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An urgent message from Dave McKean, who is making a low-budget film called LUNA right now:

I urgently need 2 white paper origami crabs to appear in a scene in Luna, like this one:
http://db.origami.com/displayphoto.asp?ModelID=2244
if anyone is willing to make them and send them to the UK straight away, I can pay a small fee to cover time (or a signed drawing or book?), give them a name check in the final credits, and give them a fedex account number for shipping.

Go to the FAQ page if you're an Origami whizz (and I know there are Origami whizzes out there, as I get given amazing things at signings) and drop me a line, and I'll put you straight in touch with Dave. Who will probably soon be drowning in Origami crabs.

Went in to Hair Police today and saw Wendy who turned the strange messy mop that my hair had turned into into a rather nice haircut. From there to Dreamhaven where I signed lots of stuff for Elizabeth and the www.neilgaiman.net site, including a half a ton of Absolute Sandman Volume 2s. As I drove home Roger Avary called to let me know that he's reopening his website after a couple of years without one -- http://www.avary.com/.

Then to Maddy's Parent Teacher conference. She's doing wonderfully at school, and got an impressive report card -- which, for the first time ever, she really had to work for, as she came to the UK for the Stardust premiere and having lost a week of schoolwork. (She's coming to LA with me for the Beowulf premiere, but is only missing one school day to do it.)

And then home. Opened the copy of Bust I'd picked up at DreamHaven (officially I get it for my assistant Lorraine, but I always read it first -- sort of like when I'd pick up a copy of Bunty for my sisters as a boy), and found myself staring at an unexpected advert for the Good Omens and Stardust scents from BPAL. Which reminded me that I had meant to congratulate the amazing Beth, who is the mind (and the nose) behind BPAL -- and a woman who has raised an enormous amount of money for the CBLDF this year -- on her wedding.

(And if you haven't looked at the CBLDF site recently -- http://www.cbldf.org/ -- Gordon Lee goes to trial on Monday. Finally. After three years, two completely different sets of "facts", and $80,000 in legal bills so far for something that should never have been a police matter in the first place... http://www.cbldf.org/articles/archives/000318.shtml for the story so far.)

Lots and lots and lots and lots of emails from people telling me that Marmite can be found all over America, normally beside the baking supplies (probably because of the word Yeast). I don't think I'm going to need Marmite again for another couple of years now, but than you all for the info.

I try reasonably hard to credit people who helped (see the very long list of names at the back of American Gods) but find it hard to find fault with the author in question. Authors are packrats. If you tell us an anecdote -- unless you preface it with "I am about to tell you an amusing and/or interesting anecdote. Should you at some future time use it in a book you will need to contact me to obtain my permission, or at least credit me by name. I shall now tell you the anecdote and then give you my contact details in a form in which you won't lose them," -- then it's fair game. I think our attitude -- I don't speak for all of us, but enough -- is that if your friend thought his anecdote would have made a good book, he should have written it himself.

I don't know the names of the people who took me down the sewers or into the disused tube tunnels when I was doing Neverwhere, but their anecdotes certainly made it into the book. I didn't give the name of the financially dodgy agent whose interesting approach to paying over royalties inspired the character and behaviour of Graham Coats in Anansi Boys either (probably a wise move, that). And, as you say, very often you know someone told you that Mad King Ludwig of Bavaria obtained a doctor's note to get out of being married, but who it was or when has melted down in the compost heap in the back of your mind to the brown sludge of memory. It's like remembering jokes, and who told them to you. The shape is now there in your mind, and you know the punch line is "Two coffees and a choc ice," but how it entered your head is a mystery.

(And it's worth pointing out your friend might be wrong. I get letters sometimes from people saying "You got this from me." And the people who send the letters believe it, but it's not the case. I find myself replying "Actually, I wrote this four years before you wrote your story," or "I understand you think I got this from something you said. Actually the entire story was in this newspaper on this date, and that was where I got it from.")

Having said all that, I'm also really sympathetic to your friend. Many years ago I was on a panel where I said "I'm going to write a book called X," and no-one laughed longer or louder than the bloke next to me on the panel who, eleven months later, brought out a book with the title I'd mentioned. I was in a conversation with another author who mentioned being stuck on a plot thing, and I said "Oh, that's an easy one," and made a suggestion, and suggested a title for the book for good measure, and he said "I owe you lunch for that one," but I scanned the acknowledgements in vain looking for a thank you when the book came out, and didn't get a lunch out of it either. And conversely I have fuzzy warm feelings for all those people who wrote books and actually did say thank you, and used their acknowledgments to acknowledge.

...

After a long day, i got "your" love letter that the new york times sent out. It was rather funny and made me laugh a lot.(was even funnier trying to explain to my roomate that it wasnt a real love letter)Did you have anything to do with the writting of those love letter? Or did the new york times write them without the help of the varies authors? Do you know if every one got the same letter? Just curious, thanks.

Yes, everyone got the same letter (it's the UK Times, by the way, not the New York one). And yes, I wrote it. (Really, it's a short story.) The day before me people got one from Margaret Atwood. Today, I think it's Leonard Cohen. I think you can still sign up for the last three... http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/commercial/article2623706.ece

...

Finally -- this gave me a warm and happy smile.... http://papercuts.blogs.nytimes.com/2007/10/30/when-the-wolves-come-out-of-the-walls-its-all-over/

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Long long very long day, during which I said thank you for the Spike TV Comic Icon Award (which will get in October), saw a man dressed as a banana, did a presentation in Hall H for Stardust then walked off the stage and walked back on and did Beowulf, ran a camera gauntlet for about an hour of interviewers and then did the same with press interviews, then was hauled down to the Hall for a G4 interview and over to the CBLDF booth for a signing and then had some down time but there was a problem with the room key so I sat on the carpet with Charles Brownstein and talked CBLDF stuff for 15 minutes waiting to get into the room and then to the STARDUST screening which we introduced and then Jane and I did a Q&A afterwards, and I got back to the hotel room around half past midnight...

And I thought, proudly, "I'm holding up so well."

And then I thought, "But it's only Thursday," and it all got a bit colder. Couldn't do it if Pam and Cat weren't moving me from place to place and crisis solving in the background. They're so good sometimes I never even find out there was a crisis until long after it's been dealt with.

CBLDF board meeting tomorrow at 8.00 am and the day keeps going from there... Read the rest of this post

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Here's some Comic-con info.

incidentally, if you're planning on carrying something around on the offchance you find yourself bumping into me in a breakfast line or a lift, make it something light. I will feel guilty if anyone carries around an Absolute Sandman for the whole convention, just in case.

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Talking about raising money for good causes, I got this astonishingly heartening email from Beth at Black Phoenix Alchemy lab...

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Let's see. Recently I've written an introduction to a book on The Twilight Zone, and am currently doing my editorial pass on the galleys of INTERWORLD, a young adult book that Michael Reaves and I wrote some years ago that we're currently bringing out of mothballs, dusting off and sending to meet the nice people.

I also got swept up in a small adventure that turned me into a giddy twelve-year-old comics fan, and about which I shall say nothing more until the time is right. And possibly not even then. It was all Jonathan Ross's fault, anyway.

And now the weather forecasters are predicting the mother of all winter storms for us in the midwest this weekend. Ten inches of snow. Freezing rain. An ice storm. Everyone is making contingency plans and buying several months' suppies of toilet paper, and I'm being English and am convinced it won't happen. Interesting weather almost never does, not when they say it will.

This just came in from Charles Vess, who wonders if any of you have any of the STARDUST art he's looking for...

From Charles Vess:

From June until September of this year I'll be mounting an exhibition
of my Stardust art at the the William King Regional Art Museum in their
premium exhibition space.

A LOT of people will be seeing the exhibition and I want to put my best
'face' forward. So I'm looking for various pieces of Stardust original
art that I've sold over the years and would like to borrow that art back
for this show. The names of the donors will be included in various
publications concerning the exhibit as well as being on the identifying
labels themselves.

In particular I'm looking for these full page illustrations:

(All page numbers refer to the trade paperback edition)


1. (page 46) The couple on the hill (with the Village of Wall in the background)
beside a tree looking up at the falling star.

2. (page 52) Tristran in his bowler hat entering the deep woods surrounded by
various fairy types.

3.Cover art to mini #2 with all of the Lords of Stormhold floating in
the air around the dark rocks of Stormhold.

4.(Pg #96 -97) The two pages of multiple panels with Tristran's first candle walk
between worlds.

5.(Pg #104)Tristran and Yvaine walking in the wood. She has a crutch.
6.Tris and Yvaine riding the unicorn through woods with gnarly
creatures in the fore ground.

7..(Pg #161) Small figures of Tris and Yvaine looking up as galleon passes
through golden clouds above them.

8. ( Pg #188)Tris passed out on ground w/ Yvaine sitting beside him. A dark
haired woman (his mother) stands above him. Red goblin creatures frolic
in the fore ground tree limbs.

9.( Pg #193)Tris in a sitting room w/ Victoria Foster surrounded by nick nacks
and green men. A cat sits on the rug beside him.

10.( Pg #205) Yvaine gives Tris the medallion. Dark haired Mom looks on. The air
around them is filled with all manner of people and beasties.

11. ( Pg #209) Looking down at the fair w/ the Village of Wall off to the left.
Very small figures of Tris and Yvaine walk off thru the field. In the
far distance the mountains of Stromhold rise w/ Flying Galleon beside them.

12. (Pg #213) Last piece in the book. Colored pencil on black paper. Yvaine
stands amidst dark stones and raises her arms towards her 'sisters' that
dance through the night time sky above her.

Here's my e-mail if you have any information on the location of these
pieces: [email protected]

Thanks!

Charles

...

The previous post drew a lot of responses -- most of them agreeing with me. A few articulately disagreeing, and I thought I'd post a couple of them....

Mr. Gaiman-

If I may, a few comments about today’s posting about the appearance of the word “Scrotum” in the children’s book.

1. A few librarians in this NY Times article were quoted out of context from e-mails taken from LM_NET, a listserv for school librarians. In fact, LM_NET postings are subject to copyright and librarians were not contacted by the Times in response to their quotes.
2. All librarians are not tight-bunned, tight-assed “Shh-ing” maniacs. (I know, I am one—a librarian, that is, not tight-assed.)
3. Given the current climate of education in the US, you can’t blame a public (or private) school librarian for being incredibly sensitive to this issue. Unfortunately, we live in a period where it’s easier to throw away books and tell kids to “just google it” rather than keeping librarians on-staff. Each of us fights for our credibility and necessity every day. One conflict with a prominent community-member over (an admittedly) ridiculous matter such as this can end a career, as it’s easier to drop a staff member’s salary than fight a legal battle over censorship. While there are those of us who are willing to throw our chins out and fight, there are many battle-scarred vets of the library wars who have been cowed by the system and will quietly drop it rather than fight anymore. The public school librarian is fighting to keep of the endangered species list.

While I’ve been an ardent fan of yours, I could not let today’s journal slide without some commentary.

Yours,

Harry F. Coffill
Library Media Specialist
East Grand Rapids Middle School

I'm afraid that just because something is "copyright" it doesn't mean it can't be quoted. It can. It's called Fair Use. And I don't see why the Times would have to contact the people about their quotes -- if it's written down, that's all you'd have to show the fact-checker, if there is such a thing... Once you've said it, it's out there. (This blog is copyright me. Doesn't mean it doesn't get quoted, or that I'm consulted about it when it is. Here's an example of one time it happened. If you're going to say something in a semi-public forum, you're quotable, or misquotable, and that's just how it is.)

Hey Neil,

Speaking as a librarian, I happily bask in your general approbation.

Speaking as a librarian, I detest the idea of censorship, and the thought of choosing not to purchase a Newberry-winning book simply because of a single word.

Speaking as a librarian, I must also point out that the issue is, unfortunately, perhaps a bit more complicated than that, and that referring to those librarians who choose not to buy the book as "rogues" who've gone over to the dark side is likely to be an unfair oversimplification, at least in some cases.

Are there prudish librarians who have knee-jerk reactions to "bad language" and "inappropriate content?" Of course. We're only human, and therefore only flawed.

However, in many cases...using, as an example, the librarian cited as saying that SADLY, they will not be purchasing the book...it is likely NOT the librarian's own personal choice or even preference to exclude this book from their collection, but is the decision of the library director, library board, or school itself, based upon community outcry and patron pressure. In many cases of books being challenged, the challenge never goes as far as a banning. However, there are still cases in which otherwise excellent books are banned due to some small piece of "questionable" content. Don't forget, one of the most challenged and banned authors of all time is Judy Blume, the author of well-beloved, classic, but very frank (and therefore "dangerous"), children's and young adult books.

Librarians, as much as anyone and everyone else in this country, are subject to mob rule at times, and are always always subject to the workings of bureaucracy and politics. It's sad, but it's true.

...which I understand, but both of which emails leave me thinking that surely saying "It won the Newbery Medal. We order the books that do that. It's been the most respected guide to quality children's literature since 1922," would fend off most threats to a school librarian's job... wouldn't it?

Ah well. My next children's book, the one I'm currently writing, is very unlikely to have any rude words in it at all, but people I've read the first few pages to tend to look at me with a concerned sort of look and say "Is this really a children's book? I mean it's scary and then that stuff..." and I say yes, and I'm sorry but that's how the book goes and there's nothing I can do about it. Of course there is -- I could cut it out and write a book that wasn't as good. And I can hope that anyone who gets past the first couple of pages will find it very hard to put down. I can hope. But I'd understand any school librarian who was worried.

And I also got this from the "Higher Power of Lucky" post, which made me smile...

Hey there, Neil.
I illustrated "The Higher Power of Lucky" (although it didn't occur to me to provide a picture for the minor scrotum incident). Thanks for weighing in on the whole kerfuffle. Coincidentally, I read "Endless Nights" yesterday, absolutely loved it, and made some sketches this morning which I posted on my blog:
http://planetham.blogspot.com/
I'm also a Writers House client, so maybe I'll see you at some swanky cocktail reception sometime (if they even have such things).All the best,matt phelan

Well worth checking out Matt's cool artblog, if just for the masonic raccoon... And alas, while I have been a client of Writer's House for almost 20 years, I've never been to a swanky cocktail reception there yet (although they once threw a lovely bash with nibbly bits at the Franfurt bookfair for all my foreign publishers).

...

I get a lot of appeals for good causes in and I long ago sighed and decided that I can't post all of them. But this one has camels in it...

Not a question, so much as a request. There is an amazing thing going on in Kenya involving librarians, generosity, and of course, camels. The link is http://camelbookdrive.wordpress.com/ if you could post it for the fabulous readers of this blog. If you have already mentioned it, I apologize. It's been awhile since I've visited, although now I seem to have spent about 3 hours reading past posts. Damn.

Beth (librarian in training, who, for the record, is perfectly happy about the word scrotum in any book)

consider it posted. And I'll see if I can't put together a bunch of books for the camel library...

And finally, another article from Nerve's comics issue. This one's about the Gordon Lee case and the CBLDF. I've written about it here before -- I've been writing about it for years. But if you've missed it, or you thought it was over... http://www.nerve.com/dispatches/clark/gordonlee/

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Right -- the Black Phoenix Alchemy page of scents for the CBLDF is now up at

http://www.blackphoenixalchemylab.com/neverwhere.html

And I'm investigating whether we can do Stardust ones right now (as the Stardust scents that Beth sent were Maddy's favourites).

...

And -- we'll put this up on the FAQ page and so on -- there is now a real address to send stuff that you want to get to my attention, which should work much better than DreamHaven Books (where stuff would sit in a box until the next time I came by). It is,

4470 Sunset Blvd. # 339
Los Angeles, CA 90027
USA

And it's being run by the Mystery Aide. Who is actually (drum-roll) Cat Mihos (http://www.furrytiger.com/), who is going to try and make sure that less of my life falls through the cracks, that I have more time and so on. (Currently lots of the mail coming in through the FAQ line is people who want to interview me, or for me to answer a few questions for their book, dissertation or website, to the point that if I said yes to them all or even to half, I would never get any time to do or write anything else. So those kind of requests, along with anything else, can now be sent to Cat who can at least coordinate them.)

And Cat is also [email protected], should any of you need to reach her directly. She'll be running the LA end of things, and dealing with some of the stuff I simply haven't had the time to get to. (The Fabulous Lorraine is still my PA.)

If you want to send me a book to get signed along with return postage and packaging, though, or buy a signed book, or anything like that, you should still talk to DreamHaven, via their online shop of stuff by me at www.neilgaiman.net website.

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