I don't think I'm the only one to use music to get me in the mood for writing. In fact, some novelists add to the back page a playlist of the tunes they have used while creating their works of genius.
The thing is, quite a lot of my writing has been done outside the house. This, for example, is being written on the Watergardens train, on the way to my first day at work for 2015. So it's done to the music of train whistles, powered doors closing and wheels on the rails. I wrote most of Crime Time: Australians Behaving Badly at the Presse Cafe in Elwood, because at the time I was on dialup and I had used most of my twenty hours per month of download time; the Presse has free wifi - and no background music, thank heaven!
But I do have days - and late nights - when I set up my laptop in the living room, put on the kettle and get stuck into my latest WIP. At those times, I like to get in the mood with the appropriate music or even, occasionally, movie.
If I'm writing a mediaeval fantasy, for example, I might play some early music. That can sometimes be a problem because I used to learn Renaissance dance and a sprightly galliard tune will get me out of my seat and doing galliard variations, or a pavane to the Boar's Head Carol. Actually, you really need a partner to do the pavane properly, but never mind. I do it, and it takes me away from the writing. Not for long, though, and when I return I'm energised and keen to write more.
For a battle scene I like epic film music, Miklos Rosza or Elmer Bernstein for preference, but Howard Shore's Lord Of The Rings music will do nicely.
When I was working on the edits for Wolfborn, my mediaeval werewolf novel, I put on my DVD of Ladyhawke, that lovely film in which two lovers are cursed never to be together because he's a wolf by night and she's a hawk by day, and I'd be lying if I said it didn't influence me. The music isn't mediaeval style, but it sets the right mood.
Monday I absolutely had to finish my first draft of the bushranger story I'm submitting to Ford Street. I'd been stuck halfway, even though I knew how it was ending. I thought the appropriate score would be some Australian folk songs, but I don't have any. Well, I do have one or two CDs somewhere on my shelves that are along those lines, but not quite. Next best was Irish folk music, and maybe some Scottish. And I had CDs of The Chieftains, the Bothy Band and Silly Wizard. There are also Clannad and Loreena McKennett, but they don't have quite the same flavour, too much singing, not enough of the traditional instruments. I needed music that might have been heard by Frank Gardiner and his merry men, penny whistle, fiddle, accordion, bodhran...
It was amazing how easily I managed to finish the draft while that music was playing. It worked so well, I managed a second draft.
I wonder, now, if playing music will help me choose a title...
The thing is, quite a lot of my writing has been done outside the house. This, for example, is being written on the Watergardens train, on the way to my first day at work for 2015. So it's done to the music of train whistles, powered doors closing and wheels on the rails. I wrote most of Crime Time: Australians Behaving Badly at the Presse Cafe in Elwood, because at the time I was on dialup and I had used most of my twenty hours per month of download time; the Presse has free wifi - and no background music, thank heaven!
But I do have days - and late nights - when I set up my laptop in the living room, put on the kettle and get stuck into my latest WIP. At those times, I like to get in the mood with the appropriate music or even, occasionally, movie.
If I'm writing a mediaeval fantasy, for example, I might play some early music. That can sometimes be a problem because I used to learn Renaissance dance and a sprightly galliard tune will get me out of my seat and doing galliard variations, or a pavane to the Boar's Head Carol. Actually, you really need a partner to do the pavane properly, but never mind. I do it, and it takes me away from the writing. Not for long, though, and when I return I'm energised and keen to write more.
For a battle scene I like epic film music, Miklos Rosza or Elmer Bernstein for preference, but Howard Shore's Lord Of The Rings music will do nicely.
When I was working on the edits for Wolfborn, my mediaeval werewolf novel, I put on my DVD of Ladyhawke, that lovely film in which two lovers are cursed never to be together because he's a wolf by night and she's a hawk by day, and I'd be lying if I said it didn't influence me. The music isn't mediaeval style, but it sets the right mood.
Monday I absolutely had to finish my first draft of the bushranger story I'm submitting to Ford Street. I'd been stuck halfway, even though I knew how it was ending. I thought the appropriate score would be some Australian folk songs, but I don't have any. Well, I do have one or two CDs somewhere on my shelves that are along those lines, but not quite. Next best was Irish folk music, and maybe some Scottish. And I had CDs of The Chieftains, the Bothy Band and Silly Wizard. There are also Clannad and Loreena McKennett, but they don't have quite the same flavour, too much singing, not enough of the traditional instruments. I needed music that might have been heard by Frank Gardiner and his merry men, penny whistle, fiddle, accordion, bodhran...
It was amazing how easily I managed to finish the draft while that music was playing. It worked so well, I managed a second draft.
I wonder, now, if playing music will help me choose a title...
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