downright fun.

5. The opportunity to meet with agents and editors is, of course, a major draw for most writers. Conferences are pretty much the only place you can do this.

6. I think it's important to feel that you're part of something larger than yourself. Going to a conference helps you to feel like you're part of the writing and publishing community at large.

Q4U: Those of you who've been to conferences: Why do you go? What would you say to someone trying to decide if they should jump in?

55 Comments on Should You Go to a Writers' Conference?, last added: 8/21/2009
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45. Recovering from a Writers Conference

I just returned from four days at a writers conference. I had something like 30 one-on-one meetings with writers, taught four 1-hour workshops, ran two late-night critique groups, had a few lunches/dinners/coffees with editors, and still managed to get out each morning for a 2-mile jog to and from Starbucks. Phew! I really enjoyed this conference but felt pretty rundown by the end of it, which is normal. It takes a lot of psychic energy to be "on" 12 hours a day!

I came away from the conference with one very strong potential client, and a small handful of others I want to consider. However, as you know, I don't really have much time for new-client consideration at the moment so I'm going to have to make these decisions slowly and carefully.

One of the cool things about this conference was that I ended up pretty impressed with writers in general. I mean, I knew I liked you already! But I think I reached a whole new level of awe in the last few days. I'm amazed by writers' dedication and perseverance and willingness to learn. If you've ever taken the time, effort and money to go to a writers' conference, or you're planning to in the future, I salute you. I think you're doing a wonderful thing for yourself, and I applaud your courage. I truly hope you find your conferences helpful and enlightening and fun.

A couple of random conference tips came to mind while I was there:

1. If you're pitching a project, definitely bring a couple of printouts of a one-sheet, a proposal, a synopsis, and a first chapter (or whatever you have available). You never know when an agent or editor might want to look at them. We're visual creatures; we sometimes need to look at something written while we're listening to your verbal pitch. Also, there are often opportunities to have your work critiqued, and you don't want to lose out. (Let me know if you want me to talk about one-sheets here on the blog.)

2. If you want to leave an agent or editor with something, always ask them if they want to take it or if they'd prefer you email them. Whatever they say, respect it and don't push! For me this is a practical issue; I sometimes travel with only one small carry-on bag, and there simply isn't any extra room.

3. Make a point to stop and talk to anyone you see standing or sitting alone, especially if they have that "lost" look on their face. Conferences can be so intimidating and everyone needs a friend. (If you see a faculty member sitting alone, feel free to join them! Especially if you just want to have conversation rather than give them a pitch.)

4. Remember that one of the reasons agents and editors like going to conferences is to see their friends, i.e. all the other faculty members. We often only see each other at these events. Therefore if you see a couple of faculty members hanging out and talking, consider whether you might want to give them some time rather than interrupting to give your pitch.

I really want to thank everyone for being so nice to me at the conference; for making me feel welcome and for at least acting like you got something out of my workshops. It's truly a pleasure working with writers who sincerely want to learn the business.
Rachelle Gardner, Literary Agent

38 Comments on Recovering from a Writers Conference, last added: 6/16/2009
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46. IF : Garden Patterns


One of my addictions is patterns. I love painting them, buying them on linens and paper supplies and decorating with them. I mix and match the most unlikely ones together. As long as there's some color harmony going on, it works for me. I find patterns to be cheery. I've recovered my dining room chairs in vibrant garden motifs with linen napkins from import stores. This is a painting I did of one of my favorite tablecloths that I bought at a flea market, only in real life it's in reds and oranges. I wanted the contrast of the blues with these vibrant nectarines, which by the way, were delicious and juicy! Many artists are often inspired by gardens. Botanical illustration has been around forever, and just look at how many nature journals are out there.

Gardens are magical, healing places whether it's a small one on your kitchen windowsill, a plot of grass on your rooftop, or vast acreage filled with wildflowers and fruit trees. It's all good! So do yourself a favor and spend more time in the garden.



acrylic on canvas 24" x 30" Illustration Friday prompt: Garden

34 Comments on IF : Garden Patterns, last added: 3/17/2008
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47. IF : Multiple Posts


Such an appropriate word for me this week because this entry makes my 100th post!


This blog has served me well in multiple ways this past year. I've found an art community I'm comfortable in and I've made multiple friends. I've shared multiple images and stories. I've used some subjects many times ( Ravens, for example) and I've been given multiple awards by some pretty special blogging friends. The joy in my life has multiplied by being a part of this experience.


Today I've chosen to post "The Spirit Of Raven" because of the multiple times his image appears in the sketch. Also, for those of you who recall my dream series, this represents after the pears were harvested, yet Raven's presence is still known.


Thanks for being with me for the first one hundred posts! I'm looking forward to many, many more.


acrylic and Prismacolor pencils on bristol paper
for Illustration Friday's prompt: multiple

25 Comments on IF : Multiple Posts, last added: 3/12/2008
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