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There are approximately 18,000 children under the age of 5 in Howard County, Maryland. And another 50,000 older children in school here. Yet when my family takes advantage of a treasure in the heart of the county, we never see another soul! The Howard County Nature Conservancy is a peaceful and beautiful sanctuary full of rolling hills, safe hiking trails, clear running streams, gorgeous gardens, interesting animals and picnic areas begging to be filled with families looking for a fun, easy, cheap way to spend an evening. Locals say it’s the place to be for bird watching, geocaching or growing your own organic vegetables in the lush community garden.

Part of the reason many don’t know about this area is that from 1692-1992 one family, the Brown’s, was fortunate enough to call The Conservancy their private residence. But in 1992, Howard County schoolteachers Ruth and Frances Brown passed away without an heir. The 232 acre farm has since been held in its natural state and glory. With some additions and improvements, you can come visit and see many buildings that have been a part of the pastoral setting for three centuries.

When I say that we never see another soul on our weekend hikes, that is not to say the spectacular landscape is not put to good use. There are summer camps for the kids, regular nature walks and talks, “Wine in the Garden” for the adults, “School is Out” programs for local students, and too many more exciting events to name. (Check here for a full list: http://www.hcconservancy.org/upcoming-events.html)

These programs, and this place, have helped my boys, (Will age 6, Luke age 4 and Sam age 23 months) to be better little men. I take them there as a part of our unofficial family plan. I want my sons to grow up valuing a day in the dirt with their brothers more than a computer. I want them to seek out places to think and find serenity more than places to blend in with the crowd. I want them to know that it is sometimes better to walk quietly holding my hand than it is to scream in the chaos of an amusement park (although we’ll be heading off to Dutch Wonderland in 10 short days and I can’t wait). I want my boys to have a place to take a date in a decade or two and really get to know her. Somewhere safe where they can walk hand-in-hand (God help me) and find out if they are lucky enough to build what we are lucky enough to have.

I just read the last paragraph aloud my opinionated family. According to my husband and the boys, everything I said is true…but way too girly. They just like to be able to run and play ninjas with sticks. I guess that is a part of our official family plan.

So my real question is this, why aren’t more young families joining us on a beautiful day? No matter what the season?  Right now the tadpoles are changing week-to-week and day-to-day! The goats are climbing onto the roof of their habitat and the chickens are laying eggs. Ranger, the owl, is eating his mice and the crayfish and salamanders are hiding from eager little fingers looking to snatch them up. Log bridges with rope sidebars are waiting to be crossed by young explorers and the trees and logs give our young Luke Skywalker lots of convenient hiding places when bounty hunter Boba Fett (aka daddy) comes searching. Maybe you’ll luck out and see a snake while you skip rocks along the creek. If you’re quiet, you’re sure to see some deer and a fox or two. The children’s log garden allows the kids to jump and climb and play in an unusual and safe environment. The indoor playground at the mall is teaming with kids (and germs) every night of the week. Yet we are the only ones at the Conservancy! After seeing the animals, playing or checking out the simple indoor nature room, go for a hike. There is no need to hold hands! Let the kids run on the safe, grassy paths and lead the way as they leave their energy behind to light a trail for you.

Just this weekend I spoke to a young mom who lives within a half mile of the Conservancy. She had never been! What!?!? Why?!?!? Come on! I’ll meet you there on Friday night! We’ll bring sandwiches, juice boxes and kids ready to squeal with delight and satisfy the natural, scientific curiosity that fills their ever-expanding brains….and play ninjas with sticks. Honestly, what could be better?

For more information about the Howard County Nature Conservancy, check out their website at http://www.hcconservancy.org.

 

Erin Schade is a wife, a mother to three fantastic boys, a teacher in Howard County, Maryland, a freelance writer and an aspiring children’s author. Questions or comments?  Please contact her directly at erinschade@yahoo.com.

 

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Last week, I flew out from Los Angeles to New York to attend the annual Dusty animation screening at the School of Visual Arts. I watched forty thesis films from this year’s graduating class—a very solid year, I might add—and witnessed many of the students experience pre-show jitters and post-show relief. It was a fun night getting to see a lot of my old classmates, friends and teachers again, but most importantly it made me reflect on my own experiences since my own thesis screening two years ago.

While graduation was a big deal, the thesis screening was really the big night for us. The films we put a year’s worth of blood, sweat and tears into were going to be shown in front of an audience on the big screen, and for most of us, that was a completely new experience. Some of us felt that our thesis films were like big flashy business cards or “HIRE ME” signs, so if there were any industry people in the audience that night, it just might be the ticket to having a job lined up after graduation.

A few days later at the Dusty Awards ceremony, my film ended up winning the Outstanding Traditional Animation award (tied with my friend Zach Bellissimo’s Blenderstein, which was featured here on Cartoon Brew), so in a way I felt validated that I was a decent enough animator to go out and make a living after I left school.

But after college, the excitement of working as a professional animator gradually began to fade. I went through many ups and downs (mostly downs). I had long periods of busy work, and even longer periods of unemployment. And some of the jobs I had, while keeping me busy, barely supported me. There were times that I felt my future was uncertain, and that having a career in this field might not work out for me. I became disenchanted with the medium, felt emasculated by my peers and started falling into a depression. And seeing a lot of my friends and classmates in equally dire straights filled me with even more trepidation about my career path.

After dealing with this for over a year, I finally made a very big decision to pull up stakes, leave New York and move to LA. It was risky because I didn’t have a job lined up for me when I came out here. Luckily I had friends who found a place for me to live and I got a job in the industry almost immediately upon arrival. Even though I’ve been in LA for only three months, I consider it the best decision I’ve ever made. I feel like I’m in an environment where creativity and appreciation for the craft is never-ending, and I’m the happiest I’ve been since I graduated two years ago.

And being back at the SVA Theatre watching these incredibly talented young animators go through the same reactions and emotions filled me with both excitement and concern. These students, as well as the hundreds upon hundreds of other graduates coming out of animation schools all over the country, will be put through the same paces as myself. After graduation, that safety net of college life is gone, and despite what your professors or friends tell you, nothing can really prepare you for what happens after you graduate. But the important thing that I want to express to these soon-to-be professional animators is to be hopeful, hone your craft, push yourself out there, and eventually you will find your place.

Don’t let ANYONE or ANYTHING disenchant you. Everybody goes through these motions at one time or another after leaving school. Some of you might have jobs lined up right after school, and some of you might have to wait a little longer. It’s a very scary thing to go through, but it’s all part of the experience. You appreciate things more when you experience the bad alongside the good. It’s something you learn from, and carry with you for the rest of your life. Never wait for opportunities to come along, but instead seek them out. It’s different for everyone. I had to move from one coast to the other to find what I wanted, and I’m glad I did. Keep doing personal work, develop your skills up and surround yourself with people who love and support you and what you do. If you do that, everything will be okay.

With that, I want to congratulate and wish the best of luck to all the recent and soon-to-be graduating animation students. Don’t let employment statistics fool you. The world is chock full of opportunities waiting for you to snatch up. So go out there and keep this industry alive and thriving!

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As I've mentioned in a few posts here and there, I've been slowly reading an ARC of Andrea Barrett's upcoming story collection Archangel. Her fans are going to adore this; it's everything you expect from Barrett and more - a truly fabulous set of stories. I love it.

The final story is "Archangel" and includes the main character from the earlier story "The Experiment", now all grown up and fighting in WWI. It's 1919 in "Archangel" and although the war is over, for these men it continues in Russia, where they are assigned to The Polar Bear Expedition and bizarrely, stuck in the Russian Civil War. I have never heard about this force which is pretty stunning as I heavily studied US military history in college (it was the main focus of my history degree) and I've read a ton on WWI. (It seems like I'm always finding out more of history that I've missed. So frustrating!)

Barrett does amazing stuff with the setting and characters and brings alive all the confusion and fear of this war-after-a-war where nobody has any idea what is going on. Because this is Barrett there is also a second character, a woman, who is an x-ray technician. The science history of x-rays blends into military history as if they were always meant to be, and readers fall in love with these two people so far from home and so uncertain as to why they are there and what will become of them in that miserable place.

You will read "Archangel" and hate war all over again. It's sublime - brittle and sharp and slices your heart. I ripped me apart a bit, this story, and the final paragraphs were worthy of a Wilfred Owen poem.

I can't wait until you all read this book - I just can't wait.

[Post pic: En route to Archangel, a group of 339th Infantry Regiment doughboys pose with their newly issued M1891 Mosin-Nagant rifles. From the Army Sustainment Bulletin.]

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Synopsis

Linc knows Wyn is the girl for him.

Wyn knows Linc is the boy for her.

But she’s promised to another.

Lincoln “Linc” Tatman had been at his new school for months and he thought he’d met all the girls it had to offer. Until one day, he spied Wyn sitting against a tree and realized this new place had been hiding the girl of his dreams. He goes out of his way to get to know her, even though he’s warned that it’s a hopeless case. But he’s determined to win her, even if she can only be his for a short time.

Arwyn “Wyn” Scott is the black sheep of her big gypsy family. When most of the girls her age are dropping out to start their own families, she begs her parents to stay. She doesn’t fit in with the gypsy teens and the regular teens are too afraid of her five older brothers to get close. Then Linc comes into her life, showing her a new life she never thought she could have. She can’t stop herself from falling head first for the boy.

Can Wyn leave behind her family and their traditions to follow her heart, or will she become a young gypsy wife?

Author Bio:

Michelle is a 28 year old native Ohioan. Go Buckeyes! Who now lives with her husband and son in West Virginia. When she isn’t spending time with her family you can find her with her nose stuck in a good book. She released her first book (Reviving Bloom) as an independent author in October 2012 and plans to release two new books (Promised & Enlightening Bloom) in 2013.

Author links:

Facebook: https://www.facebook.com/#!/MichelleTurnerAuthor

Blog: http://michelleturnerauthor.blogspot.com/

 EXCERPT

“Linc, there are things in my life that you can’t understand and this,” She waves her hand back and forth between the two of us, “will never be able to work out.”

“You can’t know that. You’re not even giving us a chance.” I cross my arms.

She throws up her arms, “You want to know how this will go if I give in?”

“Yeah, since apparently you’re a psychic, tell me how this will go, Wyn.”

“Say my family doesn’t find out, which is highly unlikely. And say if they do find out and they don’t hurt you. And Linc, those are two huge obstacles to overcome right off the bat. Well, say we overcome those, then what?” She runs her hands through her hair before she continues, “We’ll spend a few weeks, a few months it we’re lucky, together. But it won’t last after that, Linc. It’ll be over and we’ll be left with what? Nothing.”

“You’re wrong, Wyn. We’ll have the memories and I’d rather have those than nothing.” I want to reach out and grab her. I want to hold her in my arms but I know she has boundaries that I’m not use to and I can’t cross them. I’m afraid to even hold her hand, that it might cross some unseen line.

“I’m not sure I can handle the memories. Because if you give me everything I think you can and things turn out the way I know they will, I won’t be able to handle them. Knowing I had you and I had to let you go. I can’t do that, Linc.” There’s a quiver in her voice and I have to shove my hands in my pockets to keep from reaching out for her.

“You won’t have to let me go.”

“Yes, I will.”

“The only way I’m going anywhere is if you decide you don’t want me around.” I promise her.

“It won’t be me who pushes you away.”

“Well, I can promise I won’t push you away. I want to be with you, Wyn.”

“I’m promised, Linc.” As the words leave her lips, I watch the tears begin to escape her eyes.

“Explain please.” I have a feeling I know what it means but I need to hear it aloud.

“My Dad informed me last night that someone expressed interest in my hand. He’s going to accept the proposal.” She’s watching my face as she finishes, “I’m going to be married.”

 

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Internet has been sketchy and none have my posts have worked, but we are inSouth Africa!
This is out breakfast, view in Somerset West.

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Early on in my time management study I became interested in discipline, how becoming disciplined can help us manage time. (It probably would help us manage just about everything else in our lives, but I only discuss time management at this blog.) What I didn't do when I was mulling over discipline was carefully define it. That is always a mistake in my experience. Discipline, as it turns out, involves training and maintaining behavior through control. That is a disturbing idea if you're applying it to others. Personally, I love it when applying it to myself. I love the whole idea of training. I'm shakier on the control part, as in self-control, but, hey, that's something I can train for, right?

Which brings us to The Willpower Instinct: How Self-control Works, Why It Matters, and What You Can Do To Get More Of It by Kelly McGonigal. I mentioned McGonigal's name so frequently in the Situational Time Management Workshop I led earlier this month that I finally suggested we could use the name as the basis of a drinking game. The fact that I would even think of such a thing indicates that I need a whole lot more discipline and self-control.

McGonigal never actually writes about time management. She writes about goals of all kinds, especially those involving changing behavior, and using willpower to achieve them. Well, managing time is both goal and behavior.  There are a number of things she has to say that can apply to managing time, particularly for writers.

A few examples:

• People who are distracted have poor impulse control and are less likely to be able to stay on long-term goals. Many writers work out of their homes and have trouble maintaining a strong barrier between their professional and personal lives. Personal life distractions undermine our ability to stay on task.
• Thinking in terms of being "good" or "bad" relating to a goal undermines willpower. For instance, having been "good" and accomplishing a great deal this morning can be used as justification for being "bad" and not working this afternoon.
• We tend to think of the future as a wonderful place where we will accomplish great things. Thus, believing we'll feel more like working tomorrow or will get a lot done tomorrow justifies taking today off.
• Willpower failures and successes are contagious. A strong argument for writers' groups and group writing projects like NaNoWriMo.
• Giving in to the What-the-Hell-Effect when experiencing setbacks. We  actually lose valuable work time when that happens.

McGonigal even explains why meditating helps with self-control and attention, something I've been hearing about for years, though no one felt a need to explain why it would work. Meditating, it appears, develops the prefrontal cortex, the portion of the brain that deals with impulse control. Good impulse control helps people stay on task with goals. Find meditation difficult because your mind keeps wandering and you have to keep bringing it back to the breath? That's actually good, according to McGonigal. The effort to do that develops the brain just as physical effort develops muscles.

This book has masses of material that can be applied to managing writing time, even though it's not about managing writing time at all. It's a marvelous aid for those of us who are interested in training for self-control.

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Running is a crazy, paradoxical, numerical-obsessedo, backwards world.

Just when you don’t think you can run another step, you push through five more minutes, then instantly you feel like your legs have transformed into two totally different running entities. You go on for miles.

The first interval for a runner can sometimes feel like the worst. That’s where the nerves are, getting started.

Races are even crazier, poised at the line, in the seconds before the gun is about to CRACK you feel certain if they take any longer to fire it you’ll explode. Then, CRACK, and the whole world slips away.

“Back to those intervals…ya, suckers say the hardest is the first one…plowing through miler number three of five HAS to be more painful,” you think.

You then say, “Legs, don’t worry, this is the last interval we have to so…promise.” You say that after every one. Until you finish. Scr##w honesty.

Funny how a running partner that you train with feels like a war partner. You come to know them so well, read their breathing and stride as well as your own. You become intrinsically linked in the shared quest for your best.

Easy days can feel like the epitome of hypocrisy sometimes.

Out of nowhere getting blessed with one of THOSE days is a special kind of euphoria a runner never forgets.

The good days, the slog runs, the meh ones, the mentally tough workouts you’re proud of, the long runs that you wish never end…all of it. It’s crazy stuff. But it’s runner crazy and we wouldn’t have it any other way.

1) Just before you start a race, what makes you feel confident on the line?

2) Best lie you’ve told yourself/legs to get through a workout?

3) One of THOSE days, how many do you think a runner gets?

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Noel Fielding, in case you're tragically unaware of who he is, is one of the Mighty Boosh guys.

I adore him, both in his Vince Noir persona on The Mighty Boosh and as himself as a team captain on Never Mind the Buzzcocks. Whenever we re-watch the Boosh—or any episode of Buzzcocks in which he appears—I swoon all over the living room. Whilst giggling maniacally, of course.

And Josh doesn't even mind, because A) how can you get jealous over Random Dude on TV and B) he has a bit of a mancrush on him, too.

ANYWAY. So, the first season of The Mighty Boosh is set in a zoo, so I'm going to point you back to Cecil Castellucci's Queen of Cool, in which the title character signs up for an internship at the Los Angeles Zoo, and it turns out to be a life-changing experience:

I ESPECIALLY loved it that Libby's transformation took TIME. She doesn't work a day at the zoo and all of a sudden miraculously appreciate Tina and Sheldon and the others (including Sid, who I loved). It was a slow process, and I got the feeling that Libby was aware it was happening, though A) she didn't want to admit it was happening and B) she fought it. All that complexity and yet, light enough for beach reading. Way impressive.

I was going to embed a Noel Fielding clip, but then I fell into the Youtube vortex and just lost, like, an hour. I LOST AN HOUR WATCHING CLIPS I'VE ALREADY WATCHED A ZILLION TIMES BEFORE.

My brain, I weep for it.

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Reminiscent of Six Impossible Things by Fiona Wood in terms of adorable romance (and a little bit Shirley Marr's Preloved too), Life In Outer Space is just nice, you know? I don't know how to express this properly (if we could mind-meld you'd get it - how much easier everything would be if we could mind-meld), but sometimes I tire of all the edgy, and the gritty, and the ever-present overly masculine and borderline-disturbing love interest (I mean, really) and I just want to read a novel with people I can relate to in it. It's like a YA novel version of a rom-com with all these socially awkward nerdy kids in it (who are actually really cool and awesome, despite their professed geekiness).

It's funny and endearing and chock full of movie references (do you think I've used the phrase 'chock full' on this blog before?) and there's a little bit of World of Warcraft in there, too. It's not groundbreaking - just boy-meets-girl, boy-is-socially-awkward, boy-eventually-realises-he-loves-girl but it's so darn nice/adorably funny. I love Camilla myself, and I also love Melissa Keil and I'd quite like it if another Keil novel were published very soon (why must it take so long for books to be written? Again, mind-melds, they'd be handy).

Here it is on Goodreads, should you care for a blurb or a second opinion.

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Yesterday afternoon a massive tornado hit the town of Moore, just outside Oklahoma City. Dozens have been killed, hundreds injured and the town was nearly leveled. This is one of the most destructive tornadoes in the history of the United States and even more destructive weather is possible in the region over the next few days.

When a disaster like this hits, especially in schools and harming children as this did, we all look on, feeling empathy, wishing they could do something. Us too, here at First Book, watching the twitter feeds, the news, and holding our breath, hoping one more person will be found alive. The time will come to rebuild schools and provide books for schools whose home and school libraries were destroyed.

Until then, please join us in supporting the  Red Cross in their disaster relief efforts. This organization is the front line to repair and support, not just those in Moore, OK, but all who need it most in the region over the next few days.

You can go online at www.redcross.org and donate. Call Red Cross at 1-800 REDCROSS. Text REDCROSS to 90999, to give $10, or click on the American Red Cross image on the left to donate.

 

The post Moore, Oklahoma – Our Hearts Are With You appeared first on First Book Blog.

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The last recent reading roundup chronicled several months of slow reading.  This one covers several weeks of fast reading (a period that also included the Clarke shortlist, reviewed elsewhere).  There are several books here that I would have liked to write full-length reviews of, but I read them in such quick succession with several others that any chance of disentangling my thoughts enough for

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SIGNED BY ZELDA is now in paperback! Kate Feiffer's Signed by: Zelda (with wonderful cover art by Kelly Murphy) is her second novel for young readers and comes on the heels of nine pictures books, four of which are illustrated by her father, the great Jules Feiffer. Besides her own great track record as a children's book author and her wonderful lineage, I was intrigued by Signed by:

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As of November 20, 2012 (that is, Midnight Eastern Time tonight) I am closed to queries. I will reopen to queries January 7, 2013.

If I already have your work, you should hear from me by January 7. (That's the point of taking the break, I have to catch up!)

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Then slip on your ruby red slippers, click your heels together three times and repeat…

I’ve teamed up with my local indie in Bernardsville, NJ.

I’ll be signing THE MONSTORE at The Bookworm on Thursday, June 20 from 3:30 to 5:00 p.m.

But, if you can’t make it, you can still get a signed copy made out to your favorite kiddo. (Or yourself, or Toto the dog, as the case may be.)

Just call The Bookworm at 908-766-4599 and pre-order. Specify to whom you’d like me to sign the book. I’ll be heading over there periodically to sign copies and they’ll ship ‘em out to you.

You’ll also receive one of these cool, exclusive “Grand Opening” stickers with your book…

  

Some assembly required.

Sorry, Ruby Red Slippers sold separately.

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With over one hundred books published in her lifetime, Joan Aiken has contributed so much to the lives of her readers that some characters have lived on as a part of their own history, like old  friends.  Everyone has that aha! moment as with the taste of Proust’s famous Madeleine, when they catch sight of […]

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Here’s one of many projects that has been mostly finished for a long time. It’s finally wearable! It’s based loosely on the Burda Anda pattern, like the one I made here.

As with my previous version, I petitified it using existing clothing as a guide. This version is color-blocked, obviously, with no sleeves. I used a top from my closet to guide armhole sizing. I lowered the waist a bit and used elastic on the inside, rather than an outer drawstring casing like the pattern calls for.

I also used the bias tape as a facing rather than as an exposed detail. The tutorial for doing this with the Sorbetto top was very, very helpful and applicable to any number of projects. It’s not as tricky as it might sound, if you’ve used bias tape before. I’m beginning to get the hang of the bias tape thing. It’s really handy once you get used to it.

Lastly, I made a self belt, a little wider and shorter this time than last.

The reddish linen came from the bargain booth at the Hannover, Germany Stoffmarkt last June. The cream-colored linen was a remnant given to me by a friend. Earrings by Claire’s, circa the dark ages, and the wooden beaded necklace was a gift from my Granny a bajillion years ago. I want to say she picked it up on a trip to Israel.

I have to say I’m pretty happy with the dress. Think I’ll wear this one a lot. I’ve almost finished another Anda-inspired dress, if I can find my sewing scissors, so hopefully I can share that soon.

If you want to see some of my other sewing projects, click here.

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Hello all!

I find I post almost daily on Facebook but rarely here anymore. I think it's because Facebook is a wholesale real-time blog reader, and it's trained me to keep going back by rewarding me with quick likes and comments. I read and comment on a lot of other people's FB posts, but I don't spend much time in the blogosphere anymore.

So I bought Demetri Marin's book, POINT YOUR FACE AT THIS Drawings by Demetri Martin. If you know his comedy, it's impossible to leaf through the pages without hearing his voice narrate the pictures, droll and deadpan. Some pictures are silly, some are the kind that you think "This is amusing," but your mouth is still a straight line, and others are poignant--revealing the author's misgivings about life, fame, and other things. I like it!

My beautiful Casey is being groomed even as we speak. I dropped her off, dropped kids off, walked in the door, and automatically reached down for Casey as I came in. I'm so used to her greeting me, it's become muscle memory. But she'll be home in a couple of hours.

Once, they SHAVED her. She looked like a skeleton dog. I emphasized NO RAZOR TO BE USED ON THIS DOG!

WARNING! STAR TREK SPOILERS!
Tiny Little Spoilers Ahead!
Turn Back Now!

Okay, now that the people who haven't seen Star Trek are gone, I can tell you: Yesterday, I was thinking about STAR TREK Into Darkness, and I realized this--everyone cries. Everyone cries! Did you notice tears leaking from the eyes of all main characters? OMG! Pike cries; Kirk cries; Spock cries; Uhura cries; Bones cries; Scotty wells up. Cry babies! Pull up your bootstraps! Kirk 1.0 wouldn't be crying!

Also, I didn't like the scene near the end SPOILER where Kirk is in the radiation tube dying, and he looks at Spock and says, "I'm scared." How much more poignant it would have been had he said nothing; had his eyes and painful/sorrowful grimaces done the talking, with surprise/sorrow/pain registering in response on Spock's face. I would have liked that a lot better.

But still, STAR TREK!

That is all for now. Today I'm starting on the critiques for the upcoming SCBWI Mid-Summer Workshop, a task I truly enjoy. There is something rewarding about spotting the talent in up-and-coming writers.

Have a great day!

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Awhile ago I did an 8-part series on Plot to help me understand the differences between the terms: plot, story, and structure. (I’ve since revised some of my thoughts from that series when I did my grad lecture on story structure. More on that coming soon). But what I seem to find interesting is that no one seems to be able to agree on what plot is.

Sure, everyone sort of knows what plot is on a gut level, (and there’s plenty of overlap when writers discuss it), but there isn’t a concrete single definition. I think this is fascinating (and confusing), and oddly empowering. It means each of us gets to create our own personal definition of plot. We get to pick a definition that works for us!

I’ve begun to collect definitions of plot and I’ve shared my list below. Take a look through them and see if any resonate with you. Or maybe you’ll find you disagree with some (I sure do!). Perhaps some will confuse you, while others might help you consider plot in a whole new way! I’d love to know what you think.

As writers, we create our own philosophies about how we each define good writing and how the craft should be approached.  Coming up with our own personal definition of plot is an interesting part of that journey. I’ve never found two writers who articulate it exactly the same way.

Here’s what some of my craft books, friends, and teachers have to say about plot:

“Plot is how the events in a story directly impact the main character.”  - Martha Alderson 

Story is: “The king died and then the queen died.” Plot is: “The king died and then the queen died of grief.” - E.M. Forster

“Story is what happens; plot is the structure of what happens.”  - Cheryl Klein

“Plot is merely the mechanism by which your character is forced up against her deepest fears and desires.”  - Margaret Bechard 

“Plot is nothing more than the way you organize your story.”  - Nancy Lamb

Plot is “merely one way of telling a story, by connecting the happenings tightly, usually through causal chains.”  - Ursula Le Guin

“Story [is] what your novel is about. Plot [is] what happens within your story … Structure [is] how it’s organized.”  - Sheryl Scarborough

“Plot is the arrangement of events that make up a story…  Plot is the sequence of unfolding action. In examining plot we are concerned with causality, with how one action leads into or ties in with another.” – Chea Stephenson

“Plot is a system of actions.” – Susan Fletcher

Plot is “the under-the-surface weaving of various lines of action or sets of events so that the story builds steadily … It is a combination of what happens and how those events are revealed to the audience.” - John Truby

“Plot is not just what happens in a story. Rather, plot is a pattern of cause and effect or conflicts upsetting the equilibrium of a situation.” - Ron Layne and Rick Lewis

“Plots engage our capacity to understand motives and thus the logic of action.” - Roger Seamon

How do you define plot? I’d love to hear your personal definitions, thoughts, and ideas!

The above quotes come from the following sources:

Alderson, Martha. The Plot Whisperer: Secrets of Story Structure Any Writer Can Master. Avon, MA: Adams Media, 2011. Print.
Bechard, Margaret. Small Workshop Plot Handout. Vermont College of Fine Arts. 2012.
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Fletcher, Susan. Structure as Genesis. Faculty Lecture. Vermont College of Fine Arts. 2012.
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Sixteen-year-old Ash Fisher is the son of a vampire and a human, and as far as he knows, the only twin-blood in Black City. Because of his human blood he's allowed by law to live in the city proper, rather than behind the wall in the Darkling ghetto. He lives with his human father, making ends meet by selling his venom to human Haze addicts, and worries every single day, that this will be the day that the Trackers discover that he and his father are harboring a Darkling... a crime punishable by death. But how could they refuse? She's Ash's mother, and she's dying.

Sixteen-year-old Natalie Buchanan, meanwhile, is the daughter of Black City's Emissary: the woman in charge. The Buchanans have just returned back to the city after months in the capitol, a move precipitated by the savage murder of her father by a Wrath-crazed Darkling. 

Full-blooded Darklings are barely second-class citizens; the few that live in the city are defanged and work as servants, and all of them—Ash included, despite his human blood—are required to wear ID bracelets at all times. ID bracelets that mark them as property of their human 'owner'. Not wearing the bracelets is punishable by death.

Any action judged a 'grievous crime against the state' is punishable by death, regardless of species.

Romantic relationships between humans and Darklings are punishable by death, regardless of species.

You've probably already guessed where the story is headed, and you aren't wrong: but that's not to say that there aren't some twists along the way. Since the prose stylings are neither squee-inducing nor remotely offensive, it'll be the plotting, the characters, and the world-building that attract or repel readers: and as Black City has a lot in common with other recent bestsellers, it should be pretty easy to figure out whether or not you should pick it up.

If you enjoyed the format of Marie Lu's Legend, then Black City might work for you: in this one, as in the Lu, the main characters alternate narration duties. And, as in Legend, the heroine is associated with the dictitorial government while the hero is, well, not part of the resistance, but certainly not held in any sort of esteem by the ruling class. Also, despite the vampires, I'd slot this one firmly in the science fiction arena.

If you like vampire apocalypse stories a la Emily McKay's The Farm or Julie Kagawa's The Immortal Rules and The Eternity Cure, then Black City might work for you: unlike both of those examples, in this case, the vampires are the subjugated class, but along with the action and the romance and whatnot, it deals with similar themes of racism and xenophobia. Black City actually takes that aspect of the story further, and makes some direct parallels to WWII with the aforementioned ghettos, with concentration camps, and with the ongoing experimental vivisection (i.e. torture) carried out in the name of research.

Like so many paranormal romances—though, as I said, this is more science fiction than fantasy—our characters do experience instalove, which I well know is definitely a dealbreaker for many. It, like Stephenie Meyers' 'imprinting' also turns out to be the sort of instalove that removes agency from the characters, which is another problematic element for some readers. In Richards' defense, she threw a hella-great twist into the mix of that plotline: even with the clues she dropped, I only saw HALF of it coming. 

LONG STORY SHORT: WILL YOU LIKE IT? IT DEPENDS.

WHAT DID I THINK? Aside from a few issues—I found it bothersome that Natalie kept going on and on about how a Darkling killed her father, when she KNEW VERY WELL that that wasn't the entire story, because, you know, SHE WITNESSED THE WHOLE THING GO DOWN; the pacing got bogged down in the middle with all the 'DOES HE LIKE ME?' 'OH GOD SHE LOOKED AT ME AND I'D BE BLUSHING IF I COULD BLUSH' 'LET'S MAKE OUT' 'OH GOD WE JUST MADE OUT' 'IS OUR LOVE WORTH THE RISK?' and so on; there was some of that 'HE'S SO DANGEROUS BUT I LOVE HIM' that skeeves me out; the ex-boyfriend is such a complete d-bag that he comes off as a moustache-twirler—I approved of the plentiful gore and the creative vampire mythos (multiple species, various cultural traditions).

I'll be reading Phoenix to see where it all goes.

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Author page.

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Publisher.

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Book source: Finished copy from the publisher.

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It’s always an honor when a young person chooses a book you wrote for a school project. It is a special honor when that young person happens to be the child of a fellow author. (Not every writer passes on genetic code for a talent in writing but I suspect all writers hope we pass on at least refined taste in writing.)

The young man’s name is Max. The fellow author, his mom, also happens to be my friend. Her name is Jennifer Allison. She also gave birth to Gilda Joyce via a series of mystery novels for young readers.

Here is Max’s report, which I find both flattering and factually sound:

Here is Max:


Thank you Max! You are now a Boy of Steel, too. And Jennifer will be featured on this blog again later this year. I won’t say why yet but will give this clue. Maybe this is one for Gilda Joyce herself to solve...

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Gerald is careful. Piggie is not.Piggie cannot help smiling. Gerald can.Gerald worries so that Piggie does not have to.Gerald and Piggie are best friends.In A Big Guy Took My Ball! Piggie is devastated when a big guy takes her ball! Gerald is big, too...but is he big enough to help his best friend? Available your favorite local book store or library today! I hope you enjoy the BIG surprise!

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Continuing our week of looking at artists who worked on Epic, we focus on Sang Jun Lee.

Sang Jun has designed characters and concepts for many blockbuster movie franchises including Star Wars, Pirates of the Caribbean and Men In Black. After a stretch of working in California on these live-action films, he moved to New York to work on Blue Sky features such as Horton Hears a Who, Rio, and most recently, Epic.

Sang Jun’s website has a generous amount of drawings and digital paintings to explore. He also keeps a blog here.

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