What a glorious part of the country Greenville and Spartanburg, South Carolina, proved to be. And what enormously generous hosts I had in my friends
Susan Tekulve and
Rick Mulkey. We walked, we talked, we taught, we ate, we found flowers, fresh and unsnowy. In the process, I met incredible students and community members, read from
Going Over, Flow, and
Nest. Flight. Sky., and shared some thoughts about the writing life.
And then there was this: I saw old friends. The glorious Carolyn Wilson Baughman, of whom you last heard when I was in Asheville, NC, for
her sister, Katherine's, wedding. The incredible Lois Carlisle, of whom I spoke after returning from the
National YoungArts program in Miami. And Lisa Hammond (and her friend Joyce)—Lisa being the mom of another terrific National YoungArts scholar, Laura Rashley, and
a poet herself.So much good feeling. So many indelible memories. An early spring.
Thank you, Susan, Rick, Converse College, friends and community.
Perhaps one of the biggest challenges Jesus makes of his disciples and to us today is written in Luke 12: “Therefore I tell you, do not worry about your life, what you will eat, or about your body, what you will wear.” There are very few of us who have never worried ourselves silly about any one of these things. To actually make the choice to NOT worry about these things, and be able to pull it off, requires a deep trust and a profound intuitive insight into the love that provides for the birds of the air and the lilies of the fields as well as each of us.
Caught Up in Dualistic Thinking
Asking what gets in the way of being able to trust so deeply challenges us to dig deep to recognize our fears—fears that indicate our waking consciousness with its limited understanding is ruling the day. Waking consciousness is governed by the rational mind which sees only dualism: right and wrong, life and death, health and disease, strong and weak, rich and poor, insider and outsider. It is the outcome of the human condition, of eating of the Tree of Knowledge, knowing good and evil. We can be blinded by our fears, producing anxious greed, insecurity and endless striving for what we think will help us. If we do get what we want, we become like the rich man who thinks he is on top of the world with his riches that will last him for years, not knowing his riches will be worth nothing when his life is taken that night. Caught in this duality, we will always prefer and strive for one over the other, not recognizing there is another way of understanding the world.
Intuition as the Road to move beyond Dualistic Thinking that Traps Us in Worry
Intuition is the awareness of oneness, that we all part of the whole and, as a result are informed and supported by the whole. This awareness as expressed in relationship is love. The more we can rely on intuition, the greater the result. Edgar Cayce said in reading 792-2, “The more and more each is impelled by that which is intuitive, or the relying upon the soul force within, the greater, the farther, the deeper, the broader, the more constructive may be the result.” A developed intuition, one that has been tested and proven true, can trust that the Spirit will come to inform us in times of crises, and that our needs will be provided, freeing us to recognize the needs of others to be just as important as our own.
Jesus was well aware that his teachings which are based on the radical intuitive awareness that we are one with each other is not in accordance with the ways of the world. He said his words would pit mother against daughter and father and against son. And yet the radical intuitive awareness known as love is the way out of the limitations of dualistic thinking.
I've been to the desert! And taken far too many glam sand photos!
Also, I have met a camel. Did you know their noses are so hairy? When I got an invitation to come out to Dubai for the Emirates Festival of Literature, I talked with writer Philip Ardagh, who'd been in previous years and he said, 'YOU MUST GO, IT IS AMAZING' (or something to that effect). And Geraldine McCaughrean told me such intriguing stories from her visit that I was absolutely bouncing with excitement to see if all myself.
And it WAS amazing. I think the authors of books for adults were slightly surprised just HOW popular the children's events were! The kids there - both Emirati and expat - were falling over themselves to get books, read books, talk about books, write and draw. My Oliver and the Seawigs co-author Philip Reeve went out, too, and we got completely caught up in the excitement.
(Read the rest of the article here.)
I mean, how many times do you get to see writer-illustrator Sally Gardner and journalist Kate Adie riding a camel together?
Or even better, getting off a camel? Watching other people dismount from camels is by far the most funny part of the camel riding experience.
Here's Horrid Henry writer Francesca Simon bonding with her camel.
But that was nothing like the way her theatre director son, Josh Stamp-Simon, bonded with that camel. I have about twenty pictures of Josh and his camel snogging.
I thought at first that the camel and I were getting on beautifully, but she just wanted my drink. *sob* By the way, look how big her head is. Camel heads are HUGE.
I took even MORE photos of performance poet-musician Walter Wray trying to take a selfie with the camels. I don't think anyone else was watching, but he was going at it with such dedication and gusto that it had me quietly bent over with dry-heave laughing. He was like some Hollywood comedy film from the 1930's.
Performance poet Pam Ayres got into the swing of things and before she left, drew a camel on the signature board in the festival Green Room. A camel drawing by Pam Ayres, how cool is that?
Reeve nearly had a fanboy meltdown, he loves Pam Ayres. My one festival mission from him was to get a photo with Pam Ayres. But she insisted he come in, too. We love Pam. Reeve even made a brief return to Twitter for her:
Pam read some very funny poems at the festival Opening Ceremony. Here's one I found on the Internet. I was also hoping to find some Seventies footage of her in her Holly Hobbie dresses, but no luck yet.
)
On the Opening Night, we had a great performance from local schools, with a song commissioned just for the evening on the theme of 'Metamorphosis', the children all dressed in colourful Middle Eastern garb:
Speaking of Metamorphosis (think butterfly, not Kafka), costume and dressing up played a big part in my week's activities.
In fact, some of the fancy headgear was improvised on the spot:
Reeve joined me in the efforts, note his swanky crystal crown.
Even the volunteers got into the swing of things! Here's a two-pronged Jennifer Martin:
I've always envied the Emirates Airline flight attendants their red pillbox hats, and we did a brief Emirates-Pirates swapsies. (I failed in my mission to acquire a red hat full-time.)
At the desert picnic, everyone got a lovely headscarf. Reeve likes this picture because he thinks with the sunglasses that it makes him look like a Tough Dude. Don't mess with the Reeve.
Actually, I think it looks better on him as a necktie. We took way too many desert selfies. I could post them all here but you'd never read my blog ever again.
Paul Blezard (who once chaired my Giant Comic Jam event with Reeve and Martin Brown at Hay Festival) didn't want anything to do with head gear but sported an excellent skirt instead. (Check out his Saving Grace book crowdfunding project.)
And this couple, Deon Meyer and ____ (oo, can someone help me with her name? I'm trying to remember! She's very nice!) looked amazing in their desert garb. I never saw any Emirati women wearing white, just the men, so I was wondering if they might look at her a bit askance. But she told me that a woman in the lift said that she looked 'very Persian', so that was okay. Knowing which clothes to bring on this trip was a bit challenging, I didn't want to cause any cultural offense. But I never had any problems, everyone was very relaxed about short sleeves and stuff like that.
Just an hour before I left, I found this BRILLIANT shop called Alyashmac, in the Gallery mall connected to the InterContinental Hotel. I had to catch my plane, which was such a shame because there were so many amazing dresses in there. If I ever go back, I'm going to make such a beeline for that place. The shop owner said that the styles aren't the kind that Emirati women wear, but he gets a lot of customers from Egypt and other parts of the Middle East. So swish.
One of the great things about the festival is that it's nearly a week long, so we all get far more time than most festivals to meet the other guests. While I was looking at the programme before I flew out there, one of the people I was most curious to meet was Darcey Bussell, one of Britain's all-time best-loved ballerinas. I was a bit shy about even asking for a photo, but Darcey insisted I sit down on the sofa between her and Lea Sellers, and we went all happy-snappy on the cameras.
Later I watched this video about her, and I was struck by the fact that she had retired at almost exactly the same age that I felt my career was starting as a 'proper job', something I could live on. I look to illustrators such as Shirley Hughes, Judith Kerr and Quentin Blake, who are in their 80s and 90s and still working, and it's strange to think that in ballet, I would be finishing my work and moving on to something else. But one similarity is that Darcey said it took her 14 or 15 years to get into her job, and I think it's taken me about that long, too. I started later than her, I wasn't focused from such a young age on making books.
)
(Direct YouTube link)
Oh, and the other similarity is that we both had books to talk about! Besides her Magic Ballerina children's books, I saw her signing copies of this lovely coffee table book, Darcey Bussell: a Life in Pictures.
But all this retrospection, it isn't a whole 'life'; Darcey's still going strong, and... ha ha, we're still taking pictures of her. Also, the real-life 8-year-old Dulcie who stars in my There's a Shark in the Bath book (and loves dancing) was extremely jealous I met her hero. I got the tweet from her mum almost as soon as I posted the photo.
Another person I was thrilled to meet was Joanne Harris, writer of Chocolat (inspiring the film of the same name) and very funny Twitter person. (She's @Joannechocolat.)
Also, great food! Sometimes strange food! Like this Ghost Toast with dressing syringe at the Murder Mystery Dinner.
I was a bit nervous about the Murder Mystery Dinner, that we'd all have to act out cheesy roles or something. But it turned out to be great fun, we got to watch the performance, and our table mates turned out to be fascinating: one was a headmaster at a school attended mostly by children of the royal family, another couple frequently rented the house right next to Reeve's house. His alpacas graze in their field. Small world or what? Here's Reeve's sketch of one of the actors. And a picturesque pudding.
In fact, all the meals were so good that when I hit on a single item of food that was rather tasteless and indifferent (one lone, green, savoury jelly), it stood out most strangely. Note Joanne's deeply empathetic expression.
The festival asked me to do a Princess & Pirates event, featuring my picture book with writer Gillian Rogerson, You Can't Scare a Princess!. And quite a few of the kids dressed up! I didn't get many photos from my own stage shows, but here's a picture in the local Al Bayan newspaper.
They had good fun learning how to draw Captain Waffle. (I have lots more fun activity ideas here on my website if anyone went to the event and wants to do more related creative stuff.)
We didn't mention dressing up for my Oliver and the Seawigs event with Philip Reeve, but this girl came as an excellent mermaid. Yay! Look at the great drawings she made during the event:
One of the most exciting things about doing events is when we arrive and the children already know and love the books, and have done activities featuring them. And these kids had! Reeve and I both took walks over to the Gallery exhibition in the shopping mall to see our books featured in children's artwork.
Here are some gorgeous paintings inspired by my book with writer Claire Freedman, Superkid:
And a painted copy of the cover of my newest book, There's a Shark in the Bath! While it's good to come up with new ideas, it's also sometimes very helpful – as an exercise – to copy the work of illustrators you admire, to find out how they did it, and get an overall sense of the colours, composition, and lettering.
I like these new versions of the Oliver and the Seawigs covers, featuring bands of colourful sky.
Here are a few close-ups of the characters:
And a very cheeky Sea Monkey! Eep! :D
But we didn't spend our whole time in the hotel and mall, we also got to go on a tour of the old trading part of Dubai. Reeve shot this photo of me approaching the spice market:
I love these old boats. Living by the Thames in London, I've had to come to terms with the fact that the old days of shipping are dead - the days when people heaved crates and barrels and shipyards swarmed with people - and container shipping has taken over. But these boats still unload the old way, and it was fascinating to see huge piles of boxes on the quayside. Someone could do a fascinating photo essay of these beautifully painted boats and their workers.
Amazing textiles and embroidered dresses in the market:
Exotic biscuits (I could have bought a Lexus!) and colourful spices. That's Georgina Walsh, the lit fest cultural and social programme manager, examining some sort of sponge with cooking expert Prue Leith.
I'll have to ask someone for our local guide's name, but he was very funny; he relished his ability to speak English and come up with startling and often wonderful new ways of saying things. Our favourite phrases included:
* 'Give me your laser-like attention'
* 'Make your bladder gladder'
* 'Ginger up your steps' / 'Please walk gingerly'
* 'If you have any questions, I am disposable'
* 'I hope you enjoyed our intensive and extensive tour and that it lived up to your most utopian expectations'
* ... And another one that is so good, I won't tell you, because it will probably end up in a book.
I only remembered these because I got Reeve to help me write them down in my notebook on the bus ride back. We also quite liked this phrase from the House of the Poet:
When we next saw camels, we made sure that none of them footed on us. ...But in case people think I'm being critical, it's just like the food; the English people spoke was so excellent that the rare, slight variations only gave their speech extra charm.
While we were in the old quarter, we also visited a house hotel with lots of art displayed in it.
This photo made me laugh, because I always wear a lot of colour, whereas Reeve revels in different tea-stained tones of brown. I like to call it 'The Sepia World of Reeve'.
Our guide also led us to the Women's Museum, not far from the market. We were given a gracious talk by the museum's founder, Professor Rafia Obaid Ghubash. It was fascinating to see the focus on women, and it's great that the museum is a place for people to gather, remember historic women from the region, read their poetry and discuss modern culture. But I struggled to relate to many of the ideals the museum seemed to put forward. As a professional woman who has decided not to have children, I didn't understand how to appreciate the seeming emphasis on women primarily as childbearers and mothers, and that role seeming to define their value. What about women who choose not to bear children, cannot have them, or define themselves by other things?
Also, I had a hard time knowing how to feel positive in any way about the display of facial coverings, that looked very much like heavy moustaches or horse bridles. Our professor guide spoke positively about them giving women dignity, but I still don't understand how, in a hot climate, men could wear cool white and keep their faces uncovered, while women wear heavy synthetic black garments and obscure their faces with something that looks so uncomfortable and impractical.
Again, the Burq'a seemed very impractical for passport photos. It made me feel that women were interchangeable, in a way that men weren't. Perhaps I misunderstood the exhibitions, but it made me see the need for meeting together with people from different cultures so we can discuss, debate, question our own beliefs and take away the best things from each culture.
But we can all agree about PENS. Emiratis appreciate a good pen. Here's a lovely case from the a museum of Dubai's oldest school. I love it that Arabic culture totally appreciates that writing is as much a visual art form as illustrating.
In fact, all the authors were given a very good fountain pen at the festival, sponsored by Montegrappa. Here's my note of appreciation in their guest book.
Speaking of facial covering, I was glad for the chance to meet in the Green Room someone I would have passed in the hallway without seeing, picture book writer and illustrator Maitha Al Khayat. Here she is with science fiction novelist Noura Noman. Noura's also planning to go into publishing Arabic comics, which would be fabulous. (You can follow her on Twitter as @NouraNoman.) Maitha (@MaithaALkhayat) has worked in the past on a picture book with British writer Vivian French (also at the festival), and she has a book coming out about a child who can recognise her mother, covered all in black, by her colourful socks.
It was great being able to talk comics, but we also talked about facial covering, which Maitha does find gives her dignity and the ability to keep her looks from getting in the way of relating to people. I find that the veil itself gets in the way of me managing to connect with people at an event; I've led events in Leicester with rows of mothers in the back covered in black, all but their eyes. I've gotten used to it, but one of the things that inspires me when speaking to groups of people is the quick flash of smiles when they connect with something I've said, and I can gauge the talk by seeing how animated their faces are. Then again, I feel slightly disingenuous, since I'm not exactly in my natural state either; I hide behind big hats, lipstick and costume. But that's about choice, I choose to do it, and so does Maitha. I really don't like people covering their faces, but I'm much more against it if it's something they're forced to do, either by a husband or a culture. I'm glad Maitha let me see her face when there weren't men around, but I missed saying hello to her later when she passed in the hallway because I only later realised it had been her. I'm a visual person, I miss the loss of instant individuality. But I'm very glad to have met Maitha and Noura and listened to them talk about it. It would be nice to talk more about comics, I hope to see them again some day.
Comics! Most of my events at the festival were stage events, but I also led one smaller comics workshop.
Since the workshop featured comics collaboration, I was glad that Philip Reeve agreed to come along with me and do a Comics Jam with me in front of everyone. I did the first panel, he did the second, I did the third, he finished the story.
Here are a couple of the group's Comic Jams! Each page had four diffent authors working on it!
I was glad how much the group really got stuck in to it, particularly one dad, who came up and thanked me at the end and said how much he'd enjoyed the activity. I love it when adults get involved, for three reasons: 1, because comics are for all ages; 2, because kids take the session much more seriously when they realise they're working alongside adults, not being babysat; 3, kids realise adults can have a laugh and be playful, too, even when they're focusing and working hard on something.
I wish I could have gone to all the other authors' events; there were so many amazing choices on offer! Reeve and I did sneak into the back of Vivian French's Picture Book Masterclass before our comics session, and were able to stay for three-quarters of it. Totally ace, that woman is so clever, and she really got everyone thinking. I've run into Viv several times at the Edinburgh Festival, and one of the highlights of this trip was getting to have meals with her and get to know her better. (Viv's @fivekingdoms on Twitter.)
We had a good laugh at the Emirates display of a First Class airline compartment, posing like celebrities. Viv tweeted this photo I took of her in the paparazzi spotlight.
Another very cool thing about the festival were two Emirati women who attended some of our events and made murals about them, right while we were talking! I'm horribly disappointed I didn't get a photo of them, and if anyone can tell me their names, I'll write them in here. I didn't even realise they were doing it in our Seawigs session and was completely bowled over with amazement when I walked into the festival bookshop and saw this huge mural:
Some close-up detail:
And here's the one they did at my Pirate event! Isn't that awesome?
Another event I got to attend was Philip Reeve's event with Charlie Higson. (Eoin Colfer was supposed to be part of it, too, but he was unwell.) Some of the schools had to leave early, and the guys signed a few books before they started.
So many of the children knew their work very well; the authors undoubtedly both felt very encouraged by that, and it showed, in a sparkling good session, touching on Charlie's Young James Bond books, the Doctor Who book for which both had written short stories, and Philip's Here Lies Arthur, Mortal Engines, and Larklight books. You can follow them at @monstroso and @philipreeve1 on Twitter. Send in Pam Ayres if Reeve's off Twitter for too long.
More excited fans:
I even got to sit with the speakers at dinner and watch the amazing fountains at the base of the Burj Khalifa: highest tower in the world, world's largest fountain. They put on amazing musical water shows every half hour, they were brilliant to watch.
Here's Sally Gardner (a href=http://jabberworks.livejournal.com/data/"https://twitter.com/TheSallyGardner">@TheSallyGardner</a>) watching the display:
The restaurant with the great view was slightly disappointingly British, but, hey, you can't go wrong with a good PIE.
We had lots of wonderful dinners. At this one, I ran around being slightly obnoxious and papping people on my iPhone. Here's Francesca Simon with Christina Lamb, journalist and co-author of I Am Malala, which has been very much in the news. Christina gave a great talk at the Opening Ceremony about working with Malala as the girl was recovering from being shot in the head, and we watched on-screen a message that Malala had recorded for us. (Francesca and Christina are @simon_francesca and @christinalamb on Twitter.)
Oo, selfie with Jeremy Paxman! He liked my hat.
And here are picture book legends Helen Oxenbury and her husband, John Birmingham. I'd never met either of them before, so it was a real honour to get the chance to have dinner with them. I'm a big fan of Farmer Duck and Mr Gumpy's Outing.
Being all posey with Reeve and Richard Madeley from the Richard and Judy book show:
And here's journalist Rosie Goldsmith (@GoldRosie)! When I was in Norway last month, my hosts there (John and Helga Rullestad) raved about her and told me I MUST find her in Dubai. I'm going back to Norway in November for the SILK festival and I'll look forward to seeing her then. (That's Paxman again, photobombing us in the back.)
Here's reporter and interviewer Riz Khan, who kept us laughing with his jokes and impressions all through dinner at the amazing Madinat Jumeirah hotel.
We got to do lots of media stuff. Here's my squid attacking Jeremy Bowen before a Dubai Eye radio interview.
An awards presentation, where I got to say a few words about making books, my lovely Seawigs publisher, Oxford University Press, and congratulate the winners of a top writing competition. (Read the full article here.)
Also, an interview about making picture books in The National:
And in case it all seems too glossy, a quick look backstage. ...Okay, there are thrones backstage. Which reminds me about a very long joke my dad used to tell about glass houses and stowing thrones.
Here's a jolly picture of Philip Reeve and Joanne Harris dancing beneath the palm trees. You can read Joanne's write-up of the festival over on her blog.
My only real regrets from the festival were not getting to meet Swiss cartoonist Philippe Chappuis (also known as 'Zep'), although I'm not sure what I would have said to him, probably just grinned a lot. And I only got to call greetings across the escalator to Lemn Sissay. He did a fantastic poetry recitation at the Desert Stanzas evening, which I couldn't really capture in a photograph, but which was magical, and set in a desert camp.
And I would have loved to have gone to more author talks, and seen Walter Wray, Steve Halliwell and Chris Hardy of LiTTLe MACHiNe perform on Friday night.
Here's a video preview of them, they're @L1TTL3MACH1N3 on Twitter and they're actually based in London, so I may yet get the chance to go along to one of their gigs.
This is LiTTLe MACHiNe (EPK) from LiTTLe MACHiNe on Vimeo.
Oh, and my last regret was not knowing in advance that a ballet troupe would basically be performing a Seawigs-themed ballet clip for us in the Closing Ceremony. If Reeve and I had known, we definitely would have roped them into doing our event with us. The crab was the cutest thing EVER.
THANK YOU! Finally, a HUGE thanks to the team who ran the festival. They were incredible. The whole festival ran so smoothly, I had such fun, everyone seemed to be so well looked after, the kids were on fire with enthusiasm, we even got to sign a vast quantity of books.
Three cheers for Director
Isobel Abulhoul, the visionary person who set up the festival in the first place, with the generous patronage of
His Highness Sheikh Mohammed Bin Rashid Al Maktoum (who is also an author). And that's fab intern
Annabelle Corton standing with us!
And a massive round of applause to Acting Director and hero
Yvette Judge, who started out running the children's part of the festival and took on the whole thing when Isobel was unwell and needed to stay in the UK. Total star, that woman. (She's
@lit_ed on Twitter.)
Here's Cultural & Social Programme Manager
Georgina Walsh coming in style across the water to collect us by boat at the Madinat Jumeirah hotel dinner:
Thank you,
Emirates Airlines, for the VERY COMFY ride there and back, and for your beautifully be-hatted staff:
Here's super
Jo James, who remarked on my hats each morning and was always totally organised, letting me know exactly where I should be and when.
I'm going to need some help here with names (can you help?) - names fall out the corners of my memory as quickly as coins through the holes in my ratty handbags - but these people were kind, loads of fun, and helpful, and made me feel surrounded by friends.
The Emirates Lit Fest has posted more photos
on their Facebook page, if you want to check them out. I miss it already.
Goodbye, sweeping hotel view.
Goodbye, lovely breakfasts on the Crown Plaza terrace with funny, strange little birds with bobbly heads.
Goodbye, weird and wonderful architecture:
I'll miss how everything seemed to have such a heightened sense of drama about it:
And watching Reeve go off into the desert so far that all I could see was his hat bobbing along the dunes.
Thank you so much for your wonderful hospitality!
That was probably my longest blog post, ever. And here's where I make a dramatic fall into the sand, like Antoine de Saint-Exupéry Little Prince.
THE END
When I turned fifteen and started reading adult chapter books (Oh no, there is no way I’m telling you the year to show my age LOL), I always found myself asking the same question:
When do these characters eat, sleep, use the restroom, etc.?
There always seemed to be unanswered questions left by authors, those little things that we all do, but that rarely get mentioned in books. It’s not that I want the author to go on and on about a character’s eating or bathroom habits, but some small mention would suffice.
So when I first contacted Shelley Workinger about a possible blog post, and she told me what her blog was all about, I thought it was a great idea. She was really on to something when she mentioned to me that a fictional character’s diet can really tell the reader something about that character. Some readers want to know these minor details.
My debut novel, DEAD MAN’S HAND, is an International bestselling crime-thriller that was released in October 2012. The novel takes readers inside the head of Calvin Watters, a sadistic African-American Las Vegas debt-collector, who was once an NFL rising-star prospect, now a fugitive on the run.
But for this post, I wanted to write about the new novel I’m currently working on, specifically the main character, detective Charlene Taylor.
To put it lightly, Charlene Taylor is a self-hating, alcoholic, one-night standing, tough but broken individual who never knew her father. She was the “boy” her father never had, and has decided to follow in his footsteps as a member of the LAPD.
So in order to demonstrate the kind of character Charlene is, I needed to really sell it with her diet and eating habits.
Charlene is an “eat-on-the-run” kind of gal. Grab a muffin or fruit on her way out the door. Living a fast-paced, almost carefree single lifestyle, she has take-out restaurants on her speed dial, and the local neighborhood sushi bar is familiar with her frequent post-sex phone calls for delivery. I felt that having a sushi restaurant on speed dial, where they are used to her “dinner for 1” orders, shows Charlene’s age (I think of sushi as a more youthful meal), health concerns (obviously sushi is a very healthy food), and her loneliness (ordering always for one and having it on her speed dial).
To me, this was the ultimate form of using food and diet to show who a character really is and allow a reader to make his/her own judgements and conclusions.
Food/diet is a very important tool that can be used by authors to “show” instead “tell” readers about a certain character and his/her traits.
My newest novel is still in the editing stages, but it has been a fun project.Thanks for stopping by to share your food for thought, Luke!
Luke Murphy lives in Shawville, Quebec with his wife, three daughters and pug.
He played six years of professional hockey before retiring in 2006. Since then, he’s held a number of jobs, from sports columnist to radio journalist, before earning his Bachelor of Education degree (Magna Cum Laude).
Murphy`s debut novel, Dead Man`s Hand, was released by Imajin Books on October 20, 2012.
Catch up with Luke at these sites:
Back cover text for DEAD MAN'S HAND
What happens when the deck is stacked against you…
From NFL rising-star prospect to wanted fugitive, Calvin Watters is a sadistic African-American Las Vegas debt-collector framed by a murderer who, like the Vegas Police, finds him to be the perfect fall-guy.
…and the cards don't fall your way?
When the brutal slaying of a prominent casino owner is followed by the murder of a well-known bookie, Detective Dale Dayton is thrown into the middle of a highly political case and leads the largest homicide investigation in Vegas in the last twelve years.
What if you're dealt a Dead Man's Hand?
Against his superiors and better judgment, Dayton is willing to give Calvin one last chance. To redeem himself, Calvin must prove his innocence by finding the real killer, while avoiding the LVMPD, as well as protect the woman he loves from a professional assassin hired to silence them.
"You may want to give it the whole night, just to see how it turns out."
—William Martin, New York Times bestselling author of The Lincoln Letter
"Dead Man's Hand is a pleasure, a debut novel that doesn't read like one,
but still presents original characters and a fresh new voice."
—Thomas Perry, New York Times bestselling author of Poison Flower
"Part police procedural, part crime fiction, Dead Man's Hand is a fast, gritty ride."
—Anne Frasier, USA Today bestselling author of Hush
New media = new methods for a growing industry. Audiobook publishing is booming, with Audio Publishers Association statistics noting
6 million more audiobooks were sold in 2012 than were sold in 2011, representing a 13.5% increase in revenue reported by the publishers who shared data for both 2011 and 2012. The sales growth can be attributed in part to the fact that the total number of titles published in 2012 in the audio format has nearly doubled year over year. The format is thriving with the widest selection of titles ever available—13,255 titles were published as audiobooks in 2012, up from 7,237 the previous year. Publishers continue to increase their output to ensure that the most popular trade titles are released simultaneously in print and audio formats.
Even the Wall Street Journal is sitting up and taking note, in The New Explosion in Audio Books: How They Re-emerged as a Rare Bright Spot in the Publishing Business.
As media combine into transmedia formats blending text, visuals, and audio there’s a growing need for trained voices and technical experts. There have long been audiobook narrator workshops, led by industry experts such as Pat Fraley, Johnny Heller, Robin Miles, Paul Ruben & Bettye Seitz. In response to this growing need for audiobook artists and technical gurus, Bob & Debra Deyan have announced the creation of the Deyan Institute of Vocal Artistry and Technology, a campus environment where, according to the Institute’s press release,
This believed to be the first of its kind worldwide… Institute’s initial lineup of courses includes introductory intensives and master classes for audiobook narrators, specialized courses for voiceover artists, as well as technical courses on production and post-production for both voice actors competing in the ever-increasing self-recording market and audio engineers alike. Deyan Institute instructors are each acclaimed experts in their respective areas of specialty.
I featured the Deyans in my “Voicing a Cause” blog post after the Audio Publishers Association honored the pair with this year’s Lifetime Achievement Award. For over 20 years, Bob has been dedicated to creating great audios, in partnership with his wife Debra. But the couple has turned their focus to making a positive impact in the world of ALS, or amyotrophic lateral sclerosis, also known as Lou Gehrig’s disease. Now Debra Deyan says,
It’s hard to express how much it means to me to launch this school in honor of my husband, Bob Deyan. Bob is riveted by excellent acting, loves the human voice and particularly the ancient art of storytelling. He spent his life’s work directing actors and preserving the human voice experience for generations to come. It is my vision that Bob’s legacy will live on through Deyan Institute.
Best of luck in your new cause, Bob & Debra!
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I like “tonal” but I’m concerned that it would get too monotone.
Please avoid black and white themes for now. We already many such in the Dashboard.
Tonal has so many different combinations depending on the background, hopefully you won’t get that feeling. If you do happen to get the custom colors upgrade you can create even more combinations:
http://en.support.wordpress.com/custom-design/custom-colors/
They all look good but none of them look like that on my computer. setup was hard for a non computer guy and help was iffy at best.
Gridiculous Pro seems really really beautiful and easy to use, Well done!!!!
I’m sorry you’re having issues with themes – that’s no fun.
We do take on board any difficulties people have and try and improve things with each theme. Our goal is to make themes that work from the start for all.
If you are having issues, we do have help available on the forums for themes: http://premium-themes.forums.wordpress.com/. Each premium theme has its own forum so you can get the right help for what you are using.
Thanks for your suggestion, we do try and create a range so we’ll take it on board and look into getting some more colored themes released.
A lot of our themes allow backgrounds and background color changes, so you can change from the black and white default. Tonal actually changes the entire site depending on what you set for the background color – it can be any color you want.
Reblogged this on carolyncolemangrady.
I tried Tonal a couple of days ago and liked the color palette choices.It’s a very nice clean and minimalist theme but I dislike the Title font and the fact that Titles are all capitalized lettering. Otherwise I quite liked it and would be using it now.
I’m glad you liked the palettes and the style of Tonal. If you did happen to have the custom CSS upgrade you could modify the titles. That said, we’re keen to offer a wide range of themes and I’m sure we’ll have some without capitalised headers coming soon.
Hi again Tammie,
Thanks so much for your response but I don’t want to purchase another upgrade at this time. I set a $50 limit on blogging expenses for each blog per year and both of my blogs each have No-Ads upgrades and domain mapping upgrades. I’ll be keeping watch for more themes though.