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Watch Konstantin Bronzit's film, which also won the top prize at Annecy last year.
The post WATCH: Oscar-Nominated ‘We Can’t Live Without Cosmos’ Premieres Online appeared first on Cartoon Brew.
We all know how it's nice to have a cliffhanger at chapter's end, but how do you go about doing that?
With more and more comics shows popping up around the world, which are the ones worth going to? How much money do people make? And is it worth springing for a full booth or just half a table in artists alley?
Album: The Reality of My Surroundings
What a pure blast of unfettered energy.
As one of the greatest singles in my favorite year for music, “Everyday Sunshine” should have been as big of a single as the Sly & The Family Stone songs that it proudly steals from.
In retrospect, it was probably inevitable that Fishbone would attempt a song like “Everyday Sunshine,” as they turned out to be as hard to pigeonhole into any single style as The Clash or Sly & The Family Stone ever were.
“Everday Sunshine” starts out with a huge blast of joyful horns over funky bass & keyboards and almost issues its thesis statement:
I wish everyday the sun would shine
Take me to another place in my mind
Where everything is beautiful
And no wants or needs
Nor sign of greed
Could rule our soul
As they progress, trading off vocals and harmonizing on the chorus, “Everyday Sunshine” doesn’t even show a hit of being sarcastic or ironic or anything but a full-out plea for, well, everyday sunshine.
And of course, they eventually double-down on that by exploding into a double-time, ecstatically trading off “Everyday, everyday, everyday” until the song finally screeches to its end.
“Everyday Sunshine” performed live in 1991
The post Certain Songs #446: Fishbone – “Everyday Sunshine” appeared first on Booksquare.
kaylapocalypse: Im like wheezing oh my god. This rather off center description of Lord Byron and his (temporary) physician is absolutely fantastically hilarious. Im so pleased. Definitely a worthwhile read.
How To Be A Monster: Life Lessons From Lord Byron
Carrie Frye March 15, 2013
In 1816, a young doctor named John Polidori was offered the position as traveling physician to George Gordon, Lord Byron.
Polidori was saturnine, caustic, ambitious, well-educated and handsome. He had graduated from medical school at 19 (as unusual then as now) and this offer came not a year later. Over the objections of his family, he accepted. Polidori had literary ambitions; here was an amazingly famous poet asking him to join him on a tour of the Continent.
It must have felt like fate was tugging him along. In confirmation of how well things were going, a publisher offered him 500 pounds to keep a diary of his travels with the poet (500 pounds… in 1816).
It was spring. Byron was leaving England forever, a cloud of infamy hanging over him. (He is one of the few people you can write something like that about and have it be true; that is part of why he’s so satisfying.)
He had a carriage made, modeled after Napoleon’s, this a measure of his own sense of emperor-like preeminence in the world. Byron was, even by the standards of the time, a chronic overpacker: china, books, clothing, bedding, pistols, a dog, the dog’s special mat, more books, a servant or two, and Polidori, buzzing like some excited insect, were all packed away. (One account has a peacock and a monkey making the trip too.)
The carriage was so overloaded it kept breaking down. The doctor kept breaking down too, with spells of dizziness and fainting, and the patient had to look after him. They progressed this way through Belgium and then up the Rhine. When they reached their hotel in Geneva, Byron listed his age in the hotel registry as “100.”
If you have any interest in Mary Shelley’s Frankenstein or vampires or Romantic poets or, who knows, Swiss tourism, you’ve most likely read Polidori’s name.
He’s a curio, Polly Dolly, most notable not for what he wrote but for being nearby when other people wrote things. It’s a strange afterlife; to think you’ve landed a leading role, and then there you are, on stage, sure, and with big names too, but fixed to a mark far upstage and over to the left, near the wings, in the half-dark where the spotlight doesn’t quite reach. “Poor Polidori.” That’s how Mary Shelley referred to him, writing years later. And he was. Here is how he creeps into letters, like this one written by Byron: “Dr. Polidori is not here, but at Diodati, left behind in hospital with a sprained ankle, which he acquired in tumbling from a wall—he can’t jump.”
It was John Polidori’s misfortune to be comic without having a sense of humor, to wish to be a great writer but to be a terrible one, to be unusually bright but surrounded for one summer by people who were titanically brighter, and to have just enough of an awareness of all of this to make him perpetually uneasy. Also, he couldn’t jump. Poor Polidori.
One short story he wrote, though, remains important, a vampire story that was read across Europe when it came out and led the way to Dracula. But even that story was not all Polidori’s own. In a nice bit of literary vampiricism, he fed off a sketch by Byron to write it and the story was first published under Byron’s name (hence all the attention it got), so he’s instructive, too, as a reminder of all that writers and vampires have in common…
By: Jerry Beck,
Blog: Cartoon Brew
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, Feature Film
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, Jason Ryan
, SPA Studios
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By: Heidi MacDonald
Blog: PW -The Beat
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, Julian Lawrence
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You can go for years reading comics and come upon plenty of bizarre works, but at least understand where these are coming from. It’s more rare to hit on one that are more confounding, the ones that make you ask questions like “Where did this come from?” and “Who would do this?” So it is […]
By: Jerry Beck,
Blog: Cartoon Brew
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, Audu Paden
, Eric Goldberg
, Jerry Eisenberg
, Marv Newland
, Michael Rianda
, Michel Gagne
, Nneka Myers
, Stevie Vallance
, Tony Benedict
, Toronto Animation Arts Festival International
, Willie Ito
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Hanna-Barbera legends Willie Ito, Jerry Eisenberg, and Tony Benedict will also be guests in Toronto this spring.
The post TAAFI: Eric Goldberg, Michel Gagné, Michael Rianda Confirmed As Guests appeared first on Cartoon Brew.
A couple of snap polls on Twitter suggest that people pick up comics for many reasons, but here's our own comprehensive poll -- vote often and early!
Big estimates have allowed Fox to turn on the green-light
Universal Pictures unveiled a first look video for the Jason Bourne movie during the Super Bowl. The video embedded above offers glimpses of Matt Damon taking on the the titular role.
According to Variety, other members of the cast include Julia Stiles, Alicia Vikander, and Tommy Lee Jones. The story for this film adaptation comes from the thriller book series written by Robert Ludlum and Eric Van Lustbader.
USA Today reports that Paul Greengrass served as the director for this adaptation project. The theatrical release date has been scheduled for July 29. (via The A.V. Club)
Photo by: Ariel Uribe for the Chicago Maroon.
Full of “blood and thunder“—words for the Lyric Opera of Chicago’s staging of Giuseppe Verdi’s Nabucco, an amalgamation of quasi-stories from the Book of Jeremiah and the Book of Daniel coalesced around a love triangle, here revived for the first time since 1998. On the heels of its opening—the full run is from January 23 to February 12—UCP hosted a talk and dinner featuring a lecture “Nabucco and the Verdi Edition” by Francesco Ives. That Verdi Edition, The Works of Giuseppe Verdi, is the most comprehensive critical edition of the composer’s works. In addition to publishing its many volumes, the University of Chicago Press also hosts a website devoted to all aspects of the project, which you can visit here; to do justice to the scope and necessity of the Verdi Edition, here’s an excerpt from “Why a Critical Edition?” on that same site:
The need for a new edition of Verdi’s works is intimately tied to the history of earlier publications of the operas and other compositions. When Verdi completed the autograph orchestral manuscript of an opera, manuscript copies were made by the theater that commissioned the work or by his publisher (usually Casa Ricordi). These copies were used in performance, and most of the autograph scores became part of the Ricordi archives. Copies of the copies were made, and orchestral materials were extracted for performances. With the possible exception of his last operas, Otello and Falstaff, Verdi played no part whatever in preparing the printed scores: almost all printed editions of his works were prepared by Ricordi after Verdi’s death in 1901.
Predictably, these copying and printing practices have yielded vocal and orchestral parts that differ drastically from the autograph scores. Indeed, the problem of operas performed using unreliable parts and scores dates to Verdi’s own lifetime. After the premieres of Rigoletto, Il trovatore, and La traviata, for example, Verdi wrote to Ricordi on 24 October 1855: “I complain bitterly of the editions of my last operas, made with such little care, and filled with an infinite number of errors.”
Copyists and musicians who prepared these errant printed editions were not consciously falsifying Verdi’s text. They merely glossed over particularities of Verdi’s notation (e.g., the simultaneous use of different dynamic levels—“p” and “pp”, for instance) and altered details of his orchestration, which differed considerably from the style of Puccini, whose music dominated Italian opera when the printed editions of Verdi’s works were prepared. These editions, which in certain details drastically compromise the composer’s original text, are the scores that are used today, except where the critical edition has made reliable scores available.
The critical edition of the complete works of Verdi undertaken jointly by the University of Chicago Press and Casa Ricordi is finally correcting this situation.
To read more about The Works of Giuseppe Verdi, click here.
To visit the project’s website, click here.
Aspen Comics relased a preview ahead of this Wednesday’s finale of their second Lola XoXo series. Wasteland Madam began as a holdover until the launch of the official Volume 2 by creator Siya Oum. The book became a welcome chapter to Lola’s still in infancy universe filled with the same fast paced action as the […]
Cheating marathoners; a trailblazing sports reporter; a girl shortstop; and an illegal integrated b-ball game. Here are some nonfiction sports picture books that capture the dramatic action both on and off the track/field/court.
Meghan McCarthy’s The Wildest Race Ever: The Story of the 1904 Olympic Marathon describes America’s first Olympic marathon, which took place in St. Louis during the World’s Fair. It was a zany one, with cheating runners (one caught a ride in a car), contaminated water, pilfered peaches, and strychnine poisoning. McCarthy’s chatty text focuses on a few of the frontrunners and other colorful characters, shown in her recognizable cartoonlike acrylic illustrations. A well-paced — and winning — nonfiction picture book. (Simon/Wiseman, 5–8 years)
Edith Houghton was “magic on the field,” a baseball legend of the 1920s. Playing starting shortstop for the all-women’s professional team the Philadelphia Bobbies, she drew fans to the ballpark with her impressive talent. Besides that, Edith — “The Kid” — was just ten years old. The Kid from Diamond Street: The Extraordinary Story of Baseball Legend Edith Houghton by Audrey Vernick relates, in conversational text, Houghton’s life on the team. Appealing digitally colored charcoal, ink, and gouache illustrations by Steven Salerno evoke a bygone era of baseball. (Clarion, 5–8 years)
“It seemed that Mary was born loving sports,” writes Sue Macy in her affectionate portrait of a pioneering journalist, Miss Mary Reporting: The True Story of Sportswriter Mary Garber. It was during WWII that Garber “got her big break” running the sports page of Winston-Salem’s Twin City Sentinel while the (male) sportswriters were fighting in the war. For much of the next six decades, she worked in sports reporting, blazing trails for female journalists. Macy’s succinct text is informative and engaging, her regard for her subject obvious. C. F. Payne’s soft, sepia-toned, mixed-media illustrations — part Norman Rockwell, part caricature — provide the right touch of nostalgia. (Simon/Wiseman, 5–8 years)
John Coy’s Game Changer: John McLendon and the Secret Game (based on a 1996 New York Times article by Scott Ellsworth) tells the dramatic story of an illegal college basketball game planned and played in secret in Jim Crow–era North Carolina. On a Sunday morning in 1944, the (white) members of the Duke University Medical School basketball team (considered “the best in the state”) slipped into the gym at the North Carolina College of Negroes to play the Eagles, a close-to-undefeated black team coached by future Hall of Famer John McClendon. Coy’s succinct narrative is well paced, compelling, and multilayered, focusing on the remarkable game but also placing it in societal and historical context. Illustrations by Randy DuBurke nicely capture the story’s atmosphere and its basketball action. (Carolrhoda, 6–9 years)
From the February 2016 issue of Notes from the Horn Book.
The post Winning sports picture books appeared first on The Horn Book.
It’s February and do you know what that means? An extra day for reading! It’s Leap Year y’all! Twenty-nine days this month instead of twenty-eight. I almost said I wish every year were Leap Year but then it would just come to be a regular year and the joy of an extra day of reading would get washed away. Any plans for cramming in some extra reading? It is unfortunate that the extra day falls on a Monday but we’ll just have to make the best of it.
The piles on my reading table are shrinking and it’s not because I am reading the books on there that I own. Nope, it is shrinking because I am working my way through the library books that got added to the table. It feels good to have my library reading under control. At the moment I have only four books checked out, two of which came today, The Story of My Teeth by Valeria Luiselli and All the Birds in the Sky by Charlie Anders. Also out from the library is a book of poetry by Joseph Massey called To Keep Time. It is most excellent. And then there is Sorcerer to the Crown by Zen Cho with which I am just about finished. It too is good.
I have six outstanding hold requests at the library, for two I am up next, for the rest I am in the nebulous who knows when my turn will come, probably all at once realm. Only six outstanding requests is pretty darn good though given my profligate ways of late. I can even see several of the non-library books on my reading table and I am eyeing them and thinking , oh, I forgot you were there! Looking forward to reading you! I am quite proud of myself and if I am not careful I will cause harm to my shoulder and arm from patting myself on the back so much. That or my inflated sense of self-worth will be too large for me to fit through my door.
Other books on the go at the moment include Pilgrim at Tinker Creek by Annie Dillard. This is my slow, meditative read of the moment. Very much enjoying it. Then I am still working my way through The Art of Slow Writing by Louise DeSalvo. She writes in short chapters and it is the perfect book for the spare ten minutes here and there. While it is quite good, I don’t want to try reading it in bigger chunks, it would lose its umph and quickly become boring.
And finally, I just began reading a review copy of a new biography of Charlotte Bronte that will be out in March. Charlotte Bronte: A Fiery Heart by Claire Harman is pretty good. It is advertised as being groundbreaking but since I haven’t read any other Bronte biography I can’t say whether it is or not. At the moment Charlotte is still a young girl and the family has just moved to Haworth. There are a good many more siblings than I knew about which means bad events ahead.
There are a couple other books I am in the midst of that have been moved to the back burner and not worth mentioning at the moment since I haven’t picked them up in a few weeks. I will get back to them, just probably not this month! Or perhaps the extra day will grant me the chance to get them in front of my eyes again. Ha! The odds in Vegas don’t seem to be leaning in my favor. Imagine that!
Filed under: Books
, In Progress
Tagged: Read the Table
Marie Ferrarella has signed a six-figure deal with Harlequin. She plans to write twelve novels.
Patience Bloom, a senior editor, managed this acquisition project. She will edit all of Ferrarella’s manuscripts.
Here’s more from the press release: “Ferrarella will craft two contemporary romance series for Harlequin—Matchmaking Mamas for Harlequin Special Edition and Cavanaugh Justice for Harlequin Romantic Suspense. The first title in the deal, The Case of the Stolen Heart follows a widow who finds a second chance at love with a police officer who was present at her late husband’s crime scene. The Case of the Stolen Heart is set to be published in Fall 2016.”
By: Cindy R. Williams,
Blog: Dragon Dreamer
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Hi Friends of Dragons,
Okay, we have a dangerous situation going on. My Da was out on a fly around today, and saw a disturbing sight. Goblins and several Cyclops had rounded up some human hikers and were herding them into a cavern in the Superstition Mountains.
Da alerted the rest of the Danchun and the Ancient Ones. I will update you as soon as I find out what they are going to do about it.
In the meantime, I think I will sneak out and do my own fly around. I want to make sure the humans are safe.
Wish me dragon luck!
The first pair of Riverdale stars have been cast
What’s her name again? That actress In that movie we just saw? Is she English, maybe? Ooh, her name Yes, the one we saw on Sunday. I forgot the movie’s title. I know it’s not so important But right now it seems so vital. The director also did a film It had many famous people But I can’t recall the plot. I could Google it, but really It’s up in my brain among All the other miscellanea That’s gathered on my tongue. If I’m lucky and I’m patient, Sometimes what I need will slip To the place where I can reach it
Just an inch out from the tip.
I'm pleased to share Lisa Charleyboy's response to the news that Dreaming in Indian was named as the American Indian Library Association's 2016 Honor Book in the Middle Grade category:
I am truly honoured to have 'Dreaming in Indian' recognized in the Middle School Category in the 2016 American Indian Youth Literature Awards. It has been an absolute dream for me to have worked with my co-editor Mary Beth Leatherdale in creating this anthology so that more youth across Turtle Island would be able to learn about the Indigenous experience.
It was truly our goal to use this book to enlighten and empower and being recognized in prestigious awards such as this allows the book to reach more people which is truly a blessing!
Do take time to watch this video. In it, Lisa and her co-editor, Mary Beth Leatherdale, talk about the ideas, development, and reception to their book. In personal conversations with librarians, I can say that it is a big hit in their libraries.Dreaming in Indian
was reviewed on AICL
on September 8 of 2014. Click on over to the review to get a peek of what is inside this terrific book. Congratulations, Lisa and Mary Beth! This book is a feast.
Author Suzanne Rothman has crafted an interesting way to deliver the message of being positive no matter what happens through her main character, Little Chef.
By: Lisa Firke,
Grandma Groom’s caramel fudge icing always goes on a bit craggy, but, man, is it yummy. #dons birthday
Me Before You by Jojo Moyes has joined the iBooks Bestsellers List this week at No. 1.
Apple has released the list of Bestselling iBooks from the week of 2/7/16. January by Audrey Carlan is No. 2 on the list and The Choice by Nicholas Sparks held the No. 3 position.
We have the entire list for you after the jump.
iBooks US Bestseller List – Paid Books 02/7/16
||Me Before You by Jojo Moyes – 9781101606377 – (Penguin Publishing Group)
||January by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||The Choice by Nicholas Sparks – 9780446401319 – (Grand Central Publishing)
||Brotherhood in Death by J. D. Robb – 9780698161481 – (Penguin Publishing Group)
||Breakdown by Jonathan Kellerman – 9780345541413 – (Random House Publishing Group)
||When Breath Becomes Air by Abraham Verghese & Paul Kalanithi – 9780812988413 – (Random House Publishing Group)
||April by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||NYPD Red 4 by James Patterson & Marshall Karp – 9780316288729 – (Little, Brown and Company)
||July by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||August by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||February by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||September by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||Depraved Heart by Patricia Cornwell – 9780062325426 – (William Morrow)
||October by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||November by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||The Nightingale by Kristin Hannah – 9781466850606 – (St. Martin’s Press)
||December by Audrey Carlan – No ISBN Available – (Waterhouse Press)
||Blue by Danielle Steel – 9780804179652 – (Random House Publishing Group)
||The Girl on the Train by Paula Hawkins – 9780698185395 – (Penguin Publishing Group)
||My Name Is Lucy Barton by Elizabeth Strout – 9780812989076 – (Random House Publishing Group)
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These books take place in fantastical worlds, but the protagonists’ pluck may feel familiar to many intermediate and middle-school readers.
Twelve-year-old Gracie Lockwood, the high-spirited heroine of Jodi Lynn Anderson‘s My Diary from the Edge of the World, lives in a world that’s like ours but with a few key differences (involving dragons and poltergeists, for example). When an ominous Dark Cloud seems to portend her brother’s death, Gracie, her family, and a classmate set off on a cross-country Winnebago trip in search of a guardian angel and a ship that will help them escape. Anderson lets the intricate details of Gracie’s world emerge gradually through her protagonist’s sharp, sometimes humorous, sometimes poignant diary entries. (Simon/Aladdin, 9–12 years)
In the village in Anne Nesbet’s The Wrinkled Crown, girls mustn’t touch the traditional stringed instrument, the lourka, before they’re twelve for fear of death. Linny, full of “music fire,” has secretly built a lourka and expects to die, but instead, it’s her friend Sayra who begins to fade into the unreachable realm called Away. Nesbet’s fable explores the relationship of science, logic, and imagination; a cozy, personable narrative voice punctuates the drama with light humor. (HarperCollins/Harper, 9–12 years)
In Catherine Jinks’s The Last Bogler, bogling is now respectable, and Ned Roach has signed on as Alfred Bunce’s apprentice. Ned must lure child-eating bogles with song so Alfred can dispatch them—and that’s only one of the dangers, for Alfred has drawn the attention of London’s criminal underworld. Fans of How to Catch a Bogle and A Plague of Bogles will appreciate Jinks’s accessible prose, colorful with Victorian slang; her inventive, briskly paced plot; and the gloom and charm of this trilogy-ender’s quasi-Victorian setting. (Houghton, 9–12 years)
Mirka, star of Barry Deutsch‘s humorous, fantastical, Orthodox-Jewish-themed Hereville graphic novel series is back in Hereville: How Mirka Caught a Fish. Her stepmother, Fruma, warns her to stay out of the woods while babysitting her half-sister Layele; so of course, curious Mirka drags Layele right in there with her. The girls encounter a wishing fish who once lost a battle of wits with a young Fruma and who now has a wicked plan to gain power through Layele. Expressive, often amusing comic-style illustrations do much to convey each scene’s tone and highlight important characters and objects. The eventual solution requires verbal gymnastics as much as heroics and compassion from Mirka. (Abrams/Amulet, 9–14 years)
From the February 2016 issue of Notes from the Horn Book.
The post Of magic and moxie appeared first on The Horn Book.