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, 5 Ways to Follow Up With An Editor or Agent
, Elizabeth Law
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I receive so many questions about what to do when you do not get a reply to what you submitted. I think we all will be interested in this article written by Elizabeth Law about how to handle the situation.
5 WAYS TO FOLLOW UP WITH AN EDITOR OR AGENT AND WHEN TO DO IT :
Waiting for a reply can seem like watching the tumbleweeds roll…
#1. Maybe an editor said something encouraging to you at a conference, and, as requested, you sent them your manuscript. Since then it has been radio silence. Here’s what you can do. After 10-12 weeks, follow up with an email, reminding him or her, “we met at XXX, you said you’d like to take a look at my story about XXX, and because 10-12 weeks have passed, I wanted to follow up. Here is my manuscript again, thank you very much for your time and consideration.” That’s right, attach the manuscript, don’t have the editor go hunting for your email from 10 weeks ago. This way they can click and start reading. If you haven’t heard back in another month, move on.
Mandy and Bernadette knew it in Sunday in the Park with George: you’ve got to Move On.
(In this case, move on means submit to the next person on your list, and don’t expect ever to hear back from the original publishing house. You don’t need to officially withdraw the manuscript. If by some miracle the first editor later says he or she is interested in your book, and you haven’t yet sold it, then great. But meanwhile you’ve taken your career into your own hands.)&amp;amp;lt;img Mandy and Bernadette knew it in Sunday in the Park with George: you’ve got to Move On.”
Mandy and Bernadette knew it in Sunday in the Park with George: you’ve got to Move On.
#2. Regrettably, in this era, silence is the new no. Many literary agents have realized they don’t have the time to reply to every query they receive, so they’ve enacted a policy of “if you don’t hear from us in ___ weeks, assume we’ve passed.”
Here’s what to do when you’ve queried and agent and the allotted time to hear back has passed: MOVE ON.
Waiting for just the right literary agent or editor to say yes to you is like being in 7th grade and waiting for just the right boy, the one you know is perfect and you will spend the rest of your life with, to ask you out. You are much, much better off moving on to the guy standing right next to him in the lunch line.
This is also a good rule for a publishing house accepting unsolicited manuscripts, and for editors or publishers who are accepting submissions for a certain period after a conference. If you don’t hear back from them after 12-16 weeks, assume it’s a no and move on.
#3. You have signed with a literary agent, but they aren’t getting back to you. Maybe they don’t return your calls, maybe they don’t answer your emails. Everyone slips up now and again, of course, and that’s not what I’m talking about. Have you left a few messages in a row for your agent, either by email or phone, and not gotten a reply? Has that happened several times? End the relationship. The LAST thing you want is an agent who doesn’t return your calls or emails. The publishing process is frustratingly slow and thorny and fraught with all sorts of issues. Your agent is your champion; he or she goes into battle for you. You do not want to be in that battle not knowing when your weaponry is going to show up. Send an email and say you’re terminating the relationship. Do it now.
(And don’t be scared. Most agents are excellent. But I get asked about this every few months, so I’m including it.)
#4. An editor tells you he is taking your manuscript to an acquisitions meeting, then you don’t hear anything further. Follow up, by phone or email, remembering the rule, “always be polite and to the point.” Say “You said you were bringing my book to the committee, has there been a response?” I know, I know, who wants to send that email and hasten the chance of hearing “I’m afraid the committee passed?” But it’s better to hear “no” and move on. It’s also possible your editor needs to be prodded to get that book onto the meeting agenda. You just don’t know. You need to follow up.
Nota bene: ALWAYS be nice. Never lose your cool and yell at an editor, even by email, even when he deserves it. First, you never know the full story—I got screamed at, really screamed at, once when it was my boss causing the delay, but what could I do but take the heat? And second, venting is what you have friends for. The editor is disorganized, doesn’t value your time, has kept you hanging, repeatedly breaks her word about when she’s going to reply… all true. Still, be professional, courteous, and polite. For one thing, when a writer is nice and understanding, we, the editors, only feel more guilty and determined to treat you well and to finally get you an answer. Secondly, one day you may need that person you just reamed out. He may be sitting in the audience at sales conference, and be able to tell a rep “Oh, I know that author, so talented.” Or you may end up sitting next to that editor on a panel at a conference, who knows? Don’t burn bridges. Act professionally and then go out for drinks with your BFF and get it all off your chest.
Perhaps your book is under contract, but your editor isn’t getting back to you with editorial notes, or with anything else
. You want to revise, you have another book you need to work on, and you need to know what’s going on. But although you’ve emailed the editor three times to ask about the book’s schedule, you hear nothing. If you have an agent, easy, just tell the agent and he or she will deal with it. (Unless the agent doesn’t return your calls, in which case, see #2). But if you don’t have an agent, and you aren’t hearing back from your editor? Email their boss. Yup. Email the publisher, remembering to be professional and concise, saying “I haven’t had an answer to my questions about the book’s schedule and I’m getting worried that my revision might conflict with another project; of course I understand how busy my editor is, but I wonder if you have information for me?”
The publisher then forwards it to the editor who deals with it immediately.
Filed under: Advice
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Tagged: 5 Ways to Follow Up With An Editor or Agent
, Elizabeth Law
Thanks to BookHounds and I am a Reader for hosting the Books to Movies Giveaway Hop! This hop features books that have been made into movies or TV shows.
Some blogs will be giving away the book, some the movie & others both! I'm posting a little early, so if you're reading this before October 2 you may have to wait a while for all the blogs to post their contests.
We are giving away $25 worth of The Maze Runner goodness! The winner can pick book(s) and/or a movie gift certificate, as long as the total doesn't go over $25. For example, the winner can pick the paperback boxed set ($24.11 on Amazon) or The Maze Runner eBook for $5.99 + $19 on a Fandango or Arclight gift card (or whatever his or her local movie place is) to go watch the movie.
I actually didn't particularly like the book (only read the first one) BUT I did think it would make a great, fun movie, and I was right! Now that I've seen the film, I definitely want to take the time to read or listen to the rest of the series. I hope you enjoy the movie as much as I did.
Check out the cast Q&A with awesome photos by our friend Katie Ferguson.
Use the Rafflecopter widget to enter and then head on to the other blogs on the hop for more chances to win.
a Rafflecopter giveaway
- Open to US residents only. Ends 10/10/2014.
- We are not responsible for lost, stolen, or damaged items.
- One set of entries per household please.
- If you are under 13, please get a parent or guardian's permission to enter, as you will be sharing personal info such as an email address.
- Winner will be chosen randomly via Rafflecopter widget a day or two after the contest ends.
- Winner will have 48 hours to respond to to the email, otherwise we will pick a new winner.
- If you have any questions, feel free to email us. You can review our full contest policy here.
- PLEASE DO NOT LEAVE ANY PERSONAL INFO IN THE COMMENTS. Sorry for the caps but we always get people leaving their email in the comments. Rafflecopter will collect all that without having personal info in the comments for all the world (and spambots) to find. Thanks!
Review by Valerie
FAMOUS LAST WORDSby Katie AlenderAge Range: 12 and up Grade Level: 7 and upHardcover: 320 pagesPublisher: Point (September 30, 2014)Goodreads | Amazon
Willa is freaking out. It seems like she's seeing things. Like a dead body in her swimming pool. Frantic messages on her walls. A reflection that is not her own. It's almost as if someone -- or something -- is trying to send
Welcome to the 17th (free!) “Dear Lucky Agent” Contest on the GLA blog. This is a recurring online contest with agent judges and super-cool prizes. Here’s the deal: With every contest, the details are essentially the same, but the niche itself changes—meaning each contest is focused around a specific category or two. So if you’re writing women’s fiction, this 17th contest is for you! (The contest is live through EOD, Friday, Oct. 17, 2014.)
WHY YOU SHOULD GET EXCITED
After a previous “Dear Lucky Agent” contest, the agent judge, Tamar Rydzinski (The Laura Dail Literary Agency), signed one of the three contest winners. After Tamar signed the writer, she went on to sell two of that writer’s books! How cool! That’s why these contests are not to missed if you have an eligible submission.
HOW TO SUBMIT
E-mail entries to firstname.lastname@example.org. Please paste everything. No attachments.
WHAT TO SUBMIT
Your query letter, as well as the first 150-200 words of your unpublished, completed book-length work of adult women’s fiction. You must include a contact e-mail address with your entry and use your real name. Also, submit the title of the work and a logline (one-sentence description of the work) with each entry.
Please note: To be eligible to submit, you must mention this contest twice through any any social-media. Please provide a social-media link or Twitter handle or screenshot or blog post URL, etc., with your official e-mailed entry so the judge and I can verify eligibility. Some previous entrants could not be considered because they skipped this step! Simply spread the word twice through any means and give us a way to verify you did; a tinyURL for this link/contest for you to easily use is http://tinyurl.com/of5zgqz. An easy way to notify me of your sharing is to include my Twitter handle @chucksambuchino at the end of your mention(s) if using Twitter. If we’re friends on FB, tag me in the mention. And if you are going to solely use Twitter as your 2 times, please wait 1 day between mentions to spread out the notices, rather than simply tweeting twice back to back. Thanks. (Please note that simply tweeting me does not count. You have to include the contest URL with your mention; that’s the point. And if you use Twitter, put my handle @chucksambuchino at the middle or the end, not at the very beginning of the tweet.)
Here is a sample tweet you can use (feel free to tweak): New FREE contest for writers of women’s fiction http://tinyurl.com/of5zgqz Judged by agent @PaulaSMunier via @chucksambuchino
WHAT IS ELIGIBLE?
Women’s fiction (also called upmarket fiction when dealing with women’s stories). If you’re wondering what falls into this genre specifically, this is how our agent judge explains it: “These are stories that revolve around women, women’s roles as mothers, daughters, grandmothers, granddaughters, caregivers, friends, community leaders, etc., and a woman’s place at home, at work, and in society at large. They are for the most part domestic dramas. What separates them from love stories is that the heroine’s relationships with her friends and family are as important if not more important to the storyline as her love relationship. These stories explore women’s relationships—with each other, with men and children, with the world, and with herself. The themes are those that strike a chord with women: love, family, friendship, sisterhood, motherhood, self-actualization, and what it means to be a woman in the world, past, present, and future.”
- This contest will be live through the end of Oct. 17, 2014, PST. Winners notified by e-mail within approximately three weeks of end of contest. Winners announced on the blog thereafter.
- To enter, submit the first 150-200 words of your book as well as your one-page query. Shorter or longer entries will not be considered. Keep it within word count range please.
- You can submit as many times as you wish. You can submit even if you submitted to other contests in the past, but please note that past winners cannot win again. All that said, you are urged to only submit your best work.
- The contest is open to everyone of all ages, save those employees, officers and directors of GLA’s publisher, F+W Media, Inc.
- By e-mailing your entry, you are submitting an entry for consideration in this contest and thereby agreeing to the terms written here as well as any terms possibly added by me in the “Comments” section of this blog post. (If you have questions or concerns, write me personally at chuck.sambuchino (at) fwmedia.com. The Gmail account above is for submissions, not questions.)
Top 3 winners all get: 1) A critique of the first 10 double-spaced pages of your work, by your agent judge. 2) A free one-year subscription to WritersMarket.com ($50 value)!
MEET YOUR (AWESOME) AGENT JUDGE!
Paula Munier, Senior Literary Agent & Content Strategist at Talcott Notch Literary, has created and marketed exceptional content in all formats across all markets for such media giants as WGBH, Fidelity, and Disney. A writer and editor before becoming an agent in 2012, she’s always looking for good crime fiction, women’s fiction, mainstream fiction, high-concept YA and SF/Fantasy fiction, as well as nonfiction. She’s written several books, including Plot Perfect: How to Build Unforgettable Stories Scene by Scene and Fixing Freddie.
PAULA’S FORTHCOMING FICTION SALES
THE REGISTRY TRILOGY (William Morrow/HarperCollins)
By Shannon Stoker
The Registry, The Collection, and The Alliance
The exciting trilogy set in a United States in which girls are breeders and the prettiest girls go to the highest bidders – and telling the story of the one beautiful young woman who refuses to play by those rules.
ORPHAN # 8 (William Morrow/HarperCollins)
By Kim van Alkemade
Coming in 2015
An orphan, subjected to experimental X-ray treatments at the orphanage, escapes to make a new life for herself, only to face her tormentor years later, inspired by the real-life Hebrew Orphan Asylum of Manhattan.
CHRISTMAS CHOCOLAT (Kensington)
By Kate Defrise
Coming in 2015
Armed with nothing but insecurities, rivalries, and their mother’s recipe for Belgian chocolate mousse, siblings make their way from around the world to the family estate in Pennsylvania — where their father, the memory of their mother, and long-held family secrets all collide on Christmas Eve.
BEELINE TO MURDER: A Henny Penny Farmette Mystery (Kensington)
By Meera Lester
Coming in 2015
Inspired by the author’s real-life Henny Penny Farmette homestead and blog, the first in a new series featuring a former San Francisco Bay Area police detective, who leaves the force and retreats to the country only to find herself caught in a black swarm of blackmail and betrayal — a veritable beeline to murder.
By Vaughn Hardacker
A Boston homicide detective’s investigation of a sniper attack on Boston Common draws the former Marine sniper into a cat-and-mouse game with the killer that takes him from the streets of Boston to a remote island off the coast of Maine for a final deadly showdown.
The most recent addition to the complete review is my review of a new translation of the second of Giorgio Scerbanenco's Duca Lamberti-quartet, published as Betrayal by Hersilia Press last year, and now available in the US from Melville House as Traitors to All (closer to the original Traditori di tutti ...).
The title confusion can't have helped the book -- which was previously translated as Duca and the Milan Murders (1970) -- as, for example, the (US) Publishers Weekly review relies on the Hersilia edition and uses their title (which probably confuses booksellers and librarians who rely on PW ...).
Too bad -- it's even better than the first in the series; indeed, it's exemplary, in some ways, and you can understand why the Italians named their big mystery-prize after Scerbanenco.
By: Sharon Ledwith,
I want to thank and welcome fantastic fantasy author, Carol Browne for sharing her personal writing journey with us on my blog today. Carol’s book The Exile of Elidel is the first book of a trilogy and can be purchased from Musa Publishing, Amazon, and other on-line bookstores. Bonus: Stay tuned for a chance to win an ecopy of The Exile of Elidel at the end of this post. So let’s get this interview started… How long have you been writing, Carol? I started scribbling when I was about seven years old. From that point on I always wanted to be a ‘proper’ writer. It was a very long time before I achieved that goal – we’re talking nearly five decades! I feel you, Carol. It sounds like we’ve been on the same path. Where did you get your idea and inspiration to write The Exile of Elindel? In 1976, I was listening to a jukebox in an English pub when Mike Oldfield’s In Dulci Jubilo came on. The music conjured up an image in my mind of two fantasy characters who seemed to be nearing the end of some kind of quest. I felt compelled to write their story and find out who they were and what was going to happen to them. I set them in Dark Age Britainbecause Anglo-Saxon had been part of the English degree I had just completed at University and the era appealed to me. I felt I was going with these characters on their adventure, watching as they collected back stories and companions along the way. What sets The Exile of Elindel apart from other books/series in the same genre? I have to confess to not being a great reader of the sword-and-sorcery type of fantasy genre, so there’s little I can compare mine with. I like to think my elves are a bit different, though. They’re vegetarians and they talk to animals and have tremendous reverence for nature. They would definitely join the Green party if they were around today! I also like to add humour to lighten the mood. Too much angst and jeopardy can get very tedious. I mixed up the genres a little too. In Book II there is an element of sci-fi as well as fantasy, while in Book III there’s a good dollop of horror. I’ve added some light romance as well; so something for everyone! You’ve certainly thought of everyone, Carol! As a fantasy author, what is your writing process? I write my first draft in longhand and have all my notes and research Blu-tacked to the walls of the room where I work. Once I commit myself to writing something, it is with me all the time so I take a pen and paper out with me in case I get any fresh ideas. I have a housekeeping job and frequently have to stop to jot something down. I hate it when characters start talking to each other in my head. I have to say ‘Shut up! I can’t write all that down now.” It’s infuriating that I can’t set aside regular time slots for writing. I guess I’ll have to hang on till I retire. Seems like you’re always prepared when your characters come a-calling! How long did it take for you to start and finish The Exile of Elindel? That’s a difficult question! I can’t remember that far back. (Those files have been deleted!) I do remember the first draft being ENORMOUS. It rambled on forever; more padding than a king-size duvet. I wrote it in the summer of 1977 and spent the next thirty-odd years lugging it around in suitcases, storing it in attics, taking it out to rewrite it and submit to publishers, putting it back in the attic. Thirty years? Now that’s dedication! Do you have any advice for other writers striving to write in your genre, Carol? Use your own original voice and ideas. Don’t try to be the next Tolkein. Brilliant advice! Everyone is unique in their own way. So, what’s next for Carol Browne the author? The rest of the trilogy will be out next year: Book II, Gateway to Elvendom, in March and Book III, Wyrd’s End, in December – as long as everything goes smoothly with the editing process. Meanwhile, I’m nearing the end of my work in progress, a paranormal thriller. I recently wrote myself into a corner with this one and so lost a few days while I worked things out. I have discovered over the years that if you are stuck with a plot or character, there’s always a solution, but it might have to simmer away in the old brain pan for a while before it bobs to the surface. It sounds like you’ve got your work cut out for you! Okay, here’s one for me, since I’m writing a time travel series—If you could time travel anywhere into Earth’s past, where would you go and why? If I could go back to the Battle of Hastings in 1066, and somehow make sure the Saxons won instead of the Normans, I would. But let’s be realistic! I have always admired Horatio, Lord Nelson, and I love those old ships of the line. (I stood on board HMS Victory myself during a visit to the Naval Dockyards in Portsmouth a few years ago, and it is a day I will never forget). If I could, I’d like to go back to the time of the Napoleonic Wars and meet Nelson. I’d love to know if he was as charismatic as everyone said he was. Thank you very much for having me on your blog, Sharon. I did enjoy the experience!
Elgiva, a young elf banished from Elvendom, must seek shelter among the Saxons as her only hope of surviving the coming winter. Godwin, a Briton enslaved by the Saxons, is a man ignorant of his own inheritance and the secret of power he possesses. A mysterious enemy, who will stop at nothing to wield absolute power over Elvendom, is about to make his move. When destiny throws Elgiva and Godwin together, they embark upon the quest for the legendary Lorestone, the only thing that can save Elvendom from the evil that threatens to destroy it. There is help to be found along the way from a petulant pony and a timid elf boy but, as the strength of their adversary grows, can Elgiva’s friends help her to find the Lorestone before it falls into the wrong hands? Carol Browne first appeared on the planet in 1954. She regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honours degree in English Language and Literature. Now living in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky, when she’s not writing fiction, Carol spends her time as a housekeeper, proofreader, and ghost writer in order to pay the bills. Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered. Facebook: https://www.facebook.com/AuthorCarolBrowne
ENTER TO WIN: Carol has her magical elfin hat cleaned out and rearing to go. All you have to do is leave a comment along with your contact information, and Carol with add your name into the hat for a chance to win an ecopy of The Exile of Elindel. You have until midnight EST Monday, October 6th2014 to submit your comment, and then POOF— the magical elfin hat picks the winner! Good luck, everyone!
Dear Friends,Just a quick announcement!
Since October is Breast Cancer Awareness Month and I am a Breast Cancer Survivor myself, I want to share some LOVE! SO I am offering FREE SHIPPING the ENTIRE month of October!! Domestic Shipping only (apologies to my international customers) In BOTH shops! You MUST USE the special code OCTFREESHIP at checkout to get the free shipping. This offer expires November 1, 2014.
Here are the direct links to BOTH shops:
http://www.phyllisharrisdesigns.com/ and https://www.etsy.com/shop/PhyllisHarrisDesigns I would be so honored if you would share!
As always, thank you for being a part of our wonderful community. We are so grateful for each and every one of you!Phyllis♥ Gifts that give back ♥
Phyllis Harris Designs & You – Giving the gift of love and healingEvery purchase of a heart-warming Phyllis Harris Designs illustration print donates 5 percent of every illustration print sold from our website to Children's Mercy Hospital.
It's time -- from tomorrow through 12 October -- for 파주 북소리 -- Paju Booksori, the big book festival at South Korea's famous 'book city'.
In the Korea JoongAng Ilbo Kim Hyung-Eun has an overview of what's going on, in Literature comes alive in Paju Book City.
By the Numbers
Review Copies: 10
Teen: Sway by Kat Spears
I really liked this examination of a morally grey kid with a surprisingly good heart.
Tween: My Year of Epic Rock by Andrea Pyros (link goes to my review)
It's a tale as old as time - dumped by your BFF on the first day of seventh grade. Luckily for Nina, there's nowhere to go but up from here.
Children: Thursdays with the Crown by Jessica Day George
The third adventure for the royal family finds them far from home and trying to work out what really happened hundreds of years before. You really have to have read the whole series to understand everything that's going on in this one, but if you have, this continues the enjoyment.
Because I Want To Awards
Because What Could Go Wrong with a Jailbreak?: The Graham Cracker Plot by Shelley Tougas
Good kid, poor choices. Lots of poor choices. Oh, so many poor choices.
The Path of True Love Never Did Run Smooth: Just Call My Name by Holly Goldberg Sloan
See, this is what Shakespeare meant by that. After getting together at the end of the last bo
ok (I'll Be There), Sam and Emily find themselves hitting speedbumps, hard. Nice to see a book where happily-ever-after isn't shown as smooth sailing.
Almost Named a Standout: I'll Give You the Sun by Jandy Nelson
It was so hard to pick, you guys. SO HARD. Nelson's novel of estranged twins, each narrating a different era in their lives, is full of sneaky surprises and lovely language.
by Ernest Hogan
Seems I can’t do anything without it causing controversy. Though the overwhelming reaction to the cover of Digital Parchment’s new edition of Cortez on Jupiter had been positive, there has been some objection to Pablo Cortez being depicted as a futuristic conquistador.
I understand people’s reaction to the symbolism. The conquistador in his helmet is seen as a villain while the “pioneer” (originally from the French for “foot soldier” as in “peon”) in his coonskin cap is idolized a hero. But as my great-grandfather Hogan said about the Wild West, who the good guys and bad guys are depends on who’s in charge at the time.
I like the cover. It's similar to an idea I had when the first edition was in the planning stages. The conquistador I envisioned was more of an H.R. Giger monster, but this new one is more commercial -- doing the important job of catching the eye of cybershoppers and getting them to read the synopsis.
A good book cover makes people think, “What the hell?”
Also, in way, Pablo Cortez is a conquistador. He conquers, not Jupiter, but the society he lives in.
Like it or not, as Hispanics/Latinos/Chicanos/Nican Tlaca we carry conquistador DNA. Otherwise we’d be Indians. It’s our whole hijo de la chingada thing, or as my grandmother once so delicately put it:
“The soldiers would come into the villages, and take the girls away on their horses . . . and then they would be their wives!”
We live in a world they made -- especially here in Aztlán, where we walk in their footsteps, and the extermination of the natives was not complete, the difference between Nueva Hispana and New England.
As I wander like Don Quixote seeking adventures or like the Aztecs searching for the place to build their metropolis, I often feel like a doomed warrior on an absurd mission in an alien land. Though I do identify more with Cabeza de Vaca and Estevanico than Cortés, Pizarro or Aguirre.
Hmm . . . Was Columbus a conquistador? He was working for the same bosses.
It’s given me ideas that I may never get around to writing:
What if space explorers acted like conquistadors rather than idealistic bureaucrats?
What about a badass mestizo gunslinger who wears a conquistador helmet?
Or an Aztec anti-conquistador, going to Europe to deconstruct their culture?
Ernest Hogan’s Cortez on Jupiter is available for pre-order for a new Kindle edition with new cover and introduction. There will be a softcover edition, too. Stay tuned for details as they develop.
By: Jeanne Lyet Gassman,
The Wide Shore, A Global Women's Poetry Journal, is opening submissions for its next issue from October 1-November 15, 2014. We seek strong poems and translations of poems by women.
Our mission: The Wide Shore is a global literary journal dedicated to connecting women's voices. We are committed to publishing poetry that reveals and unearths that which has been hidden, masked, buried, or unexpressed. We invite newly translated works by women whose voices have yet to reach wider shores. As Gwendolyn Brooks wrote, we are each other's/ harvest:/ we are each other's/ business:/ we are each other's/ magnitude and bond.
For submission guidelines and to submit now, go here.
This morning over at Kirkus, I chat with author Kelly Bingham and illustrator Paul O. Zelinsky at the release of Circle, Square, Moose, the sequel to 2012′s Z Is for Moose. Kelly and Paul are pictured here. So is Moose. But of course.
That Q&A will be here soon.
Next week here at 7-Imp, I’ll have a bit of art from the book, as well as some Zelinsky sketches.
* * * * * * *
Author photo of Kelly is by Marty Bingham and used with permission. Photo of Paul O. Zelinsky also used with permission.
By: Jeanne Lyet Gassman,
2014 Horatio Nelson Fiction Prize, Black Balloon's annual award of $5000 and a book deal for an outstanding fiction manuscript.
We are accepting submissions October 1st - 31st, 2014, and we are hoping you and your department colleagues will share news of this prize with your faculty, students, alumni, and social media communities. There's no reading fee to submit, and any previously unpublished, original, and completed fiction manuscript over 50,000 words in length is eligible. There isn't another prize like this awarded by an independent publisher, and we are proud to help talented writers find their readership!
Next month, Black Balloon will publish Fat Man and Little Boy, the novel by Mike Meginnis that won the 2013 Horatio Nelson Fiction Prize. The book has already received great early buzz, with The Sisters Brothers author Patrick deWitt calling the novel “beguiling, strange, and strangely lovely,” Publishers Weekly proclaiming it "imaginative...both surprising and incisive," and the Brooklyn Book Festival naming Meginnis one of "the year's most impressive debut novelists."
Details at our website.
Another day, another German author prize announcement (several, actually, but this seems like the most noteworthy one): they've announced that Olga Martynova will get next year's Berliner Literaturpreis (confusingly also known as the Berliner Preis für deutschsprachige Literatur), picking up the €30,000 prize on 18 February 2015 (yes, they do plan ahead, don't they ?).
Martynova won the 2012 Ingeborg-Bachmann-Preis, and I'm kind of surprised she hasn't been picked up in English yet -- Mörikes Schlüsselbein, in particular, sounds like a title of particular interest; see information about that and her other books at the Droschl foreign rights page.
Meanwhile, she's in pretty good company with the Berliner Literaturpreis: winners include Herta Müller (2005), Durs Grünbein (2006), and Ilija Trojanow (2007).
They were midflight when the trouble started. Raine had tried not to think about the deep disquiet that had settled in the pit of his gut when he and Sierra had boarded the plane. He had tried to concentrate instead on them simply taking their seats and had pushed the horrifying notion that something was going to go terribly wrong to the side of his consciousness. Clairvoyance was not among his many talents. For all that it was he was capable of, he could not see the future.
Sierra was all too happy to chatter somewhat aimlessly about cakes, food and decorations. She didn’t even care that Raine was only really listening with half an ear. She was completely involved in planning a graduation party for Renee and had successfully blocked out most everything else.
Elizabeth was supposed to be there, too. She had planned on taking time off of work to come and see her sister graduate from college. Elizabeth had chosen differently than her sister in life. While Renee had furthered her education, seeking a degree in neuroscience of all things, Elizabeth had thrown herself full tilt into the adult world immediately upon graduating high school. Sierra could not be any more proud of either of her daughters and she wasted no time bragging about them both to anyone who would listen.
Raine had seen the various consequences of his choice to keep moving the kids around after that fateful night at the mental institution all those years ago. After about six years of them moving around all the time and never staying in one place for more than a year, he and a “Higher Authority” as he liked to call them had reached a tentative agreement. He would not wreak havoc where ever he went, and they would leave his family alone to live and grow as was their right. They really had no other choice, he reflected bitterly. The girls and Sierra had grown tired of moving around from state to state to try to “keep under the radar” and he was ready to settle and live in the same place for awhile, as well. They needed stability in their lives and he knew the “Higher Authority” could keep them running forever. The “Higher Authority” knew that all Raine had to do was think it and they would be cleaning up frightful, massive messes that would have been all that would be left of a few good men. Tentative truce, indeed.
The years of moving around had taken their toll on the girls anyway. Elizabeth never stayed in one place for very long and Renee placed too much importance on staying in one place. Both girls had taken it too far to extremes. Elizabeth refused to even sign a lease on a place of her own, preferring instead to rent rooms where she could simply move in and out at will. She never dated any one man for very long and always spent most of her extra money running from party to party. She called it “the fun life” while Raine thought of it more as wandering aimlessly.
Renee had worked tirelessly during her college years and now had most of the money she needed to buy a home of her own. She had even gone so far as to state that she would never move again once she had the house she liked. Raine had asked her about it once being a worried father and she had said that she just wanted to wake in the same bedroom every morning for the rest of her life. It wasn’t that he could blame her, for he understood all too well. It was simply that he saw in her an uncompromising nature that could well make her life lonely and solitary and even though she had always been the introverted type, she would regret it later in life.
Raine thought about all this while he listened to Sierra talk about different foods for a graduation party and whether or not she might have it catered. He also began to see the flight attendants begin to urge passengers back to their seats. Their outward calm was unshakable, but the tension around their eyes was unmistakable. Their voices as they talked to one another were low and tense and here and there, some of them had darting gazes. Raine knew something was going on, but he couldn’t put his finger on it.
Then a voice came over the intercom, filled with forced calm and cheer and Raine felt the bottom drop out of his stomach. The voice stated that they were flying through some turbulence and the next few minutes would be a bit of a bumpy ride but that everyone could rest assured that they would be free of it very quickly and the rest of the flight would be smooth as silk. Flight attendants worked to secure passengers and then themselves. No one seemed to notice the slight temperature change in the air or the fact that the lights burned brighter for a moment.
Raine worked to try to control himself. He knew better than anyone else just how disastrous a loss of his self-control could be. More than once, he’d left people nearly dead when he lost his ever tenuous hold on his instinctive power. Sometimes, he simply couldn’t control it and the effects were devastating. Houses leveled, buildings crumbled and people driven utterly insane by the intruding presence in their heads. He’d rather just try to hold onto his errant talents and leave others safe.
He took deep breaths while the plane began to shimmy. Sierra stopped talking and looked at him with a vaguely alarmed expression and said, “It’s getting warmer in here, Raine.”
He tried to manage a small smile for her sake which probably looked more like a pained grimace and continued to breathe deeply. The plane dropped by several feet and then leveled again and some of the passengers stifled cries of alarm.
The lights flickered and temperature in the air rose by several degrees. No one but Sierra and Raine paid any attention to the flickering lights. No one thought anything of it. They were the only ones who knew what was going on and Raine fought with everything he was to try to stem the tide of power. Sierra began to kick him in the shin to try to shock him out of it. Sometimes it helped and others it didn’t. Sometimes it stopped him cold and sometimes, Sierra just earned an angry husband and a bruised foot for her trouble. There really was no telling what would happen.
Find it on Amazon at Inheritance (The Evolution Chronicles Book 2)
So having reached (and now passed) 3400 reviews at the complete review it's time to look at the numbers re. the past 100 reviews (3301-3400):
- the 100 reviews were posted in 181 days (previous hundred: 187 days), and totaled 92,723 words (the highest average to date; previous hundred: 89,132 words).
28 reviews were over 1000 words, 4 were under 500 words in length.
The longest review was 3610 words.
- the 100 reviewed books had a total of 24,995 pages (a statistic I've just started tracking this year).
The longest had 1003 pages, but only five were longer than 500 pages (with eight more between 400-499 pages); eight were shorter than 100 pages.
- reviews were of books originally written in 27 different languages (previous hundred: 22) -- the best-represented languages being English (22), followed by French (18).
One new language was added (Romansh, barely), bringing the total number of languages represented at the complete review to 64.
Amazingly, at least one title in each of the 15 most popular langauges (of books already under review) was reviewed.
See also the language list for a full breakdown of all languages.
- reviewed books were by authors from 37 countries (previous hundred: 36), led by France (13), the UK (10), Japan and the US (8 each).
- 81 reviewed titles were novels (previous hundred: 89), and there were six story-collections; there were two volumes each of poetry and diaries, and six volumes of (various) non-fiction
- One title received a grade of A; 10: A-; 31: B+; 50 B
- 17 reviewed titles were first published in 2014; 50 between 2010-2014; 21 between 2000-2009; 5 in the 1990s; 3 in the 1980s; 5 in the 1970s; 8 in the 1960s.
Three were published before 1900.
- 22.5 of the reviewed books were written by women -- a ridiculously low percentage but (by quite a margin -- over 10 per cent) the highest total ever recorded at the site for a 100-book block of reviews, upping the percentage of female-authored titles at the site from 15.08 per cent to a record 15.29 per cent; see also the full breakdown here.
Good to see that there were (slightly ...) more female authors, as well as the usual spread of languages (though it's a bit disappointing that the dominant languages were again dominant -- the fifteen most popular languages each were represented by at least one title).
I'm not sure about the trend towards lengthier reviews -- at what point do they get too long ?
And worth keeping an eye on: it'll probably be another 150 reviews of so, but at some point in the foreseeable future the percentage of all titles under review originally written in English will drop below 40 per cent.
(Recall that of the first 1000 reviews, 681 were of books written in English, and even after 2000 reviews these still constituted 53.30 per cent of all titles.)
Here’s a thought I had today (And really, it’s inspired): It’s possible to be exhausted For if, in your retirement, Some interests you’ve acquired, For the sleep that you’ve required. So if a work cessation is A goal that you’ve desired, Accept the fact that you will be
Both “re” and “re”-less tired.
By: Stephanie Roth Sisson,
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This Friday Stephanie Greene- the wonderful author of the Princess Posey books : ) will post an interview on the process of making the book. Here is their announcement about it.
Here I am with Tristam when we were still remodeling our house taken about 7 years ago. We would walk to the house in the evenings (we lived in a nearby apartment) and pull out the telescope my parents bought for me years before and search for things in the sky that are very far away and some very long ago. I don't think he really understood, but he memories are pretty great of that time.
By: Jeanne Lyet Gassman,
Hartskill Review is looking for challenging, evocative, and insightful long poems for its December issue. In this context, a "long poem" is considered anything between 4 and 12 manuscript pages. No submission fee; pays one contributor copy.
And, as always, regular length poems are welcome. Please consider submitting to Hartskill Review!
Submission details on Hartskill Review website.
Submit 1-3 poems at a time.
Gather your submission into one file.
Poems should be single spaced on the page.
Submit rich, complex, and ambitious poems that reward repeated readings.
Submit poems that mean something to you and stand a chance of meaning something to others.
Simultaneous submissions are okay (notify if accepted elsewhere).
Please include a short biographical note about yourself.
Write "comments welcome" if you wouldn't be averse to receiving comments from the editor.
Responds in 1-4 weeks.
This new collection of larger-than-life tales contains Washington Irving’s best-known literary inventions—Ichabod Crane, the Headless Horseman, and Rip Van Winkle—that continue to capture our imaginations today, and features an introduction and notes by Elizabeth L. Bradley, author of Knickerbocker: The Myth Behind New York and literary consultant to Historic Hudson Valley, the caretakers of Irving’s Tarrytown, New York home.Not only is this collection a riveting must-read for the fall 2014 season, it also is an excellent companion to Fox’s hit television series Sleepy Hollow. The series is a modern-day adaption of Irving’s classic short story with a supernatural twist, and premiered in September 2013. Sleepy Hollow ended its first season with enormous success and the second season debuts on September 22, 2014.
For this Halloween season......a new edition of the timeless collection that introduced Ichabod Crane, the Headless Horseman, and Rip Van Winkle.
**********You can be the lucky winner of a copy of Washington Irving’s, THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES, out September 30, in time for Halloween.
Complete this form to enter
USA and CANADA Entries Only Please
About the Authors:
Washington Irving (1783–1859) is generally credited with being the father of the American short story and was the first American writer to achieve international renown.
He debuted in 1802 with a series of observational letters to the Morning Chronicle, and is best known for his short stories Rip Van Winkle (1819) and The Legend of Sleepy Hollow. He has written several historical works covering figures such as George Washington and Christopher Columbus.
Elizabeth L. Bradley, the author of Knickerbocker: The Myth Behind New York, serves as literary consultant to Historic Hudson Valley, the caretakers of Sunnyside—Irving’s Tarrytown, New York, home. She also wrote the introduction and notes for the Penguin Classics edition of Irving’s A History of New York.
SLEEPY HOLLOW EVENTS, FEATURING ELIZABETH BRADLEY
Headless Horseman Variety Show October 16
The Morbid Anatomy Museum - 8pm
New York, NY
Reading of the Legend, featuring Lev Grossman, October 29
Megan Abbott, Randy Cohen and Tonya Hurley - 7pm
“It is an early American horror story...And that’s why people know it.
Because it’s got the kind of symbolism that good fairy tales or horror stories have.”
THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES - Washington Irving
Introduction and Notes by Elizabeth L. Bradley
Penguin Classics - $11.00 On-sale: October 7, 2014 978-0-14-310753-8
They've announced the six-title shortlist for this year's Goldsmiths Prize -- a £10,000-prize: "awarded to a book that is deemed genuinely novel and which embodies the spirit of invention that characterises the genre at its best".
A pretty interesting-looking mix -- and one of the titles is actually already under review at the complete review (In the Light of What We Know, by Zia Haider Rahman), with another soon to follow (How to be both, by Ali Smith).
The shortlist was selected from 119 entered novels -- a list they sadly/disappointingly/inexplicably apparently have not made public.
And see also Leo Robson on All must have prizes ! How the Goldsmiths and Folio awards are changing the literary landscape in the New Statesman.
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Picture a young girl growing up in a remote part of the Cape in South Africa in a village named Riemvasmaker (meaning strap tighteners… possibly stemming from a place where the harnesses of the ox wagons were shortened before crossing over the Orange River?)
The year is 1973. The Government want the land for the military. 1 500 people are arbitrarily removed to other areas by train and lorry with some of their livestock – but not before witnessing their houses being axed and torched in front of their eyes. It is cruel and barbarous.
Six year old Pascalena Florrie finds herself deposited in Demaraland, in Namibia. Given that Namibia is the combined size of the UK and France together but only has just over 2 million inhabitants, the loneliness in the vast desert of Demaraland, can’t be imagined.
In this bleak moonscape where no towns or schools or means of transport except donkey carts exist, and where only a few natural springs provide water, Pascalena becomes goatherd to her family’s goats.
She takes them into the veld each morning to graze, along with some dogs to keep marauding leopard, desert elephant and lion at bay. No time for school – there is no school – and at night sleeping on the dung floor of a house made from unfired, mud bricks. This is no Heidi story.
On a recent visit to Demaraland, I met Lena and she told me that as soon as she heard that Wilderness Safaris was setting up a conservancy in the area, she applied for a job as waitress. In spite of the fact that she spoke only Afrikaans, the language forced on the Nama people by the Government, she was given the job. She persuaded the Camp Manager – the first white person she had ever laid eyes on – to give her list of words every day – simple words like broccoli, butter, glass, coffee, good morning.
Today Lena is Area Manager responsible for four camps in north-west Namibia and she was the first black Namibian to be appointed as a manager of a guest lodge after the country’s independence. She provides the link between Wilderness Safaris and the local communities who are joint venture partners of these four camps. She initiates local projects, hosts journalists and agents and attends the community meetings, helping them participate meaningfully as stakeholders.
On the day after I met her she attended one of these meeting and the next morning, she was beaming and said she was feeling very ‘powerful’. Such is her energy!
This is a long preamble to something meaningful for us as children’s writers. Many of you have already generously contributed books through dynamo Nicky Schmidt’s plea on Facebook, to the Children In the Wilderness Project.
Two weeks ago I met Janet Wilkinson who heads the Project and donated some of my books – both of us coincidently wearing white shirts but her's emblazoned with the Wilderness Safari logo! While chatting I realised I was about to visit some of the very camps where the children of Children In the Wilderness are hosted.
The children stay in the same camps normally taken up by tourists, to learn how to communicate not just with nature but with people too and to learn to be good stewards of the world. They hold binoculars for the first time, see the eyelash of an elephant up close, put on frog feet and goggles in the coastal camps and study the pulsating life of a jellyfish. The excitement is tangible. To this heady mix, add your books that will give them the fluidity of language to describe what they see and feel and do.
If you know the landscape into which your books are going and what the children are gaining, you will understand the need and the value attached to your contributions.
Franco Morao was born in 1983 on a remote farm. At the age of two he was put into a children’s home (the SOS Children’s Village) in Windhoek, where he stayed for most of his school life. On completion of secondary school and by a stroke of incredible timing, Wilderness Safaris' Children In The Wilderness programme approached the SOS Children's Home to bring some of the orphans out into the wilderness to experience their country's natural wonders. In this group was a young, ambitious and eager Franco.
His words on the experience…
"We were hosted at Kulala Wilderness Camp. This overwhelmed me because most of us had never had such an opportunity to learn about the environment by being in the wilderness itself. I was brought up in a very enclosed environment, so that the only life I knew was that within the orphanage. When I saw the open spaces I realised that this was where I wanted to be. I had found a new family. Where there was a sanctuary and where everyone always feels welcome."
After completing the internal training that Wilderness Safaris offered, he was appointed as a trainee guide at the same lodge where his life-changing experience took place. 'Now he is one of the most loved guides in Namibia - children adore him
...' says Janet. Today Franco is learning Italian, Spanish and German to be able to communicate with overseas guests and is now working as a Specialist Guide for touring groups. Unfortunately I didn’t get to meet him.
From goat-herd to Regional Manager, from orphan to Specialist Guide – just two examples of words and knowledge having made all the difference. Your books are meaningful in a landscape where libraries are few. Hopefully soon there will be a central point in the UK where donated books can be collected to save on the heavy postage costs.
Thank you dynamo Nicky for making us aware of this opportunity to give books to Children In the Wilderness that will help turn them into the more encompassing, Children ‘of ‘
the Wilderness. If these are the children who are learning to manage and conserve the world, perhaps the future of the rhino will not be so bleak. Real sustainability is realised by a culture that involves children.
|No I didn't fly the 6 seater single prop plane! |
Photographs of Lena and Franco courtesy Wilderness Safaris
All other photographs copyright Dianne Hofmeyr
Dianne Hofmeyr's latest picture book Zeraffa Giraffa, illustrated by Jane Ray and published by Frances Lincoln, is on the UKLA longlist.