After a couple of lean years, 2016 is shaping up to be a great reading year.  If things continue at their current pace, I will have read more books in the first four months of the year than I did in all of 2015, and while there's a bit of cheating involved in that--my numbers this year have been padded by a lot of quick reads, such as comics or standalone novellas--it's also good to be back in

There are three whole days left before the Hugo nominating deadline, but I'm traveling starting tomorrow, so the final post in the series listing my Hugo nominees goes up today.  As tends to be the case, the best novel category is the one I put the least effort into.  I don't tend to read most books in the year of their publication, so I'm only rarely sufficiently up to date that I have a full

We are now five days away from the Hugo nominating deadline, and moving on to a group of categories that can be a lot of fun, but also a bit frustrating.  Fun, because these are the categories where the Hugo steps away from the somewhat insular focus of its fiction and publishing categories and engages with the larger world of pop culture, and frustrating, because we're still so resistant to

With ten days left before the Hugo nominating deadline, it's time to move swiftly forward to the publishing and fan categories.  What binds these categories together is that they are consistently the ones that I have the most trouble picking nominees in.  I don't even bother with the best editor categories, for reasons that have been enumerated too many times for me to repeat, and the two best

Here we are again with the Hugo nominating season rushing towards its close (on March 31st, in case you'd forgotten), and once again my fine intentions of coming to this point having read every story I could get my hands on have proven over-ambitious.  The number of online magazines publishing genre fiction grows every year, and though I truly intended to go through every story published by every

In a few hours, this year's Oscars will be handed out, concluding a season that has been interesting more for the conversation surrounding the nominated movies than for the movies themselves.  Nevertheless, here are some more thoughts about nominated movies (plus a recent one) with my ranking of the best picture nominees at the end. Room - A few years ago, when Emma Donoghue's novel was the

About a year ago, in preparation for the BBC miniseries adaptation, I reread Susanna Clarke's Jonathan Strange & Mr. Norrell.  This was the first time I'd revisited Clarke's novel since I first read it about ten years ago, and what struck me in this rereading--aside, that is, from its reminder that this is a special, unusual, and exceptional novel--was how very political Jonathan Strange & Mr.

Every year I promise myself that this is the year I'll start watching more grown-up movies, instead of just flocking to the same action and superhero movies.  And every year I remember why that's a difficult promise to keep--because unlike TV, the Israeli movie market is still stuck in the 80s, with screens devoted almost exclusively to either blockbusters or middle-of-the-road pablum aimed at

The Lie Tree begins with a gloomy, wet boat journey to a gloomy, wet island in the English Channel.  Fourteen-year-old Faith Sunderly, our protagonist, is moving with her family to the Isle of Vane, so that her father, the Reverend Erasmus Sunderly, can consult on an archaeological dig.  It's the 1860s, and amateur natural scientists like Erasmus are grappling with the new, controversial theory

When I promised to start making ebooks of some of the posts in this blog's (gulp) ten-year-old archives, I thought I'd get on that in a few weeks.  Six months later, I've finally done it!  the E-Books tab has been updated with three new collections: the series Back Through the Wormhole and Let's See What's Out There, in which I reflected on the Star Trek series Deep Space Nine and The Next

Over at Strange Horizons, I review the second and third books in Ayize Jama-Everett's Liminal People series.  This was one of those cases where a book comes to you just when you need it the most.  As they've slowly taken over popular culture, I've found myself growing increasingly impatient with superhero stories, and with how the ones that show up on our screens choose to handle politics (see,

On Wednesday, the good folks at MidAmericon II announced the beginning of the nominating period for the 2016 Hugo awards, and will run until March 31st.  If you're like me, you've maybe been treasuring the period of relative peace and quiet since last year's Hugos were announced at the end of August, and are a little hesitant to launch yourself back into the conversation that surrounds these

It took ten days (all year!) but I'm finally done with the backlog of TV that I let build up over December while I was busy with other things.  And once again, all of these shows, good and bad, are infinitely more interesting than what the networks were cranking out in the fall.  Though it must be said that along with these miniseries and SyFy series, I also watched several network pilots--such

I didn't write anything about the fall TV season this (last) year, because frankly, it was too dismal and boring to write anything about, and anything I could have said would have just joined the chorus of thinkpieces lamenting the networks' inability to produce anything resembling worthwhile new shows.  But here we are in winter, with the network shows on break or just coming out of it, and

I read 44 books in 2015, about the same as last year and still not where I'd like to be (I'm still working on what might yet be number 45, but I doubt I'll make it in the three hours and change I have left).  About a third of the books I read were science fiction, a much higher proportion than usual due to Hugo reading and some other writing projects I'm working on.  Though I've found some great

A few weeks ago, someone on my twitter feed joked that soon, we'd be inundated with a million reviews and thinkpieces about The Force Awakens all starting the same way--with a recitation of the author's personal connection to Star Wars, how they first encountered the movies, what their emotional reaction to the prequels was, and what place the franchise holds in their heart.  This threw me,

2015 has been an interesting year for Marvel Studios and the MCU.  The ever-expanding franchise's movie wing struggled this year, closing out the otherwise excellent Phase II with the overstuffed Avengers: Age of Ultron and the underbaked Ant-Man, two very different movies whose single shared trait is how definitively they demonstrate that Marvel isn't interested in--is, in fact, terrified of-

When coming so late to a novel that has been as rapturously received as Ann Leckie's debut (it is the winner of--deep breath, now--the Hugo, Nebula, Clarke, BSFA, Locus, and Kitschie awards, was nominated for the Philip K. Dick award, and noted in the Tiptree award honor roll) there's a temptation to focus one's critical thoughts on the obvious question: why this book?  What is it about Ancillary

If you're like me, you probably spent some portion of the last six months watching your online acquaintance slowly become consumed with (or by) something called Hamilton.  And then when you looked it up it turned to be a musical playing halfway around the world that you will probably never see.  But something strange and surprising is happening around Hamilton--a race-swapped, hip-hop musical

The first thing you notice about Crimson Peak is how deliberately, consciously old-fashioned it is.  This is a movie that starts with the camera zooming in on the cloth-bound cover of a book bearing the film's title, and whose scene breaks (chapter breaks, we should say) are signaled by irising in on a prop or a character's face, as if we were watching an old-timey silent film.  The second thing

When coming to write about The Martian, Ridley Scott's space/disaster/survival movie about an astronaut stranded on Mars, it's hard to resist the impulse to draw comparisons.  The Martian is perhaps best-described as a cross between Alfonso Cuarón's Gravity and Robert Zemeckis's Cast Away.  Its focus on the engineering challenges that survival on Mars poses for hero Mark Watney, and on the

Two years ago, writing after the end of Hannibal's first season, I called the show a rich but ultimately unsatisfying feast.  I admired a lot about Bryan Fuller's take on Thomas Harris's novels and their sadistic, cannibalistic central character: its use of visuals and music to set an almost oppressively dreamlike tone, its willingness to flaunt the conventions of good storytelling, its clever

For a number of reasons, I found myself neglecting my literary fiction reading in the first half of 2015.  I tend to bounce back and forth between litfic and genre--too much of the mimetic stuff and I find myself longing for something about more than a few people and their emotional issues; too much SF or fantasy and I end up wishing for something more concrete to hold on to.  So this last month

It's 6hrs before the Hugos. I am going to bed, but before that I will make this public prediction: I think the pups are going to be trounced — Abigail Nussbaum (@NussbaumAbigail) August 22, 2015 This year's Hugo results are a landmark occasion: they are the closest I've ever come to guessing the entire slate of winners.  In an informal poll last week among friends (which I'm now kicking myself

You could probably run an interesting poll among genre fans to see which ones find the elevator-pitch description for Netflix's new show Sense8--a globe-spanning genre series from the minds of the Wachowski siblings and J. Michael Straczynski--an immediate selling point, and which ones see it as a reason to stay away.  I have to admit that I'm in the latter group. The involvement of the