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17301. All in Line

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17302. What Would You Do For The Right To Learn? Malala Yousafzai’s Story

It’s nearly time, yes ….it’s nearly time for Multicultural Children’s Book Day on January 27th!

Multicultural Children's Book day

We’ll be having a huge and ginormous celebration which I’ll tell you a little more about later. We wouldn’t be able to share in the joy of diverse and multicultural books and publishing if it weren’t for our generous sponsors. I have the extreme pleasure of introducing Capstone Young Readers with you who is one of our Silver Sponsors this year.

There has been a young woman who has greatly inspired me over the past few years. Her name is Malala. Though much has been written about her over the past several years, it has usually been for the young adult to adult audiences given the nature and violence of her story.

Capstone Young Readers has published the most beautiful book called For the Right to Learn: Malala Yousafzai’s Story written by Rebecca Langston-George and illustrated by Janna Bock. The words and deeply colorful illustrations work together in concert to tell the story of a young teenage girl whose courage has become legendary.

“One Child, one teacher, one book, and one pen can change the world. ” -Malala Yousafzai

For the Right to Learn tells the story to young readers in a non-violent way that engages them into constructive conversations and inspires them to take action.

For the Right to learn

Malala lived in the Swat Valley in Pakistan which is right on the border of Afghanistan. One day the Taliban moved into the Swat Valley and her little city and forced their ideas on the people living there.

As time progressed the Taliban became more severe. They grew stronger every day using violence and intimidation. As their strength grew they announced that girls could not go to school. Malala loved school . Her father was a principle of a school and Malala loved to learn more than anything else. This was devastating news for her. The Taliban said that girls who attended school actually brought shame to their families.

malala4

Malala and her father became very vocal against the Taliban and their rules. They were brave and not frightened. In December 2008 came the news that All girls schools would be closed and starting January 15th no girls would be allowed in any schools. Then the Taliban started raining bombs down on the villages and cities destroying all schools within sight.

But bombs could not silence Malala. The British Broadcasting Corporation wanted to know what life was like for a girl in Pakistan in the Swat Valley. Malala took a pen name, Gul Makai and would read her blog post to the BBC reporter over the phone over the following two months. It first appeared in Urdu and then was translated into English. Her blog became very popular as she and her family continued to speak out against the Taliban. They created such an uprising that the Taliban agreed to let girls 10 years old and younger go to school. Malala was 11. So older girls wore the clothes of younger girls, hid their books under their shawls and snuck their way to school. Anyone caught would be killed on sight.

malala3

After much fighting, a stint in a refugee camp, Malala and her family returned home thinking the Taliban were gone. Malala had become very famous at this point and even the Bishop Desmond Tutu had nominated her for a Nobel Peace Prize. Malala returned to school and soon discovered that the Taliban were not gone. One day while riding a school bus, the Taliban entered and shot Malala in the head and two of her friends. All of them survived but Malala had a very long road to recovery.

Nearly on the verge of dying, Malala was flown out of Pakistan to Birmingham England where she has recovered fully from her attack and lives to this day with her family.

Malala however, has taken her attack by the Taliban and has come thru it and continued it forward to start a global movement for girl’s education. She and her father continue to speak about education. She has started a fund called the Malala Fund which gives money to fund education in Pakistan and other third world countries.

She is the winner of the Nobel Peace Prize and is a role model for all of us regardless of age that one voice with action can make all the difference in the world. She promises to continue to work toward “peace in every home” and “education for every boy and every girl in the world.”

malala

For the Right to Learn is a story which inspires us all to be brave. I firmly believe that along with the best stories written our bookshelves need to be filled with the real life stories of those who are remarkable and extraordinary. This book qualifies as such.

Something To Do

31 million primary school aged girls are not going to school currently in the world. 32 million more girls are missing out on secondary education. In total more than 60 million girls world wide are out of school today.

When we educate a woman she ends up helping 5 or more people in her family. When we educate girls they grow into the matriarchs who not only raise a family but support a community and a region. Education for girls is one of the more important task for our planet currently along with food and clean water.

Writing Your Name:

Certain things we take for granted such as our names. Can you imagine if you didn’t know what your name looked like written down or not even be able to write your name ? How do you prove you exist if you can’t read or write your name ?

I remember growing up one of those red letter moments was when I learned to write my name. I shared in that memory and joy once again which each one of my children in turn learned to write their names.

Taking beautiful colors, and paper, maybe even some glitter, write your name beautifully and celebrate the fact that you can. 

If you should happen to sponsor a child from another country, make a beautiful poster or picture of just their name and send it to them.

The Malala Fund

Inspired by co-founders Malala and Ziauddin Yousafzai, Malala Fund’s goal is to enable girls to complete 12 years of safe, quality education so that they can achieve their potential and be positive change-makers in their families and communities. We work with partners all over the world helping to empower girls and amplify their voices; we invest in local education leaders and programmes; and we advocate for more resources for education and safe schools for every child.

Discussion Questions:

  1. Who is Malala and Where is she from ?
  2. What was Malala fighting for the right to do ?
  3. Her desire to go to school nearly cost Malala her life. Why do you think she took the risk ?
  4. Should everyone have the right to go to school ?
  5. Do you think children should be protected ?
  6. What right and protections do you think children everywhere should have ? Make a list.
  7. Discover and discuss in what ways children around the world are sometimes denied those rights.
  8. Would you be able to do what Malala did ?
  9. What can we do about it. Look at Malala’s example. Just one young girl, one voice, and a pen has changed the world. What are you willing to do ? What small thing can you contribute something to change the world. What will you say with your one voice?

10 Lessons to be Learned from Malala

This is an excerpt of an article from the Canadian Huffington Post

1. Never hesitate to raise your voice.
This message rings out loud and clear from the 16 year old humanitarian. If you don’t raise your voice, it is unlikely that anyone will hear you. And I bet you have something (or many things) to say. Share your thoughts, ideas and passions with the world.

2. Dare to dream, and let your dreams drive your actions.
Never think for a moment that any dream is too large, or too unrealistic. My friend Adam Braun says “the single most powerful element of youth is our inability to know what’s impossible.” I couldn’t agree more. Here’s my challenge to youth: don’t lose that admirable quality as you transition into adulthood.

3. Don’t hate or seek revenge.
Malala was shot on her way home from school. The Taliban gunmen attempted to kill her, and revenge is the last thing on Malala’s mind. Since I was a little kid, my mom has always said that hating is just a waste of energy. It doesn’t benefit anyone and it’s a waste of time.

4. Never give up.
For the love of all that’s good in this world, please never give up. If you care about something, or someone, no matter what happens, refuse to quit! Never give up, and seek motivation to fuel your drive. If anyone can do it, you can. Surround yourself with people and messaging that keep you going, and encourage you to never give up or lose hope.

5. Be compassionate.
If hating is the worst way to exert your energy, love is the best way to use your energy. The more you give, the more you get. Be compassionate. Tell those you love that you love them.

6. Be humble.
July 12 was declared Malala Day by the United Nations. This past summer, Malala spoke at the UN headquarters and opened with this: “Malala Day is not my day. Today is the day of every woman, every boy and every girl who have raised their voice for their rights. There are hundreds of human rights activists and social workers who are not only speaking for human rights, but who are struggling to achieve their goals of education, peace and equality. Thousands of people have been killed by the terrorists and millions have been injured. I am just one of them.”

7. Always be thankful.
Don’t take anything for granted. Your life. Your family. Your home. Your pencil. There’s a lot to be thankful for. Try your best not to complain about the things you may not have, and instead be thankful for all that you have, and all that you are.

8. Strive to help others.
I have a secret for you. The more good deeds you do, the better you will feel yourself. So in fact, helping others may turn into quite a selfish activity if you do it right. Before you know it, you will be stuck in a cycle of helping others, and feeling good, and helping others more, and feeling even better… Don’t believe me? Try it. I dare you.

9. Replace weakness with strength, and fear with courage.
This may appear to be one of those things that is easier said than done, but sometimes it’s just a matter of perspective. Don’t let negativity shut you down. Strive to be the strongest, best, most positive person you can be. The things you can accomplish are mind boggling!

10. Never doubt your ability to impact the world.
We live in a world of over 7-billion individuals. Each person is different. Each person on earth has something unique to offer the world. What’s your gift? What wonderful things do you have to offer? Don’t ever doubt for a second the power you have to make a difference.

Nobel Peace Prize Winner

Malala won the Nobel Peace Prize for what she endured and how she made that tragedy into a movement to help others.

Investigate and discover about the Nobel Peace Prize and past winners and then have a look at an excerpt of Malala’s acceptance speech.

A Great Video to Watch

There is a wonderful documentary called He Called Me Malala. It is beautifully done and tells the story with out alarming and disturbing video. It is a great resource to use along with For the Right To Learn. You can find it on Netflix and Amazon.

What do you admire most about Malala?
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The post What Would You Do For The Right To Learn? Malala Yousafzai’s Story appeared first on Jump Into A Book.

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17303. Added to the List #20


Over the past week I have picked up and been sent a lot of new books, it's been exciting.  Here are my first impressions of the ones I was sent and the reasons I checked out the ones I did.

Jacob Have I Loved:  I am working on filling some gaps in my reading of YA/MG "classics."  This one has been on my list for a long time so I grabbed it off my library shelves and am going to read it next month.

Henry Cicada's Extraordinary Elktonium Escapade:  This one was a surprise mailing from HarperCollins (thanks!)  Haven't heard much about it but the cover is darling and it looks like it would be a fun read.  If I don't get around to reading it, I will put it in my collection and have a few of my middle schoolers read it.

Finnikin of the Rock:  I told my partner librarian to read this over the summer because I had always heard good things about it and she loved it.  We have since bought the whole trilogy and several other teachers have read them as well.  I don't want to be left behind so I pulled this one off to read this winter.

Sweet Home Alaska:  I am reading this one for a blog tour.  I was so excited to be asked to be a part of this because this book was one I was really looking forward to reading!

The Treasure of Maria Mamoun:  This looks like such a fun adventure/mystery for middle schoolers.

The Secret Sea:  I really enjoyed Barry Lyga's Jasper Dent series so I was excited to get this one.  Looks like a suspenseful and intriguing read.

All the Feels:  Love those teen contemporary romance type books.  This looks like it will be a fun read about a girl who is a fangirl whose favorite character in a movie series dies.

A Week of Mondays:  This one caught my eye when it was described as a Groundhog Day for teenagers.

Dr. Critchlore's School for Minions Book Two: Gorilla Tactics:  I am not sure why the first book in this series was never on my radar, but these look so cute!  I put them both on the most recent order for my library!

Welcome to Night Vale:  This is one of my favorite podcasts! So excited for this book to enrich the story of Night Vale. Checked it out from my public library.


What have you gotten recently?

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17304. Ego the Living Planet, Ready For Your Closeup?

Ego-the-Living-Planet-from-Marvel-ComicsGeek.com has an exclusive rumor: Sources close to both Geek.com and production on the film have told us that a fan favorite from the comic books will be making an appearance in the upcoming film: Ego, the Living Planet, is set to appear in Guardians of the Galaxy 2. I’m not surprised. Why? Because I […]

2 Comments on Ego the Living Planet, Ready For Your Closeup?, last added: 1/21/2016
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17305. Artist Creates Winnie the Pooh-Style Star Wars Illustrations

Wookie the Chew by James Hance (GalleyCat)Have you ever imagined E. H. Shepard, the illustrator behind A. A. Milne’s Winnie-the-Pooh series, drawing his own version of Star Wars? James Hance, an artist, has tackled this challenge.

According to Bored Panda, “Hance’s illustrations reimagine Chewbacca as Pooh Bear and Eeyore as an Imperial Walker.” Some of the pieces can be found for sale at Hance’s Etsy shop.

In addition to artwork, Hance has actually written and produced an audiobook entitled Wookie the Chew: The House at Chew Corner. Click here to download a free digital copy.

 

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17306. elaran: tristenblewart: Kate Winslet tearfully remembering...





















elaran:

tristenblewart:

Kate Winslet tearfully remembering Alan Rickman at London Critics Awards (x)

That’s fucking amazing I love it





















0 Comments on elaran: tristenblewart: Kate Winslet tearfully remembering... as of 1/21/2016 11:21:00 AM
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17307. The Marvel Rundown: Captain Marvel and Silver Surfer Protect the 616 Universe

AllNewAllDifferentAvengersLast week, it happened.  Marvel finally ended the event that kicked off their line-wide All-New All-Different relaunch when they released Secret Wars #9. We had an in-depth review on the comic, but will be continuing our Marvel review series under a familiar moniker; The Marvel Rundown. We took out those annoying adjectives, but will continue to […]

1 Comments on The Marvel Rundown: Captain Marvel and Silver Surfer Protect the 616 Universe, last added: 1/21/2016
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17308. Emma Watson Makes Forbes’ 30 Under 30 List

Forbes has introduced a new list of influential people, the inaugural 30 Under 30 Europe List. The list includes 300 people under the age of 30, divided into ten categories of 30, that are “leaders, creative inventors, and brash entrepreneurs.”

Emma Watson made the list of 30 entertainers. The category picked it’s 30 Under 30 by “watching young impresarios work their craft on the court and the silver screen.” Emma was nominated for both her work in film, and her work as the United Nations Women Goodwill Ambassador for gender equality. Forbes describes why Emma made the list, saying:

 

Emma Watson, 25

Actor

(United Kingdom) Arguably the most successful graduate of Hogwarts, Watson has starred in both big budget movies (“Noah”) and indie fare (“Colonia”). A United Nations Women Goodwill Ambassador since 2014, Watson’s advocacy on behalf of the HeForShe campaign makes her an important spokesperson for gender equality.

 

The entire list and all of its nominees may be seen here.

 

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17309. Michael Pollan to Star in a Netflix Documentary Series

Michael Pollan (GalleyCat)Michael Pollan, an author known for his food writing, and filmmaker Alex Gibney, a filmmaker, have partnered together to create a new Netflix series called Cooked. Eater reports that the four episodes of this food documentary series will air on Feb. 19.

According to Tasting Table, the title of the show shares the same name as Pollan’s 2013 nonfiction book. Each installment will focus on a different element which include fire, water, air and earth.

Here’s more from Variety: “In each segment, Pollan returns to his kitchen in Berkeley, Calif., to deliver his core message that cooking our own meals is the single best thing we can do to take charge of our health and well being…Personalities and places featured in “Cooked” include an Aboriginal tribe in Western Australia that fire-roasts monitor lizards; a Connecticut Benedictine nun and microbiologist who makes traditional French cheese; Peruvian brewers who use human saliva to ferment a traditional beverage; and an ancient Moroccan granary powered by rivers.” (Photo Credit: Alia Malley)

 

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17310. Why I’m anxious about the next two Star Wars movies

Yesterday it was announced that the next, as yet unnamed Star Wars movie, Episode VIII, will be pushed back from Summer 2017 to Christmas 2017. This set off a rescheduling frenzy among studios with Spider-Man, Terminator, Pirates of the Caribbean and Jumanji all getting moved around. I wasn’t a bit surprised at the move: 18 […]

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17311. Universal Offering a Grand Wizarding World Sweepstakes

Trip Advisor and Universal are hosting a Wizarding World Sweepstakes called “The Ultimate Harry Potter™ Trip Around The World.”

One grand prize winner will have the chance to visit all of the Wizarding World theme parks (starting at the grand opening of the Hollywood location, then unto Orlando and Japan) and end their adventure at Warner Bros. Leavesden Studio Tour: The Making of Harry Potter.

Fans may register for a chance to win this sweepstakes on the Trip Advisor website, here. Good Luck!

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17312. Kibbles ‘n’ Bits 1/21/16: The King of Comics and getting dragged to cons by kids

ajalg30fj§ Nice art: David Aja’s variant cover for Miracleman: The Silver Age #3 § Image Publisher Eric Stephenson did the interview rounds this week for the return of Nowhere Men and the one at AV Club has perhaps the most inside Image info, like this on how pitches are accepted: AVC: When you’re pitched a […]

1 Comments on Kibbles ‘n’ Bits 1/21/16: The King of Comics and getting dragged to cons by kids, last added: 1/21/2016
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17313. WJT Mitchell on Pixar’s The Good Dinosaur

51BPDiPBvVL._SY344_BO1,204,203,200_

From WJT Mitchell’s review of Pixar’s The Good Dinosaur, live at the LA Review of Books:

The Pet Collector reminds us of the most fundamental role of language: the ability to name things, and by doing so, to make them belong to us, and we to them. (The naming of and “dominion over” animals are central to Adam’s role in the Garden of Eden.) But the Collector doesn’t just take possession of his adopted family of animals; in his excessive abundance of attachments, he is clearly also possessed, and appears to be a fearful hoarder of living things. Arlo, by contrast, only needs his one companion, Spot, and he is comfortable with letting Spot go when he finds a human family to join at the conclusion of the film.

All this reeks of what anthropologists used to call totemism, the adoption of natural things (animals and plants) as kinfolk and symbols of kinship in so-called primitive cultures. The problem is that dinosaurs were unknown to primitive cultures; they are a thoroughly modern discovery, never named, classified, or adopted until the British paleontologist Richard Owen proclaimed their existence in 1843. Could it be that modern cultures need totemism too? Freud’s Totem and Taboo argued that totemism was obsolete in the modern world, while taboos still abound. But he failed to consider the possibility of a distinctively modern totemism, in which the animal counterpart and companion to the human species is an extinct family of prehistoric animals discoverable only by modern science. Dinosaurs provide the perfect Darwinian allegory for the human race — namely, the possible (or should we say highly probable) prospect that human beings could wind up just like them — extinct. That, it seems to me, is the best explanation of the strange array of contradictory attitudes toward dinosaurs as popular icons. They are friends and companions, on the one hand, and feared enemies, on the other. They are ferocious wild animals and domestic pets, vicious predators and peaceful vegetarians. In short, they are a mirror of all the varieties of our own human species, distributed across a genus of extinct animals that exist only in the realms of unbridled imagination and biological science — a perfectly modern combination.

To read the review in full at LARB, click here.

For more information about Mitchell’s The Last Dinosaur, click here.

 

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17314. Calling all Frostyphiles!

Snowmen at Work

By Caralyn Buehner, pictures by Mark Buehner

 

If you are a Frostyphile or if you’re sympatico with snowmen, have I got the book for you this winter!  And if you’re an I Spy fanatic who loves poring with your children over picture book pages looking for the hidden figures an illustrator has hidden carefully here and there, you’re in for a double treat in Snowmen at Work.

Husband wife team of Mark and Caralyn Buehner, New York Times Best Selling creators of Snowmen at Christmas and Snowmen at Night plus Snowmen All Year, have come up with a frozen host of hardworking ice men and women AND hidden a cat, mouse, T-Rex and rabbit in each picture. My husband had a laugh at my expense as he airily pointed out the four figures on each page. To lessen the frustration level, if you’re like me, the Buehners have kindly put a key to the lost rascals on the inside of the book jacket. It can come in mighty handy when the child you’re reading to, is finding everything and all you can say is, “Where is that?”

Now, back to those hardworking snowfolk. First of all, kids are in the know on these things. All snowmen come alive at night when we humans are fast asleep. Personally, I’ve been suspicious for years, as they never look quite the same the next morning after you’ve rolled them into shape on the front lawn. They’ve changed ever so slightly, and why not? According to Snowmen at Work, they’re a busy bunch with a host of jobs, same as we humans. Only difference is, they serve the snowperson community as snow removers, dentists who drill bits of coal to make a smile brighter, snow mechanics whose specialty of the day may include straightening the runners on a sled (while you wait), snow grocers who stock, why natch, frozen peas and Frosty Flakes and ice cream of course, snow pet stores where a snow pup may be had, snow teachers who teach snow kids to spell important words like REFRIGERATE and ANTARCTICA and even snow-librarians who eagerly read stories of brave snow knights fighting those scary dragons. There’s a whole bunch of snow people busy, busy, busy while we’re fast asleep in our beds and kids will revel in the cold, colorful, cuddly and even camouflaged ones in the picture that are happy in their work! 

So next time you’re out at night, cast a glance at the truck delivering frozen foods to town. If the driver has a carrot nose and two eyes made out of coal, it’s only Snowmen at Work! My favorites are the frozen pizza delivery snowman who delivers and the firefighters who rescue snow cats stuck in trees. This book is magical and made for a read aloud!   

 

 

 

 

 

 

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17315. Beginning readers - bookwraps to help













Do you have a little one in your family that is just on the cusp of reading?  It is a very important milestone in his life, so how you approach it can make a lifelong difference in his attitude towards reading.  Always make book sharing and reading aloud to each other a priority.  Anytime and anyplace is always the best choice.  

Curling up with a good book together with your child on your lap or snuggled close in beside you gives him a feeling of security and of this being a special time indeed.  The love of reading flows as you engage in the book and the words flow between minds and hearts. This is a time that the adult in his life has put aside his/her very busy scheduled life and has chosen to spend quality time with an excellent book and that wonderful little person in his life.  

These sessions should never be long or dragged out.  Make them times of anticipation and just plain fun.  When your budding reader is reading out loud and gets stuck on an unfamiliar word please don't have him sit there and try to sound it out over and over again.  That can cause anxiety and frustration and a lack of self-confidence in his ability to read.  Instead just gently give him the word and keep the flow of language and the ideas of the story going.  So many times parents get hung up on this aspect and it is a losing tactic. 

 Reading time together should be a stress-free, let's-read-another book-together-time.   I have compiled a list of books that are perfect for kids to enjoy and feel successful when conquering that printed word set before them.  





THE EASIEST EASY READER BOOKS




Ball. This is one word book. Now you may be asking yourself what is the purpose of reading books with only one word. One word: Confidence.  It’s comic book-type layout gives a sense of accomplishment. Learning to read is not just about decoding letters and sentences. The word, “ball” is used to express emotion, convey action and reveal character. By reading this book, kids synthesize text, story, illustration and understand that words convey pathos, climax, and dénouement. This is crucial for reading comprehension.




Hug. A baby gorilla is searching for his mom, using a single word, “hug”. Like Ball (see above) the single word is important, and even a single word can convey dramatic structure and emotions. The more beginning readers can feel connected with a story, they more likely they are to read it. Also included are the words, “Bobo” and “Mommy.”



Orange Pear Apple Bear. Like Ball and Hug, this isn’t necessarily meant as an easy reader, but you can use it as such. Emily Gravett is a favorite author and this book uses the same 4 words in different sequences until the end, when a 5th word, “There!” is used. Kids can use the illustrations to decode words they don't recognize (orange, pear) because they have to pay attention to read them in the correct order on each page. The book is just plain funny and clever.



The Flip-a-Word books are not so much story books but an exercise in recognizing word family patterns. Each book includes three word families. For example Quack Shack, looks at -ack, -ick, and -ock words. As kids flip the pages, they see the same pattern revealed in a page cut out. At the end of each section the words are reinforced through simple phrases. Some of the pairings are a little silly, which kids will love I'm sure.




Up, Tall and High is another book with a very limited vocabulary. The book consists of three stories in which birds humorously contemplate three states of being (three guesses!). Fold out pages add extra interest and this book is also great for reading aloud to toddlers and preschoolers. Another good source is using Ethan Long’s Clara and Clem books from Penguin’s Young Reader series.



Cat the Cat, Who Is That? I love this series from Mo Willems. There is something so charming about the repetition. Only Willems can make a story so simple (saying hi to a slew of animals with names like “Duck the duck” and “Fish the fish”) yet still bring a smile.


EASY READER BOOKS – A SLIGHT STEP UP





See Me Run. Meisel has two “I Like to Read” about dogs going about their doggy business. Very simple words and lots of repetition made this a good choice. There is action, a bit of suspense (what will the dogs dig up?) and a lot of humor that keeps kids interested. 



More so than most publishers, I find Harper-Collins’ “I Can Read” books at the “Shared My First Reading” level, the most reliable source of appropriately leveled books for emerging readers. They have great repetition and words that kids can actually sound out. After a few attempts at sounding out please just give your child the word. 


Elephant & Piggie. These books are so popular I hardly need go over any plot points with you. Most parents I talk to started out reading Willems books about Gerald the Elephant and Piggie aloud to their preschoolers, but they are actually written to be easy readers.  I like that the books are longer than other typical earlier readers, although the text is nice and sparse so pages go quickly. Once your kid is hooked on Elephant and Piggie there are at least 20 more to keep him reading.




Mittens series. Mittens is the feline equivalent of Biscuit (see above). Each book has a bit of a mystery: where is Max? what’s that noise, etc. that encourages kids to keep reading and brings a smile to their faces when they come to the answer or can predict ahead of time what it is. There are a few longer words that they may need help with like “scratching” but since the mystery keeps them going, they won't get frustrated.


 

What Will Fat Cat Sit On?  These books are absolutely hilarious for read aloud storytime, but their simple, rhyming text made them terrific early reader books, too. Plus, they are super duper funny!
Do you have an emerging reader? What books do you find useful?


I truly hope that this has helped you with your new emerging bookworm.  It is very important that a child not only acquire the skill of reading but also the love of reading.  There are tons of fabulous books to chose from and always remember lean towards what your child is interested in while determining which book to get.  May your day be filled with interesting, adventurous, fun words that are packed between the covers of a great storybook. 






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Go to the top of my blog on the right hand corner (above my photo) and please donate what you feel lead to give.  The amount you donate and the frequency you donate is totally up to you.  I thank you in advance for your support.  I love what I do and appreciate any amount that you may give so I can make our community even better.  Thanks a million! 



Read on and read always!


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17316. PubCrawl Podcast: Interview with Beth Revis

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This week JJ talks with New York Times bestselling author Beth Revis about her publishing journey, revision, how she learned to revise and critique, and what she’s reading and enjoying!

Subscribe to us on iTunes, or use this feed to subscribe through your podcast service of choice! If you like us, please leave a rating or review, as it helps other listeners find the podcast. Thanks in advance!

Beth SquareBETH REVIS is the New York Times bestselling author of the Across the Universe trilogy, as well as The Body Electric, Paper Hearts, and the forthcoming A World Without You. She lives in the Appalachian mountains with her boys: one husband, one son, and two very large dogs. You can find out more on FacebookTwitter, or online. If you never want to miss a thing and also get exclusive insider opportunities, sign up for her newsletter here.

Show Notes

  • Our previous podcast episode about revision, as well as all the articles we’ve ever written about Revision on PubCrawl!
  • The podcast episode where we discuss the vagaries of The New York Times bestselling lists
  • Learn to revise by editing! Beth learned to revise by practice, and by critique other people’s work. JJ learned to revise by editing other people’s manuscripts.
  • Creation vs. Discovery writers, or rethinking the Plotter vs. Pantser dynamic by JJ

Beth’s method of revision

  • Approach your booze of choice.
  • Make up a list of all the changes that need to be made.
  • Take out all the compliments.
  • Work chronologically through the manuscript.
  • Beth uses the split screen function on Scrivener, with the old version on top and new on bottom.
  • Go through the list of changes and work page by page.

What We’re Working On

Just to let you guys know, both JJ and Kelly will be doing an AMA at the /r/YAwriters subreddit on MONDAY, JANUARY 25TH. Come and ask us questions about publishing, revision, and whatever else might cross your mind!

What We’re Reading

Off Menu Recommendations

  • Jessica Jones (TV show)
  • Daredevil (TV show)
  • Bojack Horseman (TV show)
  • We Bare Bears (TV show)
  • Steven Universe (TV show)
  • Adventure Time (TV show)

Paper Hearts: Some Writing Advice

Paper HeartsYour enemy is the blank page. When it comes to writing, there’s no wrong way to get words on paper. But it’s not always easy to make the ink flow. Paper Hearts: Some Writing Advice won’t make writing any simpler, but it may help spark your imagination and get your hands back on the keyboard.

Practical Advice Meets Real Experience

With information that takes you from common mistakes in grammar to detailed charts on story structure, Paper Hearts describes:

  • How to Develop Character, Plot, and World
  • What Common Advice You Should Ignore
  • What Advice Actually Helps
  • How to Develop a Novel
  • The Basics of Grammar, Style, and Tone
  • Four Practical Methods of Charting Story Structure
  • How to Get Critiques and Revise Your Novel
  • How to Deal with Failure
  • And much more!

Enter for a giveaway of PAPER HEARTS: Some Writing Advice! Beth has generously donated a signed copy!

a Rafflecopter giveaway

That’s all for this week! Next week we return to our regularly scheduled PubCrawl podcast posts and discuss X MEETS Y, or THE HIGH CONCEPT IDEA.

 

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17317. UK Business Entrepreneurs Blew The Chance -Perhaps Time For Foreign Investment In UK Comics?


The original title for this posting was "WHY Are UK Business Entrepreneurs NOT Getting Involved in Comics?"
 
Well, the UK 'entrepreneurs' missed out. They can see the movies and know that comics sell but if it isn't labelled with "YOU will make £1 million first year" and similar business catchphrases for idiots they are not interested.  The idea they have is to jump into a business that will make a lot of money and then sell it and move on.  Nothing long term which means they are not really businessmen more "chancers" -they ought to try Ebay!
But you -that's me- can only run into so many brick walls before you start thinking "is this a good idea?"  Comics -yes.  Running into brick walls -NO.
I think I've chronicled before how I was courted by Japanese businessmen in the early 1990s and how that ended badly.  When the people who want to do business with are insulting and make no secret of the fact they intend to rip people off you do not do business with them.
India I tried.  Over and over again but despite the fact that they had the facilities for economic (cheap) quality printing the idea of even moving out of the comfort of the same-old-same-old just didn't appeal.  I've always respected Indian businessmen and how they can take nothing and build it into a business franchise.  Sad but there you go.
Europe. Well, this seems dominated by high quality printed Franco-Belgian series, US reprints (proving there IS interest in super heroes there) and Manga.  But the reaction is the same from publishers "Why on Earth would we do business with the English?"  I could point out that Olivier Cadic did just that and has established the Cinebook publishing house in the UK successfully -we'll discuss this further on.
China. I have tried but not even responses.  This is a great pity since, as I have written a number of times over the years, China has the businessmen, the financial back-up and access to some of the best quality printing and packaging going (check your trades and graphic novels and see where a lot are printed).  My last posting on this was here:http://hoopercomicart.blogspot.co.uk/2015/12/chinese-investment-for-uk-comics-needed.html
If any country had the businessmen who can see an opportunity and make something of it then that country is China.
Blogger Subzero loves my mega sized postings so he ought to enjoy this!
____________________________________________________________________
This is going to be lengthy. It cannot be done any other way but it is important to make certain points. I doubt I’ll make friends -what’s new there!  


The first major point is this: the UK has no actual “comics industry” and this has been true for a number of years.
 
The “Big Two” of IPC/Fleetway and D. C. Thomson no longer exists –in fact, due to years of bad management and equally bad editorship, Thomson’s sales do not even compare with some small, independent publishers sales.
I would like to present here the last ever Annual Report on The British Comics Industry (ARBCI) I ever produced which was in 2007 –an up-date of the 2006 ARBCI.
It has been repeatedly said that the idea of successful  comic book publishing in the UK is just that –a dream.
The person claiming this has no idea what he/she is talking about.  Between 1990-2003 I produced an Annual Report On The British Comics Industry [ARBCI].  When I began the report was around 70% accurate: by 2000 the reports were up to 90-95% accurate.  Sadly, the ARBCI predicted the quick demise of Neptune/Trident Comics, Mindbenders, Dark Horse UK and others between 1989-1992.
The problem was that these companies had all decided that the buzz-phrase “comics aren’t just for kids” meant that only adults ought to be catered for and catered for with specific genres that might only interest between 7-10% of those buying comics.  Also, the material was published for news stand, yet anyone interested in the strips they contained could quite easily pick up the full U.S. version of the comic –in one go and for much cheaper than waiting a couple of months and spending much, much more.
Even Fleetway/Egmont with its new and trendy titles such as REVOLVER and CRISIS, though very good [I contributed work] were again aimed at a very small percentage of the comic buying market in the UK.  This would not –not- have been a problem had they also been focussing as much time, attention and originality on comics for other age groups. 
 
Sadly, the major problem is that, during the 1960s, comic fans began working in companies and rather than focus on maintaining regular quality and following standard industry guidelines, the “new brooms” began to produce comics they liked.  Interestingly, this is the same situation that occurred in the U.S. at the same time.  By the early 1980s the U.S. market was on the verge of total collapse. 
 
What did the U.S. publishers do?  They offered British creators being paid low fees [for scripts I was paid £35.00 per strip page while the artist received £275 per page] much higher rates.  British creators therefore jumped onto the DC or Marvel ships –and both companies saw their industry go through a rebirth.
In the UK the situation was grimmer.  Editors and management decided that TV had quite literally killed comics as a viable form of entertainment –yet comics were still selling high numbers in the 1950s, 1960s and 1970s.  Again, the problem was the inflexibility of management and this bordered on the verge of “headless chicken” territory.
https://blacktowercomicsandbooks.files.wordpress.com/2011/05/dv-016.jpg
Say a comic, a weekly, sold 155,000 copies at 5p a time [1 shilling in old money].  That was £775,000 a week.  However, if the sales dropped by 1% to 153,450 copies  [ or £767,250] that title was cancelled or merged with another.  Therefore, the profit from 153,450 sales per week were lost.
 In 1954, the EAGLE was selling 750,000 copies per week, but by 1969 this was down to 25,000 copies per week.  Arguably, this is one of the worst drops in sales I have heard of though the reason may well be in the fact that Frank Hampson and the Reverend Morris were no longer in control and those in charge seemed to have no idea how to keep the comic relevant to the changing times.  EAGLE had become a not too very good comic.
Interestingly, in 1963 the Audit Bureau of Circulation [ABC] was created and we can focus in on one particular title to see how sales varied between 1964-1971: the LION.
                   
1964                 313,097
1965                 266,135
1966                 260,409
1967                 265,549    [merged with CHAMPION]
1968                 259,268
1969                 234,954
1970                 236,714    [merged with EAGLE]
1971                 205,766
This was a drop in sales of 107,331 in a nine year period.  However, these were still pretty reasonable figures bringing in a profit –printing used was not expensive.  The truth is that, from 1967/68 on those in charge of companies lost interest or faith in their own product.
https://blacktowercomicsandbooks.files.wordpress.com/2011/05/small-dene-vernon-the-thing-from-below.jpg
Over the last ten years I have talked to businessmen and women in various fields who just cannot believe this was the policy –and when they are shown the documentation to prove it there is either  stunned silence or tutting followed by the words “morons” or “idiots”.  There is absolutely no logic for such cancellations –the  comics’ printing cost nowhere near what they were being sold for.  Profit was literally cut off from the company.
With these cancellations the dogma set in: ”comics are dying out –not worth investing money in”.  This from the people who had cancelled the titles making the profit!  Off course, then one company purchased another and the new management continued the dogma –because the old hands were still on board safe-guarding their jobs and not being willing to even attempt to do a serious re-launch.
We saw IPC-Fleetway split up and eventually Roy Of The Rovers, 2000 AD, Dan Dare and much more were sold off for a quick profit. 
THE COMPLETE PHANTOM DETECTIVE
I can recall on an edition of BBC 2 ‘s (TV) The Money Programme, a senior member of D.C. Thomson’s staff stating that “in ten years the comic will be a thing of the past” –that was around 1984.  Thomson still publishes yearly comic annuals as well as its Pocket War Library, Beano and Dandy.
 
Egmont, sadly, produces what we call “advertising comics”, basically promoting toy and other related merchandise, but with outlets in over 20 countries world-wide has the greatest potential and, in Scandinavia does produce new material and reprint old Fleetway material.
Panini, operating as Marvel UK, is making its mark on the UK market, mainly with UK reprints for the news stand.
Thomson, Panini and Egmont are quite capable of revitalising the UK market. This is not as impossible as some might think.
Where the big mainstream companies started cancelling titles the British Small Press and Independent comic publishers have flourished –many selling out of their titles quickly.  The print runs may only be in the hundreds or 2-3,000 but they have cornered the niche left by the larger companies.
Shane Chebney, who owns and runs the Small Zone mail order service trading in Small Press and Independent comics, mainly from the UK, told me [9thNovember, 2005] that in the last year his sales have risen by 20%  -while mainstream comic sales in shops are said to have dropped.  An indication of a recession in the US market looming for 2006 and a perfect opportunity for the UK to build its industry up.
 
Although the U.S. has its own Independent publishers, as does Europe, the UK appears to be unique in not only the number of publishers but the selection of material they publish.  In Europe, where the same doom and gloom had settled, there has been a strong publishing revival: there were companies that weathered the storm and continued with established comic characters as well as new ones –Standaard Uitgeverij, Dupuis and Casterman shine out.
There is also an international market that can be catered for, whether via comic album series or monthly comics.
Firstly, there needs to be a comic that takes kids from Beano and Dandy onto the next stage of 11+ years comics. The one reason Panini is doing so well is that kids can latch on to U.S. comics from W. H. Smith or local newsagents because they have not yet discovered the comic book speciality store!
A mix of humour and action would be the ideal 11+ comic.  There are still many active long time comic artists who were ‘retired’ early and whose ability to stick to deadlines is proven. All three companies referred to have old characters that could be revived and lead into the new generation of characters.
Obviously the idea of sales of 150,000+ are not likely these days and even the oft quoted “must have” sales of 65,000 per issue [a figure referring to the number of copies printed and not achievable sales even in the late 1980s] is not likely.  The number of copies printed needs to be re-assessed along with format.  If a UK printer cannot handle the printing for a fair price then there are plenty of foreign printers who will.
 
There must be 100% support by company heads for the Managing Editor who would oversee the whole potential comics line.  Someone who is a “penny-cruncher” would be useless in such a position; the job calls for 100% commitment and no doubts.
The Small Press and Independent comics in the UK have shown the way but I feel we need to look at how the European comic industry/comic buying population varies with the UK’s, because this shows some very significant findings.
BELGIUM has a population of 10,152,000 (est. 1999) and within this population those aged 1-14 years of age total 17%, or 1,725,840.  Those between the ages of 15-59 years total some 61%, or 6,192,720, of the population.  These are, of course, the prime ages for comic buyers, though, as they get older, these buyers do not necessarily stop buying comics or comic albums.  The age group of 60+ years totals some 22% of the population, or 7,918,560 people. And the population growth rate for 2000-2005 is 0.1%.
 
Unlike the UK, there are five official languages in Belgium; Flemish (Vlaams) at 55%; Walloon (a French dialect) at 32%; German at 0.6% and bi-lingual totals 11%.  Despite this the country has a fantastic array of comics for both young and old.  Of course, French, German and Dutch publishers can export there without costly reprinting in a foreign language.
 
 Standaard Uitgeverij is a Flemish language publisher, part of the larger DutchPCM Group. It publishes some of the biggest series in the country includingSuske & Wiske –the adventures of two 11 year olds.  Created by Willy Vandersteen in 1947, the duo have had

some 272 comic albums published to date and in many languages, including English editions by Intes International.  Another series of comic albums created by Vandersteen  (taken over by Karel Biddeloo in 1968) is De Rode Ridder (Red Knight),currently at album no. 188. The Kiekeboe series stands at no. 91. A football series,F. C. Kampionen (The Champions F.C.) by Hec Leemans stands at no. 20.  Other titles include the Napoleonic adventure series Bakelandt with 82 albums in the series.
And there are others aimed at pre-school to adults with cover prices ranging from E 3,60-4,50.
Castermans, of course, is the home of Tin-Tin and looking at the company’s 2002 Catalogue is like being a child in a toy shop –the variety!  The company has a large number of album series for 7-10 year olds and a similar variety for 12 years and upward and that includes adults for whom there is a very large selection.

France has a population of 58,333,000 (est. 1996) with 1-15 year old taking up to 19.6% or 11,433,268 of the population. The 15-65 year olds comprise 65.5% or some 38,208,115 while the over 65’s total 14.9%, or 8,691,614.

 Casterman’s, as noted, publish in other European countries and beyond.

Dargaud is another publisher. Set up in 1959, the company caters for all ages and its material can be found translated and published all over Europe; the range of genres and quality puts U.S. companies to shame.
SEMIC is part of  Semic Sweden and has, since 2000, revitalised its publishing out-put by using new and old material and even broke into the U.S. market –no small achievement since English is not its prime language.
Netherlands has a population of 15,575,000 (est. 1996) with the 1-15 years age group comprising 18.4%, or 2,865,800.  The 16-65 years group totals 68.4%, or some 10,653,300 while the those over 65 years equal 13.2% or some 2,055,900.
Again, the Netherlands has a very healthy comics industry catering for all ages and publishing both new and imported material.  Companies include Arboris,Big Balloon BV and so on.

Germany has a population of 82,177,000 (est. 1999) with 1-14 year olds comprising 16% or some 13,148,320.  The 15-59 year olds comprise 61% or 50,127,970 and the 60+ years old group 23% or 18,900,710.
Having lived in Germany as a child and on- and -off thereafter, I have a fair knowledge of the companies there.  In fact, prior to its selling off the Youth division, I did some work for the oldest publisher there, Bastei Verlag. Other companies included Kauka Verlag (Ralf Kauka having been called at times “Germany’s Walt Disney” –he created characters such as Lupo and Fix & Foxi), DisneyEhapa, Carlsen, Hethke and Editions Quasimodo.
 
 These companies were publishing in the hey-days of the 1960s and 1970s, however, in the 1980s both myself and others were looking at Carlsen and taking guesses at how long it could last as a publisher. It looked as though it was doomed to vanish from the scene.  Despite this, Carlsen stormed back with a vengeance and its publishing out-put looks fantastic.
Sadly, Bastei only publishes reprints of its old ghostly stories title.
A shining example of what can be achieved are the efforts of IP & Paul who, with little publicity launched a full colour, glossy comic based on a role-playing game.  
Helden/Heroes had an initial print run of 10,000 copies and the publishers were told that they were over-estimating and that they would have thousands of copies left on their hands –this from those in the industry who “knew better”.  The title sold out so well that the publishers were caught unaware; yet the initial sells were only via the hobby market.  The title sold out and was later translated for the American (not British) market where it was quite successful and several other foreign language versions appeared under license in Europe.
 

 
In 2003/2004 the follow-up, Dorn: Der Morgenstern/Thorn: The Morning Star appeared and did well.  The people at IP & P were not, it must be emphasised, comic professionals but proved that the right comic aimed at the right readership can be a success beyond what you plan.
It is very interesting that Dutch, German, French and Belgian companies get “many orders from the UK” –and some specialist shops will order regularly from European publishers simply because the UK market has “nothing to compare with these comics”.
Canada has also revitalised its comics publishing industry after a very poor period –though publishers such as Aardvark Vanaheim and Vortex weathered this.  Indonesia, Australia and many other smaller countries are also revitalising their industries.
Between 1999-2005 I was consulted by publishers and groups in countries such as Singapore, China, Russia and India on how to develop and maintain a healthy comics industry as well as putting together comic packages for them.
So why is it that the UK, where the comics industry was created and from which some of the best writers and artists sprang, has such a restricted industry?  Why has someone decided and passed along as industry dogma that the UK “cannot” have a fresh and revitalised industry? In all seriousness I have to say that anyone within a publishing house that says this needs to have a change of career.
 
Ace Hart -The Atomic Man...."Justice"

The population of the UK is 58,744,000 (est. 1999). Age group 1-14 years comprise 19% or some 11,161,360, while the core comic buying age group of 15-59 comprises 60% or some 35,246,400. The 60+ age group comprises 21% or 12,336,240.
The UK’s population is almost five times that of Belgium and bigger than France or the Netherlands and yet we publish not even 1% of what these countries do.
Other European countries with very strong comic industries supplying a good variety of material are:~
 Spain, with a population of 39,134,000 (est. 1996) with 1-14 year olds comprising 16.5% or 6,457,110 of the population; 15-65 year olds 68.6% or 26,845,924 and 65+ age group some 14.9% or 5,830,966.
Greece with a population of 10,490,000 (est. 1996);1-15 year olds comprising 16.7% or some 1,751,830 people.  The 16-65 year old group comprises 67.4% or 7,070,260 and the 65+ group totalling 14.9% or 5,830,966+.
Italy has a population of 57,343,000 (est. 1999) and the 1-14s group comprises 14% or 8,028,020 and the 15-59 year olds group some 62% or 35,552,660.
It is worth looking at this overall.
Population Age Group Comparisons


Country         Age group 1-14         Age Group 15-65                        Age Group 65+
UK                   11,161,360                  35,246,400                                  12,336,240

France              11,433,268                  38,208,115                                  8,691,617

17318. Announcing a New Red Light/Green Light Contest!

With a new year under way, many people are focused on achieving goals and starting the year off strong, and that's exactly what our next writing contest is all about: starting strong with your next book! This contest will focus on developing the strongest possible idea or manuscript--whether it’s at the beginning of the writing process, or the final polish before submission. That's right: while writers who are currently trying to snag an agent are welcome, your manuscript doesn't have to be query-ready to enter this contest!

How the Contest Works: On entry day, contestants will submit the first sentence of their manuscript via the entry form we'll post, and the first 50 entries will be given a spot in the contest--25 from our Eastern Standard Time window, and 25 from our Pacific Time window! Then, an agent judge will choose the top 25 entries from the contestants' first sentences. The top 25 will be narrowed down to 10 based on the first two sentences of their manuscript. Next, the agent will read the top 10 contestants' first pages to narrow the contestants down to 5. Lastly, in the final round, the agent will read a pitch + first chapter from the top 5 contestants to determine the winner. Contestants and observers alike will be able to see which manuscripts start with a great first sentence and continue to build a strong foundation all the way through their first five pages, and will hopefully be able to learn something new about what makes a strong start to a manuscript!

Prize: The winner of this contest will have their choice of a 30-minute phone call with one of the following: Martina Boone, author of the Heirs of Watson Island trilogy; Sarah Glenn Marsh, author of the forthcoming Fear the Drowning Deep; our agent judge (TBD!). During this call, you can discuss your work or book ideas, any questions you have about querying and submission, or anything about writing in general--it's up to you!

Remember to check back next Thursday, when we'll announce the contest schedule, rules, and the name of the agent judge!

And remember also: First 5 Pages Workshops open the 1st Saturday each month, and the participants get feedback on those vital opening pages of their manuscript from 3 authors and a literary agent. This is a great opportunity to further polish the beginning of your story to make sure you're starting strong. You can check out the workshops here!

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17319. Blogging, Marketing & Social Media: Three Rules I Break & Why

This is one of those posts that I hesitate to write, simply because there are a whole lot of “You should do X & must do Y” advice that, er, Becca and I do not do. Maybe this costs us sometimes, but it’s what works for us. So, I’m going to pull the curtain back a bit and offer some food for thought.

Before we move on…

There’s no judgements here on what other people do. This is about what Becca & I do. I will try to give my reasons for the choices we’ve made. Mileage may vary.

Monetizing Our Blog

piggy bankYou will notice there are no ads here, no requests for donations, no “tip jar” set up. Have people expressed a desire to tip? Yes. Could we make money with ads based on traffic? You bet. Have people offered to pay us for ad space? Many times. But honestly, Becca and I feel everyone gets enough BUY, BUY, BUY elsewhere, and we don’t want Writers Helping Writers to be bulked up with Google Ads and the like.

So, we’ve chosen not to monetize our blog beyond a few affiliate links to Amazon. If, down the road, we have a sidebar link to another site it’s because we believe in that site’s purpose, not because we’re being paid.

Are we leaving money on the table? Probably. But to us, your shares, referrals and word of mouth about our books, the Writers Helping Writers site, and now our One Stop For Writers library too…these are all the thanks we need.

If you want to support us and what we do, tell a writing friend about us and our work. That helps so much.  :)

Thanking Everyone Who Tweets & Shares

2thanky ouOkay, here the thing. Would I love to do this? Yes. And do I absolutely appreciate the time that everyone takes when they tweet me or share a link? Holy heck, yes! But the reality is that I get so many re-tweets now that to respond to them all I would literally be doing nothing each day but thanking people in tweets.

I know you guys love good writing content, and I try to find it, build it, and share it. I am betting that if asked, you’d say you’d rather me be doing that (and, you know, write more books) than spend that time thanking you for each tweet.

So, I made a judgement call and stick to an occasional “thank you all for the tweets” post. I respond to all conversation though, and always will. I hope you’re all okay with this and understand where I’m at, because I love you guys!

Use Free Incentives for Newsletter Sign Ups

It’s practically the Golden Rule: give something away for free to encourage people to sign up for a newsletter. And…it’s a rule I break, with good reason.

To me a newsletter should be personal, fun, entertaining or have high value. People should want to read it. You can give the best freebie in the world away, but if you don’t follow through with a newsletter that keeps their interest, not only will they unsubscribe right away anyway, their disappointment will probably cause them to hesitate when you do have a book or product for sale.

newsletterThe other reason is because I see people misuse freebies all the time. Even the big marketing gurus who offer free courses or webinars can go too far with the hard sell. I’ve attended more than a few webinars on how to market better, increase newsletter sign ups, build a sales funnel, etc. only to see the same manipulative techniques they teach being deployed in their follow up emails, all in hopes of “up-selling” a coaching service they provide.

Look, I get marketing. After all, girl gotta eat. Becca and I & our collective families? Yep, we gotta eat. Coaching Gurus, well, they gotta eat too.

But when marketing follow up is done poorly, it leaves a bad taste in my mouth. I don’t want anyone to feel that way because of something I do. I’d rather be transparent and just point you right to our Tools For Writers page, which is brimming with free, rather than make you do something to get free things.

(Really, visit and grab what you need. Becca and I like to share this stuff because we believe we should all grow and succeed together.)

When it comes to newsletter, I admit I have a lot to learn. I’m working hard to create ones that give my readers what the need and want. But I’d rather spend time growing my skills and focus on the content than try and entice people to sign up with the lure of “free.”

And here’s the thing…even without freebies, I average about 100 or so new sign ups between newsletters. So I really think it’s about the content, not the sign up freebie. So if you want to offer the free item on sign up, go for it. But make sure your focus is KEE{ING subscribers, not just getting them to sign up.

By the way, I love every one of my subscribers and their willingness to follow my lunatic ravings er, rambles!

That’s my three. What rules do you break and why? Let me know in the comments!

 

Image 1: Mdgrafik0 @ Pixabay
Image2: Ryan McGuire @Pixabay
Image3: Model4you @ Pixabay

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17320. Feed the good wolf

I received Tomorrowland for Christmas and we watched it the other night. I loved every minute – it was especially fantastic as I grew up on the Space Coast just south of Cape Canaveral and have some pretty strong feelings about NASA and Disney’s vision of tomorrow. Here is my favorite quote from the movie though, the parable of good vs bad wolves:

A few days ago I watched a barn fire grow on social media over how a blog post was titled by another reviewer. The fanning of the flames, the giddiness of building the fire, turned my stomach. So much time and energy put toward dragging someone down and all for what? Twenty-four hours later it was done, everyone had moved on and here’s the thing – the blog post said what they wanted it to say, everyone was just pissed over the snarky title.

Yeah. This is what we spend our time on now.

I’ve done it, we’ve all done it, and it’s so damn easy to do it….to just get stuck in something that only lives to spread negativity. I can’t believe how much of my life has been spent living that way.

So, I’m trying to feed the good wolf. I should have been feeding the good wolf all along – I have deep regrets over time spent tending the bad wolf, especially when I was much younger. All I can do now is try to avoid that animal in the future which, by the way, brings me back to the greatness of Tomorrowland. Here’s the full trailer – check it out if you can:

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17321. Memoriam


Three year ago, my darling Andy passed out of my life and out of so many others. Always missed, always loved, never forgotten. Wherever you are my love, I hope you're dancing.

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17322. Jessica Young and James Burks interview for HAGGIS AND TANK

Jessica Young (author) and James Burks (illustrator) dropped by today to interview each other as they talk about their new series featuring Haggis and Tank. Enjoy!



JB: Should we draw straws? Flip a coin? Or dance battle to see who goes first?

JY: I would totally dance battle, but since you’re in CA, and I’m in TN, you can go first. You’re first alphabetically.

JB: Are you more like Haggis or Tank? Why?
JY: I was going to ask you the same thing! My Haggis and Tank proportions vary from day to day. I tend to worry a lot and want things to be just so, especially in terms of my physical space—like Haggis. But if you get me at the right time I can be Tank-ish, too. I love trying new things and seeing new places, and I can be overly optimistic, impulsive, and goofy. Like Tank, I love dreaming up crazy adventures!

(Click the image to see it larger in a new window.)
JY: All right, I'm still going to ask it: What about you? Haggis or Tank?
JB: We are just two peas in a pod. I’m also a little bit Haggis and a little bit Tank. (That sounds like an altered version of a Donny and Marie song.) I like to feel like I’m in control of what’s happening in my life like Haggis. But I also love to live life to the fullest like Tank. I’m always up for an adventure. Life is short and I want to collect as many experiences and memories as I can.

JB: How did you come up with the idea for Haggis and Tank? What made you choose a Scottish Terrier and a Great Dane?
JY: Haggis and Tank started as a picture book—Not a Knot—about a girl learning to tie her shoelaces. After wrestling with the all-dialogue text, I realized it wasn’t working. My brilliant critique partners and agent suggested turning it into a chapter book. The main characters evolved into a doggie duo, the setting changed to a pirate ship in order to keep the knot/not wordplay (the only thing I kept from the original text), and I wove in other homophone-based misunderstandings throughout the story. I’ve always been fascinated with Scotland, hence the Scottie named Haggis. (Elizabeth piping in here: YAY!) And one of my roommates after grad school used to have a Great Dane who was a real character. She probably influenced my choice for Tank. Also, I wanted the characters’ physiques to be as different as their personalities.
JY: When you get a new manuscript, what's your process? And when you write and illustrate a story, does the drawing ever come first?
JB: The first thing I do when I get a MS is read through it. Then I ask myself: Are the characters interesting? Will it be fun to work on? Is it different than what I’ve done before? If I can answer yes to all of those then I’ll start working on designs for the characters. I’ll explore different shapes and features until I find something that I can draw from almost any angle with a wide range of expressions. I want to make sure the characters are able to move around on the page and act without limitations.
Once everyone is satisfied with the designs, I’ll move on to roughing out the pages. This can be in my sketchbook or in Photoshop. Once the roughs are approved, I’ll do all the final line art and color in Photoshop.
      For books that I write and illustrate, I always start with the character sketch first. If I find the character interesting and feel that he/she/it has a story to tell, I’ll write out an outline with the basic plot points. I’ll send this to my agent to see what she thinks. Once I have a story that my agent and I are happy with then I’ll move on to drawing. From there it’s pretty much the same as above.
JB: Do you want to tell about how we ended up working together on this project?
JY: Yes! I'd been a fan of your work for a long time, and we’d met at the Society of Children’s Book Writers and Illustrators conference in L.A. After seeing some of the sketches you were posting on Facebook, I mentioned to our amazing agent that I thought you'd do a great Haggis and Tank. She asked you if you'd be interested in creating a sample we could submit with the text. And the next thing I knew, Haggis and Tank were staring at me from my computer screen, making me laugh with their hilarious expressions! They were perfect. And our wonderful editor, Katie Carella, thought so, too.

(I just wanted to add this initial sketch that James did of Haggis and Tank. When he sent it to me (Jessica) through our agent and I opened it, it was the first time I "met" Haggis and Tank!)
JY: So what creators inspire you?
JB: I take inspiration wherever I can find it. Charles Schulz and the pre-1970s Peanuts strips are a big influence. I just like how simple they are in terms of the layout and the characters. There’s no unnecessary clutter. Each panel only contains what’s needed to get the idea across. Which is something that I make a point of doing in my own work. I’m also a big fan of Tim Burton. I like his dark sense of humor and the looseness of his line drawings. They just have so much life in them. Walt Disney is another influence. He had a vision and thought outside the box. He made it possible for so many great artists to create such phenomenal works of film and art. I wouldn’t be the artist I am today if it weren’t for the inspiration I’ve gained from studying their work.
JB: What inspires you to create your books? Are there certain authors or illustrators that you admire?
JY: My tastes and interests are pretty eclectic, but as far as inspirations for this series, I’ve always loved wordplay and fun pairs of characters. Early influences include books that experiment with language in funny ways, like Edward Lear’s The Quangle Wangle’s Hat and Shel Silverstein’s Where the Sidewalk Ends, as well as great characters like James Marshall’s George and Martha, Arnold Lobel’s Frog and Toad, and Munro Leaf’s Ferdinand. As far as contemporary authors and illustrators I admire, there are too many to name!

(Click the image to see it larger in a new window.)
JY: What’s your favorite medium, and why?
JB: My books are pretty much all done digitally with the exception of the initial sketches which are done in my sketchbook. I do love the idea of watercolor and would love to one day do a book using it. I just love the looseness of it. I always want to retain as much life in my work as possible. I want the characters to live and breathe on the page, and I think watercolor could push it even further. I just need to work with it a bit more before I can attempt to use it for an entire book.

JB: What do you like to do when you’re not writing children’s books?
JY: My other favorite things to do are hanging out with my family, cooking, playing music with my kids, and drawing when I get the chance. I also love dancing, swimming, and riding my bike, but I need to work on doing those activities more often.

JY: I know exercise is an important part of your life. How do you balance work and family and keeping healthy?
JB: Three years ago I looked in the mirror and didn’t like what I saw. So I made it a priority to get in shape and to take better care of myself. I don’t so much watch what I eat as much as I make sure to get plenty of exercise. I run, bike, or swim pretty much six days a week. The key for me is to not make excuses why I can’t exercise. I make time for it. I make it a priority. I make it a habit just like brushing my teeth. It makes me feel good and most days this spills over into my work and the time I spend with my family. It has changed my life.

JY: Okay, speed round: You're Tank. Where would you convince Haggis to go on an adventure, and what would you eat?
JB: If I were Tank I think I’d convince Haggis to bike across the United States. We’d eat all of the great foods from all the places we’d pass through. Haggis could ride in the sidecar and I’d do all the pedaling. It would be an epic adventure!

JY: Do you like black licorice?
JB: No. Black licorice is my kryptonite. (Well, that and drawing horses.)

JY: As you know, my kids are huge fans of yours. They especially love your Bird & Squirrel series. What are you working on now?
JB: Currently I’m roughing out the fourth Bird and Squirrel book. I’m also writing the follow up to my next picture book, Pigs and a Blanket (April 5) for Disney/Hyperion.

JB: What about you?
JY: I have a couple of picture book manuscripts I’m working on. And an unfinished novel I’ll go back to one day. And some other top-secret surprises!

JY: Thanks so much for doing this with me! I learned a lot!
JB: I had a blast. I can’t wait to see what Haggis and Tank have in store for us in the future. Onward and upward!

About Haggis and Tank Unleashed:
      Tank is a clumsy, outgoing Great Dane. Haggis is a dapper and grumpy Scottie dog. In the first book in the series, Haggis and Tank set sail as pirates. At first, Haggis doesn’t see what Tank does–that an adventure awaits them with just a little imagination! But soon, Haggis joins in the fun and the two friends talk like pirates, swab the deck, and search for buried treasure. This series is full of wordplay and homophones that make Haggis and Tank’s adventures even more fun!

Reviews:
Kids dipping a toe into the waters of early chapter books will find themselves challenged by the text while simultaneously enticed by the alluring art. These salty sea dogs put the bite back in buccaneering. — Kirkus Reviews (Whole review here.) Odd-couple antics, loads of goofy humor, and an appealing comics/early reader format make for an all-around entertaining read. — Publishers Weekly (Whole review here.) “a must-have for the difficult-to-fill niche for readers transitioning from picture books and beginning readers to early chapter books.” –School Library Journal

Illustrations from Haggis and Tank Unleashed written by Jessica Young and illustrated by James Burks. Illustrations © 2016 by James Burks. Used with permission from Branches/Scholastic Inc.

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17323. World Read Aloud Day -- Friendship Week



How does reading help us connect and make the world friendlier?

It gives us something to talk about -- BOOKS! What a blessing to belong to communities of readers, where the currency for a good conversation is as cheap and easy as "What are you reading now?"

And how does read aloud do the same thing? By giving a classroom full of diverse readers lots of books in common to use as reference points and compass points and discussion points.



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17324. David Bowie: Everything has changed, he changed everything

Though David Robert Jones, the boy from Brixton, is no longer with us, David Bowie, the artist, through his music, films, plays, paintings, and explorations of gender, sexuality, religion, love, fear, and death, remains.

The post David Bowie: Everything has changed, he changed everything appeared first on OUPblog.

0 Comments on David Bowie: Everything has changed, he changed everything as of 1/21/2016 5:14:00 AM
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17325. Morton Salt Creates A 90-Second Short To Sell Its Ice Melter

Selling a salt-free ice melter can't be easy, but this spot for a Morton Salt product does an effective job of communicating its value to dog lovers through a short story.

The post Morton Salt Creates A 90-Second Short To Sell Its Ice Melter appeared first on Cartoon Brew.

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