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Viewing: Blog Posts from the illustrator category, Most Recent at Top [Help]
Results 16,376 - 16,400 of 156,698
16376. Golden Globes Change Their Animation Rules

The Golden Globes, awarded annually by the Hollywood Foreign Press Assn., has revised its rules for the animated feature category. The winner of the category has gone on to win the Oscar in six of the last seven years.

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16377. Harts Pass No. 212 -- Kit Courageous!

Many thanks across our Valley and around the west right now for all of the heroes that put themselves on the front lines of fires and rescue efforts time and time again. And thank you as well to all of you brave kids out there who are trying to make sense of distracted parents and a situation that definitely feels a little out of wack.

"Kit Courageous" and your continued bravery go a long way -- but (as Kit imagines it) some Super Soaker 6000 super powers wouldn't hurt a thing at this point either - with modulated nozzle pressure and advanced dispersal technology to reduce flash flooding impact of course!

Steady as she goes. It will be OK.


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16378. 8-BIT & BEYOND 2 Art Show invitation!

Dear all,

Super excited to invite you all to the 8-BIT & BEYOND 2 - an art show paying tribute to classic & modern video games. Please join us on August 8th, as 70 artists from around the world, take on video games ranging from NES to Sega to Playstation to Xbox.

Bottleneck Gallery
60 Broadway, Brooklyn, NY 11249
The opening reception is from 7pm-9pm.
Admission and drinks are free.

Also, following the opening reception, we will be hosting an official screening of the Fred Savage tearjerker, "The Wizard" at Videology on 308 Bedford Ave.

If you are in New York area, please come and join the fun!


 Cheers,

Alina

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16379. Helmo

Helmo on grainedit.com

Thomas Couderc and Clément Vauchez are the creative minds behind the French design studio Helmo. The two met during their studies in Besançon before pursuing separate careers in Paris.  They later reunited at the design collective La Bonne Merveille before launching their own studio.

 

 

 

Helmo on grainedit.com

Helmo on grainedit.com

Helmo on grainedit.com

Helmo on grainedit.com

Helmo on grainedit.com

Helmo on grainedit.com

 

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Michela Picchi
Timothy Hunt
Tom haugomat

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16380. Childhood memory

I have a lot of fun creating this piece.  It's inspired by my childhood Christmas memories in Hong Kong.  We don't get snow in winter.  Instead, the city decorates all the skyscrapers with Christmas lights with interacted patterns and the street and public spaces often decorate with giant Christmas tree and lanterns.  ^______^  The piece is watercolor and oil pastel mix-medium.  Trying to create a child like painting quality with pastel.  
Work-in-progress
Concept sketch


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16381. Makes Me Happy - Trains, Planes and Automobiles

 
My husband and I just purchased a new car, so transportation has been on my mind a lot these past few weeks. Not the most pleasant experience to go through, but we are happy with the end result and are having fun driving it and exploring all it's new options. So, when I was thinking about my Makes Me Happy post for this week, it was an easy choice. One of my favorite things to draw are fun cars and trucks with animals riding in them and I had a lot of fun finding great illustrations and products with the transportation theme, too. As usual, the links to the images shown are below and to see more, visit my Planes, Trains and Automobiles Pinterest page.
 
Elephant car by Me!
 
 
 
 
 
 
 
 
 

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16382. Ahoy, ye sea dogs!

l_9781585368150_fcP is for Pirate is here!

As long-time readers know, the subject of pirates is a favorite of mine. You can imagine how happy I was when Sleeping Bear Press asked me to illustrate Eve Bunting’s latest, P is for Pirate. 

Here’s how the jacket art came together. Some rough sketches, a tight sketch based on the approved rough, the painting in progress. I lost something in the tight sketch—the pirate doesn’t have the same aggressiveness & oomph—so I went back to the rough sketch to paint from. That’s my dear old African Grey, Sherman, sitting on his shoulder. How I miss him! I like this low-key palette, mostly blacks, greys and red. The talented Felicia Macheske was my art director on this project. I will show more images throughout the month.

piratecover.tn.A179 piratecover.tn.B181 piratecover.tn.C180 piratecover.sk IMGP1753 IMGP1754 IMGP1755 IMGP1756 IMGP1757 I'm using a palette knife to scrape red paint over the black background. IMGP1759 IMGP1760 IMGP1761 IMGP1762 IMGP1763 IMGP1764 IMGP1765 IMGP1766 IMGP1767

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16383. Summer Vacation!


Sorry about the break from the Friday Studio Tours this summer. I guess that's what happens when you're on summer vacation! Please look for the tours to begin when school starts in the fall. Yes, I said fall. I'm going old school here and will be back to posting tours after Labor Day. So look for the next Friday Studio Link post on Friday September 5th. Before then, I might even get a chance to do a post about how I spent my summer vacation!

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16384. The Running Dream book review

Hey everybody! It's Louisa again. This book I am reviewing The Running Dream by Wendelin Van Draanen, one of my favorite books of all time.

If I was stuck on a desert island and could only bring one book, it would be The Running Dream, by Wendelin Van Draanen. This book is one of those books you could read a billion times, and never get tired of. Jessica Carlisle is sixteen years old and loves to run. She's a record breaking member of her high school's track team. On the way home from a meet the team bus is involved in a horrific accident. The collision kills one girl, and causes Jessica to lose a leg. Jessica's world is turned upside down. Running is her life! She doesn't know what to do without her leg. Some days, Jessica wonders if the girl who died didn't get the better end of the deal. No pain, no recovery, just peace and quiet. Finally, Jessica plucks up the courage to go back to school. She befriends Rosa, a girl with cerebral palsy who helps Jessica with math, and inspires her to look towards a future full of hope and new beginnings. Jessica has always been very determined, and so she naturally begins to wonder if it would be possible not only to learn to walk, but learn to run, too.With the help and support of her family and friends, she makes progress with her leg, and learns a lot about herself along the way.

Hope you enjoyed it, and be sure to check out this book because it's amazing!!!!!!!!!!!!!!


                                                       -Louisa

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16385. Bob marley "no woman no cry" 1979

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16386. Bob Marley Three little birds (Original)

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16387. 1978 Star Wars Holiday Special CBS Preemption Bumper & Special Presentat...

0 Comments on 1978 Star Wars Holiday Special CBS Preemption Bumper & Special Presentat... as of 8/7/2014 3:26:00 PM
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16388. Zoo thoughts...

I took a trip to the zoo last Sunday morning.  I took my camera as usual, thinking that I'd get a few reference shots during the trip. The Columbus zoo is really nice but way too many people to see animals. What? Yep, the zoo is a very popular place but you should plan on getting there really early... maybe on a weekday, when the entire state of Ohio isn't lined up to see an animal. It's great to see so many people interested in wildlife...just not the right time for reference shots. Does anybody else have tips on their zoo visits? When is best? If you live in Ohio, which is your favorite? 


One of the wildest species, know to man. Is he climbing in or climbing out?

I remember visiting the Cincinnati Zoo as a kid. Very nice zoo. I photographed a lot of animals during high school and did some drawing at that zoo, as a college student. Here are a few of them.



Have a wild week, kids!
Back to the drawing board.


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16389. Creatures and Critters 3

Coming in September!!! Creatures and Critters 3




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16390. Reading makes you smart!


Reading makes you smart!  I thought to try to make this page in the style of Mary Blair.  Photoshop seems to avail itself to spare blocks of color.

John Nez
www.johnnez.com

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16391. Hartford MFA: More Students

More of the students at Hartford who were kind enough to let me sketch them.

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16392. LATELY LILY by Micah Player - Interview and Giveaway!


If you read my blog, you probably know I love to travel (although I don’t get to do it as much as I’d like). Hubbie and I did a Safari in Africa for our honeymoon, and I was an exchange student in Paris during college. So, when LATELY LILY came across my desk - I flipped! Lily is a jet-setting young girl excited to see the world and make it her marble. The endpapers are suitcases - gotta love it. The author/illustrator, Micah Player stopped by to talk about it…

Q. Micah! I adore LATELY LILY! How did the idea come to you?
A.
I had been working on this series of little international characters for my Around the World Puzzle and would often think to myself that it would be rad if there was one kid that knew all these other kids. Some immensely connected, well traveled little person that happened to have friends all over the world at like ten.
      The thought stuck with me and later when my good friend (apparel designer and Lately Lily co-founder) Erin Nichols contacted me about collaborating on a line of teeshirts for little girls with an international element, I immediately thought again of that imaginary cosmopolitan kid. She would serve to connect all the different places we might use as inspiration for our apparel seasons. A Traveling Girl! Erin and I went around with a bunch of different names, but one day I spotted a “Lily’s Laundry” sign while driving home from a brainstorming session. We really wanted the name to have a “breaking news” sort of feel and sound a little old timey. So “Lately Lily” popped in my head and there she was!
      Lily’s unique situation is that her Mom and Dad are a writer and photographer for “The International Exposition” (in Lily’s universe it is nothing short of the “World’s Greatest Magazine”) traveling the globe on assignment. She lives out of a meticulously packed Sunny Yellow Suitcase and has pen pals and friends all over the globe. I love the idea that she writes letters and carries a notebook. Her very best friend and travel companion is a stuffed corduroy zebra named Zeborah, which she purchased early on in her travels at a thrift store in London. So, we’ve produced five Lately Lily apparel releases so far, each one is a short story “pulled from Lily’s Notebook” and told across a line of teeshirts.

Q. I’ll be using LATELY LILY in my Design class at Hollins University to talk about shape and color in book design. What was your approach to all that?
A.
Hmm... What a great question! Well, Lately Lily has a very specific palette because we make product and it has to be consistent. Having already done that work for the brand as a whole, I had a good starting point, color-wise. Lily has very particular blues and yellows and reds that are all pantone colors. If you look at Lately Lily’s teeshirt art, it’s super linear with alot of brushy lines in fluid thicks and thins. This works great for apparel because its easy to reproduce and doesn’t rely on a lot of color to be expressive. Lily’s face, which also acts as a logo for our company, is harder edged with more color. The art for the book is a blend of the two. Strong full color shapes with linear details and ink washes finishing the illustrations. There is almost no black at all in the book, except Lily’s eyes and Zeborah’s coloration.

Q. What is your method?
A.
I always start with a pencil drawing. Things change after that point depending on the final destination of the art. If its going to be one color or linear, I’ll do the pencil drawing on watercolor paper and immediately jump to ink and brush, erasing the pencil lines underneath when its dry. I use Speedball ink and Grumbacher Golden Edge brushes. For monochromatic art prints and whatnot, I use watered down ink to shade the finished piece and then I scan it in and do final cleanup.
      If the finished destination is screen printing for our tees, I will usually stick to simple line work and scan that in, leaving the shading for a separate layer on the light table so I can scan it in separate. That way I can adjust the dot density and stuff in a bitmap pattern to best preserve the washiness of the shading in the final print.

      For full color art, I scan in my pencil sketch and then open it in Illustrator. I make all my major shapes there, sort of like an underpainting. I leave out any details that are linear, like nose, mouth, freckles, eye lashes, fingers, zippers, hair, etc. Then, I print out the finished layout of flat colors and put it on a light table where I paint all those final details in ink on watercolor paper. Two layers, one for the fine details and another for the shading and washes. I scan that detail work and compile the underpainting and ink work in photoshop! Its sort of a long process on paper, but I prefer scanning details to working on a stylus. I feel like the paper and the inky water (with it’s little bits and grit) add something that would get lost if I did all the work in a digital medium. The finished art has a nice “is it digital or not?” feel to it, with super-saturated color that I like alot.

Q. Your work has such a consistent look to it (I know you’ve done work for Target). What is the philosophy behind what you do?
A.
Thank you! A couple thoughts... My philosophy is that anything that is made for kids should be thoughtful. Working on art, literature or product for children is such a privilege. Its an opportunity to connect with some of the most complete parts of your head. By the time you are in your thirties or so, the questions that came up for you as a kid are things you’ve been mulling over on some level for a very long time. Like, I only have a few years of perspective on what it is to live as a thirty something person, but I have more than thirty years experience being a kid. So, the fact that so much of what is made for kids is throwaway, thoughtless garbage is inexcusable.
      Art-wise, as I get older, I find that the amount of traditional media I use rises in relation to the amount of digital work, to where now almost all of the actual art making is on paper, aside from color. I’m just less and less impressed with digital art tools, which is weird because of course they are getting better not worse. Still, why do anything on a computer that can, objectively, be done better without a computer? Like, a fake ink brush in Photoshop or Corel Draw isn’t better than a real brush! The one thing that holds me back from just ditching all digital and handling my color completely with watercolors or acrylics is that handling color as a core digital element is just really great for consistency and reproduction. The graphic designer in me holds on to that. And, I’m not gonna lie, I do love the undo button!

Q. There is an entire website of fun stuff dedicated to LATELY LILY at http://latelylily.com. Did that come before or after the book? Was it a planned product line from the start?
A.
Because so much of what is sold for kids follows the pattern of “Oh! This is a popular character in a movie or a cartoon or a book, lets expand it into a bunch of stuff after the fact”, sometimes people get confused about a project like Lately Lily. From the first tee line we produced three years ago, people were like “This is so adorable, is this a book?” No, its a story told across teeshirts. Now that we’ve released a book I’ve seen people be like “This is so adorable, is it based on a cartoon?” There is no distinction for me. A Lately Lily teeshirt is as much a piece of literature to me as the book and of course Lily would make an amazing cartoon. The process is the same, the attention is the same. The amount of time I have spent with her as a character has been so awesome. You really sense that there is so much more to her than whatever you’re seeing at that moment. Erin and I are ridiculously ambitious in that way, we put easter eggs in everything and then make up what they reference later.

Q. What was your path to publication/journey with LATELY LILY and how’s it going?
A.
From the moment we started showing the early designs for Lily, people just took for granted that she was going to be in a book. Then, I sent it to a couple friends at Chronicle Books. That publisher is incredible. It is staffed, top to bottom, with people that absolutely adore books. Lily is the result of wishing everything made for kids could be as smart as great kids books, so it really appealed to my friends Naomi Kirsten and Amy Achaibou who just grabbed Lily and made her a part of their life. Everyone over there just embraced Lately Lily. Chronicle Books is very friendly territory for the Traveling Girl. She does that! Lily makes friends! Its been the same everywhere we take her. There is always someone awesome that falls in love with her and makes an opportunity happen.

Q. Will we see Lily again in future adventures?
A.
Lily is always having new adventures! There is always a new story to read in one way or another. One way is of course in our tee shirt line as well as a pretty constant stream of Lily art on Instagramand Facebook. In addition to the picture book, Travel Flash Cards, and Sunny Yellow Suitcase available now, there are two new Chronicle Books Lately Lily projects coming out next year that I’m extremely excited about. So much awesome stuff!

Q. How have you been celebrating the release of LATELY LILY and what are you cooking up next?
A.
Its been amazing seeing people react to the book, which turned out absolutely beautiful. We have a line of Lately Lily bedding that just came out through the Land of Nod, and have also just finished perfecting the first Lily plush doll, coming out this Holiday season!

Thanks so much for stopping by!
Thank YOU!! Such rad questions.

If you have trouble viewing the embedded video - CLICK HERE.

GIVEAWAY!
Chronicle Books is generously giving a free copy of LATELY LILY to one of my lucky followers. Must live in the US/Canada to win - enter below.

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16393. Nude Girls Outdoors and Overcast Light

Today marks a milestone. 

This is the 3000th post on GurneyJourney. I started the blog in July of 2007 and have been posting at least once a day since then. Thanks to all of you who make this blog a part of your routine, whether you're a new visitor or a regular. Stick around and tell your friends about it--there's plenty more to come. Now, onto the post.....

Models painted by Trina Merry in front of the Guggenheim Museum and the Manhattan Bridge. AP Photo
The models in these photos are practically nude, except for body paint. Public nudity is legal in New York if it's part of a performance art piece. To camouflage her models, body painter Trina Merry had to keep backing up to see if the details aligned with the background. You can watch a video of the work in progress here.

You'll notice that no matter how she's painted, the model is always darker than the sky, and that the photos are always taken in overcast light or in open shadow. 

The picture above seems to be taken in open shadow with a sunny scene behind her. She is darker than the sky, despite the fact that, in this case, the illumination on her seems to heightened a bit by a flash or a reflector near the camera—note how the values lighten on the front of her thighs.


The light here seems to be a thin cloud layer covering most of the sky, and the model is lit by that overcast light. She's not casting a shadow, proof that she's not in direct sunlight. However the overcast isn't total: the window is reflecting a piece of blue sky. Regardless, the legs will be darker than the grass no matter what kind of paint you use on them.


Sorry, no nude here. A good rule of thumb is that in overcast conditions, a white local color facing upward will closely match the sky. Not many local colors are lighter than snow, and even bright white snow generally matches the tone of the cloudy sky.

Snow is significantly lighter or darker than an overcast sky only when the cloud layer is thin enough to permit some gradation of brightness in the direction of the sun.


Which leads to the following question: In direct sunlight illumination is there any paint white enough to offset the darkness of the shadow side? And is there a paint black enough to offset the effect of the direct sunny illumination? In other words, could you paint a ball—or a nude girl—in such a way that you could replace the gray-painted ball above, and make the ball—or the girl—disappear?

I don't think so, but I'll have to give it a try. I don't think Jeanette will let me try it on a nude girl, so I may have to settle for the ball.
--------
If form, light, shadow, and paint interest you, you can read more about it in my book Color and Light: A Guide for the Realist Painter, available on Amazon— or signed from my webstore.
Thanks, Evelyn Brody

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16394. Lee & Low New Voices Award open to submissions

2014 08 07 LeeLowNewVoices

Lee & Low Books has just announced its 15th annual New Voices Award. The Award will be given for a children's picture book manuscript by a writer of color. The Award winner receives a cash prize of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash prize of $500. U.S. residents only.

Details here.

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16395. Robot 92


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16396. A VERY Interesting Meeting about a VERY Exciting Opportunity...


On Wednesday, I took the train to Manchester again. This time I was headed for Manchester University. I was very excited to meet the Sociology team at the Morgen Centre...

It began with an email a few weeks back, asking if I would give one of the professors there a ring, to chat about an idea. Intrigued, I rang. She explained about a grant she would like to apply for, to fund a year-long project. Guess who would be at the centre of the project? Yep - little me!


They want me to spent the equivalent of 2 days a week over a whole academic year as a fly-on-the-wall, illustrating their world in sketchbooks. How brilliant is that? My first question, well one of the first was: So, what do you do all day for me to draw?

There will be the usual meetings, teaching students, working at the computer of course, but the really exciting thing is, they spend a lot of time out and about, working on research projects. There are 3 projects in particular which they are keen for me to shadow, all of which involve interviewing people in their homes or out in the urban environment. 

One is about the 'rhythms of the city': what we notice, how we feel about the outside environment we pass through every day, how we use public spaces and how we interact, or not, with others.

Another is about our relationship with the things we own: specifically, why we all have objects in our houses which we don't use, maybe don't even really want, but somehow can't bring ourselves to throw away.

The third is about the Brits' relationship with the weather: how it defines what we are and what we do, the way it impacts on how we interact with others and our environment and how different types of weather conditions create an atmosphere which is the backdrop to our lives, effecting how we feel.


As you can probably imagine, I was immediately very interested and have been helping Professor Heath put together a bid for the grant ever since. The meeting this week was to finalise some of that paperwork, to meet some of the team I'd be working with and to find out more detail about each of the projects. 

They all knew about me and are all very keen, but got even more animated when I showed them real life examples of the sketchbooks and talked them through the kit I use. If we get the money, we will be involving the whole department, students and staff, in the project: I will be running workshops to empower everybody to sketch and setting up group sketchbooks that they will work on over the year. Oh, and of course we will have a huge SketchCrawl as a climax at the end of the year!


I am SO desperate to get this job and am crossing everything I have got, hoping that our bid is accepted. I will, of course, keep you posted, though we won't know until around Christmas. How will I survive until then?

These sketches are nothing to do with the meeting but, since I was in Manchester and it WASN'T RAINING, I spent the afternoon sitting on various benches outside the Town Hall with a few Manchester-based sketch-buddies, filling my time the way I know best. 


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16397. FABRICS - donna wilson

Designer Donna Wilson has released her first ever collection of fabrics by the metre in a bid to get people sewing. 'Forest and Friends' is a collection of ten fabric designs which are available in two weights, cotton and heavy linen - perfect for making cushions, curtains, bedding, and clothes. The prints feature some of Donna's signature motifs: clouds, trees, lakes, and many other references

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16398. WALL ART ETC - ikea

The Kapitza studio whose beautiful geometrics we have featured on the P&P blog before have created some wall art for Ikea. Their cute geometric canvases called Pjatteryd are available in Ikea stores worldwide for a limited time only. Also at Ikea there are some great geometrics by Margrethe Odgaard for their PS range. Margrethe's designs for Ikea are reminiscent of her Navajo drawings. This is

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16399. TEXTILES - esme & esme

Claire Brake spent  many years successfully managing a chain of designer boutiques in London, but decided to leave the hustle behind and headed, with her dog Pandora, for the calm space of the Dorset coastline. From her studio she designs and makes a collection of fashion accessories, using fabrics featuring her own unique print designs. Under the label Esme & Esme Claire's collection is

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16400. New Trailer and Clip from ‘Penguins of Madagascar’

What can one say about the new trailer for "Penguins of Madagascar" that hasn't already been said about the previous twenty-plus DreamWorks Animation comedies?

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