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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
JacketFlap tags: alphabet, ABC, circus, hat, letter, X, sloth, trapeze, hang, xerarthra, Add a tag
Blog: Frizzelstixs (Login to Add to MyJacketFlap)
JacketFlap tags: walrus, w, fortuneteller, crystalball, alphabet, ABC, circus, paint, Add a tag
Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
JacketFlap tags: alphabet, circus, paint, balance, letter, S, seal, ball, Add a tag
Blog: Caroline by line (Login to Add to MyJacketFlap)
JacketFlap tags: friendship, circus, India, middle-grade, elephants, classroom connections, child labor, Lynne Kelly, Add a tag
Classroom Connections is a series meant to introduce teachers to new books.
CHAINED - Lynne Kelly
Lynne Kelly has written a story that unwraps the heart and asks it to be brave, loyal, and above all, kind. Readers of all ages will worry for Hastin as he marks the wall that records his bondage to a cruel master, but they will ultimately celebrate his jubilant triumph. This story unwrapped my own heart. –Kathi Appelt, author of the Newbery Honor and New York Times bestseller THE UNDERNEATH
reading level: 10 and up
setting: Northern India
Please tell us about your book.
Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
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Blog: Frizzelstixs (Login to Add to MyJacketFlap)
JacketFlap tags: circus, elephant, paint, letter, E, alphabet, Add a tag
Blog: travel and sing (Login to Add to MyJacketFlap)
JacketFlap tags: circus, dancing, dances, cabaret, vaudeville, Add a tag
Filed under: circus, dances
Blog: The Poisoned Apple (Login to Add to MyJacketFlap)
JacketFlap tags: Circus, Jeremy C Shipp, Attic Toys, Evil Jester Press, Add a tag
Second acceptance of the year.
Dreams of a Ragged Doll, a tale of a girl desperate to join the circus and a doll determined to live, will appear in Jeremy C Shipp's Attic Toys anthology forthcoming from Evil Jester Press. Really excited to be working with Jeremy.
That is all.
Blog: The Excelsior File (Login to Add to MyJacketFlap)
JacketFlap tags: history, poetry, circus, poems, fire, candlewick, disaster, paul janeczko, 04, Add a tag
by Paul B. Janeczko Candlewick 2004 A circus tent. A catastrophic fire. The voices of those who were there, victim and witness, their stories in verse. On the afternoon of July 6, 1944 a fire broke out at the Ringling Brother's Circus while in performance in Hartford, Connecticut. The tent canvas had been waterproofed with paraffin and gasoline, a combination that turned the entire
Blog: Stacy A. Nyikos (Login to Add to MyJacketFlap)
JacketFlap tags: Erin Morgenstern, The Night Circus, magic, circus, crossover, Water for Elephants, clowns, Add a tag
The Night Circus
Erin Morgenstern
Adult/YA Crossover
From the moment I began to listen to this story on audio until I finished, I couldn't classify it. A trip to Target - serious source searching - didn't help. The book was in the bestseller category with the other adult books, but toward the bottom where some YA and middle grade were. When I finally upped my game and checked out the classification on Amazon, it's adult.
Yet, this is a book for all ages. I've encouraged my nine year old to read it because it's such a dreamlike adventure. Two magicians battle it out for their lives in a night circus that magically appears and disappears from location to location across the world.
This is the first circus I liked. I'm not crazy about clowns, or the whole circus venue in books or movies. There are exceptions, of course, Water for Elephants being one. It was more along the lines of gritty realism circus. This is dream circus without the scary factor that often seems to accompany that venue. The characters are gorgeously rich. The setting is magical. The plot is lusciously entwined.
The story is not told chronologically, which made the audio aspect to my "read" difficult. It will likely make the story difficult for a middle grade audience as well. What's more, I wasn't sure it was a necessary aspect to the story. It indicates the longevity of the challenge early on, but complicates the story's unfolding unnecessarily. The author could have revealed the backstory of the magician who had won a similar challenge earlier and thus introduced the complexity and longevity of the magical challenge in that way without complicating storytelling. However, these temporal fluctuations were not so off-putting that they derailed the circus story, just complicated it. Maybe that was the point. It's a complex plot.
Nonetheless, if you're searching about for a cozy, by the fire, dreamlike read, search no further. The Night Circus is just the winter ticket!
For more exciting reads, click over to Barrie Summy's site! Add a Comment
Blog: Redeeming Qualities (Login to Add to MyJacketFlap)
JacketFlap tags: books, circus, 1930s, anneaustin, creeptastic, Add a tag
I started by really liking Anne Austin’s Girl Alone, but as it went on, I found myself getting more and more creeped out, and I didn’t really realize why until I got to the ads at the back of the book. The storyline is a straightforward, predictable one, mostly. It goes like this: Orphan (Sally Ford) is sent to work as a hired girl on a farm for the summer. There she meets a cute boy (David Nash). They end up running away and joining up with a circus for a while. Then the mother Sally’s never known shows up and adopts her. This would be an extremely unsurprising children’s book, right? Only it’s not.
Sally is 16 and very sheltered, and even before she leaves the orphanage the outside world and the farmer bringing her home with him are treated as a sexual threats. David is 20, and he’s a nice guy, but his attraction for Sally and hers for him is primarily physical. He understands that his desire for her is inappropriate, and the fact that she doesn’t kind of underlines why. The circus stuff is pretty cool, and Sally becomes a fairly successful fortune-teller, but she and David are mostly separated, and their few meetings leave me increasing unconvinced/creeped out by their relationship.
Then Sally’s mother, Enid Barr, shows up and stops Sally and David from getting married, which is nice, and drags Sally off to boarding school, which I think is probably a really healthy decision. But there’s an extra layer of complication. Sally was the result of an affair that Enid had as a teenager, and now Enid is married to a man who has forgiven her for her youthful indiscretion but is pretty uncomfortable about being faced with it’s product. They adopt her and make her a debutante, and because she’s pretty and rich a few men show interest in her, but she doesn’t feel she can accept a proposal unless she tells the truth about her birth, and Enid won’t let her do that. And anyway, she still wants to marry David. Finally, after being rejected by this guy Mr. Van Horne who’s been following her around and sexually harassing her since she was in the circus, her mother admits defeat and lets her do that, much to everyone’s relief.
At first I couldn’t put my finger on why all of this made me so uncomfortable. All of the elements of this story are ones I’ve had no trouble with elsewhere. But then I saw the ads at the end, which were all for scandalous stories of divorce and betrayal and things, the kind of books that say “how racy can we be and get away with it?” They looked like fun, in a pre-code Hollywood film kind of way. And then I sort of understood. Girl Alone isn’t just a more grown-up version of a typical children’s story; it was purposely created to be as adult as reasonably possible. It just doesn’t work, because there’s a dissonance between “orphan girl runs away and joins the circus” and “16 year old girl makes out with her 20 year old boyfriend.” Both of those are things I’m open to, and I believe that the first can be done well in a way more suitable for adults than for children, and that the second can happen without setting off statutory rape alarms in my head, but Anne Austin manages neither of those things.
It might work is Sally was different. The Sally we see is sweet and timid and worryingly innocent. The Sally we’re told about is a sparkling, clever, talented actress. Neither rings true. The outgoing Sally, made just a bit more convincing, might have made the book work. The shy, innocent Sally always seemed too clueless to understand what was happening around her, which made a really poor argument for her ability to consent. In the end, Girl Alone made me feel kind of dirty. I don’t know that this would be the case for everyone, and I’ll freel
Blog: Creative Whimsies (Login to Add to MyJacketFlap)
JacketFlap tags: sketches, home, circus, line art, circus art, vector artwork, Add a tag
Blog: The Excelsior File (Login to Add to MyJacketFlap)
JacketFlap tags: picture book, circus, paris, mice, roaring brook, secret, johanna wright, 09, neal porter, Add a tag
by Johanna Wright Neal Porter Books / Roaring Brook Press 2009 Only the mice know, and they aren't telling... In Paris there is a circus, a very secret circus, a very tiny circus, that only the mice know about. They ride a hot air balloon to a merry-go-round long after the people have gone to bed and find their way to the circus where they snack on left-behind snacks and enjoy the show.
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Well done Tricia - they're all great. Bear, Hippo, Fox and Panda are my favourites. Lesley x