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1. EASTER 2015 - wilko

And we end today with a few Easter greetings card designs snapped in Wilko.

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2. Zodiac, by Romina Russell | Book Review

Readers looking for tension, angst, fantastical myths, well-rounded characters, and a very human tale of survival will delight in this quick and engrossing page-turner of a story, sure to inspire the inner-Zodiac in everyone.

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3. EASTER - nastja holtfreter

Our Easter coverage continues today with some brand new artwork which is available for licensing. These cute seasonal patterns were created by Berlin based freelance illustrator and surface pattern designer Nastja Holtfreter. To see more from Nastja or to make inquiries go online here.

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4. EASTER 2015 - marks & spencer

More Easter designs with a selection from Marks & Spencer on greetings cards wrap and packaging. There are some fresh designs in yellow and turquoise on Kraft card, some interesting hand drawn type, and last years food packaging designs by Darling Clementine make a reappearance. Most of their cards have sold out online but there are still a selection available in stores.

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5. ECCC’15: Marvel Animated “One Man, Several Clips”

marvelavengers

Over the weekend at Emerald City Comic Con , Marvel’s Vp of animation Cort Lane threw a one man panel with lots of teases for most of the Marvel animated shows and a preview of Avengers Assemble returning only to  ‘Disassemble” .

Ultimate Spider-Man will return to finish its season in July with a new storyline titled S.H.I.E.L.D ACADEMY. Many of the characters Spider-Man recruited at the beginning of Web-Warriors will be joining him again. Even Trition from the Inhumans and Squirrel Girl are coming back. Fans can also look forward to the threat of Arnim Zola, voiced by Mark Hamill, in a look that can only be described as Kang from Ninja Turtles meets Apple Computers. In addition Robert Patrick will be voicing The Whizzer, yep that guy.

IMG_20150329_120802

Fans also got a look at the entire first episode of the “Disassembled” arc. If you want the spoiler run then highlight this blank space.

Episode begins with a Captain America-less Avengers battling the Adaptoid. Spider-Man joins the team in order to combat the robot who can mimic all the powers of the Avengers. Cap joins the fray alongside S.H.I.E.L.D as he’s been working for them since leaving the team an episode before. He’s even in his Winter Soldier film based costume.

The audience finds out Adaptoid is actually Ultron in disguise and he’s been after Starks tech the entire time. In a desperation move, Stark enacts his “final protocol,” destroying his labs and Avengers Tower to stop Ultron.

Cap and Stark are clearly building towards a mini inner Avengers civil war. Spider-Man is trying to hold things together, but ditched the Avengers. Cap has called for a new Avengers team, seeing Falcon, Black Widow and Hulk join his team, while Tony, Hawkeye, and Thor ban together.
The Avengers have officially disassembled, giving Ultron exactly what he wanted.

During the fan Q&A we got a few teases about the animated Marvel U:

-No kid Avengers plans.

-Plans are in the works to have animation produce something that takes place in the Marvel cinematic universe.

-No X-Men plans since those rights are still controlled by Fox, which include animation. They’ve only been able to get away with using Wolverine in his solo character costume incarnations with no X-Men ties.

To close things out, Cort showed the Guardians of the Galaxy prequel shorts leading up to the premiere of the animated series. First was Star-Lord part I. It takes most of its cues from the film version of the team, even going so far to say it may be a fill in for missing information. What we saw deals with what happened when Peter Quill was beamed aboard the alien ship as a child. In this version he’s had the Element Guns all along but is just now discovering their power.

A preview was show of Rocket Raccoon’s short. We see the moment he escapes the lab and becomes partners with Groot. You’ll hear the famous “Ain’t no thing like me…” line and it’s even got mature tones of his acceptance that he’s lost anything that will connect him to his species.

Marvel’s animation presentation was the most informative of all their ECCC panels. Cort’s division has made the Disney merger benefit Marvel without having to sacrifice much in the way of character voice.

Hopefully during Wondercon we’ll get answers to when fans will see the Guardians prequel shorts, what’s coming up in Agents of S.M.A.S.H and what the future holds for Ultimate Spider-Man once its third season ends since typically most Marvel animated series after 1997 only last between 3-5 years.

Would you want to see Marvel animated do something in the Marvel Cinematic Universe?

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6. Music Monday - Agony

The scene that made me forgive them a little for making this play into a movie - 

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7. APA Pacific 2015: A conference guide

We hope to see you in Vancouver, British Columbia for the 2015 American Philosophical Association – Pacific meeting! OUP staff members have gathered together to discuss what we’re interested in seeing at the upcoming conference, as well as fun sights around Vancouver. Take time to visit the Oxford University Press Booth. Browse new and featured books which will include an exclusive 30% conference discount. Pick up complimentary copies of our philosophy journals which include Mind, Monist, Philosophical Quarterly, and more.

The post APA Pacific 2015: A conference guide appeared first on OUPblog.

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8. When it’s too close to home: Writing Q&A with Anne Bustard, author of Anywhere But Paradise

AnneBustard_PhotoIt is my absolute pleasure to welcome Anne Bustard today, in celebration of the release of her new Middle Grade book, which comes out today. Anne, a part of Egmont’s Last List, has graciously agreed to indulge my questions about her writing process with her brilliant answers. So without further ado, welcome, Anne!

Anywhere But ParadiseSet in 1960 Hawaii, Anywhere But Paradise is the story of reluctant seventh-grade newcomer Peggy Sue Bennett, who is baffled by local customs, worried about her quarantined cat and targeted by a school bully because she is haole, white. At first, Peggy Sue would rather be anywhere—anywhere but paradise. But a new friend, hula lessons, the beauty of the islands and more, help Peggy Sue find her way. This is a story about fear and guilt. About hope and home. About aloha, love.

I’ve read that Anywhere But Paradise was inspired by your growing up in Hawaii. Can you tell us more about that? Did you do a lot of research on Hawaii in 1960 or mostly rely on your personal experiences?

I was born in Honolulu, moved away when I was a toddler and returned to paradise after fifth grade. I have wonderful memories of hiking to waterfalls with my cousins, aunt and uncle, eating lilikoi (passion fruit) shave ice on the bench outside the Matsumoto storefront on the North Shore, stringing lei from plumeria flowers from our yard and listening to the ocean.

I did not live in the islands in 1960. But even if I had, research would still have been a gigantic part of my process. I couldn’t have written the story without delving deeper and double-triple checking details. I love research, so this part of the writing process was particularly fun! I needed to verify the animal quarantine requirements, when the night-blooming cereus flowered, stories about Madame Pele and dozens of other facets of the novel. I did a lot on my own, but so, so many generous people helped me along the way. I am exceedingly grateful.

Small moments of my personal experience flavor the narrative. I know what it’s like to hear a tsumani warning siren wail and evacuate to higher ground, to be verbally threatened by a bully (though unlike Peggy Sue, it happened to me only once) and to be enchanted by the beauty and rhythms of the islands.

Writing about a character’s problems can unearth a ton of old ghosts of our own. How did you go about navigating your past and finding the inspiration for the character of Peggy Sue? Did you ever find her problems difficult to confront due to them being too close to home?

All writers draw upon some portion of ourselves, no matter how small. Part of my own journey was to recognize that I was holding back. In a pivotal conversation with the wonderful children’s and YA writer, Janet Fox, it occurred to me that Hawaii was the antagonist of the story. I love Hawaii. It is my home. I told Janet that I did not want it to be the antagonist.

“I know,” she said in a soft voice. “But in the end,” Janet said brightly, “Hawaii isn’t the antagonist.”

True. But. I realized not only had I been protecting Peggy Sue, I’d been protecting Hawaii. In the end, both would have to stand up for themselves.

What advice would you give to a writer who is struggling to separate their reality from their fictional character? How can we protect ourselves emotionally if a character reminds us too much of ourselves?

You are not your character. But there may be parts of her that resonate with you.

So my answer may surprise you—don’t separate. This is where you will find the gold.

It’s way scary.

It took me years to get to the point where I could do this. Years.

What was the most useful lesson you learned while writing this book? If you could go back and talk to the you who is about to begin writing, how would you warn or arm her against the difficulties ahead?

My big takeaway? Go there emotionally.

Breathe. Trust the process. It’s going to take as long as it takes. It’s all about revision, going deeper. About finding the heart of the story. About discovering what your characters really want.

Tim Wynne-Jones says, “The answers are in your writing.” He posits that we give ourselves clues to unlocking the mysteries of our own work. It’s our job to look carefully, to look differently, until we discover them.

Amen to that, Anne. Thank you for your wonderfully insightful answers!

To celebrate the release of Anywhere But Paradise, we are giving away a signed copy to a lucky winner! Enter the draw through the Rafflecopter below for a chance to win this beautifully written book!

a Rafflecopter giveaway


Anne Bustard is a beach girl at heart. If she could, she would walk in the sand every day, wear flip-flops, and eat nothing but fresh pineapple, macadamia nuts and chocolate. She is the author of the award-winning picture book Buddy: The Story of Buddy Holly (Paula Wiseman Books/Simon & Schuster Books for Young Readers). Her debut middle grade historical novel Anywhere But Paradise (Egmont Publishing) is out on March 31, 2015. She lives in Austin, Texas.

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9. Miles Franklin Award longlist

       They've announced the longlist for the 2015 Miles Franklin Literary Award, one of the leading Australian book prizes. It includes Elizabeth Harrower's long unpublished In Certain Circles (which I hope to be getting to soon).
       See also, for example, Stephen Romei's report in The Australian.

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10. Let’s talk about Caldecott: This One Summer

TOSLet’s talk about This One Summer. I know many of you have already talked about it, and I’m sure some of those conversations have been very interesting. As a member of the 2015 Caldecott Committee that chose This One Summer by Mariko & Jillian Tamaki as an honor book, I’ll try to clear up some points that have lead to questions.  According to the Caldecott definitions, “’A picture book for children’ is one for which children are the intended potential audience. “Children are defined as persons of ages up to and including fourteen and picture books for this entire age range are considered.” (Caldecott Manual, page 10) The Expanded Definitions also says, on page 69, “In some instances, award-winning books have been criticized for exceeding the upper age limit of fourteen. If a book is challenging, and suitable for 13-14 year-olds, but not for younger readers, is it eligible? Yes…” Yes, this book is for older readers. Here’s an interesting look at that question in Travis Jonker’s interview with the Tamakis.

This One Summer is a coming-of-age story about a girl entering adolescence and both appeals to and is appropriate for young readers age 12-14. Twelve, thirteen and fourteen year-olds fall well within the scope of audience for the Caldecott Medal and Honor books. Although this book is challenging in many ways, the committee found it to be “so distinguished, in so many ways, that it deserves recognition” as well as “exceptionally fine, for the narrow part of the range to which it appeals, even though it may be eligible for other awards outside this range.” (page 69 – Caldecott Manual). There are many people who do not realize that the Caldecott terms include books for older readers. I see this as an opportunity for us, as ALSC members and librarians, to deepen understanding of the award.

Committee member Tali Balas add sticker to the book. Photo by Angela Reynolds

Committee member Tali Balas add sticker to the book. Photo by Angela Reynolds

According to The Caldecott Manual, a “picture book for children” as distinguished from other books with illustrations, is one that essentially provides the child with a visual experience. A picture book has a “collective unity of storyline, theme, or concept, developed through the series of pictures of which this book is comprised.” (page 10) The committee followed this definition closely, and This One Summer shows, through pictures, a collective unity of all three, with particular strength in storyline and theme. Graphic novels certainly provide us with a visual experience. The Comic Book Legal Defense Fund has a great article on using This One Summer in a classroom, which you can read here, and a “make your case” article for adding it to your collection here. And for those of you who are graphic novel fans, don’t miss this podcast with Mariko Tamaki. I love how she talks about the images being like paragraphs.

The Caldecott Committee, as directed by the manual, considered each eligible book as a picture book and made our decisions based primarily on illustration. The committee gave This One Summer an honor because of its excellence of pictorial presentation for children, as defined in the manual. If you haven’t seen it, take a look at the amazing use of just one color. Jillian Tamaki creates mood so vividly with her washes of indigo, deepening the shade when the plot gets darker. The story has much to do with water; the monochromatic blues remind us just how changeable a lake (and an adolescent girl) can be. The images in the book intertwine and play with the words, creating an authentic summer experience. I just love the image on pages 70-71 where Windy is dancing around the kitchen. It shows her personality, and Rose’s, perfectly:  setting up the tension of youthful energy and quiet contemplation. There are many images throughout the book that give us this deeper insight. Go looking for them. They will astound you.
*Special thanks to fellow committee member Sharon McKeller for help with this article.

The post Let’s talk about Caldecott: This One Summer appeared first on ALSC Blog.

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11. Cold War dance diplomacy

Why did the US State Department sponsor international dance tours during the Cold War? An official government narrative was sanctioned and framed by the US State Department and its partner organization, the United States Information Agency (USIA—and USIS abroad). However, the tours countered that narrative.

The post Cold War dance diplomacy appeared first on OUPblog.

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12. Day 31 of the March SOLSC! #SOL15

Congratulations, writers! You completed the 8th Annual Slice of Life Story Challenge! Check back tomorrow for a chance to sign the Participant Pledge.

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13. Social Media Etiquette

What not to do when using social media.


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14. 30 Days, a Few Stories

The annual April ritual, 30 Days, 30 Stories is in on the verge of disaster. Very few writers have taken up the call to contribute a story. 

The annual event, hosted by this blog, is a chance to let the local talent shine. Talent can not shine in the dark, however, and must be brought to the light.

If you were considering sharing, please email me at brueluck@ymail.com to set up a day. Again, writers are encouraged to share their talent. It does not have to be a children’s story nor must it be fiction. Most any genre is encouraged: poetry, prose, memoir, or cartoon. Illustrators can share their work, too.


Utah is blessed with some brilliant writers and April is the month to show it.

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15. The Babies & Doggies book by John & Molly

Honestly, I should just type the name of this superb new book by John & Molly and leave it at that. The Babies & Doggies Book - it says it all. But there is an added brilliance to The Babies & Doggies Book that must be noted. As a parent and a bookseller, I have long known that babies LOVE looking at pictures of other babies. I have also long bemoaned the lack of quality board books with

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16. Listening to "Layla"

Seven decades old today
And years away from Cream,
Eric Clapton, on guitar,
Will always reign supreme.

Listening to “Layla,”
I’m amazed it sounds so fresh,
Like the man himself were standing here
Before me, in the flesh.

A rocker keeps on rocking
Often to the crowd’s lament
But in Clapton’s case, quite clearly,
Time has barely made a dent!

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17. Beyond immigration detention: The European Court of Human Rights on migrant rights

Over 30,000 migrants, including rape and torture victims, are detained in the UK in the course of a year, a third of them for over 28 days. Some detainees remain incarcerated for years, as Britain does not set a time limit to immigration detention (the only country in the European Union not to do so). No detainee is ever told how long his or her detention will last, for nobody knows. It can be days, it can be years.

The post Beyond immigration detention: The European Court of Human Rights on migrant rights appeared first on OUPblog.

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18. Stoker's writing of Dracula, and an annotator's twist

Modern Vampire
The classic story of Dracula, by Bram Stoker, originally published in 1887, has had a long, and continuing run with readers of fiction--or was it even fiction?  In the 2008 special edition by W. W. Norton, with an introduction by Neil Gaiman, and annotated by Leslie S. Klinger, we read in the preface by Klinger:
My principal aim...has been to restore a sense of wonder, excitement, and sheer fun to this great work.  To that end, perhaps for the first time, I examine Stoker's published compilation of letters, journals, and recordings as Stoker wished: I employ a gentle fiction here, as I did in The New Annotated Sherlock Holmes, that the events described in Dracula "really took place" and that the work presents the recollections of real persons, whom Stoker has renamed and whose papers (termed the "Harker Papers" in my notes) he has recast, ostensibly to conceal their identities.
As Stoker wished.  What did that entire sentence above actually mean?

I have been reading this book as the Feb - April quarterly selection of a Goodreads-Ireland discussion group.   I saw the Bela Lugosi movie many years ago, and have been more than a little surprised by the popular interest in all things 'vampire' over the past decade--Anne Rice's books, TV series like "Buffy the Vampire Slayer," lots of YA novels, etc.  However, I had not previously been drawn to read anything in the genre.  Once I decided to read this volume, I just glossed over the preface and introduction and waded into Stoker's originally published manuscript.  I liked the writing and the story quite well, and at first I mostly ignored the numerous annotations made by Klinger on almost every page.  The story flowed well and was quite mysterious.  However, as the plot unfolded through the Transylvania region, I began referring to the annotations, many of them quite informative, but kept noticing earnest arguments for and against the veracity of certain events and geography.  It began to seem like Klinger was taking care to point out things that did not match some real, but little known history of the vampire, Dracula.  

As the story progresses, and Dracula makes his way to England, his depredations become more ghoulish.  Klinger's notes begin to compare the attacks of the vampire, and the countering strategies employed by the four men and one woman opposing Dracula, contrasted with previously known folklore, or testaments as to the powers and habits of vampires. The reader begins to be seduced into believing there might be a quasi-historical foundation for vampirism.  However, the 'fictional dream' state necessary to sustain good fiction suffers somewhat whenever the reader's attention is drawn from the flow and suspense of the storyline to check on what Klinger has to say about events.  Sometimes what he has to say has a strong rational skepticism--like when Professor Van Helsing makes on-the-spot transfusions of blood to one of Dracula's victims on three separate mornings, using different volunteer donors each time from among the men.  Klinger remarks how fortunate that these transfusions were all successful:

Truly remarkable doctoring.  Although the science of blood transfusing was still in its infancy, there was some understanding that compatibility of donor and recipient was important.  Having transfused Lucy twice successfully (by blind luck), Van Helsing rolls the dice a third time, risking serious problems, rather than fall back on a tested donor.
 Klinger's point seems valid, but it seems unlikely that the "blind luck" aspect would otherwise have jumped out at the reader enough to disrupt a continuity of the 'fictional dream'.  Other critical annotations might question distances traveled in elapsed time periods, conflicting dates of diary entries, etc., unethical legal behavior of the solicitor, Jonathan Harker, credulousness of Professor Van Helsing, criticisms of Helsing's dialect (I disliked it, too) etc.  However, many such items were not likely to cause the reader too much difficulty in staying with the story. There were only a few items pointing out an inconsistency in the powers available to the vampire which might have given me some pause even without the annotation.

I liked the overall story line and wished I'd read it through completely before looking at any annotations.  However, once I had discovered the annotations referring repeatedly to differences or agreements with the "Harker Papers," which I'd been alerted to in Klinger's preface before starting the story, I felt I needed to stay aware of how they fit into the scheme of things.  At the end, however, I realized the "Harker Papers" were a fictional construct of Klinger.  He wanted to suggest that the events of Dracula really took place, and that this was "as Stoker wished."

The actual documentation left by Stoker for his conceptualization and writing of the Dracula novel are a collection of Notes, prepared circa 1890-1896, and held by the Rosenbach Museum and Library in Philadelphia, Pennsylvania, and an interim manuscript prepared sometime prior to the published version of 1897.  The interim manuscript is currently held by a private owner, Mr. Paul G. Allen.  Klinger had reviewed all of these documents for the annotated volume published by Norton.  It appears the "Harker Papers" are only a terminology used by him for interviews we are to presume were made by Stoker with real people, and who were involved in real events described in Dracula.  Klinger suggests that the existing Notes were subsequently prepared from those interviews, after changing names to protect identities of the real people.  An original set of "Harker Papers" predating Stoker's Notes are thus Klinger's "gentle fiction."

The idea of the interviews suggested by Klinger are not so far-fetched, however. The creative process followed by Bram Stoker employs typical elements that some, if not most, writers might consider in developing such a novel.  The concept is the usual first step, followed perhaps by an outline. Not all writers will employ the outline, preferring to give the first draft free rein without any such constraint. However, before starting a first draft, some writers will conduct a written interview, as if it actually happened, with one or more of their main characters.  Such a process can help a writer find a unique 'voice' and personality for a character, and how they might be disposed to act, given the tensions anticipated in playing out the concept of the story.  Thus, the idea proposed by Klinger that a collection of interviews of real people by Stoker actually fits as a conceivable step in the writing of Dracula.

It is recommended to read the story through at least once without reference to the annotations, to enjoy the full mystery and atmosphere of a compelling story, and then enjoy reading it again with reference to the annotations by Klinger.  Many are rich in content, others perhaps a little carping, but writers will appreciate both Stoker's, and Klinger's, feats of imagination; first in the creation, and secondly in heightening, the mystery of Dracula.

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19. Writing in ... Zambia

       In the Times of Zambia Davies M.M. Chanda complains that Zambian Literary Works Below Par.
       Yes, because you probably hadn't noticed:

I am hereby announcing the bad news that Zambia is shamefully entering the other half of the century without producing a Ngugi or Achebe.
       (That's the other half of the century of Zambian independence Chanda is referring to .....)
       Not terribly encouraging -- but not particularly helpful either, I fear. But, hey, at least they aren't yammering about not having won the Nobel yet ..... Read the rest of this post

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20. Classroom Slice of Life Story Challenge: Day 31 of 31!!

It's been a wonderful month of reading and writing. We hope that you're inspired to keep on writing. You are all invited to join us every Tuesday for our Slice of Life Story Challenge throughout the year. And, of course, we hope to see you all next year!

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21. He Eats Teacups


My Favorite Animal 

by Fabian Luna (826 Student) 

What is your favorite animal called? 

Big Paul. 


Describe your favorite animal? What does it look like?
It is round. Its tail is swirly and twirls. Chubby, funny. Its skin color is pink. 

How does your favorite animal act?  What does it do that makes it so cool?  
Strange, wild.  He eats tea cups and bubble gum and he likes talking a lot.  Likes to sing and plays piano.  He likes to jump high walls. 

Tells us a story! In this story, you bring your favorite animal to 826LA. Describe the day!
One day I brought my Big to 826LA. He was really shy at the first time but then he jumped up and landed on the store and he made a big mess up on the front and I had to clean up.

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22. New Adult Fiction Genre - Contemporary Romance - #WriteTip



There is a new genre emerging..."New Adult" fiction for older teens aka college-aged readers. You never stop growing up, but little in the market seems to address the coming-of-age that also happens between the ages of Nineteen to Twenty-six. Life changes drastically once high school is over, you have college, first jobs, first internships, first adult relationships…

Part of the appeal of NA is that the storylines are about characters who are taking on adult responsibilities for the first time without guidance from their parents. And the storylines generally have a heavy romance element. 

Keep this in mind as you revise your wonderful story, New Adult books are mostly about that specific time in every person's life—the time when the apron strings are cut from your parents, you no longer have a curfew, you're experiencing the world for the very first time, in most cases, with innocent eyes. New Adult is this section of your life where you discover who you want to be, what you want to be, and what type of person you will become. This time defines you. This is the time of firsts, the time where you can't blame your parents for your own bad choices. 


An NA character has to take responsibility for their own choices and live with the consequences. Most storylines are about twenty-something (18 to 26) characters living their own lives without any parents breathing down their necks, and learning to solve things on their own as they would in real life. New Adult fiction focuses on switching gears, from depending on our parents to becoming full-fledged, independent adults.

I am a firm believer that if you’re going to write a certain genre that you should read it, too. So I’m going to recommend that you start devouring NA novels to get a real sense and understanding of the genre before you write one.

Here are some great recommendations: https://www.goodreads.com/genres/new-adult-romance and http://www.goodreads.com/genres/new-adult and https://www.goodreads.com/shelf/show/new-adult-romance
 

Just as YA is fiction about teens discovering who they are as a person, New Adult (NA) is fiction about building your own life as an actual adult. As older teen readers discover the joy of the Young Adult genres, the New Adult—demand may increase. This, in turn, would give writers the chance to explore the freedom of a slightly older protagonist (over the age of 18 and out of high school, like the brilliant novel, "BEAUTIFUL DISASTER" by the amazing talents of author, Jamie McGuire) while addressing more adult issues that early 20-year-olds must face.

Older protagonists (basically, college students) are surprisingly rare; in a panel on YA literature at Harvard’s 2008 Vericon, City of Bones author talked about pitching her novel, then about twenty-somethings, as adult fiction. After several conversations, Clare realized she had to choose between adults and teens. She went with teens.

Quote from the publisher, St. Martin’s Press: We are actively looking for great, new, cutting edge fiction with protagonists who are slightly older than YA and can appeal to an adult audience. Since twenty-somethings are devouring YA, St. Martin’s Press is seeking fiction similar to YA that can be published and marketed as adult—a sort of an “older YA” or “new adult.” In this category, they are looking for spunky but not stupid, serious but not dull, cutting-edge, supernatural stories.

Quote from Georgia McBride, author (Praefatio) and founder of #YALitChat and publisher at Month9Books: "New Adult is a fabulous idea in theory, and authors seem to be excited about it. But in a world where bookstores shelf by category, to them, it is either  Adult or Young Adult. Some booksellers even call their YA section “teen.” And when you have a character who is over a certain age (19 seems to be the age most consider the start of New Adult), it is received as Adult. In some cases, the designation by publishers causes more confusion than not.
Let’s face it, YA is associated with teens, and at 19, most no longer consider themselves teens. So, it would support the theory of placing these “New Adult” titles in the Adult section. However, with the prevalence of eBook content, it would seem that the powers that be could easily create a New Adult category if they really wanted to...."

There’s also a list on goodreads of New Adult book titles. These books focus on college age characters, late teens to early twenties, transitioning into the adult world.

Some popular authors of the NA category include:
  • Jamie McGuire
  • Jessica Park
  • Tammara Webber
  • Steph Campbell
  • Liz Reinhardt
  • Abbi Glines
  • Colleen Hoover 
  • Sherry Soule
http://www.wattpad.com/story/29486760-irresistible-mistake-new-adult-romantic-suspense


Would you buy New Adult books? 
Does the genre appeal to you? 

Does it sound better than YA (teen novels)? 
 
Or are you happy with YA as it stands?

Do you consider YA to include characters that are over the age of eighteen? 
 

0 Comments on New Adult Fiction Genre - Contemporary Romance - #WriteTip as of 3/18/2015 4:48:00 PM
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23. April Fools' Day Trivia Quiz

question marksApril Fools’ Day Trivia Quiz

There’s one day in the year when you can’t get in trouble for playing pranks on people. April Fools’ Day! Who can resist getting a glass of “moldy” milk or a gummy worm in your apple?

Are you prepared for April Fools’ Day? To get you in the mood, take a jab at our April Fools’ Day Trivia Quiz. You might get some good ideas!

  1. What date is April Fools’ Day?
  2. According to one belief, April Fools’ Day is said to have started in which country? (Hint: Eiffel Tower)
  3. In 1998, which restaurant published a fake advertisement for a hamburger for left-handed people? (McDonald’s or Burger King)
  4. Back in 2011, which celebrity teen heartthrob singer pretended to let talk show host Jimmy Kimmel shave off his hair?
  5. TRUE or APRIL FOOL: In 2005, NASA posted on their website that water had been found on Mars. Was water really found on Mars?
  6. What would YOU rather do: put Vaseline on your parents’ toilet seat OR a mustache tattoo on your sister while she’s sleeping?
  7. TRUE or APRIL FOOL: In 1957, Swiss farmers enjoyed a surprise “spaghetti crop” when spaghetti grew on trees.

If you refuse to be fooled, let us know your answers in the Comments below! Then check back on April Fools’ Day for the answers.

-Ratha, STACKS Writer

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24. The Queen's Caprice review

       The most recent addition to the complete review is my review of Jean Echenoz's The Queen's Caprice, forthcoming from The New Press.

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25. Gone Reading Prize Pack Giveaway!

Gone Reading Prize Pack Giveaway "Banned Books" Coffee Mug from GoneReading.com "Paperback" Body Lotion from GoneReading.com A Darker Shade of Magic by V.E. Schwab Fall With Me by Jennifer L. Armentrout (release date: March 31, 2015) Hello to all you faithful readers and supporters of Reading Teen. You know we love you all and the support you show for the blog is very

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