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*Please join Rose City Reader every Friday to share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires. Please remember to include the title of the book and the author's name. *Taken directly from Rose City Reader's Blog Page.
**There is a giveaway for WE ARE NOT OURSELVES here until August 28.**
This week's book beginnings is taken from THE WINTER GUEST by Pam Jenoff.
"They're coming around again," Cookie says in a hushed voice. Knocking on doors and asking questions." I do not answer, but nod as a tightness forms in my throat."
THE WINTER GUEST is another WWII story beautifully told by Ms. Jenoff.
I love Pam Jenoff's books. If you haven't read any of her books, you should look into them.
I met her at the BEA. A lovely, lovely person.
Books finished and too good to not share. My review will be up on September 12 for a TLC Blog Tour.
Dear Shilpa--I writes. Belief me when I say not single day passing six years that I not thought of you. How are you, my dearest? Then I takes the paper, roll it like a ball of dough and throws it across from the room."
I am halfway through THE STORY HOUR, and Ms. Umrigar has written another thought-provoking book for us.
This time I'm proud to present two pieces from two generous and esteemed guest contributors. One is a poem written by acclaimed author and educator Gloria L. Velásquez. Sadly, her commemoration of yet another racially-motivated killing of a young man in the United States by officers sworn to "serve and protect" is repeated for the third time.
The second piece is a review written by La Bloga's friend Thelma T. Reyna of a memoir by the poet Richard Blanco. The Inaugural Poet explains how he came tocelebrate a diverse United States with all of its contradictions, promises, and aspirations.
Two sides of the same coin, presented by poets, as is appropriate.
“Has anybody here seen my old friend, John? Can you tell me where he’s gone? He’s freed a lot of people but it seems the good they die young I just looked around and he’s gone.”
“Has anybody here seen my old friend, Martin? Can you tell me where he’s gone? He’s freed a lot of people but it seems the good they die young I just looked around and he’s gone.”
Michael Brown He shot and killed you. He murdered you for being African-American. No justice for young Black men in Sundown Towns like Ferguson where military police tactics rule.
“Has anybody here seen my old friend, Bobby? Can you tell me where he’s gone? He’s freed a lot of people but it seems the good they die young I just looked around and he’s gone.”
“Has anybody here seen my old friend, Michael? Can you tell me where he’s gone? He’s freed a lot of people but it seems the good they die young I just looked around and he’s gone.”
Coraje Anger today Shame Pura vergüenza Tristeza And in Solidarity con mi gente Around the world I join the Uprising with HANDS UP Maldiciendo the Michael Brown shooting.
Written on August 16, 2014, San Luis Obispo By Gloria L. Velásquez
Gloria wrote a different version of this poem at the time of the Trayvon Martin killing. At that time she explained, "The first two stanzas are from the famous song, Abraham, Martin and John, recorded by Dion in reference to the assassinations of President Abraham Lincoln, President John F. Kennedy, Senator Robert Kennedy and Dr. Martin Luther King Jr. I first wrote "Ode to Rodney King" when Oscar Grant was murdered at an Oakland Bart station by officers. I was so horrified by what happened to Trayvon that I wanted to use the same point, thus emphasizing how this has gone on time and time again and just as I simply replaced Oscar Grant's name with Trayvon's, this emphasizes how our justice system has time and time again treated Black men in the same way with injustice, racial profiling and white privilege attitudes."
When Richard Blanco stepped to the podium on January 21, 2013 at the inauguration of President Barack Obama, I rose from my sofa in the living room and stood enthralled as I watched the TV screen. Along with hundreds of thousands of people in the Washington DC mall that day and millions watching this special event around the world, I witnessed history in the making--and this history was made by a poet!
Richard Blanco became the fifth Inaugural Poet in our nation's long history, joining the ranks of such literary greats as Robert Frost and Maya Angelou, two prior Inaugural Poets. But Blanco was more historic than even these venerable giants. He was: • America's first-ever Latino Inaugural Poet. • The first immigrant. • The first openly gay poet. • The youngest ever, at the age of 45.
His memoir, For All of Us, One Today: An Inaugural Poet’s Journey (Beacon Press, 2013), gives us a behind-the-scenes look at the impact that being brought out of relative literary obscurity (nothing new for poets anywhere in America!) has on an author and how bestowal of a high honor can change a life in the proverbial blink of an eye. But Blanco’s memoir does more than this: it shows us the character and passion of an American rising star against the backdrop of inauspicious beginnings.
Reflection and Introspection
Blanco's memoir captures in a mere 112 pages the roller-coaster ride of being selected by the President to address the nation and the world as a poet, and of his preparation for this momentous honor. We learn of Blanco’s disbelief and joy when he receives a phone call on December 12, 2013, from the Presidential Inaugural Committee notifying him of his selection. To this day, Blanco does not know how or why. The important thing he recalls from that life-changing call is that he has three weeks in which to write and submit three new poems to the Committee, one of which will be chosen by the President to be read at the inauguration.
In the memoir, Blanco details the doubts and false starts he has as he creates his poems. Part of this stems from his lifelong struggle concerning his place in America and what it truly means to "be an American." He refers to it in his memoir as "sorting out my cultural contradictions and yearnings" (p. 25). Conceived in Cuba, his parents' homeland, Blanco was born in Spain as an immigrant. He emigrated to the U.S. as an infant and grew up in Florida. He now lives in Bethel, Maine. Blanco's love of country was never in doubt, but what exactly America represents to the huge diversity of people calling it home is a conundrum he's often dissected, and now he is forced to dig even more deeply within himself to find answers.
"Do I truly love America?" he asks (p. 31). "It was a question I had to answer honestly if I was going to write an honest poem. I began thinking of my relationship with America and how it had evolved through different phases, just as my consciousness of love had evolved....I saw parallels between a loving human relationship and the love we hold for our country."
Blanco's Story of His Cultural Roots
In the memoir, Blanco cycles back and forth between his feelings and reflections in writing the three inaugural poems; and memories of his family life: his childhood, his parents' sacrifices for him and his brother, his experiences growing up in two cultures. Blanco describes how his personal life story sometimes parallels that of President Obama: navigating two worlds on a daily basis as a person of color, and overcoming tremendous odds to be successful. He believes these similarities may have resonated with the President and affected his selection of Blanco.
Blanco’s immigrant parents left their loved ones in Cuba to start a new life with no resources other than their determination and hard work. They purchased a modest home in Florida in a Cuban-American neighborhood after years of labor and thrift. Though Blanco never lived in Cuba, he was surrounded most of his life by neighbors and friends who had, and who blended their new life in America with memories, rituals, foods, and festivities rooted in their native land.
Blanco's image of what it means to be American came from re-runs of popular television shows from his childhood--sitcoms like "Leave It to Beaver," "My Three Sons," "The Brady Bunch"--and the standard history lessons in school about Pilgrims, Washington's cherry tree, and patriotic songs: all packaged, glossy representations. It is not until Blanco is selected as Inaugural Poet that his soul-searching enables him to authentically articulate what America--the only country he has ever known and loved--means to him and to the world.
As the days pass, Blanco decides to weave his personal story only briefly in his new poems because he feels that an autobiographical poem, or a political one, is not appropriate for the occasion. He states: "I came to understand my role--the historical role of the inaugural poet--as visionary, and the poem as a vision of what could be..., reaching for our highest aspirations as a country and a people" (p. 27). The thrust of his message to the world needed to be: "What do I love about America?" (p. 60). "My initial answer was simply the spirit of its people."
Speaking To America About Love Of Country
For three weeks, Blanco reads favorite poets, meditates, writes and rewrites, working long into the night. He carefully reads the Inaugural Poems of his predecessors. He seeks feedback on his three poems from poets he knows personally, including his professor and mentor at Florida International University, Campbell McGrath; Sandra Cisneros; Julia Alvarez; Nikki Moustaki. As he states in his book: "Most writers I know rely on someone they can trust with their work, which essentially implies someone we can also trust with our lives" (p. 57). This, says Blanco, is also how his career as a poet has been: not as an "all artists work alone" (p. 57) phenomenon, but as "teamwork, ...a reflection of unity and togetherness" (p. 58).
It is this spirit of collaboration and unity that expresses itself robustly in the poem ultimately selected by the Presidential Inaugural Committee, and by the President, as Blanco’s Inaugural Poem: One Today (pp. 87-91). This poem, says Blanco, was born of his personal life experiences watching people helping one another, in good times and bad, always focused on community. Blanco’s love of country, it turns out, is one that "demands effort, asks us to give and take and forgive and constantly examine promises spoken and unspoken" (p. 32). One Today acknowledges this.
Standing at the podium on that chilly day in January 2013, facing an endless sea of humanity silent and waiting, and with the most powerful leaders of America seated onstage behind him, Richard Blanco feels that what he is about to read is his “ gift to America." The purpose of his Inaugural Poem, he states, is to "transcend politics and envision a new relationship between all Americans....I wanted America to embrace itself and...feel how we are all an essential part of one whole."
He succeeds, as thousands of letters show him in the days and months to come, and people's reactions at his subsequent readings, signings, interviews, and travels demonstrate. His message in One Today resonated across the land.
A New Mission: Poetry As A Force In Society
Blanco realizes after the inauguration that his life will never be the same again. "The days ahead proved to be abruptly life changing," he writes (p. 75), "filled with unexpected experiences and realizations that were...unique parts of my journey as inaugural poet." Always concerned that poetry in America is not "part of our cultural lives and conversations; part of our popular folklore as with film, music, and novels" (p. 101), Blanco fondly recalls children's elation at his poetic readings throughout years of sharing his poetry with them. He must build on this.
Touched deeply by people’s reaction to One Today, Blanco relishes the publicity and nationwide exposure that envelops him, sensing a mandate from the people. He states: "The messages from my country speak clearly to me of the great potential and hope for poetry in America... to keep connecting America with poetry and reshape how we think about it....to explore how I can empower educators to teach contemporary poetry and foster a new generation of poetry readers" (p. 102).
On Blanco’s return trip home, he felt "a responsibility to dare and dream up a new chapter that will rekindle poetry into a continuing American folklore--a folklore that would include the stories of gay America, Latino America, and immigrant America--everyone's America" (p. 108). He envisions a resurgence of poetry as a magnificent vehicle "to continue writing together until we are not just one today, but one every day" (p. 108).
If anyone can do this, Richard Blanco can. With his keen intelligence, egalitarian heart, boundless love for his fellow human beings, and a disciplined, devoted poetic soul—all of which gently suffuse his memoir -- Blanco shows us that he has the gifts to do this. It's not immodesty on his part that has convinced us, but rather his modesty and commitment to digging for truth and authenticity. Let us hope his journey promoting poetry for the sake of enriching our lives is long and successful.
[Blanco’s two other poems submitted for consideration were What We Know of Country and Mother Country. These are both included in his memoir.]
Publication date: 05 June 2012 by Random House Audio
Category: Adult Mystery Thriller Suspense
Keywords: Kidnapping, Murder, Crime
Format: Hardcover, ebook, audiobook
Source: Purchased from Audible.com
Having read Gillian Flynn's debut, Sharp Objects, I was really looking forward to her nightmarish account of a marriage gone completely to hell. An unemployed writer, Nick Dunne, drags his silver-spoon-fed, New York City born-and-bred wife Amy to his hometown in Missouri to help out his aging parents. Their relationship shreds apart over a combination of money troubles, petty arguments, and deep-seated resentments. On their fifth wedding anniversary, when Nick comes home to an empty house, he becomes the chief suspect in Amy's disappearance and possible murder.
While the first part felt a bit slow, dragging along with two really unlikeable main characters, the second part blew up, took off, and didn't slow down until the last 30 minutes or so. The self-referential, inside-jokey-ness of the plot and dialogue kept me hooked, even though at times I wasn't quite sure who I was rooting for--Amy, the victimized wife, or Nick, the put-upon husband? The twist comes early, but then keeps on twisting until you can't see the end. The ending chilled me, though it left me wanting a different outcome.
I'm really looking forward to the film version from David Fincher. While I didn't like the ending of the novel, I hear the third act has been rewritten for the movie, and I look forward to the possibility of getting a more satisfying ending. I think Rosamund Pike and Ben Affleck (a man with "a face you want to punch", as the character of Nick is described) are perfectly cast.
The audiobook readers, Julia Whelan (Amy) and Kirby Heyborne (Nick) sound like they're really having fun on this production. Not only do they get to say the darndest things, they get to imbue the material with such vitriol and attitude that the last 2/3rds of the audiobook sounds virtually unstoppable. I seriously had to force myself to stop listening and go to sleep so that I wouldn't be a total wreck at work the next day. I'd definitely listen to other audiobooks they read.
Flynn writes her characters' voices with flair, shifting into their different moods and personas quickly and easily. She throws out so many red herrings, you hardly suspect that more than one of them--heck, almost all of them--turn out to be real. All in all, Gone Girl was exactly the escapist thriller I wanted for a zingy summer read.
This is an absolutely wonderful coming-of-age novel by a writer who cannot put a foot wrong. David Mitchell doesn’t just get inside the head of a thirteen year old boy but brings teenage adolescence to life like I have never read before. David Mitchell captures the innocence, the naivety, the pain and the joy so […]
It’s a little crazy to think that the last book in the Hybrid Chronicles will be releasing in less than a month. Has it really been that long since I was sending out queries for What’s Left of Me (then Hybrid) and refreshing my email every three seconds?
Sometimes, it honestly doesn’t feel like it was that long ago. I can’t even remember how I got started learning about the industry—probably the internet! I do recall reading a ton of writing books, and getting the print version of the guide to literary agents or whatever it was called, and writing down names that represented YA.
Back when I was querying my very first novel (the one I wrote before What’s Left of Me), I only sent queries by snail mail. I think there was something concrete and business-like about typing, printing, and addressing a letter that appealed to me. After all, I’d been chasing this publication dream since I was twelve, but it had always been an nebulous thing. Putting stamps on envelopes…sending them off to NYC…it felt legitimate. I think I probably queried about ten or twelve agents, which felt like a lot at the time!
Unfortunately, none of those SASEs included came back with a positive answer Fortunately, I had read enough advice online (I think my main resources back then were QueryShark and Miss Snark) to know I should bunker down and write another book while waiting for query replies. That book was What’s Left of Me, and it all went on from there!
Publishing is a big world, and a lot of it really can only be learned through experience. There’s a wealth of information, to be sure, but some is outdated, and much is a matter of opinion. It was easy for me to get lost in the minutia (1-inch margins!) rather than try to figure out the whole beast of a thing. However, there’s something to be said for good advice, too.
I get a lot of emails asking for advice for just-starting-out-hey-wouldn’t-it-be-cool-to-publish-a-book writers. Here’s a list of my tips. It will probably be too basic for a lot of you out there further along on the publishing road, but hey, we all started out in the same place! Hope it’s helpful for someone
Advice for Aspiring Writers
1. Finish the book. If you’ve already accomplished this, hooray! But if you haven’t, don’t underestimate the difference this makes. It’s one thing to write a lot of nice scenes. Another thing entirely to craft a coherent story with a beginning, middle, and end.
2. Read in your genre. I have to confess that while I was writing What’s Left of Me, I was too mired in high school reading to read for fun (sacrilege, I know), so I was really out of the YA-loop as well. But I’d lived YA books for all of middle school, so I suppose there was that
But seriously, in hindsight, I would tell myself to read more in the genre. Not only does it let you know if the “shiny, original” idea you have isn’t actually that shiny, it lets you know how other people have written stories similar to your own. I don’t believe that reading in a genre, knowing the “usual structure” (or, to be more blunt, “cliches/rules”) of a genre means you’re going to fall into the same. Know the rules so you can break them, right?
3. Set goals—but you-driven goals. That means, you don’t tell yourself “My goal is to get published in the next year.” Because honestly, that’s not something you can control. You might work really hard, and write a great book, but it doesn’t get in front of the right people, or does so at the wrong time. Rather, set goals that are under your own control: “I will finish my book this year” or “I will start querying in April.”
4. Know the industry…but try not to kill yourself stressing about it. I worked as an intern for a literary agent for about a year, and read a lot of both queries and manuscripts during that time. People give a lot of “rules” about queries, but honestly, as long as you’re sending a few paragraphs that make the reader want to read your story, you’ve accomplished the point of a query. There are guidelines, of course, to be more professional about it, and I recommend reading a lot of samples and then showing your query to people (both who have and haven’t read your story). But try not to freak out too much. (I know, easier said than done!)
I could go on, but I promised just the highlights!
How about you? Do you have any advice for just-starting-out writers? Things you wish you’d known?
Kat Zhang loves traveling to places both real and fictional–the former allows for better souvenirs, but the latter allows for dragons, so it’s a tough pick. Her novel WHAT’S LEFT OF ME is about a girl struggling to survive in an alternate universe where people are born with two souls, and one is doomed to disappear. It is the first book in a trilogy and was published by HarperCollins in September of 2012. Book 2, ONCE WE WERE, released September 2013, and Book 3, ECHOES OF US, will come out September 16, 2014. You can learn all about Kat at her site, or listen to her ramblings on twitter.
Egyptian mummies continue to fascinate us due to the remarkable insights they provide into ancient civilizations. Flinders Petrie, the first UK chair in Egyptology did not have the luxury of X-ray techniques in his era of archaeological analysis in the late nineteenth century. However, twentieth century Egyptologists have benefited from Roentgen’s legacy. Sir Graham Elliott Smith along with Howard Carter did early work on plain x-ray analysis of mummies when they X-rayed the mummy Tuthmosis in 1904. Numerous X-ray analyses were performed using portable X-ray equipment on mummies in the Cairo Museum.
Since then, many studies have been done worldwide, especially with the development of more sophisticated imaging techniques such as CT scanning, invented by Hounsfield in the UK in the 1970s. With this, it became easier to visualize the interiors of mummies, thus revealing their hidden mysteries under their linen wrapped bodies and the elaborate face masks which had perplexed researchers for centuries. Harwood Nash performed one of the earliest head scans of a mummy in Canada in 1977 and Isherwood’s team along with Professor David also performed some of the earliest scannings of mummies in Manchester.
A fascinating new summer exhibition at the British Museum has recently opened, and consists of eight mummies, all from different periods and Egyptian dynasties, that have been studied with the latest dual energy CT scanners. These scanners have 3D volumetric image acquisitions that reveal the internal secrets of these mummies. Mummies of babies and young children are included, as well as adults. There have been some interesting discoveries already, for example, that dental abscesses were prevalent as well as calcified plaques in peripheral arteries, suggesting vascular disease was present in the population who lived over 3,000 years ago. More detailed analysis of bones, including the pelvis, has been made possible by the scanned images, enabling more accurate estimation of the age of death.
Although embalmers took their craft seriously, mistakes did occur, as evidenced by one of the mummy exhibits, which shows Padiamenet’s head detached from the body during the process, the head was subsequently stabilized by metal rods. Padiamenet was a temple doorkeeper who died around 700BC. Mummies had their brains removed with the heart preserved as this was considered the seat of the soul. Internal organs such as the stomach and liver were often removed; bodies were also buried with a range of amulets.
The exhibit provides a fascinating introduction to mummies and early Egyptian life more than 3,000 years ago and includes new insights gleaned from cutting edge twenty first century imaging technology.
“Dismissed by much of white America as ‘darkies playing soldiers,’ porters, butlers, hotel doormen, elevator operators—2,000 strong—volunteered for the cause.”
Today over at Kirkus, I’m shining the spotlight on Barbara Bottner’s Miss Brooks’ Story Nook (where tales are told and ogres are welcome!), illustrated by Michael Emberley. That link will be here soon.
Also, yesterday at BookPage my interview with author-illustrator Cece Bell went up, as well as my review of El Deafo, her graphic novel. That is all linked here. And remember: I featured art from El Deafo back in June. That’s here.
* * *
Last week, I wrote here about J. Patrick Lewis’Harlem Hellfighters (Creative Editions, August 2014), illustrated by Gary Kelley. And guess what? I saw yesterday that it up and won an Original Art Award from the Society of Illustrators. See here for more information and the other winners.
I have some art from this book today. Enjoy.
“Somewhere in the mid-Atlantic fog of history, two dark ships passed in the night …”
“The Harlem Hellfighters defined courage, / none more than red cap Albany porter / Henry Johnson …”
“Relieved from trench duty, Jim Europe found a modest farmhouse in a remote hamlet alive with birdsong. …”
“Three days later, / the first black man ever to be given / a public funeral in the city of New York / rolled through the streets of Harlem / past a delirium of mourners. / In black armbands, the Hellfighters / marched last, their hushed instruments / at their sides.”
Celebrate Reading This Fall with Thalia Kids’ Book Club at Symphony Space
The always popular Thalia Kids’ Book Club includes lively discussions between top children’s book authors and their fans, with special guests and a behind-the-scenes look at how books are written and produced. The interactive series is co-presented with the Bank Street Bookstore.
For more information and tickets, visit http://www.symphonyspace.org/tkbc .
Wednesday, September 10, 7 pm Jason Segel and Kirsten Miller: Nightmares! Tickets: $22 members, non-members $25 Jason Segel (How I Met Your Mother, The Muppets), an actor, writer, and musician, teams up with New York Times bestselling author Kirsten Miller (Kiki Strike) to discuss their hilariously frightening middle-grade novel Nightmares!, the first book in a trilogy about a boy named Charlie and a group of kids who must face their fears to save their town. Ages 8 and up. Note: The special ticket price includes a copy of Nightmares! (retail priced at $16.99).Ticket holders will get a copy of the book at the door on September 10. Books will not be available for early pickup.
Sunday, September 21 at 1 pm Pseudonymous Bosch: Bad Magic Tickets: members $12, non-members $15
The mysterious author of the New York Times-bestselling The Name of This Book is Secret goes behind-the-scenes of his new adventure series Bad Magic. The author will be in conversation with Adam Gidwitz (A Tale Dark and Grimm). Ages 9 to 12.
Tuesday, September 23 at 6 pm An Evening with Patricia Polacco Patricia Polacco, the beloved author and illustrator of Thank You, Mr. Falker, and dozens of other favorite picture books, discusses her life and award-winning works. The author and illustrator of more than 70 books for children, Polacco has won every award imaginable in children’s literature. Her latest book is Mr. Wayne’s Masterpiece, an inspired-by-true-life story about overcoming the fear of speaking in public. Ages 6 & up.
Sunday, October 19 at 1 pm An Afternoon with Lois Lowry Tickets: members $12, non-members $15
Reading and conversation with the treasured author of Number the Stars, The Giver, and many other favorite works for kids and teens. Number the Stars, the Newbery Medal-winning novel about the Occupation of Denmark in the Second World War, celebrates its 25th anniversary this year. Ages 9 and up.
Sunday, November 16 at 5 pm A Celebration of E. B. White All Tickets: $25 (ticket sales benefit First Book).
Stars of Broadway and Hollywood celebrate the work of the beloved writer whose humorous and poignant stories and poetry include Charlotte’s Web and Stuart Little. Special guests include White’s granddaughter Martha White. Jarrett J. Krosoczka (The Lunch Lady series) will host the event, and actor David Hyde Pierce will also read from the stories. First Book, a non-profit organization, connects book publishers to community organizations to provide access to new books for children in need. Ages 7 and up.
Symphony Space is located at 2537 Broadway at 95th Street in Manhattan, New York City. The box office number is (212) 864-5400. A note to editors: Symphony Space Literary Department presenters are available for interviews. More detailed information about each group and photos are available upon request. Visit http://www.symphonyspace.org/tkbc for updated information.
Written by Karla Oceanak Illustrated by Kendra Spanjer Bailiwick Press 6/10/2014 978-1-934649-49-7 Age 7+ 160 pages x x “Finding a dinosaur bone is like hitting the jackpot, right? Dino fossils are worth millions! Plus you get to b famous! You’re minding your own kid business when bam!—out of the mud pop fortune and glory. Ka-ching! That’s how I thought it would go, anyway, after my best friend, Jack, and I found a fossil in our neighborhood ditch. But as usual, grown-up rules made things way too complicated.”
“I wish we could play outside. This morning, I said that. I mean, I actually heard my own voice speak those exact words. Me. Aldo Zelnick.”
Aldo and his best friend, Jack, actually did go outside to play. It was cold and muddy causing the boys to slip and slid right into a neighborhood ditch. This is when Jack finds a big rock that, when cleaned, is much better than a rock. It is a fossil—a dinosaur fossil, right from their own backyard.
Aldo believes the fossil is worth millions of dollars and holds this hope out to the very end. Jack is thinking only of fame. A famous paleontologist, a famous middle grade paleontologist, would be cool, he thought. Jack holds out this hope to the very end. This is the only contention between Aldo and Jack: fame or fortune, but why not both!
The boys head to the natural history museum to find out what kind of fossil they found and, for Aldo, how much it is worth. Aldo thinks the museum will pay him on the spot—they do not. But, it is a dinosaur bone and the ditch might just have more bones. Now the boys must get the neighborhood to consent to digging up the ditch, and then find the rest of the dinosaur. Once done, Aldo and Jack will go on tour with their fame and fortunes. If only they can keep everyone out of the ditch until excavation day.
When we last read about Aldo he was skiing in Ignoramus. Since then, Aldo and Jack have changed only incrementally, as they normally would. I like that the authors are not maturing the characters quickly. Of course, with twenty-six books, they have lots of room to let the characters blossom slowly. Still, Aldo may be in college by the time “Z” hits the shelves. Aldo is still using his diary to write about his life and then—oh, I meant his journal, so sorry. Sometimes a good character just sticks with you and Aldo is one of those characters. He also wants you to know he is an artist and draws some terrific scenes that help readers visualize his stories.
In “J,” for Jackpot, Aldo and his best friend Jack finally go outside to play. They do not pick the best day, as it is cold and the ground is muddy and slippery. Aldo and Jack slip and slide into a neighborhood ditch. In the ditch Jack loosens a great looking rock. The rock turns out to be a dinosaur bone and more could be in that ditch. Aldo thinks this is great fortune, as in money. Jack thinks this is fortunate, as in fame. He would love a dinosaur named after him. Aldo would probably like a bank, or at least the largest vault, named after him. They have hit the JACKPOT!
As in books A, B, C, D, E, F, G, H, and I, J (for Jackpot) is crazy and funny with loads of mishaps, misunderstandings, and a girl interfering—or trying to—with Aldo and his journals. Jackpot is not a graphic novel. It contains enough text to keep the story on track and moving, but not so much as to crowd out the wonderful illustrations meant to be from Aldo. I love the detailed illustrations that greatly enhance the story. Aldo and Jack both sport Indiana Jones hats (fedoras). Kids will love the black and white “doodles” Aldo draws on nearly every page.
I enjoyed Jackpot, reading it in one sitting. Middle grade kids—especially reluctant readers—will love this series. The characters are believable, multi-dimensional, likable and in many ways familiar to everyday life. Reluctant readers will appreciate the story staying on track and the short chapters. Kids can stop reading at any point, and when ready, easily reemerge back into the story. This is most terrific for reluctant readers who are at a distinct disadvantage with continuing a book midway through.
As far as the actual writing is concerned, the story stays on point even when Aldo goes off on a tangent. Aldo’s tangential thoughts are about money. In several illustrations, Aldo has made long lists of numbers needing added to project his coming wealth. The characters, especially Aldo and Jack, are easy to care about as the story progresses. If you have been reading the alphabet series known as Aldo Zelnick, you already care about Aldo and Jack, but the author makes no assumptions and brings new readers into the fan club.
Jackpot is the tenth book in Aldo’s series. I like that each of these books introduces new words that begin with that book’s letter. Jackpot, then, has words beginning with the letter “J.” Examples include jabbering, jack squat, jicama, and several French words like Joie de vivre and jugo de naranja. There is a glossary in the back, which defines each “J” word. In the text, the highlighted words are marked with an asterisk (*).
The Aldo Zelnick series is similar to The Wimpy Kid except that Jackpot, and every book thus far, have better defined illustrations. I like the “J” words in Jackpot. The glossary defines each of these words. I also like reading the comic Bacon Boy by Aldo Zelnick. How often do you get two books in one and both books are terrific? Aldo and Bacon Boy have a lot in common. I think Bacon Boy is Aldo and a safe, funny way for Aldo to document his childhood. Kids will laugh their hinnies off, no external exercise needed.
created an essential platform for francophone writers in which they promote their literary works and showcase the Moroccan talents by awarding them basically on the value of their productions.
But, still ... Morocco, where there are some folks speaking -- and writing ! -- in languages like ... Arabic, Berber, even Spanish .....
Still, solid literary support, with a prize of MAD 200,000 (yes, that translates into real money) -- though I do have to wonder about the symbolism of the photograph accompanying that article -- empty seats, no one behind the lectern ... easy to read a lot into that .....
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Kennedy Waters lives in a world where vengeance spirits kill, ghosts keep secrets, and a demon walks among us-a demon she accidentally set free.
Now Kennedy and the other Legion members-Alara, Priest, Lukas, and Jared-have to hunt him down. As they learn more about the history of the Legion and the Illuminati, Kennedy realizes that the greatest mystery of all does not belong to any secret
Jersey Farm Scribe here, and I’m so excited to do a post here on Darlene’s website.
It’s exciting for me to get a chance to talk about something farm-related, since I’m usually posting on writing on Kathy’s website Writing and Illustrating or Children. http://www.kathytemean.wordpress.com
I thought about what I should write about. I could write about the animals that I have here on The Farm. I could write about the lifestyle, being more in touch with the world around us, agriculture and fresh food. I could write about one of the many projects that are always going on… and never quite finished.
In the end, I decided to write about something close to my heart that I HAVEN’T gotten fully involved in. What a great motivator for me to finally jump in!!! Plus, then perhaps I can do another post in a few months and update everyone on any progress that has been made.
So here we go… they’re cute… they’re amazing,
and they’re SUPER sweet. I had the amazing opportunity to visit an active BEE hive with my brother’s family, including their bee-guru boys. We went to Dan Price’s Farm, the founder of Sweet Virginia Foundation http://sweetvirginia.com, a Honey Bee Conservation and Education Organization. Here we all are at their farm. The three little ones are three of my four amazing nephews. I’m the odd-ball in the green suit.
There were some high school kids doing a project. The high schoolers were very leery of the bees, (understandably), and a bit skittish about going up to the hive.
My nephews, 12, 11 and 7, had absolutely no problems. They were informing the older kids of where to stand that was safe. (bees create a main highway where they travel in and out of the hive, and as long as you keep that area clear, you’re perfectly fine!) They operated the smoke puffer (definitely NOT it’s technical name) and answered all the questions the hive experts had like it was NOTHING.
Hive Manager: Does anyone know how many different types of honeybees there are?
7 yr-old-nephew (looks at her as if to say, um, who doesn’t??: Three. The queen. The worker bees, which are girls, and the drones, which are boys.
Hive Manager: That’s right. And the bees that we see flying around sometimes, which are they?
11-yr-old: Worker bees.
Hive Manager: And why’s that?
12-yr-old AND 7-yr old: Because they are the only ones that leave the hive. All the drones do is mate with the queen and all the queen does is lay eggs.
Eventually, the hive manager realized she was going to have to think of harder questions.
Then Marcus and Ethan, the 11 and 7-yr olds picked up a BEE COVERED slat from the hive, (without any gloves on!) and with absolutely no fear:
And here is Jared, (12) even letting a bee crawl on his hand!
I was unbelievably impressed, to say the least. (as were the high school kids who they completely showed up!)
I learned a lot. I won’t get into the dorky-science details here. (I’m a total science nerd at heart). But here’s a fun one: Bees communicate with DANCE!
They use it to communicate where the good hive or flower is located. It’s pretty unbelievable.
I think most people know at this point that there are concerns for the honeybee’s health around the world, which would be devastating to our food sources. It’s more than just not having beautiful flowers. Fruits and vegetables pollinate and grow because of bees. And the animals that we raise for food eat these fruits and vegetables as well!
But luckily there is something really simple you can do that can make a BIG difference! You know those signs you see?
Those are people who either run their own hive, or have someone come in and run a hive for them. This is GREAT for the honeybee population. You can help out your local farmer, and help the honeybees at the same time.
Honey is such a great natural sugar substitution. Try substituting it for sugar in recipes, to give an extra yummy flavor, and a much healthier sweetness. Sugar is sweeter than sugar, so you would about ½ to ¾ cup of honey for every cup of sugar.
I do a combination:
For every cup of sugar a recipe calls for I use:
¼ cup sugar
½ cup honey
This is amazing in almost ALL baking, cakes, muffins, cookies, breads, the works.
Honey has some pretty amazing healing powers as well. It’s been used as a natural antibacterial agent for years!
Feeling like you have a cold coming on, or just can’t kick one? Try this:
Raw Honey – (natural antibacterial agent and throat coater)
REAL ginger – (natural anti-inflammatory)
REAL garlic – (natural antibiotic)
1 teaspoon apple cider vinegar (with the mother) (balances the acidity level – excellent for chest cold)
Okay…. so I’m not gonna lie, this is not a delicious drink. But I can from personal experience it can really help to kick those sniffles!
Allergies? Try local honey. A full T every single day. The closer the hive is to your home, the better.
The idea is that you’re introducing a small amount of the pollen into your system via the honey, making your body more use to it (similar to how allergy shots work). This method of course depends on what you are actually allergic to, and there is actually not a lot of actual pollen in honey, but there is some.
I am lucky and don’t suffer from allergies myself, but I have a few friends I’ve suggested this to that swear it helped them. Plus, this one IS delicious!
(I am obviously NOT a doctor, these are just personal home-remedies I’ve always used)
A new book titled, CATCH THE COOKIE has hit the bookshelves written by Hallie Durand, a.k.a. Agent Holly McGhee and illustrated by David Small. I have the book and can truthfully say it is a very fun picture book. I scanned in a few interior shots and Holly sent a picture of the real Marshall to add to the interview questions. I also added a quick blurb to whet your appetite:
Marshall knows one thing for sure, despite what all the stories say: Gingerbread men cannot run. Cookies are for eating, and he can’t wait to eat his after spending all morning baking them with his class. But when it’s time to take the gingerbread men out of the oven . . . they’re gone! Now, to find those rogue cookies, Marshall and his class have to solve a series of rhyming clues. And Marshall just might have to rethink his stance on magic. Catch That Cookie! is an imaginative mystery, deliciously illustrated by Caldecott Medal winner David Small. It’s sure to inspire a new classroom tradition . . . and maybe even a few new believers!
I wanted to know more about the book and Holly, so below is the interview I had with her. If you want to read more about David Small and read about the process of creating the book cover for CATCH THE COOKIE, he was featured this past Saturday on Illustrator Saturday - definitely worth reading. Here’s Hallie/Holly:
Most people know you as Holly McGhee. Why did you decide to write under another name?
A: On that first submission especially, I needed to know whether my writing could speak for itself, in no way connected to me as an agent—could I get published just because an editor and publisher believed in my work? I’ve kept with a pen name to separate my writing from agenting, though at this point it’s not a secret that I’m Holly McGhee & Hallie Durand.
When did you start writing your latest book, Catch That Cookie!?
A: I started Catch That Cookie! in earnest over the Christmas holidays of 2011. My son Marshall had been a preschool student of Mrs. Gray’s (the teacher in my book) in the fall of 2009, and he had gone on a gingerbread hunt at school. He’d come home with a recipe for gingerbread men, and he was obsessed with making the cookies. He kept nagging me, and so I finally borrowed the cookie cutters from Mrs. Gray and we made them for our class picnic in June of 2010, in ninety-degree heat. We put them in the van to bring to the picnic, and then Marshall started locking the van doors. I realized he thought the cookies would escape, ha ha ha ha! I knew there was a story there, and I wanted to know what Mrs. Gray had done in class to make Marshall believe those G-men could escape. So I interviewed Mrs. Gray and that inspired my picture book.
How did it find a home at Dial?
A: When I finally had a draft that I liked, I shared it with my agent, Elena Giovinazzo, who sent it out to editors. Lauri Hornik and Kate Harrison at Dial made an offer.
Were you the one who chose David Small to illustrate the book?
A: No, that was my editor, Kate Harrison, and the art director Lily Malcom. I couldn’t be happier about the choice—not only is David my client but he is one of my very close friends. (I was nervous he would turn it down though, and thrilled that he liked it—he’s picky!)
How long did it take David to do the illustrations?
A: He started early in 2013 and finished that fall. I sent him a picture of Mrs. Gray to inspire him and also pictures of Marshall, Avery, and Henry, who all appear in the book (they were Marshall’s classmates).
Do you plan any book signings or other marketing things now that the book is sold?
A: Yes, David and I are doing a little mini tour to celebrate both the book and our friendship. I am going out to Kalamazoo, Michigan on September 10 and we are doing one appearance for adults at the Kalamazoo Library and one for kids at the Book Bug, and then he’s coming back with me to Maplewood, NJ. We’ll have a big gingerbread hunt with Mrs. Gray at the Maplewood Library on September 13, and an event for writers and artists (together with Anna Kang and Chris Weyant of You Are (Not) Small and Richard Morris of This Is a Moose) on the 14th. We’re going to talk about collaboration. Then we’ll have an appearance at our local bookstore on the 15th as well as a private event for the preschool four year olds (all at Words, Maplewood). David will share some of his drawing secrets. I’ll have more details for you soon.
When did you write your first book and what was the title?
A: In 2007 I wrote my first chapter book / novel, Dessert First, and I wrote two more books in that series. Dessert First was published in 2009, Just Desserts in 2010, and No Room for Dessert in 2011, all illustrated by the amazing French artist Christine Davenier.
Were you an editor at that time?
A: Nope, I had been an agent for nine years already (though I’ve never stopped being an editor really—as an agent I’m often the first set of eyes on a manuscript, helping polish it enough to be acquired).
How did the idea come to you?
A: It started at a dinner with one of my best friends at the River Run Café in NYC. We ordered dessert to share, and as always I angled the plate so that the best part of the dessert “happened” to be directly in front of me. My friend had had enough of my bad behavior and she said, “WHY DO YOU ALWAYS TAKE THE BEST PART OF THE DESSERT?” And I, with nowhere to hide, said, “Because I thought I was getting away with it.” That honesty marked a turning point in our friendship. A few years later, we were sharing a slice of Iced Lemon Cake at lunch, reminiscing about our fateful evening at the River Run. And that very evening, on NJ Transit, Dessert Schneider barged into my life and wouldn’t be quiet till I wrote her story. I’d never experienced anything like that—she was really bossy!
How did that book get published?
A: It was multiply submitted, under my pen name, and was acquired in a two-book deal.
It looks like most of your books have a food element. Is that because you like to bake?
A: Funny you bring this up, because it hasn’t been intentional. Food has been a continuing thread throughout my life, and as a kid I always went grocery shopping with my dad (we still like to go together when we can); we like to see what new products there are on the shelves and what’s on sale. I was the New York State 4-H Bread champion (not kidding!) as a seventeen year old—baking bread was something to do in an otherwise pretty boring summer in farm country, so I went for it, baking bread every day for the entire two months that school was out. Cooking and baking are relaxing for me like nothing else, and when I’m not writing, I’m usually in the kitchen. I even like chopping leeks, just as thin as I can get them without slicing off my thumb in the process . . .
Do you feel that writing your own books helps you relate better with your writer clients?
A: I think my writers and artists appreciate that I understand what they’re thinking and how they’re feeling in a way that you only know if you are a writer or artist yourself. We talk . . . a lot.
When I heard David Small and Kate DiCamillo speak at SCBWI conferences, it sounded like you were not only a great agent, but a great critique partner for them.
Over the years, there’s a trust that builds, and with David and Kate and most of my clients, I’m a gatekeeper; they can share work with me before anybody else sees it, and they know that if I’m willing to share it with the world, I believe in it.
Why did you decide to leave HarperCollins to open a literary agency?
A: I’d been an executive editor for six years, and I had developed my own taste in books. I’d begun to believe that if I loved reading a book, maybe somebody else in the world would too. And so I was ready to set out of my own after a time, especially when some of the projects I tried to acquire were rejected by an acquisitions board. I wanted to succeed or fail based on my own taste.
What was your biggest success as a literary agent?
A: Biggest successes can run the gamut. There are the seven-figure deals with film rights and foreign licenses sold simultaneously, and there are the original books by new authors that become franchises, with television and live-stage deals coming along the way. But there are also the smaller deals that come with huge personal satisfaction, such as bringing a beloved book back into print decades after first publication, or placing that book I’ve always believed in, months after first submission. I think the biggest fun is finding an editor who loves a book, acquires it, and publishes it well, whether it’s snapped up in a pre-empt an hour after submission or acquired after months of waiting. They all matter.
On top of that, the feeling of comraderie I have with my colleagues is one I cherish–we root for each other and have a fabulous time together. That matters too.
Do you have any words of wisdom for writers from an author’s point–of-view?
~Be discerning but don’t be precious about your work.
~Take your work as far as you can on your own before showing it; your agent only gets a first read once.
~Let your work speak for itself—no need to tell your agent how much your neighbors and other writer friends love it first; that can set unrealistic expectations before that first read.
~Go to your laptop or drawing board every day. It’s easier to stay with the story you’re trying to write or illustrate than it is to reintroduce yourself after an absence.
~Think about a problem you are having with your book right before you go to sleep, and keep a pencil and notepad by your bedside table; you might get an answer during the night or first thing in the morning (it happens!).
~Don’t worry about how many books you have published / are publishing; Robert McCloskey did seven in his lifetime.
~Don’t get obsessed with Amazon rankings, etc. The secret is that a bad ranking will make you feel worse and a good ranking or review won’t make you feel much better.
~As long as you can say to yourself, when you’re looking back at your work, I did the best I was capable of at that time in my life, you’ll be a bit more impervious to negative comments. But make sure you can say that before your book goes out into the world.
Would you answer differently with your agent’s hat on?
A: No, but some of these things I only know from being a writer, inside information J.
Holly, thanks for answering the interview questions. I will remind people when they might be able to see you in September. It was such great fun to share the picture of your son with everyone. It looks like David really captured his looks and personality.
Best of Luck with the book!
PS: Remember to check back next Friday to read the four first pages critiqued by Holly.
15-year-old Madison Beer got her first big break when Justin Bieber tweeted one of her videos to his millions of followers, and since then she has been working on her first studio album (oh, yeah, and she also recorded “Valentine” with Cody Simpson
. Whaaaaat?!). We chatted with Madison about singing, books, her most embarrassing moment, and more.
Q: What advice would you give to young artists if they wanted to get into the music business? Madison: Well, I started on YouTube just for fun, really. It was something that I always wanted to do, so it was just me having some fun and messing around. My advice? If a teenager really enjoys singing, like me, I would just go ahead and post stuff on YouTube (only with your parents’ permission). I know that it can be really nerve-racking, especially when you start thinking, “What are my friends going to think? What are my teachers going to think?” You don’t really know how people are going to react. But if you’re confident in the video that you recorded, and if it’s going to make you happy, you should post it.
Q: When did you know that you wanted to perform? Madison: I think when I started posting videos consistently is when I got really attached to the whole idea of doing it professionally. I’ve always wanted to be a professional singer, but the YouTube stuff made me take it more seriously. I felt, like, compelled to do YouTube videos.
Q: Do you remember the first song you sang as a little girl? Madison: Yeah. I used to sing “The Star-Spangled Banner” all the time. I used to sing that and “God Bless America” all the time.
Q: What is your all-time favorite book? Madison: As a child, The Giving Tree was my favorite book. It showed me the importance of sharing and caring for people and, you know, giving and not always being selfish. And I also loved all the Shel Silverstein books.
Q: What is your all-time favorite song? Madison: I love The Beatles song “In My Life.” I like that song a lot. It’s really cute.
Q: What’s the funniest or most embarrassing thing that’s happened to you recently? Madison: I live in California, so when I come back to New York I get to see my friends that I haven’t seen in weeks—months, even. I was pulling up to my friend’s house and right when I got out of the car, I kind of, like, tripped a little bit, but I caught myself and I was fine. All my friends were waiting for me outside. So I tried to play it cool, in case anybody noticed, and I walked right into a tree. It was the most embarrassing thing. And I was like, “Awesome. That was great.” Everybody knows that I’m clumsy, so they all were just laughing. They were like, “Oh, Madison’s back.”
Can’t wait to hear the songs Madison’s been working on! Are you a Madison Beer fan? Are you also excited for her new album? Share your thoughts in the Comments below!
Recruited at his death to be a Protector of the Night, seventeen-year-old Daniel Graham has spent two-hundred years fighting Nightmares and guarding humans from the clawed, red-eyed creatures that feed off people’s fears. Each night, he risks his eternal life, having given up his chance at an afterlife when he chose to become a Protector. That doesn’t stop a burnt-out Daniel from risking daring maneuvers during each battle. He’s become one of the best, but he wants nothing more than to stop.
Then he’s given an assignment to watch over sixteen-year-old Kayla Bartlett, a clinically depressed patient in a psychiatric ward. Nightmares love a human with a tortured past. Yet, when they take a deep interest in her, appearing in unprecedented numbers, the job becomes more dangerous than any Daniel’s ever experienced. He fights ruthlessly to keep the Nightmares from overwhelming his team and Kayla. Soon, Daniel finds himself watching over Kayla during the day, drawn to why she’s different, and what it is about her that attracts the Nightmares. And him.
A vicious attack on Kayla forces Daniel to break the first Law and reveal his identity. Driven by his growing feelings for her, he whisks her away to Rome where others like him can keep her safe. Under their roof, the Protectors discover what Kayla is and why someone who can manipulate Nightmares has her in his sights. But before they can make a move, the Protectors are betrayed and Kayla is kidnapped. Daniel will stop at nothing to save her. Even if it means giving up his immortality. My thoughts: Vicki is my agency sister, so yeah, I was excited to read this book. First, the cover is awesome, and second the blurb let me know this was my kind of read. Daniel is someone I liked from the start. He's very real and so are his feelings. He felt for Kayla just like I did. The poor girl is in a psychiatric ward and being tortured by nightmares. I loved how the nightmares were physical things. Seriously LOVED that. I could almost feel their hands reaching for me while I was reading. Creepy and awesome! There's a twist with Kayla that I really enjoyed and didn't see coming. I won't give spoilers though, so I'll just say it was a great addition to the plot. The dynamic between Kayla and Daniel felt very genuine to me. They both are dealing with a lot. Daniel wants out of his job as a Protector, and Kayla has a tortured past. I think this really draws them to each other and gives them common ground. I can't wait to see where the story goes in book two.Add a Comment
This morning it is downright chilly... Which is kind of ridiculous for August, but it's also rained already this month, so what can you do. School is starting within this week or the next for most of the county, and my armchair-by-a-sunny-window... Read the rest of this post
(Kate Wilson of the wonderful Nosy Crow asked me to write a guest post for her on my experiences of self-publishing as a published author. For your info, she didn't know what those experiences were, so there was no direction or expectation. I have re-posted it here, with permission. Note that this is personal experience, not advice.)
Many writers, previously published or not, talk excitedly about why they enjoy self-publishing. Let me tell you why I don’t.
I’ve self-published (only as ebooks) three of my previously published YA novels and three adult non-fiction titles which hadn’t been published before. From these books I make a welcome income of around £250 a month – a figure that is remarkably constant. So, why have I not enjoyed it and why won’t I do it again?
It’s damned hard to sell fiction! (Over 90% of that £250 is from the non-fiction titles.) Publishers know this. They also know that high sales are not always about “quality”, which is precisely why very good novels can be rejected over and over. Non-fiction is easier because it’s easy to find your readers and for them to find your book. Take my book about writing a synopsis, for example; anyone looking for a book on writing a synopsis will Google “books on writing a synopsis” and, hey presto, Write a Great Synopsis appears. But if someone wants a novel, the chances of finding mine out of the available eleventy million are slim. This despite the fact that they had fab reviews and a few awards from their former lives.
But some novels do sell well. So why don’t mine? Because I do absolutely nothing to sell them. Why not? Well, this is the point. Several points.
First, time. I am too busy with other writing and public-speaking but, even if I weren’t, the necessary marketing takes far too long (for me) and goes on for too long after publication: the very time when I want to be writing another one. This is precisely why publishers tend only to work on publicity for a short while after publication: they have other books to work on. We may moan but it has to be like that – unless a book does phenomenally well at first, you have to keep working at selling it.
Second, I dislike the stuff I’d have to do to sell more books. Now, this is where you start leaping up and down saying, “But published authors have to do that, too!” Yes, and I do, but it’s different. When a publisher has invested money because they believe in your book, you obviously want to help them sell it. But when the only person who has actually committed any money is you, the selling part feels different. It’s a case of “I love my book so much that I published it – now you need to believe in me enough to buy it.” I can’t do it. Maybe I don’t believe in myself enough. Fine. I think books need more than the author believing in them. The author might be right and the book be fabulous, but I tend to be distrustful of strangers telling me they are wonderful so why should I expect others to believe me if I say I am? And I don’t want to spend time on forums just to sell more books.
Third, I love being part of a team. Yes, I’ve had my share of frustrating experiences in the course of 100 or so published books, but I enjoy the teamwork – even though I’m an introvert who loves working alone in a shed; I love the fact that other people put money and time and passion into selling my book. It gives me confidence and support. They won’t make money if they don’t sell my book and I still like and trust that model.
And I especially love that once I’ve written it and done my bit for the publicity machine and done the best I can for my book, I can let it go and write another.
See, I’m a writer, not a publisher. I may love control – the usual reason given for self-publishing – but I mostly want control over my words, not the rest. (That control, by the way, is never lost to a good editor, and I’ve been lucky with genius editors.) So, yes, I am pleased with the money I’ve earned from self-publishing and I love what I’ve learnt about the whole process, but now I’m going back to where I am happy to do battle for real control: my keyboard.
It’s all I want to do.
Nicola Morgan has written about 100 books, with half a dozen "traditional" publishers of various sizes from tiny to huge. She is a former chair of the Society of Authors in Scotland and advises hard-working writers on becoming and staying published, and on the marketing/publicity/events/behaviour that goes along with that. She has also just created BRAIN STICKS™, an original and huuuuuuge set of teaching resources about the brain and mental health.
At a time when the press and broadcast media are overwhelmed by accounts and images of humankind’s violence and stupidity, the fact that our race survives purely as a consequence of Nature’s consent, may seem irrelevant. Indeed, if we think about this at all, it might be to conclude that our world would likely be a nicer place all round, should a geophysical cull in some form or other, consign humanity to evolution’s dustbin, along with the dinosaurs and countless other life forms that are no longer with us. While toying with such a drastic action, however, we should be careful what we wish for, even during these difficult times when it is easy to question whether our race deserves to persist. This is partly because alongside its sometimes unimaginable cruelty, humankind also has an enormous capacity for good, but mainly because Nature could – at this very moment – be cooking up something nasty that, if it doesn’t wipe us all out, will certainly give us a very unpleasant shock.
After all, nature’s shock troops are still out there. Economy-busting megaquakes are biding their time beneath Tokyo and Los Angeles; volcanoes are swelling to bursting point across the globe; and killer asteroids are searching for a likely planet upon which to end their lives in spectacular fashion. Meanwhile, climate change grinds on remorselessly, spawning biblical floods, increasingly powerful storms, and baking heatwave and drought conditions. Nonetheless, it often seems – in our security obsessed. tech-driven society – as if the only horrors we are likely to face in the future are manufactured by us; nuclear terrorism; the march of the robots; out of control nanotechnology; high-energy physics experiments gone wrong. It is almost as if the future is nature-free; wholly and completely within humankind’s thrall. The truth is, however, that these are all threats that don’t and shouldn’t materialise, in the sense that whether or not we allow their realisation is entirely within our hands.
The same does not apply, however, to the worst that nature can throw at us. We can’t predict earthquakes and may never be able to, and there is nothing at all we can do if we spot a 10-km diameter comet heading our way. As for encouraging an impending super-eruption to ‘let of steam’ by drilling a borehole, this would – as I have said before – have the same effect as sticking a drawing pin in an elephant’s bum; none at all.
The bottom line is that while the human race may find itself, at some point in the future, in dire straits as a consequence of its own arrogance, aggression, or plain stupidity, this is by no means guaranteed. On the contrary, we can be 100 percent certain that at some point we will need to face the awful consequences of an exploding super-volcano or a chunk of rock barreling into our world that our telescopes have missed. Just because such events are very rare does not mean that we should not start thinking now about how we might prepare and cope with the aftermath. It does seem, however, that while it is OK to speculate at length upon the theoretical threat presented by robots and artificial intelligence, the global economic impact of the imminent quake beneath Tokyo, to cite one example of forthcoming catastrophe, is regarded as small beer.
Our apparent obsession with technological threats is also doing no favours in relation to how we view the coming climate cataclysm. While underpinned by humankind’s polluting activities, nature’s disruptive and detrimental response is driven largely by the atmosphere and the oceans, through increasingly wild weather, remorselessly-rising temperatures and climbing sea levels. With no sign of greenhouse gas emissions reducing and concentrations of carbon dioxide in the atmosphere crossing the emblematic 400 parts per million mark in 2013, there seems little chance now of avoiding a 2°C global average temperature rise that will bring dangerous, all-pervasive climate change to us all.
The hope is that we come to our collective senses and stop things getting much worse. But what if we don’t? A paper published last year in the Royal Society’s Philosophical Transactions, and written by lauded NASA climate scientist, James Hansen and colleagues, provides a terrifying picture of what out world will be be like if we burn all available fossil fuels. The global average temperature, which is currently a little under 15°C will more than double to around 30°C, transforming most of our planet into a wasteland too hot for humans to inhabit. If not an extinction level event as such, there would likely be few of us left to scrabble some sort of existence in this hothouse hell.
So, by all means carry on worrying about what happens if terrorists get hold of ‘the bomb’ or if robots turn on their masters, but always be aware that the only future global threats we can be certain of are those in nature’s armoury. Most of all, consider the fact that in relation to climate change, the greatest danger our world has ever faced, it is not terrorists or robots – or even experimental physicists – that are to blame, but ultimately, every one of us.
’T IS so much joy! ’T is so much joy! If I should fail, what poverty! And yet, as poor as I Have ventured all upon a throw; Have gained! Yes! Hesitated so This side the victory!
Life is but life, and death but death! Bliss is but bliss, and breath but breath! And if, indeed, I fail, At least to know the worst is sweet. Defeat means nothing but defeat, No drearier can prevail!
And if I gain,—oh, gun at sea, Oh, bells that in the steeples be, At first repeat it slow! For heaven is a different thing Conjectured, and waked sudden in, And might o’erwhelm me so!
by Emily Dickinson
From Bartleby.com (bibliographic record for the poem here) You can see the poem in Emily's own handwriting here.
Lots of great conversations these first couple of days of school about the importance of struggle, of perseverance, patience, and practice. Growth mindset. We watched Kid President talk about inventing, and we read The Most Magnificent Thing. I think we're ready to dive into the hard work of fifth grade.
I splurged yesterday and bought a little purple Moleskine journal to keep track of my "trout of the day." We're two days in and I'm having a hard time picking one "trout." I'm thinking that bodes well for the year.
We've had a change in the Poetry Friday roundup this week. Irene is taking over for Robyn. Head over to Live Your Poem to leave your link.
Douglas Florian is a poet and artist who has created poetry picture books that explore a wide variety of subjects. Over the years I have greatly enjoyed reading these books, and it is interesting to see how he applies his considerable talent to take on a new topic that interests him.
Birds truly are remarkable animals. They come in a dazzling array of colors, live on every continent, and make their homes in all kinds of places. In this wonderful picture book Douglas Florian pairs short poems with his artwork to give readers a true celebration of birds.
Over the millennia birds have evolved to suit many kinds of environments. Some birds, like the egret, sail on water and then rest on the beach making it seem as if there is a “feathered hat” lying on the sand. Dippers love to dip and dive in waterfalls. They are so aquatic that one wonders if they would be happy to “trade / Their oily wings for flippers.” They are such good swimmers that it is possible that the little birds might “think that they are fish.”
Birds come in all shapes and sizes. The spoonbill is tall and thin with a beak that does indeed look like a long-handled spoon. In his poem about this rather odd looking species, Douglas Florian wonders if the spoonbill uses its bill “for stirring tea” or does it “use it as a scoop / For eating peas and drinking soup.”
The stork has a bill that is perfectly suited for the environment it lives in. Wading through shallow water, the bird uses it rapier like bill to stab frogs and other creatures. Woodpeckers also have beaks that are perfectly adapted so that they can get to their chosen food - insects that live in wood and sap that runs through wood. Not only are these beaks perfect for creating holes, but woodpeckers also use them to communicate.
With clever touches of humor and insightful descriptions, this collection of poems will give young readers a colorful picture of twenty-one bird speci
There's a new Martin Amis out -- in the UK; US reader will have to wait another five weeks or so -- and it was apparently 'embargoed' in the UK until publication-time (meaning: no reviews could/should be posted).
Pathetically, UK reviewers obediently held back until now -- even as reviews went up weeks ago at, for example, Kirkus Reviews ("(A)n indelible and unsentimental exploration of the depths of the human soul") and Publishers Weekly (starred; "An absolute soul-crusher of a book, the brilliant latest from Amis") -- folks, if you're going to 'embargo' in this internet age, then get your act together and make sure you've got things covered abroad, too. ....
(Though you shouldn't 'embargo' anyway -- it's a silly policy, and the sooner it dies, the better.)
So now the first UK (+) reviews are up as well, including at:
the Irish Times: Eileen Battersby calls it; "Highly cerebral and innovative, and also human, humane -- even humbling -- this is a brave, inquiring work from a literary maverick whose biggest problem as an artist has been his rampaging talent. He has certainly harnessed it here."
The Independent: Katy Guest finds: "I read this once thinking it horrifically brilliant, and Amis's best novel for years. (It is, though that's not saying a lot.) I read it a second time asking, but what is the point ?"
I haven't seen a copy yet, but I hope to soon; I was disappointed by Koba the Dread -- but greatly admired Time's Arrow (possibly my favorite Amis) -- so I'm not sure what to expect.
Meanwhile, get your copy at Amazon.co.uk, or pre-order at Amazon.com.
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This summer has been a busy one full of fun science programs at my library. A couple of months ago, I blogged my plans for a preschool bubble lab that I had scheduled in July. I thought I’d write a follow up post about how the program turned out.
photo by Michelle Willis
A few days before the program, I prepared my bubble solutions according to the recipes I had found. I labeled the jars but decided to add a few drops of food coloring to two of them so each would be a different color.
On the day of the program, we set up each table with a cup of each bubble solution, observation charts for the children, and my volunteers. We were ready to go. The first snag we ran into was that the combination of it having rained heavily for several days prior to the program and the general excitement over bubbles made for a rather energetic group. It was easy to see that they did not have the patience for a book reading, so I did a very abridged reading of the book I had planned, just covering how and why bubbles form.
We then moved on to our discussion of the day’s activity. When we talked about the various bubble solutions that we were going to test and I tried to elicit observations from the children about the three solutions, we ran into a second snag. What became immediately obvious was that I should have left the solutions the same color. Although the solutions with the glycerine and the corn syrup were slightly more viscous than the detergent solution, the children focused in on the difference in color alone. There was no convincing them that the color did not matter, so we moved on to the next part of the program.
photo by Michelle Willis
We divided into groups to test the solutions. This was the moment we were all waiting for and, to my relief, there were no snags. We tested each solution in turn and each child was able to try each one. They drew their observations on their observation charts and we worked as a group to determine which solution we thought was easiest to blow bubbles with and which we thought had bubbles that lasted longest. When we gathered together again to share our results with the other groups, it was clear that the solutions with the glycerine and the corn syrup worked best. We talked about why this is the case and even hypothesized about how if we added more glycerine or more corn syrup, the bubbles might last even longer.
Judging by how the children were eagerly explaining their observations to their caregivers and how many came back to tell me they made their own bubbles at home, I would call the program a success. The children left with knowledge about bubbles and I left with the knowledge that sometimes programming is like science. Things may not work out quite as you expect but the end result is still worthwhile.