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Nathan Bransford is the author of JACOB WONDERBAR AND THE COSMIC SPACE KAPOW, a middle grade novel about three kids who blast off into space, break the universe, and have to find their way back home, which will be published by Dial Books for Young Readers in May 2011. He was formerly a literary agent with Curtis Brown Ltd., but is now a publishing civilian working in the tech industry. He lives in San Francisco.
1. Page Critique: Vagueness tends to deflate a mystery



If you would like to nominate your page for a future Page Critique, please enter it in this thread in the Forums.

First I'll present the page without comment, then I'll offer my thoughts and a redline. If you choose to offer your own thoughts on the page, please be exceedingly polite. We aim to be positive and helpful.

Random numbers were generated, and thanks to Justin McKean, whose page is below:
The taller stood near the third floor window, scanning the crowd of parade-goers lining the streets. He turned to the shorter and smiled.
“Bigger crowd, yes? Than last year?” the shorter said.
“Last year wasn't as big a deal. Oop – here we go.”
The shorter crossed to the window as well, standing carefully back from it. Outside the number 150 was blazoned on just about everything. One hundred fifty years since the Great Tomes revealing the Builders had been discovered.
A troupe of actors passed, playing out one of the Tome stories. The Tomes claimed an ancient enemy had chased the Builders across the sky and that they had died in a final stand, here, at the valley of Safehaven. Debate about the veracity of the texts shook academic halls for over a century.
The crowd roared. The King arrived, waving and laughing. Richard was in his sixth year as King. Kind, fair, savvy enough to throw a good party regularly, King Richard was the most popular monarch the realm of Safehaven had seen in generations.
The crowds' adulation continued but the King's laughter abruptly stopped because of the arrow which seemed to suddenly appear in his throat. He fell to his hands and knees, then began to get back up again, falling as a second arrow pierced his sternum. The crowd still screamed his name. It took another moment for the tone to change from praise to horror.
Authors sometimes have a tendency to want to create mystery by withholding information. This is a natural impulse, but it can be a very dangerous business.

In this case, while I am definitely intrigued by this world and this king who got rather abruptly shot with an arrow, I kept thinking, "Taller what? Shorter what?" Are these people? Gnomes? Squirrels?

It's so important to pick and choose what you decide to reveal and withhold. This scene would be no less mysterious if we had a better mental image of the people/gnomes/squirrels observing this action, and in fact it would perhaps even heighten the intrigue. Are these people in on the assassination? Are they horrified?

And throughout this page, specificity would go a very long way. My thoughts below are only directional, the author alone knows what's really going on in this scene, but hopefully will illustrate how things can be improved with a bit more illustrative detail.
The taller man stood near the third floor window, scanning the crowd of parade-goers lining the streets. He turned to the shorter his colleague Igor and smiled.
“Bigger crowd than last year, yes? Than last year?Igor said, twirling his uneven mustache.
“Last year wasn't as big a deal. Oop... here we go.”
Igor crossed the dark room to peer out the window as well, standing carefully back from it. Outside, the number 150 was blazoned on just about everything banners, on signs, on balloons, and capes [be specific to create a better mental picture for the reader]. One hundred fifty years since the Great Tomes revealing the Builders had been discovered.
A troupe of actors passed, playing out one of the Tome storyies of the sky chaser ["one of the stories" is vague, better to be specific]. The Tomes claimed an ancient enemy had chased the Builders across the sky and that they had died in a final stand, here, at the valley of Safehaven. The actors, wearing flowing blue tunics, leaped and twirled in a pantomime of a race through the heavens. Debate about the veracity of the texts shook academic halls for over a century.
The crowd roared. The King had arrived, waving and laughing. Richard was in his sixth year as King. Kind, fair, savvy enough to throw a good party regularly, King Richard he was the most popular monarch the realm of Safehaven had seen in generations.
The crowds' adulation continued but tThe King's laughter abruptly stopped because of the when an arrow which seemed to suddenly appeared in his throat. He fell to his hands and knees, then began to get back up again, falling again as a second arrow pierced his sternum. The crowd still screamed his name. It took another moment for the tone to change from praise to horror.
The arrow still perhaps appears a bit too soon in the narrative and it might be better to have more setup on "taller" and "Igor" and Richard and what exactly is going on during this day, but this redline hopefully illustrates how replacing vagueness with specificity will give the reader a better chance at imagining the action and becoming invested in what happens.

Thanks again to Justin McKean, and if you'd like to have your page critiqued you can enter it here.

Art: Coronation of Nicholas II and Alexandra Fyodorovna by Laurits Tuxen

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