The next Become an Idea Machine workshop has been scheduled to start on Monday, February 11, 2013.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it”? That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2013, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

I’ve got a post up at The Renegade Writer site about why waiting for your life to be perfect is a surefire prescription for derailing a budding freelance career. Read it here.

My November 2012 Become an Idea Machine workshop is officially filled to the max and closed and my next class will start the second week of January. I’m thinking this one will sell out too, so if you’re interested, don’t wait too long!

Weirdly enough, I’ve had a lot of signups for my November Become an Idea Machine workshop and I have only two spaces one space left. Usually my November class doesn’t fill because of the Thanksgiving holiday, but I guess a lot of freelancers want to work this year instead of eat turkey. So if you’re thinking of signing up you might want to do so now — otherwise you’ll have to wait till 2013.

The next Become an Idea Machine workshop has been scheduled to start on Monday, November 5, 2012. This will be the last workshop I run this year.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it”? That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2012, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

I like to make a confession when I speak at writing conferences.

I hate writing.

Many students who sign up for my class tell me they love to write, they’ve dreamed of writing for magazines or penning a novel since they were children. I’m always slightly jealous of them. I wanted to be a writer my whole life, too, but looking back I’ve never found the actual process of putting my thoughts down on paper remotely pleasurable. Weird, isn’t it?

There are a few things I’m really good at and enjoy doing. In no particular order, I’m good at taking things apart and putting them back together. I can figure out how to get from South Station to I93 north with an uncanny sense of direction. My favorite class in high school wasn’t English, but biology. Give me some flour, water, salt, and yeast, and I can bake you bread that will make you think you’re in Paris. The same sort of thing goes for yarn and knitting needles; give me a week and I can turn out a Fair Isle hat, a pair of socks, or even a sweater, and I’ll do it all with a smile on my face.

So why am I not a mechanic, cab driver, geneticist, baker, or professional knitter but a writer of all things? Why did I choose a career path wherein I dislike the activity it’s built upon?

I think I figured out the answer this afternoon while I was cleaning out the catbox. (Yes, I was avoiding writing. I’ve been known to scrub the seal around my refrigerator door, work on my tax return, or double-dig my garden to avoid a first draft.) It’s this: once the laborious task of nailing down my inchoate thoughts is complete, I can go back and edit them — and editing is fun. I can tinker like a mechanic, plot out how to get from point A to point B faster like a cab driver, find solid evidence to back up my thesis as a biologist would, add new ingredients as bakers do, and make it all look beautiful and effortless, much as a knitter does with her tools. And it’s this part of my job that keeps me in business. Less successful writers refuse to believe the fun of the first draft can be improved upon with some hard work and red ink, or they don’t even bother trying to write because it’s just too difficult to start. Working writers know that good writing is hard work, whether you love it or not. Some writers love writing a first draft, but agonize over edits. Others like me relish a good edit (or five!), but struggle to nail down our thoughts. What kind of writer are you?

Anyway, that’s my ramble for today. I may hate writing, but I do like teaching and my next Become an Idea Machine class will start on Monday, October 8, 2012 (Columbus Day). Whether you love to write — or loathe it — there’s room for you here.

I’m taking the rest of the summer off. The next Become an Idea Machine workshop has been scheduled to start on Monday, September 10, 2012.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it?” That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2012, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

The next Become an Idea Machine workshop has been scheduled to start on Monday, June 11, 2012.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it?” That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2012, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

My Become an Idea Machine Class that starts Monday, April 9, 2012 (that’s next Monday!) is filling up fast.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it?” That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2012, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Hope to see you next week!

Ready to start 2012 with a bang? I’m offering my popular 3-week online workshop Become an Idea Machine again and the next session starts on Monday, January 16, 2012.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it?” That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Women’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2012, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Look forward to having you join me for a stellar 2012!!!

On Monday, July 11, I kickoff a new component to my three-week Become an Idea Machine class. I’ll be offering three spots with telephone mentoring!

How it works: You sign up, get your weekly workshop, and get all the e-mail support that the premium-level gives you. However, you also get three 1/2-hour telephone mentoring sessions — a half-hour of personalized, kick-butt advice each week to help you get your hot story ideas into the hands of editors. We can brainstorm ideas, as well as talk about freelancing issues that don’t directly pertain to the class. All for $150 plus the cost of the workshop ($299 total).

July’s a great time to take this workshop — come September, you’ll have built up an arsenal of ideas to pitch to editors while your competition has taken it easy during the dog days of summer. So sign up today! Again, mentoring is limited to just three students.

I’ve been limiting my Become an Idea Machine workshops to five participants each month, but I’ve decided to open it up to 10 starting with the May 2, 2011 session. I’ve got six students now with four more open spots. Sign up today!

Mark your calendars … on Monday, March 7, I’ll be starting a new session of Become an Idea Machine workshop. I’ve been limiting registration to five students each session; the last two sessions have sold out so if you want a space, register now. Read more about the workshop here, as well as download the FAQ from that page.

After completing the workshop, one of my students wrote to me to say, “The best part of this program, however, was you, your accessibility, and your willingness to talk to me about what I need to know and do in order to take my writing career to the next level. Thank you so much.” (This student went on to sell a story he’d developed in this workshop to the New York Times’ travel section –  and since then, another one of my students made a sale to the NYT.) Other students have sold their ideas to Discover, The New Scientist, Parenting, Yankee, and more.

If you have any questions about this course, my mentoring style, or how the heck workshopping ideas works, please e-mail me at dianaburrell (at) gmail  (dot) com. Hope to see you in March!

Over the last couple months, freelancers have been writing to me, asking whether I’d be offering my Become an Idea Machine workshop again. I had to put the class on hiatus because of a shift in my career (read: I was working 40+ hours a week offsite).

So good news … I’m finishing up some of the big projects that had me so swamped this fall and can offer this workshop in January, starting on the 17th. I have five open slots for the premium version at $149. You can read more about the workshop here, as well as download the FAQ from that page.

One of my students, after completing the workshop, wrote to me to say, “The best part of this program, however, was you, your accessibility, and your willingness to talk to me about what I need to know and do in order to take my writing career to the next level.  Thank you so much.” (This student went on to sell a story he’d developed in this workshop to the New York Times’ travel section –  woo hoo!) Other students of mine have sold their ideas to Discover, The New Scientist, Parenting, Yankee, and more.

If you have any questions about this course, my mentoring style, or how the heck workshopping ideas works, please e-mail me at diana (at) ninetofive (dot) com. Hope to see you in January!

I’ve decided to sell the domain for this website. If you’re interesting in buying www.ninetofive.com, send me your best offer at dianaburrell at gmail dot com. If it’s not obvious, I’m just selling the domain name here.

I’ve decided to run my Become an Idea Machine class through the Renegade Writer site again this summer, starting on Monday, July 12. You can sign up here, or through The Renegade Writer site.

In this class:

• You’ll learn how to generate dozens, even hundreds of possible story ideas, starting on the very first day of class.
• You’ll learn how to sift through your ideas to find the good ones, the stories that have potential to sell to editors, and you’ll learn how to refine and shape them into pitchable stories.
• You’ll figure out how to target your ideas for the right markets.
• You’ll never be at a loss when an editor asks if you have any more ideas for them.  You’ll have dozens of good ideas at the ready.

This three-week course costs $99 for the basic level (web-based class with no e-mail support) and $149 for the premium level, which includes e-mail support. I encourage nearly everyone to sign up for the premium level — not because I want to take more of your money, but because for an extra $50 I can work with you on your specific problems coming up with salable story ideas.

Who benefits the most from taking this class? Students who are extremely self-motivated and driven to sell their ideas to national outlets. If you’re at all a slacker, this isn’t the class for you because it’s a lot of work and expect you to put in a lot of effort shaping your ideas and finding homes for them, even with my help. Hey, I’m not going to come up with ideas for you — the point of the class is so that you can learn how to do this yourself. My students have gone on to sell ideas they’ve generated in my classes to publications like Parenting, Woman’s Day, Yankee, Discover, the New Scientist, and more.

So if you need a kick in the pants this summer, sign up for my class today!

I’ve gotten a lot of e-mails over the past couple months from writers who wanted to take my Story Ideas That Sell workshop. I had a lot going on in my life, so I pulled the workshop down. It was just too much for me at the time, plus some of my students wanted me to offer one-on-one coaching along with the workshop and I just couldn’t figure out how to fit that all in.

My life has settled down somewhat, and I was able to give the material a second look and figure out a way to provide more coaching and hand-holding. So I’m happy to announce that I’ll be offering my three-week class, Become an Idea Machine: How to (Painlessly) Build Up an Inventory of Story Ideas to Sell to Magazines, starting Monday, May 17. You can take the class with e-mail support ($149) or without ($99), although if you really struggle coming up with salable story ideas, I strongly urge you to sign up for the premium level.

What you’ll get from this course:

• You’ll learn how to generate dozens, even hundreds of possible story ideas, starting with the first week of class.
• You’ll learn how to sift through your ideas for the good ones, the stories that have potential, and learn how to refine and shape them into pitchable stories.
• You’ll figure out how to target your ideas for the right markets
• You’ll never be at a loss when an editor asks if you have any more ideas for them? You’ll have dozens of good ideas, sorted into subject categories.

I’ve reworked the material from my “Story Idea Workshop” for this new course, but if you’ve already taken that class, I’d urge you not to sign up for it again UNLESS you want to do it again with e-mail support. Contact me if you’re interested in doing this; you only have to pay the difference between the Basic and Premium levels, which is $50.

In the coming weeks, I’ll be doing a teleseminar with Linda Formichelli, tentatively titled Five Easy Ways to Generate Story Ideas That Sell. Details TK. In the meantime, you can sign up for my class at the Renegade Writer site.

Greetings! Some updates on my schedule.

Unfortunately, I’m no longer offering my Story Ideas That Sell workshop. Last fall I had a long think about what direction to take my career, which meant ruling out projects that pull me away from my goals. Teaching was one of them. Sorry folks! But I’ll continue posting at the Renegade Writer blog, and in the next few months, I’ll be giving a teleseminar with the fabulous Linda Formichelli on — ta dah! — idea generation. Details TK.

So, that new direction I mentioned. I’ve been working on a book proposal for the last few months, and I’m really, really, REALLY psyched about it. The book’s topic is one that’s close to my heart; the proposal itself was actually a lot of fun to write. Yeah, you read that right … fun! (If you know anything about me, you know that I rarely describe writing as “fun.”) My agent sent the proposal out last week, so keep your fingers crossed for me, okay?

I continue to write for the Boston Globe (I just reviewed the honkingly huge Cuisinart Elite food processor), and Kiwi Magazine just published a story I wrote about all-natural food colorings and flavors. I’m working on another piece for them about a topic near-and-dear to my heart. Let’s just say it’s raw.

As for speaking engagements, Smith College (my alma mater) invited me to speak on a freelancing panel at “A Century of Women in Type: A Conference for Smith Women in the Media” on March 25-26, 2010 in Northampton, MA. I was honored by the invitation, as I’ll be in the speaking with the likes of Gloria Steinem, Wendy Kaminer, Adrian Nicole LeBlanc, and Andrea Cooper (a freelancer I admire greatly). Yay!

Till next time.

I’ll be offering my popular “Developing Story Ideas That Sell” workshop through The Renegade Writer this summer, starting on Monday, June 8 with a second session starting on Monday, July 6. I won’t be offering the class in August due to travel/vacation — the next workshop will be offered in September.

If you’re “idea challenged” when it comes to pitching editors, or you’re just sick and tired of writing about the same old subjects, this workshop can be the kickstart you need to put your career in high gear. You’ll learn:

* How to find stories that can earn you thousands of dollars in magazine commissions, even while you’re running errands, caring for young children, or surfing the Web;

* How to train yourself to come up with salable ideas effortlessly;

* Why your stockpile of story ideas makes you more valuable to editors;

* How to build an idea inventory that can take you through months, even years, of pitching.

So sign up today! Any questions? E-mail me at dianaburrell [at] gmail [dot] com.

For some reason I get gazillions of hits for people looking for Clean Eating recipes, so hey — if you’re so inclined, come check out my food blog. I’ve been food blogging for awhile, but recently I did a site revamp of DianaCooks. It’s basically a place to write the things that I want to write vs. what editors want me to write. Do come check it out — and grab the feed! I’ll be doing more recipes than what you find in the archives.

For some reason I get gazillions of hits for people looking for Clean Eating recipes, so hey — if you’re so inclined, come check out my food blog. I’ve been food blogging for awhile, but recently I did a site revamp of DianaCooks. It’s basically a place to write the things that I want to write vs. what editors want me to write. Do come check it out — and grab the feed! I’ll be doing more recipes than what you find in the archives.

My, how the winter has flown by. I’m weeks away from my India trip and in the midst of getting all my immunizations updated. This a.m. I finished my typhoid series, and tomorrow I head back to the doctor for my next round of rabies and hepatitis a/b shots. I’m starting to feel a little like the family dog! Then there are all the prescription meds I have to take along with me. My husband took one look at the immunization and prescription list and said, “You won’t catch me visiting a country where I need shots to get through immigration.” Haa! To be honest, I’m most worried about mosquitoes when we’re cruising the Kerala backwaters. It’s not malaria season in south India, but mosquitoes seem to think my blood is sweet and tasty. I’ve stocked up on repellents with the highest amount of DEET allowed.

I’ve also just purchased a new Nikon digital SLR camera. Once the current slew of assignments are off my desk, I hope to get out and play with it, as I need to take magazine-worthy photos for an assignment when I’m in south Asia.

Nothing much going on except that I’m swamped with work, which is, of course, a good thing. I recently got named as a contributing editor at Clean Eating magazine. When I picked up the premiere issue on the newsstand a month or so ago, I literally gasped when I thumbed through the pages. It’s a stunning magazine, filled with such gorgeous pictures of food — and I was so proud that I’d developed many of the recipes, including the main recipe feature. In the January/February issue of fresh, which you can pick up at Hannaford markets in the northeast, you’ll find my recipes for a romantic Valentine’s Day dinner.

Right now, I’m working on some stories for an inflight magazine, as well as some recipe development projects for fresh and Clean Eating. Oh, and finishing up two long-overdue-to-my-agent book proposals. Tomorrow I’m speaking to a food writing class at Boston University about how to write a great pitch letter. My Boston Globe editor is teaching the class, so I’m pretty flattered she asked me to speak!

Till next time! [db]

I really loved teaching my freelance writing classes locally for the past few years. But with my shift to food writing and a kid who has a more vibrant social life than I, teaching was one thing I had to cut out in the last year.

However, I’ve figured out a way to teach online. I think this is going to be great because I can reach beyond Boston. Now it doesn’t matter where you are — you can take my fun 3-week workshop! The other thing I did differently was focus on my favorite part of freelancing — generating salable story ideas for editors. It’s the part of my in-person class I found the most exciting. Everyone, and I mean EVERYONE, has a story to tell sell and I get a kick out of showing my students they have dozens of ideas right in front of them. They just need to learn how to see them.

This workshop came about when, maybe a year ago I was talking to my writer friend Sandra, sharing with her some of my idea-generating tips and she said, “You should really teach a course in this.” It took me awhile to gather my thoughts, tips, and ideas, but finally this week I finished the three-week workshop. And now I’m really excited to share this with the world.

So check out my class page. If you have any questions about the workshop, send an e-mail to diana at ninetofive dot com and I’ll be happy to answer them.

In the midst of a creative lull? Want to ramp up your income 2009? I’ll be running my three-week Story Idea Workshop this winter starting Monday, December 1, 2008, Monday, January 5, 2009, and February 2, 2009. Sign up through my classes page.

In the midst of a creative lull? Want to ramp up your income 2009? I’ll be running my three-week Story Idea Workshop this winter starting on February 2, March 2, and April 6. Sign up through my classes page.

In the midst of a creative lull? Want to ramp up your income 2009? I’ll be running my three-week Story Idea Workshop this spring with start dates on March 2 and April 6. Sign up through my classes page.