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Viewing Blog: Miss Snark, the literary agent, Most Recent at Top
Results 51 - 75 of 2,275
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Miss Snark vents her wrath on the hapless world of writers and crushes them to sand beneath her T.Rexual heels of stiletto snark.
Statistics for Miss Snark, the literary agent

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51. Contracts and references

Oh Great Guru of Wicked Snark,

I have two very short questions. Number 1 – if the agent does happen to want a deal, will I be made to fly into the bastions of New York to sign the contract, or do I even get to meet this person? Number 2 – since I will probably be spending a lot of time with this person, when does it come along to ask for a reference for services, without offending said agent and blowing the whole deal?



for all protestations of devotion in your signature (redacted) you haven't slithered through the Snarkives very thoroughly cause I know I've answered both questions before.

However, here ya go:

1. You don't have to fly to NYC to sign a contract. I have several clients I've never met. I do try to meet them but it's not a consideration before signing if I haven't.

2. You ask for references before you sign up with an agent. Any agent who won't give you client contact info should be avoided at all costs. This is absolute. I have some clients I don't give contact info for, but I have several who are willing to be contacted and I give their names out when asked without a second thought. All reputable agents expect to be asked for this information, it's not seen as intrusive or unwelcome. It's also fine to contact an author directly without an agent's ok. You may not get an answer but it's still ok to do it. I hear about this from my clients all the time.

2 Comments on Contracts and references, last added: 5/7/2007
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52. "Must be typewritten"

Dear Miss Snark:

My day job is transcription. When we are busy (which it has been ever since I was hired) I spend 10 to 12 hours on the computer every day, only taking time to cook dinner and kiss my spouse-creature hello when he gets home from work.

As you well know, every agent out there requires everything to be typed up in a specific way and frankly, I don't really do any writing on my computer any more. With all the computer work I do during the day, I simply cannot bring myself to write my novels on the computer. I write long hand with a special fountain pen that provides extremely fluid, stress free writing to my work-weary fingers and wrists. I figure this is better than never writing at all.

Have you any advice for someone like me who would love to become a published author but hand writes all her work? Are those days of sending in handwritten manuscripts gone with the wind? Is there any way to explain my predicament to an agent without sounding like I'm whining and begging for sympathy? Am I a hopeless nitwit in want of a clue gun smack upside the head?

I look forward to your answer. The pain will take my mind off the soreness of my digits. Must go sink them in ice now. Or maybe I should go soak my head.



The only people who get a pass on "must be typewritten" are the boys down at the city jail. Some of them even send in typed stuff via wives/girlfriends/clever poodles...the usual roster of amanuenses (and before you wave your Latin dic at me, that's the PLURAL form of amanuensis)

There are people who will type up your words for you. They are called typists. They'll charge you for it. Others are called sweethearts. They won't charge you for it, but you're better off paying for it up front rather than hashing it out in divorce court after you're rich and famous.

This is pretty much a non-negotiable condition these days. Someone has to type this up and I can tell you it's not going to be me. You can talk to Killer Yapp about it but he's in the amenuensis union and I think his rates include cigars, walkies, and no mention of squirrels in the book.

20 Comments on "Must be typewritten", last added: 5/8/2007
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53. Book two

Dear Miss Snark,

After following your advice with care and diligence, I snared myself Agent Wonderful. She is out pimping my very first book to editors, sending me updates when warranted. In short: Yippee!

In the meantime, I have finished my very second book. Friends are encouraging me to send VSB off to Agent Wonderful. But Agent Wonderful has only been shopping VFB for a short while (in Publishing Time) and I know she's working hard at it, rattling editor cages all over town. I suspect she's also busy with other clients. She knows I've been working on something. She has not asked to see it. When/if should I bring VSB to the attention of Agent Wonderful?



Tell her you've got it and ask if she wants to see it.

Generally I don't want to see book two till I've sold book one. If I can't sell book one of course, I'll read book two and see if that might have better luck.

I never shop two books by one author at the same time unless they are wildly different things such as a book of sonnets and a Western set in space.

2 Comments on Book two, last added: 5/7/2007
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54. A Tribute to Nicholas Pekearo

I've mentioned the two auxiliary officers who were killed in Greenwich Village on March 14. One, Nicholas Pekearo, was a writer and a devoted reader. A young man who volunteered his time to make our city a good place to live. In other words, one of those guys you never hear about until he's dead before his time, and it's too late to thank him for stepping up.

There's a benefit concert on May 9, here in New York, for a cause this man believed in.


A Tribute to Nicholas Pekearo

Benefit Concert for PROTECT featuring Jesse Dayton, a hard rocking, good time guy from Austin, TX.

Don Hill's 511 Greenwich St., New York, NY

May 9, 2007 : doors open at 9PM

cover : $20.00 (100% donated to PROTECT)

Complete details can be found here

5 Comments on A Tribute to Nicholas Pekearo, last added: 5/7/2007
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55. To blog or not to blog

I have a paranormal mystery novel at the submission stage - thoroughly critiqued, polished to the best I can get it, and quite original IMO. Of course, agents and publishers may see it differently, but that's another subject.

I am thinking about starting a blog on the subject matter of the story: the paranormal and the divide between those who believe and those who don't. (Not quite, but close enough. I'm trying to be a little cagey about the core issues, as I think the idea is original enough to consider it in my best interests to keep it close to my chest.)

On the issue of blogging writers you have said:

"Do I look for writers by reading their blogs? No I find writers the old fashioned way: they fall into my mailbox with nice letters. However, if someone queries me and says "Dearest Miss Snark, I have a blog that gets 1000 unique hits a day" and "my blog is about my writing" of course I'd pay attention."

Does this apply to subject matter not directly related to writing or publishing? I think, if done properly, the blog could attract some attention and get some good traffic. But is it really a useful tool when the writer is unpublished to try and sway the prospective agent/publisher that the subject matter generates a lot of interest?

There are many good writers blogs out there and I'm sure the world doesn't need another. But if you had one that dealt with intriguing core issues covered in your story, and it was interesting enough to attract a lot of, well, interest, is it a good marketijng tool?


Sure.
Key phrase: interesting and done well

In case you're wondering, it's not all that easy to keep a good blog. I see a lot of crappy ones out there and a few that are downright damaging to an author's public face.

I also don't troll the blogosphere for writers but when I google hot prospects, you bet I look at their websites or blogs.

Here are the things I think make a blog work well for a writer building an online presence:

1. pictures
like here

2. hilarious
like here

3. informative
like here

4. slice of life outside the usual
like here


5. very very focused
like here


And really almost all of those blogs are all of those things and they're well written.

Starting a blog just cause you've heard it's a good idea is the wrong starting point. The right starting point is do you have anything to say, and do you have enough of it to say one new thing every day for a year.

And just cause you have a blog doesn't mean anyone will ever read it. I'm stunned by the number of people who read this blog now, but when I started there were about six of us and three of them were poodles. I was very fortunate to receive mentions by GalleyCat and Publisher's Lunch within several weeks of launching but that was almost two years ago when blogging was still relatively new. I think I was one of fewer than ten publishing professionals keeping a blog at that time. Now there are hundreds.

A dead blog isn't a plus.

40 Comments on To blog or not to blog, last added: 5/10/2007
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56. Backlist soup

Dear Miss Snark:
Have you ever had a situation where you signed an author only to find he/she has an backlist of unpublished novels? I'm not talking a plethora of drawer books, but solid, decent titles that didn't find homes because the market turned or they just weren't breakout enough. How do you handle this? Do you deal with one at a time, or perhaps pitch a few, looking for a multiple book deal? What if you don't love the books as much as the one you signed the author on?

sorry, lots of questions, I know. I'm just looking for a glimmer of hope, here.

thanks in advance, juicy soup bone to KY.


KY says thanks for the mastodon soup: yummy!

Miss Snark says: I'm pretty sure every client I've EVER signed has a bunch of novels they think are good and that didn't sell. Generally the back list comes out for consideration when we're trying to find book two. I read them one at a time. So far the record is six: six reads to find the one I thought I could sell.

And I've had clients fire me cause I didn't like what they had up their sleeve too. Not fun, but from their standpoint, the right decision.

And I've sold books I didn't love.

18 Comments on Backlist soup, last added: 5/6/2007
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57. Hook as in right hook

I have a novel called THOUSAND DOLLAR ADULT. It is about a woman who cannot box worth a flip, so she becomes a literary agent. All is well until she starts developing homicidal impulses toward some turkey in California who keeps sending her nitwit queries stuffed in with stale cookie crumbs. Tormented by her inner demons and her envy of Muhammad Ali, she stalks the would-be novelist and blows his brains out, not with a .357 magnum, but with a surprise attack right hook from her old boxing days. And he thought she invited him to dinner to discuss his book. What a sap.

The agent is put on trial, meaning she has to pay lawyers for years and years and years (the crime took place in California, after all and they are in no hurry.) She doesn’t mind the prospect of death row, but the legal fees are killing her ahead of schedule. Fortunately while the idiot prosecutor is not watching, the defense attorneys stack the jury with other literary agents. Then at the climax of the story the agents in the jury box all stand up as a group and shout “Not Guilty!” (I stole this from the movie HOW TO MURDER YOUR WIFE.)

That despite twenty eye-witnesses, a signed confession, numerous character witnesses who testified for the prosecution, and an old Wal-Mart security video showing her giving the janitor a shellacking.

Finally she gets back to her office in New York, only to be confronted by the result of a long absence: The Slush Pile From Hell.

My only concern is that this story could never happen in reality and that no literary agent will take it seriously.

What say you?


Bring it on.

2 Comments on Hook as in right hook, last added: 5/9/2007
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58. Thank yous

Dear Miss Snark,

Three related questions:

First, I've heard it said not to send anything to one's agent as a thank-you other than a nice, handwritten card -- stressing that this is a job, and as the agent is not in fact being "nice" but just doing a job, anything else is overkill. I've read stories of wilting flower bouquets and uneaten fruit baskets, and although I'm pretty sure you'd make an exception for a gin pail or George Clooney's home number, what, in your opinion, do other agents tend to think on this matter? I'd feel like a little bit of a nitwit if I called my agent and said, "so what would you like me to send you to say thanks?" (But if you can think of a tactful way to do just that, I'd be game!)

Second, when in the process does one send whatever it is one has deemed appropriate? When the contract is signed? When the book goes on sale? When Miss Snark plugs the ARC on her blog? All of the above?

And third, I've noticed I tend to say "thanks!" in most of my e-mails to my agent. I'm not trying to be suck-up-ish, I just think I have an awesome agent who does her job very well, and she deserves to know I appreciate her hard work. But how does one know when enough becomes too much, the agent's eyes start rolling, and George is summoned to start the IV gin drip?

Thanks (see, there I go again!) so much.


1. I've received an assortment of things, most recently the entire inventory of a saloon which comes in quite handy on the days it's raining too hard to slink over to the Bathtub Bar and Still.

Flowers are almost always lovely, bottles of hooch as well. You can ask the agent's other clients what they sent. But really and truly, giftage is not a requirement of the deal.

2. Mostly I get the swag when contracts are signed. That's kind of a big deal moment, and we all feel like celebrating a lot, particularly if it was a long process.

3. It's never ever wrong to say thank you to your agent in an email (well, ok "you stink, you're fired, thanks for nothing" is the exception). Even Miss Snark's cold cruel heart is slightly thawed by "thank you, you're the best" in emails.

8 Comments on Thank yous, last added: 5/8/2007
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59. Takes a lickin' and keeps on bitchin'

The topic that will not die

3 Comments on Takes a lickin' and keeps on bitchin', last added: 5/5/2007
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60. dunce cap for the publicist

Dear Miss Snark,

It's springtime, the season of birds, bees, and cologne/weightlifting/highheels/shortskirts... et cetera.

Some highlights from The Romance Revolution:

~ 55% of women and 41% of men have said "I love you" in the hopes it would lead to sex.

~ 64% of men and 72% of women "want more romance" in their lives.

~ 86% of those surveyed believe it's "cool to be romantic".

In honor of the season, (publisher redacted) will issue its annual Romance Report this Wednesday, whose findings tell us what we already know: America is a nation of romantics. This year's report, The Romance Revolution, took the romantic pulse of American men and women, interviewing about their hopes and perceptions on the state of America's art of love.

Because of your blog coverage of Romance Lit, I've attached the report's press release, scheduled to go on the newswires tomorrow. I hope this brings a little springtime steam to your page, and if you want any more information on the report, drop me a line and I'll get right back to you.

Con Amour, I'm sure.


yea right.
My coverage of Romance Lit?
I may end up with a noise complaint from the neighbors I'm laughing so hard at that one.

Yes, this guy is spamming Killer Yapp.
No, it doesn't matter worth a damn to me.

What it means to YOU however is that if you write romance and your publisher tells you they have an email press campaign, you might want to see what they think that entails.

There are many many ways to be effective on line. Spam isn't one of them.



As a writer you must be prepared to advocate for your own book online. You absolutely cannot expect anyone else to do it effectively. Publishers can cover the trade outlets (like Publishers Weekly, Kirkus, Library Journal) and they can get review copies to newspapers but I've NEVER yet seen an effective online campaign from a major publisher.

If you go back and look at the books I've talked about on this blog you'll find two things:
1. they are books written by people who read this blog, and who've been reading it for awhile and are known to me from the comments column; and

2. they are books Snarklings, or someone I know, or a blogger I read, recommended.

In other words, a pr department telling me about a book has ZERO effectiveness here. Marketing and PR in Cyberia happens one-on-one or in places that feel like one-on-one (like the DorothyL list or Confessions of an Idiosyncratic Mind).

One of the great things about most blogs is people are writing about books about which they have genuine emotion-be it love or loathing. I actually read a book cause someone hated it so much (figuring I knew the guy was an idiot so I'd probably like the book--I didn't).

I tell all my authors to find blogging communities they like, and to be visible in those communities. Not every day, or even every week, but known. People buy books of people they know and like (or perhaps in Miss Snark's case--know and fear).


And tell your publisher not to spam Killer Yapp. It's interfering with his efforts to learn Catalan.

9 Comments on dunce cap for the publicist, last added: 5/9/2007
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61. The venerable Bede? no, that's Miss Bent to you, bucko

Miss. Snark,

I recently submitted an email query to Jenny Bent and she replied in less than 24 hours asking me to send her a partial (50 pages) via email. It has been two weeks since I sent it and I got no confirmation that she got it but I am pretty sure she did. Is two weeks a bad indication that it has been rejected after such a quick response to my query? How long should I wait until I inquire if at all?

I am a first time author so I am not sure how long these things take.


First clue: there are 4000 posts on this blog. At least ten percent of them deal with timing. My guess is you've read none of them. Before you ask basic questions, at least make a stab at finding the answer. There are two direct benefits: you'll find out faster AND you won't look like a nitwit.


Second clue: Here's what Miss Bent's daily schedule is

9am arrive at office via sedan chair

9:05am receive editors lined up begging to buy projects

12:02pm first lunch with Michiko

12:42pm second lunch with Oprah

1:30pm return to office to sort through offers from morning's editor line up

1:45pm return phone calls from worthy editors

3:10pm afternoon tea with Mick Jagger who is seeking advice on a ghost writer for his long overdue bio

3:45 pm read emails in slush pile

3:46pm sort through invitations from beseeching prize committees such as Nobel and Pulitzer

3:47pm conduct six auctions simultaneously with color coded ink pens and briskly efficient team of assistants

3:52pm make five editors weep in frustration as the Next Big Book goes elsewhere

4:15pm telephone calls with clients who offer up a litany of thanks, chocccies, loinfruit (first born of course) and really good scotch

5:00pm sedan chair for trip home

7:15pm dinner with Pope who is overheard whispering ruefully "oh such sweet temptation"

9:15pm returns home to peruse manuscripts

10:00pm fall asleep in bower of rose petals


As you can see Miss Bent is extremely busy doing what they pay her for down there: selling books. And partials get 30 days even if she isn't.

7 Comments on The venerable Bede? no, that's Miss Bent to you, bucko, last added: 5/6/2007
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62. What to get for a kid who already has Satan for a BF

Dear Miss Snark,

Is there a particular book you would recommend as a high school graduation gift for a young woman who still has a lot to learn about life?

I have already considered one of your recent raves, Patricia Carlin's How to Tell If Your Boyfriend Is the Antichrist, but I'm afraid that question has already been answered in this particular case.

Many thanks, and welcome back! Oh, how we missed you!



I found this one to be pretty darn useful.


I missed y'all too, and I'm glad to be back.

6 Comments on What to get for a kid who already has Satan for a BF, last added: 5/5/2007
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63. Return of the Nitwit!

Hi! The author (name redacted to preserve that poor sucker's identity) recommended your website. Do you have any tips for getting a literary agent? Can YOU be my literary agent? Will you be at the book expo in late May?

-Thanks


No
No
Yes


Major clue: When someone directs you to a website, generally it helps to read more than the title before you fire off an email.

47 Comments on Return of the Nitwit!, last added: 5/5/2007
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64. Miss Snark goes dark

The blog is going dark for a week.
Don't worry, nothing horrible, just a short break sans phone email and the hurly burly of the daily grind.

No comments going up either so don't worry that I've deleted you.

Back a week from today, Saturday May 5.

14 Comments on Miss Snark goes dark, last added: 5/2/2007
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65. Slow night at the toaster!

It's Friday, it's slush.

The things you do that turn your query into toast:

1. Remind me that you telephoned to ask permission to query. It's bad enough you did it. If enough time passes, I'll probably forget it was you. But no! no no, you lead the query letter telling me how nice it was to talk to me.

Here's a news flash: it wasn't nice to talk to you. I wasn't rude cause I'd run out snarl sauce and the new shipment is on hold at Customs pending a vermin search, but make no mistake about it, calling to ask if it's ok to query is stupid. Unless an agency specifically says don't, you can assume they want queries.


2. The letter is all one paragraph.
Ok, that's charming...not.
Then you single space your pages...which isn't the narrative, but descriptions of characters.
Not just toast...burnt toast.

3. "My novel is x thousand words but it reads longer". If you don't know why this is funny, need to sharpen your Sardonica bone.


4. A string of adjectives to describe the work (never a good choice anyway) topped off by the failure to tell me whether it is a novel or nonfiction. I don't know if you only tell me it's well written, riveting, and important.


Only four servings of toast in today's slush.
My dog, can it be...are you paying attention to the rants??
Miss Snark faints dead away at the horrifying idea of doing good in the world.

10 Comments on Slow night at the toaster!, last added: 5/5/2007
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66. Snarkly Chronicles

Dateline: New York

6:02pm

(Dulcet tones of auto announcer in subway car) "This is the end of the line. All passengers must exit the train"

Disoriented woman looks up from novel, befuddled: WTF??? Where am I?

Impatient MTA conducter: Hey lady, get off the fucking train!

DW: Where am I?

MTA: Coney Island! Last stop. Get off the train.

DW (looking down at novel): But, but, I meant to get off at West 4th! In the 212! This! This is the 718, and damn near the 516!!

MTA: Lady, get OFF the train, it's the end of the line. This isn't West 4th Street. This is Coney Island.

DW: Oh my dear dog, I totally lost track of time.

MTA: Lady, I don't care, get off the train!

DW: wait wait, I'm on page 276, I'm almost done, I just need to finish....

MTA: Lady, I'm calling a cop if you don't get off the train this second.

DW: Look bub, if you had an ounce of brains, you'd realize that once I'm DONE with this book I don't need it any more, and I could give it to YOU to read.

MTA (looking skeptical) : What are you reading? Is it any good?


DW: This



MTA: Madam, please be seated. Can I get you a beverage?

46 Comments on Snarkly Chronicles, last added: 5/6/2007
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67. Nitwit beyond even the last one

Hello,
This morning I submitted a query to an agent I'd researched, and promptly received a reply from another agent at the house who had been forwarded my query from the original agent I queried. This agent asked for my full electronically, and I gladly sent it right away, settling in for the long wait. Not more than 3 hours later, I received a "Thank you for letting me read your manuscript. Unfortunately I cannot offer you representation at this time." Is this standard procedure in any way? Do I have grounds to be frustrated for the false hope, and that there was no feedback given?


no
no
no

I think taking the blame for giving writers "false hope" by asking to see their manuscripts may qualify as the nitwittiest thing I've heard all day. And as you can see from today's posts, you had SERIOUS competition.

I need a gin IV drip after this one.

17 Comments on Nitwit beyond even the last one, last added: 4/27/2007
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68. Relative nitwittery

Hello,

My BIL, I'll call him N, has offered to 'publish' my book free of charge and pay me some contributor's copies...promising to do local marketing too. Now, see this, he's not read anything and only knows bare descriptions of my wips. Now, I've discussed this with Ann Crispin and we agree this isn't cred, but my question is this. IF I had something that fit his requirements (basically around 120 pages), would it hurt me to let him publish it. Would a future agent ask me why I would do something like that?

N is a relatively smart person, but apparently doesn't know anything about manuscript prep...for example, he says that's 120 pages single spaced, 'which is closer to what the book will actually look like' to quote him.

He wants to start is micro-press with a work from me and one from him.

I probably won't be able to accommodate him, because everything I have is over 120 pages...even single spaced...I'm talking real cutting here.


Should I throw something to him? Recommend he read something current from me? (last thing was at least six years ago) Or beg off?


It's not going to kill you but why would you do this?

The first question I always ask on any deal offered is "what's in it for me".
This isn't cause I'm selfish (well, I am selfish but that's not the reason I ask).

I ask cause there MUST be give and take or it's a favor, and favors have a way of being one sided on things like this, and you end up resentful.

The other thing I ALWAYS ask on deals is "what's in it for the other guy".
If I can't see how he's going to make money, or build a business or do something reasonably productive, I don't participate cause why would I consign intellectual property to the shredder aka throwing away money.

I'm all in favor of start up businesses, and I'm all in favor of micro presses, and I love and respect the people with entrepreneurial spirit. That doesn't mean I think they walk on water and can do no wrong. No no. You have a small start up press and I want to know you know a thing or two about what you're doing. I pay very close attention to what they say, what questions they ask, and how they propse to learn what they don't know. Absent that, go learn on someone else's intellectual property.

To answer your actual question: no, this won't come back to haunt you most likely but you want to make sure you have a written contract with this guy. A REAL one. If you need draft language, I'll give the name of someone who can help you.

2 Comments on Relative nitwittery, last added: 4/27/2007
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69. A little quiz

This is hilarious!

And I learned something!

Can you guess what it was?



(Tip of the feathered chaeau to Nick for the link)

30 Comments on A little quiz, last added: 5/23/2007
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70. rights, licenses, POD and "perpetuity"

I looked in your archive and didn't see a reference to this subject specifically.

I'm working on a short story to submit to a POD anthology. In the submission guidelines is the following statement: "All submissions remain the property of the contributor. Due to the never-out-of-print nature of POD publication, the editors of Dead Will Dance reserve the right to reprint the collection in perpetuity."

Does the fact that I retain my rights to the work mean I can submit this story (if they accept it) to other publishers? Are there any "gotcha's" with this model?



Uhh...these guys are confusing apples oranges and orangutans.

First, ALL material is ALWAYS the property of the writer. When a publisher or the National Enquirer or the New Yorker or the Bamboozle Floozy Gazette undertakes to publish your work they buy a LICENSE to do so.

A license has two things: territory and duration. (it has other things too but those are the biggies).

If these clowns want your work in perpetuity the answer is no.
No.
Say after me "NO".

And no, generally you can't sell something again that is licensed to another publisher. That's the territories part of the license agreement.

Chances are it will never matter.
Sometimes it does.

I was VERY careful to get reversion clauses in one of my authors contracts. The license buyer, a very savvy businesswoman, did not look on this as trying to hoodwink her. She understood exactly what we needed and agreed to the change in language without turning a hair.

Good thing too. A major publisher is now licensed to publish the work that includes what was previously elsewhere.

You have no idea what the future holds. Giving up your work with no chance to get it back (and for no money right?) is foolish. Don't do it.

5 Comments on rights, licenses, POD and "perpetuity", last added: 4/27/2007
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71. Nitwit of the Day? No, this one is BIGGER than that!

Dear Miss Snark

Today I received this email:

I have a completed middle grade manuscript that I was considering submitting for your consideration. Unfortunately, the web page, (redacted) and in fact the entire web site, is unreadable in one sense or another. Dark brown coloured fonts on a black background just doesn't cut it. Perhaps I'm the only one who can't read the site and if so, then I apologize for taking up your time. Otherwise, without properly visible submission instructions, heaven only knows who is sending what to you.

Any idea for what I should say in return?




You mean beyond "FOAD"?

Why anyone complains to a particular agent at a LARGE agency about the website is nitwittery of the prize winning level.

Large agencies have things called webmasters. Small agencies do too. Even Miss Snark has one (yo, Yapp, put DOWN the mouse).

Here's the other major clue to think about before shooting off your foolish mouth: how a webpage looks on YOUR computer may not be how it looks on others.

Even if you think you're performing a service by telling an agent the web page is hard to read (and you're not, so don't) you should at the very least look at it again on a computer that isn't yours.

And if you really find an error, direct it to the webmaster.

This kind of nitwittery will follow you around. Everyone at the LARGE agency knows your name now. As do I. Trust me, if a NitWit List existed you'd be on it.

7 Comments on Nitwit of the Day? No, this one is BIGGER than that!, last added: 4/28/2007
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72. "Equity publishing"

Dear Miss Snark,

While recently reviewing a copy of a colleague's book, I noticed she had changed publishers. She has several wonderful self-help books in print by a reputable mid-list house and one book in print through a BIG house. So, I was curious as to the change. This is the link to her new publisher:

What I find unsettling is that this company calls itself an equity publisher -- a term with which I am unfamiliar. On their website they make the distinction between four types of publishing (and I thought three was confusing): royalty, vanity, self-publishing, and equity. Is this a new breed of publisher?


I checked out their website, and I wish they didn't sound so defensive cause I think they're offering a fine service to a niche market. More power to them.

They've got a couple details wrong in their urge to make royalty houses sound evil, when really all they need to do is talk about money.

Their model is you pay for the book. They don't like the label vanity press, and since they don't take all comers, or all kinds of books, I can respect that quibble, but really, they are a pay to play publisher.

If they tell you how much up front, show you sample books, and introduce you to happy clients, I've got no complaints.

It sounds like a good deal for people who want to sell books in the back of the room at speeches (notice they are members of the National Speakers Association?), workshop teachers, people with very niched audiences who come to hear them speak or will seek out their books.

They are smart to limit what they do to what they clearly know will sell: biz, self help, inspirational.

What's smart about this for YOU is you get to tap into their expertise on book design and the mechanics of production. You don't have to learn it all yourself. Yes, you pay for that but you pay for all learning curves too.

I'm not sure they can get your books into stores or libraries (notice there's no information on the site for booksellers or retailers or librarians or "purchase now") and if you look at the prices on the books they are insane, but hey, if they can get it, why not.


And they're in Minnesota. Minnesotans are congenitally nice. That's one of the reasons Miss Snark is not allowed to go there.

4 Comments on "Equity publishing", last added: 5/4/2007
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73. Miss Snark has a rival

Words fail

28 Comments on Miss Snark has a rival, last added: 4/26/2007
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74. Editors in their slush pile

I always love hearing editors talk about what they do so I leaped on this youtube video of Alison at Bleak House.

Watch for the shot when she's looking at the mail. Take a good long look. That's the mail for a week. Notice how much of it there is? That's the reason you don't do anything stupid in your query.

9 Comments on Editors in their slush pile, last added: 5/4/2007
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75. So THATS what this thing is for

so sue me, I love this


and no, you can't imitate her.
You have to come up with your own clever idea.

But this was damn good.

42 Comments on So THATS what this thing is for, last added: 4/27/2007
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