"So she laughed." I remember a moment in Hero & the Crown where Aerin is so distracted by a rash on her neck from plant sap that her wizard uncle can't quite make her afraid or enchanted with his words. That real detail stuck with me. A physical thing. A mundane thing in the midst of magic and drama. Those are good story choices. I can't remember now if I was thinking of that when I wrote this scene, but perhaps. Here what keeps Enna grounded is a laugh. A realization of the absurd. That works for me in real life too.

"Enna-girl": This is the nickname Razo calls her. In this scene, I think it's interesting that she gets strength by thinking of herself the way that Razo sees her, not the way Sileph sees her. Or even Isi or Finn. The laugh. The ridiculous. The absurd. And...I think I just broke a rule about not trying to interpret my own story for you. Hopefully you'll forgive me this once. As much as I don't want to place myself as the Voice of Authority, it might be interesting to know that writers like me think very, very carefully about word choices, connotations, layers. That stuff English teachers make us analyze.

Sileph: I wouldn't mind if some readers fell in love with him a little bit. Some don't like him from the beginning (my husband always thought he was a douchebag) but some, like Enna did, might fall for him. I don't think Sileph is pure evil. I do think he loved Enna in his way. I think it's tough to have people-speaking. I can understand and feel for him, but I also wouldn't want him anywhere near me or my daughters. I hope some readers did fall for him and when they got to this point, were able to take a step back with Enna, and say, that was an abusive relationship. That is not the kind of person I want in my life.

"Then there was wind." Gives me chills. I know I wrote it, but if my own writing doesn't affect me emotionally then it fails. I work at it till it does.

The other day we were outside. The weather was uncanny, dark and crackling. The wind was blowing. My hair beat around my head and rose up. I turned to my husband and said, "This is what I am, Sileph! This is what I am!" (teehee) But I honestly love dramatic moments. If I could paint, this is the scene I would paint, Enna in this moment.

Finn!: as I recall, this wasn't in the original draft. I believe it was my husband's suggestion. He thought Sileph was a douchebag. And he always identified with Finn. I think he wanted to vicariously punch Sileph in the face.

Rebecca says, "I feel like this chapter specifically juxtaposes Isi's trip from Kildenree to Bayern. The betrayal she experienced on the first trip versus the bonding and growth of their friendship in the second." Yeah that's a nice thought. I wrote Forest Born in contrast with The Goose Girl too. I hope any of my books can be read alone, but I think FB means so much more if paired with GG.

Nicole asks, "I read that you weren't going to write another book of Bayern, but if or hopefully when you do, do you think you would write it about a character we already know or introduce someone new, like Rin?" I currently have no plans to write another book of Bayern. If I came back to this land one day, perhaps it would be in the future and tell the story of Tusken when he's grown.

Anna asks, "I've always wondered how you pronounced Anidori." However you like! Most say "Ah-ni-dorry" or "Annie-dorry"