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The Ramblings of A Few Scattered Authors. 15 British children's authors from the SAS (Scattered Authors Society) get together to tell it like it really is. Tips on writing, not-writing and all the assorted hopes, dreams, fears and practicalities of our profession.
1. Why I'm a Happy Hybrid, by Jenny Alexander

Today we have very welcome guest post from Jenny Alexander, who continues the discussion started by Nicola Morgan and Diana Kimpton on self-publishing.

In recent posts, Nicola Morgan wrote: ‘Why I don’t want to self-publish again’ and Diana Kimpton: ‘Why I’ve switched to self-publishing’ -  and both of them made points I completely agree with. I’m like the characters in the supermarket ad - ‘I like this one... but I also like this one!’ I’m just delighted that now we have a choice.

I’ve got two books in the publication process at the moment, one with a traditional publisher and one that I’m publishing myself.

The Binding will be published by A and C Black, in February 2015.


 I like this one because:
  • I’ve got a brilliant editor who loves the book – which is very affirming!
  • I haven’t had to do anything except some light edits and help in choosing the cover.
  • A team of top experts have taken care of all the design so I know it will be a top quality product.
  • I’ve been paid an advance and will receive royalties.
  • In an increasingly competitive market, there’s still kudos in being traditionally published.
  • I won’t be completely on my own with promoting and marketing.
  • My agent will be taking it to Frankfurt, seeking foreign deals.
    Writing in the House of Dreams will be published by Five Lanes Press (ie me) on October 15th 2014.


    I like this one because:
    • I’ve had complete creative control.
    • I’ve set my own publication date and chosen my own sales channels.
    • I know it will stay in print for as long as I want it to'
    • I’ll earn a far higher royalty on units sold'
    • It’s felt completely empowering to be able to give it a chance.
    Before the self-publishing option was available, this child-of-my-heart book would have sat on my shelf, gathering dust. I know it’s of publishable quality because my agent was happy to represent it and the feedback we’ve had from publishers has been entirely positive, including such comments as ‘I found it gripping’ and ‘I read it in a single sitting,’ which is pretty good for a non-fiction book. The reason most of them gave for rejecting it was that the subject is ‘too niche for the market.’

    Because it’s hard to get traditional publishers to take on books which don’t have mass-market appeal these days, experienced authors are increasingly turning to self-publishing for their hard-to-place and out-of-print books and therefore the self-publishing route is becoming more respectable.
    Self-published authors can join professional societies such as the Society of Authors on the strength of their sales figures, and submit their books for literary prizes. Self-publishing is no longer always the second choice, and I won’t be looking for a traditional publisher for my second book about writing, When a Writer Isn’t Writing. Here’s a sneak preview of the cover.


    I definitely hope to go on being traditionally published as well, but it feels a lot less difficult and soul-destroying trying to sustain a writing career in such a sales-driven market now that I know everything I write which is of publishable quality will be published, because I can do it myself.

    Jenny's website is: http://writinginthehouseofdreams.com

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