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When you’re writing a character, it’s important to know why she is the way she is. Knowing her backstory is important to achieving this end, and one of the most impactful pieces of a character’s backstory is her emotional wound. This negative experience from the past is so intense that a character will go to great lengths to avoid experiencing that kind of pain and negative emotion again. As a result, certain behaviors, beliefs, and character traits will emerge.
Characters, like real people, are unique, and will respond to wounding events differently. The vast array of possible emotional wounds combined with each character’s personality gives you many options in terms of how your character will turn out. With the right amount of exploration, you should be able to come up with a character whose past appropriately affects her present, resulting in a realistic character that will ring true with readers. Understanding what wounds a protagonist bears will also help you plot out her arc, creating a compelling journey of change that will satisfy readers.
NOTE: We realize that sometimes a wound we profile may have personal meaning, stirring up the past for some of our readers. Please know that it is never our intent to create emotional turmoil. We also recognize that an event that is traumatizing for one person may have only a passing impact on someone else. Emotional wounds affect people differently, so we have tried to include many possible outcomes, to give writers many options to choose from. Above all, please know that we desire to treat these wounds and those who have lived through them with the utmost respect.
Examples: Public mistakes are nothing new and have been happening as long as we all can remember. Luckily, they’re soon forgotten—at least, they used to be. In today’s technologically-advanced world, public mistakes are often recorded for posterity—on YouTube, Facebook, and even on websites set up with the express purpose of never letting anyone forget. This kind of reminder makes it even more difficult to move on after an embarrassing gaffe, such as one of the following:
- Backing a cause or organization that turns out to be fraudulent
- Getting caught having an affair
- Getting caught in a public lie
- Getting arrested
- Being overheard saying something one would like to keep private
- Losing one’s temper
- Making comments one later regrets
- Getting drunk and acting inappropriately
- Flubbing one’s lines during a performance
- Literally “dropping the ball” during a sporting event
- Experiencing a true wardrobe malfunction
- Making public claims that one is unable to follow through on
- Being responsible for a high-profile project or product that either fails or falls short of expectations
- Saying something that makes one look stupid or ignorant
- Making an accusation that turns out to be unfounded
- Accidentally sending an inflammatory email or phone message to a large group of people instead of just one person
Basic Needs Often Compromised By This Wound: love and belonging, esteem and recognition, self-actualization
False Beliefs That May Be Embraced As a Result of This Wound:
- This is all people will ever remember about me.
- No one is ever going to let me forget what I did.
- I can’t be trusted not to screw up.
- I’m terrible under pressure.
- I’m unreliable.
- I’m always going to fail.
- If I get in front of an audience, I’m going to mess things up.
Positive Attributes That May Result: ambitious, cautious, discreet, humble, merciful, private, proactive, responsible, tolerant
Negative Traits That May Result: defensive, evasive, inhibited, insecure, irresponsible, perfectionist, pessimistic, rebellious, resentful, self-destructive, timid, withdrawn, worrywart
- Fear of failure
- Fear of speaking/performing in public
- Fear of letting others down
- Fear of tarnishing one’s reputation
Possible Habits That May Emerge:
- Shying away from ambitious or challenging opportunities
- Becoming very private and withdrawn
- Becoming overly cautious or even obsessive-compulsive in an effort to avoid the same kind of mistake (obsessively checking one’s work for errors, over-planning, etc.)
- Doubting one’s abilities
- Not doing anything without a partner; relying too much on others and not enough on oneself
- Avoiding social networking platforms where one might be reminded of one’s past mistake
- Becoming highly ambitious or driven in an attempt to overcome one’s mistake
- Avoiding the venue that was the cause of the public humiliation (public speaking, online interviews, debates, etc.)
- Giving up one’s career for one that is lower profile
- Going into hiding (becoming reclusive, moving to a new place, changing one’s name, etc.)
- Embracing the false perception caused by one’s mistake (becoming promiscuous, flaky, irresponsible, etc.); living up to low expectations
TIP: If you need help understanding the impact of these factors, please read our introductory post on the Emotional Wound Thesaurus.
Photo credit: opensource.com @ Creative Commons
The post Emotional Wounds Thesaurus: Making a Very Public Mistake appeared first on WRITERS HELPING WRITERS™.
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Our July workshop will open for entries today at noon, EST. We'll take the first five Middle Grade, Young Adult, or New Adult entries that meet all guidelines and formatting requirements. Click here to get the rules
. I will post when it opens and closes on Adventures in YA Publishing
and on twitter (@etcashman), with the hashtag #1st5pages.
And we have some exciting news here at the workshop! We have four fabulous new permanent mentors: Brenda Drake
, Janet B. Taylor
, Stephanie Scott
and Wendy Spinale
. All have wonderful books coming out in the next several months that I can't wait to read! (And if you want a chance to win one - make sure to add them to your shelf on Goodreads!) Also, the workshop will now run for 4 weeks.
- Week One: Your two assigned permanent mentors plus Ava Jae provide feedback on your original entry, and you receive additional feedback from other workshop participants. You revise based on their comments.
- Week Two: Permanent mentors and the guest mentor review and critique your 1st revision. You do another revision.
- Week Three: Permanent mentors, the guest mentor, and the literary agent mentor review and critique your 2nd revision.
- Week Four: You provide a pitch (up to 200 words) that would be the core of a query letter and describes what your manuscript is about. Mentors and the agent mentor review it, consider whether it matches up to your first five pages, and recommend changes to make sure it matches up with your manuscript and answers questions while sounding enticing and marketable.
Another new feature we're introducing this month is that the guest agent will chose a workshop "winner" -- but, of course, you win just by joining the workshop, accepting the feedback, and working hard on revising your pages! The guest agent will review and comment on a partial of the winner's manuscript or work-in-progress!
In addition to our talented permanent mentors, we have Ava Jae
, author of the forthcoming BEYOND THE RED, and Patricia Nelson
of the Marsal Lyon Literary Agency. So get those pages ready!
I hope your day is filled with celebration with friends and fireworks, hot dogs and apple pie! Click the image to the right to find Independence Day-themed coloring pages for the little ones.
By: Miranda Dobson,
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, Arts & Humanities
, Images & Slideshows
, Alice in Wonderland
, alice liddell
, Alice’s Adventures in Wonderland
, charles dodgson
, children's book
, children's literature
, georgian children's literature
, lewis carroll
, OUP history
, OUP museum
, Oxford University Press
, Add a tag
Alice's Adventures in Wonderland is a children's story that has captivated the world since its publication in the 1860s. The book is celebrated each year on 4th July, which is also known as "Alice's Day", because this is the date that Charles Dodgson (known under the pen name of Lewis Carroll) took 10-year-old Alice Liddell and her sisters on a boating trip in Oxford, and told the story that later evolved into the book that is much-loved across the world.
The post Alice’s Adventures in Wonderland artifacts: [slideshow] appeared first on OUPblog.
By: Connie Ngo,
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, Middle East
, What Everyone Needs to Know
, Al Qaeda facts
, Al Qaeda organization
, creation of Islamic state
, daniel byman
, global jihadist movement
, goals of Al Qaeda
, history of Al Qaeda
, Islamic state
, Osama bin Laden leadership
, Add a tag
Despite Bin Laden's death in 2011, the extremist group Al Qaeda has since survived and, some argue, continued to thrive. The effort and resources Bin Laden invested into Al Qaeda fortified its foundation, making it difficult, if not impossible, to disband or weaken the group after his death. But how did the terrorist group come to be what it is today?
The post Five things to know about Al Qaeda and Bin Laden appeared first on OUPblog.
As anticipated, writer James Robinson has made a statement to GLAAD about the controversy over the issue of Airboy #2, which we reported on earlier today. And as also expected, he knows that he fucked up.
It will certainly be interesting to see how this affects reprint volumes of AIRBOY. When Batgirl has a similar controversy, the trade reprint was changed to reflect a more enlightened view.
Here’s Robinson’s statement:
I thought long and hard before writing this response, with the time it’s taken me to do so I fear having been misinterpreted as indifference on my part to the ire this sequence has caused for some. Often public figures just issue a quick apology, a snippet of contrition, in the hope that the light of scorn will then shine away from them. But those apologies often feel inauthentic or meaningless, and I didn’t want to do that.
It was with much regret that I learned how I had angered and offended members of the transgender community with a sequence I wrote in the second issue of the Airboy mini-series I am currently doing. As anyone who has read the first issue will know, this series is a semi-autobiographical piece of meta-fiction that shows me at a self-destructive and unhappy time in my life before I sobered up and entered a better place in both my work and the world as a whole. To illustrate this, I portray myself and my artist Greg Hinkle as two blithe idiots pin-balling through a succession of stupid and self-destructive actions, doing and saying stupid and thoughtless things. I intentionally portray myself in the worst light possible and as the worst kind of person.
Stepping outside of myself and the work, I can see how, while my intention when writing the scene was never to defame or harm the trans community, I did indeed fuck up and for that I sincerely apologize.
In my intention to create an ugly version of me and my world, I have inadvertently hurt and demeaned a community that the real non-fictionalized version of myself truly respects and admires.
It’s a sad and terrible fact that the transgender community is one that is often misunderstood and mocked. And that honestly, truly, breaks my heart. It is a beautiful community full of shining souls, which in a different work on a different day I would proudly show in all its variety and wonder. Honestly, that is the truth. Anyone who actually knows me, knows my feelings on such matters, and anyone who doesn’t will just have to take my word for it.
And yet here I am, in my eagerness to create a scenario that mocks my own moral worthlessness, I do no better than the worst kind of person, blindly marking the transgender community with the same sullying brush I chose to paint myself — instead of giving it the dignity and respect it deserves and is so very often denied.
This is a work of deliberately ugly satirical fiction. One part of me believes a creator has the right to tell the story he feels the need to tell. There’s a part of me that feels that it’s acceptable for a work of fiction to hurt or offend. That at the very least the work elicits feelings.
Then there’s the other part of me — the major part, I might add — that is truly saddened that the transgender community, comprising men and women who carry the burden of an ever-hostile society, should have me adding to their load.
There is minor solace — very minor — in the fact that I note the discourse I’m seeing on-line about this, is at least allowing an exchange of views that I think is open, healthy and ultimately a good thing. I hope comic book fans and creators will think more critically about the way trans characters are portrayed.
I consider myself an ally to the LGBT community and I promise to work harder in the future to ensure that any trans stories or characters in my work are portrayed in a thoughtful and accepting way.
I know this response won’t satisfy everyone, but it comes from the heart. I love all people. I wanted this statement to convey my complete feelings on the matter.
Appropriately enough, I began and finished Kevin Sylvester's MiNRS underground. It was soOooOooOOoo good that I missed my subway stop. Twice.
MiNRS is Kevin's upcoming action-adventure sf book for middle grade ... though honestly, I believe older readers will enjoy it as well. The premise: A 12-year-old boy and his friends have to survive in the mining tunnels after their new space colony are attacked during an Earth communication blackout.
Love the unexpected plot twists.
Loved the action and adventure, sense of real danger. The darker bits are part of what helps set this sf middle grade apart from others.
Love the main character, Christopher, and how his character develops throughout the story. Love the fact that he's just an ordinary boy (no superpowers, etc.) who has to use resources available to him to figure things out and learn how to be a leader.
Loved the depth of the character interactions and complexity of some of the relationships.
Loved the strong female characters.
Loved the fascinating tech/science behind the asteroid mining process.
Can't wait until MiNRS comes out this September from Margaret K. McElderry Books/Simon & Schuster.
And Kevin: I want MORE, PLEASE.
Read about MiNRS on the Simon & Schuster website.
Find out more about Kevin and his work at KevinSylvesterBooks.com.
More info: Donalyn Miller's Summer Book-A-Day Challenge | Archives of my #BookADay posts.
Who Are We?
We are ALSC’s Library Service to Special Population Children and Their Caregivers (LSSPCC) Committee. We are accessibility and inclusion advocates who care deeply about the needs of our entire library community, especially special population children and their caregivers.
What Do We Do?
We discover and disseminate information about what libraries have to offer these special populations. We develop and maintain guidelines for selection of useful and relevant materials. We also help prepare the next generation of librarians and library workers by creating and providing resources to serve their communities more inclusively.
What Is The LSSPCC Toolkit?
The LSSPCC Committee has worked hard to develop a brand new resource for librarians and library works to develop or enhance your knowledge about serving special populations. Launched earlier this year, this easy-to-use Toolkit for Librarians and Library Workers is available FREE online and can be downloaded or saved as a PDF file. Whether you are just getting started learning about serving special populations of children and their families or want to brush up on the latest resources, this toolkit is for you!
What Special Populations Does the Toolkit Cover?
This toolkit offers a wide variety of information about serving many different types of groups in your library community, including homeschoolers, spanish-speaking families, LGBTQ families, children with autism, children with incarcerated parents, children with print disabilities, and more. While this is by no means an exhaustive list of special populations that are served in all of our library communities, it’s a great place to start.
Why Is This Toolkit Useful?
In this toolkit, you will find a brief introduction in each section, which will provide librarians and library workers with context and background information needed before beginning to serve these groups in your community. In addition, each section has a list of subject headings and keywords that will help make catalog and online searching on this topic a lot easier. We have included short lists of subject area experts, if you are interested in connecting with people in our field and finding out more about that particular area of outreach. We have even included information about existing partnerships, which are examples of the successes some libraries have found connecting with local organizations to serve these special populations. There are numerous lists of additional print and digital resources for further learning beyond the toolkit itself.
We hope you will share this resource with your library staff. Through advocacy and awareness of various special populations, we can work together to help all children and all families feel welcome at our libraries!
This post was written by Renee Grassi. Renee is the Youth Department Director at the Glen Ellyn Public Library in Glen Ellyn, Illinois. She is also a member of ALSC’s LSSPCC Committee. In 2012, she was recognized by Library Journal as a Mover & Shaker for her work serving children with autism and other special needs. She is also one of the co-founding members of SNAILS, a state-wide networking group in Illinois for librarians and library staff who discuss and learn about expanding library services to those with special needs. As a proud ALSC member and a former ALSC Blogger, she has written on the blog about a variety of topics related to inclusive library services.
The post The LSSPCC Toolkit: Making All Families Feel Welcome at the Library appeared first on ALSC Blog.
Unwrapping quotes about freedom...
Unwrapping today's featured adult book...
How does one find a place in her world where she is happy and content and fits? How does one know what lifestyle suits her, what location to live in and with whom, and the magic formula to make her own personal life satisfying and worth while? All these questions are pending as the author tries to devise the perfect recipe for a happily-ever-after life.
In 1976 the author starts exploring to find love and acceptance. She travels, attends Berkeley University, expands her mind with drugs, and broadens her sexual life with interracial and bisexual affairs. Still searching for happiness she marries, divorces and dabbles in paganism. Donna finds Salsa dancing therapeutic, find her way into Mormonism and a Temple wedding and the mother of three adopted siblings. Are these the ingredients she needs to finally find peace and contentment?
"From shame to self-acceptance, from sexual ambiguity to definitive choice, from skepticism to belief, Donna Carol Voss's journey from childhood to marriage and motherhood is both unique and universal, a story that will resonate long after the last page is read."
Unwrapping an expert from the book...
“It is better to be hated for what you are than to be loved for what you are not.”
—André Gide, Autumn Leaves
I am a woman with a past. I never met a door I didn’t open. Like Eve in the Garden of Eden, I bet it all on firsthand experience. The only question now is what to tell the broad- shouldered man across from me. He is not right for me—too old, too already-done-that—and I am, improbably now at thirty-eight, determined to start a family. We don’t add up on paper, yet his vivid sky blues, leveled at me patiently, waiting for me to speak, pull me in. Soft warmth suffuses through me and despite myself, I see a future. Telling him is only right.
A forgettable sports bar with a summertime Formula One race blaring from each television is the crossroads of my past life and unlikely future. We are alone in the restaurant but for the beer drinkers and occasional margarita skirts lapping the bar. Above our table, a solitary fixture beams its spotlight onto our unfolding passion play, and I hear my cue.
“I need to tell you some things about my history,” I start and then hesitate as self- protection battles honest disclosure; I am no stranger to rejection.
He doesn’t react visibly, but I know these church boys, so sheltered, so naïve. I’m afraid he will never see me the same way again. My insides, a moment ago so soft and warm, twist into a sinking, dull heaviness. I am no stranger to panic either. At least that’s what I would have called it at fourteen had I been able to feel anything after the bomb went off in my life.
My face shows none of the apprehension welling up in my chest. I know this because my
gift from the trauma, the silver lining that embroiders its bittersweet edge around every wound, is the ability to project a strength and a confidence so absolute they reveal nothing else. If what doesn’t kill you makes you stronger, what almost kills you makes you near invincible. Pretending for years afterward, even to myself, that everything was fine, that I was fine, had solidified into a facade of smoothest granite. Under our bright spotlight, all he sees is a very put-together brunette, a woman who’s quite sure of herself and her place in the world. He is, paradoxically, both correct and beguiled.
We met at church, which makes it even more difficult to say the things I have to say. Late to the party of organized religion, I am not haloed in the blushing aura of goodliness he may expect. My crown, rather, is one of hard-fought life experience woven with Siamese twin strands of gratitude and remorse. Every awful, disturbing, exhilarating moment made me who I am, including the ones for which I will have eternal sorrow.
I want to tell him that I ache for many of the things I’ve done but harbor secret glee for others, certain scandalously thrilling experiences that happen only on the edges of propriety. I need him to understand that some things were done out of emotional pain or the scraggly search for meaning, and some were done out of the darkness of ignorance, but many were done because I hungered for and don’t regret the experience. I need him to see that I am not the person I used to be, and yet I vaulted each wave with the same courage and integrity I possess now.
I find his eyes, and he is still there, still patiently waiting. It is now or never. “I’ve been divorced,” I say, testing the water with my easy one.
He breaks into a broad grin, so handsome with his salt-and-pepper hair. “Don’t feel like the lone ranger on that!” he chuckles somewhat ruefully.
In Punctum Vilis Kasims has a Q & A with ... me -- Pretī citai literatūrai (yes, it's in Latvian).
By: James Gurney,
Blog: Gurney Journey
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On the GJ Book Club, we're looking at Chapter 13: "Variety of Mass" in Harold Speed's 1917 classic The Practice and Science of Drawing. The following numbered paragraphs cite key points in boldface. If you would like to respond to a specific image or point, please precede your comment by the corresponding number.1. Variety of shape is one of the most difficult things to invent, and one of the commonest things in nature.
This chapter brings us to some Speed's best material about painting, with some insights that I haven't seen in other instructional manuals.
He brings up the excellent point that if you don't regularly study from nature, your work will contain "two or three pet forms repeated." I'm thinking of N.C. Wyeth's whipped-cream clouds, for example (sorry, N.C.) . I think this tendency to see forms in a standardized way can even be a problem for a plein-air painter if they aren't sufficiently patient and selfless to really observe carefully and slowly and vary their approach.
2. Nature does not so readily suggest a scheme of unity, for the simple reason that the first condition of your picture, the four bounding lines, does not exist in nature.
Despite the fact that we must go to nature to appreciate the endless variety of nature, at some point we need to impose design order on it because we're operating within the artificial universe of a rectangular picture.
3. Variety of tone values
Speed defines tone value (light to dark on a gray scale) as a property of light on form, and also as an element of pictorial design. Both of these properties can influence the tone you choose for a passage, and alter it from the actual local color of the object you're painting.
4. This quality of tone music is most dominant when the masses are large and simple.
|Twachtman at the Metropolitan Museum|
Another way to say it is: "big tones create mood." The Twachtman above has both big tones and simple shapes. Large, simple masses of similar tone are what give a picture poetic impact, but they can be hard to achieve. Speed mentions that mist or fog can help. I would add that backlighting can too, because it automatically reduces complex value patterns to simpler silhouettes.
5. Tone relationships are most sympathetic when the middle values of your scale only are used, that is to say, when the lights are low in tone and the darks high. They are most dramatic and intense when the contrasts are great and the jumps from dark to light sudden.
This is a great truth in keying a picture. The value scale has a lot to do with lighting, as any photographer knows. Fashion or food photographers can control the lighting ratio
and the softness of the light using fill lights and diffusers and thereby achieve an image well within the middle range. By contrast, film noir directors use lighting to emphasize dramatic contrasts between light and dark areas.
But unlike photographers, painters have complete control over all the variables of a picture, and we can achieve effects that are almost impossible in photography.
6. Variety in quality and nature is almost too subtle to write about with any prospect of being understood.
C'mon, Harold! It's a bit of a cop out for him to bring up this point and then not really explain it. But I think he's talking about variety of textures within a painting, including the types of brushstrokes (dry vs. wet, large vs. small, thick vs. thin paint, etc.). He argues—and I agree with him—that many of the celebrated Impressionists suffer from an overall sameness of paint texture, which interferes with any sense that you're looking at nature's infinite variety. You just get stuck in the paint instead.
I love his line "Nature is sufficiently vast for beautiful work to be done in separate departments of vision, although one cannot place such work on the same plane with successful pictures of wider scope."
7. Every student should make a chart of the colours he is likely to use.
The purpose of this chart is to see how the paint changes over time. In oil, the chart should have thick blobs of paint on one side thinned with the palette knife to a thin smear. There's a tendency, he says, for oil to rise up through the paint if it can't sink into an absorbent ground, and certain oils can darken. Can one of our paint material experts explain this a bit more?
8. Variety of edges.
He gives the usual advice to vary the edges around a given form—hard, soft, hard, etc.
He then makes the more unusual observation that in some great works: "the most accented edges are reserved for unessential parts." In other words the face is handled with a lot of softness, and the accessory areas around the face, such as the costume, is given more hard-edge handling. He shows the detail from Velazquez's Surrender of Breda, but I think Sargent has many good examples of this, too.
It strikes me that this quality is the opposite of what you would do in focusing a camera on a face with a shallow-focus prime lens, where you'd want sharpness and detail in the eyes and the center of the face, and softer edges everywhere else.
9. A picture that is a catalogue of many little parts separately focussed will not hang together as one visual impression.
Little bits separately focused is a common flaw in beginner's work. The unity of vision that he's setting up as a goal in picture-making is one of the marks of enduring masterpieces, and it requires conscious effort to achieve.
10. What perspective has done for drawing, the impressionist system of painting to one all-embracing focus has done for tone.
We're talking about atmospheric perspective here, which he says is as radical a discovery as the discovery of linear perspective in the Renaissance.
He continues, "Before perspective was introduced, each individual object in a picture was drawn with a separate centre of vision fixed on each object in turn. What perspective did was to insist that all objects in a picture should be drawn in relation to one fixed centre of vision." These days we've absorbed impressionist values so completely that it's hard to appreciate the impact that the revolution in vision brought to painting.
11. Treatment of foliage edges
Speed discusses the challenge of painting convincing foliage silhouettes. He says: "The poplar trees in Millais' "Vale of Rest" are painted in much the same manner as that employed by the Italians, and are exceptional among modern tree paintings, the trees being treated as a pattern of leaves against the sky. Millais has also got a raised quality of paint in his darks very similar to that of Bellini and many early painters."
He continues, "It is interesting to note how all the great painters have begun with a hard manner, with edges of little variety, from which they have gradually developed a looser manner, learning to master the difficulties of design that hard contours insist on your facing, and only when this is thoroughly mastered letting themselves develop freely this play on the edges, this looser handling."
12. Variety of Gradation
There's one more thing to consider when planning how to handle tone—variety of gradation. He concludes: "There you have only the one scale from black to white to work with, only one octave within the limits of which to compose your tone symphonies."
GJ Book Club on Pinterest
(Thanks, Carolyn Kasper)
विज्ञापन और अरविंद केजरीवाल
हर रोज कुछ न कुछ आप पार्टी की ओर से सुनने को मिल रहा है कि आप के बहुत से समर्थको का विश्वास डगमगा रहा है … बात ये नही है कि किसी अन्य पार्टी की तरफ ध्यान आकर्षित हुआ है नही … सभी पार्टियां एक ही कैसी है और अब कार्यशैली देखते हुए लग रहा है कि आप भी इसी मे शामिल होती जा रही है …
– ABP News
नई दिल्ली: दिल्ली के मुख्यमंत्री अरविंद केजरीवाल फिर विवादों में हैं. इस बार उनकी खिंचाई भ्रष्टाचार के खिलाफ उनके एक टीवी विज्ञापन को लेकर हो रही है. विज्ञापन में मुख्यमंत्री केजरीवाल का महिमामंडन किया गया है जिस पर विपक्ष हमलावर हो गया है. विपक्ष का आरोप है कि विज्ञापन पर सुप्रीम कोर्ट के आदेश का दिल्ली सरकार ने उल्लंघन किया है.
विपक्ष का जोरदार हमला दिल्ली की केजरीवाल सरकार के टीवी विज्ञापन पर है. इन दिनों भ्रष्टाचार को लेकर दिल्ली सरकार का विज्ञापन टीवी पर जोर-शोर से दिखाया जा रहा है. बीजेपी और कांग्रेस का आरोप है कि विज्ञापन में मुख्यमंत्री अरविंद केजरीवाल का चेहरा नहीं दिखाया गया है लेकिन उनका नाम लेकर उन्हें गरीबों के मसीहा के तौर पर पेश किया जा रहा है. विज्ञापन में 9 बार केजरीवाल का नाम लिया गया है. विपक्ष का कहना है कि ये विज्ञापन सुप्रीम कोर्ट के निर्देश के खिलाफ है. सुप्रीम कोर्ट ने अपने आदेश में कहा था कि सरकारी विज्ञापनों पर सिर्फ राष्ट्रपति, सुप्रीम कोर्ट के चीफ जस्टिस और प्रधानमंत्री की फोटो लगी हो और किसी व्यक्ति का महिमामंडन नहीं होना चाहिए.
विज्ञापन का इसलिए भी विरोध हो रहा क्योंकि इसमें इसमें पति को बैठे हुए और महिला को काम करते हुए दिखाया गया है. इसे महिलाओं के अपमान से जोड़कर देखा जा रहा है.
विज्ञापन को लेकर विपक्ष को हो-हंगामे के बाद भी आम आदमी पार्टी को इसमें कुछ भी गलत नजर नहीं आता है.
दिल्ली सरकार के इस विज्ञापन पर आम आदमी पार्टी का कहना है कि इसमें कुछ गलत नहीं है. आशुतोष के मुताबिक, “इस विज्ञापन में केजरीवाल का चेहरा नहीं दिखाया गया है इसलिए इसमें सुप्रीम कोर्ट के आदेश का उल्लंघन नहीं है. आप कुछ भी करती है तो बीजेपी को तकलीफ होती है उन्हें मिर्ची लगती है. बीजेपी किसी भी हद तक गिर सकती है. उनका बस चले तो पूरे हिंदुस्तान से ये आम आदमी पार्टी को बर्खास्त कर दें.”
बीजेपी के प्रवक्ता जीवीएल नरसिम्हा ने कहा, ”आप सफाईकर्मचारियों को भूखा रखते हैं, उनको सैलरी देन के लिए आपके पैसा नहीं है उसके बाद इस प्रकार घटिया कैंपने के जरिए अपना प्रमोशन करना चाहते हैं ये कहां तक सही है. इनके निकम्मेपन को 100 करोड़ खर्च करके दिखा रही है.”
बीजेपी प्रवक्ता का संवित पात्रा का कहना है, “‘टीवी ऑन करते ही हर दो मिनट बाद केजरीवाल का गुणगान शुरू हो जाता है. सफाई कर्मचारियों के घर में चुल्हे नहीं जल पा रहे हैं. आप का कहना है कि उनके पास पैसा नहीं है. विज्ञापन पर लाखों खर्च करने वाली पार्टी कहती है कि सफाई कर्मचारियों को देने के लिए पैसा नहीं है. एड में महिला को काम करते हुए दिखाया गया है.”
सरकारी विज्ञापनों के नियमन से जुड़े दिशानिर्देश जारी करते हुए आज सुप्रीम कोर्ट ने कहा कि इन विज्ञापनों में राष्ट्रपति, प्रधानमंत्री और प्रमुख न्यायाधीश जैसे कुछ ही पदाधिकारियों की तस्वीरें हो सकती हैं.
क्या है सुप्रीम कोर्ट का आदेश See more…
नई दिल्ली। दिल्ली के सीएम अरविंद केजरीवाल फिर विवादों में हैं। इस बार एक ‘रिश्वत बंद’ कराने वाले एक विज्ञापन को लेकर उनकी खिंचाई हो रही है जिसमें केजरीवाल का गुणगान किया गया है। इसे लेकर आप के पूर्व नेता ही केजरीवाल पर भड़क उठे हैं। इसके अलावा बीजेपी ने भी इस पर सवाल उठाए हैं।
Apart from being a crass and crude abuse of funds the Kejriwal ad on TV is sexist and projects women as servants of their husbands. Shocking
The ‘Jai Ho Kejriwal’ ad on TV, being a crass projection of Kejriwal, is against the SC order. It is an abuse of funds to project a leader Read more…
विधायकों को 54000 की सैलरी मिलती है। बिजली पानी के लिए महीने का चार हज़ार मिलता है। कोई सरकारी गाड़ी और घर नहीं मिलता। यूपी के एक विधायक ने बताया कि उन्हें 1 लाख रुपये से ज्यादा मिलते हैं। लेकिन विधायकों के वेतन बढ़ाने के प्रस्ताव की कांग्रेस और बीजेपी ने आलोचना की है। कांग्रेस नेता अजय माकन ने कहा है कि ये पार्टी अब आम आदमी की नहीं रही, पांच महीने में इनके विधायक सैलरी बढ़ाने की बात करने लगे हैं।
दिल्ली विधान सभा में नेता विपक्ष विजेंद्र गुप्ता ने कहा है कि अगर सरकार एक रुपये महीना वेतन का प्रस्ताव लाए तो तीन विधायकों का उनका विधायक दल समर्थन करेगा। विजेंद्र गुप्ता जी की भावना का सम्मान करते हुए यह पूछा जाना चाहिए कि वे इस महंगाई में एक रुपये महीने पर कैसे जी सकते हैं। उनकी आय का ज़रिया क्या है। क्या उनके पास इतना पैसा है कि बिना कमाए जी सकते हैं। अगर है तो वे यह तरीका मुझे भी बता दें तो यकीन जानिए ये मेरा आखिरी प्राइम टाइम होगा। मैं सोमवार से काम पर नहीं आऊंगा।
The post विज्ञापन और अरविंद केजरीवाल appeared first on Monica Gupta.
I discovered Liesl Shurtliff's books this year and shared Rump as a read aloud with my 3rd graders
. It was one of our favorites and I was amazed the conversations and the depth of thinking and understanding my kids had as we read. Needless to say, many of us put Jack: The True Story of Jack and the Beanstalk
, Liesl Shurtliff's newest book, on our summer TBR list. I had a chance to read it this week and I LOVE it.
I love when I discover new authors that so understand our middle grade readers. I think Liesl Shurtliff is a brilliant writer for middle grades. She understands this age perfectly --I knew that when I read Rump and I was reminded of it again when we Skyped with her and I heard her answers to the questions my students asked. I often write about how difficult it is to write with a depth that is both appropriate and accessible to middle grade readers. So many book for these age are a bit shallow or written in a way that kids miss many of the subtleties and can only understand at surface level. But what Shurtliff does with these two books is pretty brilliant. Here's why:
Both of these books are retold fairy tales--"true stories" as the subtitles state. Each take stories that we know (Rumpelstiltskin and Jack and the Beanstalk) and give us a different perspective, they tell us what really happened. In Rumpelstiltskin, we learn Rump's side of the story--a new perspective that changes the way we understand the character of Rumpelstiltskin. In Jack, we learn the story of the giant village where Jack goes when he climbs the beanstalk. We learn how he gets the golden hen and we learn his perspective of all that happened. The premise of both of these stories make them instantly engaging to middle grade readers.
The action in these books is perfect. The fantasy land that Shurtliff creates is both believable and accessible. The giants' village in Jack make parts of this story read like The Littles or The Borrowers and middle grade readers love those worlds where miniature people are among giant people any things.
The reference to other fairy tales is subtle but easily picked up by middle grade readers. My students' eyes lit up when they recognized a reference to a poisoned apple or they recognized a fairy tale character from a brief description. Shurtliff ties in lots of this and kids in the middle grades are just starting to find joy in these little surprises as a reader.
Even though these are fairy tales that we know, Shurtliff gives readers important messages in her storytelling. They are perfect for middle grade readers because they are accessible in the way she writes but they are not so obvious that they take away from the story.
Seriously, these books are perfect for middle grade readers. As read aloud, for book clubs and for independent reading. If our kids are to grow to be lifelong readers, they need more books by authors like Liesl who totally understand this age and what they deserve in a story. I can't wait to read her next book!
By: Becky Laney
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Out and About: A First Book of Poems. Shirley Hughes. 1988/2015. Candlewick Press. 56 pages. [Source: Review copy] I really enjoyed reading Shirley Hughes Out and About: A First Book of Poems. These poems reminded me that I do like poetry, good children's poetry, about subjects that are easy to relate to. These poems celebrating living life in all four seasons: spring, summer, autumn, and winter. These poems celebrate spending time outdoors. Best of all, these poems are kid-friendly.
For example, "Mudlarks"
I like mud.
The slippy, sloppy, squelchy kind,
The slap-it-into-pies kind.
Stir it up in puddles,
Slither and slide.
I do like mud.
I like water.
The shallow, splashy, paddly kind,
Shlosh it out of buckets,
Spray it all around.
I do like water.
I like this poetry collection because it's joyful. These poems capture joyous moments. Well, for the most part! I suppose the poem about being stuck in bed SICK isn't capturing joy, it's capturing frustration. But still. These poems are easy to relate to.
© 2015 Becky Laney of Becky's Book Reviews
By: Mohamed Sesay,
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Like many, I’m still digesting the Supreme Court’s Obergefell decision—not just its text, but its personal and social significance. When I wrote Debating Same-Sex Marriage with Maggie Gallagher (Oxford University Press, 2012), only a handful of states permitted same-sex couples to marry. In the three years since, that handful grew to dozens; last Friday’s decision grows it to all 50. One striking thing about the decision itself is the importance of the definitional question: What is marriage?
One striking thing about the decision itself is the importance of the definitional question: What is marriage?
If the state prohibits same-sex couples from marrying, does it thereby interfere with their liberty, as the majority argues, or does it simply decline to grant them certain benefits? If the latter, is it treating them unequally—and thus violating the Equal Protection clause of the 14th Amendment—by privileging certain citizens without sufficient reason for the distinction? The answer depends on what marriage is. If marriage by definition requires (at least) one man and one woman, then same-sex “marriage” is impossible by definition, and one does not treat people unfairly by denying them something impossible.
The post What marriage (equality) means appeared first on OUPblog.
We're pleased to have Rebecca Phillips join us to share more about her contemporary novel FAKING PERFECT.
Rebecca, what book or books would most resonate with readers who love FAKING PERFECT--or visa versa?
I've been compared to Sarah Dessen a few times and I can't even express how much that thrills me. I adore her. She's the reason I started writing YA.
Read more »
Draw a horse. Try to begin with the bone structure to make sure you get the anatomy correct. You can use references on this one. :)
Being an old woman now, being a veteran of hope and disappointments, promises made and not always kept, I've seen things. I've felt things. I've wondered.
Many conclusions I've kept to myself. Some I've shared privately, quietly, with friends. Never in a bookstore gathering, nor on a panel, nor in a public forum, nor in a passive-aggressive social-media way have I thought it okay—from a human perspective, from the perspective of career advancement, even—to strike back or out at others. To put one writer or book down in order to promote another. To laugh at the person not in the room, or at the person sitting just a few stools down.
These are books we are writing, and if we are writing them for the right reasons, we're not writing them to win, we're not writing them to be famous, we're not writing them to put ourselves on an endless tour away from home and family. We're not writing so that we will own the headlines. We're writing because within the deep of us, something stirs—idea, character, language. The stuff of the soul.
Good luck in our own careers doesn't earn us entree to prideful pronouncements. Bad luck shouldn't put us on a battleground. Envy shouldn't fuel our conversations.
Our country trembles. Our planet stands at desperate risk. Dangers lurk and hearts are broken. People are dying too soon and for no other reason than that they were in a church at a wrong time, or on a beach when terror came, or in a museum when someone raised a gun, or in a hotel when a plane fell.
May we write books that explore, expose, ponder, transcend, heal. May we live, as authors, with the ambition of doing some measurable good in this world.
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This month, the award-winning classic Hatchet, by Gary Paulsen, is The Children’s Book Review’s best selling young adult book.
A fun exercise at the Literary Hub, where:
In a deeply unscientific survey of nearly 50 writers, editors, publishers, critics, and translators, representing 30 countries, we asked them to name three quintessentially American books, and tell us about their choices.
The results are up at Quintessential American Fiction, According to the Rest of the World
Quite an interesting group of people they asked, and while there's lots of predictable stuff there are some interesting choices, too.
Always interesting to see how foreigners see a national literature.
HAPPY FOURTH OF JULY!
HAVE FUN, STAY SAFE!
Yankee Doodle Dandy is a historically not terribly accurate bio-film about the life of George M. Cohan (James Cagney). It begins when he is summoned to the White House by President Franklin D. Roosevelt. There, he begins to tell the President the story of his life, beginning with his birth on July 4, 1878 in Providence, RI, where his father was performing in vaudeville. The scene then leaves the Oval Office and flashes back to that date.
From there on, in voice overs, Cohan narrates each scene change as time go by, and he and his sister Josie grow older and join in their parents vaudeville act, becoming The Four Cohans. We seea very talented though somewhat arrogant George as a boy starring in Peck's Bad Boy, and blowing the family's chance to play Broadway with his demands.
Later, George meets Mary, the girl he will marry, and for whom he wrote the song "Mary is a Grand Old Name." The whole time the family is performing, George is writing musical theater scores, but no one is interested. Finally, he meets Sam H. Harris, also not succeeding in selling his material, and the two become partners and successes with their production of Little Johnny Jones, most noted for the songs "Yankee Doodle Dandy" and "Give My Regards to Broadway."
When the US enters World War I in 1917, George tries to enlist, but is told he is too old at 38. Leaving the recruiting station, he runs into soldiers and an Army marching band, and as he listens to them, the song "Over There" begins to formulate in his head.
But Cohan's professional successes and failures isn't the only storyline. The movie also follows his family life, though only when it suits Cohan's story. For instance, his sister get engaged and we never find out what happened to her until later we learn that both his mother and sister have already died. And after Cohan marries Mary, there is no mention of their three children, or his first marriage, for that matter. The whole movie I thought they were childless because of his career.
Eventually, Cohan retires and travels the world, but when he is offered a part on Broadway playing the President, he jumps at the chance to go back to the smell of the greasepaint, the roar of the crowd. And that's when he is called to the White House. Thinking he is in trouble, instead he is give the Congressional Medal of Honor for his two songs, "You're a Grand old Flag," written in 1906 for Cohan's musical play George Washington, Jr and "Over There" written in 1917.
|Original Sheet Music courtesy of the Library of Congress|
The finale is priceless, even if anachronistic. As Cohan leaves the White House he joins a parade of soldiers singing "Over There" and obviously heading off to fight in WWII. Cohan received his Medal of Honor in 1940, a year and a half before the US entered the war. But, so what, it is still an ending that is sure to bring a tear to the eye.
Yankee Doodle Dandy
Besides James Cagney Yankee Doodle Dandy
has a wonderful cast. There is Walter Huston as his father Jerry, and Rosemary de Camp as his mother Nellie, Cagney's real sister Jeanne ss his Cohan sister Josie, and Joan Leslie as his wife, Mary. Richard Whorf played Sam Harris, Cohan's partner and one of my favorites, S.Z. Sakall, has a small but pivotal part in the film (Sakall played Uncle Felix, the chef in Christmas in Connecticut
is a little corny, a whole lot energetic and off the charts flag waving patriotic propaganda now that the US had entered WWII. Still, the dancing numbers are wonderful, and although James Cagney is not Fred Astaire, I loved the tap dancing scenes.
Yankee Doodle Dandy
|Movie premiere May 29, 1942 in New York City, as a war bonds benefit|
has been named as one of the American Film Institutes 100 Greatest American Films; James Cagney won the Academy Award for Best Actor in a Leading Role; and the Library of Congress chose it to be preserved in the National Film Registry for being "culturally, historicaily or aesthetically significant." And while it is certaainly historically significant, there is one scene that bears this out in a rather offensive way when The Four Cohans are seen performing in blackface. Historically accurate, sadly yes, but no less odious to the modern viewer.
Here is the offical movie trailer from 1942:
As long as this is a Yankee Doodle day, I thought I would also include a copy of the Uncle Sam movable paper puppet you can put together. It's been circulating around the Internet for a while and we actually made one yesterday, but it went home with one of the kids and I didn't have time to make another. I printed it out on 8 1/2" by 11"white card stock, cut it out and just followed the directions. As far as I know, it was from an old postcard, printed in London, from around 1914 (I couldn't find a recent copyright, so I assume this is in the public domain now).
Oh, this modern world! I actually rented Yankee Doodle Dandy from iTunes and watched in on my iPad with headphones. A weird, yet rather pleasant experience
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On the Fourth of July, Americans will celebrate Independence Day at picnics, concerts, fireworks displays, and gatherings of many kinds, and they almost always sing. “America the Beautiful” will be popular, and so will “Our County, ’Tis of Thee” and of course the national anthem, “Star-Spangled Banner” (despite its notoriously unsingable tune). The words are so familiar that, really, no one pays attention to their meaning. But read them closely and be surprised how the lyrics describe the meaning of America in three very different ways.
The post The meanings behind the anthems of Fourth of July appeared first on OUPblog.
By: Evil Editor,
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The most recent addition to the complete review is my review of Balinese author Anak Agung Pandji Tisna's 1936 novel, The Rape of Sukreni, yet another in Lontar's Modern Library of Indonesia series.