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Children's illustrator and cricket lover cultivates vegetables and cats in rural Oxfordshire.
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When Jean and Brian invited us to help ourselves to however many blackcurrants we wanted from their garden, it was the perfect excuse to delve into a new activity. I myself prefer making chutney (less faff, more fool proof), but Joe had a hankering to try jam making.
There were certainly plenty of currants, and within 20 minutes of concentrated picking, we had 3 kilos.
The thing with so many currants, is that there is a lot of fiddly de-stalking to be done. We didn't bother with taking the dried flowers off, because as we later discovered, they simply disappear in the boiling process. I mention this specifically, as I searched the internet for ages trying to find this fact out, with limited results. So if you're reading about this via a search engine - don't sweat about the tops, just try to remove as many of the little green stalks as you can, without your eyes going squiffy.
Then we unearthed an ancient old pan of mine (now officially the 'jam pan') and began cooking. Had I realised how simple jam making is, I would have taken it up years ago. And it makes the kitchen smell delicious!
I even managed to find some waxed jam discs which had been lurking in a box for Lord knows how many years. Sterilised jars were filled.
And the next day, suitable labels were made. All a bit home-made, but pleasing nonetheless.
Bread and jam has become a very acceptable and affordable meal. We're about to make our third batch.
The day after my last needle felting workshop, I was invited to a workshop of another kind. My bete noir: wood. I have never been good with wood. I have no feeling for it, no magic in my fingers. But Ian the Toymaker was going to initiate me into the gentle art of whittling. I wished him luck.
We had limited time, so I was to start a little bird project, from an original design by a Czech puppet maker, Martin Lhotak. A little bird wired to a peg. It's the simplest of moving toys. How hard could it be? We started off with a block of lime wood and I drew out my design, with a little advice from Ian.
The next stage was to cut the lumps out, on a saw. I think it's a band saw, though I'm not very good with electrical stuff. Actually, I have a healthy respect (fear) of any moving sharp things, so Ian started me off, showing me how to gently guide the wood through the blade.
I managed to get the rest of it done on my own, with much deep breathing and concentration.
Then the next stage - the whittling. another sharp blade. A Swedish whittling knife. Again, I'm a bit lethal with sharp objects. Except felting needles, I'm ok with them.
This is Ian showing me how to polish the blade - you don't sharpen it, but it does need polishing, which helps shine up the wood as you work.
And off I went. Totally out of my comfort zone, feeling a little like many of my students must feel when they are picking up their first needle felting project.
The workshop is a wonderful treasure house.
Intriguing little drawers and boxes full of useful things. Rather like my own studio, but less haberdashery.
And works in progress, displaying clever automata mechanisms which make things move.
After less than an hour - and having been taught the correct way to hold the knife and carve - I had, to my amazement, managed to create a crude bird. Admittedly with some help from Ian. And even more miraculously, I had not cut myself.
I swapped a needle felting kit with Ian for a lump of lime wood, determined to go home and try some more whittling. It's a little like needle felting; addictive once you get going.
So later, with my special new birthday whittling knife from Joe, I finished my little bird. He remains pegless, and resembles a shark without fins. I poked some bead eyes in him, so that he could see. I no longer fear wood. But I am much better with wool.
Ian was a fabulous teacher and often holds workshops with similar projects - the results of which can be found on his website, here.
My birthday treat was this year's Shrewsbury Food festival - it first started three years ago, with immense success, but (as some of you may know) I haven't been in the right mental place to enjoy such things. There were also wonderful birthday presents from Joe, including a Swedish whittling knife, of the type recommended by Ian the Toymaker. And a humungous bottle of my favourite (and rather expensive) perfume. Summer had finally decided to arrive in the UK and we were glad we got there early - the Saturday country bus deposited us in town before 10am, so we arrived before the crush. The festival was held in Shrewsbury's beautiful Quarry Park, where the legendary Percy Thrower was the Superintendent gardener for 28 years.
We wandered about. It was crammed with mostly local small producers There was cheese and pies and pickles and fudge and cider and bread and meat and stuff. And more stuff.
And rare lop eared pigs, from nearby Middle Farm. This was part of the 'farm-to-fork' section, enabling people to make the connection between what they eat and where it actually comes from. This is 'Beckfoot Damica' and her new calf, from Great Berwick Organics. She's an English Longhorn, one of the oldest breeds in the country, dating back to at least the 16th century. We stopped for handmade venison pies, and in my case (what with it being my birthday and all) I had a pint of 'Steam Punk' beer from Shropshire's own Three Tuns Brewery. Dark treacle-y and delicious.
By now, the crowds were building up and as neither of us do people en masse, it was time to head off. So Joe bought some sausages...
...and I bought some bread. And we headed back to the cottage after a lovely day out. Full of pie.
Goodbye lovely Shrewsbury Food Festival, you were great - and good luck for next year!
Is it just the British who have a penchant for pottering around stately homes when the so-called summer weather is typically 'iffy'? Not too far from here is the lovely Longner Hall, who were having a garden open day.
So Brian and Jean from next-door, Joe and myself all crammed into one vehicle and bimbled across the lanes to have a little look and admire the topiary.
I do like a nice topiary bird.
But I like even better, sinister green domes who seem to be watching you as the rather grandiose 'big house' looms overhead.
Some people like grand houses.
I am more taken with the ramshackle.
Such as this sweet little conservatory nestling between shapely hedges.
Or intriguing secret paths leading to who knows where?
And cunning doors which beckon you to enter...
...revealing the most beautiful Victorian walled garden.
And then the rain descended, as it had been threatening to since we arrived.
We all took shelter, packed like sardines in a funny little theatre shack and I passed round mints some found at the bottom of my bag. Jean found them a little strong and had a slight coughing fit.
Once order was restored and the rain passed, we carried on admiring the neat and orderly rows of vegetables, lined up like soldiers on parade.
One of the old glass houses has been restored.
And already filling up with tidy rows of geraniums.
In the manner of these things, just as we were heading off, the clouds cleared to reveal beautiful Shropshire.
Back along the ever-so-long drive. It's time to return to our own humble but much loved homes, full of grandiose ideas for schemes which may one day come to fruition. Who knows?
Sometimes I am asked to do private workshops and it is always a huge pleasure. Apart from the fun of going away visiting, I am always treated like a visiting princess and thoroughly spoiled. This month I stayed at the home of Ian Mackay, maker of exquisite automata and Fleur Hitchcock, the children's writer. Here is Ian, making a needle felt version of one of the chickens on his amazing pecking chicken machine. Needless to say, as a skilled craftsman, he picked it up at once.
It was a fairly informal workshop, and people pretty much free ranged their designs, which was interesting for everyone and made me think on my feet.
There are wonderful examples of Ian's work all over the house, with intriguing handles which beg you to turn them. And when you do, magical things happen.
Driftwood houses are so much the in thing now, with so many people making them, but Ian was one of the early originators and I loved this little wooden street.Lunch was pretty darned splendid.
Amazingly, after all that, people carried on working. This was a particularly splendid guinea pig.
I am always thrilled to bits when someone who has never needle felted or indeed crafted much, produces something lovely. Often they start out with a little trepidation, but at the end of the day, they have made something beautiful, and in this case, entirely their own design.
Naturally, mid-afternoon, there was cake.
The next day, I myself tried my hand at creating something outside of my own comfort zone, in Ian's workshop, but that's another story for a later date. Thanks so much to Ian and Fleur, for making my weekend really special and reviving my own creative batteries, which have been a little flat for the last few years.
Out with Marjorie the other week, pootling to the Post Office which is two miles away. On the way back, I spotted a notice pinned to a gate post and, as one does, stopped to investigate.
However, it wasn't a planning application for a new housing estate (although that is in the pipeline for this area). It was a Thomas Hardy poem. Rather random, but lovely.
You did not walk with me
Of late to the hill-top tree
By the gated ways,
As in earlier days;
You were weak and lame,
So you never came,
And I went alone, and I did not mind,
Not thinking of you as left behind.
I walked up there to-day
Just in the former way;
The familiar ground
By myself again:
What difference, then?
Only that underlying sense
Of the look of a room on returning thence.
Pondering this and wondering 'who, what why and when?', I cycled on. And came then stopped.
Another country poem, pinned to another gatepost, with the brooding Wrekin just showing in the background.
A sonnet, by John Clare.
A Spring Morning
THE Spring comes in with all her hues and smells,
In freshness breathing over hills and dells;
O’er woods where May her gorgeous drapery flings,
And meads washed fragrant by their laughing springs.
Fresh are new opened flowers, untouched and free
From the bold rifling of the amorous bee.
The happy time ofsinging birds is come,
And Love’s lone pilgrimage now finds a home;
Among the mossy oaks now coos the dove,
And the hoarse crow finds softer notes for love.
The foxes play around their dens, and bark
In joy’s excess, ’mid woodland shadows dark.
The flowers join lips below; the leaves above;
And every sound that meets the ear is Love.
A visit to the Museum of Lancashire, principally to see the Silverdale Viking hoard while it is still on display. Buried for more than a thousand years, it's an amazing find - and the painstaking conservation work done is incredible.
Yes, I do seem to have taken mostly photos of jewellery! Well, an ingot is just an ingot, isn't it?
The museum is dedicated to local history, in all aspects. Joe was particularly interested in the First World War memorabilia.
I always find the little personal details almost unbearably poignant and wonder how many of the card senders made it home.
Even I was taken with the Hussars jackets, delightfully glamorous - how hearts must have fluttered upon seeing an officer in one of these uniforms!
My favourite bits? Well, the entertainment section and the vintage Punch and Judy set -
My lovely neighbour Jean, confessed recently that she used to find Punch and Judy terrifying when she was a little girl. Brought up a sheltered country child, and in the days before mass entertainment, she found the whole thing a bit too much on the occasional visit to the seaside.
And my other top pick, this spectacular 'roller skating costume' dating from 1910, entirely made from sewn together cigar bands, cigar box labels and stamps.
It was designed by a cleaner, Charles Hamer, for his wife Anne; he saved the bits and bobs he found at work - both Charles and Anne took part in skating contest in the Burnley (Lancashire) area.
How wonderful that other people's rubbish was turned into such an object of beauty - and undoubtedly worn with great pride.
Kings and Queens will always have their place at the top of the history hall of fame, but I find the history of the humble 'common' people just as much - if not more - fascinating.
It's been quite a year so far for magazine appearances - a few weeks ago, my ever popular pattern for doglets were featured in the Comic Relief/Mollie Makes Crafternoon bookazine. This was the first pattern I ever wrote, over three years ago and people still seem to love it! You can still buy the digital version of this from Amazon UK via this link. I've also started writing patterns for the UK's best selling craft magazine, 'Craftseller' - my first contribution was in last month's issue, number 48, a set of three tropical bird brooches. This is a copyright free pattern, which means that people can make and sell their versions of it. You can buy the back copy of this issue directly from the Craftseller site here. This month's issue, number 49, sees me on the cover, with a cute trio of pet shop sweeties. These designs are also copyright free and they hit the selves on April 4th, so there's plenty of time to grab a copy and start making.
Craftseller is a UK based publication and on sale at WHSmith, good newsagents, large supermarkets and some craft shops. I'm really thrilled to have been asked to work for them and also to have snagged my fourth magazine cover. Bottoms up!
In non-needle felting news - lovely Joe has mended the shed roof after a couple of large chunks were torn off in recent gales. It's good not to be alone anymore, in so many ways.
My first creations with alpaca wool - I was thrilled to be asked to host a workshop at the p-Lush Alpaca Show on March 27th. So I chose to make little birds, which are ideal for beginners.
Rather different to my normal merino - bizarrely, the fibres seemed finer and yet at the same time, more 'hairy'.
So although I strived for my usual smooth finish, they did come out looking a little fuzzy. But I rather liked the natural effect. There are only 12 places on this workshop and they are booking already - details and registration can be found on the p-Lush booking page here. Join in, it'll be fun!
Two years ago today, my lovely Andy chose to leave this life. Today, I and all his many friends and family remember him with love. It is a bleak, rainy winter's day and the trees are bare, but I have picked all the colour in the garden for him and hold his memory close in my heart. Always.
At the end of last year, I paid a flying visit to Manchester, to see my dear friend. Sue of 'Mouse Notebook'. Apart from catching up with news, I was also treated to a grand tour of her 'workplace' - the magnificent Chetham's Library.
I admit, that at the top of the stairs, when this Paradise of books opened up before me, I stood still and had a little weep. Only a true bibliophile will understand why.
Visiting is free, but donations are always very welcome (indeed, needed). Visiting times and details can be found here.
And as the lucky guest of a Chetham's librarian, I was treated to a quick tour behind the scenes - what we might call 'the staff room'. I will let the books speak for themselves, they will do it more eloquently than I.
Another insight into the life behind the shelves - inside the inner sanctum of the office, where a colleague was examining a beautiful antique book of real (and very much imaginary) marine life. I think the publication date was the 1500's, I was too lost in the engravings to pay much attention.
My friend's colleague, who had been browsing the book on our arrival, tried to find a particularly spectacular creature he had spotted earlier. Sadly, like so many mythological beasts, it remained elusive, despite much searching.
On the way out, still breathless from the presence of soaring shelves of antique books, I spotted this - as my long time friends and readers will know, anything letter press catches my attention.
Here are small enclosed areas, rather like individual shrines to the blessed book.
There was a distinctly cathedral-like atmosphere throughout - a hushed reverence and the way the fragile winter light filtered through the windows.
Partially drunk on the rapture of books, I emerged into bright winter sunshine and braved the Christmas crowds and the train journey home.
So many thanks for all the kind and lovely comments on my last post. Joe and I were incredibly touched that people were happy for us. Now that I have a real purpose, I've thrown myself back into work with a vengeance, starting the New Year with two little hare brooches in a newish style.
It's good to be making again.
2014 ended with a gorgeous feature in 'Filtz Fun', a popular German felting magazine - they made it all look beautiful, I think the prettiest magazine article of mine I've seen. I do need to update my publicity picture though. 2015 is starting to fill up with workshops - at the moment I have five definite dates, starting in March with a bang at the p-Lush alpaca show in Coventry, where I will be using alpaca wool for the first time ever. The next day I am in Oxfordshire at my regular venue of Folly Fabrics, Smith's Restaurant in Manchester in April and back to the Buckingham Summer School for two full days in August. (Summer, hooray!) More info and contact details can be found on my website. More to be added, with luck.
Many of my lovely friends and readers will know that at the beginning of 2012, soon after moving into our new home - this little cottage from which I write - my beloved partner Andy tragically died. So many of you supported me in those lonely, heartbroken and dark times. Even though I may not have replied to every email or message, their presence helped me work my way through the excruciating period of grief which followed. Thank you seems hardly enough.
I cannot deny that it has been a long, solitary journey since then, despite finding odd fragments of joy. The constant battle to endure the loneliness, the worry of finances and trying as best I can to make some sort of business. For whom? Because life alone for me, is not a life at all. And so this poor blog has been often neglected. I have had little to write about, save work and more work. But now it is a New Year and a fresh beginning for me. And for another person.
Immeasurable joy has danced into my life and I have a reason for living again. A loved one to care for, to cook for and to hold. My bleak life has been transformed and I remember yet again the poem quoted to me in the early days, by a dear friend and soul sister.
Someone I loved once gave me
a box full of darkness.
It took me years to understand
that this, too, was a gift.
At the time, it seemed a horrendous mockery. Now I read it with a sense of blessedness and newly opened eyes. Welcome Joe; welcome to my life, my heart and my many dear friends, wherever in the world they may be.
This last weekend saw me packing up my workshop again and travelling by various means (taxi, train, bus, foot) to the Toft Alpaca shop, near Rugby. I was a little dead on my feet by the time I arrived, but a friendly and business like welcome - not to mention a fine bowl of creamy latte coffee - soon had me upright and setting my workshop up for the next day.
It's that time of year when people's thoughts turn to Christmas and I'd pre-made a little set of my own trees to act as visual aids and inspiration.
And then I set my sales table up, as I now sell not only my own kits, but tools and supplies now. I couldnt bring my entire range of 52 wool colours (which I have stocked in my Etsy shop) but I brought as many as I could.
I was fully booked with twelve places filled. The shop and cafeteria have a really great, busy atmosphere and soon my little band of needle felters were hard at work creating their own trees.
Lunch was a superb affair.
I took advantage of the time to pop out and get a quick shot of the stars of the show, the alpacas. There are many more than this, but these two sweeties are near the shop.
Next door to my class, a crochet workshop was going on - making the delightful creatures designed by Toft founder Kerry Lord, in her new book, 'Edward's Menagerie'.
Which contains patterns for all these lovelies dangling here -
Meanwhile, back at needle felting central, I'd opened up my battered suitcase of treasure - beads, findings, threads and everything needed to beautify a Christmas tree.
This was a particularly talented class, and by the end of it I was incredibly proud of the gorgeous small forest of trees skillfully crafted that day. As for myself - well, I packed everything up again and made the return journey back home; a very busy two days indeed.
I have just two workshops left this year - one is fully booked, but there should still be places for an acorn making workshop on November 20th at the White Hart pub in Eynsham, West Oxfordshire. Details and booking contact can be found on my website.
My Conference pear tree has been over productive again this year. Too much fruit for one person and as I did last year, I let my lovely neighbours gather as many as they wished. Still the tree hung heavy with fruit. So I have picked my own small share. The split ones to eat now -
The perfect ones to store for a few weeks.
There are apples too - sour cookers of an unknown variety.
This is the trouble with fruit - I don't have the inclination or time to do anything with them and yet I hate waste. The birds will gorge on any windfalls though and in my garden I have a couple of very plump blackbirds who have done very well out of my lethargy.
I actually found myself more drawn to the spoiled fruit still clinging to the tree.
Such rich colours and close up, a fascinating surface; quite beautiful in its own right.
This is the problem with living in the country, where everyone has fruit trees and a glut of produce. However, I am bravely chomping my way through several pears a day and they are, without doubt, very sweet and tender. Everything will be eaten, one way or another.
This month saw my return to the eternally wonderful Hope and Elvis studio, run by Louise Presley, to hold two all day workshops over one weekend. It barely seemed as if I'd been away, but it had been almost a year.
In the morning, and in keeping with the autumnal weather, acorns were made. I accidentally got my own measurements wrong, not for the first time, so instead of bijou acorns, we had egg sized ones. but everyone enjoyed themselves. As you can see from the big beam on Louise's face.
And amazingly, despite my error, we had a batch of acorns by lunchtime -
And a cluster of cheerful toadstools from the afternoon's work.
On day two, I did it all over again, with another group of lovely people. But this time we kept the acorns a little smaller...
This was a gorgeous colour combination, with faint gold beige stripes on a tomato red background.
There was one very special person who came, Charlotte of 'Chest of Delights' blogspot - we've been virtual blog chums for a few years now and it was lovely beyond lovely to meet her and finally get to hug this friend I'd not met before. She also brought along some of her own beautiful work.
There is something very pleasing about a well made toadstool.
I also launched my fourth needle felt kit, which just happens to be a decorative acorn - they went very well, which is always nice and reassuring.
Decorative acorn kits are now available from my Etsy Shop, priced at $17.00/£10.60 plus shipping.
My next workshop is at the popular Toft Alpaca Farm, Rugby, on November the 1st - this time making Christmas trees. For more details and to book a place, please visit their website, but hurry as it is almost booked out!
In much need of a break, I set off for my second home, Cinderhill Farm. Traveling light with all the essentials.
Hello pigs, snorting about in a carrot munching frenzy.
Hello again Marvin, my old friend the farm rooster.
Hello to my new job, as Chief Label Sticker-onner at the Pie House. Cinderhill Farm is now a chief pie supplier to the newly opened Gloucestershire Service Station and pies cannot be made fast enough. Or sausage rolls.
Sticking the labels on in precisely the right place turned out to be my forte - everything has to be beautifully turned out, from pie to packaging.
So the next day, we set off with crates of various pies, all the way from the Forest of Dean to Gloucestershire. Across the magnificent Severn Bridge -
Where we unpacked many, many crates of hand baked goods at the warehouse, before doing a little shopping, Cotswold style. Local cheeses from small dairies, for supper -
And beautiful artisan bread from small, local bakeries.
Gloucestershire Tebay services are all about selling local goods and supporting the surrounding community. It's an entirely different shopping and eating experience to the standard service station.
Naturally, a selection of Cinderhill Farm Pie House Foggys were sitting proudly in the deli section.
We had civilised and greedy double cake for tea, from the cafe.Yes, the huge meringue is mine.
And even later, the worker's reward. Ciabatta and exceedingly good cheese. Almost humble.
It was a lovely week of work and relaxing. But then it was time for me to return to my own quiet world. Goodbye, wonderful Wye Valley, with your spectacular views.
Goodbye noisy geese, with your beaks stuck in the air.
Goodbye sweet Pearl, house kitten of great beauty.
Goodbye rufty tufty barn cat who's name I can't remember.
Goodbye Cinderhill Farm, until I return again.
So I come to the end of an unscheduled blog break. This summer has been about attempting to keep my financial head above water and setting up my supplies business. It has also been about sorting out my personal life and what happens next after the horrors of last year. So far it is all a bit uncertain. There have been one or two lovely highlights though.
Being treated to high tea at the Kensington Palace Orangery was one of them.
Dressed as I was in my old leather biker jacket and army boots, my old friend and I were given the most prompt and courteous of service by exquisite young waiters.
Tea was served and we genteelly dived in.
Having not seen each other in person for several years, my old friend and I had much to talk about, in-between debating which sandwich or cake to have.
The orange-scented and currant scones served with Cornish clotted cream and strawberry jam were naturally, divine.
And served on crested china.
It was all so very delightful and so very, very civilised. As my kind and generous friend observed, tea and cake put many things right. Though that theory has been sorely tested this summer.
One small grey goose waddled off to a new home.Walter. He really is very small indeed...
There are still some spaces left on my May 10 chicken brooch workshop at the Fibreworks Oxford. If you'd like to keep me company, please contact the shop via the website.
It's taken me a long time to get my lovely push bike (Marjorie) out and about. The day Andy surprised me with her was one of the happiest days of my life, to know that he loved me so much - as I loved him.
Since he died, even though she is my only form of transport - and the nearest shop being two miles away - I haven't been able to face riding her, a unbearable reminder of what precious thing I have lost.
But this spring I felt able to get her out of the shed and dust her off. Brian-next-door pumped her tyres up for me and we have been having little adventures, finally exploring the gorgeous landscape around us.
We even found an egg honesty box a few miles away.
We're never far from a view of the Shropshire Hills.
It's hard sometimes, to allow myself to enjoy all of this, knowing that Andy never got the chance to see that we made the right choice after all. How he would have loved it.
Shropshire is proving to be more uppy and downy than the Cotswolds, but Marjorie and I are learning to tackle the hills.
It's nice to see my little cottage with its cream chimney stack, nestling in the landscape as we return home.
Two Oxfordshire workshops this month, the first at a new venue in Bampton, Folly Fabrics - a vibrant, cleanly laid out shop in the heart of Bampton - which Downton Abbey fans may know is where many of the Downton village scenes are shot. (And yes, they were filming for a new show when I was there, but I was working!) Folly Fabrics are my third supplies and kits stockists and it was lovely to walk in and see everything displayed beautifully alongside my book.
Sharon had made specially themed cakes and biscuits with pink bunnies adorning them. There is always cake at Folly Fabrics and Sharon is a fabulous baker. Too adorable to eat? They were scoffed, anyway!
Everyone seemed to have a good time.
The next day I was back in my old stamping ground at Fibreworks Oxford, with a smaller class - only three, but it was nice and cosy. Birds were made. And here's a few things I managed to make inbetween everything. The cat is sold, the fox was a gift, but I still have a couple of the little stump hares in my Etsy shop. My next workshops are in July - at Chipping Norton Fibreworks on Friday the 18th making Candy Buns and back to Oxford Fibreworks on Saturday the 19th July, making this wee house on a hill, which can double up as a sweet pin cushion. Both shops are also stockists of my kits.
I'm always on the look out for nice shops to stock my wools and kits, so if you know of any, please let me - or them - know. I aim for nothing less than world wide domination.
Since getting out and about, I have found a new, nearby refuge. Venus Pool is a 20 minute cycle away, a bird watching reserve with hides dotted about and rich in all kinds of wildlife. It is here that I go when I need that 'thing' which I can only get from tramping about in the green.
There is a new area of woodland opened up - it has been well over a year since I was in woods and I had almost forgotten how deeply they touch me. These woods are cultivated; a far cry from my old woods in the Cotswolds, which nursed remnants of the ancient Wychwoods in their heart. These are more Rivendell that Mirkwood, but to a thirsty soul they were bliss.
Returning, down a long, straight track leading towards an oak tree.
Buttercup fields glisten in the sun.
There are blowsy, overladen hawthorn trees lifted straight from a Samuel Palmer painting.
There are strategically placed seats, just where you want them. With views.
Naturally, the Wrekin overlooks it all. It is never far from the background.
On the way home, I see the potato crops are starting to show through.
Amazing to think that it is summer already - and I have a lovely big interview and feature in this year's Mollie Makes 'Made in Felt 2' magazine.
I also got to mention my two favourite needle felt artists, Victor Dubrovsky and Malachai Beesley, always nice to plug other needle felters, especially if you admire their work. Lady Winifred Weasel, my latest design, is looking for a copy now. She advises finding more details over on the Mollie Makes page. but if you're in the UK, it can be found in the usual major outlets, WHSmith and various supermarkets.
So this month I have managed to bring out my third needle felt kit - my yellow dog Custard, who so many people love. Designing a kit takes a while, but is so worth it once it's all finished. And now available with my other kits in my Etsy shop. And finally finished a long languishing order, for a copy of 'Kitty Blue' from my book 'Mrs Mouses' Cupcakes'. This is the newer version -
The first Kitty who appears in the book, was made five years ago, so there are a few minor differences. Such as the flower buttons, as I couldn't source the same ones.
But they are not a million miles apart.
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Alone at night, but for the moths, who cascade through my open bedroom windows. I welcome them in and watch them for a while, as they flutter around like a crazy miniature circus.
Eventually, they settle on the glowing, bare plaster walls. Some cast disfigured shadows, like tiny monsters. A hooded vampire with twitching tentacles.
Some are masters of disguise and blend in where they can.
Others cluster round my lamp, a single artificial light in the dense country darkness.
Raggedy dancers, spreading their dresses.The large, ungainly Elephant Moth, whirring and thumping on my pillow. So clumsy on foot, so elegant when air borne.
Skinny, gallumphing daddy long legs, careering about like out of control trick ponies.
The sweet plume moth, who's prettier common name is 'Angel Moth', dressed in downy feathers and stretching her elegant legs.
Sometimes, they come to me.
I leave the windows open and turn off the lamp. By morning, they are all gone and the walls are bare.